Operation Manual

31
Auto Accompaniment
C
Cm
7
C
( )
CM
( )
7
C
(9)
C
( )
(9)
6
Caug
Cm
6
Cm
7
( )
Cm
b5
7
CmM
b5
7
Cm
( )
(9)
7
Cm
(9)
CmM
7
( )
CmM
(9)
7
( )
Cdim
Cdim
7
C
(9)
7
( )
C
(13)
7
( )
C
(b9)
7
( )
C
b13
7
Csus
4
C
1+2+5
C
b5
7
C
6
( )
( )
CM
7
(9)
7
CM
#11
( )
7
CM
b5
C
(b5)
( )
C
#11
7
C
(#9)
7
( )
C aug
7
Cm
7 11
( )
( )
CM aug
7
( )
C sus
4
7
( )
F2: The FINGERED 2 Mode
This is essentially the same as the FINGERED 1 mode, described above, except
that the FINGERED 2 mode additionally allows you to specify the lowest note of
each chord — simply, the lowest note played in the AUTO ACCOMPANIMENT
section of the keyboard is used as the accompaniment bass note. This means you
can specify “on-bass” chords in which the main bass note for the chord is not the
root of the chord. For a C major chord, for example, you could use E (the third) or
G (the fifth) as the bass note rather than C.
F2
FngrngMd
C C on E C on G
Example for “C” chords
FuL
FngrngMd
FuL: The FULL KEYBOARD Mode
In this mode the PSR-330 automatically differentiates between left-hand chords
and right-hand melody, no matter where they are played on the keyboard. Right-
hand chords with a left-hand bass line — single or octave — are also recognized.
In the first case left-hand chords are recognized and accompaniment is produced
in the same way as in the FINGERED 1 mode, in the latter case the right-hand
chords are recognized in the same way but the accompaniment bass line will be
based on the left-hand bass line you play. This means you can play in just about any
style anywhere on the keyboard, and the PSR-330 will automatically produce
appropriate accompaniment.
A single note one oc-
tave lower than the
lowest note of the
chord is recognized
as a bass note, and
notes eleven notes or
more higher are rec-
ognized as melody
notes.