User Manual
Table Of Contents
- Introduction
- How to use the manual
- Accessories
- Main Features
- Contents
- The Controls & Connectors
- Start Guide
- Step 1: Setting Up
- Resetting the User Memory to the Initial Factory Settings
- Step 2: Selecting and Playing a Voice
- Step 3: Selecting and Playing a Performance
- Step 4: Creating Your Original Song
- Step 5: Creating a Pattern
- Using a Computer
- Basic Section
- Reference
- Playing the Keyboard in the Voice Play Mode
- Selecting a Voice
- Select a Voice using the Category Search function
- Grouping your most-used Voices together-Favorite Category
- Using Knobs and Control Sliders
- Keyboard MIDI transmit channel setting
- Keyboard Octave setting
- Using the Arpeggio function
- The Voice Play display
- Voice information-[SF6] INFO (Information)
- Portamento settings-[F2] Porta
- Changing tonal color-[F3] EG/EQ
- Arpeggio settings-[F4] Arpeggio
- Editing a Normal Voice
- Common Edit and Element Edit
- Editing Normal Voices
- Convenient functions for editing Voices
- Common Edit parameters
- Element Edit parameters
- Selected Element display/ Four-Element display
- Setting the Waveform and Note range of the Element-[F1] Oscillator
- Pitch Settings-[F2] Pitch
- Adjust the brightness using the Filter-[F3] Filter
- Output Level settings-[F4] Amplitude
- Modulating the Voice-[F5] Elm LFO (Element LFO)
- Equalizer (EQ) Settings-[F6] EQ
- Editing a Drum Voice
- Voice Job-Convenient Functions
- Playing in the Performance Mode
- Selecting a Performance
- Switching a Part on/off
- Using the Arpeggio Function
- Using Knobs
- Using Sliders
- The Performance Play display
- Performance information-[SF6] INFO (Information)
- Parameters for the Voice assigned to each Part-[F2] Voice
- Changing the tonal characteristics- [F3] EG (Envelope Generator)
- Arpeggio settings-[F4] Arpeggio
- Recording your keyboard performance in the Performance mode
- Editing a Performance
- Performance Job-Convenient Functions
- Creating a Voice/Performance by Using the Sampling Function
- Song Playback
- Song Recording
- Editing MIDI Events (Song Edit)
- Song Job
- Pattern Playback
- Pattern Playback Procedure
- Playback types
- Mixing Setup for each track
- Knobs and Control Sliders
- Pattern Playback-[F1] Play
- Changing the rhythmic “feel” of the Pattern-[F2] Play FX (Play Effect)
- Track Settings-[F3] Track
- Pattern Creating-[F4] Patch
- Pattern Chain-[F5] Chain (Pattern Chain)
- Dividing the Pattern data to create a new Pattern-[F6] Remix
- Pattern Recording
- Editing MIDI Events (Pattern Edit)
- Pattern Jobs
- Multi-timbral Tone Generator Settings for Song/Pattern Playback (Mixing mode)
- Audio Recording to Song/Pattern (Sampling mode)
- Using as a Master Keyboard (Master mode)
- System Settings (Utility mode, etc.)
- Basic Procedure in the Utility mode
- System Information-[SF6] INFO
- General Settings-[F1] General
- Audio In/Out Settings-[F2] I/O (Input/Output)
- System Settings for the Voice mode-[F3] Voice
- Audio Input Settings in the Voice mode-[F4] VoiceAudio
- Remote Control and MIDI settings -[F5] Control
- Resetting the User Memory to the Initial Factory Settings-[JOB] (Factory Set)
- Sequencer Settings-[SEQ SETUP]
- File Management (File mode)
- Playing the Keyboard in the Voice Play Mode
- Appendix
Audio Recording to Song/Pattern (Sampling mode)
MOTIF XS Owner’s Manual
250
Voice mode Song mode Pattern mode Mixing mode Master mode Utility mode File mode
Performance
mode
Sampling
mode 1
Sampling
mode 2
Reference
Slicing percussive phrases having short decays
First, try slicing using “beat1.” If the result has a weak
attack or the release portions of the phrase seem to
overlap, try again using “beat2.” Try adjusting the envelope
sensitivity for finer control.
If after using “beat1” the attack portions overlap or the
overall rhythmic feel is degraded, try again using “beat3.”
Make final adjustments with the Envelope Sensitivity
parameter.
Slicing phrases having long decays
First, try slicing using “phrase1.” If the result has a weak
attack or the release portions of the phrase seem to
overlap, try again using “phrase2.” Make final adjustments
with the Envelope Sensitivity parameter.
If after using “phrase1” the points between the slices
sounds rough and the overall feel is choppy, try again
using “phrase3” or “phrase4” and set Sub Divide to a finer
resolution. Make final adjustments with the Envelope
Sensitivity parameter. The “phrase3” setting is generally
best for sustained strings or brass type sounds with no
vibrato—in other words, the pitch remains constant. It can
also produce echo-like effects when applied to percussive
phrases with short decay.
If after using “phrase1” the points between the slices
sounds rough and the overall feel is choppy, try again
using “phrase4” and set Sub Divide to a finer resolution.
Make final adjustments with the Envelope Sensitivity
parameter. The “phrase4” setting is generally best for
sustained strings or brass type sounds with vibrato, as well
as vocal phrases.
Individual wave data slices created through Slice
operations require approximately 1.5 times the original
memory because a tail section is automatically added and
fade-in and fade-out sections are automatically created at
the beginning and end of the wave data. This helps to
maintain maximum sound quality when the tempo is
increased, and results in smoother connections between
slices (no tail section is created when the “quick” slice type
is selected).
A memory work area is required for the processing
calculations carried out for each Slice operation, as well as
sufficient memory to hold the completed waveforms. When
the sampling frequency is 44.1 kHz, the approximate
amount of memory (expressed in kilobytes) required for
each Slice type is listed below.
For mono Samples N = 5.5, and for stereo Samples N = 8.
Also, the number of slices is doubled for stereo Samples.
Sampling Edit
[INTEGRATED SAMPLING] ➞ [EDIT]
The Sampling Edit mode gives you comprehensive, detailed controls for editing the recorded Sample and changing the
Sample settings. Press the [EDIT] button from the Sampling Main display to call up the Sampling Edit display. Press the
[EXIT] button to go back to the Sampling Main display.
Same as in the Sampling mode called up from the Voice mode/Performance mode. For information about Sampling Edit, see
page 167.
Sampling Job
[INTEGRATED SAMPLING] ➞ [JOB]
The Sampling Job mode lets you process and modify Samples you have recorded. 18 Sampling Jobs are available.
Same as in the Sampling mode called up from the Voice mode/Performance mode. For information about the Sampling
Jobs, see page 171.
Tips for using the Slice Types Wave Memory Required for Slice
Operations
beat 1 Original wave size X N + (0.3 X number of slices)
beat 2 Original wave size X N + (0.2 X number of slices)
beat 3 Original wave size X N + (0.3 X number of slices)
phrase 1 Original wave size X N + (5.8 X number of slices)
phrase 2 Original wave size X N + (1.4 X number of slices)
phrase 3 Original wave size X N + (0.4 X number of slices)
phrase 4 Original wave size X N + (1.4 X number of slices)
quick Original wave size X N + (0.7 X number of slices)