Setting Up Appendix Reference Quick Guide DIGITAL KEYBOARD Owner’s Manual EN PSR-I400 Owner’s Manual 1
PSR-I400 Owner’s Manual
The model number, serial number, power requirements, etc., may be found on or near the name plate, which is at the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft. Model No. Serial No.
Table of Contents Setting Up Special Features ..............................................................5 Compatible Format and Functions ...................................8 About the Manuals ...........................................................9 Included Accessories .......................................................9 Setting Up Panel Controls and Terminals 10 Setting Up 12 Power Requirements......................................................
Setting Up Special Features Try playing the Riyaz feature! Page 23 This special feature lets you play Indian phrase patterns via the Tabla/Mridangam and Tanpura sounds, as if you were using the Tabla machine and Tanpura machine. Let’s enjoy the conventional Indian music via the panel buttons and Knobs.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe and handy place for future reference. Setting Up For the AC adaptor WARNING CAUTION • This AC adaptor is designed for use with only Yamaha electronic instruments. Do not use for any other purpose. • When setting up, make sure that the AC outlet is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch of the instrument and disconnect the AC adaptor from the outlet.
• If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns. are using batteries, remove all batteries from the instrument.) Then have the device inspected by Yamaha service personnel. - The power cord or plug becomes frayed or damaged. - It emits unusual smells or smoke.
NOTICE To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the notices below. Setting Up Handling • Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
About the Manuals Setting Up This instrument has the following documents and instructional materials. Included Documents Owner’s Manual (this book) • Setting Up Please read this section first. • Quick Guide This section explains how to use the basic functions. Refer to this section while playing the instrument. • Reference This section explains how to make detailed settings for the various functions of the instrument. • Appendix This section includes troubleshooting information and specifications.
Panel Controls and Terminals Setting Up Display (page 15) Front Panel Setting Up Harmnum1 001 t y u i q !2 e !0 o 001 !1 !3 r @3 w Front Panel q w e r t y u i o !0 10 [MASTER VOLUME] control ................Page 14 PITCH BEND wheel..............................Page 34 [ ] (Standby/On) switch ....................Page 14 LIVE CONTROL section [KNOB ASSIGN] button....................Page 21 [A] and [B] knobs .............................Page 21 [DEMO] button...................................
Panel Controls and Terminals Dial (page 14) Riyaz Pattern List (See the Data List on the website.) Setting Up Voice List (See the Data List on the website.) Style List (See the Data List on the website.) !4 !5 !6 !7 !8 @0 !9 @2 Song List (See the Data List on the website.) @1 “Press & Hold” symbol By holding down one of the buttons having this symbol, you can call up an alternate function, other than the one called up when simply pressing.
Setting Up Power Requirements Setting Up Although the instrument will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources. batteries). The Alkaline batteries or rechargeable NiMH batteries are recommended for this instrument, since other types may result in poorer battery performance.
Setting Up After installing the new batteries then turning the power on, make sure to set the Battery Type to Rechargeable type or not. For details, refer to page 50. NOTICE • Failure to set the Battery Type may shorten the amount of the battery life. Make sure to set the Battery Type correctly. Checking the power status on the display Power source on the display You can confirm the power source at the left corner of the display. Only one of these is shown.
Basic Operations Turning the Power On/Off Setting Up Turn down the MASTER VOLUME control to “MIN” then press the [ ] (Standby/On) switch to turn on the power. While playing the keyboard, adjust the MASTER VOLUME control. To turn off the power, press the [ ] (Standby/On) switch again for a second.
Display Items Power source status Indicates the source from which this instrument obtains power, AC adaptor or batteries. (Page 13) USB connection status Appears when USB Flash Drive is connected to this instrument. (Page 51) Setting Up The display shows all the current settings of the Song, Style, Riyaz, Voice and other related functions. Notation Normally this indicates the notes you play. When the Song Lesson function is used, this indicates the current notes and chord of playback.
Try Playing a Variety of Instrument Voices Quick Guide In addition to piano, organ, and other “standard” keyboard instruments, this instrument has a large range of Voices that includes guitar, bass, strings, sax, trumpet, drums and percussion, and even sound effects—giving you a wide variety of musical sounds. Selecting a Main Voice 1 Press the [VOICE] button. The Voice number and name will be shown.
Try Playing a Variety of Instrument Voices Layering a Dual Voice In addition to the Main Voice, you can layer a different Voice over the entire keyboard as a “Dual Voice.” 1 Press the [DUAL] button to turn Dual on. Shehnai 004 Playing a Split Voice in the Left Hand area By dividing the keyboard into the two separate areas, you can play a different Voice between the Left hand and Right hand areas. 1 Press the [SPLIT] button to turn on Split.
Try Playing a Variety of Instrument Voices Using the Metronome 2 The instrument features a built-in metronome (a device that keeps an accurate tempo), convenient for practicing. 1 NOTE Press the [METRONOME] button to start the metronome. • This parameter cannot be set during playback of a Style, Song or Riyaz. 3 2 Rotate the dial to select the number of beats per measure. A chime will sound on the first beat of each measure while the other beats will click.
Try Playing a Variety of Instrument Voices 3 Adding Harmony You can add harmony notes to the Main Voice. 1 Press the [HARMONY] button to turn Harmony on. Rotate the dial to select the desired Harmony Type. For details, refer to the Effect Type List in the Data List on the website. The effect and operation differs depending on the Harmony Type. Refer to the section below.
Creating Arpeggios The Arpeggio function lets you create arpeggios (broken chords) by simply pressing the notes of the chord. For example, you could play the notes of a triad—the root, third, and fifth—to trigger interesting phrases. This feature can be used for music production as well as performance. Triggering the Arpeggio 1 Press the [ARPEGGIO] button to turn on the Arpeggio function.
Creating Original Sounds via the LIVE CONTROL Knobs The two LIVE CONTROL Knobs located in the lower left area of the panel can be used to add variations to the sound being played, transforming the sound in a variety of musical ways. Select the desired pre-programmed effect combination printed above the LIVE CONTROL Knobs, then rotate the LIVE CONTROL Knobs to enjoy the sound.
Playing Styles This instrument includes the Auto Accompaniment feature that plays appropriate “Styles” (rhythm + bass + chord accompaniment). You can select from a huge variety of Styles covering a wide range of musical genres. 1 Press the [STYLE] button, then use the dial to select the desired Style. For the Style List, see the front panel or the Data List on the website. For information about chords, refer to “Chord List” (page 44) or use the Chord Dictionary function (page 45).
Playing the Riyaz This instrument provides 20 phrase patterns (consisting of several measures) using the authentic Tabla/Mridangam and Tanpura sounds with looped playback. By using the Riyaz function, try out the conventional Indian music—changing keys and creating dynamic sound variations by rotating the LIVE CONTROL Knobs. 1 Press the [RIYAZ] button, then use the dial to select the desired Riyaz pattern. For the Riyaz List, see the front panel or the Data List on the website. terns.
Playing Songs You can simply enjoy listening to the internal Songs, or use them with just about any of the functions, such as Lesson. Song Category The Songs are organized by category as listed below. In the Song Book on the website (page 9), music scores for the preset Songs (excluding the Demo Songs) are provided. Quick Guide • • • • • • • • • • Gives you an idea of the advanced capabilities of this instrument. Demonstrates many useful Voices of this instrument.
Playing Songs Song Fast Forward, Fast Reverse, and Pause Like the transport controls on an audio player, this instrument lets you fast forward [ ] (Fast Forward), rewind [ ] (Fast Reverse) and pause [ ] (PAUSE) playback of the Song. Fast Forward During playback, press this button to rapidly skip ahead to a later point in the Song. 3 When playback reaches to the point you want to specify as the end point, press the [ ] (A-B Repeat) button again to set the B point.
Using the Song Lesson Feature You can use the selected Song for a left-hand, right-hand, or both-hands lesson. Try practicing with these three Song Lesson types while referring to the music scores in the Song Book (page 9). Three Types of Song Lesson Practicing with Song Lesson 1 Lesson 1—Listen Select the desired Song for your lesson (page 24). NOTE In this Lesson, you need not play the keyboard. The model melody/chords of the part you selected will sound. Listen to it carefully and remember it well.
Using the Song Lesson Feature To stop Lesson playback, press the [START/ STOP] button. Even during playback, you can change the Lesson number by pressing the [LESSON] button. When Lesson playback reaches to the end, check your evaluation Grade on the display. “2 Timing” and “3 Waiting” will evaluate your performance in four levels: OK, Good, Very Good, or Excellent. If you want to practice a specific section in which you made a mistake or you have difficulty with use the Repeat & Learn function.
Recording Your Performance You can record up to 10 of your performances as User Songs. The recorded User Songs can be played back on the instrument. NOTE • The Riyaz performance cannot be recorded. 4 Track Structure of a Song Start recording. • When you press the [SONG] button in Step 2, play any note to start recording. Melody Tracks [1]–[5] The melody performance in the right-hand area of the keyboard will be recorded.
Recording Your Performance The operation here is useful especially when you want to record the additional performances to an already recorded Song. 1 Press the [SONG] button, then select the desired User Song (116–125) as the recording target. User 1 116 Song number 2 3 Same as in Steps 4 to 6 (page 28) in “Quick Recording.” NOTE • If the memory becomes full while recording, an alert message will appear and recording will stop automatically.
Recording Your Performance Clearing a User Song Clearing a Specified Track from a User Song You can clear all tracks of a User Song. 1 2 Press the [SONG] button, then select the User Song (111–120) to be cleared. While holding down the track [A] button, press the track [1] button for longer than a second. A confirmation message will appear on the display. Quick Guide Hold for longer than a second. This lets you clear individual tracks from a User Song.
Memorizing Your Favorite Panel Settings This instrument has a Registration Memory feature that lets you memorize your favorite settings for easy recall whenever they’re needed. Up to 32 complete setups can be saved (eight banks of four setups each). 8 Banks Memory 1 Memory 2 Memory 3 Memory 4 Up to 32 presets (eight banks of four each) can be memorized. 1 Make the desired settings such as those for Voice, Style, and Riyaz. NOTE • Data cannot be saved to the Registration Memory during Song playback.
Backup Parameters and Initialization Backup Parameters The following data will be maintained even if the power is turned off and can be transferred then saved to a computer via Musicsoft Downloader as a single Backup file. For instructions, refer to “Computerrelated Operations” (page 9). Initialization This function erases the Backup data described above and Song/Style data, then restores all the default factory settings. As required, execute one of the following two procedures.
Handy Performance Features Reference Selecting a Reverb Type Selecting a Chorus Type The Reverb effect lets you play with a rich concert hall type ambience. Although selecting a Style or Song will call up the optimum Reverb type for the entire sound, you can select a different Reverb type manually. The Chorus effect creates a thick sound that is similar to many of the same Voices being played in unison.
Handy Performance Features Pitch Controls—Transpose The overall pitch of the instrument (except for the Drum Kit Voices) can be shifted up or down by a maximum of 1 octave in semitone increments. 1 Press the [FUNCTION] button. 2 Use the CATEGORY [+] and [-] buttons to call up “Transpos” (Function 004). Pitch Controls—the PITCH BEND wheel The PITCH BEND wheel can be used to add smooth pitch variations to notes you play on the keyboard.
Handy Performance Features Changing the Touch Sensitivity of the Keyboard Selecting an EQ Setting for the Best Sound The keyboard of this instrument is equipped with a Touch Response feature that lets you dynamically and expressively control the level of the Voices according to your playing strength.
Voice Settings Selecting a Dual Voice 1 Voice Editing Hold down the [DUAL] button for longer than a second to call up “D.Voice” (Function 018). “D.VOICE” is shown for a few seconds, then the current Dual Voice appears. D.Voice For each of the Main, Dual and Split Voices, you can edit the parameters such as volume, octave and depth of the Reverb and Chorus, allowing you to create new, custom sounds that best suit your musical needs. 1 Press the [FUNCTION] button.
Parameters Assigned to the LIVE CONTROL Knobs This section describes each of the parameters which can be assigned to the LIVE CONTROL Knobs (page 21). z RIYAZ Knob A: BALANCE 1 Adjusts the volume balance between the sounds of Tabla/Mridangam 1 and 2. Knob B: BALANCE 2 Adjusts the volume balance between the sounds of Tabla/Mridangam and Tanpura. Knob B: RESONANCE Adjusts the amount of Resonance applied at the filter’s cutoff frequency.
Parameters Assigned to the LIVE CONTROL Knobs Knob B: RELEASE Adjusts the Release Time (the amount of time it takes for the sound to decay to silence after a key is released). Turning the Knob to the right will increase the Release Time, thus make a longer sustain. n STYLE FILTER Same as “ c FILTER.” These effects are applied only to Style or Riyaz playback. NOTE • These effects are applied only to the Main/Dual Voices played on the keyboard.
Arpeggio Settings Synchronizing an Arpeggio to Song/Style/Riyaz Playback— Arpeggio Quantize When you play the keyboard to trigger an Arpeggio (page 20) along with Song/Style/Riyaz playback, you’ll need to play the notes with correct timing to keep the Arpeggio in synchronization with the other playback tracks. However, your actual timing may be slightly ahead of or behind the beat (or both).
Styles (Auto Accompaniment) and Riyaz patterns Style Variations—Sections Each Style consists of “Sections” that allow you to vary the arrangement of the accompaniment to match the Song you are playing. INTRO MAIN A/B ENDING AUTO FILL INTRO This is used for the beginning of the Song. When the Intro finishes, Style playback shifts to the Main section. The length of the Intro (in measures) differs depending on the selected Style. MAIN This is used for playing the main part of the Song.
Styles (Auto Accompaniment) and Riyaz patterns Press the [INTRO/ENDING/rit.] button. 8 Press the [INTRO/ENDING/rit.] button. ENDING INTRO≥A Now, you’re ready to start Style playback from the Intro section. 6 Play a chord with your left hand to start playback of the Intro. For this example, play a C major chord (as shown below). For information on how to enter chords, see “Chords” on page 44. Split Point NOTE • Style numbers 035, 194, 206–218 have no rhythm parts, so no rhythm will play.
Styles (Auto Accompaniment) and Riyaz patterns Riyaz Variations Tap Start Each Riyaz features five Variations A–E via the Tabla/ Mridangam sound. These five variations can be alternated via the [A]–[E] buttons during playback, allowing you to add dynamic variations to the performance. You can start play back of the Riyaz, Style or Song by simply tapping the TEMPO [TAP] button at the required tempo—four times for time signatures in 4 (4/4, etc.), and three times for time signatures in 3 (3/ 4, etc.).
Styles (Auto Accompaniment) and Riyaz patterns Setting the Split Point The point on the keyboard that separates the left-hand range and the right-hand range of the keyboard is called the “Split Point.” When a Style is selected and ACMP is on, the notes played to the left of the Split Point are used to specify the chord for Style playback. When the Split function is on, the notes played to the left of the Split Point are used to play the Split Voice.
Styles (Auto Accompaniment) and Riyaz patterns Chord Types for Style Playback For users who are new to chords, this chart features common chords. Since there are many useful chords and many different ways to use them musically, refer to commercially available chord books for further details. indicates the root note.
Styles (Auto Accompaniment) and Riyaz patterns 2-2. Looking Up Chords Using the Chord Dictionary The Dictionary function is useful when you know the name of a certain chord and want to quickly learn how to play it. 1 Press the key labeled “M7” in the section between “CHORD TYPE ” and “ROOT.” The notes you should play for the specified chord (root note and chord type) are conveniently shown in the display, both as notation and in the keyboard diagram.
Song Settings BGM (Background Music) Playback With the default setting, pressing the [DEMO] button will play back only a few of the internal Songs repeatedly. This setting can be changed so that, for example, all internal Songs are played, or all Songs transferred to the instrument from a computer are played back, letting you use the instrument as a background music source. Five playback group settings are provided. Simply select the one that suits your needs.
Song Settings Tempo Setting of the Song This operation is same as that of the Style and Riyaz. Refer to page 42. Tap Start Melody Voice Setting of the Preset Song You can change the Melody Voice of the current Preset Song temporarily to any other desired Voice. 1 Press the [SONG] button, select the desired Preset Song, then start playback. 2 Press the [VOICE] button, then rotate the dial to select the desired Voice. This operation is same as that of the Style and Riyaz. Refer to page 42.
The Functions The “Functions” provide access to a range of detailed instrument parameters such as Tuning, Split Point, Voices and Effects. Take a look at the Function List (pages 48–50). When you find the desired Function you want to change, follow the instructions below. Basic Procedure in the Function Display 1 Find the desired item in the Function List on pages 48–50. 2 Press the [FUNCTION] button.
The Functions Function Number Function Display Range/Settings Default Value Description 015 Release Time M.Releas 000–127 64 Determines how fast the volume of the Main Voice falls to 0 when the note is released. The larger the value, the longer the sustain. The smaller the value, the shorter the sustain. 016 Filter Cutoff M.Cutoff 000–127 64 Determines the Filter Cutoff Frequency (page 37) of the Main Voice. 017 Filter Resonance M.Reso.
The Functions Function Number Function Display Range/Settings Default Value Description 045 Keyboard Out KbdOut ON/OFF ON Determines whether MIDI messages generated via keyboard performance are transmitted (ON) or not (OFF) from the [USB TO HOST] terminal. 046 Style Out StyleOut ON/OFF OFF Determines whether MIDI messages generated via Style playback are transmitted (ON) or not (OFF) from the [USB TO HOST] terminal.
USB Flash Drive Operations By connecting the USB Flash Drive device to the [USB TO DEVICE] terminal, you can save the data created on this instrument, such as User Song and parameter settings. The saved data can be recalled to this instrument again for the future use. IMPORTANT • It is recommended to use the AC adaptor when executing USB Flash Drive operations, since battery power may not be reliable enough to last through these crucial operations.
USB Flash Drive Operations Connecting a USB Flash Drive 1 2 Connect a USB Flash Drive to the [USB TO DEVICE] terminal, being careful to insert it with the proper orientation. Wait until “USB” appears on the left corner of the display. The “USB” indication confirms that the connected USB Flash Drive has been mounted or recognized. Harmnum1 4 Rotate the dial to call up the desired File Control function, then execute it. For details, refer to the table below.
USB Flash Drive Operations Formatting a USB Flash Drive The Format operation lets you prepare commercially available USB Flash Drive for use with this instrument is called “Format.” 1 2 Recognizable file location in the USB Flash Drive for Song playback (page 24) USB Flash Drive (Root) Song File Hold the [FUNCTION] button for longer than a second to call up the File Control display. Song File Use the CATEGORY [+] and [-] buttons to call up “Format?.” Can be selected/ played.
USB Flash Drive Operations Saving User Data to a USB Flash Drive 5 The following data created on this instrument comprise the “User Data.” • All 10 User Songs • Styles which have been transferred from a computer then loaded to Style numbers 219–223. NOTICE • The Save operation cannot be cancelled during execution. Never turn off the power or disconnect the USB Flash Drive during the operation. Doing so may result in data loss.
USB Flash Drive Operations Saving a User Song as SMF to a USB Flash Drive 5 A User Song can be converted to SMF (Standard MIDI File) format 0 and saved to a USB Flash Drive. SMF (Standard MIDI File) format With this format, various events via the keyboard performance such as note on/off and Voice selection will be recorded as MIDI data. The SMF Format 0 and Format 1 are available.
USB Flash Drive Operations Loading User Data from a USB Flash Drive A User data (page 54) saved as a User file (.usr) to the USB Flash Drive can be loaded to this instrument. NOTICE • Loading a User file will overwrite and erase the existing data, including all 10 User Songs, Style data loaded to the Style numbers 219–223, and all the Registration Memory settings. Save important data you want to keep to a separate USB Flash Drive before loading a User file.
USB Flash Drive Operations 4 Style data created on another instrument or a computer can be loaded to the Style numbers 219–223, and you can play them like the internal preset Styles. The following two Load operations are available. Loading of a Style file (.sty) saved on the root directory on the USB Flash Drive Loading of a Style file (.
USB Flash Drive Operations Deleting a User File in the USB Flash Drive Deleting a SMF File in the USB Flash Drive User Files (.usr) in the root directory of the USB Flash Drive can be deleted. You can delete a SMF file that has been saved in the USB Flash Drive via the Save SMF operation (page 55). IMPORTANT • The User file (.usr) to be deleted should have been saved in the root directory of the USB Flash Drive. Files outside this folder cannot be recognized.
USB Flash Drive Operations To exit from the File Control display, press the [VOICE], [STYLE], [RIYAZ], [SONG], [FUNCTION], or [HARMONIUM/PIANO] button. You can also exit from the File Control function mode as follows: 1 Use the CATEGORY [+] and [-] buttons to call up “Exit?.” Exit? 2 Press the [0/EXECUTE] button to exit from the File Control display. Message Comment Can’t Use Indicates that the file control function is currently unavailable since the media is being accessed. Complet.
Troubleshooting Appendix Problem Possible Cause and Solution When the instrument is turned on or off, a popping sound is temporarily produced. This is normal and indicates that the instrument is receiving electrical power. When using a mobile phone, noise is produced Using a mobile phone in close proximity to the instrument may produce interference.
Specifications Keyboard Other Controllers Display Voices Effects Accompaniment Styles Dimensions (W x D x H) Weight Number of Keys Touch Response Pitch Bend Control Knobs Display Language Tone Generation Tone Generating Technology Polyphony Number of Polyphony (Max.
Index A E L AC Adaptor .............................. 9, 12 Accessories .................................... 9 ACMP ..................................... 22, 40 Arpeggio ................................. 20, 39 Arpeggio Quantize ................ 39, 49 Arpeggio Type ....................... 20, 49 Arpeggio Velocity ........................ 49 ATTACK ...................................... 37 Attack Time ..................... 37, 48, 49 Auto Accompaniment ................. 40 Auto Accompaniment range ......
Index R Raga Scale .................................... 24 Random ........................................ 46 Recording ..................................... 28 Registration Memory .................. 31 RELEASE .................................... 38 Release Time .......................... 38, 49 Repeat ........................................... 25 Repeat & Learn ............................ 27 RESONANCE ............................. 37 REVERB ...................................... 37 Reverb Depth .......
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. FRANCE NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Toronto, Ontario M1S 3R1, Canada Tel: +1-416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Avenue, Buena Park, CA 90620, U.S.A. Tel: +1-714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México, S.A. de C.V. Av. Insurgentes Sur 1647 Piso 9, Col.
