Main Features Able to produce a broad range of sounds with simple operation, the GAIA SH-01 is a compact and light-weight, yet full-fledged virtual analog synthesizer that’s a great choice for live performance or in the studio. Rich sound equivalent to three synthesizers A synthesizer consists of sections such as the OSC (p. 30), FILTER (p. 32), AMP (p. 35), various ENV units (p. 32, p. 34, p. 35), and an LFO (p. 36).
USB memory for saving user data The USB MEMORY connector allows you to connect USB memory (sold separately) for storing user patches or phrases. This is also a good way to back up your important user data. Saved patches or phrases can be recalled directly from USB memory. It’s also easy to recall a desired patch or phrase from USB memory, and then re-save it to internal memory.
About WARNING and CAUTION Notices About the Symbols The symbol alerts the user to important instructions or warnings. The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
015 WARNING • Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through. • Never climb on top of, nor place heavy objects on the unit.
IMPORTANT NOTES Power Supply Maintenance 301 401a • Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise.
Additional Precautions Before Using USB Memory 551 704 • Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a computer. • Carefully insert the USB memory all the way in—until it is firmly in place.
Contents Main Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Recording Operations (PHRASE RECORDER). . . . . . . . . . . 24 Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Names of Things and What They Do. . . . . . . . 10 Rehearsing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Top Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Using the GAIA SH-01 with a Computer or Sound Module. . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Recording the SH-01’s Sound or Data on a Computer (USB). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Connecting the SH-01 to Your Computer. . . . . . . . . . . 42 Using the SH-01 as a Controller or Sound Module (MIDI). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 MIDI Connectors . . . . . . . .
Names of Things and What They Do Top Panel 1 4 5 6 11 12 7 8 9 2 3 10 13 14 15 1 D BEAM (p. 21) 8 Here you can turn the D BEAM function on/off. By moving your hand above the D BEAM controller, you can apply a variety of effects. 2 [TONE COPY] Button (p. 30) This copies all of a tone’s parameters to another tone. USB MEMORY [PATCH] Button (p. 55) Here you can save patches or phrases to USB memory, or load them from USB memory into the GAIA SH-01. 3 TONE 1–3 (p.
12 10 [V-LINK] Button (p. 27) [BANK] Button (p. 18) This button turns V-LINK on/off. [TAP TEMPO] Button (p. 23) You can use this button to set the tempo of the arpeggio or phrase recorder. [KEY HOLD] Button (p. 22) This button holds the notes even after you release your fingers from the keyboard. [MONO] Button (p. 20) Use this button when you want to simulate the performance techniques of a solo instrument. [PORTAMENTO] Button (p. 20) This button turns portamento on/off.
Rear Panel 16 17 18 19 20 21 988 16 Security Slot ( ) http://www.kensington.com/ PEDAL 19 PEDAL Jack (p. 26) Connect an expression pedal (EV-5; sold separately) or pedal switch (DP series, FS-5U; sold separately) here. 17 [POWER] Switch (p. 15) This switch turns the power on/off. 20 DC IN (AC Adaptor) Connector (p. 13) Connect the included AC adaptor here. Cord Hook (p. 13) Fasten the cord from the AC adaptor here to prevent accidental disconnection.
Getting Ready Connecting the AC Adaptor Installing Batteries Connect the included AC adaptor to the DC IN connector on the rear panel of the GAIA SH-01. The GAIA SH-01 can operate on eight commercially available AA nickel-metal hydride batteries. 1. Press in the tabs of the battery compartment cover on the bottom panel of the GAIA SH-01, and remove the cover. Cord hook NOTE Indicator • Take care that foreign objects (flammable items, coins, pins, etc.) or liquids (water, juice, etc.
Removing the Batteries POWER SAVE MODE If you want to remove the batteries, turn off power to the GAIA SH-01 first; then open the battery compartment cover, and take out the batteries. You can set the GAIA SH-01 so it will automatically enter power-save mode when a certain length of time has passed without any operation being performed. (When shipped from the factory, the SH-01 is set so it won’t enter power-save mode.
Using headphones 3. Connect commercially available headphones to the PHONES jack on the rear panel. * When turning on the power, do not touch the pitch bend/modulation lever located at the left of the keyboard. If you turn on the power while touching this lever, the system may not operate correctly. * Sound will be output from the OUTPUT jacks even if headphones are connected. Turning the Power On/Off 941 * Once the connections have been completed (p. 13–p.
How the GAIA SH-01 is Organized Basic Structure Performance Functions Broadly speaking, the GAIA SH-01 consists of a controller section, a sound generator section, and effects. Controller section The GAIA SH-01 contains a variety of effects, and each can be adjusted independently. Arpeggiator (p. 22) The controller section is what you play.
About Memory Temporary memory Memory provides storage locations where patches (p. 18) and other settings are stored. There are three types of memory: “temporary memory,” “rewritable memory,” and “non-rewritable memory.” Non-rewritable memory Preset memory 64 arpeggios 64 patches User memory Data for the patch you select via the front panel buttons is called up to this area.
Performing Adjusting the Volume (VOLUME) About Patches Here’s how to adjust the overall volume of the GAIA SH-01’s sound, which is output from the OUTPUT jacks on the rear panel and the PHONES jack. The GAIA SH-01 lets you store the sounds that you create. Turning the knob toward the right will increase the volume, and turning it toward the left will decrease the volume. There will be no sound if you turn the knob all the way to the left. Patches are organized into a “preset group” and a “user group.
Preset group/User group/ USB memory group BANK A–H A-1 B-1 C-1 D-1 E-1 F-1 G-1 H-1 A-2 B-2 C-2 D-2 E-2 F-2 G-2 H-2 A-3 B-3 C-3 D-3 E-3 F-3 G-3 H-3 NUMBER 1–8 A-4 A-5 B-4 B-5 C-4 C-5 D-4 D-5 E-4 E-5 F-4 F-5 G-4 G-5 H-4 H-5 2. A-6 B-6 C-6 D-6 E-6 F-6 G-6 H-6 A-7 B-7 C-7 D-7 E-7 F-7 G-7 H-7 While holding down the OCTAVE [DOWN/-] button, press a key (C2–C4). This specifies the amount of pitch change that will occur when you move the lever to the left.
Shifting the Keyboard’s Pitch Range (OCTAVE UP/DOWN) Playing Single Notes (MONO) This function is effective when you need to simulate the performance of a solo instrument. You can shift the keyboard’s pitch range in steps of one octave, for a maximum of three octaves upward or downward. 1. 1. To raise the range, press the OCTAVE [UP/+] button, and to lower the range press the OCTAVE [DOWN/-] button. Even if you hold down a chord on the keyboard, only a single note will sound.
Changing the Pitch or Volume by Moving Your Hand (D BEAM) By moving your hand above the D BEAM controller located at the upper left of the keyboard, you can vary the pitch or volume according to the height of your hand. Changing the Pitch (PITCH) 1. Press the [PITCH] button so it’s lit. 2. While playing the keyboard, position your hand over the D beam controller, then move it up and down. The pitch will change.
Changing the Assigned Parameter (EFFECTS/ASSIGN) 1. Press the [EFFECTS/ASSIGN] button so it’s lit. 2. While playing the keyboard, position your hand over the D beam controller, then move it up and down. Automatically Playing Arpeggios (ARPEGGIO) Press the [ARPEGGIO] button so it’s lit; the arpeggiator will be on. Parameters assigned on an individual patch basis will change. Press the [EFFECTS/ASSIGN] button to turn off its illumination; the D BEAM will turn off.
Selecting How the Arpeggio will Sound The GAIA SH-01 lets you choose from 64 variations of arpeggio. 1. Hold down the [CANCEL/SHIFT] button and press the [ARPEGGIO] button. Now you can use the [BANK] button and NUMBER [1]–[8] buttons to select the arpeggio variation. The NUMBER button corresponding to the currently selected variation will be lit; the other buttons will blink. The arpeggio variations are organized into eight banks with eight variations in each bank. 2.
Recording Operations (PHRASE RECORDER) 3. Press the [PLAY/STOP] button. You can record your keyboard performance and knob operations, and play them back repeatedly. The recorded performance is called a “phrase.” You can record up to eight phrases, and each phrase can be up to eight measures long. The GAIA SH-01’s phrase recorder does not record the sound that’s actually being produced; rather, it records performance data (MIDI messages) such as “which key was pressed when and how strongly.
Erasing Recorded Operations 1. Saving the Recorded Phrase While recording a phrase, you can erase unwanted notes from the recording. The phrase you record will be lost when you switch off the GAIA SH-01’s power, or when you select a different phrase. During recording, press the [BANK] button. When you’ve finished recording a phrase, it’s a good idea to save it. 1. 2. The NUMBER button corresponding to the currently selected phrase number will blink, and the other seven NUMBER buttons will light.
Choosing the phrase to play back Using a Pedal Here’s how to select a phrase that’s saved in internal memory or USB memory. 1. If you connect a pedal switch (DP series, FS-5U; sold separately) or expression pedal (EV-5; sold separately) to the rear panel PEDAL jack, you can use it to control a variety of functions that you’ve assigned. Hold down the [REC] button. While you hold down the [REC] button, the NUMBER [1]–[8] buttons will select phrases.
Adding Expression to Your Performance (EXPRESSION) If you connect an expression pedal (EV-5; sold separately), you’ll be able to use the expression pedal to control the volume and add expression to your performance. Using V-LINK What is V-LINK? V-LINK ( ) is functionality that allows you to perform music and video simultaneously.
Creating Sounds Sound-Creating Workflow The following illustration shows the basic workflow for creating sounds on the GAIA SH-01.
Cyclic Change (LFO) The OSC, FILTER, and AMP can be modulated at a rate specified by the LFO (p. 36) to create vibrato (by modulating the pitch) or tremolo (by modulating the volume). The GAIA SH-01 has three LFOs; you can use one LFO for each tone. Effects (EFFECTS) What the buttons do and how they light TONE 1 TONE 2 You can apply effects to add a finishing touch to the sound. Five types of effects can be used simultaneously: distortion, modulation, delay, reverb, and low boost.
Making the sound reflect the physical positions of the knobs and sliders (MANUAL) Specifying the Waveform and Pitch (OSC) The Manual function changes the parameter values to match the physical positions of the knobs and sliders, allowing you to edit in a straightforward manner. When you edit a patch to modify its sound, the actual value of each parameter will not necessarily match the physical positions of the knobs and sliders.
NOISE Noise This waveform contains all frequencies. It is suitable for percussion instrument sounds or sound effects. SUPER SAW Super Saw This produces a tone similar to seven sawtooth waves heard simultaneously. Pitch-shifted sounds are added to the center sound. It is suitable for strings sounds, and for creating thick sounds. [VARIATION] button You can select variations of waveforms.
[PW] slider If the [WAVE] button (p. 30) has selected (asymmetrical square wave), you can use this slider to specify the width of the upper portion of the square wave (the pulse width) as a percentage of the entire cycle. Adjusting the Brightness and Thickness (FILTER) • Moving the slider downward will narrow the pulse, making it approach a square wave (pulse width = 50%). • Moving the slider upward will broaden the pulse, producing a more idiosyncratic sound.
HPF (High-Pass Filter) This type of filter cuts the frequency range that is below the cutoff frequency, emphasizing the high-frequency range. This can be used to create percussion instrument sounds with a distinctive high-frequency range. Volume Cut region [MODE] button This button selects the type of filter that will be applied to the waveform. Press the button to make the indicator light for the desired type of filter.
[RESONANCE] knob [KEY FOLLOW] knob Resonance emphasizes the sound in the region of the filter cutoff frequency. Increasing the resonance setting will increase this emphasis, producing a distinctive sound that is characteristic of synthesizers. If you want to accentuate the resonance effect, it’s a good idea to lower the cutoff slightly. LPF BPF HPF PKG Level High Frequency Value Cutoff frequency Here’s how you can make the filter cutoff frequency to vary according to the key you play.
[A] (Attack time) slider This specifies the time from the moment you press the key until the cutoff frequency reaches its highest (or lowest) point. Specifying the Sound’s Attack and Decay (AMP) Moving the slider upward will lengthen this time, and moving it downward will shorten the time. [D] (Decay time) slider This specifies the time from when the cutoff frequency reaches its highest (or lowest) point, until it decays to the sustain level.
[D] (Decay time) slider This specifies the time from when the maximum volume is reached, until it decays to the sustain level. Modulating the Sound (LFO) Moving the slider upward will lengthen this time, and moving it downward will shorten the time. [S] (Sustain level) slider This specifies the volume level that will be maintained from when the attack and decay times have elapsed until you release the key. Moving the slider upward will raise the volume.
[TEMPO SYNC] button [AMP DEPTH] slider This button lets you specify the LFO speed as a note value relative to the arpeggio or phrase recorder tempo. This allows the LFO to modulate the AMP LEVEL (volume), producing a tremolo effect. • Moving the slider upward (“+” settings) will deepen the modulation. If you press the [TEMPO SYNC] button so it’s lit, and then turn the [RATE] knob, the LFO speed (cycle) will change in steps of note lengths “RATE” (p. 47).
Adding Power, Spaciousness, and Reverb (EFFECTS) Distortion effects These are effects that distort the sound. They are particularly suitable for lead sounds. [DIST] button This is a guitar amp simulator that reproduces the thick and powerful sound containing numerous overtones that is often heard from electric guitars. The sound will be mono even if the tone is panned. [FUZZ] button This is a guitar amp simulator with a different character of distortion than produced by DIST.
[TEMPO SYNC] button 2. This button synchronizes the delay time to the GAIA SH-01’s tempo, allowing you to easily create effect sounds that are synchronized to the tempo of your song. Reverb The BANK button and NUMBER button you pressed will blink. 3. The sound settings that were previously in the patch you selected as the destination of the save will be overwritten by the patch you’re saving, and will be lost. Take care when choosing the destination of the save.
Performing with Sound from a Portable Audio Player You can perform along with sound from a portable audio player, CD player, sampler, or other external device. You can also modify the sound of the external device. Connections 1. Adjusting the Volume Connect your portable audio player or other device to the GAIA SH-01’s top panel EXT IN jack. 1. Switch on the power of the portable audio player or other device that’s connected to the EXT IN jack, and raise the volume to an appropriate level. 2.
Eliminating Sound from the Center (CENTER CANCEL) By using this function, sounds that are localized at the center (such as vocals) can be eliminated from the sound of the device connected to the EXT IN jack. Muting the Input Sound (MUTE) You can mute the sound of the device connected to the EXT IN jack. Press the [MUTE] button so it’s lit; the sound will be muted. Press the button again to turn off its illumination; the sound will be heard again.
Using the GAIA SH-01 with a Computer or Sound Module Recording the SH-01’s Sound or Data on a Computer (USB) If you use a commercially available USB cable to connect the SH-01’s rear panel USB COMPUTER connector to a USB connector on your computer, you’ll be able to do the following things. The USB driver is software that transfers data between the SH-01 and the application (e.g., DAW software) on your computer when the SH-01 is connected via USB to your computer.
Using the SH-01 as a Controller or Sound Module (MIDI) MIDI (Musical Instrument Digital Interface) is a universal standard for exchanging performance data and other information between electronic musical instruments and computers. If you use MIDI cables to connect devices equipped with MIDI connectors, you’ll be able to do things such as using a single MIDI keyboard to play multiple instruments, play an ensemble of MIDI instruments, or make settings change automatically as the song progresses.
Using the SH-01’s Keyboard and Knobs to Play an External MIDI Sound Module (MIDI OUT) You can use the SH-01 as a controller. Use a MIDI cable (sold separately) to connect the SH-01’s rear panel MIDI OUT connector to your MIDI sound module’s MIDI IN connector. MIDI OUT MIDI cable MIDI IN MIDI sound module For details, refer to the owner’s manual of the MIDI sound module you’re using.
Advanced Operation In addition to editing its settings via the panel knobs and sliders, the GAIA SH-01 also allows you to edit the following parameters. Patch Parameters COMMON Parameter Range LFO KEY TRIGGER OFF, ON FILTER ENVELOPE VELOCITY SENS 0–+63 LEVEL VELOCITY SENS 0–+63 PATCH TEMPO 5–300 Explanation Panel operation If this is on, the LFO cycle will be restarted when you press a key. Hold down the [CANCEL/SHIFT] button and press the LFO [TEMPO SYNC] button.
OSC Parameter Range Explanation Panel operation WAVE SAW, SQR, PULSE, TRI, SIN, NOISE, SUPER SAW Selects the waveform that is the basis of the sound. Press the [WAVE] button a number of times to make your selection. You can select variations of the currently selected WAVE. There are three variations for each waveform, and each time you switch the variation, the illumination of the [WAVE] button will change as follows: unlit red green unlit ...
AMP Parameter Range Explanation Panel operation LEVEL 0–127 Specifies the volume of the tone. Turn the AMP [LEVEL] knob. A 0–127 Specifies the attack time of the amp envelope. Move the [A] slider. D 0–127 Specifies the decay time of the amp envelope. Move the [D] slider. S 0–127 Specifies the sustain level of the amp envelope. Move the [S] slider. R 0–127 Specifies the release time of the amp envelope. Move the [R] slider.
Parameter Range Explanation Panel operation Specifies the LFO rate. RATE PITCH DEPTH FILTER DEPTH AMP DEPTH PAN DEPTH When TEMPO SYNC is OFF: 0–127 When TEMPO SYNC is ON: 16, 12, 8 ( ), 4 ( ), 2 ( ), 1 ( ), 3/4 ( ), 2/3 ( ), 1/2 ( ), 3/8 ( ), 1/3 ( ), 1/4 ( ), 3/16 ( ), 1/6 ( ), 1/8 ( ), 3/32, 1/12, 1/16, 1/24, 1/32 -63–+63 -63–+63 -63–+63 -63–+63 Specifies the amount of modulation applied to the tone’s pitch. Specifies the amount of modulation applied to the tone’s cutoff frequency.
Parameter FILTER AMP EFFECTS OTHERS Range Explanation CUTOFF Modify the cutoff frequency of the filter. (p. 33) RESONANCE Modify the amount of emphasis for the overtones in the region of the cutoff frequency (p. 34). KEY FOLLOW Modify the extent to which the cutoff frequency is affected by the keyboard position (p. 34). ENV-A Modify the attack time of the filter envelope (p. 35). ENV-D Modify the decay time of the filter envelope (p. 35).
Parameter Range Explanation Explanation Panel operation Pitch -12–+12 Adjusts the amount of pitch shift in semitone steps. Turn the [CONTROL 1] knob. Detune 0–50 [cent] Make fine adjustments to the pitch shift. Hold down the [CANCEL/SHIFT] button and turn the [CONTROL 1] knob. Pitch -12, -7, -5, -2, -1, 0, +1, +2, +5, +7, +12 Selects the amount of pitch shift. Hold down the [CANCEL/SHIFT] button and turn the EFFECTS [LEVEL] knob. [PITCH SHIFTER] Level 0–127 Adjusts the volume.
System Parameters Parameter SYSTEM TEMPO OCTAVE SHIFT Range Explanation Panel operation 5–300 Specifies the system tempo. This effect can be obtained only when CLOCK SOURCE (p. 52) is set to “SYSTEM.” 1. Press the [TAP TEMPO] button four or more times at quarter-note intervals of the desired tempo. 1. Press the OCTAVE [UP/+] button. -3–+3 Shifts the keyboard pitch range in steps of one octave. The range will rise one octave each time you press the button. 2. Press the OCTAVE [DOWN/-] button.
Parameter Range Explanation Panel operation This selects the function that will be controlled by a pedal connected to the PEDAL jack. HOLD: The pedal will operate as a damper pedal. MODULATION: CC01: The pedal will have the same operation as when using the pitch bend/modulation lever to apply MODULATION. VOLUME: CC07: The pedal will adjust the overall volume. EXPRESSION: CC11: The pedal will apply expression to your performance. BEND MODE: The pedal will switch the BEND MODE (STANDARD, LAST + CATCH) 1.
Parameter SOFT THRU Range OFF, ON Explanation If this is on, MIDI messages received at the MIDI IN connector will be re-transmitted from the MIDI OUT connector without change. Panel operation 1. Hold down the [CANCEL/SHIFT] button and press the [V-LINK] button. 2. Hold down the FILTER [SLOPE] button and press the [EFFECTS ON/OFF] button. Button lit: ON Button unlit: OFF 3. Press the [CANCEL/SHIFT] button. 1. Hold down the [CANCEL/SHIFT] button and press the [V-LINK] button. 2.
Other Parameters Parameter RECORDER SYNC OUTPUT Range OFF, ON Explanation If this is on, MIDI clock messages (F8) will be transmitted to an external MIDI device. This effect can be obtained only when CLOCK SOURCE (p. 52) is set to “PATCH” or “SYSTEM.” Specifies how the metronome will sound. RECORDER METRONOME MODE RECORDER METRONOME LEVEL Panel operation 1. Hold down the [CANCEL/SHIFT] button and press the [V-LINK] button. 2.
USB Memory The GAIA SH-01 is equipped with a USB memory connector that allows you to use USB memory as storage media. Using USB Memory Initializing USB Memory Here’s how to initialize the USB memory. Make sure that the USB memory is oriented correctly, and insert it into the GAIA SH-01’s USB connector. NOTE All data saved on the USB memory will be lost when you execute this procedure. 1.
Saving User Patches to USB Memory Here’s how to save all (64) patches from the GAIA SH-01’s user memory to USB memory. 1. Hold down the [CANCEL/SHIFT] button and press the USB MEMORY [PATCH] button. The [CANCEL/SHIFT] button and the USB MEMORY [PATCH] button will blink. 2. Here’s how all (8) phrases in the GAIA SH-01’s user memory can be saved to USB memory. 1. The [CANCEL/SHIFT] button and the USB MEMORY [PATCH] button will blink. Press the USB MEMORY [PATCH] button.
Saving All User Data to USB Memory When you execute this operation, all (64) patches from the GAIA SH-01’s user memory, all (8) phrases, as well as the system data, will be saved to USB memory. This operation is called “backing up.” 1. While holding down the [CANCEL/SHIFT] button, press the [TONE COPY] button and the USB MEMORY [PATCH] button simultaneously. The [CANCEL/SHIFT] button, [TONE COPY] button, and USB MEMORY [PATCH] button will blink.
Restoring the Factory Settings Here’s how to restore all of the GAIA SH-01’s settings to their factory-set condition. This operation is called “factory reset.” NOTE All data that you’ve created and saved in the GAIA SH-01’s internal memory will be lost when you execute the factory reset operation. If you want to keep your data, you must save it to USB memory . ”Saving All User Data to USB Memory” (p. 57). 1. Turn off the GAIA SH-01’s power. 2.
Troubleshooting If the GAIA SH-01 does not operate as you expect, please check the following points first. Overall Symptom Cause Page Power does not turn on Make sure that the GAIA SH-01’s AC adaptor is correctly connected to the outlet and to the instrument itself, and that the power cord is correctly connected to the AC adaptor. p.
Problems with effects Symptom Cause Could the effects be turned off? Effects not applied Check the on/off status of each effect in the top panel. Are the settings of each effect correct? Page p. 38 p. 38 p. 49 Problems with USB memory Symptom USB memory is not recognized Can’t back up to USB memory 60 Cause Page Check the format of the USB memory. The GAIA SH-01 can use USB memory that is formatted as FAT. If the USB memory is formatted in a format other than FAT, please format it using FAT. p.
MIDI Implementation Chart SYNTHESIZER Model GAIA SH-01 Date : March 1, 2010 Version : 1.00 Transmitted Function...
Main Specifications GAIA SH-01: Synthesizer Keyboard Keyboard Maximum Polyphony Sound Generator Section Patch Memory OSC Section Oscillator waveform Knobs/Sliders Envelope Modulation 37 keys (velocity sensitive) 64 voices Virtual analog synthesizer sound generator (Number of part: 1) (Oscillator + Filter + Amp + Envelopes for each section + LFO) x 3 PCM sound generator (Number of parts: 15) Preset: 64 User: 64 SAW, SQUARE, PULSE/PWM, TRIANGLE, SINE, NOISE, SUPER SAW PITCH, DETUNE, Pulse Width, Pulse Width
Index A A (Attack time) AMP ENV. . . . . . . . . . . 35, 47 FILTER ENV. . . . . . . . . 35, 46 PITCH ENV. . . . . . . . . . 32, 46 AC adaptor. . . . . . . . . . . . . . . . . 13 AMP. . . . . . . . . . . . . . . . . . . . . . . . . . 10 AMP ENV. . . . . . . . . . . . . . . 35 LEVEL. . . . . . . . . . . . . . 35, 47 PAN. . . . . . . . . . . . . . . . . . . . 36 ARPEGGIO. . . . . . . . . . . . . . . . . . . . 22 VARIATION. . . . . . . . . . . . . 45 B Batteries. . . . . . . . . . . . . . . . . . . .
EXT IN EXT IN LFO PWM OSC CENTER CANCEL SYNC/ RING 1x2 FILTER ENVELOPE MUTE ENVELOPE AMP ENVELOPE ENVELOPE FILTER AMP ENVELOPE AMP FILTER ENVELOPE Audio signals ENVELOPE PITCH PWM OSC ENVELOPE PITCH PWM OSC ENVELOPE PITCH EXT IN TONE 3 LFO TONE 2 LFO TONE 1 + LOW BOOST FLANGER Control signals DISTORTION EFFECTS DELAY REVERB MASTER VOLUME OUTPUT Block Diagram
Information AFRICA EGYPT Al Fanny Trading Office 9, EBN Hagar Al Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: (022)-417-1828 REUNION MARCEL FO-YAM Sarl 25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429 SOUTH AFRICA T.O.M.S. Sound & Music (Pty)Ltd. 2 ASTRON ROAD DENVER JOHANNESBURG ZA 2195, SOUTH AFRICA TEL: (011) 417 3400 Paul Bothner(PTY)Ltd.
For the U.K. 5 IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: NEUTRAL BROWN: LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
15 For EU Countries 16 For China
* 5 1 0 0 0 0 9 0 9 7 - 0 3 *
