6.0
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- Setting up your system
- VST Connections
- The Project window
- Working with projects
- Creating new projects
- Opening projects
- Closing projects
- Saving projects
- The Archive and Backup functions
- Startup Options
- The Project Setup dialog
- Zoom and view options
- Audio handling
- Auditioning audio parts and events
- Scrubbing audio
- Editing parts and events
- Range editing
- Region operations
- The Edit History dialog
- The Preferences dialog
- Working with tracks and lanes
- Playback and the Transport panel
- Recording
- Quantizing MIDI and audio
- Fades, crossfades and envelopes
- The arranger track
- The transpose functions
- Using markers
- The Mixer
- Control Room (Cubase only)
- Audio effects
- VST instruments and instrument tracks
- Surround sound (Cubase only)
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- The MediaBay
- Introduction
- Working with the MediaBay
- The Define Locations section
- The Locations section
- The Results list
- Previewing files
- The Filters section
- The Attribute Inspector
- The Loop Browser, Sound Browser, and Mini Browser windows
- Preferences
- Key commands
- Working with MediaBay-related windows
- Working with Volume databases
- Working with track presets
- Track Quick Controls
- Remote controlling Cubase
- MIDI realtime parameters and effects
- Using MIDI devices
- MIDI processing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor – Overview
- Key Editor operations
- The In-Place Editor
- The Drum Editor – Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor – Overview
- List Editor operations
- Working with SysEx messages
- Recording SysEx parameter changes
- Editing SysEx messages
- The basic Score Editor – Overview
- Score Editor operations
- Expression maps (Cubase only)
- Note Expression (Cubase only)
- The Logical Editor, Transformer, and Input Transformer
- The Project Logical Editor (Cubase only)
- Editing tempo and signature
- The Project Browser (Cubase only)
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing (Cubase only)
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Playing back and recording
- Page Mode
- Changing the zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting clef, key, and time signature
- Transposing instruments
- Printing from the Score Editor
- Exporting pages as image files
- Working order
- Force update
- Transcribing MIDI recordings
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy, and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys, or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and Display Quantize
- Creating crossed voicings
- Automatic polyphonic voicing – Merge All Staves
- Converting voices to tracks – Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Tips and Tricks
- Index
622
Working with symbols
Layout symbols work slightly differently. Instead of belong-
ing to a certain staff or voice, they belong to a layout.
Since different track combinations use different layouts,
this means that if you insert a layout symbol in the score
when you are editing two tracks (for example a trumpet
and a saxophone part), it is not there when you view each
track by itself in the Score Editor. If you want the same
symbols to appear in other layouts as well, you can copy
the form of one layout to another. If you want a symbol to
appear in all layouts, use the Project tab.
Adding symbols to the score
Making space and handling margins
• If you find there is not enough space between staves to
add symbols (like for example text), see “Dragging staves”
on page 670 for info on how to separate the staves.
• If you find the score looks crammed after adding sym-
bols, check out the section “Auto Layout” on page 672.
About the Pencil tool
Unlike the other MIDI editors, the Score Editor toolbar
does not contain a Pencil tool. Instead, the Pencil tool is
“automatically” selected when you insert symbols. The fol-
lowing applies:
• Normally, the Pencil tool is automatically selected when
you click on a symbol in the Inspector. However, if the
“Double-click Symbol to get Pencil tool” option is acti
-
vated in the Preferences dialog (Scores–Editing page),
you need to double-click the symbol to get the Pencil tool.
• On the same page of the Preferences dialog, you can
find an option called “Display Arrow tool after Inserting
Symbol”. When this is activated, the Object Selection
(“Arrow”) tool is automatically selected after you have in
-
serted a symbol.
If you want to insert a lot of symbols with the Pencil tool, you may want to
deactivate this option.
Adding note symbols
Adding a symbol to one note
1. In the Symbols Inspector, open the Note Symbols tab.
2. Click (or double-click) on the desired symbol on the
tab.
As mentioned above, the “Double-click Symbol to get Pencil tool” prefer-
ence determines whether you need to double-click. In either case, the
Pencil tool is selected.
3. Either click on the note or above or below it.
If you click on the note, the symbol is put in at a predefined distance from
the note. If you instead click “above or below” the note, you decide for a
vertical position yourself. In either case, the symbol is aligned horizontally
with the note. It can later be moved up/down.
Clicking on a note inserts the note symbol (in this case a tenuto) at a
predefined distance from the note head.
There are three options in the Accents category of the
Score Settings dialog (Project page–Notation Style sub-
page) that affect the vertical positioning of note symbols:
• Accents above Stems
When this is activated, accent note symbols are displayed at the stem
side of notes instead of the note head.
• Accents above Staves
When this is activated, accent note symbols are displayed above the
staff, regardless of the stem direction of the notes. This setting overrides
the “Accents above Stems” option.
• Center Note-Linked Symbols on Stems
When this is activated, accents are centered on stems and not on note
heads.
Adding a symbol to several notes using the Pencil tool
You might for example want to add a staccato symbol to
all notes within a few measures. Proceed as follows:
1. In the Symbols Inspector, open the Note Symbols tab
2. Select the notes to which you want to apply the symbol.
3. In the Symbols Inspector, click on the desired symbol.
!
Symbols you add outside the margins are not printed!