User Manual
Table Of Contents
- Contents
- Adjusting the Tempo
- Transposing the Pitch in Semitones
- Changing the Split Point, Fingering Type or Chord Detection Area
- Learning How To Play Specific Chords (Chord Tutor)
- Adjusting the Volume Balance
- Editing the Volume and Tonal Balance (Mixer)
- Editing Music Notation (Score) Settings
- Editing Lyrics Display Settings
- Showing the Text Display and Editing Text Display Settings
- Using Keyboard Harmony
- Microphone Settings
- Vocal Harmony Settings
- Using Playlist
- Calling Up Registration Memory Numbers in Order (Registration Sequence)
- Disabling Recall of Specific Items (Registration Freeze)
- Playing Styles Automatically with Your Custom Chord Progressions (Chord Looper)
- Assigning a Specific Function to Each Pedal or ASSIGNABLE button
- Editing a Voice (Voice Edit)
- Editing an Organ Flutes Voice (Voice Edit)
- Creating/Editing Styles (Style Creator)
- Creating/Editing MIDI Songs (Song Creator)
- Voice Settings
- Style Playback Related Settings
- Song Settings Related to Playback/ Recording
- Fine Tuning the Pitch
- Setting the Touch Sensitivity of the Keyboard
- Metronome Settings
- MIDI Settings
- Making Global Settings (Utility)
- Connecting to a Bluetooth-equipped Device
- Wireless LAN Settings
- Making the Time Settings
- Index
Fine Tuning the Pitch
CVP-909/CVP-905 Reference Manual
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1 Select the desired Scale type (temperament).
You can select one of various scales for playing in custom tunings for specific historical periods or music
genres.
2 Change the following settings as necessary.
To store the Scale Tune settings:
If you want to store the Scale Tune settings, use the Registration Memory. Press the REGISTRATION
MEMORY [MEMORY] button, then checkmark “Scale Tune” and press one of the REGISTRATION MEMORY
[1] – [8] buttons to register the Scale Tune settings.
Type
• Equal:
The pitch range of each octave is divided equally into twelve parts, with each
half-step evenly spaced in pitch. This is the most commonly used tuning in music today.
• Pure Major, Pure Minor: These tunings preserve the pure mathematical intervals of
each scale, especially for triad chords (root, third, fifth). You can hear this best in actual
vocal harmonies — such as choirs and a cappella singing.
• Pythagorean: This scale was devised by the famous Greek philosopher and is created
from a series of perfect fifths, which are collapsed into a single octave. The 3rd in this
tuning are slightly unstable, but the 4th and 5th are beautiful and suitable for some leads.
• Mean-Tone: This scale was created as an improvement on the Pythagorean scale, by
making the major third interval more “in tune.” It was especially popular from the 16th
century to the 18th century. Handel, among others, used this scale.
• Werckmeister, Kirnberger: This composite scale combines the Werckmeister and
Kirnberger systems, which were themselves improvements on the mean-tone and
Pythagorean scales. The main feature of this scale is that each key has its own unique
character. The scale was used extensively during the time of Bach and Beethoven, and
even now it is often used when performing period music on the harpsichord.
• Arabic1, Arabic2: Use these tunings when playing Arabic music.
Base Note
Determines the base note for each scale. When the base note is changed, the pitch of the
keyboard is transposed, yet maintains the original pitch relationship between the notes.
Tune [cent]
Select the desired note to be tuned and tune it in cents. If you edit this parameter,
“(Edited)” is shown at the right of “Type” in step 1.
NOTE
In musical terms a “cent” is 1/100th of a semitone. (100 cents equal one semitone.)
(Parts)
Checkmark the part to which the Scale Tune setting is applied.