Canon_Professional_Brochure_Motion_Capture

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T
he EOS-1D
Mark IV provides
me with a one-two
punch. It allows me to
capture my stills with
one of the
best digital
camera
bodies
available
today. The camera has
an incredible array of
autofocus features that
allows me to photograph
sporting events, news,
aerial and fine art
photography. Its 1080p
video function allows
me to push the bound-
aries. The CMOS sensor
and Dual DIGIC 4
Image Processors
capture an incredibly
high-quality video that
mimics the look of 35mm
motion picture film.”
Vincent
Laforet
Explorer of Light
“
PHOTOJOURNALISM
©2009 Vincent Laforet. All Rights Reserved.
Photojournalism
in the 21st
Century
No-compromise Video and
Stills in One Camera
In addition to its standout
still-image capture, the
EOS-1D Mark IV offers
enhanced image quality,
smooth frame rates and adaptive exposure
compensation. Shooting video with the EOS-1D Mark IV
is effortlessly simple, and the camera increases flexibility
for the photographer. The fully-operational multi-lens
system of the EOS-1D Mark IV is totally portable, and its
rugged design means shooting in remote or adverse
situations is simple. And since switching from stills to
video is as easy as the press of a button, the EOS-1D
Mark IV ensures no-compromise, adaptable recording
suitable for whatever comes in front of the lens. Still
images can be captured, in full resolution, while shooting
video and can be saved as distinct files. It’s as simple
as pressing the shutter button while recording a video,
and the resultant image can be modified as could any
other recorded still.
The Advantage of
Interchangeable Lenses
By shooting video with a large sensor camera, it’s simple to
take advantage of characteristics intrinsic to SLR photogra-
phy. Since the EOS-1D Mark IV is part of a comprehensive
SLR system, an entire range of compatible lenses adds
enormous freedom and
creativity in shooting.
With control of depth-of-
field, focal length and
more, EF lenses lend the
ability to bring the same
“eye” to both still and
moving pictures, helping
to ensure that a consis-
tent and established
style is maintained,
whatever the media.
Inside of the lens bag
With a Redrock Micro DSLR Cinema rig
Use of Canon EF15mm Fisheye on the hood of a car
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