DIGITAL MIXING CONSOLE CSD-R7 System Setup Guide EN
ATTENTION RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The above warning is located on the rear of the unit. ATTENTION : POUR RÉDUIRE LES RISQUES D'ÉLECTROCUTION, NE PAS RETIRER LE CAPOT (OU LE DOS). NE CONTIENT PAS DE PIÈCES NÉCESSITANT L'INTERVENTION DE L'UTILISATEUR. POUR TOUTE INTERVENTION, FAIRE APPEL À DES PROFESSIONNELS QUALIFIÉS.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
PA_en_8 1/3 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards.
PA_en_8 2/3 Location Backup battery • Do not place the device in an unstable position where it might accidentally fall over and cause injuries. • Do not replace the backup battery by yourself. Doing so may cause an explosion and/or damage to the device(s). If the backup battery power is fully depleted, contact your Yamaha dealer and have qualified Yamaha service personnel replace the backup battery. • Do not block the vents.
PA_en_8 3/3 Connectors • XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (–). This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste. For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your national legislation.
Contents Introduction ............................8 Quick Guide ...........................35 Main Features ................................... 8 Basic system configuration ............. 35 About manuals.................................. 8 Installing an optional card ............... 35 About utility software ........................ 9 Setting the Unit ID .......................... 36 Firmware updates ............................. 9 Connecting the devices ...................
Introduction Thank you for purchasing the Yamaha RIVAGE PM7 digital mixing system. This product is suitable for the use in a large-scale hall or event. This manual provides the information and procedures required for audio installation companies to plan and set up the audio system. It also describes the set-up procedure and basic operation for mixing engineers.
About utility software Accessories The RIVAGE PM7 system can be used with a variety of utility software. • AC Power Cords (×2) (The connector shape may vary depending on the sales area.) • Dust cover • Gooseneck Lamps LA1L (×4) • System Setup Guide (this book) • RIVAGE PM Editor This application software enables you to access the same functions that are available on a digital mixing console.
System Overview Introducing the devices The RIVAGE PM7 system consists of the following components: Digital mixing console I/O racks RPio622 RPio222 The control surfaces enable you to perform general operations on the RIVAGE PM7 system. The I/O racks input and output analog and digital audio signals. RY cards HY cards RY16-ML-SILK HY256-TL This is a 16-channel mic/line input card. It features SILK digital processing technology that has been co-developed by Rupert Neve Designs and Yamaha.
■ Normal situation TWINLANe network TWINLANe is Yamaha’s proprietary audio transfer network protocol. With this protocol, 400-channel digital audio and control signals can be transfered via a single cable simultaneously. To connect devices, first install a TWINLANe network card in an HY card slot of each device, then use fiber optic cables to connect the TWINLANe network cards in a ring network topology. Transferred data 400-channel audio signal and control signal Sampling frequency 44.
About Dante Dante is a network audio protocol developed by the Audinate. Within a Giga-bit Ethernet (GbE), Dante delivers multi-channel audio signals at various sampling frequencies and bit rates, as well as device control signals. About Connections There are two ways to connect the Rio to a Dante network. Please refer to the Operation Manual and other related documents for more information on how to set up and and connect your Dante-enabled devices.
Star Network NOTE In a star network, each device is connected to a central network switch. Using a GbE-compatible network switch enables you to configure a wide-band, large-scale network. We recommend a network switch that features various functions to control and monitor the network (such as Qos, the ability to assign priority to data flows - e.g., clock synchronization or audio transmission on certain data circuits.
Part Names & Functions Top panel A C D E B A Touch Screen section ➔ page 22 B Channel Strip section ➔ page 23 C Selected Channel section ➔ page 15 D UTILITY section ➔ page 19 E SCENE MEMORY section ➔ page 20 F USER DEFINED KEYS/KNOBS section ➔ page 21 14 RIVAGE PM7 System Setup Guide F B
Selected Channel section This section enables you to adjust parameters for the selected channel. 1 2 3 4 7 8 5 9 6 ) ! 1 [ISOLATE] key Switches Isolate on or off. The Isolate function enables you to protect the channel from any recall operations for scenes or libraries. Also, if the “isolated” channel belongs to any DCA, Mute group, or other category, the channel will be unaffected by the controls of that group. 2 [RCL SAFE] key Switches Recall Safe on or off.
7 [PAN/BAL] knob Sets the panning/balance of the signal sent to the stereo buses. @ [PASTE] key Pastes the copied channel parameter. 8 [Fn] (Function) key Executes the pre-assigned function. # Channel name display Indicates the channel number and name, fader value, etc. 9 [ON] key Switches the channel on or off. $ Channel color indicator Indicates the channel color. ) [FADER] knob Adjusts the channel fader level. % [INC]/[DEC] keys Switch channels to edit parameters.
EQUALIZER 2 1 3 5 1 EQUALIZER [1-4]/[(5-8)] keys Switch the EQ bands for which you want to make settings. Pressing both [1-4] and [5-8] keys simultaneously will set the gain for all bands to 0 (FLAT). 4 2 EQUALIZER [ON] key Switches EQ on or off. 7 3 EQUALIZER [SHELF] key Switches peaking filter to shelving filter. 4 EQUALIZER display Indicates parameters for each EQ band. 6 5 EQUALIZER [Q] knob Specifies the Q value. 6 EQUALIZER [FREQUENCY] knob Sets the frequency.
DYNAMICS 5 6 1 DYNAMICS 1/2 IN LEDs Indicates the Dynamics input level. 2 DYNAMICS 1/2 GR LEDs Indicates the amount of Dynamics gain reduction. 3 DYNAMICS 1/2 [<]/[>] keys Switch parameters that are indicated on the DYNAMICS display. 1 2 4 4 DYNAMICS 1/2 setting knobs Set parameters that are indicated on the DYNAMICS display. 5 DYNAMICS 1/2 display Indicates the Dynamics parameters. 3 6 DYNAMICS 1/2 [ON] key Switches Dynamics on or off.
UTILITY section ■ Supported USB flash drive format The FAT16 and FAT32 formats are supported. ■ Write Protection Some USB flash drives feature write protection that prevents data from being erased inadvertently. If your USB flash drive contains important data, we suggest that you use write protection to prevent accidental erasure. On the other hand, you will need to make sure that your USB flash drive’s write-protect setting is turned off before you save data onto the USB flash drive.
SCENE MEMORY section 1 [OVERLAY] key Press this button to display the OVERLAY SETTING screen. While pressing and holding down the [SHIFT] key, press the [OVERLAY] key to switch Overlay on or off. While Overlay is turned on, press and hold down the [OVERLAY] key to enter Overlay edit mode. 1 4 2 2 [UNDO] key Cancels the most recent scene operation of storing, recalling or updating a scene.
USER DEFINED KEYS/KNOBS section 1 USER DEFINED [A]/[B]/[C]/[D] BANK keys Select the bank ([A], [B], [C], or [D]) for the USER DEFINED knobs or USER DEFINED keys. 2 USER DEFINED KNOBS displays Indicate the functions assigned to the USER DEFINED knobs. 3 USER DEFINED KNOBS [1]/[2]/[3]/[4] Control the functions as assigned by the user. 4 USER DEFINED KEYS displays Indicate the functions assigned to the USER DEFINED keys. 5 USER DEFINED KEYS [1]-[12] Control the functions as assigned by the user.
Touch Screen section (Bay L, Bay C) Bay L Bay C Bay A “bay” consists of a group of 12 faders located across the Touch Screen section and the Channel Strip section. The CSD-R7 contains three bays. You can control these bays independently. Bay R 1 2 3 4 1 Touch screen This is a touch screen that you can operate by touching it with your finger to select menus or set parameters. Please note that you cannot operate the unit by touching multiple points simultaneously.
Channel Strip section (Bay L, Bay R, Bay C) 1 Screen encoder (Bay L and C only) Controls the knob currently selected on the touch screen. The knob function varies depending on the screen currently displayed. 1 2 3 4 5 6 7 2 Channel strip encoder Adjusts the gain, pan, and the other parameters of the channel. You can assign five parameter functions (selected from the following list) to this encoder, and use the [UP]/[DOWN] keys to select the function.
7 [ON] key Switches the channel on or off. If the channel is on, the key LED will light. In SENDS ON FADER mode, this key works as an on/off switch for signals sent from each channel to the currently-selected MIX/ MATRIX bus. 8 Channel name display Indicates the channel name, fader value, etc. 9 Channel color indicator Indicates the channel color. You can select the channel color from 11 options including OFF. ) Fader This is a touch-sensitive 100mm motorized fader.
1 2 3 4 1 PIN indicator Lights when the Pinning function for the [TOUCH AND TURN] knob is ON. (This feature will be supported by a future update.) 2 [TOUCH AND TURN] knob Controls the parameter of the knob you are touching on the touch screen. 5 3 Channel strip encoder display Indicates the function that has been assigned to the channel strip encoder. 6 4 UP [U]/DOWN [D] keys Enable you to select the function that you want to control using the channel strip encoder.
@ Layer Select [A]/[B]/[C]/[D]/[E]/[F] keys Enable you to select a layer.
Rear panel 9 ) 1 2 1 3 C ! @ # 4 1 C 7 8 1 6 5 F $ E % ^ D B * & ( A 1 LAMP jacks These four 4-pin female XLR output connectors are used to supply power to Yamaha LA1L gooseneck lamps supplied with the unit. (4 jacks) 2 MIDI OUT/IN jacks These connectors are used to transmit and receive MIDI messages to/from external MIDI devices. 3 GPI connector This is a D-sub 25-pin female connector that allows communication (8-in, 8-out) with a GPI-equipped external device.
9 NETWORK connector This RJ-45 connector enables you to connect an external device via an Ethernet cable (CAT5 or higher). NOTE ^ CONSOLE NETWORK connectors These RJ-45 connectors allow the unit to be connected to a console network in a ring topology via Ethernet cables (CAT5e or higher recommended). NOTE • Use an STP (Shielded Twisted Pair) cable to prevent electromagnetic interference.
C Vent The digital mixing console is equipped with cooling fans. These vents let warm air out from the unit. Please make sure that you do not block the vents with any object. D AC IN connectors Use these sockets to connect the supplied power cords. First connect the AC power cords to this unit, and then insert the power cord plugs into AC outlets. Insert the cable plugs all the way until they lock in place securely.
Power Supply Connecting to power sources 1. Turn off both power switches A and B on the unit. 2. Connect one of the supplied power cords to AC IN connector (A), and the other to AC IN connector (B). 3. Connect the other end of each power cord to an AC outlet of a different power source.
3. Align both edges of the card with the guide rails inside the slot, and then insert the card into the slot. Push the card all the way into the slot so that the connector at the end of the card is correctly inserted into the connector inside the slot. Installing an HY card 1. Make sure that the POWER indicator is turned off. Caution Installing or removing a card while the power is on may lead to component failure or electric shock. 2.
Push the card all the way into the slot so that the connector at the end of the card is correctly inserted into the connector inside the slot. Removing an HY Card 1. Make sure that the power indicator is turned off. Caution Installing or removing a card while the power is on may lead to component failure or electric shock. 4. Pull up the card installation lever to lock in the card. Make sure that the lever claw is securely locked under the bottom part of the slot.
Touch Screen List windows Windows similar to the following enable you to select items from a list, such as a list of [USER DEFINED] keys. Basic touch screen operations This section explains the basic procedures you can perform on the unit’s touch screens. Pressing the touch screen You will use this operation primarily to switch screens and pages, to select the parameter to be operated, and to turn a button on/off. Some buttons enable you to change the value depending on the location you press.
Popup windows Viewing a touch screen When you press a button or field for a specific parameter in a screen, a window showing details or a list for that parameter will appear. These are called “popup windows.” The following examples describe two types of screens displayed on the touch screens. ■ OVERVIEW screen This screen shows the main parameters of 12 channels selected as a layer. You can switch between popup windows using tabs as needed.
Quick Guide Installing an optional card HY card installation This section describes the basic setup procedure for the RIVAGE PM7 system. Install a TWINLANe network card into HY card slot 1 on both the digital mixing console and I/O rack. HY card slot 1 is used exclusively for a TWINLANe network card. Basic system configuration RY card installation Install an RY16-ML-SILK mic/line input card into RY card slot 1 on the I/O rack. Install an RY16-DA analog output card into RY card slot 2 on the I/O rack.
3. Align both edges of the card with the guide rails inside the slot, and then insert the card into the slot. Push the card all the way into the slot so that the connector at the end of the card is correctly inserted into the connector inside the slot. Setting the Unit ID You must set a unique ID for each device connected to the same network so that the system will identify the devices correctly. You can identify the Unit ID for each device on the LCD of the corresponding device.
7. The unit displays “DONE”, and automatically restarts. Audio I/O connections 1 Analog input connections RPio622 9. When the setting is complete, turn off the power to the devices. RY16-DA Perform the same procedure for other devices. Be sure to assign a unique Unit ID to each device. RY16-ML-SILK 8. Connect a microphone and/ or line level devices to the input jacks on the RY card (RY16-ML-SILK). NOTE In the default state, the input jacks are not patched to input ports.
Setting the word clock The entire system must synchronize to the same word clock. 1. 2. Press the WORD CLOCK button in the SETUP screen. On the DSP and I/O rack, you can select channels to be output to the TWINLANe network, and make settings to reserve certain bandwidth on the network. 1. Press the SYSTEM CONFIG button in the SETUP screen. 2. Press the DSP button. Select a clock source. The initial value is 96 kHz.
4. Press the channel select buttons to turn them on. For this example, select STA L and STA R. Channel select button Unselected Currently selected Already selected 5. To close the TWINLANe CONFIGURATION popup window, press the CLOSE button. The system will return to the SYSTEM CONFIG [DSP] popup window. 6. If you changed the channel assignments, press the APPLY button. The setting will be applied to the output from the DSP to the TWINLANe network. 7.
Patching the input ports This section explains how to patch an input channel to the input jack to which a microphone was connected in the “Connecting the devices” section. NOTE The PATCH screen displays the input/output jacks assigned to the TWINLANe network. 1. Press the PATCH button on the menu bar in the touch screen. The PATCH screen will appear. 2. Press the INPUT tab. 3. Use the knob in the upper-right corner to display the desired input jacks.
Patching the output ports This section explains how to patch output channels to the output jacks to which the speaker system has been connected in the “Connecting the devices” section. 5. Press the desired grid cell to patch a desired channel. For this example, press the grid cells on which the output jacks (M1/RY SLOT2/1,2) intersect with output channels (ST A L, R). NOTE The PATCH screen displays the input/output jacks assigned to the TWINLANe network. 1.
Setting the analog gain for HA (Head Amp) Sending an input channel signal to the STEREO bus This section explains how to set the analog gain for the HA (Head Amp) that was patched to the input channel in the “Patching input ports” section. This section explains how to route an input channel to the STEREO bus. 1. 2. 1. In the top panel’s Channel Strip section, press the [SEL] key for the input channel that you want to control. 2.
6. Raise the input channel fader to obtain an appropriate volume. In this state, you should hear sound from the speaker system patched to the STEREO A channel. If you don’t hear sound, watch the meter on the METER screen to see whether the meter is moving. If the input meter is not moving Make sure that signals are being routed correctly to the patched input channel.
Check list You can use the following list to check whether the basic connections for the RIVAGE PM7 system are working properly. Both power A and B for each device must be turned on. Make sure that two power cords are connected to each device and that both power switches A and B on each device are turned on. An HY card (HY256-TL) must be installed in HY card slot 1 on the rear panel and the I/O rack. An HY card does not work in card slots 2 and 3 on the rear panel.
Other Operations Initializing the unit to factory default settings If an error occurs in the unit’s internal memory, or if you forget the password and cannot operate the unit, you can use the following procedure to initialize the internal memory. NOTICE When you initialize the internal memory, all content that had been saved in memory will be lost.
If MOTOR DRIVE is selected: For the specified faders in the Channel Strip section and Master section, the motorized fader movement will be automatically calibrated. 46 5. Press the [SEL] key for each fader that you want to calibrate. Faders for which a problem was detected in the fader settings at start-up will already be selected. 6. Press the START button. The system starts optimizing the movement of the motorized faders. The corresponding [SEL] keys will flash during calibration.
Troubleshooting Please visit the Yamaha Pro Audio website for a list of frequently asked questions (FAQ). http://www.yamaha.com/proaudio/ Power does not turn on. ❍ Make sure that the power switches are turned ON. ❍ Make sure that the AC power cords are connected. ➥ If the power still does not turn on, contact your Yamaha dealer. The unit is not receiving an audio input signal. ❍ If you are using an optional card, make sure that it is installed properly. ❍ Make sure that the cables are connected properly.
Specifications General Specifications At the time of measurement, all faders are set to nominal. Output impedance of the signal generator is 150Ω. Frequency response Fs= 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz @20 Hz–20 kHz, reference to the nominal output level @1 kHz Inputs OMNI IN 1-8 Outputs OMNI OUT 1-8 RL 600Ω Conditions GAIN: +66 dB Min. Typ. Max. Unit –0.8 0.0 0.5 dB Min. Typ. Max. Unit 0.12 % Total harmonic distortion Fs= 44.1 kHz, 48 kHz, 88.
Crosstalk @1 kHz Fs= 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz from/to to/from Conditions Min. Typ. Max. Unit OMNI IN n OMNI IN (n-1) or (n+1) OMNI IN 1-8 adjacent inputs, GAIN: –6 dB –100 dB OMNI OUT n OMNI OUT (n-1) or (n+1) OMNI OUT 1-8, input to output –100 dB * A 22 kHz, 30 dB/octave low pass filter is used to measure crosstalk. Sampling frequency Conditions External Clock Frequency Range Fs= 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz *1 Internal clock Jitter of PLL DIGITAL IN Fs= 44.
Analog Input Characteristics*3*4*5 Input Level Input Jack Gain Input Impedance Source Impedance 10 kΩ 50-600Ω Mics & 600Ω Lines 10 kΩ 50-600Ω Mics & 600Ω Lines +66 dB OMNI IN 1-8 –6 dB +54 dB TALKBACK –6 dB *1. *2. *3. *4. *5. Sensitivity*1 Rated Level Max. Level Before Clipping –82 dBu (61.6μV) –62 dBu (0.616 mV) –42 dBu (6.16 mV) –10 dBu (245 mV) +10 dBu (2.45 V) +30 dBu (24.5 V) –70 dBu (245 μV) –50 dBu (2.45 mV) –30 dBu (24.5 mV) –10 dBu (245 mV) +10 dBu (2.45 V) +30 dBu (24.
Control I/O characteristics Terminal WORD CLOCK MIDI TC IN IN OUT Format Level — TTL/75Ω terminated Connector BNC — TTL/75Ω IN MIDI — DIN 5pin OUT MIDI — DIN 5pin SMPTE 0.3Vpp(min)/10.0Vpp(max), 10kΩ XLR-3-31 type*7 USB 2.0 Host USB USB A (Female) SMPTE USB 1-4 *1 RECORDING BNC USB 2.0 Host USB VIDEO OUT — DVI-D NETWORK IEEE802.3 10BASE-T/100BASE-TX etherCON CAT5*2 *3 NETWORK [PC] IEEE802.
Pin Assignment Table 3 13 2 1 4 25 16 15 14 M2.6 x 0.45 mm pitch GPI 52 1 3 2 LAMP Pin No. Signal Pin No. Signal Pin No. Signal 1 GPO1 14 GPO2 1 N.C. 2 GPO3 15 GPO4 2 N.C. 3 GPO5 16 GPO6 3 GND 4 +12V 4 GPO7 17 RLY_NC 5 RLY_C 18 RLY_NO 6 GND 19 GND 7 GND 20 OPTO- 8 OPTO+ 21 +5V 9 +5V 22 GPI1 10 GPI2 23 GPI3 11 GPI4 24 GPI5 12 GPI6 25 GPI7 13 N.C.
Dimensional Diagrams 848 417 1549 Unit: mm Approximate Munsell value of exterior color: N5 * The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then download the manual file.
Index C S Calibration.................................................................... 45 Channel strip encoder................................................. 23 Check list....................................................................... 44 F Screen encoder..............................................................23 Shutting down ..............................................................29 SILK................................................................................
MEMO RIVAGE PM7 System Setup Guide 55
ADDRESS LIST NETHERLANDS/BELGIUM/ LUXEMBOURG NORTH AMERICA CANADA Yamaha Music Europe Branch Benelux Clarissenhof 5b, 4133 AB Vianen, The Netherlands Tel: +31-347-358040 Yamaha Canada Music Ltd. 135 Milner Avenue, Toronto, Ontario, M1S 3R1, Canada Tel: +1-416-298-1311 FRANCE U.S.A. Yamaha Corporation of America 6600 Orangethorpe Avenue, Buena Park, CA 90620, U.S.A. Tel: +1-714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México, S.A. de C.V. Av. Insurgentes Sur 1647 Piso 9, Col.
Yamaha Pro Audio global website http://www.yamaha.com/proaudio/ Yamaha Downloads http://download.yamaha.
