6.0
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- Setting up your system
- VST Connections
- The Project window
- Working with projects
- Creating new projects
- Opening projects
- Closing projects
- Saving projects
- The Archive and Backup functions
- Startup Options
- The Project Setup dialog
- Zoom and view options
- Audio handling
- Auditioning audio parts and events
- Scrubbing audio
- Editing parts and events
- Range editing
- Region operations
- The Edit History dialog
- The Preferences dialog
- Working with tracks and lanes
- Playback and the Transport panel
- Recording
- Quantizing MIDI and audio
- Fades, crossfades and envelopes
- The arranger track
- The transpose functions
- Using markers
- The Mixer
- Control Room (Cubase only)
- Audio effects
- VST instruments and instrument tracks
- Surround sound (Cubase only)
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- The MediaBay
- Introduction
- Working with the MediaBay
- The Define Locations section
- The Locations section
- The Results list
- Previewing files
- The Filters section
- The Attribute Inspector
- The Loop Browser, Sound Browser, and Mini Browser windows
- Preferences
- Key commands
- Working with MediaBay-related windows
- Working with Volume databases
- Working with track presets
- Track Quick Controls
- Remote controlling Cubase
- MIDI realtime parameters and effects
- Using MIDI devices
- MIDI processing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor – Overview
- Key Editor operations
- The In-Place Editor
- The Drum Editor – Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor – Overview
- List Editor operations
- Working with SysEx messages
- Recording SysEx parameter changes
- Editing SysEx messages
- The basic Score Editor – Overview
- Score Editor operations
- Expression maps (Cubase only)
- Note Expression (Cubase only)
- The Logical Editor, Transformer, and Input Transformer
- The Project Logical Editor (Cubase only)
- Editing tempo and signature
- The Project Browser (Cubase only)
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing (Cubase only)
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Playing back and recording
- Page Mode
- Changing the zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting clef, key, and time signature
- Transposing instruments
- Printing from the Score Editor
- Exporting pages as image files
- Working order
- Force update
- Transcribing MIDI recordings
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy, and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys, or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and Display Quantize
- Creating crossed voicings
- Automatic polyphonic voicing – Merge All Staves
- Converting voices to tracks – Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Tips and Tricks
- Index
613
Additional note and rest formatting
The last case requires some explanation: Cubase uses a
“cutting mechanism” that automatically creates tied notes
depending on the length and position of the notes. For ex
-
ample, a quarter note is cut in two and tied if it crosses a
half note beat, and an eighth note is cut in two and tied if it
crosses a quarter note beat:
However, this is not always what you want. There are
three ways to affect the cutting mechanism:
Syncopation
When the Syncopation option is activated on the Main tab
of the Staff page in the Score Settings dialog, Cubase is
less prone to cut and tie notes. For example, the second
quarter note in the figure above would not have been cut if
syncopation had been activated.
The Syncopation setting affects the whole track, but you
can also make syncopation settings for separate sections
in the score, by inserting display quantize events (see
“In-
serting Display Quantize changes” on page 571).
Time signature changes
By inserting time signature changes, you can change the
way notes are cut. This is done in the same way as when
you specify how beamed notes are grouped – see
“Grouping” on page 608.
The Cut Notes tool
By using the Cut Notes tool, you can disable the auto-
matic cutting mechanism in a bar, and insert manual cuts
at any given position in the score.
Proceed as follows:
1. Select the Cut Notes tool.
2. Select a suitable quantize value from the “Quantize
Presets” pop-up menu.
As usual, this determines where you can click.
3. When you are using polyphonic voices, select the
voice you want to make settings for.
4. Click in the bar containing the notes that you want to
cut manually, at the position you want them cut.
This inserts a cutflag event in the bar at the position you clicked. If you
hold down [Alt]/[Option], a cutflag event is inserted for all voices in a
polyphonic staff.
The following rules apply to cutflag events:
• If a bar contains a cutflag event, the automatic cutting mecha-
nism is disabled within that bar.
• All notes or rests that start before and end after a cutflag event
are cut at the position of the event.
• To display cutflag events, make sure that “Cutflag” is activated
on the filter bar.
• To remove a cutflag event, either click again with the Cut
Notes tool at the same position, or select it and press [Back
-
space] or [Delete].
This quarter note is cut. This eighth note is cut.
With a regular 4/4 time
signature
With a composite time
signature (3+2+3 eighth
notes)
A half note, placed at 2.1.3. This is by default cut at 2.3.1 (the middle
of the bar). When you click at the position 2.2.1, a cutflag event is
inserted.
As a result, the regular cutting mechanism is disabled and the note is
cut at the position you clicked instead.