6.0
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- Setting up your system
- VST Connections
- The Project window
- Working with projects
- Creating new projects
- Opening projects
- Closing projects
- Saving projects
- The Archive and Backup functions
- Startup Options
- The Project Setup dialog
- Zoom and view options
- Audio handling
- Auditioning audio parts and events
- Scrubbing audio
- Editing parts and events
- Range editing
- Region operations
- The Edit History dialog
- The Preferences dialog
- Working with tracks and lanes
- Playback and the Transport panel
- Recording
- Quantizing MIDI and audio
- Fades, crossfades and envelopes
- The arranger track
- The transpose functions
- Using markers
- The Mixer
- Control Room (Cubase only)
- Audio effects
- VST instruments and instrument tracks
- Surround sound (Cubase only)
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- The MediaBay
- Introduction
- Working with the MediaBay
- The Define Locations section
- The Locations section
- The Results list
- Previewing files
- The Filters section
- The Attribute Inspector
- The Loop Browser, Sound Browser, and Mini Browser windows
- Preferences
- Key commands
- Working with MediaBay-related windows
- Working with Volume databases
- Working with track presets
- Track Quick Controls
- Remote controlling Cubase
- MIDI realtime parameters and effects
- Using MIDI devices
- MIDI processing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor – Overview
- Key Editor operations
- The In-Place Editor
- The Drum Editor – Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor – Overview
- List Editor operations
- Working with SysEx messages
- Recording SysEx parameter changes
- Editing SysEx messages
- The basic Score Editor – Overview
- Score Editor operations
- Expression maps (Cubase only)
- Note Expression (Cubase only)
- The Logical Editor, Transformer, and Input Transformer
- The Project Logical Editor (Cubase only)
- Editing tempo and signature
- The Project Browser (Cubase only)
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing (Cubase only)
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Playing back and recording
- Page Mode
- Changing the zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting clef, key, and time signature
- Transposing instruments
- Printing from the Score Editor
- Exporting pages as image files
- Working order
- Force update
- Transcribing MIDI recordings
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy, and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys, or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and Display Quantize
- Creating crossed voicings
- Automatic polyphonic voicing – Merge All Staves
- Converting voices to tracks – Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Tips and Tricks
- Index
297
The Audio Part Editor
Ö The Audio Part Editor also supports the key com-
mands “Preview start” and “Preview stop” in the Media
category of the Key Commands dialog. These key com
-
mands stop the current playback, no matter if you are in
normal playback or in audition mode.
The independent track loop function
The independent track loop is a sort of “mini-cycle”, affect-
ing only the edited part. When the loop is activated, the
events in the parts that are within the loop will be repeated
continuously and completely independent – other events
(on other tracks) are played back as usual. The only “inter
-
action” between the loop and the “regular playback” is that
the loop starts every time the cycle starts over again.
To set up the independent track loop, proceed as follows:
1. Turn on the loop by clicking the Independent Track
Loop button on the toolbar.
If it is not visible, right-click the toolbar and add the Independent Track
Loop Settings section – see
“Using the Setup options” on page 534.
When the loop is activated, the cycle is not shown in the
editor’s ruler. Now you need to specify the length of the
loop:
2. [Ctrl]/[Command]-click in the ruler to set the start and
[Alt]/[Option]-click to set the end of the loop.
You can also edit the loop start and end positions numerically in the
fields next to the Loop button.
The loop is indicated in purple in the ruler.
Ö The events will be looped as long as the Loop button
is activated and the Audio Part Editor window is open.
Scrubbing
In the Audio Part Editor, the Scrub tool has a separate
icon on the toolbar. Apart from that, scrubbing works ex
-
actly as in the Project window (see “Scrubbing audio” on
page 59).
Handling several parts
When you open the Audio Part Editor with several parts se-
lected – all on the same track or on different tracks – they
might not all “fit” in the editor window, which can make it
hard to get an overview of the different parts when editing.
Therefore, the toolbar features a few functions to make
working with multiple parts easier and more comprehen
-
sive:
• The “Currently Edited Part” pop-up menu lists all parts
that were selected when you opened the editor, and lets
you select which part is active for editing.
When you select a part from the list, it is automatically made active and
centered in the display.
Ö Note that it is also possible to activate a part by click-
ing on it with the Arrow tool.
• The button “Edit Active Part Only” lets you restrict edit-
ing operations to the active part only.
If you for example select “All” from the Select submenu of the Edit menu
with this option activated, all events in the active part will be selected but
not the events in other parts.
“Edit Active Part Only” activated on the toolbar
• You can zoom in on an active part so that it fills the
screen by selecting “Zoom to Event” from the Zoom sub
-
menu of the Edit menu.
• The button “Show Part Borders” can be used if you
want to see clearly defined borders for the active part.
When this is activated, all parts except the active one are grayed out,
making the borders easily discernible. There are also two “markers” in
the ruler with the name of the active part, marking its beginning and end.
These can be moved freely to change the part borders.
“Show Part Borders” activated on the toolbar