Electronic Keyboard User Manual

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ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function

143

CVP-210/208

îÛÌÍˆËË, ÍÓÚÓ˚ÏË ÏÓÊÌÓ ÛÔ‡‚ÎﬂÚ¸ Ò ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎÂÈ

* ë‡Ï˚Â ÎÛ˜¯ËÂ ÂÁÛÎ¸Ú‡Ú˚ ‰‡ÂÚ ÌÓÊÌÓÈ ÍÓÌÚÓÎÎÂ Yamaha FC7, ÍÓÚÓ˚È ÏÓÊÌÓ ÔËÓ·ÂÒÚË ‚ÏÂÒÚÂ Ò Ó·ÓÛ‰Ó‚‡ÌËÂÏ.

ëÎÂ‰Û˛˘ËÂ Ô‡‡ÏÂÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÍÌÓÔÍ‡Ï [2▲▼] - [8▲▼], ‡ Ëı ‰ÓÒÚÛÔÌÓÒÚ¸ Á‡‚ËÒËÚ ÓÚ ‰Û„Ó„Ó ‚˚·‡ÌÌÓ„Ó Ô‡‡ÏÂÚ‡ (Type). ç‡ÔËÏÂ, ÂÒÎË ‚ Í‡˜ÂÒÚ‚Â

ÚËÔ‡ ‚˚·‡Ì SUSTAIN, Ì‡ ˝Í‡ÌÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÓﬂ‚Îﬂ˛ÚÒﬂ Ô‡‡ÏÂÚ˚ «HALF PEDAL POINT», «MAIN«, «LAYER» Ë «LEFT«.

VOLUME*

èÓÁ‚ÓÎﬂÂÚ ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸ ÌÓÊÌÓÂ ÛÔ‡‚ÎÂÌËÂ „ÓÏÍÓÒÚ¸˛ (ÚÓÎ¸ÍÓ ÔÂ‰‡Î¸ AUX).

SUSTAIN

ÖÒÎË ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡, ÔÓË„˚‚‡ÂÏ˚Â ÌÓÚ˚ Á‚Û˜‡Ú ‰ÓÎ¸¯Â. ÖÒÎË ÓÚÔÛÒÚËÚ¸ ÔÂ‰‡Î¸, Á‚Û˜‡ÌËÂ ÔÓ‰ÎÂÌÌ˚ı ÌÓÚ Ï„ÌÓ‚ÂÌÌÓ ÔÂÍ‡˘‡ÂÚÒﬂ.

SOSTENUTO

ÖÒÎË Ì‡Ê‡Ú¸ Ë ‰ÂÊ‡Ú¸ ÔÂ‰‡Î¸, ‚ÍÎ˛˜‡˛˘Û˛ ˝ÚÓÚ ˝ÙÙÂÍÚ, ÔÓ‰ÎﬂÂÚÒﬂ ÚÓÎ¸ÍÓ ÔÂ‚‡ﬂ ÌÓÚ‡ (ÌÓÚ‡, ÍÓÚÓÛ˛ ‚˚ Ò˚„‡ÎË Ë ‰ÂÊ‡ÎË ‚ ÏÓÏÂÌÚ Ì‡Ê‡ÚËﬂ

ÔÂ‰‡ÎË). ç‡ÔËÏÂ, ˝ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰ÎËÚ¸ Á‚Û˜‡ÌËÂ ‡ÍÍÓ‰‡, ÍÓ„‰‡ ÌÓÚ˚, Ë‰Û˘ËÂ Ò‡ÁÛ Á‡ ÌËÏ, Ë„‡˛ÚÒﬂ ÒÚ‡ÍÍ‡ÚÓ.

SOFT

ç‡Ê‡ÚËÂ Ì‡ ÔÂ‰‡Î¸ ÌÂÏÌÓ„Ó ÛÏÂÌ¸¯‡ÂÚ „ÓÏÍÓÒÚ¸ Ë ÒÎÂ„Í‡ ËÁÏÂÌﬂÂÚ ÚÂÏ·. ùÚÓÚ ˝ÙÙÂÍÚ ÒÎÂ‰ÛÂÚ ÔËÏÂÌﬂÚ¸ ÎË¯¸ Í ÌÂÍÓÚÓ˚Ï ÚÂÏ·‡Ï – Ì‡ÔËÏÂ,

PIANO (ÙÓÚÂÔË‡ÌÓ).

GLIDE

äÓ„‰‡ ‚˚ Ì‡ÊËÏ‡ÂÚÂ Ì‡ ÔÂ‰‡Î¸, ‚˚ÒÓÚ‡ ÏÂÌﬂÂÚÒﬂ. äÓ„‰‡ ‚˚ ÓÚÔÛÒÍ‡ÂÚÂ ÔÂ‰‡Î¸, ‚˚ÒÓÚ‡ ‚ÓÁ‚‡˘‡ÂÚÒﬂ Í ÌÓÏ‡Î¸ÌÓÈ.

PORTAMENTO

ÖÒÎË ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡, ÒÓÁ‰‡ÂÚÒﬂ ˝ÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ (ÔÎ‡‚ÌÓÂ ÒÍÓÎ¸ÊÂÌËÂ Á‚ÛÍ‡ ÏÂÊ‰Û ÌÓÚ‡ÏË). ùÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ ÒÓÁ‰‡ÂÚÒﬂ ÔË Ë„Â ÎÂ„‡ÚÓ (Ú.Â.

ÔÓÒÎÂ‰Û˛˘‡ﬂ ÌÓÚ‡ Ë„‡ÂÚÒﬂ ‚ ÏÓÏÂÌÚ, ÍÓ„‰‡ Â˘Â ÓÚÔÛ˘ÂÌ‡ ÔÂ‰˚‰Û˘‡ﬂ). ÇÂÏÂÌÌ˚Â „‡ÌËˆ˚ ÔÓÚ‡ÏÂÌÚÓ ÛÒÚ‡Ì‡‚ÎË‚‡˛ÚÒﬂ Ì‡ ˝Í‡ÌÂ Mixing Console

(ÒÚ. 125). çÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.

PITCHBEND*

ÖÒÎË ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡, ‚˚ÒÓÚ‡ ÌÓÚ˚ ÔÓ‚˚¯‡ÂÚÒﬂ ËÎË ÔÓÌËÊ‡ÂÚÒﬂ. èËÏÂÌËÏÓ ÚÓÎ¸ÍÓ Í ÔÂ‰‡ÎË AUX Ë Ô‡‚ÓÈ ÔÂ‰‡ÎË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208.

MODULATION*

ÇÍÎ˛˜‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‰Îﬂ ÌÓÚ, Ò˚„‡ÌÌ˚ı Ì‡ ÍÎ‡‚Ë‡ÚÛÂ. ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ Û‚ÂÎË˜Ë‚‡ÂÚÒﬂ, ÔÓÍ‡ ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡. çÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ÚÂÏ·Ó‚

„ÛÔÔ˚ Natural.

DSP VARIATION

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [VARIATION]. çÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.

VIBROTOR ON/OFF

ÇÍÎ˛˜‡ÂÚ Ë ‚˚ÍÎ˛˜‡ÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ «VibRotor« (ÒÚ. 126). íÓÎ¸ÍÓ ‰Îﬂ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.

HARMONY/ECHO

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [HARMONY/ECHO].

VOCAL HARMONY

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [VOCAL HARMONY].

TALK

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [TALK].

SCORE PAGE+

äÓ„‰‡ ÔÂÒÌﬂ ÓÒÚ‡ÌÓ‚ÎÂÌ‡, ÏÓÊÌÓ ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÈ ÒÚ‡ÌËˆÂ Ô‡ÚËÚÛ˚ (ÚÓÎ¸ÍÓ Ì‡ Ó‰ÌÛ ÒÚ‡ÌËˆÛ Ì‡Á‡‰).

SCORE PAGE-

äÓ„‰‡ ÔÂÒÌﬂ ÓÒÚ‡ÌÓ‚ÎÂÌ‡, ÏÓÊÌÓ ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌËˆÂ Ô‡ÚËÚÛ˚ (ÚÓÎ¸ÍÓ Ì‡ Ó‰ÌÛ ÒÚ‡ÌËˆÛ ‚ÔÂÂ‰).

SONG START/STOP

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ SONG [START/STOP].

STYLE START/STOP

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ STYLE [START/STOP].

TAP TEMPO

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [TAP TEMPO].

SYNCHRO START

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [SYNC. START].

SYNCHRO STOP

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [SYNC. STOP].

INTRO

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [INTRO].

MAIN A

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ MAIN [A].

MAIN B

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ MAIN [B].

MAIN C

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ MAIN [C].

MAIN D

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ MAIN [D].

FILL DOWN

à„‡ÂÚÒﬂ ‚ÒÚ‡‚Í‡, Á‡ ÍÓÚÓÓÈ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÎÂ‰ÛÂÚ ˜‡ÒÚ¸ Main ·ÎËÊ‡È¯ÂÈ ÍÌÓÔÍË ÒÎÂ‚‡.

FILL SELF

ÑÓ·‡‚ÎÂÌËÂ ‚ÒÚ‡‚ÍË.

FILL BREAK

ÑÓ·‡‚ÎÂÌËÂ ·ÂÈÍ‡.

FILL UP

à„‡ÂÚÒﬂ ‚ÒÚ‡‚Í‡, Á‡ ÍÓÚÓÓÈ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÎÂ‰ÛÂÚ ˜‡ÒÚ¸ Main ·ÎËÊ‡È¯ÂÈ ÍÌÓÔÍË ÒÔ‡‚‡.

ENDING

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [ENDING/rit.].

FADE IN/OUT

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [FADE IN/OUT].

FING/ON BASS

èÂ‰‡Î¸ ÒÎÛÊËÚ ÔÂÂÍÎ˛˜‡ÚÂÎÂÏ ÏÂÊ‰Û ‡ÔÔÎËÍ‡ÚÛ‡ÏË Fingered Ë On Bass (ÒÚ. 66).

BASS HOLD

èÓÍ‡ ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡, ·‡ÒÓ‚‡ﬂ ÌÓÚ‡ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÔÓ‰ÓÎÊ‡Ú¸ Á‚Û˜‡Ú¸, ‰‡ÊÂ ÂÒÎË ÒÏÂÌËÚÒﬂ ‡ÍÍÓ‰. ùÚ‡ ÙÛÌÍˆËﬂ ÌÂ ‡·ÓÚ‡ÂÚ, ÂÒÎË

‡ÔÔÎËÍ‡ÚÛ‡ ÛÒÚ‡ÌÓ‚ÎÂÌ‡ Ì‡ FULL KEYBOARD.

PERCUSSION

ë ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎË ÏÓÊÌÓ Ë„‡Ú¸ Ì‡ Û‰‡ÌÓÏ ËÌÒÚÛÏÂÌÚÂ, Á‡‰‡ÌÌÓÏ Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ [4▲▼] - [8▲▼]. ÑÎﬂ ‚˚·Ó‡ ËÌÒÚÛÏÂÌÚ‡ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸

ÍÎ‡‚Ë‡ÚÛÛ.

LAYER ON/OFF

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [LAYER].

LEFT ON/OFF

íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [LEFT].

OTS+

Ç˚ÁÓ‚ ÒÎÂ‰Û˛˘ÂÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ».

OTS-

Ç˚ÁÓ‚ ÔÂ‰˚‰Û˘ÂÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ«.

SONG, STYLE, MIC, LEFT, LAYER,

MAIN

ùÚË Ô‡‡ÏÂÚ˚ ÒÎÛÊ‡Ú ‰Îﬂ ÛÍ‡Á‡ÌËﬂ ˜‡ÒÚÂÈ, Ì‡ ÍÓÚÓ˚Â ·Û‰ÂÚ ‚ÎËﬂÚ¸ ÔÂ‰‡Î¸.

HALF PEDAL POINT*

åÓÊÌÓ ÛÍ‡Á‡Ú¸, Ì‡ÒÍÓÎ¸ÍÓ ÒËÎ¸ÌÓ ÒÎÂ‰ÛÂÚ Ì‡Ê‡Ú¸ Ì‡ Ô‡‚Û˛ ÔÂ‰‡Î¸, ˜ÚÓ·˚ Ò‡·ÓÚ‡Î ÔÂÂÍÎ˛˜‡ÚÂÎ¸ (ÒÚ. 62). èËÏÂÌËÏÓ ‰Îﬂ ÓÔÂ‰ÂÎÂÌÌÓ„Ó

ÚËÔ‡ ÔÂ‰‡ÎÂÈ, Ì‡ÔËÏÂ, AUX (YAMAHA FC7) ËÎË Ô‡‚‡ﬂ ÔÂ‰‡Î¸ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208.

DEPTH

éÔÂ‰ÂÎﬂÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÎÂ‚ÓÈ ÔÂ‰‡ÎË, ÍÓ‰‡ ‚˚·‡Ì SOFT. íÓÎ¸ÍÓ ‰Îﬂ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.

UP/DOWN

ÖÒÎË ‚˚·‡Ì‡ ÙÛÌÍˆËﬂ GLIDE ËÎË PITCH BEND, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔÂ‰ÂÎﬂÂÚ, ÔÓ‚˚¯‡ÂÚÒﬂ ‚˚ÒÓÚ‡ Á‚ÛÍ‡ ËÎË ÔÓÌËÊ‡ÂÚÒﬂ.

RANGE

ÖÒÎË ‚˚·‡Ì‡ ÙÛÌÍˆËﬂ GLIDE ËÎË PITCH BEND, ÏÓÊÌÓ Á‡‰‡Ú¸ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ‚ ÔÓÎÛÚÓÌ‡ı.

ON SPEED

ÖÒÎË ‚˚·‡Ì‡ ÙÛÌÍˆËﬂ GLIDE, ÏÓÊÌÓ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡.

OFF SPEED

ÖÒÎË ‚˚·‡Ì‡ ÙÛÌÍˆËﬂ GLIDE, ÏÓÊÌÓ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡, ÍÓ„‰‡ ÔÂ‰‡Î¸ ÓÚÔÛÒÍ‡ÂÚÒﬂ.

KIT

ÖÒÎË ÔÂ‰‡ÎË ÔËÒ‚ÓÂÌ‡ ÙÛÌÍˆËﬂ PERCUSSION, ÓÚÓ·‡Ê‡˛ÚÒﬂ ‚ÒÂ ËÏÂ˛˘ËÂÒﬂ Ì‡·Ó˚ ÚÂÏ·Ó‚ Û‰‡Ì˚ı, Ë ‚˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸ Ì‡·Ó, ÍÓÚÓ˚È

‰ÓÎÊÂÌ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‰Îﬂ ÔÂ‰‡ÎË.

PERCUSSION

ÖÒÎË ÔÂ‰‡ÎË ÔËÒ‚ÓÂÌ‡ ÙÛÌÍˆËﬂ PERCUSSION, ÓÚÓ·‡Ê‡˛ÚÒﬂ ‚ÒÂ Á‚ÛÍË ‚˚·‡ÌÌÓÈ Û‰‡ÌÓÈ ÛÒÚ‡ÌÓ‚ÍË (ÒÏ ÙÛÌÍˆË˛ KIT ‚˚¯Â). í‡ÍËÏ Ó·‡ÁÓÏ,

‚˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸ Á‚ÛÍ ÓÔÂ‰ÂÎÂÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡, ÍÓÚÓ˚È ·Û‰ÂÚ ÔËÔËÒ‡Ì ÔÂ‰‡ÎË.