User Manual

76 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-230/YPG-235
îÛÌ͈ËË
● ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ÙÛÌ͈ËÈ
ç‡ÒÚÓÈ͇
ç‡Á‚‡ÌËÂ
˝ÎÂÏÂÌÚ‡
ÑˇԇÁÓÌ/ÛÒÚ‡ÌÓ‚ÍË éÔËÒ‡ÌËÂ
ÉÓÏÍÓÒÚ¸ ÒÚËÎfl StyleVol 000–127 éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ÒÚËÎfl.
ÉÓÏÍÓÒÚ¸ ÔÂÒÌË SongVol 000–127 éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ÔÂÒÌË.
í‡ÌÒÔÓÌËÓ‚‡ÌË Transpos -12–12 éÔ‰ÂÎflÂÚ ‚˚ÒÓÚÛ Á‚Û͇ ËÌÒÚÛÏÂÌÚ‡ Ò ¯‡„ÓÏ ‚ Ó‰ËÌ ÔÓÎÛÚÓÌ.
ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ Tuning -100–100 ìÒڇ̇‚ÎË‚‡ÂÚ ‚˚ÒÓÚÛ Á‚Û͇ ËÌÒÚÛÏÂÌÚ‡ Ò ¯‡„ÓÏ ‚ 1 ÔÓˆÂÌÚ.
ÑˇԇÁÓÌ ËÁÏÂÌÂÌËfl
‚˚ÒÓÚ˚ Á‚Û͇
PBRange 01–12 ìÒڇ̇‚ÎË‚‡ÂÚ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ Ò ¯‡„ÓÏ ‚ ÔÓÎÚÓ̇.
íӘ͇ ‡Á‰ÂÎÂÌËfl
Í·‚ˇÚÛ˚
SplitPnt
000–127
(C-2–G8)
éÔ‰ÂÎflÂÚ Ò‡ÏÛ˛ ‚˚ÒÓÍÛ˛ Í·‚Ë¯Û ‰Îfl ÂÊËχ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ Ë Á‡‰‡ÂÚ
«ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl», ÚÓ ÂÒÚ¸ Í·‚˯Û, ÓÚ‰ÂÎfl˛˘Û˛ ÌËÊÌËÈ ÚÂÏ· (Split voice) ÓÚ
‚ÂıÌÂ„Ó (Main voice). íӘ͇ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ (Split Point) Ë ÚӘ͇ ‡Á‰ÂÎÂÌËfl
Í·‚ˇÚÛ˚ ‰Îfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Accompaniment Split Point) ‡‚ÚÓχÚ˘ÂÒÍË
ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ̇ Ó‰ÌÓ Á̇˜ÂÌËÂ.
óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚˯
Í ÒËΠ̇ʇÚËfl
TouchSns
1 (ÌËÁ͇fl),
2 (Ò‰Ìflfl),
3 (‚˚ÒÓ͇fl),
4 (ÓÚÍÎ.)
éÔ‰ÂÎflÂÚ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚˯.
ÄÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡ ChdFing
Multi (1),
FullKbd (2)
ᇉ‡ÂÚ ÂÊËÏ ÓÔ‰ÂÎÂÌËfl ‡ÍÍÓ‰Ó‚. Ç ÂÊËÏ Multi Fingering ‡ÒÔÓÁ̇˛ÚÒfl
Í‡Í Ó·˚˜Ì˚ ‡ÍÍÓ‰˚, Ú‡Í Ë ÔÓÒÚ˚ ‡ÍÍÓ‰˚, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ Ò΂‡ ÓÚ ÚÓ˜ÍË
‡Á‰ÂÎÂÌËfl. Ç ÂÊËÏ Full Keyboard ‡ÒÔÓÁ̇˛ÚÒfl Ó·˚˜Ì˚ ‡ÍÍÓ‰˚, Ò˚„‡ÌÌ˚Â
‚ β·ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ‡ Ú‡ÍÊ ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ÌÓÚ˚.
ÉÓÏÍÓÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ M.Volume 000–127 éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
éÍÚ‡‚‡ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ M.Octave -2–+2 éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ÓÍÚ‡‚˚ ‰Îfl ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
è‡ÌÓ‡Ï‡ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ M.Pan
000 (΂‡fl ÔÓÁˈËfl) –
64 (ˆÂÌÚ) –
127 (Ô‡‚‡fl ÔÓÁˈËfl)
ᇉ‡ÂÚ ÔÓÁËˆË˛ Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÒÚÂÂÓÁ‚Û˜‡ÌËË.
á̇˜ÂÌË «0» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚΂Ó; Á̇˜ÂÌË «127»
ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚Ô‡‚Ó.
ìÓ‚Â̸ ‚Â·Â‡ˆËË
ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡
M.Reverb 000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ·Û‰ÂÚ Ó·‡·Óڇ̇
˝ÙÙÂÍÚÓÏ ‚Â·Â‡ˆËË.
ìÓ‚Â̸ ıÓÛÒ‡
ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡
M.Chorus 000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ·Û‰ÂÚ Ó·‡·Óڇ̇
˝ÙÙÂÍÚÓÏ ıÓÛÒ‡.
êÂÊËÏ Ì‡ÎÓÊÂÌËfl ÚÂÏ·Ó‚ D.Voice 001–489 Ç˚·Ë‡ÂÚ ÂÊËÏ Ì‡ÎÓÊÂÌËfl ÚÂÏ·Ó‚.
ÉÓÏÍÓÒÚ¸ ‚ ÂÊËÏÂ
̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
D.Volume 000–127 éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.
éÍÚ‡‚‡ ‚ ÂÊËÏÂ
̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
D.Octave -2–+2 éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ÓÍÚ‡‚˚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.
è‡ÌÓ‡Ï‡ ‚ ÂÊËÏÂ
̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
D.Pan
000 (΂‡fl ÔÓÁˈËfl) –
64 (ˆÂÌÚ) –
127 (Ô‡‚‡fl ÔÓÁˈËfl)
ᇉ‡ÂÚ ÔÓÁËˆË˛ Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl ÂÊËχ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ÔË
ÒÚÂÂÓÁ‚Û˜‡ÌËË. á̇˜ÂÌË «0» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚΂Ó;
Á̇˜ÂÌË «127» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚Ô‡‚Ó.
ìÓ‚Â̸ ‚Â·Â‡ˆËË
‚ ÂÊËÏ ̇ÎÓÊÂÌËfl
ÚÂÏ·Ó‚
D.Reverb 000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ·Û‰ÂÚ
Ó·‡·Óڇ̇ ˝ÙÙÂÍÚÓÏ ‚Â·Â‡ˆËË.
ìÓ‚Â̸ ıÓÛÒ‡ ‚ ÂÊËÏÂ
̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
D.Chorus 000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ·Û‰ÂÚ
Ó·‡·Óڇ̇ ˝ÙÙÂÍÚÓÏ ıÓÛÒ‡.
êÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ S.Voice 001–489 Ç˚·Ë‡ÂÚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚.
ÉÓÏÍÓÒÚ¸ ‚ ÂÊËÏÂ
‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚
S.Volume 000–127 éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚.
éÍÚ‡‚‡ ‚ ÂÊËÏÂ
‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚
S.Octave -2–+2 éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ÓÍÚ‡‚˚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚.
è‡ÌÓ‡Ï‡ ‚ ÂÊËÏÂ
‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚
S.Pan
000 (΂‡fl ÔÓÁˈËfl) –
64 (ˆÂÌÚ) –
127 (Ô‡‚‡fl ÔÓÁˈËfl)
ᇉ‡ÂÚ ÔÓÁËˆË˛ Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl ÂÊËχ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ÔË
ÒÚÂÂÓÁ‚Û˜‡ÌËË. á̇˜ÂÌË «0» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚΂Ó;
Á̇˜ÂÌË «127» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚Ô‡‚Ó.
ìÓ‚Â̸ ‚Â·Â‡ˆËË
‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl
ÚÂÏ·Ó‚
S.Reverb 000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ·Û‰ÂÚ
Ó·‡·Óڇ̇ ˝ÙÙÂÍÚÓÏ ‚Â·Â‡ˆËË.
ìÓ‚Â̸ ıÓÛÒ‡ ‚ ÂÊËÏÂ
‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚
S.Chorus 000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ·Û‰ÂÚ
Ó·‡·Óڇ̇ ˝ÙÙÂÍÚÓÏ ıÓÛÒ‡.