User Manual
Table Of Contents
- 1.0 System Requirements
- 2.0 Wi-Fi Settings
- 3.0 Getting Started
- 4.0 Mixer Window
- 4.1 Channel Bank Navigation
- 4.2 Layer Navigation
- 4.3 Channel Names and Colours
- 4.4 Faders
- 4.5 Channel ON
- 4.6 CUE
- 4.7 Dual Cue Mode
- 4.8 SOLO Mode
- 4.9 Master Bank
- 4.10 GAIN
- 4.10.1 Digital Gain
- 4.10.2 Gain Compensation Mode
- 4.10.3 Analog Gain / Digital Gain Link
- 4.10.4 ALL GC ON
- 4.10.5 ALL GC OFF
- 4.10.6 Input Port
- 4.10.7 Phantom Power
- 4.10.8 Phase
- 4.10.9 Dante Wireless Microphone Control and Monitoring
- 4.10.10 Non-Dante Wireless Microphone Control and Monitoring
- 4.10.11 Input Port Patching
- 4.10.12 Input Port Patch Options
- 4.10.13 Multi-Channel Input Patching
- 4.11 SENDS ON FADERS
- 4.12 DCA FADERS
- 5.0 EQ / PAN / 5.1 / DYNAMICS
- 6.0 OUTPORTS
- 7.0 UTILITY
- 8.0 RACK
- 8.1 GEQ Racks
- 8.2 EFFECT Rack
- 8.3 EFFECT EDITING
- 8.3.1 Current Effect
- 8.3.2 Effect Type Selection
- 8.3.3 Effect Library
- 8.3.4 Input and Output Patch Assignments
- 8.3.5 Input and Output Meters
- 8.3.6 Effect Bypass
- 8.3.7 Effect Cue
- 8.3.8 Close Effect Editor
- 8.3.9 Parameter Editing using Sliders
- 8.3.10 Numerical Parameter Editing
- 8.3.11 Multi-Segment Buttons
- 8.3.12 Accessing Parameters
- 8.3.13 Additional Parameters
- 8.3.14 Wet/Dry Mix
- 8.4 GRAPHICAL EFFECT EDITING
- 8.4.1 REV-X Time/Level Parameters
- 8.4.2 REV-X Space Parameters
- 8.4.3 REV-X Filter Parameters
- 8.4.4 REVERB Time/Level Parameters
- 8.4.5 REVERB Space Parameters
- 8.4.6 REVERB Filter Parameters
- 8.4.7 REVERB Dynamics Parameters
- 8.4.8 STEREO REVERB Program
- 8.4.9 MONO/STEREO/MOD DELAY Parameters
- 8.4.10 DELAY LCR Parameters
- 8.4.11 ECHO Parameters
- 9.0 SCENE MEMORY
- 10.0 SETUP
- 10.1 Fader Delay
- 10.2 Filled EQ Graph
- 10.3 Enable Inc/Dec Scene Recall
- 10.4 Show Send Levels in Meter Bridge
- 10.5 Enable Phantom Power Switching
- 10.6 Set EQ band to 0dB with Double-Tap
- 10.7 Show dB Markings on Mixer
- 10.8 Set DCA to 0dB with Double-Tap
- 10.9 Disable Screen Auto-Lock
- 10.10 Cue Operation Mode
- 10.11 Cue A Mode
- 10.12 Cue B Mode
- 10.13 Solo in Place Mode
- 10.14 Channel Select – StageMix Follows Console
- 10.15 Channel Select – Console Follows StageMix
- 10.16 Input Meter Point
- 10.17 Output Meter Point
- 10.18 Display Key Input for Dynamics Meters
- 10.19 RTA Peak Hold Mode
- 10.20 RTA Input Gain
- 10.21 RTA Number of Bands
- 11.0 Troubleshooting
Yamaha Professional Audio QL StageMix V7 User Guide
Page 19
When [LAST CUE] mode is active, only one channel can be cued at a time.
When [MIX CUE] mode is selected, multiple channels can be cued
simultaneously.
The [CUE CLEAR] button will cancel any cues that have been activated. This
is useful when there are multiple cues to cancel, and when some are hidden in
other layers.
4.7 Dual Cue Mode
With V4 firmware and higher, a second cue bus (Cue B) can be created using
Matrix 7/8. This assignment can be made in the console only.
4.7.1 Channel Mode
In Channel mode, every channel in the console can be assigned to one
of the following Channel Settings:
• A
• B
• A+B
These assignments will be displayed as part of the CUE button for
every channel in StageMix:
If a Cue for a channel is active, the Cue button will be yellow.
4.7.2 Cue Clear
In Channel Mode, a popup will appear when the [CUE CLEAR] button
is pressed. This provides a choice of which Cue busses will be cleared:
• [A]
• [B]
• [ALL]
4.7.3 Remote Mode
In Remote mode, Cue functions in StageMix will exclusively control the
Cue B Bus.
If the [CUE CLEAR] button is pressed, the Cue B Bus will be cleared.
4.8 SOLO Mode
When SOLO mode is ON, the [CUE] buttons in StageMix change to [SOLO]
buttons. These buttons turn red when they are enabled.
Note: this does not apply if Remote mode is also active.