Quick Start Manual

L2t Side paneL
1. Input Jack – Connectmicrophonesorline-levelequipmenttothecombi(XLRor1/4-inch)inputs.The1/4-inchinputcanacceptunbalanced
(Tip-Sleeve)orbalanced(Tip-Ring-Sleeve)cables.Whenconnectinganacousticguitar,useChannel1.
2. Pad Switch – Iftheinputsourceisparticularlyloud,enablethe-20dBpadswitch.
3. Channel Gain – Controlstheinputlevelforeachchannel.TheLEDaboveeachknoblightsgreenwhenasignalispresentandmayashredifthe
input is clipped.
4. Stereo Link Switch – WhentheStereoLinkswitchissettoDualMono,eachofthetwochannelsretainsitsownsettings.Whenconnectinga
stereosourcetothetwoinputs,itcanbeconvenienttohaveasinglesetofcontrolsadjustbothsignalssimultaneously.PlacingthisswitchinStereo
LinkmodedisablesChannel1’scontrolsandallowsChannel2’scontrolstoaffectbothinputs.WhenusingasingleL2t,allstereosignalsaresummed
to mono before being output to the speaker.
 IfasecondL2tisconnectedviaL6LINK,stereosignalswillbesplitautomaticallybetweenthetwospeakers.
 NotethattheAcousticModelingcircuitappliestoChannel1only,soitisdisabledinStereoLinkmode.
5. EQ – EachchannelhasitsownthreebandEQ,adjustablefrom-12dBto+12dB(unityis0dB).TheLowbandisxedat80Hz,theMidbandis
sweepablefrom100Hzto8kHz(centerpositionisat800Hz)withaxedbandwidthof0.7octaves,andthehighbandisxedat12kHz.
6. Mod – Determinestheamountofbuilt-inmodulationeffectappliedtothechannel.Themodulationeffectissimilartovocaldoubling,butworks
equallywellonacousticguitarorkeyboards.IfasecondL2torL2misconnectedviaL6LINK,modulationwillautomaticallybeheardinstereo.
7. Verb – Determinestheamountofbuilt-inhallreverbappliedtothechannel.ThereverbistakenfromtheStageScapeM20ddigitalmixer,andis
optimizedforlivesoundreinforcement.IfasecondL2torL2misconnectedviaL6LINK,reverbwillautomaticallybeheardinstereo.
8. Feedback Suppression – Feedbacksuppressionworksbycontinuouslyanalyzingtheaudiosignal,identifyingfrequenciesthathavethecharacteristics
offeedback(steadyfrequencieswithfewovertones,risinginamplitude),andthenapplyinganarrownotchltertoremovetheoffendingfrequency.
Upto12independentfeedbackfrequenciescanberemovedwiththeL2t/L2m’sFeedbackSuppression.
 PresstheOnbuttontoenableordisableFeedbackSuppression.EachtimetheFeedbackSuppressionisturnedoff,allltersarereset.WhenFeedback
Suppressionisturnedbackon,analysisbeginsagainandiffeedbackisdetectedagain,theltersareturnedbackon.
 Thefeedbackanalyzercanbesettooneofthreemodes,dependingonhowaggressivelytheanalysiswillseekoutpotentialfeedbackfrequencies.Press
and hold the On button to select between aggressive (red), medium (amber), or mild (green).
9. Acoustic Modeling –Mostacousticguitarsutilizeapiezopickupthatcapturesstringvibrationsbuttypicallydoesnotconveytheguitar’sbody
resonance as well as a microphone in front of a guitar would. The Acoustic Modeling feature of the L2t is based on Line 6’s Variax Acoustic
technology,inwhichaphysicalmodelofanacousticguitar’snaturalbodyresonanceisappliedtothepiezosignaltosimulatethesoundofamic’ed
acousticguitarinthestudio.TheAcousticModelingfeatureisavailableforChannel1.
 PresstheOnbuttontoenableordisableAcousticModeling;turntheBodyknobtosettheamountofbodyresonance.