User Manual

Reference Manual
Basic Structure
21
Basic Structure
Functional Blocks
Tone Generator
A/D Input
Arpeggio
Sequencer
Audio Record/Play
Controller
Effect
Internal Memory
Reference
Voice
Performance
Multi
SEQ Play
Master
Remote
File
Audio Rec/Play
Utility
Appendix
About MIDI
Display Messages
Troubleshooting
Drive Rotor
Determines the depth of the modulation generated via the rotation of the rotor.
Dry Level
Determines the level of the dry sound (to which the effect is not applied).
Dry LPF Cutoff Frequency
Determines the cutoff frequency of the low pass filter applied to the dry sound.
Dry Mix Level
Determines the level of the dry sound (to which the effect is not applied).
Dry Send to Noise
Determines the level of the dry signal sent to the noise effect.
Dry/Wet Balance
Determines the balance of the dry sound and effect sound.
Dyna Level Offset
Determines the offset value added to the output from the envelope follower.
Dyna Threshold Level
Determines the minimum level at which the envelope follower starts.
Edge
Sets the curve that determines how the sound is distorted.
Emphasis
Determines the change of the characteristics in high frequencies.
EQ Frequency
Determines the center frequency for each band of the EQ.
EQ Gain
Determines the level gain of the EQ center frequency for each band.
EQ High Frequency
Determines the center frequency of the high EQ band that is attenuated/boosted.
EQ High Gain
Determines the amount of boost or attenuation applied to the high EQ band.
EQ Low Frequency
Determines the center frequency of the low EQ band that is attenuated/boosted.
EQ Low Gain
Determines the amount of boost or attenuation applied to the low EQ band.
EQ Mid Frequency
Determines the center frequency of the middle EQ band that is attenuated/boosted.
EQ Mid Gain
Determines the amount of boost or attenuation applied to the middle EQ band.
EQ Mid Width
Determines the width of the middle EQ band.
EQ Width
Determines the width of the EQ band.
ER/Rev Balance
Determines the level balance of the early reflection and reverb sound.
F/R Depth
This parameter of “Auto Pan” (available when PAN Direction is set to “L turn” and “R turn”) determines
the depth of the F/R (front/rear) pan.
FB Hi Damp Ofst R
Determines the amount of decay in high frequencies for the R channel as offset.
FB Level Ofst R
Determines the feedback level for the R channel as offset.
Feedback
Determines the level of the sound signal output from the effect block and returned to its own input.
Feedback High Damp
Determines how the high frequencies of the feedback sound decay.
Feedback Level
When one of the reverb and early reflection effects is selected, this parameter determines the feedback
level of the initial delay.
When one of the delay, chorus, flanger, comp distortion delay, and TEC effects is selected, this
parameter determines the feedback level output from the delay and returned to the input.
When “Tempo Phaser” or “Dynamic Phaser” is selected, this parameter determines the feedback level
output from the phaser and returned to the input.
Feedback Level 1, 2
Determines the feedback level of the delayed sound in each of the 1st and 2nd series.
Feedback Time
Determines the delay time of the feedback.
Feedback Time 1, 2, L, R
Determines the time of the feedback delay 1, 2, L and R.
Filter Type
When “Lo-Fi” is selected, this parameter selects the tonal characteristic type.
When “Dynamic Filter” is selected, this parameter determines the filter type.
Fine 1, 2
Determines the pitch finely for each of the 1st series and 2nd series.
Gate Time
Determines the gate time of the sliced portion.
Height
Determines the height of the simulated room.
Hi Resonance
Adjusts the resonance of the high frequencies.
High Attack
Determines the amount of time from the moment a note is pressed to the moment the compressor is
applied to the high frequencies.
High Gain
Determines the output gain for the high frequencies.
High Level
Determines the level of the high frequencies.
High Mute
Switches the mute status of the high frequencies.
High Ratio
When “REV-X Hall” or “REV-X Room” is selected, this parameter determines the ratio of the high
frequencies.
When “Multi Band Comp” is selected, this parameter determines the ratio of the compressor for the high
frequencies.
High Threshold
Determines the minimum input level at which the effect is applied to the high frequencies.
Horn Speed Fast
Determines the speed of the horn when the slow/fast switch is set to “fast.”
Horn Speed Slow
Determines the speed of the horn when the slow/fast switch is set to “slow.”
Initial Delay
Determines the amount of time that elapses between the direct, original sound and the initial reflections.
Initial Delay 1, 2
Determines the delay time until the initial reflection for each of the 1st series and 2nd series.
Initial Delay Lch, Rch
Determines the amount of time that elapses between the direct, original sound and the initial reflections
(echoes) that follow it for each of R and L channels.
Input Level
Determines the input level of the signal to which the compressor is applied.
Input Mode
Selects mono or stereo configuration for the input sound.
Input Select
Selects an input channel.
L/R Depth
Determines the depth of the L/R pan effect.
L/R Diffusion
Determines the spread of the sound.
Lag
Determines the lagging time additionally applied to the delayed sound specified via a note length.
LFO Depth
When one of “SPX Chorus,” “Symphonic,” “Classic Flanger,” and “Ring Modulator” is selected, this
parameter determines the depth of the modulation.
When “Tempo Phaser” is selected, this parameter determines the frequency of the phase modulation.
Parameter name Descriptions