Owner’s Manual Thank you, and congratulations on your choice of the BOSS BR-600 Digital Recorder. Before using this unit, carefully read the sections entitled: • USING THE UNIT SAFELY (page 2–3) • IMPORTANT NOTES (page 4–5) These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety.
USING THE UNIT SAFELY The symbol alerts the user to important instructions or warnings. The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
013 • In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit. ............................................................................................. 014 • Protect the unit from strong impact. (Do not drop it!) .............................................................................................
IMPORTANT NOTES 291a In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following: Power Supply: Use of Batteries 301 • Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor.
IMPORTANT NOTES • To prevent damage to the cards from static electricity, be sure to discharge any static electricity from your own body before handling the cards. • Do not touch or allow metal to come into contact with the contact portion of the cards. • Do not bend, drop, or subject cards to strong shock or vibration. • Do not keep cards in direct sunlight, in closed vehicles, or other such locations (storage temperature: -25 to 85˚ C). • Do not allow cards to become wet.
Contents IMPORTANT NOTES .............................. 4 Selecting the Input .............................36 Introduction to the BR-600 .................12 Features ...........................................................12 Memory Cards Supported by Your BR-600 .......15 Turning on the onboard stereo microphone ...........36 Formatting the memory card (CompactFlash) .......15 How to remove the card cover .................................15 Panel Descriptions .............................
Section 1 Recording and Playback ..... 53 Recording ..........................................54 Creating Songs for Recording ......................54 About data types.........................................................54 Selecting the Recording Track......................55 Changing V-Tracks ........................................56 Adjusting the Perception of Stereo in the Input Sounds (Pan) ........................................56 Recording Operations ...................................
Section 3 Using Effects ........ 91 Foot Volume ..............................................................104 Lo-Fi Box ...................................................................105 Using the Insert Effects .......................92 Effect Patches and Banks...............................92 Editing Insert Effect Settings ........................93 Saving Insert Effects Settings (Write)..........94 Changing the destination Insert Effects are Connected ...........................................
Fixing the Pitch of Vocals (Pitch Correction).............................123 The Pitch Correction ....................................123 Makeup of the Pitch Correction.................123 Pitch Correction Patches .............................123 Precautions for Pitch Correction Usage....123 Using the Pitch Correction..........................124 Setting the Correction Method for Vocal Pitch (Pitch Correction Edit).................................126 Saving the Pitch Correction Settings (Write)............
Creating Patterns by Tapping the Drum Pads (Realtime Recording) ............ 145 Rehearsing Recordings................................146 Deleting Unneeded Drum Sounds ............147 Changing the Metronome Volume............147 Inputting Sounds One by One While Confirming the Input Visually (Step Recording) .................. 148 Naming Patterns .............................151 Copying Patterns .............................152 Erasing Patterns ..............................
Section 6 Other Convenient Functions .. 189 Section 7 Appendices ........ 203 Adjusting the Display Contrast .........190 Mastering Tool Kit Patch List ............207 Using a Foot Switch or Expression Pedal ............................191 When Using an Expression Pedal..............191 When Using a Foot Switch..........................191 Pitch Correction Patch List ................207 Tuning an Instrument (Tuner) ...........192 Changing to the Tuner ................................
Introduction to the BR-600 Features ■ Simple operation The BR-600 digital multitrack recorder has been designed to provide the intuitive feel of a conventional music recorder, making it simple to operate, even for beginners. No matter what your experience, the BR-600 brings you the excitement of digital recording, from recording of the performance to the final mixdown, right from the day you take it home.
Introduction to the BR-600 Versatile digital effects processors Editing functions The BR-600 comes with five different types of effects processors. These systems, including recording effects (Insert effects), send/return (Loop Effects), tone adjustment (Track EQ), vocal pitch correction (Pitch Correction), and mastering effects (Mastering Tool Kit) can be used independently for each application as needed.
Introduction to the BR-600 ■ Full complement of input connectors (jacks) Your BR-600 is equipped with the input jacks shown below. GUITAR/BASS : This high-impedance input jack allows you to directly connect your guitar or bass (accepts 1/4” phone plugs). MIC1 : This jack allow a mic to be connected. This is TRS-type microphone input connector. Connect your mic here if recording vocals or narration. MIC2 : This jack allow a mic to be connected. This is TRS-type microphone input connector.
Introduction to the BR-600 Memory Cards Supported by Your BR-600 The BR-600 uses CompactFlash cards as the storage media for recording and playback. 3 Grasp the top and bottom of the card cover with your fingers and pull the cover off in the direction indicated in the figure. fig.00-030 The BR-600 uses 32 MB to 1 GB CompactFlash cards with a 3.3 V power supply. For more on supported memory cards (CompactFlash) for the BR-600, refer to “About Memory Cards” (separate sheet).
Panel Descriptions Top Panel fig.00-050 1 7 3 2 4 8 6 1 5 Input section GUITAR/BASS/MIC2 dial REC LEVEL (Recording Level) dial This dial adjusts the input sensitivity for the GUITAR/ BASS and MIC2 inputs. Use this dial to adjust the volume of the input source for recording.
Panel Descriptions INPUT SELECT buttons Use these buttons to select the input source (input jack) that you wish to record. The selected button will light. You can mute (silence) the input sound by pressing a button that is lit. “Selecting the Input” (p. 36) [GUITAR] For selecting either guitar or bass use of the GUITAR/BASS jack, or the MIC2 jack. TIME/VALUE dial You can use this dial to shift the current position within a song (e.g., fast forwarding and rewinding).
Panel Descriptions [TUNER] [V-TRACK] Use this button to turn on and off the tuner. Use this button to call up the screen for selecting a V-Track. “Tuning an Instrument (Tuner)” (p. 192) “What are V-Tracks?” (p. 12) “Changing V-Tracks” (p. 56) [RHYTHM ON/OFF] This switches the Rhythm function on and off. [UTILITY] [ARRANGE] This button calls up various functions offered by your BR600, such as track editing, song management, and memory card operations.
Panel Descriptions 5 REC/PLAY section AUTO PUNCH This button is used to make settings for the automatic punch in/out function. [ON/OFF] This turns the auto punch-in/out function on/off. When this is on, the button will light. [ZERO] Moves you to the time location 00:00:00-00.0. “Moving the current position” (p. 33) [REW] The song will rewind while you hold down the button. “Specifying the area for auto punching in/out” (p. 61) [IN] For setting the auto punch-in location.
Panel Descriptions 6 Track/Fader section TRACK MIXER fader 1–4, 5/6–7/8 [TAP (TEMPO)] For controlling the volumes of each track during playback. By tapping this button, you can set the tempo for the Rhythm. RHYTHM fader Adjusts the volume of the Rhythm. “Playing Arrangements” (p. 41) “Playing Patterns” (p. 41) MASTER fader Controls the overall volume of the BR-600. “Listening to a Demo Song” (p.
Panel Descriptions 7 Display fig.00-051 8 MEMORY CARD slot fig.00-052 Eject button Information about items for which settings are available in volume level and menu screens, parameter settings screens, and other screens are displayed here. If the screen is difficult to view, see “Adjusting the Display Contrast” (p. 190). This slot is where memory cards (CompactFlash) are inserted when you want to save data. You cannot record unless you have a memory card inserted here. 1.
Panel Descriptions Rear Panel 10 9 8 7 1. MIC2 jack (TRS 1/4” phone type) These jack allows a mic to be connected (p. 34). * If the connection has been made to the GUITAR/BASS and the MIC2 jacks, the MIC2 jack is given priority. 6 5 3 4 2 1 • When the foot switch is used, you can start/stop playback, punch in/out, and more. • When an expression pedal is used, you can control the depth of insert effects with your foot. * Connecting a mic to MIC2 switches off the onboard stereo mic. 2.
Panel Descriptions Front Panel fig.00-090 3 1 2 1. GUITAR / BASS jack High-impedance input jack to directly connect your guitar or bass.(p. 34) 2. MIC1 L / R (onboard stereo microphone L / R) This microphone can be used for recording with the BR-600. “Selecting the Input” (p. 36) “Turning on the onboard stereo microphone” (p. 36) * This mic is not a speaker. If you want to listen to sounds from the BR-600, use headphones or connect LINE OUT to an appropriate audio device. 3.
Panel Descriptions Inserting Batteries 1 2 3 4 Make sure that the power of the BR-600 is turned off. Turn over the BR-600. Slide the battery cover in the direction indicated by the arrow and remove. Being careful not to reverse the polarity (+/-), insert six AA dry-cell batteries into the battery compartment. fig.00-100 • When turning the unit upside-down, get a bunch of newspapers or magazines, and place them under the four corners or at both ends to prevent damage to the buttons and controls.
Panel Descriptions About the Play Screen The Play screen is the most fundamental screen of the BR600, and is the first screen that appears when the BR-600 is turned on (see below). fig.00-242 Play Screen Unless special note is made otherwise, the screen content referred to in the procedures described in this manual is that of the Play screen. Rev0.
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Quick Start Quick Start 27
Connecting Peripheral Devices Make connections as shown in the diagram below. When making any connections, make sure that all devices are turned off. fig.00-110 Front Panel Electric Guitar or Electric Bass Stereo Headphone Rear Panel AC Adaptor (PSA series) CD Player etc. Computer Foot Switch (FS-5U etc.) Audio Set etc. Rev0.10 Expression Pedal (Roland EV-5 etc.
Connecting Peripheral Devices How to Use the Cord Hook • Feedback could be produced depending on the location of microphones relative to speakers. This can be remedied by: The bottom of the BR-600 features a groove (cord hook) for securing the AC adaptor (PSA series) cord. To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook. 1.
Connecting Peripheral Devices Using a Mic Converter Cable If your mic cable has an XLR connector, you can connect the mic using the converter cable included with the BR-600. The following describes how to connect the mic using this cable. Inserting the Memory Card Insert the memory card (CompactFlash) with the card label facing upward. fig.00-112 fig.00-111 Converter Cable • Carefully insert the memory card all the way in-–until it is firmly in place.
Turning On / Off the BR-600 Turning On the Power 1 1 2 Before you turn the power on, make sure of the following points. ■ Are all external devices connected properly? 3 ■ Is the volume on the BR-600 and all other devices completely lowered? ■ Is the memory card inserted? 2 4 Make sure that playback of the song is stopped. Turn off the power to each device in the reverse order used for powering up. Quick Start Be sure to use the following steps to turn on the power.
Listening to a Demo Song Selecting a demo song (Song Select) Playing back a demo song Upon power-up, the song that was selected before the power was turned off is selected, and the data of that song is loaded. As soon as the data has been loaded, the Play screen appears in the display. 1 Move the TRACK faders 1–4, 5/6, 7/8 and the RHYTHM fader to the positions shown in the figure below, and lower the MASTER fader. fig.00-190 fig.00-170 2,4 1 2 3 2 Press [PLAY]. fig.00-200 1 The song starts.
Moving the current position You can use the following method to move the current position. measures or beats The current position in the song is indicated at the left of the upper row as "measure-beat-clock." Rewinding The song fast forwards as long as the [FF] is held down, and rewinds (reverses) while the [REW] button is held down.
Connecting Instruments ■ Choose which jack you will use to connect your instrument Your BR-600 is equipped with a number of input jacks to match the type of instrument that you will connect. Select an instrument appropriate for your purposes. fig.00-280 GUITAR/BASS : An electric guitar or bass can be connected to this jack. Since this is a high-impedance input, a guitar or bass can be connected directly. MIC1 : This jack allows a mic to be connected. TRS jack is provided.
Preparing Songs For Recording When the memory card contains more than one song, the song that was recorded last is automatically selected. 4 To record a new song, follow the procedure given below. Press [ENTER]. Quick Start “Are you sure?” appears in the display. fig.00-270 ■ Recording a new song (Song New) fig.00-250 2,4,5 1 2 5 3 Press [ENTER]. When the new song is ready, you are returned to the Play screen.
Selecting the Input Select the input source to record. The selected button will light. ■ Turning on the onboard stereo microphone fig.00-290 fig.00-300 1 2 [GUITAR] Select to record the instrument connected to the GUITAR/ BASS jack or the MIC 2 jack. [MIC] Select to record the signal from a microphone connected to the MIC1 jack and the MIC2 jack or from the onboard stereo microphone.
Selecting the Input ■ Adjusting the recording level Adjust the volume of the input source for recording. 2 This meter indicates the level for each track. 1 Lower the MASTER fader. In the Play screen, press CURSOR [ ]. * To return to the Play screen, press CURSOR [ Turn the REC LEVEL dial to its center position and then slowly increase the MASTER fader. Quick Start 1 ■ Displaying the Level Meter ]. fig.00-340 fig.00-330 3 INPUT : Adjust the recording level with the REC LEVEL dial.
Using Insert Effects The BR-600 comes with five onboard effects processors: an insert effect, loop effects, track EQ, pitch correction and mastering tool kit. Below is an explanation of the operations related to the insert effects. Switch effect patches 1 Confirm that [PAD] is not lit, then press [EFFECTS] to display the currently selected effect patch. fig.
Using Insert Effects 2 Press CURSOR [ ][ ] to align the cursor up with the effect patch, and turn the TIME/VALUE dial to change the effect patch. The preset patches contain preset data. Their settings can be changed, but you cannot create a new preset patch. User patches (U) User patches can be rewritten, and are stored in internal memory. If you have created a patch that you would like to use for other songs as well, it is convenient to store it as a user patch.
Using the Rhythm ■ What is the Rhythm? ■ Pattern Mode and The “Rhythm” is a dedicated Rhythm track that can not only play back Rhythm sounds as a guide during recording, you can also use it to play internal Rhythm patterns and original user-created Rhythm patterns and to play and record these patterns as your own Rhythm part performances. Recording in time with the Rhythm allows you to edit individual measures and use other convenient functions.
Using the Rhythm ■ Playing Arrangements ■ Playing Patterns 1 1 [RHYTHM ON/OFF] simultaneously lights, confirm that the rhythms are enabled. 2 Press [PLAY]. The arrangement plays with the start of playback or recording. The arrangement automatically stops when [STOP] is pressed to stop playback or recording. * When you adjust the volume of the arrangement, use the Rhythm fader.
Using the Rhythm ■ Changing arrangements ■ Changing patterns 1 1 Confirm that [PAD] is not lit, then press [ARRANGE] so that the button lights up. fig.00-400 fig.00-430 [RHYTHM ON/OFF] simultaneously lights, confirm that the rhythms are enabled. 2 Confirm that [PAD] is not lit, then press [PATTERN] so that the button lights up. [RHYTHM ON/OFF] simultaneously lights, confirm that the rhythms are enabled. 2 Select an arrangement.
Using the Rhythm ■ Changing the tempo of the arrangements or patterns 1 Use [CURSOR] and align the cursor up with “TEMPO” in the display. tempo of the arrangements or patterns You can temporarily change the tempo of the arrangement or pattern by the timing with which you press [TAP]. Tap on [TAP] four or more times to change the tempo of the arrangement or pattern. The tempo becomes that in which you tapped. fig.
Recording ■ Selecting the recording track 1 If INPUT SELECT [MIC] is lit fig.00-490 Press either [1]–[7/8] at REC TRACK to select the recording track. If the button flashes in red, that track is ready for recording. fig.00-480 The status of each track can be determined from the indicator on the button. Off : No recorded data exists on the track. Green : Recorded data exists on the track. Red : The track is selected for recording.
Recording ■ About the recording (REC) modes Here, you apply the “Mastering Tool Kit” to the two tracks to which other tracks have been bounced to finish up with a song with levels (volume) optimized. The Rhythm cannot be used in this mode. Use whichever mode is suitable in the course of bringing your song to completion. fig.00-520 INPUT TRACK 1 2 3 . . .
Recording ■ Procedure 4 fig.00-530 When you finish recording, press [STOP]. The REC TRACK button lights alternately in orange and green, indicating that track contains recorded data. 1 * During updating, “Keep power on!” appears in the upper line of the display, while the lower line shows what is being processed. You cannot play back sounds recorded for less than one second. 4 3 2 1 Press [REC MODE] repeatedly until INPUT is indicated for REC MODE at the left of the screen.
Playing Back Recorded Music fig.00-561 ■ Silencing the sound of During playback, hold down [DELETE/MUTE] and press a REC TRACK button that is lit in green and orange alternating or green. The REC TRACK button will change to blinking in orange or green, and the sound of that track will be muted (silenced). 1 1 2 2 Quick Start specific tracks (Track Mute) If you repeat the same operation, the button will return to its previous lit state and the sound of that track will once again be heard. fig.
Recording an additional performance (Overdubbing) Overdubbing while listening to an existing performance Recording an additional performance while listening to an existing performance The tracks for which the REC TRACK button is lit in green (or alternately in orange and green) are tracks that already have data recorded on them. The process of listening to a previously recorded performance while you record additional material on another track is called “overdubbing.
Putting multiple tracks together (Bounce) You can adjust the tone, panning, and volume balance for each track individually. ■ Adjusting the Perception of Stereo for the Sound (Pan) 1 Confirm that [PAD] is not lit, then press [PAN/EQ/ LOOP FX]. fig.00-590 2 Tracks 5/6 and 7/8 are stereo tracks, and any pan settings that are made apply to both of the tracks as a pair. When set to C00 : Track 5 (7) is panned left, and Track 6 (8) is panned right.
Putting multiple tracks together (Bounce) ■ Adjusting the tone (Track EQ) ■ Adding Richness and “Track EQ” is an independent two-band equalizer featured on each track that allows you to adjust the high- and lowfrequency tonal qualities separately. Breadth to the Sound (Loop Effect) These are just like the tone control on a stereo. 1 Confirm that [PAD] is not lit, then press [PAN/EQ/ LOOP FX].
Putting multiple tracks together (Bounce) 3 Press CURSOR [ ][ ] until “FX Type” or “Type” is displayed, then turn the TIME/VALUE dial to select the loop effect. 5 Press CURSOR [ settings screen. ][ ] to display the Send Level Quick Start When using CHO/DLY When using CHO/DLY fig.00-690 Select from “CHORUS,” “DELAY,” or “DBLN” (doubling). fig.00-660 When using REV fig.00-700 When using REV Select from “HALL” or “ROOM.” fig.
Putting multiple tracks together (Bounce) 3 Bouncing Press [REC]. [REC] flashes in red and the BR-600 enters the recording standby state. fig.00-720 1 fig.00-740 Flash 2 4 Press [PLAY]. [PLAY] lights in green, the [REC] and REC TRACK buttons now light solidly instead of flashing in red, and recording begins. 5 4 3 fig.00-560 Lit 1 Press [REC MODE] repeatedly until “BOUNCE” is indicated for REC MODE at the left of the screen. The BR-600 will now enter BOUNCE mode. 5 fig.
Section 1 Recording and Playback Section 1 Recording and Playback 53
Recording Creating Songs for Recording fig.00-250 2,4,5 1 2 3 ■ About data types When you record a new song, the BR-600 allows you to set the data type. This enables you to select the combination of audio quality and recording time that is most suitable for the material you are recording. The following data types can be selected. HiFi (MT2) (multitrack 2) : For high-quality recordings. This data type is recommended when you will be doing a lot of track bouncing. Normally you should select this type.
Recording Selecting the Recording Track 1 Press either [1]–[7/8] at REC TRACK to select the recording track. If the button flashes in red, that track is ready for recording. fig.00-480 Off : No recorded data exists on the track. Green : Recorded data exists on track. Red : The track is selected for recording. If a track with existing data is selected for recording, the indicator will light alternately in orange and green. If INPUT SELECT [GUITAR] is lit fig.
Recording Changing V-Tracks The BR-600 is a eight-track multitrack recorder, and each track consists of eight V-Tracks. You can select any one of these V-Tracks for recording or playback. This allows a wide range of uses, such as recording one take of a guitar solo or vocal, and then recording another take without having to erase the first one. You can also then take just the portions of the V-Tracks that you like and put them together onto one track.
Recording Recording Operations 1 Press [REC MODE] repeatedly until INPUT indicator lights up. fig.00-540 • You cannot play back sounds recorded for less than one second. • The following operations cannot be used, or are disabled, while the recorder is in use (during recording and playback). · Recording patterns · Editing arrangements · Selecting drum kits · Switching to the USB screen · Switching to the Tone Load screen Section 1 2 · Switching to the Song Selection screen Press [REC].
Repeating Playback (Repeat) By using the “Repeat function” you can repeatedly play back a specified part. Repeating playback allows you to check the mixing balance or perform loop recordings (p. 63) with the punch in/out functions. Playback repeats in the portion set with Repeat as shown below. 4 If you want to save the registration for this repeating segment, save the song. “Saving the Current Settings to the Song (Song Save)” (p. 89) fig.
Repeating Playback (Repeat) Setting the Repeat Portion with Accurate Timing Normally, the repeat start and end points are registered at the exact position where [REPEAT] is pressed. This may make it difficult for you to set the repeat portion exactly as you desire. If this is the case, you can use the quantize function to have the time [REPEAT] is pressed be adjusted to the timing of the song. The quantize function allows you to set the timing in one-measure units.
Re-recording Only a Mistake (Punch-in/out) You may occasionally make a mistake while recording, or the performance may not turn out as you expect. In this case, you can punch in/out to re-record only the portion that is mistaken. 3 Listen to the track you will be re-recording and the input source and adjust the volume of the input source using the REC LEVEL dial so that it is the same level as the track.
Re-recording Only a Mistake (Punch-in/out) ■ Manually punching in and out using a foot switch It can be difficult sometimes to punch in and out with the [REC] button when both playing an instrument and recording by yourself. In such situations, you may find it convenient to connect a sold separately foot switch (such as a BOSS FS-5U or Roland DP-2) and use the foot switch to punch in and out.
Re-recording Only a Mistake (Punch-in/out) 3 If you want to punch in/out at a previously set locator point, press [LOCATOR] to move to the locator point (p. 72), and press AUTO PUNCH [IN] or AUTO PUNCH [OUT]. ■ Erasing a registered auto Listen to the track you will be re-recording and the input source and adjust the volume of the input source using the REC LEVEL dial so that it is the same level as the track.
Re-recording Only a Mistake (Punch-in/out) Repeatedly Recording Over the Same Location (Loop Recording) 2 Place the fader for track 1 at the location shown below. fig.01-180 The repeat function (p. 58) allows you to play a certain portion of a song (the loop portion) over and over again. If you used auto punch in/out together with the repeat function, the portion will be repeated so the result of the recording can be heard right away.
Canceling an Operation (Undo/Redo) Occasionally when the recording you make may not turn out as you wish, or the settings you make for an editing operation are incorrect, and you want to reverse what you have done. At these times, you can use the “Undo function.” Reversing the Last Operation (Undo) fig.** 2 The Undo function reverses the action you have just performed and returns you to the status you were in beforehand. To reverse an Undo, you must use the “Redo function.
Putting Multiple Tracks Together (Bounce) Although the BR-600 allows the simultaneous playback of eight tracks, when you run out of tracks, the BR-600 also lets you copy the recordings of multiple tracks together onto one track (V-Track). This is called “bounce” (also known as bounce recording or ping-pong recording). The explanation below uses an example of mixing the monaural recording on tracks 1 and 2 and the stereo recording on tracks 3 and 4, and bouncing them to V-Track 2 of tracks 7/8.
Putting Multiple Tracks Together (Bounce) 5 If you want to mix in the sound of the Rhythm as well, increase the Rhythm fader. If you do not want to record the Rhythm, lower the fader. 6 10 If you want to save the settings in the currently selected song, hold down [STOP], and press [REC]. * During updating, “Keep power on!” appears in the upper line of the display, while the lower line shows what is being processed.
Loading Songs Created with the BR-900CD/BR-864/BR-532 You can load songs created with the BR-900CD, BR-864, or BR-532 into the BR-600 via memory cards. Loading Songs Created with the BR-900CD/BR-864 First, save the song data created with the BR-900CD or BR864 to a memory card, then insert the memory card into the BR-600. 1 Press CURSOR [ ][ ] to move the cursor to “SEL,” and press [ENTER]. The Song Select screen is appeared. fig.
Loading Songs Created with the BR-900CD/BR-864/BR-532 Loading Songs Created with the BR-532 When copying song data created with the BR-532 from SmartMedia to a BR-600 memory card, you can load the data as a BR-600 song. Fist, insert the memory card containing the copy of the desired data into the BR-600. 1 2 Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ][ ] to move the cursor to “SEL,” and press [ENTER]. The Song Select screen is appeared. fig.
Displaying the Song Information Displaying the Remaining Available Recording Time Follow the procedure below to either display the elapsed recording time in the recording standby and recording screens. 1 Displaying the Memory Card Usage Follow the procedure below to display the current condition of the memory card being used. 1 2 Confirm that [PAD] is not lit, then press [UTILITY]. Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ][ ] to move the cursor to “INF,” and press [ENTER].
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Section 2 Editing Section 2 Editing 71
Registering Time (Locator) Using the locator function, you can register any desired time in a song as a “locator point” so that you can jump to that point later with just the press of a button. This function is quite useful during editing. Registering a Locator Point 1 2 At the Play screen, move to the location where you want to register the locator point. Press [LOCATOR]. When the [LOCATOR] lights up, registration is complete. fig.02-010 Moving to the Locator Point 1 Press [LOCATOR].
Search for the Music’s Start and End (Scrub/Preview) Scrub function When editing a sound, some times you need to know exactly where the sound starts, or exactly where the recording with an auto punch in starts. To enable you to find these points accurately, the BR-600 is equipped with the Scrub function. Scrubbing to Find the Music Starting/Ending Point 1 The [PLAY] begins flashing and scrubbing starts.
Search for the Music’s Start and End (Scrub/Preview) Changing the Scrub Points Besides switching the scrub point in the Play screen (p. 73), you can also use the following method to switch the scrub point. 1 2 Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ][ ] to move the cursor to “SCR,” and press [ENTER]. Enabling Use of the Preview Function with [REW] and [FF] Besides using [PLAY] for the Preview function (p.
Editing the Performance on a Track (Track Edit) The BR-600 allows you to edit your songs by performing editing functions such as copying and moving data recorded on the tracks. About the Measure/ Time Specification screen Measures and time are specified in the “S” (Start), “E” (End), and “T” (To) screens in Track Edit as shown below. fig.02-080 (Ex.) Copying Data (Track Copy) Track Copy allows you to copy a specific part of data and then place it in a different location.
Editing the Performance on a Track (Track Edit) 1 Confirm that [PAD] is not lit, then press [UTILITY]. 8 Press [ENTER]. fig.02-220 2 Press CURSOR [ ][ ] to move the cursor to “TRK,” and press [ENTER]. fig.02-180 9 Use [CURSOR] and the TIME/VALUE dial to specify the ending of the portion “E” (End) of data you want to copy. 10 Press [ENTER]. fig.02-230 3 Press CURSOR [ ][ ] to move the cursor to “CPY,” and press [ENTER]. 11 fig.
Editing the Performance on a Track (Track Edit) 1 After specifying the time in the procedure above, a “+” may appear to show that there is a discrepancy between the actual current position and the position displayed. If you specify the locations using measures, specify the locations at each screen using the TIME/VALUE dial to eliminate the discrepancy. 2 Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ][ ] to move the cursor to “TRK,” and press [ENTER]. fig.
Editing the Performance on a Track (Track Edit) 8 Press [ENTER]. 3 fig.02-150 Press CURSOR [ ][ ] to move the cursor to “CPY,” and press [ENTER]. fig.02-260 9 Turn the TIME/VALUE dial to select the number of copies you want to be placed. 10 4 Turn the TIME/VALUE dial to select “ALL” and press [ENTER]. fig.02-270 When you are ready to execute the copy, press [ENTER]. The display will ask “Are you sure?,” so that you can confirm the operation. Copy Source 11 Press [ENTER].
Editing the Performance on a Track (Track Edit) Moving Data (Track Move) Track Move allows you to move a specific portion of data to a different location. 3 Press CURSOR [ ][ ] to move the cursor to “MOV,” and press [ENTER]. fig.02-370 After the data is moved, the location it was in will be left empty. 4 ■ Moving by specifying the time (TME/MES) Turn the TIME/VALUE dial to select “TME/MES” and press [ENTER]. fig.02-380 Perform the procedure given below to move the portion between specific times.
Editing the Performance on a Track (Track Edit) 10 Press [ENTER]. ■ Moving the repeated portion (AB) fig.02-410 Perform the procedure given below to move the portion from the repeat start (A) to the repeat end (B). Ex. 1 : Moving to the same track fig.02-280 11 Use [CURSOR] and the TIME/VALUE dial to specify the time of the beginning of the location “T” (To) where you want the data moved. Repeat Start (A) 12 When you are ready to execute the move, press [ENTER].
Editing the Performance on a Track (Track Edit) 4 Turn the TIME/VALUE dial to select “AB” and press [ENTER]. ■ Moving a complete track (ALL) fig.02-320 Perform the procedure given below to move the complete data from one track to another. 1 Move Source 5 6 Move Destination 2 Use CURSOR [ ][ ] and the TIME/VALUE dial to select the track/V-Track to move from, and track/VTrack to move to. Confirm that [PAD] is not lit, then press [UTILITY].
Editing the Performance on a Track (Track Edit) 6 Press [ENTER]. fig.02-450 7 8 Use [CURSOR] and the TIME/VALUE dial to specify the time of the beginning of the location “T” (To) where you want the data to be moved. Track Erase allows you to erase a specific part of data. Even if data exists after the specified part, it will not be moved forward to fill the gap left by the erasure. Like a normal tape recorder, erasing can be considered covering unwanted data by recording emptiness.
Editing the Performance on a Track (Track Edit) 3 Press CURSOR [ ][ ] to move the cursor to “ERS,” and press [ENTER]. fig.02-520 4 Turn the TIME/VALUE dial to select “TME/MES” and press [ENTER]. fig.02-530 5 Press [ENTER]. Press [UTILITY] (or press [EXIT] repeatedly) to return to the Play screen. * During updating, “Keep power on!” appears in the upper line of the display, while the lower line shows what is being processed.
Editing the Performance on a Track (Track Edit) 3 fig.02-560 Press CURSOR [ ][ ] to move the cursor to “ERS,” and press [ENTER]. fig.02-480 4 Turn the TIME/VALUE dial to select “AB” and press [ENTER]. fig.02-490 3 Press CURSOR [ ][ ] to move the cursor to “ERS,” and press [ENTER]. fig.02-570 5 6 Use CURSOR [ ][ ] and the TIME/VALUE dial to select the track/V-Track to erase from. When you are ready to execute the erasure, press [ENTER].
Editing the Performance on a Track (Track Edit) 5 Exchanging Data (Track Exchange) The display will ask “Are you sure?,” so that you can confirm the operation. Perform the procedure given below to exchange the data between two tracks. Ex. : exchanging all the data on track 1 with all the data on track 2 When you are ready to execute the exchange, press [ENTER]. 6 Press [ENTER]. The exchange is executed. fig.
Organizing the Songs You’ve Recorded Copying a Song (Song Copy) Follow the procedure below to copy the currently selected song. 1 Erasing Songs (Song Erase) Follow the procedure below to erase a song from the memory card. 1 2 2 Confirm that [PAD] is not lit, then press [UTILITY]. Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ][ ] to move the cursor to “EDT,” and press [ENTER]. Press CURSOR [ ][ ] to move the cursor to “EDT,” and press [ENTER]. fig.02-640 fig.
Organizing the Songs You’ve Recorded Saving Memory on the Memory Card (Song Optimize) When you perform overdubbing or punch-in/out, the data that you rewrite (replace) actually remains on the memory card. In some cases, this unwanted data may occupy a significant amount of space on the memory card. This will cause the time available for recording to be less than it should be. • Depending on the situation, an appreciable length of time may be required for Optimize to be completed.
Organizing the Songs You’ve Recorded Naming a Song (Song Name) When a new song is created, it is automatically given a name such as “SONG 0001.” With your 600, you can use “Song Name” to give each song a name, which helps you manage and organize your songs. 1 2 Protecting a Song (Song Protect) You can imagine situations where, after taking care to create a song, you accidentally overwrite it with a recording, deleting the performance itself.
Organizing the Songs You’ve Recorded 3 Press CURSOR [ ][ ] to move the cursor to “PRT,” and press [ENTER]. The Song Protect screen appears in the display. fig.02-710 Saving the Current Settings to the Song (Song Save) The BR-600 can save the following contents as song data. • Recorded data • Mixer settings (Pan, Track EQ, etc.) • Insert Effect song patches • Mastering Tool Kit song patches 4 5 Rotate TIME/VALUE dial to select the “ON.
Creating a Master Tape/ Disc This process involves recording the finished song to your recorder (cassette tape recorder, CD recorder, etc.) and making a master tape or a master disc. 1 Connect the BR-600 LINE OUT jacks to the cassette tape recorder's input jacks. CD Recorder etc. 2 3 4 Rev0.10 90 Put the cassette tape recorder in record mode. Press [PLAY] on the BR-600 and start the playback of the recorded data.
Section 3 Using Effects Section 3 Using Effects 91
Using the Insert Effects The BR-600 comes with five effects processors: an insert effects, loop effects, Track EQ, Pitch Correction, and Mastering Tool Kit. An insert effects, loop effects, and Track EQ can be used simultaneously, and you can make settings for each effect as desired. Here is an explanation of how to change the various parameters for the insert effects and how to then save those changes. “Insert Effect Parameter Functions” (p. 96) “Loop Effect Parameter Functions” (p.
Using the Insert Effects Editing Insert Effect Settings If you wish to create a new effect sound, you should first select an existing patch that is closest to the sound you want, and then edit its settings. If you wish to save the effect settings that you edited, save them as a user patch or song patch. 1 By pressing [ENTER] while the cursor is at a Bank– Number, you can display the Edit Effect screen directly. 4 Confirm that [PAD] is not lit, then press [EFFECTS].
Using the Insert Effects Saving Insert Effects Settings (Write) Follow the procedure below to enter a name (patch name) for an effect that you’ve modified, and save it as a new effect patch. * If you do not need to change the patch name, go to Step 4 after entering the Effect screen. 1 At the Effect screen, press CURSOR [ ] to move the cursor to “NAME,” and press [ENTER]. 5 6 Turn the TIME/VALUE dial to select the number to which to write the new effect patch.
Using the Insert Effects Changing the destination Insert Effects are Connected By default, the insert effect is inserted immediately after the input source. The reason for this is to allow for the effectsprocessed (wet) sound to be recorded and monitored. However, sometimes you want to change the connection order. On the BR-600, you can accommodate a wide variety of situations by changing the point to which the insert effects are connected.
Insert Effect Parameter Functions Algorithm List The algorithms (the available effects and their connection order) that can be used as an insert effect are shown below. The algorithms that can be selected will differ for each bank. To select the algorithm that you wish to use, first select the effect bank that includes that algorithm, and then refer to the “Effect Patch List” (p. 204) and select a patch that uses the desired algorithm.
Insert Effect Parameter Functions 3. BASS SIM Simulates the sound of a bass guitar. Obtain the sound of a bass guitar while playing an electric guitar. * You should avoid playing chords when using the Bass Simulator. 5. ACOUSTIC GTR This is a multi-effect designed for acoustic guitar. Even when an electric-acoustic is connected at line level, this provides a warm sound similar to what is obtained through a microphone. fig.03-210 fig.
Insert Effect Parameter Functions 7. COSM BASS AMP This is a multi-effect designed for bass guitar. This features an amp sound that uses a preamp and speaker simulator. fig.03-230 –[COMP]–[PAMP]–[SP]–[EQ/WAH] –[NS]–[FV]–[MOD]=[DLY]= Compressor 8. COSM COMP BSS This is a multi-effect designed for bass guitar. In addition to a COSM compressor/limiter, it uses a preamp and speaker simulator for a characteristic amp sound. fig.
Insert Effect Parameter Functions 11. COSM COMP VCL This is a multi-effect designed for vocals. The COSM compressor/limiter is perfect for creating a basic sound. fig.03-270 –[COMP/LIM]–[DES]–[ENH] [EQ]–[NS]–[FV]–[DLY]= COSM Comp/Limiter De-esser Enhancer 4Band Equalizer Noise Suppressor Foot Volume Delay BANK : LINE fig.03-280 =[COMP]=[RNG]=[EQ/WAH] 13.
Insert Effect Parameter Functions BANK : SIMUL 14. VO+GT AMP 15. VO+AC.SIM This algorithm is for use when simultaneously recording a vocal and electric guitar. This algorithm is for use when simultaneously recording a vocal and electric guitar. For the guitar, you can produce an amp sound using a preamp and speaker simulator. For the guitar, you can make the electric guitar sound like an acoustic guitar.
Insert Effect Parameter Functions Parameter List The trademarks listed in this document are trademarks of their respective owners, which are separate companies from BOSS. Those companies are not affiliated with BOSS and have not licensed or authorized BOSS’s BR-600. Their marks are used solely to identify the equipment whose sound is simulated by BOSS’s BR-600. Acoustic Guitar Simulator This simulates the sound of an acoustic guitar.
Insert Effect Parameter Functions Chorus COSM Comp (compressor)/Limiter A sound with a subtly shifted pitch is added to the direct sound, making the final output sound thicker and broader. Best results will be achieved when stereo recording. * This effect can be used when the MODULATION “Type” parameter is set to “CHORUS.” On/Off OFF, ON This parameter turns the chorus effect on/off. Rate 0 – 100 Adjusts the rate of the Chorus effect. Depth 0 – 100 Adjusts the depth of the Chorus effect.
Insert Effect Parameter Functions Attack Time (with VtgRack) 0 – 100 Delay This adjusts the amount of time it takes for the compression ratio set in Ratio to be reached once compression begins, as the input level exceeds the set threshold level. The larger the value set here, the more rapidly compression is applied. This creates a thicker sound by applying a delayed sound to the direct sound. Release Time (with VtgRack) This parameter turns the delay effect on/off.
Insert Effect Parameter Functions Hi-M Gin Enhancer By adding sounds which are out-of-phase with the direct sound, this effect enhances the definition of the sound, and pushes it to the forefront. On/Off OFF, ON This parameter turns the enhancer effect on/off. Sens -20 – +20 dB This parameter sets the gain (amount of boost or cut) for the high-midrange equalizer. Hi-M F 100 Hz – 10.0 kHz This parameter sets the central frequency for the highmidrange equalizer. Hi-M Q 0 – 100 0.
Insert Effect Parameter Functions ■ When “DIGITAL” is selected Lo-Fi Box Pre Filter Produces a lo-fi sound. OFF, ON This parameter turns the lo-fi box effect on/off. This filter decreases digital distortion. When turned off, you can create an intense lo-fi sound incorporating digital distortion. Type Smpl Rate Select the mode of the lo-fi box. Modify the sample rate. RADIO : The sound will appear to be heard from an AM radio.
Insert Effect Parameter Functions Depth Noise Suppressor This effect reduces the noise and hum. Since it suppresses the noise in synchronization with the envelope of the sound (the way in which the sound decays over time), it has very little effect on the sound, and does not harm the natural character of the sound. On/Off OFF, ON This parameter turns the noise suppressor effect on/off. Threshold 0 – 100 Adjust this parameter as appropriate for the volume of the noise.
Insert Effect Parameter Functions ■ With “COSM BASS AMP” or “COSM COMP BSS” algorithms Preamp Adjust the distortion and tone of the guitar sound. * When all Bass, Middle and Treble are set to “0,” no sound may be produced depending on the “Type” setting. On/Off AC It produces the vintage sound of an early transistor amp. It produces the sound of a large double-stack vacuum tube amp with ultra-lows and a crisp edge. AMG OFF, ON Turns the preamp effect on/off.
Insert Effect Parameter Functions Ring Modulator Speaker Simulator This creates a bell-like sound by ring-modulating the guitar sound with the signal from the internal oscillator. The sound will be unmusical and lack distinctive pitches. On/Off OFF, ON This parameter turns the ring modulator effect on/off. Frequency 0 – 100 This adjusts the frequency of the internal oscillator. Fx Level 0 – 100 Adjusts the volume of the effect sound.
Insert Effect Parameter Functions Tremolo/Pan Voice Transformer Tremolo is an effect that creates a cyclic change in volume. Pan cyclically moves the stereo position between left and right (when stereo output is used). * This effect can be used when the MODULATION “Type” parameter is set to “TRM/PAN.” On/Off OFF, ON This controls the formants, allowing a variety of voice characters to be created. This adds two voice characters with differing formants to the direct sound.
Insert Effect Parameter Functions ■ When “PEDAL” is selected Wah The wah effect creates a unique tone by changing the frequency response characteristics of a filter. Touch wah creates an automatic wah by changing the filter in response to the volume of the input. Pedal wah lets you use an Expression pedal or the like to obtain real-time control of the wah effect. * You can use this effect with the following algorithms when “WAH” is selected for the 4BAND EQ/WAH “Type” setting.
Mastering Use the “Mastering Tool Kit” to produce a two-track master of the bounce tracks with the levels optimized. What is Mastering Tool Kit? When creating an audio CD from your recorded songs, or recording to a similar media, the overall volume needs to be restrained, so that even the loudest portions of the songs are handled appropriately on the CD. However, this often results in an overall lowering of the volume, resulting in a CD that lacks excitement and impact.
Mastering 5 Select the Mastering Tool Kit. Use the TIME/VALUE dial to select the Preset/Song/ User patch and number for the Mastering Tool Kit. “Mastering Tool Kit Patch List” (p. 207) 6 Press [EXIT] to return to the Play screen. The overall volume is adjusted by the MASTER fader. At this time, raise the volume as high as possible without allowing the sound to distort. 7 Press [REC]. [REC] flashes in red and the BR-600 enters the recording standby state. fig.03-420 Flash 8 Press [PLAY].
Mastering Editing the Mastering Tool Kit Settings 5 To create a new patch, select the patch that most closely resembles the sound you have in mind from the effects patches already stored in the unit, then edit its settings. Blocks that are turned on are shown in uppercase letters, while blocks that are turned off are shown in lowercase letters. Turn on the effects that you want to use. If you wish to save the effect settings that you edited, save them as a user patch or song patch.
Mastering Saving the Mastering Tool Kit Settings (Write) This assigns a name (patch name) to the edited patch settings and saves the settings. * If you do not need to change the patch name, go to Step 4 after entering the Mastering Tool Kit selection screen. 1 At the Mastering Tool Kit selection screen, press CURSOR [ ] to move the cursor to “NAME,” and press [ENTER]. 5 6 Turn the TIME/VALUE dial to select the patch number to which to write the new patch.
Mastering Tool Kit Parameter Functions Algorithm The Mastering Tool Kit's algorithms are composed from the following effects. =[EQ]=[BCUT]=[ENH]=[IN]=[EXP] [COMP]=[MIX]=[LIM]=[OUT] Equalizer Bass Cut Filter Enhancer Input Expander Compressor Mixer Limiter Output Parameter List High Mid Gain Equalizer On/Off OFF, ON -24 – +12 dB Sets the overall volume before passing through the equalizer. Low Type SHELVG, PEAK Sets the equalizer type (shelving, peaking) for the lower range.
Mastering Tool Kit Parameter Functions Bass Cut Filter Expander This is a filter that cuts unwanted low range noise, such as pops. This expands the dynamic range at a fixed ratio. On/Off This setting turns the expander on/off. OFF, ON On/Off OFF, ON This setting turns the Bass Cut Filter on/off. Lo Thres Freq This sets the volume level at which the lower-range expander goes into effect. 20 Hz – 2.
Mastering Tool Kit Parameter Functions Compressor This compresses the overall output signal when the input volume level exceeds a set value. On/Off OFF, ON This parameter turns the compressor effect on/off. Lo Thres -24 – 0 dB This sets the volume level at which the lower-range compressor goes into effect. Lo Ratio 1:1.00 – 1:16.0, 1:INF This sets the ratio of suppression of the lower-range output when the input level exceeds the Lo threshold level.
Using the Loop Effects Here is an explanation of how to change the various parameters for the loop effects (chorus/delay/doubling/ reverb). For an explanation of loop effects, refer to “Loop Effect Parameter Functions” (p. 120). 4 To change the settings for the selected effect, press CURSOR [ ][ ] to select the parameter and turn the TIME/VALUE dial to change the set value. fig.
Using the Loop Effects Adjusting How the Loop Effect is Applied The following explains how you can alter the volume of the signals sent by each track to the loop effects (the send level), and control the degree to which the loop effects are applied. 1 2 Confirm that [PAD] is not lit, then press [PAN/EQ/ LOOP FX]. 4 Use CURSOR [ ][ ] and the TIME/VALUE dial to adjust the send level for each track. * Pressing a REC TRACK button moves the cursor to the track corresponding to the button pressed.
Loop Effect Parameter Functions ■ When “DBLN” is selected Parameter List Dly Tme CHORUS/DELAY/DBLN (Doubling) This selects the chorus, delay, or doubling effect. E.Level FX Type CHORUS : A sound with a subtly shifted pitch is added to the direct sound, making the final output sound thicker and broader. DELAY : This creates a thicker sound by applying a delayed sound to the direct sound.
Using the Track EQ Setting the Track EQ This section explains how to edit the Track EQ settings (parameters). For a fuller description of Track EQ, refer to “Track EQ Parameter Functions” (p. 122). 1 2 Track EQ do not have “patches.” Loop effect settings are saved along with the song data. If you want to save the settings in the currently selected song, hold down [STOP], and press [REC]. Confirm that [PAD] is not lit, then press [PAN/EQ/ LOOP FX].
Track EQ Parameter Functions Parameter List This is a two-band equalizer that is independent for each track. On/Off OFF, ON This parameter turns the equalizer effect on/off. LoG -12 – +12 dB This sets the gain (-12 to +12 dB) for the low-range equalizer (shelving type). LoF 40 Hz – 1.5 kHz This sets the center frequency (40Hz to 1.5 kHz) for the lowrange equalizer (shelving type). HiG -12 – +12 dB This sets the gain (-12 to +12 dB) for the high-range equalizer (shelving type).
Fixing the Pitch of Vocals (Pitch Correction) The Pitch Correction The term Pitch Correction is used to describe a group of effects that are used on recorded vocal tracks to fix incorrect pitches. When compared with guitars, pianos, and other musical instruments, the human voice generally produces a relatively unstable tone. And when recording unprepared vocalists, this can often lead to considerable difficulties in the form of notes sung out of tune and poor sound quality.
Fixing the Pitch of Vocals (Pitch Correction) Using the Pitch Correction 6 Let’s now use the BR-600’s pitch correction feature to clean up some mistakes in a solo vocal part. Using this feature, we will be able to correct pitches in real time and in semitone units. Start playback on the BR-600. Pitches will be corrected in the solo vocal part as it is played.
Fixing the Pitch of Vocals (Pitch Correction) 13 Press [PLAY]. Both [PLAY] and [REC] will light up and recording will start. The solo part will be played and any incorrect pitches will be fixed. At the same time, the corrected part will be recorded on the selected track. 14 Press [STOP] at the point where you want to stop recording. The BR-600 will stop playback. 15 Press [ZERO] to jump to the start of the song once again and then start playback of the recorded track.
Fixing the Pitch of Vocals (Pitch Correction) Smooth Setting the Correction Method for Vocal Pitch (Pitch Correction Edit) Each of the preset patches 1–5 uses a slightly different method for correcting pitches. Normally, it will be sufficient to select the patch that gives the results you like best; however, if you cannot achieve favorable results using any of these patches, you can change the Pitch Correction settings to create a patch of your own. 1 2 Select a preset patch to base your new patch on.
Fixing the Pitch of Vocals (Pitch Correction) Saving the Pitch Correction Settings (Write) Modified Pitch Correction settings are saved by writing them together under a new patch name. * If you do not need to change the patch name, go to Step 4 after entering the Pitch Correction patch selection screen. 1 7 Press [ENTER]. (To cancel the operation press [EXIT].) The Pitch Correction patch will be written. After the save has been completed, you are returned to the Pitch Correction patch selection screen.
Fixing the Pitch of Vocals (Pitch Correction) Making Detailed Settings for Pitch Correction (Correction Event Map) 3 Use [CURSOR] to move the cursor to “INSERT” and press [ENTER]. A new correction event is inserted. fig.03-700 In the procedures described thus far, what has been explained is how to correct the overall pitch for the entire song, from start to finish, in semitone increments.
Fixing the Pitch of Vocals (Pitch Correction) 6 Use [CURSOR] to move the cursor to “Smth” and specify the correction speed. Smth (Smooth) -100 – +100 The value set here is added to the value for the “Smooth” patch parameter (p. 127). When set to 0, the correction proceeds at the rate set in the patch’s “Smooth” parameter.
MEMO Rev0.
Section 4 Using The Rhythm Section 4 Using The Rhythm 131
About Rhythms With the BR-600, you can use the panel buttons (drum pads) to play the drum sounds any way you like. The BR-600 features nine pre-programmed collections of drum sounds designed for use in different musical genres (drum kits); select the drum kit suited to the type of music you are playing. In addition, you can use the dedicated rhythm track to have rhythms played automatically (rhythm patterns, rhythm arrangements).
About Rhythms What Are Patterns and Arrangements? The BR-600’s rhythms are composed of performance data of two main types called “patterns” and “arrangements.” Song patterns (S001 – S100) These are patterns whose data is rewritable, and up to 100 different patterns for each song can be stored on memory cards. Preset patterns (P001 – P327) The BR-600 comes with 327 different “preset patterns” (P001 – P327) specially created for use with rock, jazz, and other musical genres.
About Rhythms ■ What is an Arrangement? Although you can play a pattern by itself as a guide for practice, like a metronome, the rhythm in that case continues from the start of the song to the end without changing. When creating songs that include musical changes, a number of different patterns need to be arranged sequentially; for example, an intro followed by the chorus, bridge, and ending. This sequencing of data, with patterns lined up in the order performed, is called an “arrangement.
Playing the Drum Sounds Now try playing the drum sounds using free hand movements to play the pads. 1 With the Play screen active, press [PAD] so that the button lights. You do not need to press [PAD] if the indicator is already lit. The volume of a drum sound is determined by the force used in tapping the drum pads, with the volume divided into five levels. Maximum : Sounds are played at maximum volume.
Changing the Drum Sound (Drum Kits) Selecting Drum Kits A drum kit consists of a collection of various rhythm instrument sounds organized as one set. The BR-600 is programmed with nine internal “preset drum kits.” Select drum kits as described below. 1 Also included are five original “song drum kits.” Song drum kits are saved to each song individually on memory cards. While performance of the song is stopped, check to confirm that [PAD] is not lit, then press [PATTERN] or [ARRANGE].
Changing the Drum Sound (Drum Kits) 3 Press CURSOR [ ][ ] to move the cursor to “KIT,” and press [ENTER]. 4 When using pattern mode Use CURSOR [ ][ ] and the TIME/VALUE dial to select drum kits by switching the preset/song and number.
Changing the Drum Sound (Drum Kits) Creating Original Drum Kits (Tone Load) With the BR-600, you can create original drum kits not only with the internal drum sounds, but by loading drum sounds from external sources as well (Tone Load). There are three ways to load drum tones. ● Loading from the tracks ● Loading from other drum kits ● Loading from WAV/AIFF files (p. 174, p.
Changing the Drum Sound (Drum Kits) 5 Use CURSOR [ ][ ] and the TIME/VALUE dial to specify the range (start and end points) of drum sounds to be loaded in terms of measures or time locations. Start Point (“S”) Specify the measure or location to be used as the start point for loading the drum sounds. fig.04-100 7 Measure Beat Hours Minutes Seconds Specify the load-destination song drum kit with the TIME/VALUE dial, then press [ENTER].
Changing the Drum Sound (Drum Kits) Copying drum sounds from other drum kits 1 2 5 Turn the TIME/VALUE dial to specify the copydestination drum sound, then press [ENTER]. * Select “ALL” if you want to copy all of the drum sounds in the kit. Confirm that [PAD] is not lit, then press [UTILITY]. fig.04-180 Press CURSOR[ ][ ]to move the cursor to “TONE,” and press [ENTER]. fig.04-150 6 Turn the TIME/VALUE dial to specify the copydestination drum kit, then press [ENTER]. fig.
Changing the Drum Sound (Drum Kits) Erasing drum sounds 1 2 3 Confirm that [PAD] is not lit, then press [UTILITY]. Changing the position (pan) of the drum sounds 1 Press CURSOR [ ][ ] to move the cursor to “TONE,” and press [ENTER]. 2 Press CURSOR [ ][ ] to move the cursor to “ERASE,” and press [ENTER]. 3 fig.04-210 Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ][ ] to move the cursor to “TONE,” and press [ENTER].
Playing Rhythm Patterns Now try selecting a pattern you like from the internal rhythm patterns and then have that pattern play back repeatedly. 1 Confirm that [PAD] is not lit, then press [PATTERN] so that the button lights. The BR-600 switches to Pattern mode, enabling patterns to be played. Changing the Tempo of a Pattern You can temporarily change the tempo of the pattern being played by carrying out the following procedure while the Play screen is displayed. fig.
Playing Rhythm Arrangements Now try selecting an arrangement you like from the internal arrangements and then have that arrangement play back. 1 Confirm that [PAD] is not lit, then press [ARRANGE] so that the button lights. The BR-600 switches to Arrangement mode, enabling arrangements to be played. Changing the Tempo of an Arrangement You can temporarily change the tempo of the arrangement being played by carrying out the following procedure while the Play screen is displayed. fig.
Creating Original Patterns With the BR-600 you can create your own original patterns and then save these as song patterns. This is convenient when, for example, you cannot find just the pattern you want from the preset patterns. There are three ways to create patterns. ■ Creating Patterns by Tapping the Drum Pads (Realtime Recording) You can use this method to create patterns by tapping the drum pads in real time along with the metronome.
Creating Original Patterns Creating Patterns by Tapping the Drum Pads (Realtime Recording) 1 Confirm that [PAD] is not lit, then press [PATTERN]. [PATTERN] and [RHYTHM ON/OFF] light. 2 Press [RHYTHM EDIT]. [PAD] lights up, indicating that the drum pads are enabled for use. 5 Use CURSOR [ ][ ] and the TIME/VALUE dial to set the measure, beat, and click from which to start recording of the pattern. Measure This sets the number of measures in the pattern to be recorded. Valid Settings : 1 – 999 fig.
Creating Original Patterns 6 Press CURSOR [ [ENTER]. ][ ] to select “REC,” and press A one-measure count-in is played, and then Realtime Recording starts. * You can also start Realtime Recording by pressing the [REC] button. Rehearsing Recordings You can practice (rehearse) your performances along with the metronome before carrying out Realtime Recording. During rehearsals, the drum sounds are only played, not recorded to the pattern, when you press the drum pads.
Creating Original Patterns Deleting Unneeded Drum Sounds During Realtime Recording, you can delete any drum sounds you do not need by holding down [DELETE/ MUTE] and pressing the drum pad for the drum sound you want to delete. Changing the Metronome Volume 1 In the Recording Standby screen in Realtime Recording, press CURSOR [ ] to move the cursor to “Click.” fig.04-370 1 Hold down [DELETE/MUTE] and press the drum pad for the drum sound you want to delete.
Creating Original Patterns Inputting Sounds One by One While Confirming the Input Visually (Step Recording) When inputting patterns, you can add drum sounds one at a time and confirm the input visually in the display. This is convenient for inputting patterns that are difficult to perform using the drum pads. 1 Confirm that [PAD] is not lit, then press [PATTERN]. [PATTERN] and [RHYTHM ON/OFF] light. Measure This sets the number of measures in the pattern to be recorded.
Creating Original Patterns 10 About the pattern display You can confirm the timing lat which each drum sound is played in the pattern display. The “ ” indicates the beat timing. Beat Timing * When a coarse Quantize setting is used, the “ indicate half-note or quarter-note timing. ” may When using high-resolution Quantize settings, you may be unable to view the entire pattern, from start to finish, in the display at one time. At this point, “ ” appears in the display.
Creating Original Patterns 11 If you mistakenly input the wrong drum sound, delete that sound. You can use the following procedure to delete drum sounds. Move the cursor to the position of the drum sound you want to delete, then carry out the following. • Rotate the TIME/VALUE dial completely to the right. • Press [ENTER]. • Switch the display to indicate the drum sound you want to delete, then hold down [DELETE/MUTE] and press the drum pad for the drum sound to be deleted.
Naming Patterns Song patterns can be given a name (pattern name) that consists of up to eight characters. 1 6 Press [EXIT] repeatedly to return to the Play screen. “Keep power on!” appears in the display, and the changed pattern name is saved. Confirm that [PAD] is not lit, then press [PATTERN]. [PATTERN] and [RHYTHM ON/OFF] light. 2 You cannot change the names of the preset patterns. Press [RHYTHM EDIT]. The Pattern Edit screen appears in the display.
Copying Patterns When you want to change a preset pattern slightly to create a desired pattern, you can copy the preset pattern to a song pattern, after which you have complete freedom to change the performance data. 1 Confirm that [PAD] is not lit, then press [PATTERN]. 7 Press [ENTER] again. “Keep power on!” appears in the display, and the copy is executed. 8 Press [EXIT] repeatedly to return to the Play screen. [PATTERN] and [RHYTHM ON/OFF] light. 2 Press [RHYTHM EDIT].
Erasing Patterns 1 Confirm that [PAD] is not lit, then press [PATTERN]. [PATTERN] and [RHYTHM ON/OFF] light. 2 You cannot erase the preset patterns. Press [RHYTHM EDIT]. The Pattern Edit screen appears in the display. 3 Press CURSOR [ ][ ] to move the cursor to “ERASE,” and press [ENTER]. fig.04-481 4 Press [ENTER]. Section 4 5 Turn the TIME/VALUE dial to select the song pattern (S001 – S100) The screen for confirming the deletion appears in the display. fig.
Creating Original Arrangements With the BR-600, you can arrange patterns in whatever sequence you like, giving you freedom to compose songs, from intro to ending, the way you want. You can then save these arranged patterns as song arrangements. Now try actually creating an arrangement. 1 You can create song arrangements of up to 999 measures. Actually, creating a song arrangement is accomplished by arranging “steps.
Creating Original Arrangements 6 Press CURSOR [ ][ ] to move the cursor to the parameter you want to change, then turn the TIME/ VALUE dial to change the setting’s value. You can press [PLAY] to play the sound of the pattern in the currently selected step. Starting Measure This sets the measure from which the performance of the pattern selected for the current step is to start. • The starting measure for step 1 is always set to “001.” This cannot be changed.
Creating Original Arrangements Inserting Steps Erasing Steps Perform the procedure below to insert a new step at the current step. fig.04-550 Verse This erases the content of the currently selected step. The content of the following steps are brought forward to fill the erased step. fig.
Naming Arrangements Song arrangements can be given a name (arrangement name) of your choice that consists of up to eight characters. 1 6 Press [EXIT] repeatedly to return to the Play screen. “Keep power on!” appears in the display, and the changed arrangement name is saved. Confirm that [PAD] is not lit, then press [ARRANGE]. [ARRANGE] and [RHYTHM ON/OFF] light. 2 Press [RHYTHM EDIT]. The Arrangement Edit screen appears in the display.
Copying Arrangements When you want to change a preset arrangement slightly to create a desired arrangement or create a variation of a source arrangement, you can copy the preset arrangement as a song arrangement, after which you can change it freely. 1 Confirm that [PAD] is not lit, then press [ARRANGE]. 7 Press [ENTER] again. “Keep power on!” appears in the display, and the copy is executed. 8 Press [EXIT] repeatedly to return to the Play screen. [ARRANGE] and [RHYTHM ON/OFF] light.
Erasing Arrangements This erases Step 2 and all subsequent steps in the currently selected song arrangement. Step 1 cannot be erased, but instead remains with the step set to “Metro” (Metronome). 1 2 3 Confirm that [PAD] is not lit, then press [ARRANGE]. [ARRANGE] and [RHYTHM ON/OFF] light. 7 Press [EXIT] to return to the Play screen. You cannot erase the preset arrangements. Press [RHYTHM EDIT]. Press CURSOR [ ][ ] to move the cursor to “ERASE,” and press [ENTER]. fig.
MEMO Rev0.
Section 5 Using USB Section5 Using USB 161
Before Using USB (Overview) How USB Can Be Used The BR-600 is equipped with a USB port for connecting the BR-600 directly to computers, allowing you to carry out the following operations. ● Backing up the BR-600’s data ● Saving BR-600 track data in WAV/AIFF format (WAV/ AIFF Export) Composition of Data on Memory Cards The folders and files created are as shown below. fig.
Before Using USB (Overview) USB Folder WAV and AIFF files loaded to the BR-600’s tracks, and WAV and AIFF files saved on computers (track data converted to WAV and AIFF format) will be saved here (p. 167, p. 170, p. 180, p. 182). Connecting a Computer Use the USB cable to connect the BR-600 to your computer. * Purchase USB cables at computer stores or other retailers. fig.05-040 To USB connector of your computer Folders and files created on memory cards are displayed on the computer screen.
With Windows Saving BR-600 Data to Computers (Backup) When a memory card is full or when you want to save important data to a computer, you can carry out a backup. We recommend making frequent backups to minimize the risk of losing data if a memory card becomes damaged. The following types of song data are backed up. • Recorded data • Mixer status (pan, track EQ, etc.
With Windows With Windows 2000/Me 1) In My Computer, right-click on the “BOSS_BR600” icon (or “Removable disk (*:)” icon) to “Eject” the disk. 2) Click the icon in the task tray, then click the “Stop USB Disk–drive (*:)” message displayed there. fig.05-080 Reading backup data back into the BR-600 from PC (Recover) When the BR-600 performs Recover, the data on memory cards will be overwrited. 1 Task Bar Task Tray 3) Click [OK] in the “Safe To Remove Hardware” dialog box that appears.
With Windows 5 With Windows 2000/Me 1) In My Computer, right-click on the “BOSS_BR600” icon (or “Removable disk (*:)” icon) to “Eject” the disk. When restoring data backed up on a computer to the BR-600, drag the “ROLAND” folder to the “BOSS_BR-600” icon (or the “Removable disk (*:)” icon) and drop it there (overwriting it). 2) Click the icon in the task tray, then click the “Stop USB Disk–drive (*:)” message displayed there. fig.05-070 fig.
With Windows Saving BR-600 Track Data in WAV/AIFF Format (WAV/AIFF Export) You can convert the BR-600’s track data into WAV or AIFF files and save these on your computer. 6 Use CURSOR [ ][ ] and the TIME/VALUE dial to select the track/V-track to be saved. When saving in mono fig.05-120 After converting your mastered tracks to WAV or AIFF files, you can easily use your computer to create audio CDs with the data, as well as load the data into audio applications.
With Windows 8 Export the WAV or AIFF file to the computer. 1) Click the “BOSS_BR-600” (or “Removable disk (*:)”) icon. 2) Drag the WAV or AIFF file in the “USB” folder in the “ROLAND” folder to the computer’s folder and drop it in the folder. fig.05-150 10 Press [EXIT]. The file format selection screen returns to the display. The contents of the “USB” folder are automatically deleted the instant the [EXIT] button is pressed.
With Windows ■ Resolving insufficient memory issues when exporting WAV/AIFF When exporting WAV or AIFF files, a memory card needs to have the following amounts of storage space remaining: When exporting in “mono” : approximately 5.1 MB per track per minute When exporting in “stereo” : approximately 10.1 MB per stereo track (two tracks) per minute If there isn't enough storage space, and you get the “Card Full!” error message, try the following two methods to secure the necessary memory. 1.
With Windows Loading WAV/AIFF Files in BR-600 Tracks (WAV/AIFF Import) 4 Select “IMPORT” with the TIME/VALUE dial, then press [ENTER]. fig.05-190 You can take WAV or AIFF files on your computer, such as files created with audio software applications, and load them to the BR-600’s tracks. ● Wave data in the following formats can be imported. You cannot import wave data in other formats.
With Windows 7 With Windows 2000/Me 1) In My Computer, right-click on the “BOSS_BR600” icon (or “Removable disk (*:)” icon) to “Eject” the disk. Copy the WAV or AIFF files you want to import. 1) Click the “BOSS_BR-600” (or “Removable disk (*:)”) icon. 2) Click the icon in the task tray, then click the “Stop USB Disk–drive (*:)” message displayed there. 2) Drag the imported WAV or AIFF file to the “USB” folder in the “ROLAND” folder. * Only one file can be imported at a time in each import operation.
With Windows Importing SMFs and Creating Patterns 5 1) Click the “BOSS_BR-600” (or “Removable disk (*:)”) icon. You can import SMFs (Standard MIDI Files) stored on memory cards as song patterns. You can easily increase your collection of song patterns by creating SMFs on your computer or other device and copying them to memory cards. 2) Drag the imported SMF to the “SMF” folder in the “ROLAND” folder. fig.05-300 When you have finished copying the SMF, the Idling screen returns to the display.
With Windows 7 Press [EXIT] repeatedly to return to the Play screen. * If you press [EXIT] without quitting the connection to the computer, the following screens appear. In this case, pressing [ENTER] and then [EXIT] returns the Play screen to the display. 12 Turn the TIME/VALUE dial to select the importdestination song pattern, then press [ENTER]. fig.05-360 fig.05-330 The import is executed. At this point, you can safely disconnect the USB cable from the BR-600 and the computer.
With Windows Loading Drum Sounds from WAV/AIFF Files (Tone Load) 1 You can import WAV and AIFF files on your computer and load these as drum sounds (TONE LOAD). 2 3 ● Wave data in the following formats can be imported. You cannot import wave data in other formats. • 8-bit or 16-bit 4 • Sampling Rate: 44.1 kHz ● Compressed WAV files or AIFF files cannot be loaded. Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
With Windows 6 Quit the connection to the computer. With Windows XP In My Computer, right-click on the “BOSS_BR-600” icon (or “Removable disk (*:)” icon) to “Eject” the disk. * If this procedure fails to eject the disk, use the procedure below. 7 [EXIT] repeatedly to return to the Play screen. * If you press [EXIT] without quitting the connection to the computer, the following screens appear. In this case, pressing [ENTER] and then [EXIT] returns the Play screen to the display. fig.
With Windows 11 Use the TIME/VALUE dial to select the WAV or AIFF file you want to load as the drum sound, then press [ENTER]. Using the BR-900CD/BR-864/ BR-532’s Data You can use the BR-600 to play BR-900CD, BR-864, or BR532 data. You can preview the sound of the WAV or AIFF file to be loaded by moving the cursor to “PVW” and pressing [ENTER]. * First be sure to back up the BR-900CD / BR-864 / BR-532’s “ROLAND” folder to the computer. 1 Initializing the memory card on the BR-600 (p. 199).
With Windows 6 With Windows 2000/Me 1) In My Computer, right-click on the “BOSS_BR600” icon (or “Removable disk (*:)” icon) to “Eject” the disk. Delete the BR-600 “ROLAND” folder. 1) Click the “BOSS_BR-600” (or “Removable disk (*:)”) icon, and delete the “ROLAND” folder. 7 Drag the previously backed up BR-900CD / BR-864 / BR-532 “ROLAND” folder to the “BOSS_BR-600” (or “Removable disk (*:)”) icon and drop it there.
With Macintosh Saving BR-600 Data to Computers (Backup) The “BOSS_BR-600” icon is added to the computer. fig.05-860 (Ex.) When a memory card is full or when you want to save important data to a computer, you can carry out a backup. We recommend making frequent backups to minimize the risk of losing data if a memory card becomes damaged. BOSS_BR-600 5 The following types of song data are backed up. • Recorded data • Mixer status (pan, track EQ, etc.
With Macintosh Reading backup data back into the BR-600 from PC (Recover) 5 fig.05-550 When the BR-600 performs Recover, the data on memory cards will be overwrited. 1 2 3 When restoring data backed up on a computer to the BR-600, drag the “ROLAND” folder to the “BOSS_BR600” icon and drop it there (overwriting it). When you have finished recovering the data, the Idling screen returns to the display. Connect your computer and the BR-600 with a USB cable.
With Macintosh Saving BR-600 Track Data in WAV/AIFF Format (WAV/AIFF Export) 6 Use CURSOR [ ][ ] and the TIME/VALUE dial to select the track/V-track to be saved. When saving in mono fig.05-580 You can convert the BR-600’s track data into WAV or AIFF files and save these on your computer. After converting your mastered tracks to WAV or AIFF files, you can easily use your computer to create audio CDs with the data, as well as load the data into audio applications.
With Macintosh 8 Export the WAV or AIFF file to the computer. ■ Resolving insufficient memory issues When exporting WAV/AIFF 1) Double-click the “BOSS_BR-600” icon. 2) Drag the WAV or AIFF file in the “USB” folder in the “ROLAND” folder to the computer’s folder and drop it in the folder. fig.05-610 When exporting WAV or AIFF files, a memory card needs to have the following amounts of storage space remaining: When exporting in “mono” : approximately 5.
With Macintosh Loading WAV/AIFF Files in BR-600 Tracks (WAV/AIFF Import) You can take WAV or AIFF files on your computer, such as files created with audio software applications, and load them to the BR-600’s tracks. 1 2 3 • Mono or Stereo 4 • 8-bit or 16-bit • Sampling Rate: 44.1 kHz Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY]. Press CURSOR [ ][ ] to move the cursor to “USB,” and press [ENTER]. The USB screen appears in the display.
With Macintosh 6 Use [CURSOR] and the TIME/VALUE dial to specify the measure or position in the track from which loading is to start, then press [ENTER]. fig.05-660 9 Press [EXIT]. The WAV or AIFF file is imported. The contents of the “USB” folder are automatically deleted at the time the import is finished. * If you press [EXIT] without quitting the connection to the computer, the following screens appear. In this case, pressing [ENTER] imports the WAV or AIFF file. fig.
With Macintosh Importing SMFs and Creating Patterns 5 1) Double-click the “BOSS_BR-600” icon. You can import SMFs (Standard MIDI Files) stored on memory cards as song patterns. You can easily increase your collection of song patterns by creating SMFs on your computer or other device and copying them to memory cards. 2) Drag the imported SMF to the “SMF” folder in the “ROLAND” folder. fig.05-720 • You cannot import SMFs containing more than 999 measures.
With Macintosh 10 Press [CURSOR] to move the cursor to “SMF,” and press [ENTER]. The names of the SMFs on the memory card are displayed. fig.05-750 11 Turn the TIME/VALUE dial to select the SMF to be imported, then press [ENTER]. 12 Turn the TIME/VALUE dial to select the importdestination song pattern, then press [ENTER]. fig.05-760 The import is executed. * During updating, “Keep power on!” appears in the upper line of the display, while the lower line shows what is being processed.
With Macintosh Loading Drum Sounds from WAV/AIFF Files (Tone Load) You can import WAV and AIFF files on your computer and load these as drum sounds (TONE LOAD). 1 2 3 ● Wave data in the following formats can be imported. You cannot import wave data in other formats. • WAV or AIFF format • Mono or Stereo 4 • 8-bit or 16-bit • Sampling Rate: 44.1 kHz Connect your computer and the BR-600 with a USB cable. Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
With Macintosh 6 Quit the connection to the computer. 1) Drag the “BOSS_BR-600” icon into the trash. 7 11 Use the TIME/VALUE dial to select the WAV or AIFF file you want to load as the drum sound, then press [ENTER]. Press [EXIT] repeatedly to return to the Play screen. * If you press [EXIT] without quitting the connection to the computer, the following screens appear. In this case, pressing [ENTER] and then [EXIT] returns the Play screen to the display.
With Macintosh Using the BR-900CD / BR-864 / BR-532’s Data You can use the BR-600 to play BR-900CD / BR-864 / BR532 data. * First be sure to back up the BR-900CD / BR-864 / BR-532’s “ROLAND” folder to the computer. 1 2 3 4 6 Delete the BR-600 “ROLAND” folder. 1) Double-click the “BOSS_BR-600” icon, and delete the “ROLAND” folder. 7 Drag the previously backed up BR-900CD / BR-864 / BR-532 “ROLAND” folder to the “BOSS_BR-600” icon and drop it there. fig.
Section 6 Other Convenient Functions Section6 Other Convenient Functions 189
Adjusting the Display Contrast Depending on where the BR-600 is situated, the display contents may be difficult to read. If this is the case, perform the procedure given below to adjust the contrast (1 to 17). 4 After completing the adjustment, press [UTILITY] (or press [EXIT] repeatedly) to return to the Play screen. fig.06-010 * During updating, “Keep power on!” appears in the upper line of the display, while the lower line shows what is being processed.
Using a Foot Switch or Expression Pedal You can connect a sold separately foot switch (such as the BOSS FS-5U or Roland DP-2) or expression pedal (such as the Roland EV-5 or BOSS FV-500L/FV-500H) to the FOOT SW/EXP PEDAL jack on the rear panel, allowing you to use your foot to control a number of functions. fig.06-040 When Using a Foot Switch Use the following procedure to set the foot switch function. 1 2 Confirm that [PAD] is not lit, then press [UTILITY].
Tuning an Instrument (Tuner) The BR-600 has a built-in “chromatic tuner function” that allows you to tune your instrument quickly. The built-in tuner supports both guitar and bass guitar. As an example here, we will explain how to use the tuner to tune your guitar. * It is not possible to play back or record while using the tuner. Check the following points before you begin. • That your guitar is connected to the GUITAR/BASS jack.
Tuning an Instrument (Tuner) 3 While viewing the tuning guide, adjust the tuning so that “ ” is positioned midway “ ” between the two sides. If the pitch of the string is within +/-50 cents of the correct pitch, the tuning guide will indicate the discrepancy between the actual and the correct pitches. Your instrument is tuned above the displayed note fig.06-090 Setting the Reference Pitch of the Tuner The reference pitch refers to the frequency of the A4 key (i.e.
Mixing the Output from an External Audio Device with the Output from Your BR-600 (Audio Sub Mix) The Audio Sub Mix function allows you to mix the signal input from LINE IN with the signal output to LINE OUT. Using “Audio Sub Mix,” you can mix sounds from an external audio device with the output of the BR-600–all within the BR-600, with no external mixer needed. fig.06-130 Enable use of Audio Sub Mix with the following procedure. 1 2 Confirm that [PAD] is not lit, then press [UTILITY].
Practicing Difficult Phrases (Phrase Trainer) Your BR-600 features a built-in “Phrase Trainer.” You can also slow down (Time Stretch) the playback to aid in practicing difficult phrases or remove the guitar solo sound (Center Cancel) to play along with only the backing instruments as a practice aid. * The Phrase Trainer can be used with only tracks 5/6.
Practicing Difficult Phrases (Phrase Trainer) Canceling the Center Sound (Center Cancel) The Center Cancel function allows you to remove the central sound of the playback (e.g., vocals or guitar solos). This is helpful if you want to practice playing along with the backing instruments. 4 Press CURSOR [ ] to select “C.Adjust,” and turn the TIME/VALUE dial and adjust the value of the sound that you want to remove to decrease its volume. fig.06-200 * The Center Cancel can be used with only tracks 5/6.
Initializing the BR-600’s Settings Initializing All the BR-600’s Settings The following settings are initialized together at one time. • System Settings • Effects (User Patches/Song Patches) • Rhythm (Arrangements/Patterns/Drum Kits) 1 2 Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ][ ] to move the cursor to “INI,” and press [ENTER]. Initializing the System Settings Follow the procedure below to initialize the system parameters.
Initializing the BR-600’s Settings Initializing the Effect Settings Follow the procedure below to initialize the user effect patches or song effect patches. * The same content as that in the Preset patches is copied. Initializing the Rhythm Arrangements/Patterns/Drum Kits This initializes the Rhythm Arrangements, Patterns, and Drum Kits. • In Song Arrangement, Step 1 is set to the metronome. 1 2 • In song patterns and song drum kits, the step is empty.
Initializing the BR-600’s Settings Initializing the Memory Card 1 2 • Be aware that when initialized, any existing data on the card will be erased. Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ][ ] to move the cursor to “INI,” and press [ENTER]. fig.06-290 • If you initialize the memory card supplied with the BR-600, the demo songs on the card will be lost. • Before you insert or remove a memory card, always turn off the BR-600 first.
Conserving Battery Power (Power Save) Your BR-600 is equipped with a power save function that limits the current dissipation during use. When the power save function is activated, if no button, or TIME/VALUE dial on the BR-600 is used for a certain amount of time, the BR-600 will enter the standby state and turn off the display backlight and button indicators. 3 Press CURSOR [ ][ ] to select “PowerSave,” and turn the TIME/VALUE dial to set the time until the Power Save function is activated.
Utility Parameter List Utilities include the following : • “System parameters” for setting functions affecting the entire BR-600 • “Sync parameters” for setting synchronized performance functions • “Scrub parameters” for setting scrub functions About the System Parameters This section describes the System parameters.
Utility Parameter List About the Sync Parameters About the Scrub Parameters 1 1 2 3 Confirm that [PAD] is not lit, then press [UTILITY]. Press CURSOR [ ][ ] to move the cursor to “SYNC,” and press [ENTER]. Make the settings with the TIME/VALUE dial Offset Valid Settings : 00:00:00-00.0– 23:59:59-29.9 (Initial value : 00:00:00-00.0) This function allows audio tracks to be played back with rhythm arrangements offset only by the set time.
Section 7 Appendices Section7 Appendices 203
Effect Patch List ■ GTR (GUITAR/BASS) Rev0.10 No. Patch Name Algorithm No.
Effect Patch List ■ MIC ■ LIN (LINE) Algorithm No. Patch Name Algorithm 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 Vo Comp1 Vo Comp2 Kick Cmp SnareCmp BrassCmp VocalFx1 VocalFx2 VocalFx3 VocalFx4 NARRATOR VOX DOUB VOX DETN KARAOKE UNISON STUTTER D.VADER ALIEN BullHorn SEAGULLS SO DEEP! BrightCh FatBrass Dark EQ Vocal EQ BrightEQ Enh+BCut ST.
Effect Patch List ■ SML (SIMUL) Rev0.10 No.
Mastering Tool Kit Patch List ■ MTK (MASTERING TOOL KIT) No. Patch Name 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 Mix Down PreMastr Live Mix Pop Mix DanceMix JinglMix HardComp SoftComp CleanCmp DanceCmp OrchComp VocalCmp Acoustic RockBand Orchestr LowBoost Brighten DJsVoice PhoneVox Pitch Correction Patch List ■ PCR (PITCH CORRECTION) No. Patch Name P01 P02 P03 P04 P05 Alto Soprano Tenor Baritone Machine Rev0.
Arrangement / Pattern List Preset Arrangement List Each of the preset Arrangement (except Metro4/4) is set so that a three-measure BREAK, followed by V1 (verse) comes after the E (ending). No. Rev0.
Arrangement / Pattern List Preset Pattern List Measure Beat 130 130 118 118 104 86 130 98 126 120 118 210 120 120 162 109 118 118 118 118 140 96 66 151 70 89 124 192 124 148 110 154 108 96 94 140 140 140 120 118 93 102 110 114 118 118 96 118 125 - 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 - IN V1 F1 V2 F2 E 1 2 2 4 4 1 4 2 4 3 1 4 2 2 2 4 2 2 2 2
Parameter List (*1) If you want to save the settings as the currently selected song data, hold down [STOP] and press [REC]. (*2) Stored in the BR-600. (*3) Not Stored.
Parameter List Pitch Correction Parameter Name Display Initial Value Valid Settings Location Location TRACK 1 TRACK 1–8, TRACK 1 2–7 8 Display Initial Value Valid Settings Equalizer On/Off EQ Tr1–Tr4,Tr5/6, Tr7/8: OFF OFF, ON Equalizer Low Gain Lo G Tr1–Tr4,Tr5/6, Tr7/8: 0 dB -12–0–+12 dB Equalizer Low Frequency Lo F Tr1–Tr4,Tr5/6, Tr7/8: 100 Hz 40 Hz–1.5 kHz Equalizer High Gain Hi G Tr1–Tr4,Tr5/6, Tr7/8: 0 dB -12–0–+12 dB Equalizer High Frequency Hi F Tr1–Tr4,Tr5/6, Tr7/8: 1.
Parameter List ■ Sync Parameter (*1) Parameter Name Display Initial Value Valid Settings Sync Offset Offset 00:00:00-00.0 00:00:00-00.0–23:59:59-29.
Troubleshooting If the BR-600 does not function as you expect, please check the following points before assuming that a malfunction has occurred. If this does not resolve the problem, contact a nearby Roland service center or your dealer. Problems with the Sound The input source cannot be heard ❍ Did you adjust GUITAR/BASS/MIC2, MIC1, and REC LEVEL? ❍ Has INPUT SELECT been muted? (The INPUT SELECT indicator will be dark.
Troubleshooting Problems with the Memory Card Problems with USB “Unsupported Card!” is displayed Idling screen not displayed ❍ ❍ Is the USB cable properly connected? ❍ Is your computer's operating system compatible with the BR-600 ? ❍ Do you have a compatible (CompactFlash) memory card inserted in the BR-600? Is the memory card fully and securely inserted? Memory card data was damaged If memory card data has been damaged, the following causes are possible.
Error Messages If you attempt an incorrect operation or if an operation could not be executed, the display will indicate an error message. Refer to this list and take the appropriate action. Battery Low! Card Full! Cause : It is not possible to record or copy due to small memory capacity. Solution1 : Back up the data you need to your computer (p. 164,p. 178), and delete unneeded data. Cause : The batteries are depleted (6 x AA Alkaline dry cell batteries).
Error Messages Drive Busy! Turn Off Pitch Correction! Cause : Cause : You cannot use the loop effects or phrase trainer while Pitch Correction is on. Solution : Press [PITCH CORRECTION] to turn it off, and try the operation once again. If this message appears after you have been using the memory card with the BR-600, the data on the card has become fragmented, causing delays in reading and writing data. Or, you could be using memory card with a slow processing speed.
Error Messages No Song! Stop P.Trainer! Cause : There are no songs on the memory card. Cause : Solution : Create a new song (p. 54). The operation you attempted cannot be done while the Phrase Trainer (p. 195) is operating. Cause : Incorrect data is in the song folder, or the necessary data is not present. Solution : Press [PHRASE TRAINER] to turn off the Phrase Trainer. Solution : Restore the data backed up on the computer to the BR-600.
Specifications BR-600 : Digital Recorder ● Nominal Input Level (Variable) ● Tracks GUITAR/BASS jack : -20 dBu Track : 8 V-Track : 64 (8 V-Tracks per each Track) * Up to 2 tracks can be recorded simultaneously, and up to 8 tracks can be played back simultaneously.
Specifications ● Power Supply DC 9 V : Supply AC Adaptor (PSA series)/ Size AA Dry battery x 6 (alkaline batteries recommended) ● Current Draw 200 mA Alkaline dry cell batteries Approximately 5 hours (with continuous playback of 8 tracks) * May vary according to usage conditions, batteries used, and type of CompactFlash used. ● Dimensions 257 .0 (W) x 183.0 (D) x 27.
Index Numerics 4Band Equalizer .............................................................. 96–100 4Band Equalizer/Wah ..................................................... 96–99 808 ........................................................................................... 137 A AB ...................................................................... 77, 80–81, 83–84 AB Qtz .................................................................................... 201 AC ......................................
Index Delay ......................................................................... 96–100, 103 DELETE/MUTE ...................................................................... 47 Demo Song ............................................................................... 32 Depth ...................................................... 102–104, 106, 109, 120 DIGITAL ................................................................................ 105 Dir Level ...............................................
Index Rhythm ............................................................................ 198 System ............................................................................. 197 INPUT ..................................................................... 37, 45, 57, 95 Input ................................................................................ 102, 116 Input Gain .............................................................................. 115 INPUT SELECT ..................................
Index N NAM ......................................................................................... 88 NAME ............................................................. 114, 127, 151, 157 NEW .......................................................................................... 35 Noise ....................................................................................... 105 Noise Suppressor .................................................... 96–100, 106 NOTE .....................................
Index Repeating Playback ................................................................ 58 Resonance ....................................................................... 104–106 REV ........................................................................... 51, 118–119 Rev Send ................................................................................. 120 Rev Time ................................................................................ 120 REVERB ........................................
Index USB .......................................................................................... 162 USB Folder ............................................................................. 163 User Patch .................................................................. 39, 92, 111 V V .............................................................................................. 133 VO DRV .................................................................................. 107 VO+AC.SIM ...............
EQ High EQ High CHO/DLY Send REV Send EQ High CHO/DLY Send REV Send EFFECTS EQ Low EQ Low EQ Low REV Send CHO/DLY Send PAN TRACK 3 PAN TRACK 2 Song Name PAN TRACK 1 Track Sheet Project REV Send CHO/DLY Send EQ High EQ Low PAN TRACK 4 REV Send CHO/DLY Send EQ High EQ Low PAN TRACK 5/6 Artist COMMENTS REV Send CHO/DLY Send EQ High EQ Low PAN TRACK7/8 Client RHYTHM REV Send CHO/DLY Send PATTERN Tempo: ARRANGE Tempo: Date TRACK SHEET
USING THE UNIT SAFELY The symbol alerts the user to important instructions or warnings. The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
Owner’s Manual Thank you, and congratulations on your choice of the BOSS BR-600 Digital Recorder. Before using this unit, carefully read the sections entitled: • USING THE UNIT SAFELY (page 2–3) • IMPORTANT NOTES (page 4–5) These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety.
