Reference Manual
Table Of Contents
- How to Use This Reference Manual
- Contents
- Function Tree
- SELECTED CHANNEL section
- Channel Strip section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name, icon, and channel color
- Making HA (Head Amp) settings
- Sending the signal from an input channel to the STEREO/MONO bus
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Correcting delay between channels (Input Delay)
- Channel library operations
- OUTPUT channels
- Signal flow for output channels
- Specifying the channel name, icon, and channel color
- Sending signals from MIX channels to the STEREO/ MONO bus
- Sending signals from MIX channels and STEREO/ MONO channels to MATRIX buses
- Correcting delay between channels (Output Delay)
- Using the PORT TO PORT function
- Channel library operations
- EQ and Dynamics
- Channel Job
- Scene memory
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, effects, and Premium Rack
- I/O devices and external head amps
- MIDI
- Recorder
- Setup
- About the SETUP screen
- User settings
- Preferences
- USER DEFINED keys
- Functions that can be assigned to USER DEFINED keys
- USER DEFINED knobs
- Functions that can be assigned to USER DEFINED knobs
- Custom fader bank
- Console Lock
- Saving and loading setup data to and from a USB flash drive
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/ off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Setting up the Dante audio network
- Using GPI (General Purpose Interface)
- Help function
- Other functions
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the LED color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Initializing the Dante audio network settings
- Warning/Error Messages
- Index
- Data List
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Parameters that can be assigned to control changes
- NRPN parameter assignments
- Mixing parameter operation applicability
- MIDI Data Format
- Input/Output Specifications
- Electrical characteristics
- Mixer Basic Parameters
- Pin Assignment Chart
- MIDI Implementation Chart
Graphic EQ, effects, and Premium Rack
Reference Manual
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3 FB button
Switches the gain reduction method between FF (Feed-Forward) circuit and FB (Feed-
Back) circuit. The button will light when FB circuit is selected.
The FF circuit is used in most contemporary compressors. This type is useful when you
want to apply consistent compression while maintaining a consistent tonal color.
The FB circuit is used in vintage compressors. This type is suitable when you want to
apply a smooth compression while adding a tonal character that is characteristic of such
devices.
4 GAIN REDUCTION meter
Indicates the amount of gain reduction.
5 THRESHOLD knob
Adjusts the threshold at which compression starts to be applied.
6 RATIO knob
Adjusts the compression ratio. Fully rotate the knob clockwise to switch to the limiter.
7 ATTACK knob
Adjusts the compressor’s attack time.
8 RELEASE knob
Adjusts the compressor’s release time.
9 GAIN knob
Adjusts the output gain.
U76
U76 is a processor that emulates a popular vintage compressor used in a wide range of
situations. This processor does not provide the threshold parameter that is found on
conventional compressors. Instead, the intensity of compression is determined by the
balance between the input gain and the output gain. The “All mode” setting for the RATIO
parameter allows you to create a heavily-compressed sound that is typical of this model. It
produces an aggressive tonal character with a rich addition of overtones.
1 INPUT knob
Adjusts the input level. As the input level gets higher, more compression is applied.
2 ATTACK knob
Adjusts the compressor’s attack time. Fully rotate the knob clockwise to set the fastest
attack time.
3 RELEASE knob
Adjusts the compressor’s release time. Fully rotate the knob clockwise to set the fastest
release time.
4 RATIO switch buttons
Use these five buttons to set the compression ratio.
A button with a higher number will raise the compression ratio more. Pressing the ALL
button selects All mode, in which the RATIO will become high, and sharp compression
with a faster release time will be applied, creating substantially-distorted aggressive
sound.
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