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SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK).
Explanation of Graphical Symbols The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe and handy place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards.
Connections Handling caution • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. • Be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. • Do not insert a finger or hand in any gaps on the instrument.
Introduction Introduction Thank you for choosing the Yamaha Stage Piano CP300. The CP300 features exceptionally high-quality sound, comprehensive features and a variety of editing functions—making it suitable for a wide range of applications, including live performance and recording. We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the CP300.
Introduction Supplied Accessories • Power cord • Foot pedal (FC3) • Owner’s Manual Main Features The CP300 gives you the ultimate acoustic grand piano sound—utilizing three-stage dynamic sampling, providing the ability to change tone with the sustain pedal, and adding a subtle, authentic release sound when you lift your fingers from the keys. Among the advanced features are: • 88-key “Graded Hammer” keyboard with action that is virtually indistinguishable from an actual acoustic piano.
Introduction Contents Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Application Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Before Using the CP300 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Power Supply Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Using the Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Introduction MIDI Panic Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 Built-in Speakers On/Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 Reference Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53 Master Settings—Master Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53 Detailed Settings for the Voices—Voice Edit . . . . . . . . . . . . . . . . . . . .
Introduction Application Index Listening • Listening to Demo Songs with different Voices . . . . . . . . . . . . . .“Listening to the Demo Songs” on page 23 • Listening to your recorded performance . . . . . . . . . . . . . . . . . . . . . . . . . . “Playing Back a Song” on page 49 Playing • Selecting and playing Voices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “Playing Voices” on page 25 • Selecting and playing Performances . . . . . . . . . . . . . . . . . . . . . .
Introduction Before Using the CP300 Power Supply Connections 1 Make sure that the instrument’s [POWER] switch on the rear panel is at the OFF position. POWER POWER OFF!! 2 3 ON OFF Connect the supplied power cord to the [AC INLET] jack (page 22) on the instrument’s rear panel. Connect the other end of the power cord to an AC outlet. Make sure your CP300 meets the voltage requirement for the country or region in which it is being used.
Before Using the CP300 Introduction Using Headphones If you are using a set of headphones, connect them to the [PHONES] jack. PHONES jack CAUTION Do not use headphones at a high volume for an extended period of time. Doing so may cause hearing loss. n If the [SPEAKER] button is lit, this indicates that the built-in speakers sound normally when using the headphones. Turning the Power On Make sure the volume setting of the CP300 and external devices are turned down to the minimum.
Before Using the CP300 Introduction Adjusting the Brightness of the Display You can adjust the contrast of the display by turning the [CONTRAST] knob located to the right of the LCD. B A Grand Piano 1 NO CONTRAST YES EXIT C D Setting the Volume To adjust the volume, use the [MASTER VOLUME] dial located at the left of the panel. When you start playing, re-adjust the [MASTER VOLUME] dial to the most comfortable listening level. The level decreases. The level increases.
Introduction Playing the keyboard Playing the Sounds Try playing some of the realistic and dynamic CP300 sounds from the keyboard now. When you turn the power on following the directions in “Power Supply Connections” (pages 11 and 12), the display below appears. B A Grand Piano 1 NO C YES D In this condition, you can play the keyboard and hear the sound of the selected “Grand Piano 1” Voice. To change the Voice, press any one of the Voice group buttons located at the right of the panel.
Introduction Basic Operation In this section you’ll learn about the fundamental operations of the CP300—the use of the panel buttons and controls and how to restore the CP300’s memory to the factory default settings. Display Settings—Basic Operation Each function may have many items or parameters from which you can choose. To select an item or parameter, press one of the A [–][+] – D [–][+] buttons. Each parameter in the display corresponds to the A [–][+] – D [–][+] buttons next to it.
Basic Operation Introduction Restoring the Factory-programmed Settings of the CP300 The CP300 has a Factory Set function for restoring your CP300’s memory to the factory default settings. This lets you restore the CP300’s default Voices and Performances, as well as its System and other settings. Refer to “Factory Setting List” on page 101.
Basic Operation Press the B [+ (YES)] button to execute the job. After the job has been completed, a “Completed” message appears and operation returns to the original display. Introduction 4 CAUTION For Factory Set operations that take longer to process, you will see the message “Executing” during processing. Do not switch the power off while this message is on the display. Turning the power off in this state may cause the system to freeze. Terminology File: A file contains various data in a group.
Introduction Basic Instructions Turning the Power On Selecting and Playing a Voice First, turn the power on and set up the keyboard before playing. The CP300 features an exceptionally wide variety of Preset Voices for playing in virtually any musical style. Try searching through the Voices to find your favorites.
Introduction Basic Instructions Recording Your Performance and Playing It Back Recording and playing back your performance is exceptionally easy. The CP-300 allows you to record up to sixteen independent parts, letting you record the left- and right-hand parts separately—and lets you build up a complete, multi-instrument Song by recording each part one-by-one.
Control Names and Functions Basic Operation Control Names and Functions Front Panel Basic Operation 5 6 7 ZONE 1 ZONE 2 8) @ ZONE 3 ZONE 4 MASTER 4 PERFORMANCE $ & (º ™ TRACK TRANSPOSE SONG SELECT SONG FILE 1 2 3-16 REC STOP PLAY/PAUSE MASTER EDIT PERFORM.
Basic Operation Control Names and Functions ™ ¢ B CONTRAST NO YES § ¶• GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. PIANO 3 CLAVI. VIBES 1 ORGAN 1 2 ORGAN 2 3 HARPSI.
Control Names and Functions ™ A to D [–][+] buttons ª VARIATION [▼][▲] buttons (page 15) For selecting parameters and changing values while viewing the display. £ Display ‚ [REVERB], [CHORUS] buttons (page 15) For showing various messages and certain settings of the instrument. ¢ [CONTRAST] knob (page 35) These add ambience (Reverb) and depth (Chorus) to the sound. You can turn the corresponding effect on or off with a single touch.
Quick Guide Listening to the Demo Songs The CP300 has a variety of specially recorded Demo Songs that effectively showcase each of the instrument’s Voice groups. Listen to some of these Demo Songs now and hear the wide-ranging capabilities of the CP300. TRACK MASTER PERFORMANCE TRANSPOSE SONG SELECT 1 2 3-16 REC STOP PLAY/PAUSE MASTER EDIT PERFORM.FILE SONG FILE SONG SETTING MIDI OUT PANEL LOCK B A NO DOWN CONTRAST YES UP GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E.
Quick Guide Listening to the Piano Demo Songs 1 2 Simultaneously press both the [MIDI SETTING] button and the [OTHER SETTING] button. Use the A [–][+] buttons to select the Piano Demo Songs. The “Piano Demo” message appears in the display. A B Basic Operation PianoDemo SelectVoiceButton NO C 3 YES D Press one of the Voice group buttons to listen to the corresponding Piano Demo Song. GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. PIANO 3 CLAVI.
Quick Guide Playing Voices Selecting a Voice 2 1 Voice group buttons TRACK PERFORMANCE TRANSPOSE SONG SELECT 1 2 3-16 REC STOP PLAY/PAUSE SONG FILE SONG SETTING MIDI OUT PANEL LOCK B A NO DOWN CONTRAST YES UP GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. PIANO 3 CLAVI. VIBES 1 ORGAN 1 2 ORGAN 2 3 HARPSI.
Quick Guide About XG Voices The XG Voices are categorized and contained in appropriate folders. Select the XG Voice group first, then select the desired Voice. 2-1 Press the [XG] button. GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. PIANO 3 CLAVI. VIBES 1 ORGAN 1 2 ORGAN 2 3 HARPSI.
Quick Guide Playing Different Voices Simultaneously The advanced features of the CP300 allow you to do things and perform in ways that are simply not possible on an acoustic instrument. For example, you can play several different Voices together in a layer, or play one Voice (or even two) layered Voices with your left hand while you play a different Voice (or two) layered Voices with your right. Basic Operation You can make detailed settings for each Voice and combined Voice in Dual or Split.
Quick Guide Changing the Volume for Each Part (Zone Control) The convenient [ZONE CONTROL] sliders allow you to adjust the volume of each part independently while you play the keyboard. Moving a slider up increases the volume while pulling the slider down decreases it.
Quick Guide Combining Voices—Dual Using Voices of Different Voice Groups—Dual 2 1, 3 Voice group buttons 2 TRACK PERFORMANCE TRANSPOSE SONG SELECT 1 2 3-16 REC STOP PLAY/PAUSE SONG FILE SONG SETTING MIDI OUT PANEL LOCK B A NO DOWN CONTRAST YES UP GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. PIANO 3 CLAVI. VIBES 1 ORGAN 1 2 ORGAN 2 3 HARPSI.
Quick Guide To select four parts—Main, Layer, Left and Left Layer—simultaneously hold down the [SPLIT] button and press two Voice group buttons. Main part Layer part B A GrandPiano1 Strings Choir E.Bass Split + Dual NO C YES D Left part Left Layer part You can select other Voices by using the A – D letter buttons (A [–][+] to D [–][+]). Basic Operation n For details about the Split function, refer to page 31. 3 Press any single Voice group button to exit Dual and return to normal play.
Quick Guide Playing Different Voices with the Left and Right Hands—Split 2 2, 3 TRACK PERFORMANCE TRANSPOSE SONG SELECT 1 2 3-16 REC STOP PLAY/PAUSE SONG FILE SONG SETTING MIDI OUT PANEL LOCK B A NO DOWN CONTRAST YES UP GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. PIANO 3 CLAVI. VIBES 1 ORGAN 1 2 ORGAN 2 3 HARPSI.
Quick Guide 4 Specify the split point (the border between the right- and left-hand range). The default setting (factory setting) is “F#2.” (If you do not need to change the split point, skip this step.) F#2 Center “C” (C3) Basic Operation To Change the Split Point Setting 4-1 Simultaneously hold down the [SPLIT] button and use the D [–][+] buttons to specify the split point.
Quick Guide Using the Pedals ASSIGNABLE FOOT PEDAL 3 1 2 SOFT SUSTAIN SOSTENUTO 4 AUX IN MIDI OUT USB THRU ASSIGNABLE FOOT PEDAL 3 1 2 SOFT SUSTAIN SOSTENUTO FC3/FC4/FC5 OUTPUT R L R OUTPUT L/MONO R INPUT L/MONO 4 AUX Basic Operation AC INLET FC7 CAUTION Make sure that the power is off when connecting or disconnecting any pedal. n • By connecting a pedal to the [ASSIGNABLE FOOT PEDAL] jack, you can use the pedal to control one of various assignable functions.
Quick Guide Bending Notes—Pitch Bend Wheel Use the Pitch Bend wheel to bend notes up (roll the wheel away from you) or down (roll the wheel toward you) while playing the keyboard. This wheel is self-centering and will automatically return to normal pitch when released. Try out the Pitch Bend wheel while pressing a note on the keyboard.
Quick Guide Enhancing the Sound with Reverb and Chorus The effect processing of the CP300 features both System Effects and Insertion Effects. System Effects—Reverb and Chorus System Effects are applied to the overall sound, whether it be a Voice, an entire Performance, a Song, etc. Each part can be given a different amount of System Effect processing. Basic Operation [REVERB] button [CHORUS] button TRACK MASTER PERFORMANCE TRANSPOSE SONG SELECT 1 2 3-16 REC STOP PLAY/PAUSE MASTER EDIT PERFORM.
Quick Guide Equalizer (EQ) Usually an equalizer is used to correct the sound output from amps or speakers to match the special character of the room, or to change the tonal character of the sound. EQ divides the sound into several frequency bands, and adjustments are made by raising or lowering the level of each band.
Quick Guide Key Transposition—Transpose The CP300’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to “+5,” playing a C key produces a pitch of F.
Quick Guide Using the Click Pressing the [CLICK] button turns Click or the metronome sound on and off. TRACK MASTER PERFORMANCE TRANSPOSE SONG SELECT 1 2 3-16 REC STOP PLAY/PAUSE MASTER EDIT PERFORM.FILE SONG FILE SONG SETTING MIDI OUT PANEL LOCK B A NO DOWN CONTRAST YES UP GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. PIANO 3 CLAVI. VIBES 1 ORGAN 1 2 ORGAN 2 3 HARPSI.
Using the Master Mode The Master mode allows you to divide the keyboard into a total of four independent areas (called “Zones”). Each Zone can be assigned to different MIDI channels and have different Control Slider functions. This makes it possible to control up to four tone generators simultaneously from a single keyboard, and to control Voices of an external tone generator over several different channels, in addition to the internal Voices of the CP300 itself.
Selecting a Performance All settings of the entire CP300 can be saved together in a group, referred to as a “Performance.” A Performance includes Dual/Split settings, Voice and effect parameters, MIDI transmit/receive channel settings and Master Edit settings. For details on Performance settings, refer to page 73. A total of 64 Preset Performances are supplied with the CP300. The Preset Performances consist of 32 Yamaha original Voices and 32 default Performances (Grand Piano Voices).
Recording Your Performance This chapter explains how to record your performance using the CP300’s versatile recording features. For example, you can record just the left-hand part, and then practice the right-hand part while playing back the recorded left-hand part. Since the CP300 lets you record up to sixteen tracks separately, you can build up a complete, multi-instrument Song by recording each part one-by-one.
Recording Your Performance Recording Your Performance 3 2 TRACK MASTER PERFORMANCE TRANSPOSE SONG SELECT 1 2 3-16 REC STOP PLAY/PAUSE MASTER EDIT PERFORM.FILE SONG FILE SONG SETTING MIDI OUT PANEL LOCK B A NO DOWN CONTRAST YES UP GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. PIANO 3 CLAVI. VIBES 1 ORGAN 1 2 ORGAN 2 3 HARPSI.
Recording Your Performance When the recording track has been selected, the indicator for the [REC] button and selected track lights up in red. (Record Ready mode can be disengaged before recording by pressing the [REC] button again.) A B SongRecording P-000:NewSong Bar 001 NO C YES D 4 Basic Operation Set the Tempo, if necessary (page 38). If this Record Standby display does not appear, press one of the SONG SELECT [N][O] buttons once.
Recording Your Performance Re-recording Parts of a Song This section explains how to record a specific section or part of a Song again. 1 Use the B [– (NO)][+ (YES)] buttons while the playback display is displayed to move through the measures, or play back the recording and press the [PLAY/PAUSE] button to locate a point slightly prior to the beginning of the part you wish to rerecord. If the playback display does not appear, press one of the SONG SELECT [N][O] buttons once.
Recording Your Performance Data Recorded to User Songs Basic Operation Data recorded to individual tracks: • Notes played • Voice selection • Pitch Bend • Pedal/Modulation wheel ON/OFF • Reverb depth (Reverb Send) • Chorus depth (Chorus Send) • Insertion effect depth (Dry/Wet Balance) • Sound brightness (Brightness) • Resonance effect setting (Harmonic Content) • Equalizer’s low-range frequency setting (EQ Low Freq.
Recording Your Performance Other Recording Techniques Adding Data to or Recording Over an Existing Song The previous section explains how to record your performance from the beginning by selecting a blank Song (P-000: New Song). You can also add new performance recordings to existing Songs, or overwrite your previously recorded performances. Basic Operation 1 Press one of the SONG SELECT [N][O] button then use the A [–][+] button to call up “Memory Song.” A B MemorySong Bar 001 M-001:NewSong.
Recording Your Performance 3 Change the settings (Voice, reverb, etc.). For example, if you wish to change the recorded E. Piano 1 Voice to E. Piano 2, use the Voice group buttons and the A [–][+] buttons to select E. Piano 2. When you’ve finished making the settings, press one of the SONG SELECT [N][O] button to return to the Song Select display. CAUTION 4 Basic Operation The panel settings made in Step 3 will be saved in memory and you will not be able to restore the previous settings.
Recording Your Performance Recording in Dual or Split Mode When you record in Dual or Split mode, the CP300 records each Voice onto a separate track. The following table shows how tracks are assigned to each Voice. CAUTION When you record multiple parts into tracks one-by-one, or when you record new data over an existing Song (page 46), the existing data will be erased. Proceed with caution. In the following example, Tracks 1, 2, and Extra Track “n” have been selected for recording.
Song Playback Songs you’ve recorded using the Record function (page 41) as well as Preset Songs can be played back on the CP300. You can also play the keyboard along with Song playback. Playing Back a Song TRACK MASTER PERFORMANCE TRANSPOSE SONG SELECT 1 2 3-16 REC STOP PLAY/PAUSE MASTER EDIT PERFORM.FILE SONG FILE SONG SETTING MIDI OUT PANEL LOCK B A NO DOWN CONTRAST YES UP GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. PIANO 3 CLAVI.
Song Playback Fast Forward and Rewind The following operations can be performed in the Song select display: • Use the B [– (NO)][+ (YES)] buttons to move back and forth (rewind and fast forward) through the Song while the Song is played or stopped. • Press the C [–] button during playback to locate the top of the current Song. • Press the C [–] button twice (double-click) during playback to start playback from the previous Song. • Press the C [+] button during playback to start playback from the next Song.
Convenient Functions This section covers various functions that you’ll find come in handy as you play and perform with the instrument. Panel Lock Function 1 Basic Operation The panel lock function can temporarily disable the panel operation and prevent unintended operation during live performance. Double-click the [PANEL LOCK] button (press it quickly twice). The [PANEL LOCK] button lights. A “PANEL LOCK” message also appears in the display.
Convenient Functions MIDI Panic Control This function serves as a convenient MIDI “panic” switch during performance when using a connected external tone generator. If the connected tone generator continues to sound (stuck notes, etc.) even after you’ve released the keys of the CP-300, using this MIDI Panic control transmits the necessary messages to stop the tone generator from sounding continuously. Press the [REVERB] button while holding the [MIDI OUT] button.
Master Settings—Master Edit Reference Section Master Settings—Master Edit The Master mode allows you to divide the keyboard into up to four independent areas (zones) which will be effective when the [MASTER] button is turned on. n This setting is retained even after you turn off the power to the CP300. If you set the Memory Backup’s Master Setting to Off in the Other Settings menu, the Master Settings will return to the default (initial) values when you turn on the power next time (page 71).
Master Settings—Master Edit Parameters Slider Settings Bank Select LSB Settings for MIDI Transmission to an External Tone Generator For assigning specific functions to each [ZONE CONTROL] slider. A B Slider Zone 1 NO YES Volume C You can select specific Voices or programs on a connected MIDI device by specifying a Bank Select LSB value, in combination with the Bank Select MSB parameter (above) and the Program Change parameter (below).
Master Settings—Master Edit Octave Setting for Connected External Tone Generator The pitch of a note can be shifted upward or downward in steps of an octave in each zone. You can adjust the offset up or down over a maximum range of two octaves. A MIDI Transmission Channel for Master Mode Specifies the channels over which the CP300 transmits MIDI data from each zone.
Detailed Settings for the Voices—Voice Edit You can make detailed settings for Voice. You can make these settings for each Voice (or each combination of Voices) individually. Voice Edit—Basic Operation 1 2 3 Select the desired Voice or combination of Voices. For instructions on how to select a Voice, see page 25. Press the [VOICE EDIT] button to access the Voice Edit menu. Use the A [–][+] buttons to select the part for which you wish to change the Voice.
Detailed Settings for the Voices—Voice Edit Use the C [–][+] buttons to select a target item. You can change the Voice for each part when Main x Layer or Left x Left Layer is selected in Step 3 (in Dual mode). The target Voice name will be displayed in parentheses. A B MainXLayer Set?--> Octave(GrndPno1) 0 NO C 5 D Use the D [–][+] buttons to change the value. Press the [–][+] buttons simultaneously to instantly reset to the default setting.
Detailed Settings for the Voices—Voice Edit Parameters When the Voice part is set to Main x Layer or Left x Left Layer, parameters indicated with an asterisk (*) below are set for each part’s Voice individually. Octave* Detune (Dual mode only) This allows you to shift the pitch of a note upward or downward in octave steps, over a range of +/- two octaves. A B Main Octave Set?--> 0 NO This allows you to finely tune the pitches of the two Voices selected in Dual mode away from each other.
Detailed Settings for the Voices—Voice Edit Insertion Effect Type* This determines the types of Chorus effects used for the Voices of the Main and Main x Layer parts. The Chorus Type settings here are also used for the Voices of the Left and Left x Left Layer parts, respectively. (These cannot be set independently from the Main and Main x Layer Voices.) A A Set?--> Chorus NO C YES Settings: Makes the sound more rich and spacious. Celeste Adds warm animation and spaciousness to the sound.
Detailed Settings for the Voices—Voice Edit Vibe Rotor On/Off* Brightness* This applies only to the Vibraphone Voice and allows you to turn the vibrato effect (controlled by the Modulation wheel) on and off. This is displayed only if “Vibe Rotor” is selected for the “Ins. Type” parameter. When the Vibraphone Voice is selected, the Vibe Rotor effect is automatically set to On. This allows you to set the brightness of the sound.
Detailed Settings for the Voices—Voice Edit EQ High Frequency* Assigning the Pedal 1 Function This allows you to adjust the high-range frequency of the part EQ. A This allows you to assign a specific function to the pedal connected to the [1 SUSTAIN] jack. B Main EQ HighFreq. Set?--> 4.
Detailed Settings for the Voices—Voice Edit Assigning the Pedal 4 Function Assigning the Modulation Wheel Function This allows you to assign a specific function to the pedal connected to the [4 AUX] jack. A A B Main Pedal 4 Set?--> Expression C NO B Main Modulation YES Set?--> Ctrl#001 NO C D YES D Settings: Settings: Reference Sustain On/Off switch-type damper (page 33) Expression Makes the sound softer or louder.
Detailed Settings for MIDI Operations—MIDI Settings Here you can make settings for MIDI applications, such as MIDI receive/transmit channels and other settings necessary when using the CP300 with other MIDI devices. n These settings will be retained even if you turn off the power to the CP300. If you set the Memory Backup’s MIDI Setting to Off in the Other Settings menu, the MIDI Settings will return to the default (initial) values when you turn on the power next time (page 71).
Detailed Settings for MIDI Operations—MIDI Settings MIDI Settings—Basic Operation 2 5 1, 2 TRACK MASTER PERFORMANCE TRANSPOSE SONG SELECT 1 2 3-16 REC STOP PLAY/PAUSE MASTER EDIT PERFORM.FILE SONG FILE SONG SETTING MIDI OUT PANEL LOCK B A NO DOWN CONTRAST YES UP GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. PIANO 3 CLAVI. VIBES 1 ORGAN 1 2 ORGAN 2 3 HARPSI.
Detailed Settings for MIDI Operations—MIDI Settings Parameters MIDI IN (Ch 1 – Ch 16) MIDI Transmit Channel Selection USB (Ch 1 – Ch 32) This allows you to specify the channel over which the CP300 transmits MIDI data.
Detailed Settings for MIDI Operations—MIDI Settings MIDI Receive Parameter Bulk Dump This allows you to specify which types of MIDI data the CP300 will receive and respond to. A You can transmit each setting data as the MIDI setting bulk data.
Miscellaneous CP300 Settings—Other Settings The Other Setting(s) menu provides a variety of settings, generally related to the overall sound and operation of the CP300. These include detailed settings for touch response, tuning, pedal operation, and more. n The edited Other Settings will be erased after you turn off the power to the CP300.
Miscellaneous CP300 Settings—Other Settings Parameters Settings: Touch Response This allows you to specify the touch response of the CP300’s keyboard, or change how the sound responds to the way you play the keys. A B TouchResponse Vel= 64 Fixed NO C Stretch Tuning curve particularly for pianos, with higher octaves slightly “stretched.” Flat Tuning curve in which the frequency relationships are precisely duplicated in all octaves.
Miscellaneous CP300 Settings—Other Settings Split Point Soft Pedal Depth This allows you to specify the split point (the boundary on the keyboard separating the Main part and Left part). This allows you to specify the depth of the soft pedal effect.
Miscellaneous CP300 Settings—Other Settings Key-off Sampling Depth Pedal Type This allows you to adjust the volume of the key-off sound (the subtle sound that occurs when you release a key). This parameter is effective on the Grand Piano 1, Mono Piano 1 and Comp. Piano 1 Voices, as well as on the E. Piano 1, Clavi. and Harpsi Voice groups.
Miscellaneous CP300 Settings—Other Settings Equalizer Lock Factory Set This allows you to lock the Master Equalizer settings and prevent them from being changed when selecting a Performance, or by Song playback and incoming MIDI data. However, if bulk data (of the Current type) is received, the Master Equalizer settings will be changed, no matter whether the "Equalizer Lock" is turned on or off. (See Bulk Dump in the MIDI Settings on page 66.
Master Equalizer Settings This section explains how to set the Master Equalizer using the Master EQ Edit menu. n This setting is retained even after you turn off the power to the CP300. If you set the Memory Backup’s Equalizer setting to Off in the Other Settings menu, the Master Equalizer settings will return to the default (initial) values when you turn on the power the next time (page 71).
Using the Performance Functions The Performance functions allow you to store edited Voices, including Dual/Split settings, Voice and effect parameters, MIDI transmit/receive channel settings and Master Edit settings, to the VOICE/PERFORMANCE [1] – [16] buttons. Once they have been saved, the Performances can instantly be recalled from the panel. Refer to the section “Handling Performance Files” on page 76. You can save up to a total of 64 Performances to the VOICE/PERFORMANCE [1] – [16] buttons.
Using the Performance Functions Performance Parameters The useful Performance function enables you to store and recall all settings of the entire CP300 together, including Dual/Split settings, Voice and effect parameters, MIDI transmit/receive channel settings and Master Edit settings. Settings that can be edited and stored to a Performance are called “Performance parameters.
Using the Performance Functions Contents Parameter name Adjusting the low-range resonance of the Master equalizer*3 Adjusting the low-middle resonance of the Master equalizer*3 Adjusting the middle resonance of the Master equalizer*3 Adjusting the high-middle resonance of the Master MIDI SETTING OTHER SETTING MASTER EDIT equalizer*3 LowQ Page 72 LowMidQ MidQ HighMidQ Adjusting the high resonance of the Master equalizer*3 HighQ Setting the MIDI transmit channel MidiOutChannel 65 Setting the
Handling Performance Files File displays (accessed via the [PERFORM.FILE] button) enable you to handle and organize files (e.g., save, delete and rename Performance files) from the display. Setting Parameter name Page Saving a Performance Performance 77 Renaming a Performance Perf.Name 78 Saving as a Performance file SaveAs 79 Recalling the Performance file from the storage memory LoadFromMem.
Handling Performance Files Saving a Performance—Performance You can save the edited Performance to one of the VOICE/PERFORMANCE [1] – [16] buttons. For details about the parameters you can store to a Performance and their contents, refer to the “Performance Parameters” list (page 74). The Performance data is stored to storage memory as a Performance file. For instructions on recalling a Performance file from storage memory, refer to page 79.
Handling Performance Files Renaming a Performance—Perf. Name This allows you to rename the Performance. A B Perf.Name A01.Piano+Pad Set?--> C NO YES D For basic operation instructions, refer to page 76. The following steps are detailed instructions for Step 4 (in the Basic Operation above). 4-1 Renaming a Performance. To move the cursor (small underline), use the C [–][+] buttons. To insert a space, press the C [–][+] buttons simultaneously.
Handling Performance Files Saving as a Performance File—Save As This allows you to save the Performance file as another file, under another file name. A B SaveAs Execute?--> 001.PresetPerformance NO C YES D For basic operation instructions, refer to page 76. The following steps are detailed instructions for Step 4 (in the Basic Operation above). 4-1 Name the Performance as described in the “Perf.Name” section (page 78). 4-2 Press the B [+ (YES)] button to execute the job.
Handling Performance Files Deleting a Performance File—Delete File This allows you to delete a Performance file from the CP300’s storage memory. It is not possible to delete a Preset Performance file and current Performance file. A B DeleteFile Execute?--> 001.MyPerformance.PER NO C YES D For basic operation instructions, refer to page 76. The following steps are detailed instructions for Step 4 (in the Basic Operation above).
Handling Song Files File displays (accessed via the [SONG FILE] button) enable you to handle and organize files (e.g., save, delete and rename Song files) and change characters from the display.
Handling Song Files Saving Recorded Songs to the CP300’s Storage Memory—Save To Memory This allows you to save recorded Songs to the CP300’s storage memory. Keep in mind that when you turn off the power to the CP300, your recorded Song data will be lost. To permanently save the recorded Song, you must save it to the CP300’s storage memory. Current memory Storage memory This is a temporary memory area where you can temporarily place and edit the currently selected Song before playback or recording.
Handling Song Files Deleting a Song from the CP300’s Storage Memory—Delete Song This allows you to delete a Song from the CP300’s storage memory. It is not possible to delete a Preset Song. A B DeleteSong Execute?--> M-001:NewSong.MID NO C YES D For basic operation instructions, refer to page 85. The following steps are detailed instructions for Step 4 (in the Basic Operation above). 4-1 Use the C [–][+] buttons to select a Song to delete. 4-2 Press the B [+ (YES)] button to execute the job.
Handling Song Files Changing the Type of Characters in Display—Character Code This allows you to change the type of characters that appear on display. The instructions below correspond to Step 4 in the Basic Operation on page 81. A B CharacterCode International C 4 NO YES D Use the D [–][+] buttons to select “International” or “Japanese.
Settings for Song Recording and Playback— Song Settings From this menu, you can make detailed settings for the selected Song. First, select the desired Song (page 49). Song Settings—Basic Operation 2 3, 4 TRACK PERFORMANCE TRANSPOSE SONG SELECT SONG FILE 1 2 3-16 REC STOP PLAY/PAUSE SONG SETTING MIDI OUT PANEL LOCK B A NO DOWN CONTRAST YES UP GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. PIANO 3 CLAVI. VIBES 1 ORGAN 1 2 ORGAN 2 3 HARPSI.
Settings for Song Recording and Playback—Song Settings Parameters Quantize Quick Play This allows you to correct the timing of notes you’ve recorded. For example, if the timing of your performance was slightly off in places, you can adjust the notes to precise eighth or sixteenth notes. Changes made in Quantize affect the entire Song.
Settings for Song Recording and Playback—Song Settings n Channels that do not contain any data are not displayed. However, for some Songs, all channels (including the channels that contain no data) may be displayed. n When you clear all channels using the “ALL” parameter, you can overwrite the Song. In this case, an empty Song file having no channel data is saved. From/To Repeat This allows you to set the time signature of the click.
Connecting to a Computer and Other MIDI Devices CAUTION First, make sure that all volume settings are turned down all the way to the minimum. Then turn on the every device in your setup in the order of MIDI master (controllers), MIDI slaves (receivers), then audio equipment (mixers, amplifiers, speakers, etc.).
Connecting to a Computer and Other MIDI Devices Connecting to a Mixer These are extra audio outputs in addition to the main OUTPUT L/R jacks. The CP300 also features professional-use balanced XLR connectors for the OUTPUT L/R jacks. This type of connector is used in professional studio equipment and installations.
Connecting to a Computer and Other MIDI Devices Connecting to External MIDI Equipment Using a standard MIDI cable (available separately), you can connect an external MIDI device, and control it from the CP300. Likewise, you can use an external MIDI device (such as a keyboard or sequencer) to control the sounds on the CP300. Below are several different MIDI connection examples; use the one most similar to your intended setup.
Connecting to a Computer and Other MIDI Devices Controlling an External MIDI Keyboard This connection lets you play the sounds of an external MIDI tone generator (synthesizer, tone generator module, etc.) from the keyboard of the CP300. Use this connection to play the sounds of the connected instrument in a layer with the CP300, or use the sophisticated Zone functions (page 39) to set up splits in the sounds.
Connecting to a Computer and Other MIDI Devices Connecting to a Computer Connecting this instrument to a computer via MIDI opens up a whole world of musical possibilities—such as using sequencer software to record and play back compositions with the CP300 sounds. In order to use the instrument with a computer via a USB connection, you will need to install an appropriate USB-MIDI driver. You can download the proper driver from our website: http://download.yamaha.
Connecting to a Computer and Other MIDI Devices Using Local On/Off when connected to a computer When connecting the CP300 to a computer, the keyboard performance data is generally sent to the computer, and then returned from the computer to play the tone generator block on the CP300. If the Local Control parameter in the MIDI Settings menu is set to “on,” a “double” sound may result, since the CP300 tone generator is receiving performance data from both the keyboard directly and the computer.
Message List Appendix Message List The messages are listed in alphabetical order. Message Description Bulk data reception has been completed. BulkDataReceiving Completed This is shown following the “Bulk Data Receiving Voice” message. This indicates that the instrument finished receiving bulk data, and that you can go on to the next step. Bulk data reception has failed. BulkDataReceiving Error Check that the cable connection is secure and try again.
Message List Message Description FlashMemoryLifeTime Exit--> The instrument’s flash memory (storage memory) has expired. Consult your Yamaha dealer. If this message appears, the instrument will not be able to back up the Songs, Performance files and settings in memory. Press the [EXIT] button to return to the original display. There is a problem with the USB connector.
Message List Message Description OverWrite? Do you want to overwrite the data? This message prompts you to select whether you wish to overwrite the existing data with new data. Press the B [+ (YES)] button to allow overwriting. Press the B [– (NO)] button to cancel. Please wait. PleaseWait You tried to start playing a Song or perform another operation right after selecting the Song. Wait until the message closes. ProtectedFile ProtectedSong Set?--> SongChanged Save? This is a protected file.
Message List Message Description MIDI Bulk data is being transmitted. Transmitting Error This message appears when the instrument receives a bulk request from a computer. The instrument has failed to transmit Voice bulk data. Check the cable connection and repeat the procedure from the beginning. The Song name or Performance file name is not appropriate. 1.
Troubleshooting Problem Solution The power of the instrument does not turn on. The instrument has not been plugged in properly. Securely insert the female plug into the socket on the instrument, and the male plug into a proper AC outlet (page 11). A click or pop is heard when the power is turned on or off. This is normal when electrical current is being applied to the instrument. This is normal. Noise is heard from the instrument's speakers.
Troubleshooting Possible causes Solution The sound sustains and does not decay while pressing the pedal to which the sostenuto function is assigned. For Voices in the ORGAN, STRINGS, CHOIR, PAD, and XG groups, the sound continues sustaining while you are holding down the sostenuto pedal. This is normal. Higher or lower notes do not sound correctly when the transpose or octave setting is made. The setting range for the transposition and octave setting is C-2 – G8.
MIDI Data Compatibility The data and the MIDI device must match in regards to the items below. Voice allocation format With MIDI, Voices are assigned to specific numbers, called “program numbers.” The numbering standard (order of Voice allocation) is referred to as the “Voice allocation format.” Voices may not play back as expected unless the Voice allocation format of the Song data matches that of the compatible MIDI device used for playback.
Factory Setting List Voice settings [VOICE EDIT] All the Voice settings differ depending on the current Voice.
Factory Setting List Parameter name Settings Value Page HalfPedalPoint Setting the point at which the sustain pedal starts to affect the sound 0 70 PitchBendRange Setting the Pitch Bend range 2 70 EqualizerLock Locking the Master Equalizer settings On 71 MemoryBackUp Selecting items saved at shutdown Transpose, Main/Left Layer, OtherSetting: Off, Others: On 71 FactorySet Restoring the default settings MemoryFileExcluded 71 Master settings [MASTER EDIT] Parameter name Settings Valu
Voice group Voice name GrandPiano1 GrandPiano2 Mono Piano E.Piano1 E.Piano2 E.Piano3 Stereo sampling Touch Sense Dynamic sampling Key-off samples String resonance Voice description Grand Piano 1 Ø Ø Ø Ø Ø This sound was sampled from a full concert grand piano. Three stages of dynamics were sampled, and no effort has been spared in making the sound virtually identical to that of an acoustic piano.
Voice List Voice group Clavi. Vibraphone Organ1 Organ2 Appendix Harpsichord Strings Choir/Pad. 104 Voice name Stereo sampling Touch Sense Dynamic sampling Key-off samples String resonance Voice description Phaser Clavi. – Ø – Ø – This is the Voice of a keyboard that produces sound by striking the strings with magnetic pickups. This funky sound is popular in contemporary soul and R&B music.
Voice group Voice name Stereo sampling Touch Sense Dynamic sampling Key-off samples String resonance Voice description Choir/Pad. Synth Pad 2 – Ø – – – A clear and spacious synth sound. Ideal for sustained parts in the background of an ensemble. Guitar Nylon Guitar Ø Ø Ø – – A warm and natural nylon-string guitar sound. Enjoy the atmosphere it adds to a quiet song. Steel Guitar – Ø – – – A bright steel guitar sound. Ideal for popular music.
Preset Performance List Number Performance name Type Voices used Main Appendix 106 Layer Performance discription Left Left Layer A01 Piano+Pad Dual GrandPiano1 WarmPad Grand piano layered with a warm-sounding pad. Usable in a variety of situations from rapid passages to ballads. A02 Piano+E.Piano Dual GrandPiano1 ChorusE.P. Widely-used layered sound with piano and electric piano. Ideal for 80’s pop. A03 Piano+DX E.P.1 Dual GrandPiano1 DX E.
Preset Performance List Performance name Type Voices used Main B07 Organ Upper/Lower Dual+Split JazzOrgan B08 E.Piano/GrandPiano Split B09 Layer SoloSine Performance discription Left Left Layer Jazz Organ Simulates a dual-manual organ. Play chords in the left hand, and solo with the right. GrandPiano1 Phaser E.Piano Play chords in the left hand on an electric piano with phaser applied, and piano solo in the right.
XG Voice List Bank Select MSB=00 KSP Instrument Group Piano Chromatic Percussion Organ Guitar Bass Strings Ensemble Brass Appendix Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects Pgm# 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97
XG Voice List Release Piano Chromatic Percussion Organ Guitar Bass Strings Ensemble Brass Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects Pgm# 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 10
XG Voice List Velo-Switch Instrument Group Piano Chromatic Percussion Organ Guitar Bass Strings Ensemble Brass Appendix Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects Pgm# 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100
XG Voice List Bank Select MSB=64 Piano Chromatic Percussion Organ Guitar Bass Strings Ensemble Brass Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects Pgm# 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 1
XG Drum Kit List • Key-off: Keys marked “O” stop sounding the instant they are released.
XG Drum Kit List Bank Select MSB (0-127) 127 127 127 126 Bank Select LSB (0-127) 0 0 0 0 0 Program Change (1-128) 33 41 49 1 2 Jazz Kit Brush Kit Symphony Kit SFX Kit1 SFX Kit2 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 C#-1 D-1 D#-1 E-1 F-1 F#-1 G-1 G#-1 A-1 A#-1 B-1 C0 C#0 D0 D#0 E0 F0 F#0 G
Effect Type List ■ Reverb ■ Variation/Insertion Reverb types that can be selected by panel operation Type MSB Type LSB 2 1 1 3 4 17 19 17 17 16 Effect Name Room 4 Hall 4 Hall 3 Stage 3 Plate 2 Display Room Hall 1 Hall 2 Stage Plate All reverb types Appendix Type MSB Type LSB 0 1 1 1 1 1 1 2 2 2 2 2 2 2 3 3 3 3 4 4 4 16 17 18 19 0 0 1 6 7 17 19 0 1 2 5 6 7 17 0 1 17 18 0 7 16 0 0 0 0 Effect Name No Effect Hall 1 Hall 2 Hall M Hall L Hall 3 Hall 4 Room 1 Room 2 Room 3 Room S Room M Room L Room 4
Effect Parameter List Items with a dot indicator (●) in the Control column are parameters that can be controlled via assignable controllers. Note that this is applicable to the Variation effects (while Insertion is selected) and to the Insertion effects.
Effect Parameter List GATE REVERB REVERSE GATE (Variation, Insertion block) No. 1 2 3 4 5 6 7 8 9 10 Parameter Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff Dry/Wet 11 Liveness 12 Density 13 High Damp 14 15 16 Display Type A, Type B 0.1 – 7.0 0 – 10 0.1ms – 200.0ms -63 – +63 Thru – 8.0kHz 1.0k – Thru TEMPO CROSS (Variation, Insertion block) Value 0–1 0 – 44 0 – 10 0 – 127 1 – 127 0 – 52 34 – 60 D63>W – D=W – D
Effect Parameter List SYMPHONIC 1, 2 (Chorus, Variation, Insertion block) No. 1 2 3 4 5 6 7 8 9 10 TREMOLO 1, 2, 3 (Variation, Insertion block) Parameter LFO Frequency LFO Depth Delay Offset Display 0.00Hz – 39.7Hz 0 – 127 0.0ms – 50ms Value 0 – 127 0 – 127 0 – 127 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 32Hz – 2.0kHz -12 – +12dB 500Hz – 16.
Effect Parameter List DISTORTION OVERDRIVE (Variation, Insertion block) No. 1 2 3 4 5 6 7 8 9 10 Parameter Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level 0 – 127 32Hz – 2.0kHz -12 – +12dB 1.0k – Thru 0 – 127 Value 0 – 127 4 – 40 52 – 76 34 – 60 0 – 127 EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet 100Hz – 10.0kHz -12 – +12dB 1.0 – 12.
Effect Parameter List AUTO WAH+DIST AUTO WHA+ODRV (Variation, Insertion block) No. Parameter 1 LFO Frequency 2 LFO Depth 3 Cutoff Frequency Offset 4 Resonance 5 6 EQ Low Frequency 7 EQ Low Gain 8 EQ High Frequency 9 EQ High Gain 10 Dry/Wet Display 0.00Hz – 39.7Hz 0 – 127 0 – 127 11 Drive 12 EQ Low Gain (distortion) 13 EQ Mid Gain (distortion) 14 LPF Cutoff 15 Output Level 16 TOUCH WAH 1 TOUCH WAH+DIST (Variation, Insertion block) Value 0 – 127 0 – 127 0 – 127 1.0 – 12.0 10 – 120 32Hz – 2.
Effect Parameter List VOICE CANCEL (Variation, Insertion block) No. 1 2 3 4 5 6 7 8 9 10 Parameter 11 Low Adjust 12 High Adjust 13 14 15 16 ENSEMBLE DETUNE (Chorus, Variation, Insertion block) Display 0 – 26 0 – 26 Value See Table Control 0 – 26 0 – 26 2WAY ROTARY SPEAKER (Variation, Insertion block) No. 1 2 3 4 5 6 7 8 9 10 Display 0.0Hz – 39.
Effect Parameter List DIST+DELAY OVERDRIVE+DELAY (Variation, Insertion block) No. Parameter 1 Lch Delay Time 2 Rch Delay Time 3 Delay Feedback Time 4 Delay Feedback Level 5 Delay Mix 6 Dist Drive 7 Dist Output Level 8 Dist EQ Low Gain 9 Dist EQ Mid Gain 10 Dry/Wet V DISTORTION HARD+DELAY V DISTORTION SOFT+DELAY (Variation, Insertion block) Display 0.1 – 1638.3ms 0.1 – 1638.3ms 0.1 – 1638.
Effect Parameter List WAH+DIST+TEMPO DELAY WAH+OD+TEMPO DELAY (Variation, Insertion block) No.
Effect Data Assign Table Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 Value 0.00 0.04 0.08 0.13 0.17 0.21 0.25 0.29 0.34 0.38 0.42 0.46 0.51 0.55 0.59 0.63 0.67 0.72 0.76 0.80 0.84 0.88 0.93 0.97 1.01 1.05 1.09 1.14 1.18 1.22 1.26 1.30 1.35 1.39 1.43 1.47 1.51 1.56 1.60 1.64 1.68 1.72 1.77 1.81 1.85 1.89 1.94 1.98 2.02 2.06 2.10 2.15 2.19 2.23 2.27 2.31 2.36 2.40 2.
Effect Data Assign Table Table #6 Room Size Appendix Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 Value 0.1 0.3 0.4 0.6 0.7 0.9 1.0 1.2 1.4 1.5 1.7 1.8 2.0 2.1 2.3 2.5 2.6 2.8 2.9 3.1 3.2 3.4 3.5 3.7 3.9 4.0 4.2 4.3 4.5 4.6 4.8 5.0 5.1 5.3 5.4 5.6 5.7 5.9 6.1 6.2 6.4 6.5 6.7 6.8 7.0 7.2 7.3 7.5 7.6 7.8 7.9 8.1 8.2 8.4 8.6 8.7 8.9 9.0 9.2 9.3 9.5 9.7 9.8 10.
MIDI Data Format Decimal Hexadecimal Binary Decimal Hexadecimal Binary Decimal Hexadecimal Binary Decimal Hexadecimal Binary 0 00 0000 0000 32 20 0010 0000 64 40 0100 0000 96 60 0110 0000 1 01 0000 0001 33 21 0010 0001 65 41 0100 0001 97 61 0110 0001 2 02 0000 0010 34 22 0010 0010 66 42 0100 0010 98 62 0110 0010 3 03 0000 0011 35 23 0010 0011 67 43 0100 0011 99 63 0110 0011 4 04 0000 0100 36 24 0010 0100 68 44 0100 0100 100 64 0110 0100
MIDI Data Format MIDI CHANNEL MESSAGE (1) Status byte MIDI Events Key Off Key On Status 8nH 9nH (n: Channel Number) (n: Channel Number) 1st Data byte Data (HEX) kk kk Appendix 126 Key no. (0 – 127) vv Key no.
MIDI Data Format Status byte MIDI Events Status 1st Data byte Data (HEX) 2nd Data byte Parameter Data (HEX) Parameter MIDI Reception (respond/ignore) Main Layer Song Keyboard Left Left Layer MIDI Transmission (generated data) Panel (main generation method) REC Recorded Song Midi from panel Channel After Touch DnH (n: Channel Number) vv (00H...
MIDI Data Format MIDI PARAMETER CHANGE TABLE *Not Received when Receive Parameter SysEx is set to off. *Not transmitted when Transmit Parameter SysEx is set to off. MIDI Parameter Change table (XG SYSTEM) Address (H) 00 00 Size (H) Data (H) Parameter 00 01 02 03 4 00-0F 00-0F MASTER TUNE 00-0F 00-0F 04 05 06 7D 7E 7F 1 1 1 1 1 1 00-7F 00-7F 28-58 N 00 00 TOTAL SIZE Description -102.4...0...+102.
MIDI Data Format Address (H) 01 20 01 00-7F CHORUS PARAMETER 1 : 1 00-7F CHORUS PARAMETER 2 : 24 1 00-7F CHORUS PARAMETER 3 : 25 1 00-7F CHORUS PARAMETER 4 : 26 1 00-7F CHORUS PARAMETER 5 : 27 1 00-7F CHORUS PARAMETER 6 : 28 1 00-7F CHORUS PARAMETER 7 : 29 1 00-7F CHORUS PARAMETER 8 : 2A 1 00-7F CHORUS PARAMETER 9 : 2B 1 00-7F CHORUS PARAMETER 10 : 2C 2D 2E 1 1 1 00-7F CHORUS RETURN -∞dB...0dB...+6dB (0...64...127) 01-7F CHORUS PAN L63...C...
MIDI Data Format MIDI Parameter Change table (MULTI EQ) Address (H) 02 40 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 11 12 13 14 TOTAL SIZE Size (H) Data (H) 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 00-04 34-4C 04-28 01-78 00-01 34-4C 0E-36 01-78 34-4C 0E-36 01-78 34-4C 0E-36 01-78 34-4C 1C-3A 01-78 00-01 Parameter EQ TYPE EQ GAIN 1 EQ FREQUENCY 1 EQ Q 1 EQ SHAPE 1 EQ GAIN 2 EQ FREQUENCY 2 EQ Q 2 NOT USED EQ GAIN 3 EQ FREQUENCY 3 EQ Q 3 NOT USED EQ GAIN4 EQ FREQUENCY 4 EQ Q 4 NOT USED EQ
MIDI Data Format 40 2 42 2 TOTAL SIZE 00-7F 00-7F 00-7F 00-7F INSERTION EFFECT PARAMETER 9 MSB INSERTION EFFECT PARAMETER 9 LSB INSERTION EFFECT PARAMETER 10 MSB INSERTION EFFECT PARAMETER 10 LSB : : : : Ø (*Depends on Insertion Type) Ø (*Depends on Insertion Type) ˛ Ø ˛ ˛ Ø (VOICE EDIT) Ø ˛ Ø 14 The EFFECT2 Parameter cannot be reset to its factory setting with XG SYSTEM ON. The second byte of the address is considered as an Insertion effect number.
MIDI Data Format Address (H) Size (H) Parameter Description XG Default (H) 1 00-7F SCALE TUNING C# -63...0...+63 [cent] 40 Ø Ø ˛ 43 1 00-7F SCALE TUNING D -63...0...+63 [cent] 40 Ø Ø ˛ 44 1 00-7F SCALE TUNING D# -63...0...+63 [cent] 40 Ø Ø ˛ 45 1 00-7F SCALE TUNING E -63...0...+63 [cent] 40 Ø Ø ˛ 46 1 00-7F SCALE TUNING F -63...0...+63 [cent] 40 Ø Ø ˛ 47 1 00-7F SCALE TUNING F# -63...0...+63 [cent] 40 Ø Ø ˛ 48 1 00-7F SCALE TUNING G -63...0...
MIDI Data Format MIDI Parameter Change table (DRUM SETUP) Address (H) rr 00 01 1 1 Data (H) Parameter 00-7F PITCH COARSE 00-7F PITCH FINE 02 1 00-7F LEVEL 03 1 00-7F ALTERNATE GROUP -64...0...+63 -64...0...+63 [cent] 40 40 Depends on the note Depends on the note Depends on the note Depends on the note Depends on the note 7F 00 Depends on the note 01 0...127 04 1 00-7F PAN 05 1 00-7F REVERB SEND OFF, 1...127 RND, L63...C...
MIDI Data Format System Exclusive Messages (2) *Not received when the Receive Parameter SysEx is set to off. *Not transmitted when the Transmit Parameter SysEx is set to off.
MIDI Data Format System Exclusive Message (Preset Voice) MIDI Event MIDI Reception (effective or not for each part) Main Layer Song Keyboard Left Left Layer Data Format String Resonance Depth F0 Sustain Sampling Depth F0 Key-off Sampling Depth F0 Soft Pedal Depth 43 73 01 11110000 01000011 01110011 00000001 01010000 00010001 0000nnnn 00000010 0ddddddd 11110111 43 73 01 11110000 01000011 01110011 00000001 01010000 00010001 0000nnnn 00000011 0ddddddd 11110111 43 73 01 11110000 01000011 01110011 000
MIDI Data Format System Exclusive Message (Data Bulk ) MIDI Event Data Bulk Dump Data Format MIDI Transmission (generated data) MIDI Reception (affecting the panel) Panel (main generation method) Song Midi ˛ Ø (Bulk Request) Ø (Bulk Request) Ø (Bulk Request) F0 43 0n xx yy zz aa bb cc dd hh mm ll dd ...
MIDI Implementation Chart YAMAHA [ Stage Piano ] CP300 MIDI Implementation Chart Transmitted Recognized Basic Channel Default Changed 1 - 16 1 - 16 1 - 16 1 - 16 Mode Default Messages Altered 3 3 ˛ ************** ˛ ˛ 0 - 127 ************** 0 - 127 0 - 127 Note Number : True voice Velocity Note ON Ø 9nH,v=1-127 Note OFF ˛ 9nH,v=0 Ø ˛ After Touch Key's Ch's ˛ ˛ Ø Ø Ø Ø Ø Ø ˛ Ø Ø Ø ˛ Ø ˛ ˛ Ø ˛ ˛ Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø ˛ Pitch Bend 0,32 1 5 7,10,11 6,38 64,66,67 65 71,74 72,7
Specifications Item CP300 Appendix Keyboard GH keyboard 88 keys (A-1 – C7) Sound Source AWM Dynamic Stereo Sampling Polyphony (max.) 128 Voice Selection Presets: 50 Voices XG Voices: 480 Voices + 12 Drum kits Performance 64 Performamces x 56 files (max.
Index Numerics [1] – [16] buttons .......................................................... 73 A A [–][+] buttons ............................................................ 15 [AC INLET] jack ............................................................ 11 Application Index .......................................................... 10 [ASSIGNABLE FOOT PEDAL] jacks ............................. 11 [AUX] jack ..................................................................... 33 AUX pedal ...............
Index Message List ................................................................ 94 MIDI [IN][OUT][THRU] connectors .............................. 90 MIDI channel ................................................................ 63 MIDI data compatibility ............................................... 100 MIDI Data Format ....................................................... 125 MIDI Implementation Chart ......................................... 137 [MIDI OUT] button ..................................
Index T Tempo ........................................................................... 38 TEMPO [DOWN] [UP] buttons ...................................... 38 Time Signature .............................................................. 87 Touch ...................................................................... 61, 68 TRACK [1][2][3-16] buttons .................................... 42, 50 Transpose ..................................................................... 37 [TRANSPOSE] button ............
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