User Manual
Table Of Contents
- Table of Contents
- Introduction
- Installing and setting up
- Overview
- Basic methods
- Editing in the Wave window
- About this chapter
- Creating new empty documents
- Opening Waves
- Window overview and adjustments
- Setting the zoom factor
- Navigating through the file
- Snapshots
- Setting the ruler start position
- Working with a meter based display
- Setting the wave cursor position
- Selecting
- Basic editing commands
- File handling in Wave windows
- Editing audio properties and file attributes
- Playback and recording
- Metering
- Off-line processing
- Master Section
- Spectrum Display
- Batch processing
- Batch file encoding
- Markers
- Using Auto Split
- The Audio Montage
- Introduction
- The Audio Montage window
- Assembling the Montage
- Zooming and navigating
- Playing back
- Recording
- Rearranging clips
- Editing in the Clips view
- Managing clips and source files
- The volume envelope
- Using fades and crossfades in the Montage
- The pan envelope
- Transforming clips
- Adding effects to tracks and clips
- Managing effects in the Plug-ins view
- The Meta Normalizer
- Groups
- Using markers in the Montage
- Undo/Redo and History
- File handling in the Audio Montage
- Using video tracks
- Mixing down - The Render function
- Preparing the Audio Montage for CD burning
- Creating an Audio CD report
- Burning an audio CD
- Data CD/DVD Projects
- Importing audio CD tracks
- Creating labels
- Analysis
- Generating signals
- Synchronizing WaveLab Studio to external devices
- Sampling and creating loops
- Requirements
- Customizing
- What is customizing?
- Preferences
- Folder editing
- Saving the window layout
- Styling WaveLab Studio - Wave windows
- Styling WaveLab Studio - Audio Montage windows
- Working with window layouts
- Setting default size and position for windows
- Creating a Favorites menu
- Customizable key commands
- Organizing plug-in processors
- Plug-in processor reference
- Troubleshooting
- Key commands
- File handling
- Wave display mode
- View
- Zooming
- Processing
- Playback and cursor position
- Selecting
- Editing and Recording
- Markers
- Miscellaneous
- Index
- A
- Accelerators 29
- ACM 55
- Append 46
- ASIO driver 11
- Audio card
- Audio CD
- Audio CD format 202
- Audio CD report 196
- Audio CD track import 209
- Audio files See “Wave files”
- Audio in pauses 194
- Audio Montage
- Audio Properties 56
- Audio Range dialog 61
- Audio Signal Generator 229
- Auto Panner 261
- Auto Split 135
- Auto zoom for overview 37
- Autopan 264
- B
- C
- Calibrating printer 218
- CD format specification 202
- CD images
- CD recorders
- CD track markers
- CD track sub-index markers 128
- CD view (Montage) 193
- CD Wizard dialog 193
- CD/DVD Project
- CD-Extra 201
- Change Gain 78
- Choirus2 264
- Chorus 90
- Chorus (Plug-in) 261
- CleanComp 265
- Clear Undo 20
- Clip effects
- Clipping
- Clips
- Clips view
- Clone and substitute source 163
- Colors
- Colors (System) 10
- Compression 80
- Control bars 23
- Convert format
- Convert sample rate 91
- Copy 45
- Copy to new window 48
- Copying wave selections 44
- Crossfade 83
- Crossfade Looper 238
- Crossfades (Montage)
- Crystal Resampler (Plug-in) 262
- Cue Points 159
- Cursor
- Cut 46
- D
- Data CD/DVD
- dB (Level unit) 26
- DC Offset 85
- Decimal (Level unit) 26
- DeClicker 265
- Deleting clips 159
- Deleting files and documents 54
- Deleting wave selections 47
- DeNoiser 266
- Dialogs (Non-modal) 29
- DIRAC processor
- DirectX plug-ins 96
- Disc-At-Once 203
- Disk space 66
- Dithering
- Dockable control bars
- Drag and drop 32
- Drop marker 129
- Dropout 95
- DTMF Generator 230
- Dual mono files 32
- Duck according to other track 168
- Ducker (Plug-in) 180, 268
- Dynamics 80
- E
- F
- G
- H
- I
- J
- K
- L
- M
- Magnetic bounds (Montage) 151
- Magnetize bounds
- Magnification See “Zooming”
- Magnifying Glass 36
- Marker list 130
- Marker toolbar 129
- Markers
- Master Section
- Master Section preset groups 102
- Maximize width 35
- Memory requirements 245
- Meta Normalizer (Montage) 182
- Meter format 26, 39
- Metering
- Meters
- MIDI Time Code 232
- Mix (Option) 47
- Mixed Mode CD
- MME/WDM Driver 11
- Monitor playback 69
- Monitor window
- Mono
- Mono to Stereo 48
- Montage See “Audio Montage”
- Mouse zones 151
- Mouse zooming 36
- Move cursor to 39
- Moving wave selections 46
- MP3 files
- MRK files 128
- MTC 232
- MultiBand Compressor 268
- Multiple copies 46
- Multitasking 124
- Mute
- Mute markers 128
- N
- O
- P
- Page layout (Labels) 218
- Pan envelopes
- Pan Meter 70
- Panes 21
- Paste
- Peak Master 263
- Pencil tool 49
- Percent (Level unit) 26
- Phase Invert 85
- Phase Scope 71
- Photo viewer 206
- Pitch Bend 88
- Pitch Correction 87
- Pitch Shift (Montage) 176
- Play (Transport bar) 58
- Play selection 61
- Play tool 61
- Playback Browser 61
- Playback position display 106
- Playback speed 60
- Playback starter marker 128
- Playing
- Plug-ins
- Pop-up menus
- Position display 106
- Position See “Cursor”
- PQ codes 202
- Pre-Emphasis 203
- Preferences
- Prepend 46
- Pre-roll 195
- Preset groups 102
- Presets
- Printing CD Labels 218
- Priorities
- Puncher 263
- Q
- R
- RAM 245
- Range indicator 37, 251
- Recent audio files 33
- Recording
- Redo 20, 77
- Redo (Montage) 187
- Region markers
- Release audio hardware 58
- Remember active window’s
- Renaming files and documents 53
- Render selected CD track 195
- Rendering
- Repeating wave selections 46
- Resize clips 156
- Resizer 263
- Restore Master
- Resume 105
- Reverse 85
- Revert to saved 53
- Route to upper track 180
- Rulers
- S
- Sample rate
- Samples (Unit) 26
- Sampling
- Save All 53
- Save and Save as 51
- Save Copy 52
- Save left/right channel as 52
- Save markers 128
- Save selection as Clip 52
- Scroll during playback 63
- Scroll menu 38
- Select menu 42
- Selecting
- Selection
- Set origin at cursor 39
- Show tips 24
- Shuttle
- ShuttlePro 63
- Signal Generator 229
- Silence (Plug-in) 264
- Size ruler (CD/DVD Project) 206
- Skip 60
- Skip muted regions 133
- Sliders 27
- Smooth Delete 47
- Snap (Montage) 152
- Snap to time units 43
- Snap to zero crossing 42
- Snapshots
- Solo (Montage) 147
- Source audio files (Montage) 162
- Speaker tool 61
- Spectralizer 271
- Spectrum Analyser
- Spectrum display
- Spectrum Meter 72
- Speed Menus 25
- Spin controls 26
- Split mode
- Splitting audio files (Auto Split) 135
- Splitting clips 158
- Status bar
- Steinberg on the internet 8
- Stereo Echo 272
- Stereo to Mono 48
- StereoExpander 264, 272
- Stop button 58
- Store current Master
- Style conditions
- Styles 249
- Substitute with existing wave 163
- Suspend 105
- Swap channels 49
- Sync tab (Preferences) 232
- Synchronizing WaveLab Studio 232
- System information 246
- T
- Templates (Label Editor) 213
- Tempo 39
- Temporary files 12
- Temporary markers 128
- The track activity indicator
- Time code 26
- Time format 26
- Time stretch 85
- Timecode display 106
- Time-stretch to cursor 175
- Toolbox
- Tools One 272
- Tracer application 14
- Track auto-grouping 144
- Track effects
- Track gain faders
- Tracks (Montage)
- Transform clips 175
- Transport bar 58
- Trim 47
- U
- V
- W
- Z
- A
- Index
239
Sampling and creating loops
Furthermore, each time you click Apply, the process starts
out from the wave data as it was when you opened the
Crossfade Looper (since you want to be able to try out
various types of crossfading without re-processing the
wave each time). This affects the undo function: there is
only one step of undo and no redo in the Crossfade
Looper.
Moving the loop points “manually”
Let’s assume you have set up a basic loop that you are
happy with, except for glitches or “bumps” at the turning
point. You can then use the Crossfade Looper to move
the points manually, in small steps, to eliminate the glitch.
This is actually technically no different from moving the
loop points in the wave display, but the features of this di-
alog makes it much easier to find good loop points, since
the display gives you visual feedback as you go along. We
also recommend that you have playback going on in “Loop
as marked” mode since you will then also hear what you
are doing!
The two ways of moving loop points
There are two ways of moving the loop points: dragging in
the actual waveform (position the mouse pointer in the
display and drag sideways) and using the “nudge” but-
tons.
• Dragging in the waveform allows you to perform larger moves
more quickly.
• The nudge buttons are more useful for fine-tuning since they
move the points by one screen pixel. This means that in 1:1
zoom mode, each press on a nudge button moves the loop
point a single sample.
The various moving options
• By moving the left part of the display, you are moving the end
point to a later (left) or earlier (right) position.
• By moving the right part of the display, you are moving the
start point to a later (left) or earlier (right) position.
• If you activate Linking, both the start and end points will move
simultaneously. That is, the loop length will be exactly the
same, but the entire loop will move.
• You can switch to the Wave window and adjust the markers
there, if needed.
Using the auto-find feature
If desired, you can have the program search for good
loop points
automatically. This is technically no different
from adjusting the loop points yourself, only that the pro-
gram uses pattern matching algorithms to suggest loop
points for you.
Let’s say that you want to let the program find a better
start point for the loop. You first set up a start and end
loop marker, to get a basic loop, as described above. You
then invoke the automatic searching, and the program
searches the waveform from the current start point,
trying
to find a section that is as similar as possible to the area
just
after the current end point. When it finds a match it
stops.
You decide how similar the section must be to be consid-
ered a match.
Setting up the parameters
The auto-find parameters.
There are two parameters for the auto-find feature, de-
sired correspondence and search accuracy.
• Search accuracy is a parameter for determining how many
samples should be included in the analysis. Higher values re-
sult in greater accuracy, but also longer processing times.
You can drag either side of the waveform directly…
…or use the nudge buttons.