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Introduction / H4n Pro features H4n Pro features Thank you very much for purchasing our ZOOM H4n Pro Handy Recorder. The H4n Pro has the following special features. (U HSS PU VUL OHUK` YLJVYKLY The H4n Pro is lightweight (294 g) with a very compact design and is equipped with high quality stereo condenser microphones arranged in an XY pickup pattern, a built-in speaker, SD card recording, a mixer and internal effects.
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Introduction / Contents Contents H4n Pro features .......................................................................................... 001 6-4 Setup: INPUT 1/2 connections and phantom power ..................... 030 The H4n Pro is ideal for these applications.................................................. 002 6-5 Using as a USB audio interface ..................................................... 031 Contents ..................................................................................
Settings/recording: TRACK MENU ................................................ 057 3-03-5 EFX module editing (EFFECT EDIT: EFX)....................................... 086 1-08-1 Settings/recording: Automatic re-recording (PUNCH IN/OUT) ..... 059 3-03-6 EFFECT EDIT: LEVEL/RENAME..................................................... 087 1-08-2 Settings/recording: Manual re-recording (PUNCH IN/OUT) .......... 061 3-03-7 EFFECT EDIT: STORE ...................................................................
Introduction / Contents 5-09 Editing/Output: FILE NORMALIZE ................................................. 112 5-10 Editing/Output: FILE STEREO ENCODE ........................................ 113 5-11 Editing/Output: MARK LIST ........................................................... 115 4HPU ZWLJPÄJH[PVUZ I` TVKL ....................................................................... 139 5-12 Editing/Output: DIVIDE ..................................................................
:(-,;@ 79,*(<;065: When not using for an extended period, remove the batteries from the unit. If battery leakage has occurred, wipe the battery compartment and battery terminals carefully to YLTV]L HSS YLTUHU[ VM IH[[LY` Å\PK When using the unit, the battery compartment cover should be closed. 0UZ[HSS IH[[LYPLZ ^P[O [OL JVYYLJ[ ò VYPLU[H[PVUZ Do not use new and old batteries together. Do UV[ \ZL IH[[LYPLZ VM KPќLYLU[ IYHUKZ VY [`WLZ together.
0U[YVK\J[PVU *VW`YPNO[ ^HYUPUNZ *VW`YPNO[ ^HYUPUNZ Q 9LJVYKPUN VM SP]L WLYMVYTHUJLZ Many artists and most live venues do not allow recording and photography and will check for cameras and recorders at the entrance. Even if recording is allowed, it is prohibited to sell, distribute, or upload to the Internet without the organizers authorization. Copyright violation is a crime. Q 4\ZPJ *+Z HUK KV^USVHKLK ZV\UK ZV\YJLZ Using music recorded on CDs and other media as well as downloaded sound sources for pur
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6WLYH[PVUHS V]LY]PL^ 9LJVYKPUN ÅV^ \ZPUN [OL / U 7YV 9LJVYKPUN ÅV^ \ZPUN [OL / U 7YV ;OL MVSSV^PUN PZ [OL IHZPJ ÅV^ VM YLJVYKPUN VWLYH[PVUZ MVY [OL / U 7YV +LWLUKPUN VU [OL YLJVYKPUN HWWSPJH[PVU you can select which recording mode and audio quality setting is right for the situation. :L[ \W Connect [V V[OLY audio KL]PJLZ ;\YU [OL WV^LY VU :LSLJ[ [OL TVKL :L[ [OL YLJVYKPUN TL[OVK P.
9LJVYKPUN PU :;,9,6 :;(405( TVKL¯¯¯ 7 7SH`IHJR HUK JVUÄYT 9L YLJVYK ,KP[ HUK V\[W\[ Use these convenient ways to swiftly review/playback parts of recordings. In MTR mode punch-in/out functions allow you to re-record only sections you want to correct. 9LJVYKPUNZ HYL THUHNLK HZ ÄSLZ and projects, and can be edited in various ways. 9LJVYKPUN PU */ TVKL ¯¯¯7 9LJVYKPUN PU 4;9 TVKL ¯ ¯¯7 7<5*/ 05 6<; L[J 73(@ 46+, () 9,7,(; :7,,+ 4(92 30:; L[J 〉〉〉〉 P.094- 〉〉〉〉 P.
6WLYH[PVUHS V]LY]PL^ ,HZ` YLJVYKPUN N\PKL ,HZ` YLJVYKPUN N\PKL :;,9,6 TVKL The following are basic recording instructions using the built-in stereo mic and built-in speaker in STEREO mode. 1 2 3 ;\YU [OL WV^LY VU *VUÄYT stereo TVKL :[HY[ YLJVYKPUN Z[HUKI` Input from built-in mic 4V]L 76>,9 Z^P[JO [V 65 :[LYLV TVKL PUKPJH[VY SP[ Press Blinks Recording standby Stereo mode top screen 5L^ ÄSL THKL Blinks MIC button lit *Input from built-in mic Left side Front panel 0M TVKL PUKPJH[
5 6 7 (KQ\Z[ PUW\[ SL]LS :[HY[ YLJVYKPUN :[VW YLJVYKPUN 7SH` P[ IHJR Play Increase + Press Press or Lit Recording Counter advances Stop Press Press Unlit Counter returns to 00:00:00:000 Built-in speaker output Remaining recording time decreases Adjust input level Back Right panel 7H\ZL YLZ\TL YLJVYKPUN Counter does not return to 0 (KK THYR Add a mark when using WAV ÄSL MVYTH[ Stereo mode recording 〉 〉〉〉 P.047 Stereo mode playback 〉 〉〉〉 P.
-\UKHTLU[HSZ 5HTLZ HUK M\UJ[PVUZ VM WHY[Z 5HTLZ HUK M\UJ[PVUZ VM WHY[Z Front )HJR 90/120° stereo XY mic (built-in) STEREO/4CH/MTR mode indicators Display with backlight Input jack for external stereo mic that uses plug-in power Built-in mono speaker Threaded tripod mount :;,9,6 */ TVKL shortcut buttons 1 FOLDER 2 FILE 3 SPEED (Stereo mode) 4 WAV/MP3 (Stereo/4CH mode) 4;9 TVKL ;9(*2 1–4 buttons INPUT MIC, 1–2 buttons Transport control buttons REC button 013 Battery cover STAMINA sw
3LM[ ZPKL -\UKHTLU[HSZ 5HTLZ HUK M\UJ[PVUZ VM WHY[Z 9PNO[ ZPKL )V[[VT DC 5V AC adapter jack DIAL Optional remote control jack MENU button LINE/PHONE output stereo mini jack 9,* 3,=,3 ò =63<4, ò USB jack Strap attachment hole XLR/standard phone input jack 1 XLR/standard phone input jack 2 SD card slot POWER/HOLD switch 014
7V^LY )H[[LY` 7V^LY ZL[[PUN )H[[LY` 7V^LY ZL[[PUN The H4n Pro can be powered by a standard power outlet or batteries.
When a “Low Battery!” warning appears, immediately [\YU [OL \UP[ VɈ HUK YLWSHJL [OL IH[[LYPLZ VY Z^P[JO [V an AC adapter.
)\[[VU VWLYH[PVUZ ,9 /63+ Z^P[JO HUK [\YUPUN [OL WV^LY VU VɈ ,9 /63+ Z^P[JO HUK [\YUPUN [OL WV^LY VU VɈ ;\YUPUN [OL WV^LY VU HUK Z[HY[PUN \W 3LM[ ZPKL 1 ;\YU HSS JVUULJ[LK LX\PWTLU[ VɈ ÄYZ[ 2 0UZLY[ HU :+ JHYK 3 :SPKL [OL 76>,9 Z^P[JO [V [\YU [OL WV^LY VU HUK Z[HY[ \W • Before turning the power on, lower the volume of instruments and monitors connected to the H4n Pro.
1 ;\YU [OL TVUP[VYPUN Z`Z[LT HUK JVUULJ[LK PUZ[Y\TLU[Z VɈ PU [OH[ VYKLY ÄYZ[ 2 :SPKL [OL 76>,9 Z^P[JO [V [\YU [OL WV^LY VɈ /63+ -\UJ[PVU The H4n Pro features a HOLD function that disables button operation to prevent misoperation during recording. (J[P]H[PUN [OL /63+ M\UJ[PVU Slide the POWER switch toward HOLD. 6YKLY MVY [\YUPUN VɈ LX\PWTLU[ Amp OFF Mixer H4n Pro Instruments OFF OFF OFF If you press any button while HOLD is active, the screen will display “Key Hold” for two s
)\[[VU VWLYH[PVUZ (= ÄSLZ VUS` (Only when a track is in recording standby) 6=,9 >90;, YLJVYKPUN Enter recording standby Stopped Recording/standb
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0UP[PHS ZL[[PUNZ 3VHKPUN HU :+ JHYK 3VHKPUN HU :+ JHYK ;OL :+ JHYK PZ YLX\PYLK [V YLJVYK 4HRL Z\YL [V [\YU VɈ WV^LY ILMVYL PUZLY[PUN VY YLTV]PUN [OL :+ JHYK /V^ [V PUZ[HSS HU :+ JHYK /V^ [V YLTV]L HU :+ JHYK 1 2 1 2 ;<95 ;/, 76>,9 6-- 4HRL Z\YL WV^LY PZ VɈ 0UZLY[ [OL :+ JHYK PU[V [OL ZSV[ 4HRL Z\YL WV^LY PZ VɈ 7\ZO [OL :+ JHYK PU [V YLTV]L P[ MYVT [OL ZSV[ :+ JHYK YLJVYKPUN JHWHJP[` HWWYV_PTH[L 4GB SDHC card 44.1 kHz/16-bit WAV (stereo track) 44.
:L[[PUN [OL KH[L HUK [PTL +(;, ;04, ,HJO ÄSL ^PSS H\[VTH[PJHSS` YLJVYK [OL KH[L [PTL ;V MHJPSP[H[L ZLHYJOPUN MVY ÄSLZ I` KH[L IL Z\YL [V ZL[ [OL KH[L [PTL HM[LY L]LY` IH[[LY` JOHUNL 1 2 7YLZZ 4 :L[ @,(9 ¬ MONTH ¬ +(@ ¬ ;04, OV\Y! TPU\[L! ZLJVUK :LSLJ[ [OL P[LT VU +(;, ;04,! Select SYSTEM and press. Turn the DIAL to select the item. 3 Select DATE/TIME and press. 7YLZZ [OL +0(3 ;OL ZLSLJ[LK P[LT ]HS\L PZ OPNOSPNO[LK *OHUNL [OL ]HS\L 5 Select OK and press.
:L[\W *VUULJ[PUN L_[LYUHS KL]PJLZ :L[\W! *VUULJ[PUN L_[LYUHS KL]PJLZ ;OL / U 7YV VɈLYZ ]LYZH[PSL JVUULJ[P]P[` ^P[O VW[PVUZ MVY HU` YLJVYKPUN HWWSPJH[PVU 9LTV[L JVU[YVS VW[PVUHS :[LYLV TPJ /LHKWOVULZ Monitors :+ JHYK 4P_LY 057<;! PUZ[Y\TLU[ <:) 057<;! TPJ 7LYZVUHS JVTW\[LY 7* 057<;! PUZ[Y\TLU[ (* HKHW[LY ZWLJPÄLK MVY / U 7YV 027
:L[\W! )\PS[ PU TPJYVWOVULZ :L[\W )\PS[ PU TPJYVWOVULZ These are the special features of the H4n Pros built-in microphones. XY mic placement VY KPYLJ[P]P[` Capturing the stereo image center *LU[LYLK Ordinary stereo mic placement /PNO X\HSP[` TPJYVWOVULZ PU HU ?@ WH[[LYU LUZ\YL H UH[\YHS Z[LYLV PTHNL ^OLU YLJVYKPUN ZV\UKZ Stereo recording is often done by placing two microSKRQHV LQ D 9 VKDSHG FRQÀJXUDWLRQ 3RLQWLQJ PLFURSKRQHV outward will result in stereo separation, but the
:L[\W )\PS[ PU TPJYVWOVULZ L_[LYUHS TPJ ^P[O WS\N PU WV^LY :L[\W! )\PS[ PU TPJYVWOVULZ L_[LYUHS TPJ ^P[O WS\N PU WV^LY The input jack for the external microphone is suitable for microphones that require plug-in power. :L[[PUN 73<. 05 WV^LY *SVZL TPJYVWOVUL YLJVYKPUN *SVZL TPJYVWOVUL YLJVYKPUN Put the H4n Pro 30-50 cm from the sound source. When you use an external microphone, be sure to select the correct setting.
:L[\W! 057<; JVUULJ[PVUZ HUK WOHU[VT WV^LY Use INPUT 1 and 2 to connect to a guitar, bass or keyboard, for example. :L[[PUN 7/(5;64 WV^LY *VUULJ[PUN PUZ[Y\TLU[Z You can directly plug a guitar or a bass into either INPUT 1 or INPUT 2. Plug a keyboard with stereo output into both INPUT 1 and 2. 057<; Press the MENU button for more than 2 seconds, and start operation from the top screen.
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:L[\W! )\PS[ PU ZWLHRLY :L[\W )\PS[ PU ZWLHRLY The H4n Pro is equipped with a built-in mono speaker. / U 7YV I\PS[ PU ZWLHRLY This is a mono speaker for playback. Use it to easily play and listen to recorded data without connecting headphones to the LINE/PHONE jack. :WLHRLY V\[W\[ PZ KPZHISLK! :WLHRLY JHU IL \ZLK! • When the LINE/PHONE jack is connected • When MONITOR setting is ON • When in recording standby in MTR mode • +\YPUN ÄSL WSH`IHJR • When used as an audio interface • When not
4VKL V]LY]PL^ 4VKL V]LY]PL^ The H4n Pro has four operation modes: STEREO, STAMINA, 4CH (4-channel) and MTR (multitrack). Choose the mode according to your need. :;,9,6 TVKL :;(405( TVKL */ TVKL 4;9 TVKL You can easily create a stereo recording using the built-in microphones or an external microphone. The STEREO mode is convenient for recording live band performances, acoustic instruments, voices, lectures, and subtle soundscapes.
:^P[JOPUN HUK JVUÄYTPUN TVKLZ Be sure to select the appropriate mode for your application. 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH [PVU MYVT [OL [VW ZJYLLU 4VKL JVUÄYTH[PVU • The current mode is indicated by a mode indicator LED on the front panel. • The H4n Pro will power up in the same mode it was in ^OLU [\YULK Vќ • >OLU Z[HY[PUN \W MVY [OL ÄYZ[ [PTL [OL KLMH\S[ TVKL PZ STEREO.
4VKL V]LY]PL^ 4VKL KL[HPSZ 4VKL KL[HPSZ 0UW\[ HUK V\[W\[ SL]LSZ HZ ^LSS HZ ZH]PUN HUK ÄSL MVYTH[Z HYL KPɈLYLU[ PU LHJO TVKL :;,9,6 TVKL */ TVKL 4;9 TVKL In 4CH MODE, the H4n Pro records two stereo :$9 ÀOHV RQH VWHUHR :$9 ÀOH IRU WKH EXLOW LQ PLF RU VWHUHR PLF LQSXW DQG RQH VWHUHR :$9 ÀOH IRU INPUT 1 and 2. These FILES are saved in one of the ten 4CH sub-folders. You can record tracks in MONO or STEREO from INPUT 1, INPUT 2 and a stereo microphone.
4VKL ZJYLLUZ! :;,9,6 HUK :;(405( TVKLZ 4VKL ZJYLLUZ :;,9,6 HUK :;(405( TVKLZ ,_WSHUH[PVU VM [OL [VW ZJYLLU Recorder status Elapsed recording or playback time :[VWWLK ● 9LJVYKPUN Z[HUKI` Blinks 9LTHPUPUN IH[[LY` SPML ^OLU IH[[LY` \ZLK Counter 9LJVYKPUN REC button blinks ▲ 7SH`PUN (hours): (minutes): (seconds): (milliseconds) If “Low Battery” appears on the display, it is time to change the batteries.
4VKL ZJYLLUZ! */ TVKL ,_WSHUH[PVU VM [OL [VW ZJYLLU Counter Recorder status 9LJVYKPUN Z[HUKI` Blinks 9LTHPUPUN IH[[LY` SPML ^OLU IH[[LY` \ZLK Elapsed recording or playback time :[VWWLK ● 4VKL ZJYLLUZ */ TVKL (hours): (minutes): (seconds): (milliseconds) 9LJVYKPUN REC button blinks If “Low Battery” appears on the display, it is time to change the batteries.
4VKL ZJYLLUZ! 4;9 TVKL ,_WSHUH[PVU VM [OL [VW ZJYLLU +0(3 VWLYH[PVUZ VU [VW ZJYLLU ➀ ● 9LJVYKPUN REC button lights 9LJVYKPUN :[HUKI` Blinks ALWAYS NEW recording only REC button blinks Elapsed recording or playback time Counter function: Specify a time (hours): (minutes): (seconds): (milliseconds) Cursor Paused Blinks ➂ ➃ ➀ Counter Recorder status :[VWWLK ➁ 4VKL ZJYLLUZ 4;9 TVKL 9LM P.102 9LTHPUPUN IH[[LY` SPML ^OLU IH[[LY` \ZLK ALWAYS NEW recording only ▲ If “Low Bat
4VKL ZJYLLUZ 4(05 4,5< 4VKL ZJYLLUZ! 4(05 4,5< This is a list of the menu items that appear for each mode when the MENU button is pressed. 1 -63+,9 -03, 057<; 9,* ;663 -63+,9 -03, 057<; 9,* ;663 7961,*; -03, ,--,*; 057<; 9,* 46+, 7YLZZ :;,9,6 TVKL 2 :LSLJ[ P[LT HUK WYLZZ :;(405( TVKL *HUJLSSPUN! ;V YL[\YU [V [OL [VW WYLZZ [OL 4,5< I\[[VU TVYL [OHU ZLJVUKZ */ TVKL The PJVU THYRZ [OL P[LT ÄYZ[ ZOV^U PU the MENU after the unit is started or the mode is switc
On menu pages where recording and playback are possible, the current status is shown at the bottom left of the screen. 73(@ 46+, :@:;,4 :+ *(9+ <:) 46+, The current folder number is shown at the bottom right of the screen, (in Stereo, 4CH and Stamina modes). Enable STAMINA mode with the STAMINA switch before starting the unit when running on batteries. P.015 40?,9 73(@ 46+, :@:;,4 :+ *(9+ <:) In MTR mode, the current project name is shown. 46+, :[VWWLK 7H\ZLK WSH`IHJR 7SH`PUN IHJR ;663 :@:;,4
6W[PVUHS 9LTV[L JVU[YVS VWLYH[PVU 6W[PVUHS YLTV[L JVU[YVS VWLYH[PVU You can operate the H4n Pro from a distance with the optional remote control. Recording and placing marks. 9LTV[L JVU[YVS I\[[VU VWLYH[PVU Enter recording standby and reset counter to 0. Stopped Recording standby =63<4, ò Recording Playing 0-100 +: increase (raise) ò! KLJYLHZL SV^LY 0UKPJH[VY YLK 9,* 3,=,3 ò 9,* I\[[VU 1-100 +: increase sensitivity (amplify) ò! KLJYLHZL ZLUZP[P]P[` (attenuate) 057<; 40* HUK I
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:L[[PUNZ YLJVYKPUN! :L[[PUN PUW\[ ZV\YJLZ HUK YLJVYKPUN SL]LSZ Make recording settings for the built-in mics and external input jacks. 6WLYH[PVUZ :L[[PUNZ YLJVYKPUN! :L[[PUN PUW\[ ZV\YJLZ HUK YLJVYKPUN SL]LSZ :;,9,6 46+, */ 46+, Use either MIC or INPUT 1 and 2 as the stereo input source. )\PS[ PU TPJYVWOVULZ Z[LYLV Use both MIC and INPUT 1 and 2 as stereo inputs. 057<; QHJR )\PS[ PU TPJYVWOVULZ Z[LYLV 057<; QHJR 057<; QHJR ,_[LYUHS Z[LYLV TPJYVWOVUL 057<; QHJR or ,_[LYUH
6WLYH[PVUZ :L[[PUNZ YLJVYKPUN! :L[[PUN PUW\[ ZV\YJLZ HUK YLJVYKPUN SL]LSZ 4;9 46+, All tracks can be independently set for mono or stereo input. :LSLJ[ PUW\[ MVY LHJO PUKP]PK\HS [YHJR HUK HKQ\Z[ :L[ [OL 9,* 3,=,3 1 7YLZZ [OL ZLSLJ[LK [YHJR HUK PUW\[ I\[[VU 2
:L[[PUNZ YLJVYKPUN! 9LJVYKPUN PU :;,9,6 HUK :;(405( TVKLZ These are the steps to record in STEREO or STAMINA mode. 6WLYH[PVUZ :L[[PUNZ YLJVYKPUN! 9LJVYKPUN PU :;,9,6 HUK :;(405( TVKLZ Recording process 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH [PVU MYVT [OL [VW ZJYLLU *VUÄYT [OL TVKL PZ :;,9,6 *OHUNL YLJVYKPUN ZL[[PUNZ 9,* -694(; -03, 5(4, ;@7, 1
7H\ZPUN Blinks Press 9LJVYKPUN MVYTH[ -PSL UHTPUN 4HYRZ In STEREO mode you can YLJVYK PU KPќLYLU[ >(= HUK 47 ÄSL MVYTH[Z ;OL recording format must be selected before recording H ÄSL ILNPUZ 9LJVYKLK ÄSLZ HYL UHTLK automatically. Choose from two formats. The default format is DEFAULT. DEFAULT: STE-xxx DATE: 090531-xxx The recording date is in yymmdd format. When the recording format is WAV, you can mark a ÄSL I` WYLZZPUN [OL 9,* button while recording.
:L[[PUNZ YLJVYKPUN! 9LJVYKPUN MVYTH[ 9,* -694(; Set the recording format (REC FORMAT) before recording. 6WLYH[PVUZ :L[[PUNZ YLJVYKPUN! 9LJVYKPUN MVYTH[ 9,* -694(; 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH [PVU MYVT [OL [VW ZJYLLU 1 2 7YLZZ :LSLJ[ 9,* HUK WYLZZ /V^ [V \ZL >(= HUK 47 MVYTH[ • >(= ÄSLZ ^P[O UV JVTWYLZZPVU HYL \ZLK MVY high-quality sound recording.
:L[[PUNZ YLJVYKPUN! -PSL UHTL -03, 5(4, >OLU YLJVYKPUN [OL ÄSL UHTL PZ H\[VTH[PJHSS` HZZPNULK -VSSV^ [OLZL WYVJLK\YLZ [V JOHUNL [OL MVYTH[ File Name STEREO mode 1 2 DEFAULT STE/MONO--xxx.wav/mp3 (STE: stereo, MONO: mono; XXX: 3-digit number; wav/mp3 extension) DATE 090531-xxx.wav/mp3 (yymmdd; 3-digit number; wav/mp3 extension) 7YLZZ 4CH mode :LSLJ[ 9,* HUK WYLZZ No change 4CH-xxxM.wav File recorded using the built-in microphones 4CH-xxxI.
:L[[PUNZ YLJVYKPUN! */ TVKL YLJVYKPUN This is the method to record 4 channels (2 stereo) from the built-in mic and the external input jacks. 6WLYH[PVUZ :L[[PUNZ YLJVYKPUN! */ TVKL YLJVYKPUN Recording process 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH [PVU MYVT [OL [VW ZJYLLU :^P[JO [V */ TVKL *OHUNL YLJVYKPUN ZL[[PUN 9,* -694(; 1
7H\ZPUN Blinks Press Blinks Counter does not return to 0. -PSL UHTPUN 9LJVYKPUN MVYTH[ 4HYRZ In 4CH mode the input from the built-in and the external inputs are saved separately as stereo >(= ÄSLZ ;OVZL ÄSLZ HYL HS^H`Z managed as a pair and named as follows according to the input. 40* ÄSL! */___4 ^H] 057<; ÄSL! */___0 ^H] 6U ZJYLLU [OL ÄSLZ HYL ZOV^U together as M/I. Change before recording. When the recording format is >(= `V\ JHU THYR H ÄSL I` pressing the REC button whi
:L[[PUNZ YLJVYKPUN! 4;9 TVKL YLJVYKPUN 9,* 46+, Using multiple tracks, you can combine mono and stereo recordings. 6WLYH[PVUZ :L[[PUNZ YLJVYKPUN! 4;9 TVKL YLJVYKPUN 9,* 46+, :L[ 9,* 46+, [V 6=,9 >90;, VY (3>(@: 5,> 9LJVYKPUN ÅV^ *OHUNL [V 4;9 TVKL 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH [PVU MYVT [OL [VW ZJYLLU *YLH[L H UL^ 7961,*; 1 9LJVYK [OL ÄYZ[ [YHJR :LSLJ[ [OL 9,* TVKL 6=,9 >90;, V]LY^YP[L YLJVYKPUNZ :L[ \W 7<5*/ 05 6<;
6WLYH[PVUZ :L[[PUNZ YLJVYKPUN! 4;9 TVKL YLJVYKPUN 9,* 46+, 0UW\[ ZV\YJLZ HUK [YHJRZ >OLU YLJVYKPUN VUS` VUL [YHJR >OLU YLJVYKPUN [^V [YHJRZ 1. Input source is either INPUT 1 or INPUT 2 1. Input source is either INPUT 1 or INPUT 2 ;YHJR VY 057<; VY ;9(*2 057<; VY ;YHJR VY The same signal is sent to both tracks. 2. Input source is MIC or INPUT 1 and 2 2. Input source is MIC or INPUT 1 and 2 )\PS[ PU TPJYVWOVUL 3 + )\PS[ PU TPJYVWOVUL 9 Recording is created by mixing signals from
:L[[PUNZ YLJVYKPUN! 4;9 TVKL YLJVYKPUN 6=,9 >90;, 6WLYH[PVUZ :L[[PUNZ YLJVYKPUN! 4;9 TVKL YLJVYKPUN 6=,9 >90;, You can select from two recording modes. 90;, TVKL `V\ JHU V]LY^YP[L UL^ ZV\UKZ VU [OL L_PZ[PUN ÄSL 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH [PVU MYVT [OL [VW ZJYLLU 4HRL ZL[[PUNZ HZ ULLKLK 1 Input setting ... P.054 Recording functions ... P.
:L[[PUNZ YLJVYKPUN! 4;9 TVKL YLJVYKPUN (3>(@: 5,> 0U (3>(@: 5,> TVKL H UL^ ÄSL PZ THKL MVY L]LY` YLJVYKPUN 6WLYH[PVUZ :L[[PUNZ YLJVYKPUN! 4;9 TVKL YLJVYKPUN (3>(@: 5,> 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH [PVU MYVT [OL [VW ZJYLLU 4HRL ZL[[PUNZ HZ ULLKLK 1 Input setting ... P.054 Recording functions ... P.
:L[[PUNZ YLJVYKPUN! ;9(*2 4,5< 6WLYH[PVUZ :L[[PUNZ YLJVYKPUN! ;9(*2 4,5< This menu to set tracks is available only in MTR mode. 3PUR [YHJRZ [V JYLH[L Z[LYLV [YHJR HUK ZL[ V\[W\[ LɈLJ[Z 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH [PVU MYVT [OL [VW ZJYLLU Select a project and start ……P.119 :LSLJ[ ;9(*2 4,5< 1 On the top screen select a track menu icon and press. 3,=,3 PAN Set the track output level :L[[PUN ]HS\LZ! 4\[L ò K) ¶ K) Default: 0.
MTR mode only STEREO LINK, FILE and KARAOKE settings are not available during recording or playback for tracks that are record ready. @V\ JHU VUS` WSH` TVUV ÄSLZ VU TVUV [YHJRZ HUK Z[LYLV ÄSLZ VU Z[LYLV [YHJRZ >OLU 3052 PZ [\YULK 65 UV ÄSL ^PSS IL HZZPNULK [V [OL track, so “NO DATA” will appear. • If you change it from ON to OFF, the previous PAN setting is restored. • When you change from OFF to ON, the LEVEL and PAN settings are reset to their defaults.
:L[[PUNZ YLJVYKPUN! (\[VTH[PJ YL YLJVYKPUN 7<5*/ 05 6<; 6WLYH[PVUZ :L[[PUNZ YLJVYKPUN! (\[VTH[PJ YL YLJVYKPUN 7<5*/ 05 6<; ;OL 7<5*/ 05 6<; M\UJ[PVU HSSV^Z `V\ [V WHY[PHSS` YL YLJVYK H YLJVYKLK ÄSL Here we explain how to use PUNCH IN and PUNCH OUT automatically. 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH [PVU MYVT [OL [VW ZJYLLU *OHUNL [OL 9,* 46+, [V 6=,9 >90;, ¯¯¯¯7 (ZZPNU ÄSLZ [V [YHJRZ 1 :L[ [OL YLJVYKPUN Z[HY[ W\UJO PU WVPU[ On the top screen select
MTR mode only Setting available only for OVER WRITE recording in MTR mode. :L[ [OL YLJVYKPUN LUK W\UJO V\[ WVPU[ 7 9L YLJVYKPUN Press the desired punch out point. 8 9L^PUK [V [OL ÄSL ILNPUUPUN JV\U[LY H[ VY [V H WVZP[PVU ILMVYL [OL W\UJO PU WVPU[ 9 7YLZZ [V W\[ ;9(*2 PU[V YLJVYKPUN Z[HUKI` + PUNCH OUT JVUÄYTLK → ● 7\UJO PU PLAY 1 When in punch in/out mode, the track button lights during recording and blinks in recording standby. setting ■ 7\UJO V\[ REC :[HY[ PLAY :[VW 10 7YLZZ
:L[[PUNZ YLJVYKPUN! 4HU\HS YL YLJVYKPUN 7<5*/ 05 6<; 6WLYH[PVUZ :L[[PUNZ YLJVYKPUN! 4HU\HS YL YLJVYKPUN 7<5*/ 05 6<; Using OVER WRITE recording in MTR mode, you can manually punch in and out. Press the REC button during playback to start re-recording from that point. 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU *OHUNL [OL 9,* 46+, [V 6=,9 >90;, ¯¯¯¯7 (ZZPNU ÄSLZ [V [YHJRZ 1 On the top screen select the track menu icon and press.
MTR mode only 6WLYH[PVUZ :L[[PUNZ YLJVYKPUN! 4HU\HS YL YLJVYKPUN 7<5*/ 05 6<; 9L YLJVYKPUN THU\HSS` W\UJOPUN PU V\[ 6 9 7LYMVYT UV[ YLJVYKPUN 7YLZZ [V ÄUPZO YLJVYKPUN + Unlit 7 7YLZZ [V Z[HY[ YLJVYKPUN Lit Lit 10 Lit 7LYMVYT YLJVYKPUN ▲ → :[HY[ YLJVYKPUN PLAY ▲ 8 7YLZZ [V Z[VW WSH`IHJR -PUPZO YLJVYKPUN REC :[HY[ PLAY :[VW 9L YLJVYKPUN 062
9LJVYKPUN M\UJ[PVUZ! (<;6 9,* The H4n Pro can detect when the input level exceeds a preset level and automatically start recording from recording standby. 6WLYH[PVUZ 9LJVYKPUN M\UJ[PVUZ! (<;6 9,* 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 2 7YLZZ 5 ¸>HP[ MVY :PNUHS¹ TLZZHNL (KQ\Z[ [OL SL]LS :LSLJ[ 9,* HUK WYLZZ If the AUTO REC function is ON, “Wait for Signal” appears when in recording standby.
9LJVYKPUN M\UJ[PVUZ! (<;6 9,* :;67 When AUTO REC is ON and the H4n Pro is recording, it will automatically stop when the input level goes below the preset level. 1 2 3 4 7YLZZ 5 (KQ\Z[ [OL SL]LS Set the input level at which recording will stop :LSLJ[ 9,* HUK WYLZZ 6 :LSLJ[ (<;6 :;67 HUK WYLZZ 7 :L[ [OL [PTL When AUTO STOP is on, a stop level indicator appears during recording.
9LJVYKPUN M\UJ[PVUZ! 79, 9,* When PRE REC is ON, up to 2 seconds before the REC button is pressed will automatically be captured in the recording. 6WLYH[PVUZ 9LJVYKPUN M\UJ[PVUZ! 79, 9,* 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ 9,* HUK WYLZZ 4 :LSLJ[ 65 HUK WYLZZ When PRE REC is ON, the H4n Pro will pre-record audio two seconds before the record button is pressed.
9LJVYKPUN M\UJ[PVUZ! 36 *<; ;OL 36 *<; ÄS[LY ZL[[PUN HSSV^Z `V\ [V LSPTPUH[L ^PUK VY ISV^PUN UVPZLZ 6WLYH[PVUZ 9LJVYKPUN M\UJ[PVUZ! 36 *<; 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ 057<; HUK WYLZZ 3 :LSLJ[ 36 *<; HUK WYLZZ 4 :LSLJ[ [OL PUW\[ ZV\YJL HUK WYLZZ 5 :LSLJ[ [OL J\[VɈ MYLX\LUJ` HUK WYLZZ • @V\ JHU ZLSLJ[ MYVT LSL]LU 36 *<; ÄS[LY MYLX\LUJPLZ! 6-- 80, 98, 115, 133, 150, 168, 185, 203, 220
9LJVYKPUN M\UJ[PVUZ! *647 3040; 6WLYH[PVUZ 9LJVYKPUN M\UJ[PVUZ! *647 3040; ;OL *647 3040; M\UJ[PVU JHU JVTWLUZH[L MVY ]VS\TL KPɈLYLUJLZ -VY LHJO PUW\[ ZV\YJL SV^ SL]LS PUW\[ ZPNUHSZ HYL YHPZLK HUK OPNO SL]LS input signals are lowered when recording. 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ 057<; HUK WYLZZ 3 067 :LSLJ[ *647 3040; HUK WYLZZ 4 :LSLJ[ [OL ZL[[PUN PUW\[ ZV\YJL 5 :LSLJ[ [OL ZL[[PUN [HYNL[
Type Explanation OFF Compressor and limiter OFF COMP1 (GENERAL) Standard compressor COMP2 (VOCAL) COMP3 (DRUM) LIMIT1 (GENERAL) These compressors reduce This compressor is good for vocals. high-level sounds and raise This compressor is good for drums the minimum level. and percussion.
9LJVYKPUN M\UJ[PVUZ! 9,* 3,=,3 (<;6 This function automatically sets the level for recording. 6WLYH[PVUZ 9LJVYKPUN M\UJ[PVUZ! 9,* 3,=,3 (<;6 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ 057<; HUK WYLZZ 3 :LSLJ[ 3,=,3 (<;6 HUK WYLZZ When REC LEVEL AUTO is used, the unit automatically sets recording levels using signals present during recording standby.
9LJVYKPUN M\UJ[PVUZ! 4650;69 Turning on the MONITOR function allows you to monitor input signals at all times. 6WLYH[PVUZ 9LJVYKPUN M\UJ[PVUZ! 4650;69 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ 057<; HUK WYLZZ 3 :LSLJ[ 4650;69 HUK WYLZZ 4 :LSLJ[ 65 HUK WYLZZ You can always monitor the input source through the LINE/ PHONE stereo out mini jack when in recording standby.
9LJVYKPUN M\UJ[PVUZ! 057<; 3,=,3 3052 6WLYH[PVUZ 9LJVYKPUN M\UJ[PVUZ! 057<; 3,=,3 3052 The recording levels for INPUT 1 and 2 can be set separately. ;OPZ PZ \ZLM\S ^OLU JVUULJ[PUN KPɈLYLU[ [`WLZ VM TPJZ [V [OLZL QHJRZ 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 7YLWHYH[PVU 1 2 :L[ YLJVYKPUN SL]LSZ ZLWHYH[LS` 7YLZZ or 5 7YLZZ 057<; VY 057<; 6 7YLZZ [OL 9,* 3,=,3 I\[[VUZ 7 7YLZZ [OL I\[[VU MVY [OL PUW\[ [V HKQ\Z[ 8 <
9LJVYKPUN M\UJ[PVUZ! 4656 40? 6WLYH[PVUZ 9LJVYKPUN M\UJ[PVUZ! 4656 40? 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ 057<; HUK WYLZZ 3 :LSLJ[ 4656 40? HUK WYLZZ 4 :LSLJ[ 65 HUK WYLZZ • ;OL UHTLZ VM ÄSLZ YLJVYKLK ^P[O 4656 40? HYL MVYTH[[LK like “MONO-xxx”. • You cannot use this function together with MS STEREO MATRIX. • You cannot use this setting during recording and playback.
9LJVYKPUN M\UJ[PVUZ! 4: :;,9,6 4(;90? ;OPZ M\UJ[PVU LUHISLZ `V\ [V JVU]LY[ Z[LYLV TPJYVWOVUL ZPNUHSZ ^OLU \ZPUN H TPK ZPKL YLJVYKPUN JVUÄN\YH[PVU 6WLYH[PVUZ 9LJVYKPUN M\UJ[PVUZ! 4: :;,9,6 4(;90? 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 2 3 4 073 ON/OFF 40+ 3,=,3 Set MS STEREO MATRIX to ON or OFF. Set the level of the directional MID mic that is pointed at the recording target. :L[[PUN ]HS\LZ! 4<;, ò ¶ K) Default: +0.
:6<9*, */ :,;;05. Set the level of the bidirectional SIDE mic, which is perpendicular to the MID mic. :L[[PUN ]HS\LZ! 4<;, ò ¶ K) Default: +0.0dB Set the input used (only in 4CH mode). Assign the MID and SIDE inputs to the left (INPUT 1) and right (INPUT 2) channels. :LSLJ[ :LSLJ[ :LSLJ[ (KQ\Z[ :LSLJ[ :LSLJ[ You cannot use this function together with MONO MIX.
;\ULY! */964(;0* ;<5,9 The H4n Pro features a tuner with multiple tuning modes. 6WLYH[PVUZ ;\ULY! */964(;0* ;<5,9 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 2 7YLZZ 5 ;\UL [OL PUZ[Y\TLU[ The indicators show whether the input signals are higher or lower than the note shown. Both marks light when the input signal matches the note. :LSLJ[ ;663 HUK WYLZZ Low High These dots show how T\JO KPќLYLUJL [OLYL PZ between the input signal an
;\ULY! V[OLY ;<5,9 [`WLZ In addition to CHROMATIC, the other tuning modes are GUITAR, BASS, OPEN A, OPEN D, OPEN E, OPEN G and DADGAD. 6WLYH[PVUZ ;\ULY! V[OLY ;<5,9 [`WLZ 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 2 7YLZZ :LSLJ[ ;663 HUK WYLZZ 5 ;\UPUN The indicators show whether the input signals are higher or lower than the note shown. Both marks light when the input signal matches the note. Low High These dots show how T\JO KPќLY
;\ULY! ;<5,9 *(30) This function allows you to calibrate the tuner. 6WLYH[PVUZ ;\ULY! ;<5,9 *(30) 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ ;663 HUK WYLZZ 3 4 :LSLJ[ *(30) HUK WYLZZ 5 :LSLJ[ [OL MYLX\LUJ` :LSLJ[ ;<5,9 HUK WYLZZ • The default setting is 440Hz. • Set this between 435Hz and 445Hz in 1Hz increments.
;\ULY! ;<5,9 057<; 4CH mode only In 4CH mode you can select the input source for the tuner. ;\ULY KPZWSH` ;<5,9 ¯ 7 4 ;\ULY [`WLZ HUK Z[YPUN UV[LZ String number/note name Tuner type :LSLJ[ 057<; HUK WYLZZ 1 2 3 4 5 6 7 GUITAR E B G D A E B BASS G D A E B OPEN A E C# A E A E OPEN D D A F# D A D OPEN E E B G# E B E OPEN G D B G D G D DADGAD D A G D A D When pitch is low 5 :LSLJ[ [OL PUW\[ ZV\YJL HUK WYLZZ When pitch is hi
4L[YVUVTL 4,;96564, The metronome has convenient functions such as a pre-count. 6WLYH[PVUZ 4L[YVUVTL 4,;96564, 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 2 3 7YLZZ :LSLJ[ ;663 HUK WYLZZ *30*2 79, *6<5; ;OPZ ZL[[PUN [\YUZ [OL TL[YVUVTL VɈ VY VU K\Ying recording, playback or both. This setting must be made before recording or playback. Set the count used before recording starts. This cannot be set if PRE REC or AUTO REC is ON.
The metronome starts at the beginning of recording and playback. If you start in the middle of a song or track, the metronome beats may not be in sync with the song. ;,476 :6<5+ 7(;;,95 3,=,3 Set the metronome speed. Set the metronome tone. Set the pattern of the metronome. Set the volume of the metronome. :LSLJ[ :LSLJ[ :LSLJ[ :LSLJ[ (KQ\Z[ :LSLJ[ :LSLJ[ :LSLJ[ Default: 120.0 You can set this between 40.0 and 250.0 BPM in 0.1 increments.
,ɈLJ[Z V]LY]PL^ ;OPZ PZ HU V]LY]PL^ HIV\[ OV^ [V \ZL LɈLJ[Z PUJS\KPUN [OL WYVJLZZ HUK PUW\[ HUK V\[W\[ 6WLYH[PVUZ ,ɈLJ[Z V]LY]PL^ ,ɈLJ[ \ZL WYVJLZZ *OHUNL [V 4;9 TVKL
MTR mode only 6WLYH[PVUZ ,ɈLJ[Z V]LY]PL^ ,ɈLJ[ PUW\[ HUK V\[W\[ @V\ JHU \ZL LɈLJ[Z PU 4;9 TVKL MVY TVUV HUK Z[LYLV ZPNUHSZ ;OL ÅV^ VM [OL ZPNUHSZ ^PSS change according to the input sources and recording tracks. 0UW\[ ZV\YJL PZ LP[OLY 057<; VY ,--,*; 057<; VY 6UL YLJVYKPUN [YHJR 79, (47 ,-? + ;9(*2 ,-? + ;9(*2 0UW\[ ZV\YJL PZ LP[OLY 40* VY 057<; HUK )\PS[ PU 40* 3 VY 057<; + ,--,*; 79, (47 )\PS[ PU 40* 9 VY 057<; 0UW\[ ZV\YJL PZ LP[OLY 057<; VY ;^V YLJVYKP
,ɈLJ[Z ,--,*; MTR mode only
7H[JO LKP[PUN ,--,*; ,+0; MTR mode only @V\ JHU JYLH[L `V\Y V^U WH[JO I` JVTIPUPUN LɈLJ[Z HUK HKQ\Z[PUN [OL WHYHTL[LY ZL[[PUNZ 6 6WLYH[PVUZ 7H[JO LKP[PUN ,--,*; ,+0; 5 :LSLJ[ [OL KLZPYLK 5V ! WH[JO UHTL HUK WYLZZ ,+0; 4,5< 79, (47 3,=,3 The PRE AMP module has guitar and bass amp modelPUN LќLJ[Z Adjust the patch level. :LSLJ[ ,+0; HUK WYLZZ 9,5(4, Change the patch name. ,-? The EFX module has modula[PVU JOVY\Z HUK KLSH` LќLJ[Z 7 :LSLJ[ [OL WHYHTL[LY [OH[ `V\ ^HU[ [V JOHU
79, (47 TVK\SL LKP[PUN ,--,*; ,+0;! 79, (47 MTR mode only @V\ JHU LKP[ WYLZL[ LɈLJ[ WH[JOLZ HZ `V\ SPRL 6WLYH[PVUZ 7H[JO LKP[PUN ,--,*; ,+0;! 79, (47 :LSLJ[ [OL KLZPYLK 7(;*/ HUK LKP[ P[ 7 (KQ\Z[ [OL 79, (47 TVK\SL 7 :LSLJ[ 79, (47 HUK WYLZZ (KQ\Z[ H WHYHTL[LY Icons PRE AMP module ON/OFF status 8 7YLZZ 6-- 65 [V [\YU [OL 79, (47 TVK\SL VU Set effect AMP type *()05,; ,8 3,=,3 L[J 9 :LSLJ[ [OL WHYHTL[LY [V LKP[ HUK WYLZZ ZNR icon 9LM PRE AMP module parameter
,-? TVK\SL LKP[PUN ,--,*; ,+0;! ,-? MTR mode only ,KP[ WH[JO WHYHTL[LYZ [V THRL [OL ZV\UK JSVZLY [V [OL KLZPYLK LɈLJ[ 6WLYH[PVUZ 7H[JO LKP[PUN ,--,*; ,+0;! ,-? :LSLJ[ H WH[JO JSVZL [V [OL KLZPYLK ZV\UK HUK LKP[ P[ 7 (KQ\Z[ [OL ,-? TVK\SL 7 Icons :LSLJ[ ,-? HUK WYLZZ EFX module ON/OFF status 8 9 Press OFF/ON to turn [OL ,-? TVK\SL VU :LSLJ[ [OL WHYHTL[LY [V LKP[ HUK WYLZZ To select PRE AMP and EFX modules, make setting after changing the module status ON.
,--,*; ,+0;! 3,=,3 9,5(4, MTR mode only Adjust the patch level and change the patch name. 6WLYH[PVUZ ,--,*; ,+0;! 3,=,3 9,5(4, ,--,*; ,+0; ¯ 7 3,=,3 9,5(4, 1 :LSLJ[ 3,=,3 HUK WYLZZ 1 :LSLJ[ 9,5(4, HUK WYLZZ 2 *OHUNL [OL U\TILY HUK WYLZZ 2 *OHUNL [OL 7(;*/ UHTL HUK WYLZZ 3 :LSLJ[ 62 HUK WYLZZ Select STORE to save the patch. To return to the top without saving the change, select MENU.
,--,*; ,+0;! :;69, MTR mode only :;69, 10 :LSLJ[ :;69, HUK WYLZZ 11 12 :LSLJ[ [OL 7(;*/ 5V ^OLYL `V\ ^HU[ [V ZH]L P[ HUK WYLZZ :LSLJ[ ,?,*<;, HUK WYLZZ ,+ HWWLHYZ UL_[ [V P[LTZ `V\ OH]L LKP[LK \U[PS JVUÄYTLK I` the STORE operation. Not stored UV[ ZH]LK *VUÄYT ^P[O :;69, Selecting “YES” will overwrite the current patch. To save without overwriting an existing patch, select an empty patch during the STORE operation. Patches are saved by project.
0TWVY[PUN WH[JOLZ MYVT V[OLY WYVQLJ[Z ,--,*; 04769; @V\ JHU HWWS` HU LKP[LK HUK ZH]LK LɈLJ[ WH[JO \ZLK PU HUV[OLY WYVQLJ[ [V [OL J\YYLU[ WYVQLJ[ 6WLYH[PVUZ ,--,*; ,+0;! 04769; :LSLJ[ LɈLJ[ 7 ,--,*; 1 Press IMPORT on [OL ,--,*; ZJYLLU 2 :LSLJ[ 46+, HUK WYLZZ 3 :LSLJ[ [OL KLZPYLK TVKL HUK WYLZZ 0TWVY[ HSS WH[JOLZ (33 4 :LSLJ[ [OL WYVQLJ[ HUK WYLZZ 5 :LSLJ[ 5,?; HUK WYLZZ 6 :LSLJ[ @,: HUK WYLZZ All the patches from the project selected at step 4 are imported into
MTR mode only 6WLYH[PVUZ ,--,*; ,+0;! 04769; 0TWVY[ VUL WH[JO ,(*/ 5 :LSLJ[ 5,?; HUK WYLZZ 6 :LSLJ[ H WH[JO [V PTWVY[ HUK WYLZZ 8 :LSLJ[ @,: HUK WYLZZ The patch selected in step 6 is imported into the current project. If there is no other project when you press IMPORT, “No Other Project!” will appear. 7 :LSLJ[ [OL WH[JO `V\ ^HU[ [V PTWVY[ P[ [V PU [OL J\YYLU[ WYVQLJ[ HUK WYLZZ Import mode Import project Start importing Current PROJECT 090
2HYHVRL WYLWHYH[PVU 2(9(62,
MTR mode only 6WLYH[PVUZ 2HYHVRL 2(9(62, *VU[PU\LK VU [OL UL_[ WHNL ,UHISL JLU[LY JHUJLSH[PVU VU [OL 2(9(62, [YHJR 7 8 :LSLJ[ [OL [YHJR TLU\ PJVU HUK WYLZZ :LSLJ[ *5; *(5*,3 HUK WYLZZ *OHUNL [OL RL` VM [OL 2(9(62, [YHJR 10 11 :LSLJ[ [OL [YHJR TLU\ PJVU HUK WYLZZ :LSLJ[ 2,@ HUK WYLZZ The KARAOKE track menu has KPќLYLU[ JVU[LU[Z [OHU V[OLY tracks. LEVEL CNT CANCEL 9 :LSLJ[ 65 HUK WYLZZ 12 (KQ\Z[ HUK WYLZZ KEY FINE FILE KARAOKE 092
2HYHVRL YLJVYKPUN 2(9(62, 6WLYH[PVUZ 2HYHVRL 2(9(62, -PUL HKQ\Z[TLU[ VM [OL 2(9(62, [YHJR RL` 13 14 15 MTR mode only 9LJVYKPUN ^P[O 2(9(62, :LSLJ[ [OL [YHJR TLU\ PJVU HUK WYLZZ 1 *VUULJ[ H TPJYVWOVUL 2 :LSLJ[ [OL [YHJR TLU\ PJVU HUK WYLZZ 3 7YLZZ [V WYHJ[PJL UV YLJVYKPUN 4 Press the REC button to enter recording standby. Press the INPUT button corresponding to the connected input jack. :LSLJ[ -05, HUK WYLZZ (KQ\Z[ P[ HUK WYLZZ ＋ ;OLU WYLZZ [OL 73(@ 7(<:, button t
7SH`IHJR! -PSL 7SH`IHJR :;,9,6 */ HUK :;(405( TVKLZ 6WLYH[PVUZ 7SH`IHJR! -PSL 7SH`IHJR :;,9,6 */ HUK :;(405( TVKLZ 0TTLKPH[LS` HM[LY YLJVYKPUN `V\ JHU WSH` [OL ÄSL I` WYLZZPUN [OL 73(@ 7(<:, I\[[VU -VSSV^ [OLZL Z[LWZ [V JHSS \W H ÄSL SH[LY MVY WSH`IHJR 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ -03, HUK WYLZZ 4 :LSLJ[ :,3,*; HUK WYLZZ 5 7YLZZ [V Z[HY[ WSH`IHJR :OVY[J\[ You can select ÄSLZ PU MVSKLYZ VU the
7SH`IHJR! 73(@ 46+, 0U HKKP[PVU [V VYKPUHY` WSH`IHJR `V\ JHU HSZV WSH` Q\Z[ VUL ÄSL YLWLH[ WSH`IHJR VM VUL ÄSL HUK YLWLH[ WSH`IHJR VM HSS ÄSLZ 6WLYH[PVUZ 7SH`IHJR! 73(@ 46+, 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ 73(@ 46+, HUK WYLZZ 3 Select a play mode and press. Select the desired mode.
7SH`IHJR! :L[[PUN THYRZ 6WLYH[PVUZ 7SH`IHJR! :L[[PUN THYRZ +\YPUN ÄSL WSH`IHJR `V\ JHU HKK THYRZ H[ KLZPYLK WVPU[Z You can move easily to those points during playback. +\YPUN WSH`IHJR WYLZZ [OL 9,* I\[[VU (KKPUN THYRZ 4HYR ( 4HYR ) 7SH`PUN ÄSLZ ^P[O THYRZ Press the FF and REW buttons to move [V THYR WVZP[PVUZ PU ÄSLZ ^P[O THYRZ -PSL *\YYLU[ WVZP[PVU • ;OL THYR M\UJ[PVU JHU VUS` IL \ZLK MVY >(= MVYTH[ ÄSLZ • ;OL TH_PT\T U\TILY VM THYRZ PU VUL ÄSL PZ • Once a mark has been crea
7SH`IHJR! () 9,7,(; ;OL () 9,7,(; M\UJ[PVU HSSV^Z `V\ [V WSH` IL[^LLU [^V WVPU[Z PU H ÄSL YLWLH[LKS` 6WLYH[PVUZ 7SH`IHJR! () 9,7,(; 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ ;663 HUK WYLZZ 4 7YLZZ [V Z[HY[ WSH`IHJR Point A moves. 5 3 7YLZZ [V ZL[ WVPU[ ( Select AB REPEAT and press. A mark is placed at point A, then mark B appears and moves until set. 6 7YLZZ [V ZL[ WVPU[ ) Playback repeats between the points.
6WLYH[PVUZ 7SH`IHJR! () 9,7,(; During recording and playback, you cannot make any settings after Step 3 of AB REPEAT. *H\[PVU! Press and OVSK [V ZLHYJO When moving around using FF and REW buttons, if you press the button for less than 2 seconds (quick press), it will move to the UL_[ ÄSL 0M [OLYL PZ H THYR P[ ^PSS TV]L [V [OL next mark. Press the FF and REW buttons for more than 2 seconds to search for a desired point.
7SH`IHJR! :7,,+ STEREO mode only @V\ JHU HKQ\Z[ [OL WSH`IHJR ZWLLK VM H ÄSL 6WLYH[PVUZ 7SH`IHJR! :7,,+ 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 2 :OVY[J\[ Press TRACK on the top screen. 4 7YLZZ (KQ\Z[ [OL WSH`IHJR ZWLLK You can set the playback speed between 50% and 150% in increments of 5%.
7SH`IHJR! 40?,9 4CH mode only 0U */ TVKL `V\ JHU \ZL [OL TP_LY [V HKQ\Z[ [OL WSH`IHJR 3,=,3 HUK 7(5 ZL[[PUNZ VM [^V Z[LYLV ÄSLZ 1 7YLZZ 2 :LSLJ[ 40?,9 HUK WYLZZ 3,=,3 ZL[[PUN 6WLYH[PVUZ 7SH`IHJR! 40?,9 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 7(5 ZL[[PUN 4<;, ò K) ¶ +12.0dB (default: 0.
7SH`IHJR! 7SH`PUN ÄSLZ 4;9 TVKL MTR mode only 6WLYH[PVUZ 7SH`IHJR! 7SH`PUN ÄSLZ 4;9 TVKL 4;9 TVKL OHZ ]HYPV\Z ^H`Z [V WSH` ÄSLZ @V\ JHU MVY L_HTWSL JYLH[L HUK YLJVYK ÄSLZ ZLWHYH[LS` HZZPNU [OLT [V [YHJRZ HUK WSH` [OLT back simultaneously.
7SH`IHJR! :WLJPM`PUN H JV\U[LY [PTL MTR mode only Using the counter, you can specify any desired point in a recording. 6WLYH[PVUZ 7SH`IHJR! :WLJPM`PUN H JV\U[LY [PTL 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 :LSLJ[ [OL JV\U[LY VU [OL [VW ZJYLLU HUK WYLZZ 2 :LSLJ[ [OL [PTL [V ZL[ OV\Y TPU\[L VY ZLJVUK 3 *OHUNL [OL ]HS\L HUK WYLZZ Counter /V\Y! TPU\[L! ZLJVUK! TPSSPZLJVUK 102
,KP[PUN 6\[W\[! -63+,9 :,3,*; :LSLJ[ [OL MVSKLY [OH[ JVU[HPUZ [OL ÄSL `V\ ^HU[ [V YLJVYK ^P[O VY WSH` 6WLYH[PVUZ ,KP[PUN 6\[W\[! -63+,9 :,3,*; 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ -63+,9 HUK WYLZZ :OVY[J\[ Press TRACK on the top screen. 3 :LSLJ[ H MVSKLY HUK WYLZZ • You cannot use this setting during recording and playback. • You can select any one of ten folders in STEREO, STAMINA and 4CH modes.
,KP[PUN 6\[W\[! -03, :,3,*; @V\ JHU ZLSLJ[ ÄSLZ MVY WSH`IHJR MYVT H ÄSL SPZ[ 6WLYH[PVUZ ,KP[PUN 6\[W\[! -03, :,3,*; 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ -03, HUK WYLZZ 3 :LSLJ[ H ÄSL HUK WYLZZ 4 :LSLJ[ :,3,*; HUK WYLZZ :OVY[J\[ Press TRACK on the top screen. =LYPM` [OL ÄSL UHTL (SS -03, VWLYH[PVUZ HYL [OL ZHTL [V OLYL • @V\ JHU HSZV ZLSLJ[ ÄSLZ PU [OL MVSKLY KPYLJ[S` \ZPUN [OL DIAL on the t
,KP[PUN 6\[W\[! -03, 05-694(;065 ;OPZ M\UJ[PVU KPZWSH`Z [OL ZLSLJ[LK ÄSL PUMVYTH[PVU 6WLYH[PVUZ ,KP[PUN 6\[W\[! -03, 05-694(;065 :LSLJ[PUN ÄSLZ 7 -03, :,3,*; 4 :LSLJ[ 05-694(;065 HUK WYLZZ NAME 5HTL VM ÄSL DATE 9LJVYKLK KH[L VM ÄSL VY TVKPÄJH[PVU KH[L ^OLU JYLated by a computer or other device) FORMAT 105 -VYTH[ VM ÄSL (in MTR mode, MONO or STEREO shown) SIZE File size (kB or MB) TIME 9LJVYKPUN [PTL VM ÄSL
,KP[PUN 6\[W\[! -03, +,3,;, @V\ JHU KLSL[L H ZLSLJ[LK ÄSL 6WLYH[PVUZ ,KP[PUN 6\[W\[! -03, +,3,;, :LSLJ[PUN ÄSLZ 7 -03, :,3,*; 4 :LSLJ[ +,3,;, HUK WYLZZ 5 :LSLJ[ @,: HUK WYLZZ File to delete )L JHYLM\S 6UJL KLSL[LK H ÄSL JHUUV[ IL recovered.
,KP[PUN 6\[W\[! -03, +,3,;, (33 @V\ JHU KLSL[L HSS [OL ÄSLZ PU H MVSKLY VY WYVQLJ[ 6WLYH[PVUZ ,KP[PUN 6\[W\[! -03, +,3,;, (33 :LSLJ[PUN ÄSLZ 7 -03, :,3,*; 4 :LSLJ[ +,3,;, (33 HUK WYLZZ 5 :LSLJ[ @,: HUK WYLZZ The name of the folder or WYVQLJ[ ZLSLJ[LK (SS ÄSLZ in it will be deleted. )L JHYLM\S 6UJL KLSL[LK ÄSLZ JHUUV[ IL recovered.
,KP[PUN 6\[W\[! -03, *67@ MTR mode only 6WLYH[PVUZ ,KP[PUN 6\[W\[! -03, *67@ 0U 4;9 TVKL `V\ JHU JVW` ÄSLZ ;OL JVWPLZ HYL ZH]LK PU [OL ZHTL WYVQLJ[ HZ [OL VYPNPUHS ÄSLZ This function is useful when you want to preserve the original copy. 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 2 3 7YLZZ 4 :LSLJ[ *67@ HUK WYLZZ 5 :LSLJ[ ,?,*<;, HUK WYLZZ :LSLJ[ -03, HUK WYLZZ :LSLJ[ [OL KLZPYLK ÄSL HUK WYLZZ *OHUNPUN ÄSL UHTLZ! ;OL
,KP[PUN 6\[W\[! -03, 9,5(4, 6WLYH[PVUZ ,KP[PUN 6\[W\[! -03, 9,5(4, 0U :;,9,6 4;9 HUK :;(405( TVKLZ `V\ JHU JOHUNL [OL UHTLZ VM ÄSLZ 0M YLJVYKLK PU */ TVKL ÄSL UHTLZ JHUUV[ IL JOHUNLK :LSLJ[PUN ÄSLZ 7 -03, :,3,*; 4 :LSLJ[ 9,5(4, HUK WYLZZ 6 0UW\[ a character and press. Select a character with the DIAL 5 Select a character and press. 7 7YLZZ Select a character to change 7YLZZ [OL +0(3 [V JVUÄYT [OL change.
+PZWSH` ^OLU TVYL When changing letters, they appear in the following order. [OHU JOHYHJ[LYZ 0M [^V ÄSLZ PU [OL ZHTL MVSKLY would have the same name, “This File Name Already Exists!” appears on the display, and the previous screen reopens and you will need to change the name. >OLU [OL UHTL VM H ÄSL OHZ more than 12 characters, a triangle mark appears showing that letters that JHU IL ZLSLJ[LK HYL Vќ [OL screen.
,KP[PUN 6\[W\[! -03, 47 ,5*6+, STEREO mode only 0U :;,9,6 TVKL `V\ JHU JVU]LY[ >(= ÄSLZ [V 47 MVYTH[ H[ ]HYPV\Z IP[ YH[LZ 6WLYH[PVUZ ,KP[PUN 6\[W\[! -03, 47 ,5*6+, :LSLJ[PUN ÄSLZ 7 -03, :,3,*; 4 :LSLJ[ 47 ,5*6+, HUK WYLZZ 5 :LSLJ[ )0; 9(;, HUK WYLZZ 6 7 :LSLJ[ ,?,*<;, HUK WYLZZ :LSLJ[ [OL KLZPYLK IP[ YH[L HUK WYLZZ • ;OL UHTL VM [OL LUJVKLK ÄSL H\[VTH[PJHSS` ILJVTLZ ¸ VYPNPUHS ÄSL UHTL TW ¹ • @V\ JHUUV[ OH]L [^V ÄSLZ with the same name.
,KP[PUN 6\[W\[! -03, 5694(30A, 6WLYH[PVUZ ,KP[PUN 6\[W\[! -03, 5694(30A, ;OPZ M\UJ[PVU H\[VTH[PJHSS` HKQ\Z[Z [OL ]VS\TL SL]LS VM H YLJVYKLK ÄSL MVY LUOHUJLK ZV\UK X\HSP[` and audio consistency. :LSLJ[PUN ÄSLZ 7 -03, :,3,*; 4 :LSLJ[ 5694(30A, HUK WYLZZ 5 :LSLJ[ @,: HUK WYLZZ 5694(30A, M\UJ[PVU PZ VUS` H]HPSHISL MVY ÄSLZ YLJVYKLK PU WAV format 112
,KP[PUN 6\[W\[! -03, :;,9,6 ,5*6+, ;OPZ M\UJ[PVU ^PSS TP_ KV^U H */ ÄSL [V H Z[LYLV ÄSL ;OL ÄSL ^PSS IL ZH]LK PU [OL MVSKLY PU :;,9,6 TVKL 6WLYH[PVUZ ,KP[PUN 6\[W\[! -03, :;,9,6 ,5*6+, :LSLJ[PUN ÄSLZ 7 -03, :,3,*; :LSLJ[ :;,9,6 ,5*6+, 4 :LSLJ[ :;,9,6 ,5*6+, HUK WYLZZ :L[\W 40?,9! Enable the MIXER before encoding. 5 :LSLJ[ 40?,9 HUK WYLZZ 6 :LSLJ[ HUK WYLZZ 9LM MIXER 113 P.100 ENABLE Use MIXER settings. DISABLE +V UV[ \ZL 40?,9 ZL[[PUNZ ;^V ÄSLZ HYL mixed equa
4CH mode only Select the STEREO mode folder where `V\ ^HU[ [V ZH]L [OL LUJVKLK ÄSL 7 :LSLJ[ :(=, 05 HUK WYLZZ 8 :LSLJ[ [OL MVSKLY [V ZH]L PU HUK WYLZZ ,_LJ\[L 9 :LSLJ[ ,?,*<;, HUK WYLZZ @V\ JHUUV[ OH]L [^V ÄSLZ with the same name. If the screen says “File Name Exists!” select RENAME and change the name. ;OL LUJVKLK ÄSL PZ Z[VYLK PU the folder. ;OL ÄSL UHTL H\[VTH[PJHSS` given is the same as the one in 4CH mode but M/I is changed to MIX. 9LM MIXER P.
,KP[PUN 6\[W\[! 4(92 30:; @V\ JHU ]PL^ H SPZ[ VM [OL THYRZ W\[ PU H >(= ÄSL 6WLYH[PVUZ ,KP[PUN 6\[W\[! 4(92 30:; :LSLJ[PUN ÄSLZ 7 -03, :,3,*; 4 :LSLJ[ 4(92 30:; HUK WYLZZ 0M [OLYL HYL UV THYRZ PU [OL ÄSL “No Mark!” will appear on the display. This mark shows a sound dropout. This mark is user created. :V\UK KYVWV\[Z ZRPWWPUN ^P[O :+ JHYKZ When recorded data is transferred to an SD card, sometimes the processing speed is not fast enough and the sound drops out.
,KP[PUN 6\[W\[! +0=0+, STEREO mode only 0U :;,9,6 46+, `V\ JHU KP]PKL ÄSLZ H[ HU` KLZPYLK WVZP[PVU 6WLYH[PVUZ ,KP[PUN 6\[W\[! +0=0+, :LSLJ[PUN ÄSLZ 7 -03, :,3,*; 4 :LSLJ[ +0=0+, HUK WYLZZ 6 7YLZZ H[ [OL KLZPYLK KP]PZPVU WVPU[ 6WLYH[PVU VM I\[[VUZ ^P[O +0=0+, M\UJ[PVU DIVIDE 5 7YLZZ [V Z[HY[ WSH`IHJR *\YYLU[ ÄSL WVZP[PVU 7 :LSLJ[ @LZ HUK WYLZZ 7SH` VY WH\ZL [OL ÄSL Holding for more than one second to search forward/ backward 7YLZZ IYPLÅ` [V ZRPW one second or jump to t
,KP[PUN 6\[W\[! 46=, ;OPZ M\UJ[PVU PZ \ZLK [V TV]L ÄSLZ [V KPɈLYLU[ MVSKLYZ HUK TVKLZ 6WLYH[PVUZ ,KP[PUN 6\[W\[! 46=, 4V]HISL ÄSL MVYTH[Z :LSLJ[PUN ÄSLZ 7 -03, :,3,*; 4 :LSLJ[ 46=, HUK WYLZZ 7 :LSLJ[ 5,?; HUK WYLZZ 5 :LSLJ[ 46=, ;6 HUK WYLZZ 8 :LSLJ[ [OL KLZ[PUH[PVU MVSKLY WYVQLJ[ • 6US` Z[LYLV ÄSLZ JHU IL moved to a stereo folder. 4VUV ÄSLZ JHUUV[ IL TV]LK to stereo folders. • 6US` */ ÄSLZ JHU IL moved to 4CH folders.
,KP[PUN 6\[W\[! 5,> 7961,*; MTR mode only 0U 4;9 TVKL ZL[[PUNZ PUJS\KPUN MVY H\KPV [YHJRZ HUK LɈLJ[Z HYL ZH]LK PU WYVQLJ[Z -PYZ[ ^L ^PSS THRL H UL^ WYVQLJ[ ;V JOHUNL [OL UHTL VM [OL UL^ WYVQLJ[ 1 7YLZZ 2 Select PROJECT and press. :LSLJ[ 5(4, HUK WYLZZ 7YVQLJ[ U\TILYPUN • The H4n Pro numbers new projects automatically. • You cannot change this number. • You can use the same name in multiple projects :LSLJ[ H SL[[LY [V JOHUNL HUK WYLZZ 3 Select NEW PROJECT and press.
,KP[PUN 6\[W\[! 7961,*; :,3,*; Select a project stored on the SD card. 6WLYH[PVUZ ,KP[PUN 6\[W\[! 7961,*; :,3,*; 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 119 1 7YLZZ 2 :LSLJ[ 7961,*; HUK WYLZZ 3 :LSLJ[ :,3,*; HUK WYLZZ 4 :LSLJ[ [OL KLZPYLK WYVQLJ[ HUK WYLZZ MTR mode only
,KP[PUN 6\[W\[! 7961,*; +,3,;, MTR mode only This function will delete a project. 6WLYH[PVUZ ,KP[PUN 6\[W\[! 7961,*; +,3,;, 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ 7961,*; HUK WYLZZ 4 :LSLJ[ H WYVQLJ[ [V IL KLSL[LK HUK WYLZZ 5 :LSLJ[ @,: HUK WYLZZ Once deleted, you cannot restore a project. 3 :LSLJ[ +,3,;, HUK WYLZZ You cannot delete a protected project.
,KP[PUN 6\[W\[! 7961,*; 9,5(4, MTR mode only You can change the name of a project. 6WLYH[PVUZ ,KP[PUN 6\[W\[! 7961,*; 9,5(4, 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ 7961,*; HUK WYLZZ 3 :LSLJ[ 9,5(4, HUK WYLZZ 4 :LSLJ[ [OL WYVQLJ[ ^P[O [OL UHTL [V JOHUNL HUK WYLZZ 5 :LSLJ[ H SL[[LY [V JOHUNL HUK WYLZZ 6 *OHUNL [OL SL[[LY HUK WYLZZ 7 :LSLJ[ 62 HUK WYLZZ Characters are changed in the following order.
,KP[PUN 6\[W\[! 7961,*; *67@ MTR mode only You can copy a project to create a new project with a new number. 6WLYH[PVUZ ,KP[PUN 6\[W\[! 7961,*; *67@ Select a project and start operation. . . P.119 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 2 3 7YLZZ :LSLJ[ 7961,*; HUK WYLZZ *OHUNL [OL U\TILY VM [OL KLZ[PUH[PVU WYVQLJ[ Automatically shows the lowest unused number :LSLJ[ *67@ HUK WYLZZ *OHUNL [OL UHTL VM [OL [HYNL[ WYVQLJ[ 4 :
,KP[PUN 6\[W\[! 7961,*; )6<5*, You can combine tracks created in MTR mode and mix them down to one mono or stereo track. 6WLYH[PVUZ ,KP[PUN 6\[W\[! 7961,*; )6<5*, Select a project and start operation. . . P.119 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU :LSLJ[ )6<5*, 1 :L[ [OL IV\UJL ÄSL UHTL :LSLJ[ )6<5*, VU [OL [VW ZJYLLU HUK WYLZZ 2 Proceed to next step if no change. ń :LSLJ[ 5(4, HUK WYLZZ ;OL ÄSL ^PSS H\[VTH[PJHSS` IL given a name
MTR mode only 4 :LSLJ[ -694(; HUK WYLZZ 5 :LSLJ[ [OL ÄSL [`WL HUK WYLZZ ,_LJ\[PVU 6 :LSLJ[ ,?,*<;, HUK WYLZZ “Bouncing” means to combine various music data MYVT KPќLYLU[ [YHJRZ HUK ÄSLZ PU[V H Z[LYLV VY TVUV ÄSL 5 min Track 1 Track 2 BOUNCE 5 min Track 3 Track 4 :[LYLV ÄSL )V\UJPUN JYLH[LZ H UL^ ÄSL PU the same project. STEREO :[LYLV ÄSL MONO 4VUV ÄSL You cannot use this function during recording or playback. 124 6WLYH[PVUZ ,KP[PUN 6\[W\[! 7961,*; )6<5*, :LSLJ[ V\[W\[
,KP[PUN 6\[W\[! 7961,*; 796;,*; MTR mode only
<[PSP[PLZ! +0:73(@ )(*2 30./; You can set the time that the display backlight stays lit. 6WLYH[PVUZ <[PSP[PLZ! +0:73(@ )(*2 30./; 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ :@:;,4 HUK WYLZZ 3 4 :LSLJ[ [OL KLZPYLK [PTL HUK WYLZZ OFF ;OL IHJRSPNO[ Z[H`Z VɈ HSS [OL [PTL ON The backlight stays on all the time. 15sec (default) The backlight stays on for 15 seconds after the last key operation.
<[PSP[PLZ! 4,469@ 9,* 6WLYH[PVUZ <[PSP[PLZ! 4,469@ 9,* Even without an SD card, the built-in memory can record up to 35 seconds. This is useful for voice memos, for example. *OHUNL [OL YLJVYKPUN TVKL >OLU UV :+ JHYK PZ SVHKLK WYLZZ [OL 4,5< I\[[VU MVY H[ SLHZ[ ZLJVUKZ HUK Z[HY[ MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ ;663 HUK WYLZZ 4 :LSLJ[ 9,* 73(@ Switch to MEMORY REC mode 9LJVYKPUN HUK WSH`IHJR 3 P.047 Record Playback P.
STEREO mode only (M[LY SVHKPUN HU :+ WYLZZ [OL 4,5< I\[[VU MVY H[ SLHZ[ ZLJVUKZ HUK Z[HY[ MYVT [OL [VW ZJYLLU 6WLYH[PVUZ <[PSP[PLZ! 4,469@ 9,* ;YHUZMLYYPUN YLJVYKPUNZ [V :+ JHYKZ 6WLU )3; 05 4,469@ 9,* ZJYLLU ¯ 7 1 :LSLJ[ )(*2<7 HUK WYLZZ 2 :LSLJ[ 5(4, [V JOHUNL [OL ÄSL UHTL VY ZLSLJ[ -63+,9 [V JOHUNL [OL KLZ[PUH[PVU MVSKLY 3 :LSLJ[ ,?,*<;, HUK WYLZZ 0M H ÄSL ^P[O [OL ZHTL UHTL already exists in the destination folder, a screen where you can select RENAME
<[PSP[PLZ! +0:73(@ *65;9(:; Follow these steps to adjust the display contrast. 6WLYH[PVUZ <[PSP[PLZ! +0:73(@ *65;9(:; 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ :@:;,4 HUK WYLZZ 4 *OHUNL [OL U\TILY HUK WYLZZ This can be set from 1 to 8. The higher the number, the greater the contrast (default: 5).
<[PSP[PLZ! )(;;,9@ ;@7, By setting the battery type, the H4n Pro can accurately display the remaining battery life. 6WLYH[PVUZ <[PSP[PLZ! )(;;,9@ ;@7, 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ :@:;,4 HUK WYLZZ 4 :LSLJ[ [OL IH[[LY` [`WL HUK WYLZZ ALKALINE Ni-MH 3 Alkaline batteries (default) Nickel metal hydride rechargeable batteries :LSLJ[ )(;;,9@ HUK WYLZZ )H[[LYPLZ [OH[ JHU IL \ZLK • Use alkaline batteri
<[PSP[PLZ! =,9:065 After startup, you can check the H4n Pro version. 6WLYH[PVUZ <[PSP[PLZ! =,9:065 7YLZZ [OL 4,5< I\[[VU MVY TVYL [OHU ZLJVUKZ HUK Z[HY[ VWLYH[PVU MYVT [OL [VW ZJYLLU 1 7YLZZ 2 :LSLJ[ :@:;,4 HUK WYLZZ 3 :LSLJ[ =,9:065 HUK WYLZZ System version Boot program version You cannot use this during recording and playback.
<[PSP[PLZ! -(*;69@ 9,:,; This function restores all settings to their original defaults. 6WLYH[PVUZ <[PSP[PLZ! -(*;69@ 9,:,; Press the MENU button for more than 2 seconds, and start operation from the top screen. 1 7YLZZ 2 :LSLJ[ :@:;,4 HUK WYLZZ 3 :LSLJ[ -(* 9,:,; HUK WYLZZ 4 :LSLJ[ @,: HUK WYLZZ • You cannot use this function during recording and playback. • Warning: if you use the FACTORY RESET function, all the settings stored in this unit will be deleted.
<[PSP[PLZ! 9,4(05 +V [OPZ [V JVUÄYT [OL YLTHPUPUN JHWHJP[` VM [OL :+ *(9+ 6WLYH[PVUZ <[PSP[PLZ! 9,4(05 Press the MENU button for more than 2 seconds, and start operation from the top screen. 1 7YLZZ 2 :LSLJ[ :+ *(9+ HUK WYLZZ 3 :LSLJ[ 9,4(05 HUK WYLZZ Remaining capacity meter Remaining space (MB) Remaining recording time with the current recording format. You cannot use this during recording and playback.
<[PSP[PLZ! -694(; Use this function to format SD cards for the H4n Pro. 6WLYH[PVUZ <[PSP[PLZ! -694(; Press the MENU button for more than 2 seconds, and start operation from the top screen. 1 7YLZZ 2 :LSLJ[ :+ *(9+ HUK WYLZZ 4 :LSLJ[ @,: HUK WYLZZ 3 :LSLJ[ -694(; HUK WYLZZ ¸-VYTH[ *HYK&¹ “Format Card?” appears during startup if the loaded SD card is not formatted for the H4n Pro. • You cannot use this function during recording and playback.
<[PSP[PLZ! =,9:065 <7 6WLYH[PVUZ <[PSP[PLZ! =,9:065 <7 If the H4n Pro (with an SD card) is connected to a computer (PC) that has access to the internet, you can download H4n Pro software upgrades. 1 You can check the H4n Pro version on the SYSTEM (SOFTWARE) VERSION screen. PC Main system version 6WLU [OL A664 ^LIZP[L VU H JVTW\[LY HUK KV^USVHK [OL TVZ[ YLJLU[ Z`Z[LT ZVM[^HYL O[[W! ^^^ aVVT JV QW 2 PC H4n Pro Use a USB cable to connect the H4n Pro and a computer.
<[PSP[PLZ!
Reference Reference 138
4HPU ZWLJPÄJH[PVUZ I` TVKL Q 4HPU ZWLJPÄJH[PVUZ I` TVKL 9LMLYLUJL 4HPU ZWLJPÄJH[PVUZ I` TVKL STEREO 4CH MTR STAMINA Stereo WAV: 44.1/48/96kHz, 16/24-bit Recording formats Stereo MP3: 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256 and 320 kbps, Stereo WAV × 2: 44.1/48kHz, 16/24-bit 44.1kHz/16-bit stereo and mono WAV (4 tracks total) R/a IP[ >(= Ä_LK 4 (two stereo tracks) 2 (one stereo or two mono tracks) 2 (one stereo track) VBR 44.
:L[[PUNZ H]HPSHISL PU LHJO TVKL Q 4LU\ P[LTZ STEREO 4CH MTR STAMINA ¬ ¬ ¬ ¬ ʊ ʊ ʊ ʊ ʊ ʊ ʊ ʊ ʊ ʊ ʊ ʊ ¬ ¬ ¬ ¬ :+ *(9+ FORMAT REMAIN STEREO 4CH MTR STAMINA <:) AUDIO IF STORAGE ¬ ¬ ¬ ¬ ¬ ¬ ¬ ¬ STEREO 4CH MTR STAMINA ¬ ¬ ¬ — ¬ ¬ ¬ — 46+, MODE STEREO 4CH MTR STAMINA ¬ ¬ ¬ — -63+,9 :,3,*; FOLDER SELECT STEREO 4CH MTR STAMINA ¬ ¬ — ¬ -03, FILE INFORMATION FILE RENAME FILE MP3 ENCODE NORMALIZE DIVIDE MOVE MARK LIST FILE DELETE FILE DELETE ALL FIL
4;9 TVKL LɈLJ[ [`WLZ HUK WHYHTL[LYZ Q 79,(47 TVK\SL O .\P[HY WYLHTW LɈLJ[Z 9LMLYLUJL 4;9 TVKL LɈLJ[ [`WLZ HUK WHYHTL[LYZ FD TWNR Models the sound of the Fender '65 Twin Reverb. UK 30A Models the sound of an early class A British combo amp. HW 100 Models the sound of the HIWATT CUSTOM 100. Makes electric guitar sound like an acoustic guitar (1) TOP 0–10 Adjusts the string sound characteristic of acoustic guitars. Adjusts the body sound characteristic of acoustic guitars.
O )HZZ WYLHTW LɈLJ[Z BASSMAN SMR Models the sound of the Ampeg SVT. VO MPRE Preamp with characteristics good for vocal recording Models the sound of the Fender Bassman 100. AG MPRE Preamp with characteristics good for acoustic guitar recording Models the sound of the SWR SM-900. FlatMPRE 7YLHTW ^P[O ÅH[ JOHYHJ[LYPZ[PJZ SUP-BASS Models the sound of the Marshall Super Bass. SANSAMP Models the sound of the SansAmp Bass Driver DI.
4;9 TVKL LɈLJ[ [`WLZ HUK WHYHTL[LYZ Q ,-? TVK\SLZ O 4VK\SH[PVU LɈLJ[Z O *VTWYLZZVY SPTP[LY LɈLJ[Z 9LMLYLUJL 4;9 TVKL LɈLJ[ [`WLZ HUK WHYHTL[LYZ RackComp Compressors reduce high-level signals and raise the minimum level. (1) THRSHOLD 0–50 Sets the base level from which the compressor operates. (2) RATIO 1–10 Sets the compression ratio. (3) ATTACK 1–10 Sets how quickly compression starts. (4) LEVEL 2–100 LIMITER Sets the level of the signal after the EFX module. 3PTP[LYZ JVTWYLZZ ^OLU PUW\
(1) POSITION ;OPZ LќLJ[ JYLH[LZ H TL[HSSPJ ZV\UK ;OL -9,8 ZL[[PUN JHU drastically change the tone. Before, After Sets the insertion point of the EFX module. Select before or after the PREAMP. (2) FREQ 1–50 (3) BALANCE 0–100 (KQ\Z[Z [OL IHSHUJL VM [OL VYPNPUHS HUK LќLJ[ sounds. (4) LEVEL 2–100 Sets the level of the signal after the EFX module. SLOW ATK (1) POSITION Sets the frequency of modulation. ;OPZ LќLJ[ THRLZ [OL H[[HJR VM LHJO UV[L NYHK\HS JYLH[PUN a violin-like sound.
4;9 TVKL LɈLJ[ [`WLZ HUK WHYHTL[LYZ O +LSH` YL]LYI LɈLJ[Z 9LMLYLUJL 4;9 TVKL LɈLJ[ [`WLZ HUK WHYHTL[LYZ CRY ;OPZ LќLJ[ ]HYPLZ [OL ZV\UK SPRL H [HSRPUN TVK\SH[VY (1) RANGE 1–10 (KQ\Z[Z [OL MYLX\LUJ` IHUK HќLJ[LK (2) RESONANC 0–10 Sets the amount of resonance. (3) SENSE (4) BALANCE PITCH (1) SHIFT (2) TONE (3) FINE (4) BALANCE 145 ò ¶ò 1–10 0–100 0–10 ò ¶ 0–100 ;OPZ LќLJ[ YLWYVK\JLZ [OL YL]LYILYHU[ H[TVZWOLYL VM H room and provides spatial depth.
(1) TIME This delay supports long delay times of up to 2500 ms. 10–2500 ms,* ʖ Sets the delay time. (See P.146) (2) FEEDBACK 0–100 (3) HIDAMP 0–10 Adjusts the damping of high frequencies in the delay sound. (4) MIX 0–100 (KQ\Z[Z [OL HTV\U[ VM LќLJ[ ZV\UK TP_LK ^P[O the original sound. Adjusts the amount of feedback. Note durations Parameters with ʖ values allow you to make settings in note units based on the metronome tempo. The lengths of the notes are as follows.
/ U 7YV WH[JO SPZ[ The patches in this list can be used in 4CH mode and when the H4n Pro is functioning as an audio interface (at 44.1kHz sampling rate). 9LMLYLUJL / U 7YV WH[JO SPZ[ 147 *H[LNVY` 5V Guitar 00 Tweed Clean This FD TWEED clean sound goes great with Stratocasters. 79,(47 TVK\SL FD TWEED 01 Liverpool A 60s revival sound is created by gently driving a Class A British combo amp. UK 30A AIR 02 Clean Chorus This clean sound is good for muted rhythmic and arpeggio playing.
5V 7H[JO UHTL Bass 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 SVT SMR BASSMAN SUP-BASS SANSAMP TUBE PRE Funk Wah Slap Comp Bass Phaser Fuzz Room StandardComp Studio Comp Chorus Vocal Flange Vocal Light Vocal Spring Arena Doubling Lead Vocal Analog Echo Reverse Trip AG Reverb AG Arpeggio AG Ensemble AG Lead EMPTY Mic 50–59 +LZJYPW[PVU This is the perfect Ampeg SVT rock sound. The SWR SM-900 modeling provides a tight sound.
/ U 7YV ZWLJPÄJH[PVUZ STEREO mode 4CH mode MTR mode 2 4 2 2 4 4 4GB (SDHC) About 380 minutes (44.1kHz/16-bit stereo WAV tracks) About 68 hours (44.1kHz/128kbps Stereo MP3 tracks) Recording time Note: These recording times are approximations. Recorder Actual times might be slightly shorter according to recording conditions. 4H_PT\T YLJVYKPUN ÄSL ZPaL 2 GB Projects 1000/card Counter Hour: minute: second: millisecond Other functions Punch-in/out, bounce, A-B repeat Modules 2 Stereo/4CH mode: LO CUT, COMP/LIMIT
;YV\ISLZOVV[PUN 0M `V\ [OPUR [OH[ [OL / U 7YV PZ VWLYH[PUN Z[YHUNLS` JOLJR [OL MVSSV^PUN P[LTZ ÄYZ[ 9LJVYKPUN WSH`IHJR [YV\ISL • Check the connections to your monitoring system and its volume setting. • &RQÀUP WKDW WKH YROXPH OHYHOV RI WUDFNV ² DUH QRW WRR ORZ X 9LJVYKLY Z[VWZ K\YPUN WSH`IHJR ,I SOD\EDFN LV VWDUWHG ZKHQ D WUDFN LV LQ UHFRUGLQJ VWDQGE\ D WHPSRUDU\ ÀOH LV created on the H4n Pro. If the remaining capacity of the SD card is low, the WHPSRUDU\ ÀOH PD\ XVH DOO WKH UHPDLQLQJ VSDFH FDX
0UKL_ */ 46+, 9LMLYLUJL 0UKL_ Details X35·37 Mode and top screen XP39 Mode selection XP36 Playback operation XP94 Recording operation XP51 C Copyright warningsXP7 CANCEL operation XP23 CARIB/TUNER XP77 CHROMATIC/TUNER XP75 COMP/LIMIT XP67 Connections XP30 EDIT (RENAME) XP87 EDIT (STORE) XP88 ,ќLJ[ [`WLZ HUK WHYHTL[LYZ XP141 ,ќLJ[Z XP81 IMPORT XP89 Patch List XP147 EFX module/EFFECT XP86 F A + AB repeat XP97 Always New recording mode XP56 AUDIO I/F (Audio interface), use as XP31 AUTO PUNCH IN/OUT
H M N Manual PUNCH IN/OUT XP61 MARK XP96 MARK LIST XP115 4,5< MAIN MENU XP41 MENU button operations XP23 METRONOME XP79 MIXER XP100 Mixing XP57 MODE XI,.
0UKL_ 9LMLYLUJL 0UKL_ NEW PROJECT XP118 RENAME XP121 PROTECT XP125 SELECT XP119 PUNCH IN/OUT (Auto) XP59 PUNCH IN/OUT (Manual) XP61 R REC FORMAT XP49 REC LEVEL AUTO XP69 REC LEVEL operations XP22 REC button operations XP19 Recording (stereo/stamina mode) XP47 Recording (4CH mode) XP51 Recording (MTR mode) XP53 Recording track selection XP45 REMAIN XP133 Remote control (option) XP43 RENAME/EFFECT XP87 RENAME/FILE XP109 RENAME/PROJECT XP121 153 : T Safety precautions for users XP6 Setting XP27 :+ *(9
;OL -** YLN\SH[PVU ^HYUPUN MVY < : ( This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications.
ZOOM CORPORATION 4-4-3 Kanda-surugadai, Chiyoda-ku, Tokyo 101-0062 Japan Website http://www.zoom.co.
Included accessories This product includes the following accessories. Please confirm that you have them all before using the product. • Unit case • Operation manual 2c::x::JM. HL.In Pra Handy Recorder OPERATION MANUAL 0 2016 ZOOM CORPORATION COfl)l1 1 1g ar<(lflf o MM'!jlfiiSm~ l nl»o(( U<"l...t\olewnt'loull>fW rt"S!.
Cubase LE Startup Guide CD Select "New Project" from the "File" menu . Install Cubase LE referring to the bundled 'Download access code sheet'. CUBASE LE DOWNLOAD INFORMATION • "Project Assistant" window opens in order to select a project template. Click "More", select "Empty", and then click the "Create" button to display the project window. ToolowrlloMJOY~-of~LE.P......,.NIInl. -~~- o-,.~~oe~,...._,......,bo-"'"<< .. _ ................. bo:tb. ..... ..__ r-·..... .... ............ ~ .. taa.
STOP DON'T THROW AWAY! CUBASE LE DOWNLOAD INFORMATION Together with this piece of hardware you are entitled to download a full version of Cubase LE. Cubase LE download instructions To download your full version of Cubase LE, please follow this link: www.steinberg.neVgetcubasele During the download process you will be asked to enter the access code on the bottom of this sheet.
STOP DON'T THROW AWAY! WAVELAB LE DOWNLOAD INFORMATION Together with this piece of hardware you are entitled to download a full version of Wavelab LE. Wavelab LE download instructions To download your full version of Wavelab LE, please follow this link: www.steinberg.net/getwavelable During the download process you will be asked to enter the access code on the bottom of this sheet.
Importers in EU countries UNITED KINGDOM SPAIN Zoom UK Distribution Ltd t/a Zoom UK Adagio, S.L.U. 15 Weston Barns, Hitchin Road, Weston, Hertfordshire, SG4 7AX, United Kingdom Tel: (44) 1462-791100 E-mail: info@zoomcorp.co.uk I enquiries@zoomcorp.co.uk Avenida de La Ferrerla n° 3-5 Pollgono Industrial La Ferrerla 0811 0 MONTCADA I REIXAC, Barcelona, Spain Tel: (34) 93-564-60-12 E-mail: comercial@adagio.es http://www.adagio.
English Disposal of Old Electrical & Electronic Equipment (Applicable in European countries with separate collection systems) This symbol on the product or on its packaging indicates that this product shall not be treated as household waste. Instead it will be handed over at a designated collection point for the recycling of electrical and electronic equipment.
NORTH AMERICA WARRANTY REGISTRATION Zoom products are distributed in the United States by Zoom North America. Please visit warranty.zoom-na.com -or- return this card within 10 days of purchase to register your product.
PLACE STAMP HERE NORTH AMERICA 2120 Smithtown Ave Ronkonkoma, NY 11779-7347 ZOOM \NARRANTY REGISTRATION ® WARRANTY REGISTRATION INFORMATION
