User Manual
Table Of Contents
- Table of Contents
- Introduction
- Installing and setting up
- Overview
- Basic methods
- Editing in the Wave window
- About this chapter
- Creating new empty documents
- Opening Waves
- Window overview and adjustments
- Setting the zoom factor
- Navigating through the file
- Snapshots
- Setting the ruler start position
- Working with a meter based display
- Setting the wave cursor position
- Selecting
- Basic editing commands
- File handling in Wave windows
- Editing audio properties and file attributes
- Playback and recording
- Metering
- Off-line processing
- Master Section
- Spectrum Display
- Batch processing
- Batch file encoding
- Markers
- Using Auto Split
- The Audio Montage
- Introduction
- The Audio Montage window
- Assembling the Montage
- Zooming and navigating
- Playing back
- Recording
- Rearranging clips
- Editing in the Clips view
- Managing clips and source files
- The volume envelope
- Using fades and crossfades in the Montage
- The pan envelope
- Transforming clips
- Adding effects to tracks and clips
- Managing effects in the Plug-ins view
- The Meta Normalizer
- Groups
- Using markers in the Montage
- Undo/Redo and History
- File handling in the Audio Montage
- Using video tracks
- Mixing down - The Render function
- Preparing the Audio Montage for CD burning
- Creating an Audio CD report
- Burning an audio CD
- Data CD/DVD Projects
- Importing audio CD tracks
- Creating labels
- Analysis
- Generating signals
- Synchronizing WaveLab Studio to external devices
- Sampling and creating loops
- Requirements
- Customizing
- What is customizing?
- Preferences
- Folder editing
- Saving the window layout
- Styling WaveLab Studio - Wave windows
- Styling WaveLab Studio - Audio Montage windows
- Working with window layouts
- Setting default size and position for windows
- Creating a Favorites menu
- Customizable key commands
- Organizing plug-in processors
- Plug-in processor reference
- Troubleshooting
- Key commands
- File handling
- Wave display mode
- View
- Zooming
- Processing
- Playback and cursor position
- Selecting
- Editing and Recording
- Markers
- Miscellaneous
- Index
- A
- Accelerators 29
- ACM 55
- Append 46
- ASIO driver 11
- Audio card
- Audio CD
- Audio CD format 202
- Audio CD report 196
- Audio CD track import 209
- Audio files See “Wave files”
- Audio in pauses 194
- Audio Montage
- Audio Properties 56
- Audio Range dialog 61
- Audio Signal Generator 229
- Auto Panner 261
- Auto Split 135
- Auto zoom for overview 37
- Autopan 264
- B
- C
- Calibrating printer 218
- CD format specification 202
- CD images
- CD recorders
- CD track markers
- CD track sub-index markers 128
- CD view (Montage) 193
- CD Wizard dialog 193
- CD/DVD Project
- CD-Extra 201
- Change Gain 78
- Choirus2 264
- Chorus 90
- Chorus (Plug-in) 261
- CleanComp 265
- Clear Undo 20
- Clip effects
- Clipping
- Clips
- Clips view
- Clone and substitute source 163
- Colors
- Colors (System) 10
- Compression 80
- Control bars 23
- Convert format
- Convert sample rate 91
- Copy 45
- Copy to new window 48
- Copying wave selections 44
- Crossfade 83
- Crossfade Looper 238
- Crossfades (Montage)
- Crystal Resampler (Plug-in) 262
- Cue Points 159
- Cursor
- Cut 46
- D
- Data CD/DVD
- dB (Level unit) 26
- DC Offset 85
- Decimal (Level unit) 26
- DeClicker 265
- Deleting clips 159
- Deleting files and documents 54
- Deleting wave selections 47
- DeNoiser 266
- Dialogs (Non-modal) 29
- DIRAC processor
- DirectX plug-ins 96
- Disc-At-Once 203
- Disk space 66
- Dithering
- Dockable control bars
- Drag and drop 32
- Drop marker 129
- Dropout 95
- DTMF Generator 230
- Dual mono files 32
- Duck according to other track 168
- Ducker (Plug-in) 180, 268
- Dynamics 80
- E
- F
- G
- H
- I
- J
- K
- L
- M
- Magnetic bounds (Montage) 151
- Magnetize bounds
- Magnification See “Zooming”
- Magnifying Glass 36
- Marker list 130
- Marker toolbar 129
- Markers
- Master Section
- Master Section preset groups 102
- Maximize width 35
- Memory requirements 245
- Meta Normalizer (Montage) 182
- Meter format 26, 39
- Metering
- Meters
- MIDI Time Code 232
- Mix (Option) 47
- Mixed Mode CD
- MME/WDM Driver 11
- Monitor playback 69
- Monitor window
- Mono
- Mono to Stereo 48
- Montage See “Audio Montage”
- Mouse zones 151
- Mouse zooming 36
- Move cursor to 39
- Moving wave selections 46
- MP3 files
- MRK files 128
- MTC 232
- MultiBand Compressor 268
- Multiple copies 46
- Multitasking 124
- Mute
- Mute markers 128
- N
- O
- P
- Page layout (Labels) 218
- Pan envelopes
- Pan Meter 70
- Panes 21
- Paste
- Peak Master 263
- Pencil tool 49
- Percent (Level unit) 26
- Phase Invert 85
- Phase Scope 71
- Photo viewer 206
- Pitch Bend 88
- Pitch Correction 87
- Pitch Shift (Montage) 176
- Play (Transport bar) 58
- Play selection 61
- Play tool 61
- Playback Browser 61
- Playback position display 106
- Playback speed 60
- Playback starter marker 128
- Playing
- Plug-ins
- Pop-up menus
- Position display 106
- Position See “Cursor”
- PQ codes 202
- Pre-Emphasis 203
- Preferences
- Prepend 46
- Pre-roll 195
- Preset groups 102
- Presets
- Printing CD Labels 218
- Priorities
- Puncher 263
- Q
- R
- RAM 245
- Range indicator 37, 251
- Recent audio files 33
- Recording
- Redo 20, 77
- Redo (Montage) 187
- Region markers
- Release audio hardware 58
- Remember active window’s
- Renaming files and documents 53
- Render selected CD track 195
- Rendering
- Repeating wave selections 46
- Resize clips 156
- Resizer 263
- Restore Master
- Resume 105
- Reverse 85
- Revert to saved 53
- Route to upper track 180
- Rulers
- S
- Sample rate
- Samples (Unit) 26
- Sampling
- Save All 53
- Save and Save as 51
- Save Copy 52
- Save left/right channel as 52
- Save markers 128
- Save selection as Clip 52
- Scroll during playback 63
- Scroll menu 38
- Select menu 42
- Selecting
- Selection
- Set origin at cursor 39
- Show tips 24
- Shuttle
- ShuttlePro 63
- Signal Generator 229
- Silence (Plug-in) 264
- Size ruler (CD/DVD Project) 206
- Skip 60
- Skip muted regions 133
- Sliders 27
- Smooth Delete 47
- Snap (Montage) 152
- Snap to time units 43
- Snap to zero crossing 42
- Snapshots
- Solo (Montage) 147
- Source audio files (Montage) 162
- Speaker tool 61
- Spectralizer 271
- Spectrum Analyser
- Spectrum display
- Spectrum Meter 72
- Speed Menus 25
- Spin controls 26
- Split mode
- Splitting audio files (Auto Split) 135
- Splitting clips 158
- Status bar
- Steinberg on the internet 8
- Stereo Echo 272
- Stereo to Mono 48
- StereoExpander 264, 272
- Stop button 58
- Store current Master
- Style conditions
- Styles 249
- Substitute with existing wave 163
- Suspend 105
- Swap channels 49
- Sync tab (Preferences) 232
- Synchronizing WaveLab Studio 232
- System information 246
- T
- Templates (Label Editor) 213
- Tempo 39
- Temporary files 12
- Temporary markers 128
- The track activity indicator
- Time code 26
- Time format 26
- Time stretch 85
- Timecode display 106
- Time-stretch to cursor 175
- Toolbox
- Tools One 272
- Tracer application 14
- Track auto-grouping 144
- Track effects
- Track gain faders
- Tracks (Montage)
- Transform clips 175
- Transport bar 58
- Trim 47
- U
- V
- W
- Z
- A
- Index
190
The Audio Montage
4. If you later want to be able to lengthen the clips in the
cloned Montage, you need to specify a clip margins value
greater than zero.
This feature allows you to add a specified number of seconds before and
after the beginning and end of the clip range in the created audio files.
5. If you want the clips in the cloned Montage to have the
names of their respective audio file, activate the option
“Reset clip names from file names”.
6. If you want the markers in the original audio files to be
included in the cloned files, activate the option “Copy au-
dio file markers”.
7. Click the Schedule tab to make settings for Priority,
Completion, etc.
The options are the same as when using the Render function in the Mas-
ter Section (see “Options on the Schedule tab” on page 104). Note that
the process will happen in the background, allowing you to continue
working in WaveLab Studio (although not with the Montage being
cloned).
8. Click Clone.
The audio files and the Montage are cloned. When finished, the cloned
Montage will appear in a new Montage window.
Backing up Montages
The Audio Montage has a special backup mechanism,
which allows you to maintain previous versions of saved
Montages, and have the Audio Montage automatically
saved. It works in the following way:
• Each time you save the Audio Montage, the previously
saved version is copied to the subfolder “Backup.mon” (in
the same folder as the Audio Montage file).
This backup folder is automatically created by WaveLab Studio. The
backup files are named “Montage_#X”, where “Montage” is the name of
the Montage and “X” is a number.
• You can specify how many previous versions you want
to keep.
The maximum number of stored backup versions is 1000 (this is possible
since Montage files are small, containing no audio data). Once the spec-
ified number of backups has been created, the oldest file will be overwrit-
ten each time the Montage is backed up.
• “Untitled” Montages (that are not yet saved) are also
backed up.
The backup files for “Untitled” Montages are saved in the Windows tem-
porary folder, and use a number as Montage name, so that the files are
called “Y_#X”, where “Y” is a number identifying the Montage and “X” is
the number of the backup file. Once the Montage is saved, these “tem-
porary backup files” can be discarded.
Setting up
You make backup settings in the History view:
1. Select the History view by clicking the History tab.
2. Pull down the History view : Backup menu and select
“Backup options…”.
The Backup options dialog appears.
Split files to remove
unused ranges
Unused ranges in the files are removed, but in-
stead of concatenating the used sections of a
file (as with the previous option), the file is split
when a range is removed.
Create exactly one file per
clip
Every clip in the Montage clone will reference to
a unique file, containing only the audio used in
the clip. The files will be named after the clips,
with the addition of a number if several clips
have the same name.
Create one file per clip,
avoid duplicates
As the previous option, but if two clips use the
exact same audio range, a common file is cre-
ated for these clips.
!
This is only relevant if you have selected any other
option than the first one (“Recreate exact audio
files”).
Option Description
!
This means that the numbers in the backup file
names are not related to the age of the backup files.
Instead, you need to check the dates of the files to
know which backup is the most recent.