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DIC 338

ÇÂ·-Ò‡ÈÚ ÔË‡ÌËÌÓ Clavinova (Ì‡ ‡Ì„ÎËÈÒÍÓÏ ﬂÁ˚ÍÂ)

http://www.yamahaclavinova.com/

ëÓ·‡ÌËÂ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍˆËË ÍÓÏÔ‡ÌËË Yamaha

http://www2.yamaha.co.jp/manual/english/

M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

2002 Yamaha Corporation

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ

èÂÂ‰ Ì‡˜‡ÎÓÏ ‡·ÓÚ˚ Ò ËÌÒÚÛÏÂÌÚÓÏ ÔÓ˜ËÚ‡ÈÚÂ ‡Á‰ÂÎ «åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË» Ì‡ ÒÚ. 6-7.

ÇÄÜçé!

ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ÔﬂÊÂÌËÂ ‚ ÓÁÂÚÍÂ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡ÔﬂÊÂÌË˛, ÛÍ‡Á‡ÌÌÓÏÛ Ì‡ ËÌÒÚÛÏÂÌÚÂ.

Ç ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡ﬂı ËÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ·˚Ú¸ ÒÌ‡·ÊÂÌ ÔÂÂÍÎ˛˜‡ÚÂÎÂÏ Ì‡ÔﬂÊÂÌËﬂ, ÍÓÚÓ˚È

‡ÒÔÓÎÓÊÂÌ ﬂ‰ÓÏ Ò ÒÂÚÂ‚˚Ï Í‡·ÂÎÂÏ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÓÎÓÊÂÌËÂ ÔÂÂÍÎ˛˜‡ÚÂÎﬂ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ

Ì‡ÔﬂÊÂÌË˛, ËÒÔÓÎ¸ÁÛÂÏÓÏÛ ‚ ‚‡¯ÂÏ Â„ËÓÌÂ. èË ÔÓÒÚ‡‚ÍÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ Ì‡ÔﬂÊÂÌËﬂ

ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ Ì‡ÔﬂÊÂÌËÂ 240 Ç. èÎÓÒÍÓÈ ÓÚ‚ÂÚÍÓÈ ÔÓ‚ÂÌËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ Ú‡Í, ˜ÚÓ·˚

Ó·ÓÁÌ‡˜ÂÌËÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Ì‡ÔﬂÊÂÌËﬂ ·˚ÎÓ ‡ÒÔÓÎÓÊÂÌÓ ‚ÓÁÎÂ ÛÍ‡Á‡ÚÂÎﬂ Ì‡ Ô‡ÌÂÎË.

Summary of content (46 pages)

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êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ èÂ Â‰ Ì‡˜‡ÎÓÏ ‡·ÓÚ˚ Ò ËÌÒÚ ÛÏÂÌÚÓÏ Ô Ó˜ËÚ‡ÈÚÂ ‡Á‰ÂÎ «åÂ ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË» Ì‡ ÒÚ . 6-7. ÇÄÜçé! ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡Ô ﬂÊÂÌËÂ ‚ ÓÁÂÚÍÂ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡Ô ﬂÊÂÌË˛, ÛÍ‡Á‡ÌÌÓÏÛ Ì‡ ËÌÒÚ ÛÏÂÌÚÂ. Ç ÌÂÍÓÚÓ ˚ı ÒÎÛ˜‡ﬂı ËÌÒÚ ÛÏÂÌÚ ÏÓÊÂÚ ·˚Ú¸ ÒÌ‡·ÊÂÌ ÔÂ ÂÍÎ˛˜‡ÚÂÎÂÏ Ì‡Ô ﬂÊÂÌËﬂ, ÍÓÚÓ ˚È ‡ÒÔÓÎÓÊÂÌ ﬂ‰ÓÏ Ò ÒÂÚÂ‚˚Ï Í‡·ÂÎÂÏ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÓÎÓÊÂÌËÂ ÔÂ ÂÍÎ˛˜‡ÚÂÎﬂ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡Ô ﬂÊÂÌË˛, ËÒÔÓÎ¸ÁÛÂÏÓÏÛ ‚ ‚‡¯ÂÏ Â„ËÓÌÂ. è Ë ÔÓÒÚ‡‚ÍÂ ÔÂ ÂÍÎ˛˜‡ÚÂÎ¸ Ì‡Ô ﬂÊÂÌËﬂ ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ Ì‡Ô ﬂÊÂÌËÂ 240 Ç.
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Ç‚Â‰ÂÌËÂ SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK).
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ÅÎ‡„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍÛ ÔË‡ÌËÌÓ Yamaha Clavinova! å˚ ÂÍÓÏÂÌ‰ÛÂÏ ‚ÌËÏ‡ÚÂÎ¸ÌÓ ÔÓ˜ËÚ‡Ú¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÔÓÎÌÓÒÚ¸˛ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚ÒÂ ÔÂÂ‰Ó‚˚Â Ë Û‰Ó·Ì˚Â ÙÛÌÍˆËË ÔË‡ÌËÌÓ Clavinova. å˚ Ú‡ÍÊÂ ÒÓ‚ÂÚÛÂÏ ‚‡Ï ı‡ÌËÚ¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ Ì‡‰ÂÊÌÓÏ Ë ‰ÓÒÚÛÔÌÓÏ ÏÂÒÚÂ ‰Îﬂ ‰‡Î¸ÌÂÈ¯Â„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ. é· ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â êÛÍÓ‚Ó‰ÒÚ‚Ó ÒÓÒÚÓËÚ ËÁ ÚÂı ÓÒÌÓ‚Ì˚ı ‡Á‰ÂÎÓ‚: «Ç‚Â‰ÂÌËÂ», «ëÔ‡‚Ó˜ÌËÍ» Ë «èËÎÓÊÂÌËÂ». Ç‚Â‰ÂÌËÂ (ÒÚ . 2): ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒÎÂ‰ÛÂÚ ÓÁÌ‡ÍÓÏËÚ¸Òﬂ ‚ ÔÂ‚Û˛ Ó˜ÂÂ‰¸. ëÔ ‡‚Ó˜ÌËÍ (ÒÚ .
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é„Î‡‚ÎÂÌËÂ Ç‚Â‰ÂÌËÂ SPECIAL MESSAGE SECTION ............................ 2 é· ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â......................................... 3 ëÔËÒÓÍ Ô ËÏÂÌÂÌËÈ ........................................... 5 åÖêõ ÅÖáéèÄëçéëíà .................................... 6 ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ô ËÌ‡‰ÎÂÊÌÓÒÚË ................ 8 é·ÒÎÛÊË‚‡ÌËÂ..................................................... 8 ÇÓÁÏÓÊÌÓÒÚË....................................................... 9 èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ........................................
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ëÔËÒÓÍ ÔËÏÂÌÂÌËÈ ùÚÓÚ ÛÍ‡Á‡ÚÂÎ¸ ÏÓÊÂÚ ÔË„Ó‰ËÚ¸Òﬂ ‰Îﬂ ÚÓ„Ó, ˜ÚÓ·˚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡ÌËˆ˚ Ò ÓÔËÒ‡ÌËÂÏ ÌÂﬂÒÌÓ„Ó ‚ÓÔÓÒ‡. è ÓÒÎÛ¯Ë‚‡ÌËÂ èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ Ò ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË ...................................... «èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ» — 15 èÓÒÎÛ¯Ë‚‡ÌËÂ ÔÂÒÂÌ ËÁ ÒÔËÒÍ‡ 50 ıËÚÓ‚ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ....................... «èÓÒÎÛ¯Ë‚‡ÌËÂ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ» — 16 à„ ‡ Ì‡ ÍÎ‡‚Ë‡ÚÛ Â àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ô‡‚ÓÈ ÔÂ‰‡ÎË ....................................................
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åÖêõ ÅÖáéèÄëçéëíà ÇçàåÄíÖãúçé èêéóàíÄâíÖ èÖêÖÑ ùäëèãìÄíÄñàÖâ * ëÓı ‡ÌËÚÂ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ Ó· ‡ÚËÚ¸Òﬂ Í ÌÂÏÛ ‚ ‰‡Î¸ÌÂÈ¯ÂÏ. èêÖÑìèêÖÜÑÖçàÖ ÇÓ ËÁ·ÂÊ‡ÌËÂ ÒÂ ¸ÂÁÌ˚ı Ú ‡‚Ï Ë ‰‡ÊÂ ÒÏÂ ÚË ÓÚ Û‰‡ ‡ ˝ÎÂÍÚ Ë˜ÂÒÍËÏ ÚÓÍÓÏ, ÍÓ ÓÚÍÓ„Ó Á‡Ï˚Í‡ÌËﬂ, ÔÓ‚ ÂÊ‰ÂÌËﬂ Ó·Ó Û‰Ó‚‡ÌËﬂ, ÔÓÊ‡ ‡ Ë ‰ Û„Ëı ÓÔ‡ÒÌÓÒÚÂÈ, ‚ÒÂ„‰‡ ÒÓ·Î˛‰‡ÈÚÂ ÓÒÌÓ‚Ì˚Â ÏÂ ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË, ÔÂ Â˜ËÒÎÂÌÌ˚Â ‰‡ÎÂÂ. ä ˝ÚËÏ ÏÂ ‡Ï, ‚ ˜‡ÒÚÌÓÒÚË, ÓÚÌÓÒËÚÒﬂ ÒÎÂ‰Û˛˘ÂÂ.
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èÓ‰ÍÎ˛˜ÂÌËÂ ● åÂ ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË Ô Ë ˝ÍÒÔÎÛ‡Ú‡ˆËË è ÂÊ‰Â ˜ÂÏ ÔÓ‰ÍÎ˛˜‡Ú¸ ËÌÒÚ ÛÏÂÌÚ Í ‰ Û„ËÏ ˝ÎÂÍÚ ÓÌÌ˚Ï ÍÓÏÔÓÌÂÌÚ‡Ï, ÒÎÂ‰ÛÂÚ ÓÚÍÎ˛˜ËÚ¸ Ëı ÓÚ ÒÂÚË. èÂ Â‰ ‚ÍÎ˛˜ÂÌËÂÏ ËÎË ÓÚÍÎ˛˜ÂÌËÂÏ ˝ÎÂÍÚ ÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚÂ ÏËÌËÏ‡Î¸Ì˚È Û Ó‚ÂÌ¸ „ ÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊÂ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËÏ‡Î¸Ì˚È Û Ó‚ÂÌ¸ „ ÓÏÍÓÒÚË, Ë ‚Ó ‚ ÂÏﬂ Ë„ ˚ Ì‡ ËÌÒÚ ÛÏÂÌÚÂ ÔÓÒÚÂÔÂÌÌÓ Û‚ÂÎË˜¸ÚÂ „ ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ. ● ● é·ÒÎÛÊË‚‡ÌËÂ ● ● ÑÎﬂ ˜ËÒÚÍË ËÌÒÚ ÛÏÂÌÚ‡ ÔÓÎ¸ÁÛÈÚÂÒ¸ Ïﬂ„ÍÓÈ ÒÛıÓÈ ËÎË ÒÎÂ„Í‡ ‚Î‡ÊÌÓÈ ÚÍ‡Ì¸˛.
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ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ô ËÌ‡‰ÎÂÊÌÓÒÚË • ë·Ó ÌËÍ Ô‡ ÚËÚÛ «50 greats for the Piano» • êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂÊ‡ÚÒﬂ ÔÓÎÌ˚Â ËÌÒÚÛÍˆËË ÔÓ ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Clavinova. • ä ‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ˝ÍÒÔÎÛ‡Ú‡ˆËË • ëÍ‡ÏÂÈÍ‡ Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË ÒÍ‡ÏÂÈÍ‡ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË ÌÂ ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ. • è ‡‚‡ﬂ ÔÂ‰‡Î¸ é·ÒÎÛÊË‚‡ÌËÂ ÑÎﬂ ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓÎ¸ÁÛÈÚÂÒ¸ Ïﬂ„ÍÓÈ ÒÛıÓÈ ËÎË ÒÎÂ„Í‡ ‚Î‡ÊÌÓÈ ÚÍ‡Ì¸˛.
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ÇÓÁÏÓÊÌÓÒÚË Yamaha Clavinova CLP-110 ÔÂ‰ÒÚ‡‚ÎﬂÂÚ Û‰Ë‚ËÚÂÎ¸ÌÓ Â‡ÎËÒÚË˜Ì˚È Á‚ÛÍ, ‚ÓÁÏÓÊÌÓÒÚ¸ Ë„˚ ‚ ÚÂÏ·Â ÓﬂÎﬂ, ÓË„ËÌ‡Î¸ÌÛ˛ ÚÂıÌÓÎÓ„Ë˛ „ÂÌÂ‡ˆËË ÚÓÌ‡ ÍÓÔÓ‡ˆËË Yamaha AWM Stereo Sampling ‰Îﬂ ÒÓÁ‰‡ÌËﬂ ﬂÍËı ÏÛÁ˚Í‡Î¸Ì˚ı ÚÂÏ·Ó‚ Ë ÍÎ‡‚Ë‡ÚÛÛ Graded Hammer, „‰Â ‚ÂÒ Ë ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ ÍÎ‡‚Ë¯Ë Á‡‚ËÒﬂÚ ÓÚ ÂÂ ÔÓÎÓÊÂÌËﬂ. íÂÏ·˚ Grand Piano 1 Ë 2 ËÒÔÓÎ¸ÁÛ˛Ú ÌÓ‚˚Â Ò˝ÏÔÎ˚ ÍÓÌˆÂÚÌÓ„Ó ÓﬂÎﬂ. ÑÎﬂ ÚÂÏ·‡ E. Piano 1 ËÒÔÓÎ¸ÁÛÂÚÒﬂ Ó‰ËÌ Ò˝ÏÔÎ, Á‡‚ËÒﬂ˘ËÈ ÓÚ ÒËÎ˚ Ì‡Ê‡ÚËﬂ (‰ËÌ‡ÏË˜ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ), ‡ ‰Îﬂ ÚÂÏ·‡ E.
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èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ ä˚¯Í‡ ÍÎ‡‚Ë‡ÚÛ˚ óÚÓ·˚ ÓÚÍ ˚Ú¸ Í ˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ ˚: çÂÏÌÓ„Ó ÔËÔÓ‰ÌËÏËÚÂ Í˚¯ÍÛ Ë ÔÓ‰‚ËÌ¸ÚÂ ÂÂ ‚ÔÂÂ‰. óÚÓ·˚ Á‡Í ˚Ú¸ Í ˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ ˚: èÓÚﬂÌËÚÂ Í˚¯ÍÛ Ì‡ ÒÂ·ﬂ Ë ÓÒÚÓÓÊÌÓ ÓÔÛÒÚËÚÂ ÂÂ Ì‡ ÍÎ‡‚Ë‡ÚÛÛ. ÇçàåÄçàÖ! äÓ„‰‡ ‚˚ ÓÚÍ ˚‚‡ÂÚÂ ËÎË Á‡Í ˚‚‡ÂÚÂ Í ˚¯ÍÛ, ·Û‰¸ÚÂ ‚ÌËÏ‡ÚÂÎ¸Ì˚, ˜ÚÓ·˚ ÌÂ ÔÓ‚ Â‰ËÚ¸ Ô‡Î¸ˆ˚. ÇçàåÄçàÖ! éÚÍ ˚‚‡ﬂ Ë Á‡Í ˚‚‡ﬂ Í ˚¯ÍÛ, ‰Â ÊËÚÂ ÂÂ ‰‚ÛÏﬂ ÛÍ‡ÏË. çÂ ÓÚÔÛÒÍ‡ÈÚÂ Í ˚¯ÍÛ, ÔÓÍ‡ ÓÌ‡ ÌÂ ÓÚÍ ÓÂÚÒﬂ ËÎË ÌÂ Á‡Í ÓÂÚÒﬂ ÔÓÎÌÓÒÚ¸˛.
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ÇÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ 1. èÓ‰ÒÓÂ‰ËÌÂÌËÂ Í‡·ÂÎﬂ ÔËÚ‡ÌËﬂ ÇÒÚ‡‚¸ÚÂ Í‡·ÂÎ¸: Ó‰ËÌ ÍÓÌÂˆ ‚ ‡Á˙ÂÏ AC INLET Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova, ‡ ‚ÚÓÓÈ ÍÓÌÂˆ ‚ ÒÚ‡Ì‰‡ÚÌÛ˛ ÒÚÂÌÌÛ˛ ÓÁÂÚÍÛ. Ç ÌÂÍÓÚÓ˚ı ÒÚ‡Ì‡ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í ÓÁÂÚÍ‡Ï Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚. 1 2 (‚Ë‰ ÒÌËÁÛ) (Ç ‡ÁÌ˚ı ÒÚ‡Ì‡ı ¯ÚÂÔÒÂÎ¸Ì˚Â ‚ËÎÍË ÓÚÎË˜‡˛ÚÒﬂ ÔÓ ÙÓÏÂ.) 2. ÇÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [POWER]. • á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ ÔËÚ‡ÌËﬂ, ‡ÒÔÓÎÓÊÂÌÌ˚È ‚ ÎÂ‚ÓÏ ÍÓÌˆÂ ÍÎ‡‚Ë‡ÚÛ˚.
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ç‡Û¯ÌËÍË èÓ‰ÒÓÂ‰ËÌËÚÂ Ì‡Û¯ÌËÍË Í Ó‰ÌÓÏÛ ËÁ ‡Á˙ÂÏÓ‚ [PHONES] (ç‡Û¯ÌËÍË). ç‡ ËÌÒÚÛÏÂÌÚÂ ÂÒÚ¸ ‰‚‡ ‡Á˙ÂÏ‡ [PHONES]. åÓÊÌÓ ÔÓ‰ÒÓÂ‰ËÌËÚ¸ ‰‚‡ ÍÓÏÔÎÂÍÚ‡ ÒÚ‡Ì‰‡ÚÌ˚ı ÒÚÂÂÓÌ‡Û¯ÌËÍÓ‚. (ÖÒÎË ËÒÔÓÎ¸ÁÛÂÚÒﬂ Ó‰ËÌ ÍÓÏÔÎÂÍÚ Ì‡Û¯ÌËÍÓ‚, Â„Ó ÏÓÊÌÓ ÔÓ‰ÒÓÂ‰ËÌËÚ¸ Í Î˛·ÓÏÛ ‡Á˙ÂÏÛ.) MASTRE VOLUME MIN MAX DEMO METRONOME VOICE ‚Ë‰ ÒÌËÁÛ PHONES ÔÓ‰ÍÎ˛˜ÂÌËÂ ÒÚ‡Ì‰‡ ÚÌ˚ı ÒÚÂ ÂÓÌ‡Û¯ÌËÍÓ‚ àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Í ˛˜Í‡ ‰Îﬂ Ì‡Û¯ÌËÍÓ‚ ÇçàåÄçàÖ! çÂ ‚Â¯‡ÈÚÂ Ì‡ ˝ÚÓÚ Í ˛˜ÓÍ ÌË˜Â„Ó, Í ÓÏÂ Ì‡Û¯ÌËÍÓ‚.
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ëÔ ‡‚Ó˜ÌËÍ ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó Ì‡ÒÚÓÈÍÂ ‡ÁÎË˜Ì˚ı ÙÛÌÍˆËÈ ËÌÒÚÛÏÂÌÚ‡. äÓÏÔÓÌÂÌÚ˚ ...........................................................14 èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ...........15 èÓÒÎÛ¯Ë‚‡ÌËÂ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ .............................................................16 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚ .......................17 Ç˚·Ó ÚÂÏ·Ó‚ ...................................................... 17 àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ô‡‚ÓÈ ÔÂ‰‡ÎË...........................
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äÓÏÔÓÌÂÌÚ˚ ÇÂ ıÌﬂﬂ Ô‡ÌÂÎ¸ (CLP-110) 6 8 7 MIDI PHONES DAMPER PEDAL THRU OUT IN MASTER VOLUME MIN MAX POWER DEMO METRONOME 1 VOICE A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7 MASTER VOLUME 2 MIN MAX DEMO METRONOME 9 3 4 VOICE 5 1 2 3 4 5 14 CLP-110 [POWER]....................................................... 11 [MASTER VOLUME ......................................
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èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ÑÂÏÓÌÒÚ ‡ˆËÓÌÌ˚Â ÔÂÒÌË ÔÓÏÓ„ÛÚ ÎÛ˜¯Â ÛÁÌ‡Ú¸ ‚ÓÁÏÓÊÌÓÒÚË ÚÂÏ· Ó‚ ˆËÙ Ó‚Ó„Ó ÔË‡ÌËÌÓ CLP-110. ÑÂÈÒÚ‚Ëﬂ 1. ÇÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ (ÖÒÎË ÔËÚ‡ÌËÂ ‚˚ÍÎ˛˜ÂÌÓ.) ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [POWER]. ç‡˜‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚÂ ÓÔÚËÏ‡Î¸ÌÛ˛ „ÓÏÍÓÒÚ¸ Â„ÛÎﬂÚÓÓÏ [MASTER VOLUME]. 2. ÇÍÎ˛˜ÂÌËÂ èêàåÖóÄçàÖ ÅÓÎÂÂ ÔÓ‰ Ó·Ì‡ﬂ ËÌÙÓ Ï‡ˆËﬂ Ó ı‡ ‡ÍÚÂ ËÒÚËÍ‡ı Í‡Ê‰Ó„Ó ÚÂÏ· ‡ ÒÓ‰Â ÊËÚÒﬂ ‚ ÒÔËÒÍÂ ÚÂÏ· Ó‚ Ì‡ ÒÚ . 17. ÂÊËÏ‡ ‰ÂÏÓÌÒÚ ‡ˆËË óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DEMO].
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èÓÒÎÛ¯Ë‚‡ÌËÂ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ Ç ËÌÒÚ ÛÏÂÌÚ Clavinova ‚ÒÚ ÓÂÌÓ 50 ÔÂÒÂÌ ‰Îﬂ ÙÓ ÚÂÔ¸ﬂÌÓ. åÓÊÌÓ Ô ÓÒÚÓ Ô ÓÒÎÛ¯‡Ú¸ ˝ÚË ÔÂÒÌË. åÓÊÌÓ Ú‡ÍÊÂ Ó· ‡ÚËÚ¸Òﬂ Í Ô ËÎ‡„‡ÂÏÓÏÛ Ò·Ó ÌËÍÛ «50 Greats for the Piano» Ò ÌÓÚ‡ÏË 50 ‚ÒÚ ÓÂÌÌ˚ı ÔÂÒÂÌ. ÑÂÈÒÚ‚Ëﬂ 1. ÇÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ ‚ÒÚ ÓÂÌÌ˚ı ÔÂÒÂÌ óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÂÊËÏ ÔÂÒÂÌ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DEMO]. á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ ÍÌÓÔÍË [DEMO]. 2.
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Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚ Ç˚·Ó ÚÂÏ·Ó‚ ÑÂÈÒÚ‚Ëﬂ óÚÓ·˚ ‚˚·‡Ú¸ Ë Á‡ÔÛÒÚËÚ¸ ÚÂÏ·, ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÂ [VOICE], Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÎ‡‚Ë¯ C1 – A1. ç‡˜‡‚ Ë„Û, Ì‡ÒÚÓÈÚÂ „ÓÏÍÓÒÚ¸ Â„ÛÎﬂÚÓÓÏ [MASTER VOLUME]. ä ëÇÖÑÖçàû óÚÓ·˚ ÔÓÌﬂÚ¸ ÓÒÓ·ÂÌÌÓÒÚË ‡ÁÎË˜Ì˚ı ÚÂÏ· Ó‚, ÏÓÊÌÓ Ô ÓÒÎÛ¯‡Ú¸ ‰ÂÏÓÌÒÚ ‡ˆËÓÌÌ˚Â ÔÂÒÌË ‰Îﬂ Í‡Ê‰Ó„Ó ËÁ ÌËı (ÒÚ . 15).
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ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË ùÚ‡ Ì‡ÒÚ ÓÈÍ‡ ÔÓÁ‚ÓÎﬂÂÚ ‚˚·Ë ‡Ú¸ ‡ÁÎË˜Ì˚Â ˝ÙÙÂÍÚ˚ ˆËÙ Ó‚ÓÈ Â‚Â ·Â ‡ˆËË, ÍÓÚÓ ˚Â ‰Ó·‡‚Îﬂ˛Ú Á‚ÛÍÛ „ÎÛ·ËÌÛ Ë ‚˚ ‡ÁËÚÂÎ¸ÌÓÒÚ¸, ÒÓÁ‰‡‚‡ﬂ Â‡ÎËÒÚË˜ÌÛ˛ ‡ÍÛÒÚË˜ÂÒÍÛ˛ Ò Â‰Û. ÑÂÈÒÚ‚Ëﬂ ÖÒÎË Â‚Â·Â‡ˆËﬂ ‚˚·‡Ì‡, ÓÌ‡ ‚ÍÎ˛˜‡ÂÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË. óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ Â‚Â·Â‡ˆËË, ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÂ [VOICE] Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÎ‡‚Ë¯ C2 – E2.
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ç‡ÎÓÊÂÌËÂ ÚÂÏ·Ó‚ (ÂÊËÏ Dual) ç‡ ‚ÒÂÈ ÍÎ‡‚Ë‡ÚÛ Â ÏÓÊÌÓ Ó‰ÌÓ‚ ÂÏÂÌÌÓ Ë„ ‡Ú¸ ‰‚ÛÏﬂ ÚÂÏ· ‡ÏË. ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ ËÏËÚË Ó‚‡Ú¸ ÏÂÎÓ‰Ë˜ÂÒÍËÈ ‰Û˝Ú ËÎË ÒÓ˜ÂÚ‡Ú¸ ‰‚‡ ÔÓıÓÊËı ÚÂÏ· ‡ ‰Îﬂ ÔÓÎÛ˜ÂÌËﬂ ·ÓÎÂÂ Ì‡Ò˚˘ÂÌÌÓ„Ó Á‚ÛÍ‡. ÑÂÈÒÚ‚Ëﬂ 1. ÇÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ Dual èË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÂ [VOICE] Ì‡ÊÏËÚÂ ‰‚Â ÍÎ‡‚Ë¯Ë ËÁ ÍÎ‡‚Ë¯ C1 – A1 Ó‰ÌÓ‚ÂÏÂÌÌÓ (ËÎË Ì‡ÊÏËÚÂ Ó‰ÌÛ ÍÎ‡‚Ë¯Û, Û‰ÂÊË‚‡ﬂ ‰Û„Û˛). ÑÓÒÚÛÔÌ˚Â ÚÂÏ·˚ ÛÍ‡Á‡Ì˚ ‚ ÒÔËÒÍÂ ÚÂÏ·Ó‚ Ì‡ ÒÚ. 17.
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í‡ÌÒÔÓÌËÓ‚‡ÌËÂ îÛÌÍˆËﬂ Ú ‡ÌÒÔÓÌË Ó‚‡ÌËﬂ ‚ ˆËÙ Ó‚ÓÏ ÔË‡ÌËÌÓ Clavinova ÔÓÁ‚ÓÎﬂÂÚ ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËÊ‡Ú¸ ‚˚ÒÓÚÛ Á‚ÛÍ‡ ‚ÒÂÈ ÍÎ‡‚Ë‡ÚÛ ˚ Ò ËÌÚÂ ‚‡ÎÓÏ ‡‚Ì˚Ï ÔÓÎÛÚÓÌÛ, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÎÂ„ÍÓ ÔÓ‰Ó· ‡Ú¸ ‚˚ÒÓÚÛ Á‚ÛÍ‡ ÍÎ‡‚Ë‡ÚÛ ˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰Ë‡Ô‡ÁÓÌÛ „ÓÎÓÒ‡ ÔÂ‚ˆ‡ ËÎË ‰ Û„Ëı ËÌÒÚ ÛÏÂÌÚÓ‚. ç‡Ô ËÏÂ , ÂÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ÂÎË˜ËÌÛ Ú ‡ÌÒÔÓÌË Ó‚‡ÌËﬂ Ì‡ 5, ÚÓ Ô Ë Ì‡Ê‡ÚËË Ì‡ ÍÎ‡‚Ë‡ÚÛ Â ÍÎ‡‚Ë¯Ë C (‰Ó) ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÌÓÚ‡ F (Ù‡).
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àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡ Ç ˆËÙ Ó‚ÓÂ ÔË‡ÌËÌÓ Clavinova ‚ÒÚ ÓÂÌ ÏÂÚ ÓÌÓÏ (ÛÒÚ ÓÈÒÚ‚Ó, Á‡‰‡˛˘ÂÂ ÚÂÏÔ), ˜ÚÓ Û‰Ó·ÌÓ ‰Îﬂ ÛÔ ‡ÊÌÂÌËÈ. ÑÂÈÒÚ‚Ëﬂ 1. á‡ÔÛÒÍ ÏÂÚ ÓÌÓÏ‡ óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÏÂÚÓÌÓÏ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [METRONOME]. á‡‰‡ÂÚ ˜‡ÒÚÓÚÛ ÒË„Ì‡Î‡ ÏÂÚ ÓÌÓÏ‡ èË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÂ [METRONOME] Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÎ‡‚Ë¯ C3 – F3. C3 D3 METRONOME èêàåÖóÄçàÖ ÇÓ ‚ ÂÏﬂ ‚ÓÒÔ ÓËÁ‚Â‰ÂÌËﬂ ‚ÒÚ ÓÂÌÌÓÈ ÔÂÒÌË ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‰‡ÌÌ˚ı ÔÂÒÌË ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÂÏÔ ÏÂÚ ÓÌÓÏ‡ ‚ ‰Ë‡Ô‡ÁÓÌÂ ÓÚ 20 ‰Ó 400 Û‰‡ Ó‚ ‚ ÏËÌÛÚÛ.
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ç‡ÒÚ ÓÈÍ‡ „ ÓÏÍÓÒÚË ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡ ÏÓÊÌÓ ÏÂÌﬂÚ¸. óÚÓ·˚ Á‡‰‡Ú¸ „ÓÏÍÓÒÚ¸, ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÂ [METRONOME] Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÎ‡‚Ë¯ C1 – G2. METRONOME ä ‡ÈÌﬂﬂ ÎÂ‚‡ﬂ ÍÎ‡‚Ë¯‡ C1 G2 óÂÏ Ô ‡‚ÂÂ ‡ÒÔÓÎÓÊÂÌ‡ ÍÎ‡‚Ë¯‡, ÚÂÏ ‚˚¯Â „ ÓÏÍÓÒÚ¸. 2. éÒÚ‡ÌÓ‚Í‡ ÏÂÚ ÓÌÓÏ‡ éÚÍÎ˛˜ËÚ¸ ÏÂÚÓÌÓÏ ÏÓÊÌÓ, Ì‡Ê‡‚ ÍÌÓÔÍÛ [METRONOME].
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é· ËÌÚÂÙÂÈÒÂ MIDI MIDI (ˆËÙ Ó‚ÓÈ ËÌÚÂ ÙÂÈÒ ‰Îﬂ ÏÛÁ˚Í‡Î¸Ì˚ı ËÌÒÚ ÛÏÂÌÚÓ‚) — ˝ÚÓ ÒÚ‡Ì‰‡ ÚÌ˚È ÙÓ Ï‡Ú ÔÂ Â‰‡˜Ë Ë Ô ËÂÏ‡ ‰‡ÌÌ˚ı. éÌ ÔÓÁ‚ÓÎﬂÂÚ ÔÂ ÂÏÂ˘‡Ú¸ ‡·Ó˜ËÂ ‰‡ÌÌ˚Â Ë ÍÓÏ‡Ì‰˚ ÏÂÊ‰Û MIDI-ÛÒÚ ÓÈÒÚ‚‡ÏË Ë ÔÂ ÒÓÌ‡Î¸Ì˚ÏË ÍÓÏÔ¸˛ÚÂ ‡ÏË. è Ë ÔÓÏÓ˘Ë MIDI-ËÌÚÂ ÙÂÈÒ‡ ÏÓÊÌÓ ÛÔ ‡‚ÎﬂÚ¸ MIDI-ÛÒÚ ÓÈÒÚ‚ÓÏ, ÔÓ‰ÍÎ˛˜ÂÌÌ˚Ï Í ÔË‡ÌËÌÓ Clavinova, ËÎË ÛÔ ‡‚ÎﬂÚ¸ ÔË‡ÌËÌÓ Clavinova Ò ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó MIDI-ÛÒÚ ÓÈÒÚ‚‡ ËÎË ÍÓÏÔ¸˛ÚÂ ‡.
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èÓ‰ÍÎ˛˜ÂÌËÂ ÍÓÏÔ¸˛ÚÂ‡ èÓ‰ÍÎ˛˜Ë‚ ÍÓÏÔ¸˛ÚÂ Í ‡Á˙ÂÏÛ MIDI, ÏÓÊÌÓ Ô ÓÒÎÛ¯Ë‚‡Ú¸ ÏÛÁ˚Í‡Î¸Ì˚Â ‰‡ÌÌ˚Â Ò ÌÂ„Ó Ì‡ ÔË‡ÌËÌÓ Clavinova. èêàåÖóÄçàÖ ÖÒÎË Clavinova ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ Ô ÓÒÎÛ¯Ë‚‡ÌËﬂ, ÚÓ ÚÂÏ· ˚, ÍÓÚÓ ˚ı ÌÂÚ Ì‡ ÔË‡ÌËÌÓ Clavinova, ·Û‰ÛÚ ËÒÍ‡Ê‡Ú¸Òﬂ.
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1. è Ë ÔÓÏÓ˘Ë MIDI-ËÌÚÂ ÙÂÈÒ‡ Ë MIDI- ‡Á˙ÂÏÓ‚ ˆËÙ Ó‚Ó„Ó ÔË‡ÌËÌÓ Clavinova èÓ‰ÍÎ˛˜ÂÌËÂ àÒÔÓÎ¸ÁÛÈÚÂ MIDI-ËÌÚÂ ÙÂÈÒ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ èä Í ÔË‡ÌËÌÓ Clavinova Ò ÔÓÏÓ˘¸˛ ÒÔÂˆË‡Î¸Ì˚ı MIDI-Í‡·ÂÎÂÈ. Clavinova MIDI THRU OUT IN MIDI IN MIDI OUT MIDI OUT MIDI OUT MIDI IN MIDI IN MIDI-ËÌÚÂ ÙÂÈÒ MIDI-ËÌÚÂ ÙÂÈÒ Windows Macintosh 2.
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îÛÌÍˆËË MIDI åÓÊÌÓ Á‡‰‡Ú¸ Ì‡ÒÚ ÓÈÍË MIDI-ËÌÚÂ ÙÂÈÒ‡. ÑÓÔÓÎÌËÚÂÎ¸ÌÛ˛ ËÌÙÓ Ï‡ˆË˛ Ó MIDI ‚˚ ÏÓÊÂÚÂ ÔÓÎÛ˜ËÚ¸ ‚ ‡Á‰ÂÎÂ é MIDI-ËÌÚÂ ÙÂÈÒÂ (ÒÚ . 23). Ç˚·Ó Í‡Ì‡Î‡ Ó·ÏÂÌ‡ MIDI-‰‡ÌÌ˚ÏË èË Ì‡ÒÚÓÈÍÂ ÛÔ‡‚ÎÂÌËﬂ MIDI-ËÌÚÂÙÂÈÒÓÏ ‰Îﬂ ÛÒÔÂ¯ÌÓÈ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı MIDI-Í‡Ì‡Î˚ ÔÂÂ‰‡˛˘Â„Ó Ë ÔËÌËÏ‡˛˘Â„Ó Ó·ÓÛ‰Ó‚‡ÌËﬂ ‰ÓÎÊÌ˚ ·˚Ú¸ ÔË‚Â‰ÂÌ˚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËÂ. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ ÛÍ‡Á‡Ú¸ Í‡Ì‡Î, ÔÓ ÍÓÚÓÓÏÛ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ·Û‰ÂÚ ÔÂÂ‰‡‚‡Ú¸ ËÎË ÔËÌËÏ‡Ú¸ MIDI-‰‡ÌÌ˚Â.
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îÛÌÍˆËﬂ ËÁÏÂÌÂÌËﬂ ÔÓ„‡ÏÏ˚ é·˚˜ÌÓ CLP-110 Â‡„ËÛÂÚ Ì‡ ÌÓÏÂ‡ ËÁÏÂÌÂÌËﬂ MIDI-ÔÓ„‡ÏÏ˚, ÔÓÎÛ˜ÂÌÌ˚Â Ò ‚ÌÂ¯ÌÂÈ ÍÎ‡‚Ë‡ÚÛ˚ ËÎË ÓÚ ‰Û„Ó„Ó MIDI-ÛÒÚÓÈÒÚ‚‡, ‚˚·Ë‡ﬂ ‰Îﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Í‡Ì‡Î‡ ÚÂÏ· Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂÓÏ (ÚÂÏ· Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÌÂ ËÁÏÂÌﬂÂÚÒﬂ). èË ‚˚·ÓÂ Ó‰ÌÓ„Ó ËÁ Ò‚ÓËı ÚÂÏ·Ó‚, ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CLP-110 Ó·˚˜ÌÓ ÔÂÂ‰‡ÂÚ ÌÓÏÂ ËÁÏÂÌÂÌËﬂ MIDI-ÔÓ„‡ÏÏ˚. ÖÒÎË ‚ÌÂ¯ÌÂÂ MIDI-ÛÒÚÓÈÒÚ‚Ó Ì‡ÒÚÓÂÌÓ Ì‡ ÔËÂÏ ‰‡ÌÌ˚ı, Ì‡ ÌÂÏ ·Û‰ÂÚ ‚˚·‡Ì ÚÂÏ· ËÎË ÔÓ„‡ÏÏ‡ Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂÓÏ.
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ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ è Ó·ÎÂÏ‡ ÇÓÁÏÓÊÌ˚Â Ô Ë˜ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ ‡ÌÂÌËﬂ Clavinova ÌÂ ‚ÍÎ˛˜‡ÂÚÒﬂ. Clavinova ÌÂÔ ‡‚ËÎ¸ÌÓ ÔÓ‰ÍÎ˛˜ÂÌ‡ Í ÓÁÂÚÍÂ. è Ó‚Â ¸ÚÂ ÔÓ‰ÍÎ˛˜ÂÌËÂ Í‡·ÂÎﬂ Í ‡Á˙ÂÏÛ Ì‡ Clavinova Ë Í ÓÁÂÚÍÂ (ÒÚ . 11). è Ë ‚ÍÎ˛˜ÂÌËË Ë ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ÒÎ˚¯Ì˚ ˘ÂÎ˜ÍË Ë ıÎÓÔÍË. í‡Í ‚ÒÂ„‰‡ Ô ÓËÒıÓ‰ËÚ Ô Ë ÔÓ‰‡˜Â Ë ÓÚÍÎ˛˜ÂÌËË ˝ÎÂÍÚ ÓÔËÚ‡ÌËﬂ. ëÎ˚¯ÂÌ ¯ÛÏ ËÁ ‰ËÌ‡ÏËÍÓ‚ ËÎË Ì‡Û¯ÌËÍÓ‚. òÛÏ ÏÓÊÂÚ ·˚Ú¸ ÒÎÂ‰ÒÚ‚ËÂÏ ÔÓÏÂı, ‚˚Á‚‡ÌÌ˚ı ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÏÓ·ËÎ¸ÌÓ„Ó ÚÂÎÂÙÓÌ‡ ‚ ÌÂÔÓÒ Â‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ Clavinova.
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ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚ ÇçàåÄçàÖ! • ÅÛ‰¸ÚÂ ‚ÌËÏ‡ÚÂÎ¸Ì˚: ÌÂ ÔÂ ÂÔÛÚ‡ÈÚÂ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒÚ‡Ì‡‚ÎË‚‡ÈÚÂ Ëı ‚ Ô ‡‚ËÎ¸ÌÓÏ Ì‡Ô ‡‚ÎÂÌËË. Ç˚ÔÓÎÌﬂÈÚÂ Ò·Ó ÍÛ ÒÓ„Î‡ÒÌÓ ÒÎÂ‰Û˛˘ÂÈ ËÌÒÚ ÛÍˆËË. • ÑÎﬂ Ò·Ó ÍË Ú Â·ÛÂÚÒﬂ ÌÂ ÏÂÌÂÂ ‰‚Ûı ˜ÂÎÓ‚ÂÍ. • àÒÔÓÎ¸ÁÛÈÚÂ ‚ËÌÚ˚ ÚÓÎ¸ÍÓ ÛÍ‡Á‡ÌÌÓ„Ó ‡ÁÏÂ ‡. àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ Û„Ëı ‚ËÌÚÓ‚ ÏÓÊÂÚ ÔÓ‚ Â‰ËÚ¸ ËÌÒÚ ÛÏÂÌÚ. • èÓÒÎÂ Á‡‚Â ¯ÂÌËﬂ Ò·Ó ÍË Í‡Ê‰ÓÈ ˜‡ÒÚË Á‡ÚﬂÌËÚÂ ‚ËÌÚ˚. • ÑÎﬂ ‡Á·Ó ÍË ËÌÒÚ ÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚÂ ËÌÒÚ ÛÍˆË˛ ‚ Ó· ‡ÚÌÓÏ ÔÓ ﬂ‰ÍÂ. èË„ÓÚÓ‚¸ÚÂ ÍÂÒÚÓ‚Û˛ (+) ÓÚ‚ÂÚÍÛ.
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3. ìÒÚ‡ÌÓ‚ËÚÂ ÒÂÎÂÍÚÓ Ì‡Ô ﬂÊÂÌËﬂ Ë ÔÓ‰ÒÓÂ‰ËÌËÚÂ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ. 220 240 110 127 ëÂÎÂÍÚÓ Ì‡Ô ﬂÊÂÌËﬂ ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ ÌÂ ‚Ó ‚ÒÂı Â„ËÓÌ‡ı. Ç ÌÂÍÓÚÓ˚ı Â„ËÓÌ‡ı ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ Ì‡ÔﬂÊÂÌËﬂ. èÂÊ‰Â ˜ÂÏ ÔÓ‰ÍÎ˛˜‡Ú¸ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ, ÔÓ‚Â¸ÚÂ, Ô‡‚ËÎ¸ÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ. ÑÎﬂ ÛÒÚ‡ÌÓ‚ÍË ÔÂÂÍÎ˛˜‡ÚÂÎﬂ Ì‡ 110, 127, 220 ËÎË 240 Ç Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚÂ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËÎ¸ÌÓÂ Ì‡ÔﬂÊÂÌËÂ ‰Îﬂ ‚‡¯Â„Ó Â„ËÓÌ‡ Ì‡ıÓ‰ËÎÓÒ¸ Ì‡ÔÓÚË‚ ÛÍ‡Á‡ÚÂÎﬂ Ì‡ Ô‡ÌÂÎË.
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èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸ 0–9 å 50 Greats for the Piano ...............................................16 50 ÔÂÒÂÌ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ ........................................16 ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË .................................................6–7 ç D DAMPER PEDAL..........................................14, 17, 30 DEMO......................................................................14, 15 M MASTER VOLUME ............................................11, 14 METRONOME .........................................
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Ñãü áÄåÖíéä 32 CLP-110 è Â‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸
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è ËÎÓÊÂÌËÂ This section introduces reference material. In diesem Abschnitt finden Sie Referenzmaterial. Cette section présente le matériel de référence. Ç ˝ÚÓÏ ‡Á‰ÂÎÂ ÒÓ‰ÂÊ‡ÚÒﬂ Ï‡ÚÂË‡Î˚, ÒÒ˚ÎÍË Ì‡ ÍÓÚÓ˚Â ÂÒÚ¸ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â. MIDI Data Format / MIDI-Datenformat / Format des données MIDI / îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı................. 34 í‡·ÎËˆ‡ Â‡ÎËÁ‡ˆËË MIDI / MIDI Implementierung stabelle / Feuille dimplantation MIDI / í‡·ÎËˆ‡ Â‡ÎËÁ‡ˆËË MIDI ..............................................................
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MIDI Data Format / MIDI-Datenformat / Format des données MIDI / îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computergener-ated MIDI messages, the data provided in this section can help you to control the CLP-110.
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4. PROGRAM CHANGE 6. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive) Data format: [CnH] -> [ppH] CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number CLP-110 Grand Piano 1 Grand Piano 2 E.Piano 1 E.Piano 2 Harpsichord 1 Harpsichord 2 Vibraphone Church Organ 1 Church Organ 2 Strings MSB 0 0 0 0 0 0 0 0 0 0 LSB 122 112 122 122 122 123 122 123 122 122 P.C.
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7. SYSTEM EXCLUSIVE MESSAGES (XG Standard) (1) XG Native Parameter Change Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [llH] -> [ddH] -> [F7H] F0H = Exclusive status 43H = YAMAHA ID 1nH = When received, n=0~F. When transmitted, n=0. 4CH = Model ID of XG hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | F7H = End of Exclusive Data size must match parameter size (2 or 4 bytes).

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MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) 00 00 00 4 020C - 05F4(*1) 01 02 03 04 1 05 1 06 1 7E 7F TOTAL SIZE 07 00 - 7F — 34 - 4C(*2) 00 00 Parameter MASTER TUNE MASTER VOLUME — TRANSPOSE XG SYSTEM ON RESET ALL PARAMETERS Description -50 - +50[cent] 1st bit 3 - 0 ➝ bit 15 - 12 2nd bit 3 - 0 ➝ bit 11 - 8 3rd bit 3 - 0 ➝ bit 7 - 4 4th bit 3 - 0 ➝ bit 3 - 0 0 - 127 Default value (H) 00 04 00 00 400 -12 - +12[semitones] 00=XG sytem ON 00=ON (receive only) 40 7F *1: V

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í‡·ÎËˆ‡ Â‡ÎËÁ‡ˆËË MIDI YAMAHA [Clavinova]Date: 18 January, 2002 í‡·ÎËˆ‡ Â‡ÎËÁ‡ˆËË MIDI Model: CLP-110 Function Transmitted Recognized BasicDefault ChannelChanged 1 1 - 16 1 1 - 16 Default ModeMessages Altered 3 X ***************** 1 X X Note Number: True voice 9 - 120 ***************** 0 - 127 0 - 127 VelocityNote ON Note OFF O 9nH, v=1 - 127 O 9nH, v=0 O 9nH, v=1 - 127 O 9nH, v=0 or 8nH AfterKeys TouchChs X X X X Pitch Bender X X Control Change0, 32 7 11 64 66 67 91 94 O O X O X X

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Specifications / Technische Daten / Caracteristiques techniques / íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË ùÎÂÏÂÌÚ CLP-110 äÎ‡‚Ë‡ÚÛ ‡ 88 ÍÎ‡‚Ë¯ (A-1 - C7) àÒÚÓ˜ÌËÍ Á‚ÛÍ‡ ëÚÂ ÂÓ Ò˝ÏÔÎË Ó‚‡ÌËÂ AWM Stereo Sampling èÓÎËÙÓÌËﬂ å‡ÍÒËÏÛÏ 32 ÌÓÚ˚ Ç˚·Ó ÚÂÏ· Ó‚ 10 ùÙÙÂÍÚ êÂ‚Â ·Â ‡ˆËﬂ É ÓÏÍÓÒÚ¸ é·˘‡ﬂ „ ÓÏÍÓÒÚ¸ ùÎÂÏÂÌÚ˚ ÛÔ ‡‚ÎÂÌËﬂ Dual, Metoronome, Transpose Pedal Damper ÑÂÏÓÌÒÚ ‡ˆËÓÌÌ˚Â ÔÂÒÌË 10 ‰ÂÏÓÌÒÚ ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ÚÂÏ· Ó‚, 50 ‚ÒÚ ÓÂÌÌ˚ı ÔÂÒÂÌ ÉÌÂÁ‰‡/ ‡Á˙ÂÏ˚ MIDI (IN/OUT/THRU), PHONES 2, DAMPER PEDAL éÒÌÓ‚Ì

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Ñãü áÄåÖíéä 40 CLP-110 è ËÎÓÊÂÌËÂ

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Ñãü áÄåÖíéä CLP-110 CLP-110 è ËÎÓÊÂÌËÂ 41

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Ñãü áÄåÖíéä 42 CLP-110 è ËÎÓÊÂÌËÂ

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IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1.

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FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.

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For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A.

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êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ èÂ Â‰ Ì‡˜‡ÎÓÏ ‡·ÓÚ˚ Ò ËÌÒÚ ÛÏÂÌÚÓÏ Ô Ó˜ËÚ‡ÈÚÂ ‡Á‰ÂÎ «åÂ ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË» Ì‡ ÒÚ . 6-7. ÇÄÜçé! ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡Ô ﬂÊÂÌËÂ ‚ ÓÁÂÚÍÂ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡Ô ﬂÊÂÌË˛, ÛÍ‡Á‡ÌÌÓÏÛ Ì‡ ËÌÒÚ ÛÏÂÌÚÂ. Ç ÌÂÍÓÚÓ ˚ı ÒÎÛ˜‡ﬂı ËÌÒÚ ÛÏÂÌÚ ÏÓÊÂÚ ·˚Ú¸ ÒÌ‡·ÊÂÌ ÔÂ ÂÍÎ˛˜‡ÚÂÎÂÏ Ì‡Ô ﬂÊÂÌËﬂ, ÍÓÚÓ ˚È ‡ÒÔÓÎÓÊÂÌ ﬂ‰ÓÏ Ò ÒÂÚÂ‚˚Ï Í‡·ÂÎÂÏ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÓÎÓÊÂÌËÂ ÔÂ ÂÍÎ˛˜‡ÚÂÎﬂ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡Ô ﬂÊÂÌË˛, ËÒÔÓÎ¸ÁÛÂÏÓÏÛ ‚ ‚‡¯ÂÏ Â„ËÓÌÂ. è Ë ÔÓÒÚ‡‚ÍÂ ÔÂ ÂÍÎ˛˜‡ÚÂÎ¸ Ì‡Ô ﬂÊÂÌËﬂ ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ Ì‡Ô ﬂÊÂÌËÂ 240 Ç.