User Manual
Owner's Manual
16
music. The Pitch FX KEY setting will still provide the baseline information
for the effect, but will be modied to better match the notes being
detected by Live Adapt. If you don’t know the key of the song, you can
choose “Chromatic” for the Pitch FX KEY, and let the Live Adapt feature
choose the most likely notes to output.
• HARMONY
This option has three settings:
Preset
With this option selected, the Harmony key will not adapt and will be set
according to the "KEY" parameter setting in the Harmony Edit menu.
Full Mix
With this option selected, the audio signal from the built-in microphone
or Aux In jack is used to analyze the musical content of the background
music in order to create harmonies that match the overall key of the
song. This option differs from the Preset option in that the harmonies can
change during the course of a song as the adaptation senses changes in
the song structure. It is best suited for situations where the internal mic
or Aux In signal consists of a mix of instruments–for example when the
Live FX is used on stage with a band.
CleanGtr
With this option selected, the audio signal from the built-in microphone
or Aux In jack is analyzed using our guitar chord recognition and harmony
generation algorithms that react in real time to guitar chord changes. This
option uses the classic musIQ harmony algorithm and is best suited for
situations where a clean guitar signal is being sent to the Aux In jack. If you
aren’t using an Aux-In signal but are playing an acoustic guitar close to the
Live FX, you may want to select this Harmony option.
• TEMPO
This option has three settings:
Preset
With this option selected, the tempo will not adapt and will be set
according to the "TEMPO" parameter setting in the Delay/Modulation Edit
menus.
Wide
With this option selected, the audio analyzed by the built-in microphone
or Aux In jack is used to modify the Delay/Modulation "TEMPO"
parameter, within a wide range around the currently set Delay/Modulation
TEMPO setting. With this option selected, the TEMPO will be allowed to
vary between 2/3
rds
and 4/3
rds
the rate of the currently set TEMPO–for
example, a TEMPO setting of 120 BPM would be allowed to vary between
80 BPM and 160 BPM.
Narrow
With this option selected, the audio analyzed by the built-in microphone
or Aux In jack is used to modify the Delay/Modulation "TEMPO"
parameter, within a narrow range around the currently set Delay/
Modulation TEMPO setting. The TEMPO will be allowed to vary between
approximately 85% and 115% of the currently set TEMPO–for example, a