User’s Guide Manuel de référence Bedienungsanleitung Manual de uso 1 2 3 4 5 6 7 8 10 9 11 12 13 14 15 16 L R L ST IN R 2TR IN PAD 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN 0 10 LEVEL 0 10 LEVEL
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
i Brief Contents 1 Touring ProMix 01 . . . . . . . . . . . . . . . 1 2 User Interface . . . . . . . . . . . . . . . . . . 11 3 Mixer Functions . . . . . . . . . . . . . . . . 17 4 Auxiliaries and Effects . . . . . . . . . . . . 29 5 CUE . . . . . . . . . . . . . . . . . . . . . . . . . . 49 6 Groups and Pairs . . . . . . . . . . . . . . . 55 7 Scene Memories . . . . . . . . . . . . . . . . 61 8 Dynamics Processors . . . . . . . . . . . . 67 9 MIDI . . . . . . . . . . . . . . . . . . . . .
ii ProMix 01 User’s Guide
iii Full Contents 1 Touring ProMix 01 . . . . . . . . . . . . . . . 1 Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 ProMix 01 Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . 8 An Analog Mixer Analogy . . . . . . . . . . . . . . . . . . . . . . . . . . 9 2 User Interface . . . . . . . . . . . . . . . . . . 11 About the User Interface . . . . . . . . .
iv Storing Effects Programs . . . . . . . . . . . . . . . . . . . . . . . . . . Preset Effects Program Parameters . . . . . . . . . . . . . . . . . . SEND3 and SEND4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SEND3 and SEND4 Pre or Post . . . . . . . . . . . . . . . . . . . . SEND3-4 Stereo Pair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SEND3-4 Channel Pans & Balance . . . . . . . . . . . . . . . . . . SEND3-4 Output Balance . . . . . . . . . . . . . . . . . . . . . . . . .
v 9 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . 79 MIDI and ProMix 01 . . . . . . . . . . . . . . . . . . . . . . . . . . . . MIDI Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Program Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Control Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bulk Dump/Request . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Local ON/OFF . . . . . . . . . . . . . . . . . . . . .
vi MIDI Data Format . . . . . . . . . . . . . Add-16 1 General Items . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Transmission/Reception . . . . . . . . . . . . . . . . . . . . 3 Transmission Condition . . . . . . . . . . . . . . . . . . . . 4 Receive Condition . . . . . . . . . . . . . . . . . . . . . . . . . 5 Bulk Dump Request Format . . . . . . . . . . . . . . . . Button Number Table . . . . . . . . . . . . . . . . . . . . . . .
Touring ProMix 01 1 1 Touring ProMix 01 In this chapter... Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ProMix 01 Block Diagram . . . . . . . . . . . . . . . . . . . . . . An Analog Mixer Analogy . . . . . . . . . . . . . . . . . . . . . . .
2 Chapter 1: Touring ProMix 01 Top Panel 1 2 3 4 5 6 7 8 10 9 11 12 13 14 15 16 L R L ST IN 1 2 PAD 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN 0 10 LEVEL 0 10 LEVEL 1 2 3 4 5 6 7 8 9 1
Top Panel 3 1. PAD switches These switch the input Pad, which attenuates the input signal by 20 dB. See “Pad” on page 18 for more details. 2. GAIN controls These control the gain of the input preamp. See “Gain” on page 18 for more details. 3. LCD This is a 240 x 64 dot backlit graphic LCD and it displays the LCD functions and their parameter values graphically and numerically. 4. SCENE MEMORY buttons These buttons are used to select, store, and recall mix scenes.
4 Chapter 1: Touring ProMix 01 10.PHONES LEVEL control This is used to adjust the headphone output level. 11.MONITOR OUT LEVEL control This is used to adjust the monitor output level. 12.LCD Contrast control This is used to adjust the LCD contrast. Set it so that the LCD appears clear and easy to read. You may need to adjust it again when ProMix 01 warms up or when the LCD is viewed from a different height or angle. 13.
5 Rear Panel Rear Panel 1 3 2 4 PHANTOM MASTER CH1~8 ON OFF (+48V) –10dB R (UNBAL) L 2TR IN R +4dB (UNBAL) L 16 15 14 13 12 11 8 9 10 6 7 INPUT ST IN 5 4 2 3 1 (BAL) ANALOG DIGITAL POWER ON OFF R +4dB (UNBAL) L 4 +4dB (UNBAL) 3 L R R –10dB (UNBAL) L COAXIAL OUT IN +4dB (BAL) PHONES 5 MONITOR OUT 6 7 AUX SEND 8 STEREO OUT 9 REC OUT 0 MIDI A 1. PHANTOM MASTER switch This switch is used to turn the +48V DC phantom power ON and OFF.
6 Chapter 1: Touring ProMix 01 4. INPUT (BAL) Hot Ground 1 2 3 Cold Cold Ground Hot Input channels 1 through 8 have balanced XLR-3-31 type connectors for connecting microphones. The nominal input level is –60dB to +4dB. They are wired according to the IEC 268 standard: Pin 1–ground, pin 2–hot (+), and pin 3–cold (–). Phantom powering is available for condenser type microphones, and it is set using the PHANTOM MASTER switch. Input channels 9 through 16 have balanced phone jack connectors.
Rear Panel 7 9. STEREO OUT Ground 1 2 Hot 3 Cold These are balanced XLR-3-32 type connectors with a +4dB nominal output level. They are wired pin 1–ground, pin 2–hot (+), and pin 3–cold (–).They output the main stereo signals and can be connected to power amplifiers in sound reinforcement applications. Note: When the STEREO OUT XLRs are used with unbalanced connectors, their maximum output level is reduced by 6dB.
2TR IN L –10dB (UNBAL) R R L CH9–16 ST IN +4dB (UNBAL) INPUT (BAL) CH1–8 20dB OSCILLATOR INTERNAL EFFECT2 INTERNAL EFFECT 1 AD AD Same as CH 1–8 PAD AD GAIN HA 20dB PAD OFF PHANTOM MASTER (+48V) ON METER METER METER ø ø METER ø METER 3BAND PEQ 3BAND PEQ 3BAND PEQ 3BAND PEQ 3BAND PEQ 3BAND PEQ 3BAND PEQ LEVEL RTN2 FADER RTN1 FADER ON CUE CUE ON ST IN FADER ON CH FADER ON ON CUE CUE ST OUT DUAL PAN DUAL PAN SEND4 SEND3 SEND2 SEND1 DUAL PAN SEND4 SEND
ProMix 01 Block Diagram 9 An Analog Mixer Analogy If ProMix 01 had an analog mixer interface, it might look something like this. If you’re familiar with analog mixers, you may find this illustration reassuring, and the cross references will certainly help you locate information quickly. Remember that ProMix 01 offers a lot more than what’s shown below, i.e., scene memories, full MIDI control, two internal effects, three dynamics processors... Phantom kP.18 Pad kP.18 Phase kP.20 GAIN kP.
10 Chapter 1: Touring ProMix 01 ProMix 01 User’s Guide
User Interface 2 11 User Interface In this chapter... About the User Interface . . . . . . . . . . . . . . . . . . . . . . . LCD Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cursor Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PARAMETER Wheel . . . . . . . . . . . . . . . . . . . . . . . . . . ENTER Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SEL Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
12 Chapter 2: User Interface About the User Interface ProMix 01 user interface is straightforward and easy to use. It consists of a large backlit LCD display, four cursor buttons, a detented PARAMETER wheel, ENTER button, and the channel [SEL] buttons. Each of these are explained in detail in the following sections. Functions without dedicated controls are organized into LCD functions, which are selected using the function buttons to the left of the LCD.
Cursor Buttons 13 Cursor Buttons The cursor buttons are used to select parameters and options on the LCD. The selected parameter or option appears highlighted. Highlighted The [√] and [®] cursor buttons move the cursor left and right, and the [π] and [†] cursor buttons move the cursor up and down. Cursor buttons are also used to position the cursor in a name when naming mix scenes, user effects programs, user EQ programs, and user dynamics programs.
14 Chapter 2: User Interface SEL Buttons SEL The [SEL] buttons are used in conjunction with the LCD functions. To perform an action on a channel, first select it using a [SEL] button, then choose a function using the function buttons to the left of the LCD. This form of editing is similar to computer word processing. First, you select your text, then execute a function. The input channel, stereo input channel, and stereo output [SEL] buttons select their respective channels.
LCD Functions 15 LCD Functions ProMix 01 functions without dedicated controls are organized into LCD functions. They are selected using the function buttons to the left of the LCD. The name of the selected LCD function appears in the FUNCTION area of the display. The following table lists all LCD functions and explains what they do. LCD Function Description UTILITY Lists the utility functions: OSCILLATOR, SEND3, 4 CONFIGURATION, OUTPUT COMP PATCH POINT, MEMORY PROTECT, and BATTERY CHECK.
16 Chapter 2: User Interface ProMix 01 User’s Guide
Mixer Functions 3 17 Mixer Functions In this chapter... Phantom Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EQ . . . . . . . . . . . . . . . . . . .
18 Chapter 3: Mixer Functions Phantom Power PHANTOM MASTER CH1~8 ON OFF (+48V) Phantom power provides a +48V DC power source for condenser type microphones. It is applied to XLR input channels 1 through 8. The PHANTOM MASTER switch on the rear panel is used to turn it ON and OFF. Phantom power is applied simultaneously to all eight inputs. It cannot be set for individual inputs.
Metering 19 Metering 1. Press [METER]. The METER LCD function appears. 2. To turn the Peak Hold function ON and OFF, press [ENTER] or use the PARAMETER wheel. 3. Use the [√] [®] cursor buttons or press [ENTER] to switch between the two METER displays. CLIP 15 12 9 6 3 0 –6 –12 –18 –24 –40 R L Stereo output meters ProMix 01 features comprehensive signal level metering. Input channels, the stereo input channel, RTN1, RTN2, SEND3, and SEND4 are all metered using the METER LCD function.
20 Chapter 3: Mixer Functions Phase 1. Select a channel using the [SEL] buttons. 2. Press [PAN/∅]. The PHASE LCD function appears. If the PAN display appears, press [PAN/∅] again. The Phase function reverses the polarity of the hot and cold feeds in a balanced input (i.e. pins 2 and 3). The phase can be set for the input channels and stereo input channel. It can be used to compensate for incorrectly wired cables and connectors. It is also useful, for example, when a snare drum is miked top and bottom.
EQ 21 EQ 1. Select a channel using the [SEL] buttons. 2. Press [EQ LOW], [MID], or [HIGH]. The EQ LCD function appears. 3. Press [EQ LOW], [MID], or [HIGH] repeatedly to select the parameters for each band. You can also use the cursor buttons to select parameters. ProMix 01 EQ is three-band fully parametric, with variable Q, frequency, gain, and ON/OFF parameters. Initially the EQ is configured as a conventional three-band EQ, with shelving-type low and high and peaking-type mid.
22 Chapter 3: Mixer Functions EQ Library Recalling EQ Programs 1. Select a channel using the [SEL] buttons. 2. Press [LIBRARY]. The LIBRARY LCD function appears. 3. Use the PARAMETER wheel to select an EQ program. 4. Press [ENTER] to recall. The EQ program is recalled. Storing EQ Programs 1. Select STORE. 2. Use the PARAMETER wheel to select an EQ program. The EQ library is used to store EQ settings.
EQ Presets 23 EQ Presets Program # Program Name Description 1 RESET Reset the EQ (G = 0dB, F and Q = their initial values...same as mix scene 00). 2 LOUDNESS Same as loudness function on a hi-fi amp. Improves listening at low volume levels. 3 EQ DISCO Low and high boost for disco and dance. 4 EQ POPS Mid and high range emphasis for pop music. 5 EQ ROCK Low and high range emphasis for rock music. 6 EQ LIVE Low, Mid, and high emphasis for a live sound.
24 Chapter 3: Mixer Functions Program # Program Name Description 16 WOOD BASS Wooden bass EQ with low range emphasis. 17 ACOUSTIC GUITAR Acoustic guitar EQ with high range emphasis. 18 TRUMPET EQ for sustaining trumpet. 19 SAXOPHONE EQ for sustaining saxophone. 20 PIANO EQ for a natural piano sound. 21 MALE VOCAL Male vocal EQ with low and mid range emphasis. 22 FEMALE VOCAL Female vocal EQ with mid and high emphasis. 23 CHORUS EQ for male, female, or mixed chorus.
Faders 25 Faders ProMix 01 faders are motorized, which means that they can position themselves automatically. So all faders in a group or stereo pair move automatically when you move any fader in that group or stereo pair. Fader positions are stored in mix scenes, so when a mix scene is recalled the faders move automatically to their new positions. Fader positions are stored when ProMix 01 is powered OFF.
26 Chapter 3: Mixer Functions Pan and Balance 1. Select a channel using the [SEL] buttons. 2. Press [PAN/∅]. The PAN LCD function appears. If the PHASE display appears, press [PAN/∅] again. 3. Use the PARAMETER wheel to set the pan or balance. Other channels can be selected using the [SEL] buttons or cursor buttons. The PAN LCD function is used to pan and balance signals. Input channels, the stereo input channel, RTN1, and RTN2 can be panned, and the stereo output can be balanced.
Stereo-Pair Pans 27 Stereo-Pair Pans When input channels are paired, their pan controls appear as one dual-concentric control (i.e. one control inside the other), as shown below. Horizontal bars, at the bottom of the display, show the pan positions and values of the selected channel pair. When channels are paired using ST RESET, the odd channel is automatically panned hard-left and the even channel, hard-right. See “Pairing Channels” on page 58.
28 Chapter 3: Mixer Functions ProMix 01 User’s Guide
Auxiliaries and Effects 4 29 Auxiliaries and Effects In this chapter... About Auxiliaries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . About Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Preset Effects Programs . . . . . . . . . . . . . . . . . . . . . . . . Stereo Input Channel and Sends . . . . . . . . . . . . . . . . Applying Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sending a Channel Signal . . . . . . . . . . . . . . . . . . . . . .
30 Chapter 4: Auxiliaries and Effects About Auxiliaries ProMix 01 has four auxiliary sends: SEND1, SEND2, SEND3, and SEND4. And two auxiliary returns: RTN1 and RTN2. Auxiliary sends can be configured pre-fader or post-fader. SEND1 and SEND2 are used to feed the internal effects processors: Effect1 and Effect2. RTN1 and RTN2 are used to return the processed signals. SEND3 and SEND4 can be used to feed external effects processors, foldback amplifiers, or multitrack recording equipment.
Stereo Input Channel and Sends 31 Stereo Input Channel and Sends Input channels 1 through 16 handle only a single signal. The stereo input channel, however, handles two signals: left and right. So before feeding the stereo input signal to the SEND1, SEND2, SEND3, and SEND4 send level controls, the left and right signals are summed to form a mono L+R mix. When SEND3 and SEND4 are used as a stereo pair, however, only the stereo input signals feeding SEND1 and SEND2 are summed.
32 Chapter 4: Auxiliaries and Effects Sending a Channel Signal 1. Press [SEND1] or [SEND2]. The SEND1 or SEND2 LCD function appears. If you didn’t exit after your last effect edit, the EFFECT EDIT LCD function appears instead. The channel faders are now controlling channel-to-send levels and the RTN/SEND fader, the corresponding return (RTN1 or RTN2). Sending a channel signal via SEND1 or SEND2 is the first step to using effects.
Returning the Processed Signal 33 Returning the Processed Signal Returning the processed signal via RTN1 or RTN2 is the second step to using effects. As explained in the “Sending a Channel Signal” procedure on page 32, the processed signal can be returned into the mix just by raising the RTN/SEND fader. However, RTN1 and RTN2 also feature the following functions. Meters — See “Sending a Channel Signal” on page 32. Faders — these are used to set the level of processed signal that is fed into the mix.
34 Chapter 4: Auxiliaries and Effects Recalling Effects Programs 1. Press [SEND1] or [SEND2]. The SEND1 or SEND2 LCD function appears. If you didn’t exit after your last effect edit, the EFFECT EDIT LCD function appears instead. 2. Select RECALL. 3. Use the PARAMETER wheel to select a program. 4. Press [ENTER] to recall. The effects program is recalled. ! Remember that when a SEND button is pressed the faders control channel-to-send levels.
Editing Effects Programs 35 Editing Effects Programs 1. Press [SEND1] or [SEND2]. The SEND1 or SEND2 LCD function appears. If you didn’t exit after your last effect edit, the EFFECT EDIT LCD function appears instead. 2. Select EDIT. You can edit all effects programs, however, you can store only to user effects locations. So if you edit a preset program, you must store it as a user program. A typical Edit display is shown below.
36 Chapter 4: Auxiliaries and Effects Storing Effects Programs 1. Press [SEND1] or [SEND2]. The SEND1 or SEND2 LCD function appears. If you didn’t exit after your last effect edit, the EFFECT EDIT LCD function appears instead. 2. Select STORE and press [ENTER]. The PROGRAM NAME display appears. 3. Use the [√] [®] cursor buttons and PARAMETER wheel to name the effects program. There are 10 user effects programs (31–40) for you to store your own effects settings.
Preset Effects Program Parameters 37 Preset Effects Program Parameters Program 1—REVERB HALL 1 Simulates the reverb of a large concert hall. Parameter Setting Range Description Rev.time 2.8s 0.3–30.0s Reverb time. High Ratio 0.8 0.1–1.0 High frequency decay ratio. Diffusion 6 0–10 Reverb diffusion. Ini.Dly 40.0ms 0.1–200.0ms Initial delay between the direct sound and early reverb reflections. LPF 7.0kHz 1.0kHz–16.0kHz, THRU Low pass filter cutoff frequency.
38 Chapter 4: Auxiliaries and Effects Program 5—REVERB STAGE Similar to REVERB HALL, but brighter. You can create a live atmosphere by applying a little of this effect to the mix. Parameter Setting Rev.time 3.4s High Ratio 0.9 Diffusion 8 Ini.Dly 45.0ms LPF THRU HPF 70Hz Range Description Same as program 1 Same as program 1 Program 6—REVERB PLATE Simulates the reverb effect of a steel plate reverb system. Good with most sounds, especially vocals, drums, and percussion.
Preset Effects Program Parameters 39 Program 9—REV LIVE ROOM 1 Simulates the reverb of a live room. Reverb reflections are stronger than those of REVERB ROOM. Parameter Setting Rev.time 2.4s High Ratio 0.8 Diffusion 7 Ini.Dly 0.1ms LPF 7.0kHz HPF THRU Range Description Same as program 1 Same as program 1 Program 10—REV LIVE ROOM 2 A variation of program 9. Parameter Setting Rev.time 2.2s High Ratio 0.5 Diffusion 6 Ini.Dly 12.0ms LPF 4.
40 Chapter 4: Auxiliaries and Effects Program 13—FLANGE->REVERB Stereo flange followed by reverb. Parameter Setting Range Description Mod.Freq 1.4Hz 0.1–20.0Hz Flange modulation speed. Mod.Depth 22% 0–100% Flange modulation depth. The amount of modulation. FB.Gain +45% –99...+99% Feedback gain. The amount of processed signal fed back into the flanger. Mod.Dly 13.0ms 0.0–15.5ms Flange modulation delay. The delay time before modulation starts. Rev.time 2.4s 0.3–30.0s Reverb time.
Preset Effects Program Parameters 41 Program 16—CHORUS->DLY LCR Stereo chorus followed by a three-part (L-C-R) delay with feedback. Parameter Setting Range Description Mod.Freq 0.8Hz 0.1–20.0Hz Chorus modulation speed. Mod.Depth 24% 0–100% Chorus modulation depth. The amount of modulation. Mod.Dly 5.9ms 0.0–24.0ms Chorus modulation delay. The delay time before modulation starts. Dly(L) 26.4ms 0.1–618.0ms Left channel delay time. Right channel delay time. Dly(R) 33.2ms 0.1–618.
42 Chapter 4: Auxiliaries and Effects Program 20—ST.PITCH CHANGE Two-part stereo pitch shifter. Each part has independent pan parameter for stereo effects. Parameter Setting Range Description Pitch 0 –12...+12 Coarse pitch setting for pitch changers 1 and 2. Fine(1) +10 –50...+50 Fine pitch for pitch changer 1. Fine pitch for pitch changer 2. Fine(2) –10 –50...+50 Out.Lvl(1) +100 –100...+100 Output volume level for pitch changer 1. Out.Lvl(2) +100 –100...
Preset Effects Program Parameters 43 Program 23—CHORUS A stereo chorus. Produces a rich thickening effect. Good with guitar, bass, and strings. Parameter Setting Range Description Mod.Freq 0.6Hz 0.1–20.0Hz Modulation speed. AM Depth 49% 0–100% Amplitude modulation depth. The amount of amplitude modulation. PM Depth 35% 0–100% Pitch modulation depth. The amount of pitch modulation. Mod.Dly 12.1ms –99...+99% Modulation delay. The delay time before modulation starts.
44 Chapter 4: Auxiliaries and Effects Program 28—PHASING Stereo phaser. Similar to flange, but different. Good with guitar, strings, and other rich harmonic sounds. Parameter Setting Range Description Mod.Freq 0.5Hz 0.1–20.0Hz Modulation speed. Mod.Depth 58% 0–100% Modulation depth. The amount of modulation. FB.Gain +47% –99...+99% Feedback gain. The amount of processed signal fed back into the phaser. Phase Ofst 24 0–100 Phase offset. The amount that the signal phase is offset.
SEND3 and SEND4 45 SEND3 and SEND4 1. Press [SEND3] or [SEND4]. The SEND3 or SEND4 LCD function appears. The channel faders are now controlling channel-to-send levels and the RTN/SEND fader, the corresponding send (SEND3 or SEND4). 2. Raise the channel fader. 0dB is a good fader position to start with. You can always readjust later. For post-fader sends you must set the normal fader too. 3. Raise the RTN/SEND fader. The send signal is output and its level is metered on the LCD.
46 Chapter 4: Auxiliaries and Effects SEND3-4 Stereo Pair 1. Press [UTILITY]. The UTILITY menu appears. 2. Select SEND3, 4 CONFIGURATION and press [ENTER]. The SEND3, 4 CONFIGURATION LCD function appears. 3. To change the mode, press [ENTER] or use the PARAMETER wheel. 4. Select the SEND3-4 MODE parameter, then press [ENTER] or use the PARAMETER wheel to set it. 5. To exit this function and return to the UTILITY menu, select EXIT and press [ENTER], or just press [UTILITY]. The UTILITY menu reappears.
SEND3-4 Channel Pans & Balance 47 SEND3-4 Channel Pans & Balance In SEND3-4 Stereo mode, a SEND3-4 pan control is available on each input channel and a SEND3-4 balance control is available on the stereo input channel (ST IN). These controls appear on the SEND3-4 LCD function, shown below. After pressing either [SEND3] or [SEND4], press the [®] cursor button to access the SEND3-4 pan display. Alternatively, press the [SEND3] or [SEND4] button again. See “Pan and Balance” on page 26 for operation details.
48 Chapter 4: Auxiliaries and Effects SEND3-4 Block Diagram This block diagram shows what happens when SEND3 and SEND4 are configured as a stereo pair: Input channel SEND3 and SEND4 controls become a single control, and a SEND3-4 pan control appears. On the stereo input channel, a SEND3-4 balance control appears. The left signal feeds SEND3 and the right signal feeds SEND4. Levels are controlled together. On the SEND3-4 outputs, a SEND3-4 output balance control appears.
CUE 5 49 CUE In this chapter... About CUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CUE Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Group CUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Setting the CUE Mode . . . . . . . . . . . . . . . . . . . . . . . . . CUE Signal Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . CUE/2TR IN Switch . . . . . . . . . . . . . . . . . . . . . . . . . . CUE LCD Function Info . . . .
50 Chapter 5: CUE About CUE ProMix 01 CUE provides comprehensive monitoring of virtually all inputs and outputs. The CUE signal is output to the MONITOR OUTPUT and PHONES. Output levels are controlled using the MONITOR OUT LEVEL control and PHONES LEVEL control, respectively. CUE Modes There are three CUE modes: MIX, LAST CUE, and ST FIX. The following table shows how they work in relation to the LCD functions.
Setting the CUE Mode 51 Setting the CUE Mode 1. Press [CUE]. The CUE LCD function appears. 2. Use the PARAMETER wheel to select a CUE mode. CUE modes are set on the CUE LCD function, shown below. The name of the current CUE mode is highlighted. The PARAMETER wheel is used to select modes. When another mode is selected, its name flashes. If it is activated by pressing [ENTER], it stops flashing, appears highlighted, and becomes the current CUE mode. 3. Press [ENTER] to activate the selected mode.
52 Chapter 5: CUE CUE LCD Function Info As well as being used to set the CUE mode, the CUE LCD function displays various information about the currently selected channel. The exact information shown depends on the type of channel selected. CUE displays for each type of channel are shown below. Input Channel This is the CUE LCD function when an input channel is selected.
CUE LCD Function Info 53 Stereo Input Channel This is the CUE LCD function for the stereo input channel. ST IN ON/OFF SEND PRE/POST Group Phase Dual Pan ST IN selected CUE mode EQ ON/OFF EQ curve ST IN meters ST IN: ST IN-to-mix fader S1: ST IN-to-SEND1 fader S2: ST IN-to-SEND2 fader S3: ST IN-to-SEND3 fader S4: ST IN-to-SEND4 fader SEND3, SEND4 This is the CUE LCD function for SEND3 and SEND4.
54 Chapter 5: CUE RTN1, RTN2 This is the CUE LCD function for RTN1 and RTN2. RTN balance CUE mode RTN ON/OFF Selected RTN RTN-to-mix fader EQ ON/OFF EQ curve RTN meter Stereo Output This is the CUE LCD function for the stereo output.
Groups and Pairs 6 55 Groups and Pairs In this chapter... Grouping Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Listening to Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . Group Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . Pairing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pair Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . .
56 Chapter 6: Groups and Pairs Grouping Faders 1. Press [GROUP]. The GROUP LCD function appears. 2. Use the [π] [†] cursor buttons to select groups. 3. Use the [SEL] buttons to add and remove channels to and from groups. Stereo-pair channels are added and removed together. 4. To adjust an individual fader in a group, press [ENTER] to turn BAL ADJ ON, adjust the fader, then press [ENTER] again. Faders can be grouped for multiple fader control using one fader.
Group Block Diagram 57 Group Block Diagram This block diagram shows what happens when channels are grouped. Faders are linked for simultaneous control and the group CUE function is active. See “Listening to Groups” on page 56 for details about group CUE. Note that fader grouping works only for channel-to-mix faders, not channel-to-send faders.
58 Chapter 6: Groups and Pairs Pairing Channels 1. Press [PAIR]. The PAIR LCD function appears. 2. Press a [SEL] button or use the cursor buttons to select a channel pair. 3. Use the PARAMETER wheel to select an option. 4. Press [ENTER] to activate. Adjacent input channels can be paired for stereo operation. This makes it easy to work with stereo input signals, because you only have to adjust one channel to control both left and right signals. Up to eight stereo pairs are available.
Pair Block Diagram 59 Pair Block Diagram This block diagram shows what happens when adjacent input channels are paired: PHASE, EQ, COMP patch, faders, ON/OFF, CUE, SEND1, SEND2, SEND3, and SEND4 are linked for simultaneous control. The dotted lines show which channel functions are linked. The send PRE/POST switches are always linked.
60 Chapter 6: Groups and Pairs ProMix 01 User’s Guide
Scene Memories 7 61 Scene Memories In this chapter... What are Scene Memories? . . . . . . . . . . . . . . . . . . . . . What’s Stored in a Scene Memory? . . . . . . . . . . . . . . What is the Edit Buffer? . . . . . . . . . . . . . . . . . . . . . . . . Mix Scene 00 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Storing Mix Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . Recalling Mix Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . Protecting Scene Memories .
62 Chapter 7: Scene Memories What are Scene Memories? Scene memories are memory locations used to store mix scenes. A mix scene consists of all ProMix 01 mix settings. Up to 50 mix scenes can be stored and each can be named for easy identification. They can be stored and recalled manually using the [STORE] and [RECALL] buttons. They can be recalled using MIDI Program Changes from a computer, MIDI sequencer, or MIDI footswitch. See “Program Change” on page 82 for more details.
Storing Mix Scenes 63 Storing Mix Scenes 1. Press [STORE]. The MEMORY STORE LCD function appears. There are 50 scene memories, so you can store up to 50 mix scenes. More can be saved to a MIDI data filer. See “Bulk Dump/Request” on page 85. Mix scenes can be named for easy identification. 2. Use the [INC+] [DEC–] buttons to select a mix scene. Note: When a mix scene is stored, all data in the selected scene memory is overwritten. Be careful not to overwrite an important mix scene. 3.
64 Chapter 7: Scene Memories Recalling Mix Scenes 1. Press [RECALL]. The MEMORY RECALL LCD function appears. You can also go to the MEMORY LCD function by pressing the [INC+] [DEC–] buttons. 2. Use the [INC+] [DEC–] buttons or the PARAMETER wheel to select a mix scene. 3. Press [RECALL] to recall. The mix scene is recalled and its name and number appear in the MEMORY area of the display. Mix scenes are recalled using the [RECALL] button. They can also be recalled using MIDI Program Changes.
Protecting Scene Memories 65 Protecting Scene Memories 1. Press [UTILITY]. The UTILITY menu appears. 2. Select MEMORY PROTECT and press [ENTER]. The MEMORY PROTECT LCD function appears. 3. Select Scene Memories 01–25 or 26–50, then press [ENTER] or use the PARAMETER wheel to turn protect ON and OFF. You can protect stored mix scenes against accidental overwriting using this Memory Protect function.
66 Chapter 7: Scene Memories ProMix 01 User’s Guide
Dynamics Processors 8 67 Dynamics Processors In this chapter... ProMix 01 Dynamics Processors . . . . . . . . . . . . . . . . Preset Dynamics Programs . . . . . . . . . . . . . . . . . . . . . Processor Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patching in a Processor . . . . . . . . . . . . . . . . . . . . . . . . Dynamics Processor Meters . . . . . . . . . . . . . . . . . . . . Pre-Fader or Post-Fader Patches . . . . . . . . . . . . . . . . . Recalling a Dynamics Program . . .
68 Chapter 8: Dynamics Processors ProMix 01 Dynamics Processors ProMix 01 features three stereo dynamics processors, for compression, limiting, gating, and ducking. They can be patched into input channels, SEND3, SEND4, and the stereo outputs. Processor settings are organized as programs, and there are 10 preset programs (1–10) and 10 user programs (11–20) for you to store your own settings. Preset Dynamics Programs These are the preset dynamics programs.
Processor Types 69 Compressor parameters are: Threshold (–40...+18dB) — This determines the level of input signal required to trigger the compressor. Signals at a level below the threshold pass through unaffected. Signals at and above the threshold level are compressed by the amount specified using the Ratio parameter. The trigger signal is sourced using the KEY IN parameter.
70 Chapter 8: Dynamics Processors Gate A gate, or noise gate is essentially an audio switch used to mute signals below a set threshold level. It can be used to cut background noise picked up by open microphones, noise and hiss from guitar valve amps and effects pedals, and leakage between drum microphones. It also has many creative uses too. For example, gating a drum sound with a short decay time tightens up the sound.
Processor Types 71 Ducking Ducking is commonly used for voice-over applications, where the background music level is reduced automatically when an announcer speaks. Ducking is achieved by triggering a compressor with a different sound source. For example, a ducker is patched into the background music channel, and the KEY IN signal is sourced from the announcer’s microphone channel.
72 Chapter 8: Dynamics Processors Patching in a Processor 1. Press [COMP] repeatedly to select a processor: 1, 2, or 3. The COMP LCD function appears. If you didn’t exit after your last COMP edit, the COMP EDIT LCD function appears instead. 2. Use the cursor buttons to select the ON/OFF, PATCH, and KEYIN parameters and the PARAMETER wheel to set them. Dynamics processors can be patched into the input channels, SEND3, SEND4, and stereo output.
Dynamics Processor Meters 73 KEY IN — this is used to select the processor trigger source. (i.e. the signal that triggers, or activates the processor). The current setting is highlighted. Other settings flash when selected. Settings are activated by pressing [ENTER]. The options are: KEY IN Source SELF Same as PATCH CH1–CH16 An input channel: post-EQ, pre-fader SEND3 SEND3 SEND4 SEND4 ST-L Stereo output left channel ST-R Stereo output right channel Can be pre-fader or post-fader.
74 Chapter 8: Dynamics Processors Pre-Fader or Post-Fader Patches 1. Press [UTILITY]. The UTILITY menu appears. 2. Select OUTPUT COMP PATCH POINT and press [ENTER]. The OUTPUT COMP PATCH POINT LCD function appears. 3. Use the cursor buttons to select parameters and the [ENTER] button or PARAMETER wheel to set them. 4. To exit this function and return to the UTILITY menu, select EXIT and press [ENTER], or just press [UTILITY]. The UTILITY menu reappears.
Recalling a Dynamics Program 75 Recalling a Dynamics Program 1. Press [COMP] repeatedly to select a processor: 1, 2, or 3. The COMP LCD function appears. If you didn’t exit after your last COMP edit, the COMP EDIT LCD function appears instead. 2. Select RECALL. 3. Use the PARAMETER wheel to select a program. There are 10 preset programs (1–10) and 10 user programs (11–20). Shown below is the COMP LCD function. Setup parameters appear in the top part of the display.
76 Chapter 8: Dynamics Processors Editing a Dynamics Program 1. Press [COMP] repeatedly to select a processor: 1, 2, or 3. The COMP LCD function appears. If you didn’t exit after your last COMP edit, the COMP EDIT LCD function appears instead. 2. Select EDIT and press [ENTER]. The COMP EDIT LCD function appears. 3. Use the [π] [†] cursor buttons to select parameters and the PARAMETER wheel to set them. You can go to another LCD function and return to the COMP EDIT LCD function at any time.
Storing a Dynamics Program 77 Storing a Dynamics Program 1. Press [COMP] repeatedly to select a processor: 1, 2, or 3. The COMP LCD function appears. If you didn’t exit after your last COMP edit, the COMP EDIT LCD function appears instead. 2. Select STORE. 3. Use the PARAMETER wheel to select a program and press [ENTER]. The COMP NAME LCD function appears. There are 10 user dynamics programs (11–20) for you to store your own settings.
78 Chapter 8: Dynamics Processors Preset Dynamics Processor Parameters Type Program # Program Name Duck Parameters Threshold Ratio Attack Release Out Gain –40...+18dB 1:1–∞:1 0–120ms 0.1–6.0s –18...+18dB 1 TOTAL COMP Typical mix compression for adding punch and definition. 0dB 2:1 50ms 3.0s +1dB 2 RADIO COMP Typical FM radio compression. +6dB 4:1 18ms 5.0s +3dB 3 COMP FAST Fast attack compression to catch all signal transients. +2dB 4:1 5ms 2.
MIDI 9 79 MIDI In this chapter... MIDI and ProMix 01 . . . . . . . . . . . . . . . . . . . . . . . . . . MIDI Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Program Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Control Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bulk Dump/Request . . . . . . . . . . . . . . . . . . . . . . . . . . Local ON/OFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Memory Control Change Out . .
80 Chapter 9: MIDI MIDI and ProMix 01 OUT IN MIDI The true power of ProMix 01 can be realized with MIDI. Used in conjunction with a controlling computer or MIDI sequencer, mix scenes can be recalled automatically, providing snapshot mix automation. In addition, all mix parameters can be controlled in real time, providing dynamic mix automation. Various data, including mix scenes and the Edit Buffer, can be stored to a computer or MIDI data filer.
MIDI Setup 81 MIDI Setup 1. Press [MIDI]. The MIDI menu appears. The MIDI SETUP LCD function shown below is used to set basic MIDI parameters. 2. Select MIDI SETUP and press [ENTER]. The MIDI SETUP LCD function appears. 3. Use the cursor buttons to select parameters and the PARAMETER wheel to set them. Tx, Rx, OMNI, and ECHO parameters can also be set using [ENTER]. 4. To exit this function and return to the MIDI menu, select EXIT and press [ENTER], or just press [MIDI]. The MIDI menu reappears.
82 Chapter 9: MIDI Program Change 1. Press [MIDI]. The MIDI menu appears. 2. Select PROGRAM CHANGE ASSIGN and press [ENTER]. The PROGRAM CHANGE ASSIGN LCD function appears. 3. Use the cursor buttons to select Program Changes (PGM) and the PARAMETER wheel to assign mix scenes (MEM). 4. To exit this function and return to the MIDI menu, select EXIT and press [ENTER], or just press [MIDI]. The MIDI menu reappears.
Control Change 83 Control Change 1. Press [MIDI]. The MIDI menu appears. 2. Select CONTROL CHANGE ASSIGN and press [ENTER]. The CONTROL CHANGE ASSIGN LCD function appears. 3. With the cursor in the No./NAME column, use the PARAMETER wheel to scroll through the ProMix 01 parameters. 4. Use the cursor buttons to select the Bank and Control Change (No.) columns and the PARAMETER wheel to set them. 5. When the Bank or Control Change (No.
84 Chapter 9: MIDI Register — all Control Changes use the Tx Ch MIDI Channel, and Control Change #98 (Non-Registered Parameter LSB) is used to specify banks. To reset the Control Change assignments to their initial values, select RESET and press [ENTER]. An “Are your sure” message appears. Select YES to reset, NO to cancel, then press [ENTER] again.
Bulk Dump/Request 85 Bulk Dump/Request 1. Press [MIDI]. The MIDI menu appears. 2. Select BULK DUMP REQUEST and press [ENTER]. The BULK DUMP REQUEST LCD function appears. 3. Select MODE and press [ENTER] or use the PARAMETER wheel to select BULK DUMP or BULK REQUEST. The BULK DUMP/REQUEST LCD function has two operating modes: Bulk Dump and Bulk Request. Bulk Dump outputs the selected data as MIDI Bulk Dump data.
86 Chapter 9: MIDI Local ON/OFF 1. Press [MIDI]. The MIDI menu appears. 2. Select LOCAL ON/OFF and press [ENTER]. The LOCAL ON/OFF LCD function appears. 3. Press [ENTER] or use the PARAMETER wheel to turn LOCAL ON/OFF ON and OFF. 4. Use the cursor buttons to select the LOCAL ON/OFF parameter and the [ENTER] button to set it.
Memory Control Change Out 87 Memory Control Change Out 1. Press [MIDI]. The MIDI menu appears. 2. Select MEMORY CONTROL CHANGE OUT and press [ENTER]. The MEMORY CONTROL CHANGE OUT LCD function appears. The MEMORY CONTROL CHANGE OUT LCD function allows you to selectively output mix scene data as MIDI Control Change messages. This can be used to selectively update mix scene data on another ProMix 01 or a controlling computer. Shown below is the MEMORY CONTROL CHANGE OUT LCD function. 3.
88 Chapter 9: MIDI ProMix 01 User’s Guide
Other Functions 10 89 Other Functions In this chapter... Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . Checking the Battery . . . . . . . . . . . . . . . . . . . . . . . . . . ProMix 01 Initialization . . . . . . . . . . . . . . . . . . . . . . . Fader Calibration . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
90 Chapter 10: Other Functions Using the Oscillator 1. Press [UTILITY]. The UTILITY menu appears. 2. Select OSCILLATOR and press [ENTER]. The OSCILLATOR LCD function appears. 3. Assign the oscillator. 4. Turn the OSC ON. 5. Set the frequency (FREQ). 6. Set the level. 7. To exit this function and return to the UTILITY menu, select EXIT and press [ENTER], or just press [UTILITY]. ProMix 01 features a useful sine wave oscillator that can be assigned to SEND3, SEND4, and the stereo output.
Checking the Battery 91 Checking the Battery 1. Press [UTILITY]. The UTILITY menu appears. 2. Select BATTERY CHECK and press [ENTER]. The BATTERY CHECK LCD function appears. 3. To exit this function and return to the UTILITY menu, select EXIT and press [ENTER], or just press [UTILITY]. ProMix 01 uses a long-life battery to backup its RAM memory. The battery should last for up to five years, and you can check its condition using the BATTERY CHECK function.
92 Chapter 10: Other Functions ProMix 01 Initialization 1. Power OFF ProMix 01. 2. Press and hold down [STORE] and [INC+]. 3. Power ON ProMix 01. The message “Initializing Memory” appears. 4. When the “Initializing Memory” message disappears, release the buttons. When the faders return to their minimum positions, initialization is complete.
Troubleshooting 93 Troubleshooting Trouble Remedy Make sure that the ProMix 01 power cable is connected to an AC receptacle of the type marked on the rear panel. ProMix 01 cannot be powered ON. Make sure that the POWER switch is in the ON position. If installed, check the mains plug fuse. The signal phase sounds odd. Make sure that the PHASE LCD function is set correctly. Make sure that your balanced cables are wired correctly.
94 Troubleshooting ProMix 01 User’s Guide
Appendix 95 Appendix In this chapter... LCD Function Map . . . . . . . . . . . . . . . . . . . . . . . . . . . 96 Button Protector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Data Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98 Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100 ProMix 01 Compatible Products . . . . . . . . . . . . . . . 104 General Specifications . . . . . . . . . . . . . . . . . . . . . . . .
96 Appendix LCD Function Map UTILITY menu OSCILLATOR kP.90 SEND3, 4 CONFIGURATION kP.49 OUTPUT COMP PATCH POINT kP.74 MEMORY PROTECT kP.65 BATTERY CHECK kP.91 MIDI menu MIDI SETUP kP.81 PROGRAM CHANGE ASSIGN kP.82 CONTROL CHANGE ASSIGN kP.83 BULK DUMP/REQUEST kP.85 LOCAL ON/OFF kP.86 MEMORY CONTROL CHANGE OUT kP.87 MEMORY kP.63 GROUP kP.56 PAIR kP.58 METER kP.21 PAN/∅ kP.28 COMP kP.72 CUE kP.51 SEND1 kP.34 SEND2 kP.34 SEND3 kP.48 SEND4 kP.48 SEND3-4 kP.49 EQ kP.23 LIBRARY kP.
Button Protector 97 Button Protector If you find that your hand accidentally presses the ST OUT [ON] button when operating the PARAMETER wheel, affix the self-adhesive Button Protector as shown below.
98 Appendix Data Types Mix Scene Data Data Source Mix scene name ON/OFF buttons Details Eight characters CH1–16, ST IN, SEND3, SEND4, RTN1, RTN2, ST OUT ON/OFF Phase settings CH1–16, ST IN Normal/reverse EQ CH1–16, ST IN, RTN1, RTN2, ST OUT ON/OFF, frequency, gain, Q/shelf Pan CH1–16, ST IN, RTN1, RTN2. In SEND3-4 stereo mode: CH1–16-to-SEND3-4 33-position Balance ST OUT.
Data Types 99 Setup Memory Data MIDI Data Details Tx channel 1–16 Rx channel 1–16 Control Change mode Channel/register Control Change Tx ON/OFF Control Change Rx ON/OFF Control Change OMNI ON/OFF Control Change ECHO ON/OFF Program Change Tx ON/OFF Program Change Rx ON/OFF Program Change OMNI ON/OFF Program Change ECHO ON/OFF Bulk Tx ON/OFF Bulk Rx ON/OFF Bulk OMNI ON/OFF MIDI Tx interval 0–1sec (100ms steps) MIDI Local ON/OFF ON/OFF MIDI Local fader levels CH1–16 fader p
100 Appendix Error Messages ERROR! System Error[1] A fatal error has occurred. Initialize ProMix 01. See “ProMix 01 Initialization” on page 92. ERROR! System Error[2] A fatal error has occurred. Initialize ProMix 01. See “ProMix 01 Initialization” on page 92. ERROR! System Error[3] A fatal error has occurred. Initialize ProMix 01. See “ProMix 01 Initialization” on page 92. ERROR! System Error[4] A fatal error has occurred. Initialize ProMix 01. See “ProMix 01 Initialization” on page 92.
Error Messages 101 MIDI Parity Error A MIDI receive error has occurred. Check the transmission data and connecting cable. MIDI Framing Error A MIDI receive error has occurred. Check the transmission data and connecting cable. MIDI Over Run Error A MIDI receive error has occurred. Reduce the transmission data. SUB->MAIN CPU Parity Error An error has occurred while receiving fader data from the CPU. SUB->MAIN CPU Framing Error An error has occurred while receiving fader data from the CPU.
102 Appendix MAIN->SUB Over Run Error An error has occurred while receiving fader data from the CPU. WARNING! No battery. No battery is installed. Ask your Yamaha dealer to install one. WARNING! Low battery. Battery power is getting low. Ask your Yamaha dealer to install a new battery. Scene memory 00 is read only. Mix scene 00 is read only. Select another mix scene. Scene memories 01-25 are protected. Scene memories 1 through 25 are protected.
Error Messages 103 BULK Transmit(TX) OFF! Set BULK TX to ON on the MIDI SETUP LCD function, then try again. Control Change Transmit(TX) OFF! Set CONTROL TX to ON on the MIDI SETUP LCD function, then try again. Parameter not assigned. A parameter not assigned to a Control Change was found when trying to transmit mix scene data. Assign the parameter to a Control change, then try again. This COMP is still in use. A COMP is patched into the selected channel. Cancel the COMP patch, then try again.
104 Appendix ProMix 01 Compatible Products MFC1 MIDI Foot Controller The MFC1 is a MIDI foot controller that can transmit MIDI Program Change messages. This could be used with ProMix 01 for recalling mix scenes. With the addition of an optional FC7 Foot Controller and footswitch, the MFC1 can also transmit MIDI Control Change messages, which could be used for real-time ProMix 01 parameter control. QX3 MIDI Sequencer The QX3 is a dedicated 16-track MIDI sequencer.
General Specifications 105 General Specifications 20 Hz–20 kHz +1, –3 dB (@ +4 dB into 600 Ω) Less than 0.1% (20 Hz–20 kHz @ +14 dB into 600 Ω) 105dB typ. (ST IN to ST OUT AD/DA converters) –128dB Equivalent Input Noise Hum & Noise (20Hz–20kHz)* –88dB residual stereo output noise (ST OUT = OFF) Rs = 150 ohms. Input gain max. Input pad = 0dB. Input sensitivity = –60dB. –88dB (92dB S/N) stereo output (ST OUT fader nominal, CH faders min.
106 Appendix Input Specifications Input connection PAD *4 GAIN 0 –60 CH INPUT CH1–CH8 Actual load impedance 3k Ω 0 –16 For use with nominal 50–600 Ω mics & 600 Ω lines 20 0 CH INPUT CH9–CH16 –60 10k Ω 0 –16 50–600 Ω mics & 600 Ω lines 20 Input level Sensitivity *1 Nominal Max. before clip –72dB (194µV) –60dB (775µV) –40dB (7.75mV) –28dB (30.9mV) –16dB (123mV) +4dB (1.23V) –8dB (309mV) +4dB (1.23V) +24dB (12.3V) –72dB (194µV) –60dB (775µV) –40dB (7.75mV) –28dB (30.
Digital OUT & MIDI Specifications 107 Digital OUT & MIDI Specifications Output connection Format Level Mixer connector S/PDIF 0.5Vpk-pk/75 Ω RCA/phono MIDI IN MIDI — 5-pin DIN MIDI OUT MIDI — 5-pin DIN DIGITAL OUT (COAXIAL) Digital Out Channel Status Format Consumer Category AD converter Copy Prohibit No Emphasis No Type 2 Channel audio signal Clock Accuracy Level 2 (300 ppm) All specifications subject to change without notice.
108 Appendix ProMix 01 User’s Guide
Glossary 109 Glossary A/D converter — An electronic device that converts analog signals into digital signals. Aliasing — A type of signal distortion that occurs during A/D conversion if the sampling frequency is less than twice that of the highest audio frequency. A/D converters employ aliasing filters to filter out audio frequencies higher than half the sampling frequency. See also Nyquist Sampling Theorem. BGM (Background Music) — Music played in the background as a backdrop to a main event.
110 Glossary Dynamic mix automation — Mixdown automation where mix settings are adjusted in real time. Dynamic range — The difference between the loudest and quietest signal levels in a system. In an audio device, usually the difference between the maximum output level and the residual noise floor. In a digital system, the available dynamic range is determined by the data resolution, about 6dB per digital bit. Hence, a 16-bit system theoretically provides a 96dB dynamic range.
Glossary 111 Peaking — A type of EQ circuit used to cut and boost a band of frequencies. It produces a mountain-peak type response curve. The width of the frequency band is controlled by the Q parameter. Midband EQ is usually of the peaking type. Compare with Shelving. PCM — An abbreviation for Pulse Code Modulation. In the second part of the A/D conversion, the pulses derived using PAM are converted into binary data words using PCM. See also PAM. Q — The unit used to measure an EQ circuit’s selectivity.
112 Glossary Shelving — A type of EQ circuit used to cut and boost frequencies above or below a set frequency. It produces a shelf-looking response curve. High and low EQs are usually of the shelving type. ProMix 01 high and lows, however, can also be configured as peaking types. Compare with Peaking. Snapshot — See Mix scene. S/N (Signal to Noise ratio) — In an audio system, the difference between the nominal signal level and the residual noise floor, usually expressed as a ratio in decibels.
113 Index A/D converter 109 About auxiliaries 30 CUE 50 dynamics processors 68 effects 30 user interface 12 Aliasing 109 Analog mixer analogy 9 Attack compressor 69 ducker 71 gate 70 AUTO PAN 44 Auxiliaries about 30 and ST IN 31 CHORUS->REVERB 39 CLIP, metering 19 Coaxial, see Digital out COMP FAST 78 COMP HEAVY1 78 COMP HEAVY2 78 COMP SLOW 78 COMP, LCD function 72 COMP, see Dynamics processors Compatible Yamaha products 104 Compressor 68 Confidence monitoring 109 Contrast control, LCD 4 Control Change a
114 using 56 H High EQ 21 Hold ducker 71 gate 70 I IEC268, wiring standard 6 IEC958, digital format 109 IN, dynamics processors 73 Initialization 92 Input channel, CUE info 52 Interval time, Bulk Dump 85 K KARAOKE ECHO 1 41 KARAOKE ECHO 2 41 KEYIN, dynamics processors 73 L Last CUE, CUE mode 50 LCD contrast 4 display 12 LCD functions BATTERY CHECK 91 BULK DUMP/REQUEST 85 COMP 72 complete list 15 CONTROL CHANGE ASSIGN 83 CUE 51 EQ 21 GROUP 56 LIBRARY 22 LOCAL ON/OFF 86 map 96 MEMORY 63 MEMORY CONTROL CH
115 effects program parameters 37 effects programs 30 EQ programs 23 Program Change assigning 82 on/off 81 PROGRAM CHANGE ASSIGN, LCD function 82 ProMix 01 block diagram 8 initialization 92 rear panel 5 top panel 2 Protecting scene memories 65 Q Q setting 21 what is it? 111 Quantization 111 R RADIO COMP 78 RAM 111 Range ducker 71 gate 70 Ratio, compressor 69 Rear panel 5 REC OUT analog 7 digital 7 Recalling dynamics processors 75 effects programs 34 mix scenes 64 Receive channel, MIDI 81 Receive indicato
-190 -180 -170 -160 -150 -140 -130 -120 -110 -100 -90 -80 -70 -60 -50 -40 -30 -20 -10 +4 0 -210 -200 -190 -180 -170 -160 -150 -140 -130 -120 -110 -100 -90 -80 -70 -60 -50 -40 -30 -20 -10 0 +10 dB dB +24 +20 Analog 36 35 34 33 32 31 30 29 28 27 26 25 24 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 0 Bit Digital Gain max Gain min Gain Analog Pad AD DC Cut Digital Meter RTN1, 2 Phase EQ Patch ON/OFF
Add-2 ProMix 01 Dimensions 308 64.4 430 W: 435 ProMix 01 User’s Guide D: 487.4 8 395 110.1 27.8 H: 124.
Add-3 Optional Rack-Mount Ears Optional Wooden Side Panels Use only the screws supplied Utilisez uniquement les vis fournies. Verwenden Sie ausschließlich die beiliegenden Schrauben. Use solamente los tornillos proporcionados.
Add-4 Mix Scene to Program Change Assignment Table Program Change # Initial Mix Scene # 1 Program Change # Initial Mix Scene # Program Change # Initial Mix Scene # 1 44 44 87 — 2 2 3 3 45 45 88 — 46 46 89 4 — 4 47 47 90 — 5 5 48 48 91 — 6 6 49 49 92 — 7 7 50 50 93 — 8 8 51 — 94 — 9 9 52 — 95 — 10 10 53 — 96 — 11 11 54 — 97 — 12 12 55 — 98 — 13 13 56 — 99 — 14 14 57 — 100 — 15 15 58 — 101 — 16 16 59 — 102 —
Add-5 Control Change to Parameter Assignment Table Param # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 Initial Setup Control Bank Change # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 0 ProMix 01 Parameter Channel Input 1 Level Channel Input 2 Level Channel Input 3 Level Channel Input 4 Level Channel Input 5 Level Channel Input 6 Lev
Add-6 Param # 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 Initial Setup Control Bank Change # 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 ProMix 01 User’s Guide 0 ProMix 01 Parameter Channel Input 4 Panpot Channel Input 5 Panpot Channel Input 6 Panpot Channel Input 7 Panpot Channel Input 8 Panpot Chan
Add-7 Param # 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 Initial Setup Control Bank Change # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 1 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 ProMix 01 Parameter Channel Input 12 to Effect Send 2 Level Channel Input 13 to Effect Send 2 Level Channel Input 14 to Effect Send 2 L
Add-8 Param # 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 Initial Setup Control Bank Change # 48 49 50 51 52 53 54 55 56 57 58 59 60 ----------------------83 84 85 86 87 88 89 90 91 92 93 94 95 ProMix 01 User’s Guide 1 -- 1 ProMix 01 Parameter Channel Input 5 to Send3/4 Panpot(Configuration=Stereo) Channel Input 6 to Send3/4 Panpot(Configuration=Stereo) Ch
Add-9 Param # 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 Initial Setup Control Bank Change # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 2 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 ProMix 01 Parameter Channel Input 14 Phase Channel Input 15 Phase Channel Input 16 Phase Stereo Input Phase Channel Input 1 Equaliz
Add-10 Param # 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 Initial Setup Control Bank Change # 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 ProMix 01 User’s Guide 2 ProMix 01 Parameter Channel Input 5 Low Equalizer Gain Channel Input 6 Low Equalizer Gain Channe
Add-11 Param # 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 Initial Setup Control Bank Change # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 3 25 26 27 28 29 30 31 32 23 24 25 26 27 38 39 40 41 42 43 44 45 46 47 48 ProMix 01 Parameter Channel Input 13 Mid Equalizer Frequency Channel Input 14 Mid Equalizer Frequency Channel Input 15 Mid
Add-12 Param # 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 Initial Setup Control Bank Change # 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 ProMix 01 User’s Guide 3 ProMix 01 Parameter Channel Input 2 High Equalizer Frequency Channel Input 3 High Equalizer Frequency C
Add-13 Param # 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 Initial Setup Control Bank Change # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 4 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 ProMix 01 Parameter Channel Input 9 High Equalizer Q/Shelf Channel Input 10 High Equalizer Q/Shelf Channel Input 11 High Eq
Add-14 Param # 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 Initial Setup Control Bank Change # 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 4 ProMix 01 Parameter Internal Effect 2 Parameter 4 Low Byte Internal Effect 2 Parameter 5 High Byte Internal Effect 2 Parameter
Add-15 Param # 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 Initial Setup Control Bank Change # 0 1 5 2 --4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 5 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 ProMix 01 Parameter Oscillator SEND3 Assign Oscillator SEND4 Assign Oscillator ST OUT Assign Cue mode MIX/L
Add-16 MIDI Data Format 1 General Items 1-1 This section describes the ProMix 01 MIDI specifications. 1-2 Electrical characteristics and signal specifications conform to the MIDI Standard 1.0. 2 Transmission/Reception ProMix 01 transmits and receives Program Change, Control Change, and System Exclusive messages. Real-time messages, Active Sensing, and MIDI Reset are received only. 2-1 Program Change Transmission Channel number (Tx Channel No.) is used for transmission.
Add-17 To derive the midway value of the internal data, the following calculation is used (MIDI midway value = 64). First, 128 (the maximum value used in MIDI) is divided by the internal Data Value (Panpot = 33) to obtain the MIDI data number equivalent to one internal data number. The internal Data Values for all parameters are given in the Control Change to Parameter Assignment tables. ex. Panpot: 128 / 33 = 3...
Add-18 3 Transmission Condition CONTROL TX CONTROL CHANGE $BnH ON PROGRAM TX PROGRAM CHANGE $CnH MIDI TX ON SYSTEM EXCLUSIVE BULK DUMP $F0H, $43H BULK TX MIDI OUT ON REQUEST $F0H, $43H ON CONTROL ECHO ON PROGRAM ECHO MIDI IN ON 4 Receive Condition CONTROL RX ON PROGRAM RX MIDI RX MIDI IN ON BULK RX CONTROL OMNI (REGISTER MODE ONLY) ON PROGRAM OMNI ON ON $BnH CONTROL CHANGE $CnH PROGRAM CHANGE SYSTEM EXCLUSIVE $F0H, $43H, $0nH BULK DUMP $F0H, $43H BULK REQUEST ON BULK OMNI ON CONTROL
Add-19 5 Bulk Dump Request Format 5-1 One Memory Mixing Program Bulk Dump Data Format STATUS ID No. SUB STATUS FORMAT No. BYTE COUNT(HIGH) BYTE COUNT(LOW) DATA NAME MEMORY NO.
Add-20 5-3 All Control Change Assignment Table Bulk Dump Data Format STATUS ID No. SUB STATUS FORMAT No. BYTE COUNT(HIGH) BYTE COUNT(LOW) DATA NAME MEMORY NO. DATA*1 CHECK SUM*2 EOX 11110000 01000011 0000xxxx 01111110 00010010 00001010 01001100 01001101 00100000 00100000 00111000 01000001 00110100 00110001 01000011 00100000 0xxxxxxx 0xxxxxxx : 0xxxxxxx 0xxxxxxx 0xxxxxxx 11110111 F0 43 0n 7E 12 0A 4C 4D 20 20 38 41 34 31 43 20 dsH dsL : deH deL ee F7 System Exclusive Message Manufacturer’s ID No.
Add-21 5-5 Backup Memory Bulk Dump Data Format STATUS ID No. SUB STATUS FORMAT No. BYTE COUNT(HIGH) BYTE COUNT(LOW) DATA NAME DATA*1 CHECK SUM*2 EOX 11110000 01000011 0000xxxx 01111110 00000001 00011010 01001100 01001101 00100000 00100000 00111000 01000001 00110100 00110001 01000010 00100000 0xxxxxxx 0xxxxxxx : 0xxxxxxx 0xxxxxxx 0xxxxxxx 11110111 F0 43 0n 7E 01 1A 4C 4D 20 20 38 41 34 31 42 20 dsH dsL : deH deL ee F7 System Exclusive Message Manufacturer’s ID No. (YAMAHA) n=0-15(Tx/Rx Channel No.
Add-22 5-7 Compressor User Memory Bulk Dump Data Format STATUS ID No. SUB STATUS FORMAT No. BYTE COUNT(HIGH) BYTE COUNT(LOW) DATA NAME MEMORY NO. DATA*1 CHECK SUM*2 EOX 11110000 01000011 0000xxxx 01111110 00000000 00110110 01001100 01001101 00100000 00100000 00111000 01000001 00110100 00110001 01001111 0xxxxxxx 0xxxxxxx 0xxxxxxx : 0xxxxxxx 0xxxxxxx 0xxxxxxx 11110111 F0 43 0n 7E 00 36 4C 4D 20 20 38 41 34 31 4F mm dsH dsL : deH deL ee F7 System Exclusive Message Manufacturer’s ID No.
Add-23 5-9 Key Remote Bulk Dump Data Format (Receive only) STATUS ID No. SUB STATUS FORMAT No. BYTE COUNT(HIGH) BYTE COUNT(LOW) DATA NAME MEMORY NO. DATA*1 CHECK SUM*2 EOX 11110000 01000011 0000xxxx 01111110 00000000 00001011 01001100 01001101 00100000 00100000 00111000 01000001 00110100 00110001 01001011 0xxxxxxx 0xxxxxxx 0xxxxxxx 11110111 F0 43 0n 7E 00 0B 4C 4D 20 20 38 41 34 31 4B Kn DT ee F7 System Exclusive Message Manufacturer’s ID No. (YAMAHA) n=0-15(Rx Channel No.
Add-24 5-11 One Memory Mixing Program Bulk Request Data Format STATUS ID No. SUB STATUS FORMAT No. DATA NAME MEMORY NO. 11110000 01000011 0010xxxx 01111110 01001100 01001101 00100000 00100000 00111000 01000001 00110100 00110001 01001101 0xxxxxxx F0 43 2n 7E 4C 4D 20 20 38 41 34 31 4D mm EOX 11110111 F7 System Exclusive Message Manufacturer’s ID No. (YAMAHA) n=0-15(Tx/Rx Channel No.) Universal Bulk Dump ‘L’ ‘M’ ‘ ‘ ‘ ‘ ‘8’ ‘A’ ‘4’ ‘1’ ‘M’ “mm=1(01h)-50(32h)...Scene Memory No.,” 127(7Fh)...
Add-25 5-14 Scene Memory Store Bulk Request Data Format*17 STATUS ID No. SUB STATUS FORMAT No. DATA NAME EOX 11110000 01000011 0010xxxx 01111110 01001100 01001101 00100000 00100000 00111000 01000001 00110100 00110001 01010111 00100000 11110111 F0 43 2n 7E 4C 4D 20 20 38 41 34 31 57 20 F7 System Exclusive Message Manufacturer’s ID No. (YAMAHA) n=0-15(Tx/Rx Channel No.) Universal Bulk Dump ‘L’ ‘M’ ‘ ‘ ‘ ‘ ‘8’ ‘A’ ‘4’ ‘1’ ‘W’ ‘ ‘ End Of Exclusive 5-15 All Data Bulk Request Data Format*18 STATUS ID No.
Add-26 5-17 Backup Memory Bulk Request Data Format STATUS ID No. SUB STATUS FORMAT No. DATA NAME EOX 11110000 01000011 0010xxxx 01111110 01001100 01001101 00100000 00100000 00111000 01000001 00110100 00110001 01000010 00100000 11110111 F0 43 2n 7E 4C 4D 20 20 38 41 34 31 42 20 F7 System Exclusive Message Manufacturer’s ID No. (YAMAHA) n=0-15(Rx Channel No.) Universal Bulk Dump ‘L’ ‘M’ ‘ ‘ ‘ ‘ ‘8’ ‘A’ ‘4’ ‘1’ ‘B’ ‘ ‘ End Of Exclusive 5-18 Effect User Memory Bulk Request Data Format STATUS ID No.
Add-27 5-20 Equalizer User Library Bulk Request Data Format STATUS ID No. SUB STATUS FORMAT No. DATA NAME MEMORY NO. EOX 11110000 01000011 0010xxxx 01111110 01001100 01001101 00100000 00100000 00111000 01000001 00110100 00110001 01010001 0xxxxxxx 11110111 F0 43 2n 7E 4C 4D 20 20 38 41 34 31 51 mm F7 System Exclusive Message Manufacturer’s ID No. (YAMAHA) n=0-15(Rx Channel No.) Universal Bulk Dump ‘L’ ‘M’ ‘ ‘ ‘ ‘ ‘8’ ‘A’ ‘4’ ‘1’ ‘Q’ “mm=1(00h)-20(13h)...Equalizer User Library No.
Add-28 Button Number Table Button # Button Name Button # Button Name #0 MEMORY STORE # 38 ST OUT SEL #1 MEMORY UP # 39 CH1 ON #2 UTILITY # 40 CH2 ON #3 MIDI # 41 CH3 ON #4 MEMORY RECALL # 42 CH4 ON #5 MEMORY DOWN # 43 CH5 ON #6 GROUP # 44 CH6 ON #7 PAIR # 45 CH7 ON #8 METER # 46 CH8 ON #9 PAN/PHASE # 47 CH9 ON # 10 COMP # 48 CH10 ON # 11 CUE # 49 CH11 ON # 12 SEND1 # 50 CH12 ON # 13 SEND2 # 51 CH13 ON # 14 SEND3 # 52 CH14 ON # 15 SEND4 # 53
Add-29 *1 How to calculate data format. For example, Internal Data: Ds,D1,D2,D3,...,Dx,...,De (Dx is 1 byte data). The data ranges between 00h and FFh. DxH = ASCII ((Dx/16) AND 0Fh) (Character code ‘0’ to ‘F’) DxL = ASCII (Dx AND 0Fh) (Character code ‘0’ to ‘F’) *2 Check sum.
YAMAHA [Digital Mixer] Date: 3 June 1994 Model: ProMix 01 MIDI Implementation Chart Function... Version: 1.
VS17170 IP 95 01 5000 AP Printed in Japan YAMAHA CORPORATION P.O.