User Manual

LIST OF AMPLIFIER MODELS
This table lists all the preset amp models in Mustang GT, with a brief description of each. Mustang GT amp
models will be continually revised and updated; this manual indicates current amp models in use.
Champ, Deluxe, Bassman, Princeton, Deluxe Reverb and Twin Reverb are trademarks of FMIC. All other non-FMIC product names and trademarks appearing in this manual
are the property of their respective owners and are used solely to identify the products whose tones and sounds were studied during sound model development for this
product. The use of these products and trademarks does not imply any aliation, connection, sponsorship, or approval between FMIC and with or by any third party.
Studio Preamp
Direct-to-mixing-desk studio purity with clean,
uncolored tonal response
’57 Champ®
Small but mighty late-’50s Fender recording great
’57 Deluxe™
Medium-power late-’50s Fender tweed classic
known for thick, compressed overdrive
’57 Twin
Original-era 2x12” tweed classic prized for
clean-to-dirty versatility
’57 Bandmaster
Triple-speaker Fender narrow-panel tweed
classic known for crisp highs
’59 Bassman®
One of Fender’s greatest tweed amps, which began life as a bass
amp before being adopted by countless guitarists
’61 Deluxe
From the “Brownface” era of the Fender Deluxe, this amp splits
the dierence between tweed and “Blackface” models
’65 Princeton®
Mid-’60s Fender studio favorite with the
snappy tone of a single 10” speaker
’65 Deluxe Reverb®
Highly popular mid-’60s Fender with great tone whether clean or
dirty, cranked in countless clubs
’65 Twin Reverb®
An indispensable mid-’60s stage-and-studio favorite prized
for producing the Fender clean tone
Excelsior
An elegantly eccentric modern-day Fender model with the dis-
tinctive thump of a 15” speaker
’66 GA-15
Inspired by a 1966 Gibson GA-15RVT Explorer, known for
its cavernous “full-wet” reverb setting
’60s Thrift
Inspired by the garage-classic 1960s Sears Silvertone beloved of
today’s retro/alternative players
British Watts
Inspired by the original 100-watt Hiwatt DR103, which is the
classic cleaner-tone British stack
’60s British
Inspired by the Vox AC30, which powered the British Invasion
and produced remarkable clean and dirty tone
’70s British
Inspired by a late-’60s/early-’70s Marshall Super Lead, the amp
that powered the dawn of hard rock
’80s British
Inspired by the Marshall JCM800, which produced
quintessential ’80s metal tone
British Colour
Inspired by the “sludgy” majesty of the Orange OR120
Super-Sonic
Modern Fender amp with two cascading preamp gain stages for
pronounced sustain
’90s American
Based on the Mesa Dual Rectier, which featured distinctive dis-
tortion that shaped the “nu-metal” sound
Metal 2000
Modern high-gain scorch based on the EVH® 5150
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