User Manual

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Table Of Contents

How to Use This Reference Manual
Contents
Function Tree
SELECTED CHANNEL section
- About the SELECTED CHANNEL section
- Operations in the SELECTED CHANNEL section
- SELECTED CHANNEL VIEW screen
Centralogic section
- About the Centralogic section
- Operations in the Centralogic section
- OVERVIEW screen
Input and output patching
- CL console internal patching and Dante audio network patching
- Changing the output patch settings
- Changing the input patch settings
- Inserting an external device into a channel
- Directly outputting an INPUT channel
- Recording or playing back using DAW on a computer
Input channels
- Signal flow for input channels
- Specifying the channel name, icon and channel color
- Making HA (Head Amp) settings
- Sending a signal from an input channel to the STEREO/MONO buses
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Correcting delay between channels (Input Delay)
- Channel library operations
Output channels
- Signal flow for output channels
- Specifying the channel name, icon and channel color
- Sending signals from MIX channels to the STEREO/ MONO bus
- Sending signals from MIX channels and STEREO/ MONO channels to MATRIX buses
- Correcting delay between channels (Output Delay)
- Channel library operations
EQ and Dynamics
- About EQ and dynamics
- Using EQ
- Using dynamics
- Using the EQ or Dynamics libraries
Grouping and linking
- About DCA groups and Mute groups
- Using DCA groups
- Using mute groups
- Channel Link function
- Copying, moving, or initializing a channel
Scene memory
- About scene memories
- Using scene memories
- Editing scene memories
- Using the Global Paste function
- Using the Focus function
- Using the Recall Safe function
- Using the Fade function
- Outputting a control signal to an external device in tandem with scene recall (GPI OUT)
- Playing back an audio file that links to a scene recall
- Using Preview mode
Monitor and Cue functions
- About the Monitor and Cue functions
- Using the Monitor function
- Using the Cue function
- Operating the Cue function
Talkback and Oscillator
- About the Talkback and Oscillator functions
- Using Talkback
- Using the Oscillator function
Meters
- Operations in the METER screen
- Using an MBCL meter bridge (optional) on the CL3 or CL1 console
Graphic EQ, effects, and Premium Rack
- About the virtual rack
- Virtual rack operations
- Graphic EQ operations
- About the internal effects
- Using the Premium Rack
- Using the graphic EQ, effect, and Premium Rack libraries
I/O device and external head amp
- Using an I/O device
- I/O device patching
- Remotely controlling an Rio unit
- Remotely controlling an amp
- Using an external head amp
MIDI
- MIDI functionality on the CL series console
- Basic MIDI settings
- Using Program Changes to recall scenes and library items
- Using Control Changes to control parameters
- Using Parameter Changes to control parameters
User settings (Security)
- User Level settings
- Preferences
- USER DEFINED keys
- USER DEFINED knobs
- Assignable encoders
- Custom fader bank
- Master fader
- Console Lock
- Saving and loading setup data to and from a USB flash drive
- Formatting a USB flash drive
Recorder
- About the USB memory recorder
- Assigning channels to the input and output of the recorder
- Recording audio to a USB flash drive
- Playing back audio files from a USB flash drive
- Editing the title list
- Using the CL console with Nuendo Live
Help function
- Loading a Help file from a USB flash drive
- Loading a text file from a USB flash drive
- Viewing Help
- Using USER DEFINED keys to recall Help directly
Other functions
- About the SETUP screen
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/ off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the channel color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Dante audio network settings
- Using GPI (General Purpose Interface)
Appendices
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Effects and tempo synchronization
- Parameters that can be assigned to control changes
- NRPN parameter assignments
- Mixing parameter operation applicability
- Functions that can be assigned to USER DEFINED keys
- Functions that can be assigned to USER DEFINED knobs
- Functions that can be assigned to the assignable encoders
- MIDI Data Format
- Warning/Error Messages
- Electrical characteristics
- Mixer Basic Parameters
- M IDI Implementation Chart
- Index

Graphic EQ, effects, and Premium Rack

Reference Manual

135

■ EQ–1A

EQ-1A is a processor that emulates a famous passive-type vintage EQ. It features a unique style of

operation, allowing you to individually boost and attenuate (cut) each of two frequency ranges (high

and low). The frequency response is utterly unlike that of a conventional EQ, and is a uniquely

distinctive characteristic of this model. The input/output circuits and vacuum tubes produce a tonal

character that is highly musical and well-balanced.

1 IN switch

Turns the processor on or off.

When the switch is off, the signal will bypass the filter section, but pass through the input/output

transformer and amp circuits.

2 LOW FREQUENCY knob

Sets the frequency of the low range filter.

3 (LOW) BOOST knob

Sets the amount of boost applied to the frequency band specified by the LOW FREQUENCY

knob.

4 (LOW) ATTEN knob

Sets the amount of attenuation applied to the frequency band specified by the LOW

FREQUENCY knob.

5 BAND WIDTH knob

Sets the width of the frequency band controlled by the high range filter.

As you rotate the knob toward the right (Broad), the band will become wider and the peak level

will decrease. This affects only the response of the boost.

6 HIGH FREQUENCY knob

Sets the frequency of the high range filter. This affects only the response of the boost.

7 (HIGH) BOOST knob

Sets the amount of boost applied to the frequency band specified by the HIGH FREQUENCY

knob.

8 (HIGH) ATTEN knob

Sets the amount of attenuation applied to the frequency band specified by the ATTEN SEL knob.

9 (HIGH) ATTEN SEL knob

Switches the frequency region attenuated by the ATTEN knob.

■ Dynamic EQ

Dynamic EQ is a newly-developed equalizer that does not emulate any specific model of equalizer. The

sidechain has a filter that extracts the same frequency band as the EQ. This allows you to apply EQ in

the same way as you might apply a compressor or expander to a specific frequency region, causing the

EQ gain to vary dynamically only when a specific frequency region of the input signal becomes too high

or too low. For example you could use this on a vocal sound as a de-esser, so that EQ is applied to a

specific frequency band only when sibilance or high-frequency consonants reach an unpleasant level,

thus preserving a natural sound that does not impair the original tonal character. Two full-band

Dynamic EQs are provided, enabling you to process a wide range of audio sources.

1 BAND ON/OFF button

Turns each band on or off.

2 61

3 4 5 7 8 9

82A