DIGITAL MIXING CONSOLE PM5D / PM5D-RH Owner’s Manual
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
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PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/Power cord Water warning • Use only the specified power supply (PW800W or an equivalent recommended by Yamaha).
Connections Backup battery • Before connecting the device to other devices, turn off the power for all devices. Before turning the power on or off for all devices, set all volume levels to minimum. Handling caution • This device has a built-in backup battery. When you unplug the power cord from the AC outlet, the internal data of current scene is retained. However, if the backup battery fully discharges, this data will be lost.
Table of Contents — Operating section 1 Introduction ........................................ 10 Thank you................................................................... 10 An overview of the PM5D........................................... 10 Differences between the PM5D model and the PM5D-RH model ............................................. 11 About the channel structure of the PM5D.......................... 12 Regarding word clock synchronization .......................
10 Scene memory..................................79 About scenes .............................................................. 79 Items in the SCENE MEMORY section......................... 80 Using scene memories................................................ 81 Storing a scene ........................................................................81 Recalling a scene.....................................................................82 Using PREVIEW mode ..............................................
Table of Contents — Reference section Information shown in the display.......... 149 Output functions .................................... 220 Upper part of the display (always visible).................. 149 Main area of the display............................................ 150 Lower part of the display (always visible) .................. 150 OUTPUT PATCH function ..........................................220 OUTPUT PATCH screen ...................................................
Input functions ........................................252 Appendices..............................................290 INPUT PATCH function............................................. 252 INPUT PATCH screen ....................................................... 252 DIRECT OUT PATCH screen ........................................... 253 INSERT PATCH screen...................................................... 254 INSERT/DIRECT OUT POINT screen............................. 256 NAME screen................
Operating section 1 Introduction Thank you Thank you for purchasing the Yamaha PM5D digital mixing console. In order to take full advantage of the PM5D’s superior functionality and enjoy years of trouble-free use, please read this manual before you begin using the product. After you have read the manual, keep it in a safe place. An overview of the PM5D The PM5D is a digital mixing console with the following features.
1 Introduction Differences between the PM5D model and the PM5D-RH model The PM5D is available as the standard PM5D model or as the PM5D-RH model which allows internal head amp settings to be programmed. These models differ as follows. ❏ PM5D model ❏ PM5D-RH model • Head amp adjustments (input sensitivity settings, phantom power (+48V) on/off) for the analog inputs (INPUT jacks 1–48, ST IN jacks 1–4) are performed manually, using the controls of the top panel.
2 Introduction About the channel structure of the PM5D The PM5D provides the following input channels and output channels. ❏ Input channels This section processes input signals and sends them to the STEREO bus or MIX buses. There are three types of input channel, as follows. • Input channels 1–48 These channels are used to process monaural signals. By default, the input signals from the monaural analog input jacks (INPUT jacks 1–48) are assigned to these channels.
1 Introduction How this manual is organized This owner’s manual is divided into the following three sections. ❏ Operating section This section explains the items on the front and rear panels, connections and setup, and how to operate the PM5D’s basic functionality. In particular if you have not operated a digital console before, we recommend that you read chapters 2 through 7 first. ❏ Reference section This section explains the functionality and operation for all of the PM5D’s screens.
2 Top, front, and rear panels 2 Top, front, and rear panels This chapter explains the names and functions of each part of the PM5D. Details for each section of the top panel are explained in subsequent chapters of this operating section; refer to the appropriate chapter for more information.
O CUE/MONITOR section This section selects the monitor source that is output from the MONITOR OUT jacks, and adjusts the levels. This section also determines the cue point and monitoring method that will be used when you press a [CUE] key for a channel (➥ p.91). Top, front, and rear panels 2 P OSCILLATOR/TALKBACK section This section switches the oscillator or talkback on/off, and adjusts the talkback level (➥ p.97).
2 Top, front, and rear panels Rear panel 3 1 4 6 (PM5D-RH model) 2 (PM5D model) A INPUT jacks 1–48 (PM5D model) These are balanced XLR-3-31 type input jacks for inputting analog audio signals from line level devices or microphones. Nominal input level is –60 dBu to +10 dBu. Male XLR plug 5 1 (ground) 3 (cold) D +48V MASTER switch (PM5D-RH model only) This is the master phantom power (+48V) switch for INPUT jacks 1–48 and ST IN jacks 1–4.
K STEREO OUT A/B jacks These are XLR-3-32 (balanced) jacks that output the analog signals of the STEREO A/B channels. Nominal output level is +4 dBu. 2 3 (cold) Top, front, and rear panels Female XLR plug 8 7 2 (hot) 1 (ground) L MATRIX OUT jacks These are XLR-3-32 (balanced) jacks that output the analog signals of MATRIX channels 1–8. Nominal output level is +4 dBu. G MIX OUT jacks These are XLR-3-32 (balanced) jacks that output the analog signals of MIX channels 1–24.
2 Top, front, and rear panels R RS422 REMOTE connector Z CASCADE OUT connector This is a D-sub 9-pin female connector for remotely controlling an external device that supports the RS422 protocol. This is a D-sub half-pitch 68-pin female connector that can be connected to another PM5D for transmission/ reception of control signals and transmission of audio signals. S HA REMOTE connector This is a D-sub 9-pin male connector for remotely controlling an external head amp device (e.g.
3 Basic operation on the PM5D This chapter explains the various types of user interface used to operate the PM5D. 3 Basic operation on the PM5D About the various types of user interface Basic parameters such as mixing and editing the sound of each channel can be controlled by the faders and encoders of the top panel. However to make more detailed settings, you will need to access the appropriate “function” and edit the parameter values in the display.
3 Basic operation on the PM5D ❏ Scroll bar If the displayed items are too numerous to fit into a single screen, you can use the scroll bar to view the portion that is not currently displayed. Data Entry section Controllers used to edit settings and values in the display are gathered into the data entry section. Scroll bar 7 DISPLAY ACCESS section 1 The DISPLAY ACCESS section contains keys that access the desired function or screen in the display.
F Track pad and left/right buttons These are used to move the pointer or select the desired parameter. To adjust a knob-type parameter in the display, hold down the left button or right track pad button while you operate the track pad. G PHONES (Headphone) jack 3 Basic operation on the PM5D This is a stereo phone jack for connecting a set of headphones. External user interface If desired, you can add the following external user interface components.
3 Basic operation on the PM5D Basic operation This section explains the basic procedures you can perform in the PM5D’s display. In general, you will perform operations in the PM5D’s display by combining the operations described here. Click Drag Moving the pointer to a specific parameter in the screen and pressing the left/right track pad button (or the left/ right mouse button) is called “clicking.
3 Accessing a desired screen A desired function/screen can be accessed in the display using either of the following two methods. Click a tab in the screen to select the desired screen. Click a tab ❏ Using the keys of the DISPLAY ACCESS section 2 If you want to switch to another screen within that function, press the same key you pressed in step 1.
3 Basic operation on the PM5D 2 To move quickly to the outer edge of the current window or to a different window, hold down the [SHIFT] key and use the CURSOR [√]/[®]/[π]/[†] keys. You will move from the scroll window in which the cursor is currently located, in the direction of the key you pressed. Scrolling the screen A scroll bar is displayed if there are more items than can be shown in a single screen. To scroll the screen, drag the box shown in the bar.
Operating the buttons Buttons in the display are used to switch parameters on/off or to select one of multiple choices. Adjusting the setting of a knob or fader Knobs and faders in the display are used to adjust the value of specific parameters. 3 Basic operation on the PM5D Adjust the knob value Click Off 1 ➠ On Adjust the fader value Move the pointer to the desired button, and use the left/right buttons of the track pad (or mouse) to click the button.
3 Basic operation on the PM5D 3 Assigning a name On the PM5D you can assign a four-character name to each input channel or DCA group, and assign a title to scene and library data when saving it. For example, the screen shown below is the LIBRARY STORE window that appears when you assign a name to the INPUT EQ library. To input characters in this screen, use the following procedure. When you have finished inputting the name, click the STORE button. The name you input will be stored.
4 Connections and setup This chapter explains how to make audio input/output connections, and how to perform the setup required when starting the PM5D for the first time. Audio connections 4 PM5D model Connections and setup Analog audio connections PM5D-RH model Synthesizer Microphone Synthesizer Microphone Microphone Effect processor INPUT jacks 1–48 are used mainly to connect microphones or monaural line-level devices. ST IN jacks 1–4 are used mainly to connect stereo line-level devices.
4 Connections and setup Analog output connections Monitor speakers Monitor speakers PW800W power supply MONITOR OUT C CUE OUT R L R L R L R L 4 3 2 1 DC POWER INPUT LA 8 MIX OUT 7 6 5 MATRIX OUT STEREO OUT Recorder, relay vehicle, etc. Monitor speakers (foldback) Main speakers MIX OUT jacks 1–24, MATRIX OUT jacks 1–8, and STEREO OUT A/B jacks respectively output the signal from MIX channels 1–24, MATRIX channels 1–8, and the STEREO A/B channels.
Digital input/output connections R L L OUT IN 2 N 75 ON OFF SMPTE COAXIAL USB THRU 2TR IN ANALOG OUT 1 2 3 1 3 AES/EBU AES/EBU COAXIAL AES/EBU AES/EBU IN 2TR OUT DIGITAL 2TR IN DIGITAL 4 SLOT Connections and setup R Digital I/O card DAT 00.00.00.00 CD player DAT recorder Digital MTR/HDR Use 2TR IN DIGITAL jacks 1–3 to connect digital sources such as CD players or DAT recorders. (To input analog output signals from a CD player or DAT recorder, use 2TR IN ANALOG jacks 1/2.
4 Connections and setup Installing an option card Before installing a card, you must check the Yamaha website to make sure that this device is compatible with this card, and to verify the number of cards that can be installed in conjunction with other Yamaha or third-party cards. Yamaha website: http:www.yamahaproaudio.com To install an optional mini-YGDAI card, proceed as follows. 1 2 Make sure that the power is turned off. Loosen the screws that hold the slot cover in place, and remove the slot cover.
Word clock connections and settings This section explains the word clock settings required in order to send or receive digital audio between the PM5D and an external digital device. When digital audio signals are being sent or received between multiple devices, the devices must process the audio signals at the matching timing.
4 Connections and setup Use the MASTER CLOCK SELECT area located in the upper part of the screen to select the master clock source. You can choose one of the following sources. INT 96, INT 88.2, INT 48, INT 44.1 These settings select the PM5D’s internal clock. If you select one of these settings, the PM5D will operate as the word clock master. As necessary, make settings within your external devices so that they will operate as word clock slaves. W.
5 Input channel operations This chapter explains the functions and operation of each section related to input channels. About the input channels The input channel section processes the signals that are input via the input patch section, and outputs them to the STEREO buses or MIX buses. There are three types of input channel, as follows. Input channels 1–48 5 Input channel operations These channels are used to process monaural signals.
5 Input channel operations FX RTN channels 1–4 These channels are used mainly to process the return signals (stereo) from the internal effects. When the input patching is in the default state, the left/right channels of internal effects 1–4 are assigned to these channels. • INPUT PATCH This assigns an input signal to the input channel. • ø (Phase) Switches the phase of the input signal. • MS DECODE (Input channels / ST IN channels only) Switches MS decode processing on/off when an MS mic is connected.
AD IN section The AD IN section AD-converts the signals that are input from the rear panel INPUT jacks 1–48 and ST IN jacks 1–4, and sends them to the input patch section. The structure of this section differs between the PM5D model and the PM5D-RH model. PM5D model Items in the AD IN section PM5D model 5 1 6 Input channel operations 2 3 4 5 8 7 PM5D-RH model A [+48V ON/OFF] switch If this switch is on, +48V is supplied to the condenser mic or direct box connected to the INPUT jack 1–48.
5 Input channel operations PM5D-RH model PM5D-RH model On the PM5D-RH model, head amp settings are made by operations within the display. 1 2 1 3 Repeatedly press the [SYS/W.CLOCK] key of the DISPLAY ACCESS section until the HA screen appears. HA A [+48V ON/OFF] LED This LED will light if phantom power (+48V) is being supplied to the corresponding INPUT jacks 1–48 or ST IN jacks 1–4. However, +48V will not be supplied unless the rear panel [+48V MASTER] switch is on.
INPUT channel strip The INPUT channel strip is the section where you can control the principal parameters of the input channels. This section is layered as shown in the following diagram; choose the CH 1-24 layer when you want to control input channels 1–24, or the CH 25-48 layer when you want to control input channels 25–48.
5 Input channel operations J [TO ST] LED This LED will light when the signal sent from the input channel to the STEREO bus is on. K [COMP] LED This indicates the operational status of the compressor for the input channel. This will be dark when the gain reduction amount is 0 dB, dimly lit when it is 0–10 dB, and lit when it is greater than 10 dB. L [GATE] LED This indicates the operational status of the gate for the input channel.
ST IN/FX RTN channel strip In this section you can control the ST IN channels and FX RTN channels. This section is layered as shown in the diagram below; choose the ST IN layer when you want to control the ST IN channels, or the FX RTN layer when you want to control the FX RTN channels. 5 Input channel operations ST IN 1-4 layer FX RTN 1-4 layer Items in the ST IN/FX RTN channel strip A [ST IN 1-4]/[FX RTN 1-4] keys These keys select the layer that will be controlled by the ST IN/FX RTN channel strip.
5 Input channel operations FADER FLIP/ENCODER MODE section In the FADER FLIP/ENCODER MODE section you can change the parameter that is assigned to the encoders, and exchange the parameters assigned to the faders and encoders. Items in the FADER FLIP/ENCODER MODE section A FADER [FLIP] key If this key is on, the parameters controlled by the faders and encoders will be exchanged.
Various operations for input channels Selecting the function of the encoders Exchanging the fader and encoder functions When the PM5D is in the default state, the encoders of the INPUT channel strip and ST IN/FX RTN channel strip are assigned to control send levels to MIX buses 1–24. However you can use the various ENCODER MODE keys to select one of the following as the function of the encoders.
5 Input channel operations Sending a signal from an input channel to the STEREO bus Here’s how to use the INPUT channel strip or ST IN/FX RTN channel strip to send an input channel signal to the STEREO bus. The explanation here uses the example of an input channel, but the procedure is essentially identical when using a ST IN channel or FX RTN channel. 1 Make sure that an input source is correctly assigned to the input channel, and that the head amp gain is set appropriately.
3 Signals from input channels or ST IN/FX RTN channels can be sent to the desired MIX bus. This can be done either by specifying the send level sent from all input channels to a specific MIX bus, or by specifying the send level sent from a specific input channel to all MIX buses. The explanation here uses an input channel as the sendsource, but the procedure is the same when using a ST IN channel or FX RTN channel.
Input channel operations 4 Switches the signal sent from the input channel to the MIX bus on/ off. Adjusts the send level of the signal sent from the input channel to the MIX bus. MIX bus To turn off the signal sent from that channel to a MIX bus, press the MIX [ON] key to turn it off. Press the MIX [ON] key once again to turn it back on.
❏ Using horizontal pairing Enabling/disabling pairing Monaural input channels can be paired to link their principal parameters. There are two types of pairing; you can use only one type. • Horizontal pair mode This mode pairs adjacent odd-numbered/even-numbered channels (default setting). Here’s how to enable or defeat pairing for adjacent oddnumbered/even-numbered channels.
5 Input channel operations Hint When you switch between vertical pair mode and horizontal pair mode, the input channel numbers will change, but the channel names and parameter values will not change. 4 Hold down the [SHIFT] key of the data entry section, and press the [SEL] key of one of the channels you want to pair. A window will appear, allowing you to select how pairing will be handled. 5 Click the appropriate button to choose the source/destination for the parameters that will be copied.
6 Output channel operations This chapter explains the functions and operation of each section related to output channels. About the output channels Output channels mix the signals sent from input channels etc., and send them to the corresponding output jacks or output buses. There are three types of output channel, as follows. MIX channels 1–24 The signals sent from input channels to MIX buses are sent via these channels to MIX OUT jacks 1–24 or the STEREO/ MATRIX buses.
6 Output channel operations MATRIX channels 1–8 The signals sent from MIX channels or STEREO A/B channels to MATRIX buses are sent via these channels to the MATRIX OUT jacks. • 8 BAND EQ (8 band equalizer) (MIX channels and STEREO A/B channels) This is an eight-band (four upper bands + four lower bands) parametric EQ. • 4 BAND EQ (4 band equalizer) (MATRIX channels) This is a four-band (HIGH, HIGH MID, LOW MID, LOW) parametric EQ.
MIX section The MIX section adjusts the send level of the signals sent from input channels to MIX buses, and adjusts the output level of the MIX channels. trols of the MIX section to edit the send level and on/ off status of the signal being sent from the currently selected input channel to the MIX buses. Controls other than 4–6 will have no effect. When the [MIX MASTER] key is on, you can use the controls of the MIX section to edit the output level and on/off status of the MIX channels.
6 Output channel operations 6 Hint The detection point (metering point) of the signal levels shown in the meters can be changed if desired. For details, refer to p.101. ❏ Sending signals from MIX channels to MATRIX buses Continuing to hold down the MATRIX [SEL] key, turn MIX encoders 1–24 to adjust the level of the signal sent from each MIX channel to the currently selected MATRIX bus. The LEDs around the periphery of the MIX encoder indicate the approximate level.
Use the encoders of the MATRIX section to adjust the send level 5 To adjust the pan of the signal sent from the MIX channel to the STEREO bus, press the MIX [SEL] key of the desired MIX channel and turn the STEREO [PAN] encoder of the SELECTED CHANNEL section. 6 Turn the MIX encoder to adjust the signal level that is sent to the STEREO bus. Hint You can also switch the output to the STEREO bus on/off and adjust the pan from within the MATRIX/ST ROUTING screen (MATRIX/ST function).
6 Output channel operations Signals sent from an input channel to a VARI type MIX bus MIX channel output signals • If the VARI type MIX bus is not paired When the [MIX SEND] key is on, the MIX encoders will adjust the send level of the signals sent to the corresponding MIX bus from the currently selected input channel. • If MIX channels are not paired When the [MIX MASTER] key is on, the MIX encoders will adjust the output level of the corresponding MIX channels.
STEREO A/B channel strip The STEREO A/B channel strip lets you send the signal of the STEREO A/B channels to the MATRIX bus, and adjust the output level of the STEREO A/B channels. Items in the STEREO A/B channel strip A [TO MATRIX] LED This LED will light when the signal sent from the STEREO channel to the MATRIX bus is on. B [COMP] LED This indicates the operating status of the compressor for the STEREO channel.
6 Output channel operations Operations in the STEREO A/B channel strip ❏ Sending signals from the STEREO A/B channels to output jacks ❏ Sending signals from the STEREO A/B channels to MATRIX buses Here’s how the signals sent from input channels or MIX channels to the STEREO bus can be output from STEREO OUT jacks A/B. Here’s how the signal of the STEREO A/B channels can be sent to the MATRIX buses. 1 Make sure that appropriate signals are being sent from the desired channels to the STEREO bus.
MATRIX section In the MATRIX section you can adjust the send levels from MIX channels to MATRIX buses, and adjust the output level of the MATRIX channels. 2 1 2 In the MATRIX section, press the MATRIX [ON] buttons to turn the desired MATRIX channel(s) on. 3 Turn the encoders of the MATRIX section to adjust the output level of the MATRIX channels. The signals sent to the MATRIX bus(es) will be sent from the corresponding MATRIX OUT jack(s).
6 Output channel operations Signals sent from MIX channels and STEREO A/B channels to MATRIX buses • If MATRIX channels are not paired When you are holding down the [SEL] key of a specific MIX channel or STEREO A/B channel in order to adjust the send levels from that channel to all MATRIX buses, the MATRIX encoders will adjust the send level to the corresponding MATRIX bus.
7 Using the Selected Channel section This chapter explains how you can use the SELECTED CHANNEL section to control input channels and output channels. About the SELECTED CHANNEL section The SELECTED CHANNEL section lets you edit the mix parameters of the currently selected input channel or output channel; it corresponds to a channel module of a conventional analog mixer. This section controls the channel that was last selected by pressing its [SEL] key.
7 Using the Selected Channel section F CH [DEC] key G CH [INC] key CHANNEL SELECT The CH [DEC] key decrements the currently selected channel number, and the CH [INC] key increments it. • Input channels 1–48 • ST IN channels 1L/1R–4L/4R • FX RTN channels 1L/1R–4L/4R • MIX channels 1–24 • MATRIX channels 1–8 • STEREO A channel L/R • STEREO B channel L/R Here you can select or copy channels. 1 2 3 5 4 6 7 DELAY Here you can edit delay-related parameters for the currently selected channel.
GAIN/ATTENUATION/ø (Gain / Attenuation / Phase) NOISE GATE Here you can edit the head amp, post AD conversion attenuator, and phase parameters for the currently selected channel. This section is available only if an input channel is selected. Here you can edit noise gate parameters for the selected channel. This section is valid only if an input channel or ST IN channel is selected.
7 Using the Selected Channel section STEREO COMPRESSOR Here you can switch the on/off status of the signal sent from the selected channel to the STEREO bus, and adjust the pan. Here you can edit compressor parameters for the selected channel. This section is available only if a channel other than an FX RTN channel is selected. 2 2 3 4 5 6 7 8 9 J 1 1 A STEREO [PAN] encoder The function of this encoder depends on the currently selected channel, as follows.
J COMP [GAIN] encoder Hint Specifies the gain of the signal that has passed through the compressor. HPF (High Pass Filter) • Input channels also provide an HPF that is independent of the four-band EQ. • Output channels do not have an independent HPF, but instead allow you to switch the LOW band type to HPF. • Switching the equalizer type to HPF or LPF can be done in the EQ PARAM screen (➥ p.225) Here you can edit high pass filter parameters for the selected channel.
7 Using the Selected Channel section E EQ [Q] encoder Adjusts the Q (steepness) of each band. This encoder does nothing for bands whose EQ type is set to shelving, LPF, or HPF. F EQ [FREQUENCY] encoder Adjusts the center frequency (or cutoff frequency) at which each band will be boosted or cut. G EQ [FREQUENCY] indicator Indicates the center frequency (or cutoff frequency) at which boost/cut will occur, in units of kHz or Hz. (The indicator for the displayed unit will light.
Hint Compressor operations • The type of the currently selected compressor is shown in the COMP PARAM screen (➥ p.229, 266). • The COMP LIBRARY screen also provides other library settings suitable for a wide variety of instruments or purposes. Settings you edit can also be stored in the library. • For a detailed explanation of each type of compressor, refer to the Appendices (➥ p.295). Here’s how you can use the SELECTED CHANNEL section to operate the internal compressor.
7 Using the Selected Channel section Gate operations 4 After selecting a library item, click the RECALL button located at the lower left of the library list. The library item you selected in step 3 will be recalled to the channel you selected in step 1. 5 In the SELECTED CHANNEL section, press the GATE [ON] key to make the LED light. The gate of the selected channel will be activated. 6 You can use the gate controls of the SELECTED CHANNEL section to edit the gate parameters.
Hint EQ/HPF operations 1 2 3 Press a [SEL] key to select the channel you want to control. Four-band EQ (HIGH, HIGH MID, LOW MID, LOW) is provided on all input channels and on MATRIX channels. Eight-band EQ is provided on MIX channels and STEREO A/B channels. (Control is divided into UPPER and LOWER sections of four bands each.) In the SELECTED CHANNEL section, EQ [ON] key make sure that the EQ [ON] key is on.
8 Input Patch / Output Patch operations 8 Input Patch / Output Patch operations This chapter explains how to edit the input patch and output patch settings, and how to use insert connections and direct output. Changing the input patch settings The input patch section lets you assign input ports to input channels. In the PM5D’s default state, the input patch settings assign the following signals to input channels.
4 Click the grid where the desired patch-source and patch-destination intersect. The vertical and horizontal red lines indicate the grid position where the cursor is located. The SELECTED PATCH area in the upper left of the screen shows the input port and input channel for the grid at which the cursor is located. Input channel number Input channel name 5 Click the OK button in the window. The new patch will be finalized, and a “ ” symbol will appear at the corresponding grid.
8 Input Patch / Output Patch operations 4 Click the grid where the desired patch-source and patch-destination intersect. The SELECTED PATCH area in the upper left of the screen shows the output port and output channel for the grid at which the cursor is located. Output channel number Output port When you click a grid, a window will ask you to confirm that you want to change the patch setting.
Inserting an external device into a channel You can insert an effect processor or other external device into the signal route of an input channel or output channel. When doing so, you can specify for each channel the input/output port and insert I/O point that you want to use for insertion.
8 Input Patch / Output Patch operations Patching the insert-out and insert-in 3 Here we will explain how to make insert connections, using an example in which an external device connected to an AD/DA card in a slot is inserted into an input channel. However, the procedure is the same when inserting into an output channel, the only difference being that you will be working in a screen for output channels.
5 Select one of the following as the insert I/O point for each channel, and turn on the corresponding button. PRE EQ Immediately before the EQ POST EQ Immediately after the EQ PRE DELAY Immediately before the delay POST FADER Immediately after the fader The selected point is indicated by the graphic in the upper part of the screen. The INS symbol indicates the insert I/O point for the channel at which the cursor is located. Select the insert I/O point for each channel.
8 Input Patch / Output Patch operations Directly outputting the signal of an input channel Here’s how the signal being input to an input channel or ST IN channel can be output directly from the desired output jack. 1 In the DISPLAY ACCESS section, press the INPUT [PATCH] key several times to access the DIRECT OUT PATCH screen (INPUT PATCH function) shown below. 3 DIRECT OUT PATCH Press the INPUT [PATCH] key several times to access the INSERT/DIRECT OUT POINT screen (INPUT PATCH function) shown below.
9 Grouping and linking This chapter explains DCA Groups and Mute Groups which let you control the level or muting of multiple channels simultaneously, and EQ Link and Compressor Link which let you link EQ or compressor parameters of multiple channels. You can use eight DCA groups and eight mute groups to control multiple channels simultaneously. DCA groups allow the level of multiple channels to be controlled together by the DCA faders 1–8 of the top panel DCA strip.
9 Items in the DCA strip F DCA [CUE] key This key is used to cue-monitor all channels assigned to that DCA group. Using DCA Groups Here we explain how to assign channels to DCA groups and use the DCA faders to control them. Assigning channels to DCA groups From the panel, you can assign channels to DCA groups either by selecting a specific channel and specifying the DCA group to which it will belong, or by selecting a specific DCA group and specifying the channels that will belong to that DCA group.
Controlling DCA groups Here’s how you can use the DCA strip to control DCA groups. 1 In the FADER MODE section, make sure that the FADER MODE [DCA] key LED is lit. The FADER MODE section selects the function of the DCA strip faders. When the FADER MODE [DCA] key LED is lit, you can use the faders of the DCA strip to control DCA groups 1–8. 2 Use the faders of the channel strip to adjust the relative levels between the channels belonging to the DCA group you want to use.
9 Items in the DCA strip ❏ To select the channels that will belong to a specific mute group 1 2 3 In the ASSIGN MODE section, press the ASSIGN MODE [MUTE] key. The ASSIGN MODE [MUTE] key will blink. In the SCENE MEMORY section, the MUTE MASTER LED will also blink. While this key is blinking, you can use the [CUE] key of each channel to assign that channel to a mute group.
Using EQ Link and Compressor Link EQ Link and Compressor Link are functions that respectively link the EQ parameters or compressor parameters of multiple channels. Editing the EQ or compressor parameters of any channel belonging to a link group will similarly edit the other channels in that link group. 1 In the DISPLAY ACCESS section, press the INPUT [DCA/GROUP] key (for an input channel) or OUTPUT [GROUP] key (for an output channel) to access one of the following screens.
9 Items in the DCA strip 2 Click the grid at which the desired channel (assignment source) intersects the desired link group (assignment destination). A “ ” symbol will appear at the corresponding grid. To cancel the assignment, click the “ ” symbol once again. In the case of output channel EQ link groups, MIX channels and STEREO A/B channels can be assigned only to groups A–F, and MATRIX channels can be assigned only to groups G/H. (Unavailable grids are grayed-out.
10 Scene memory This chapter explains how to store and recall the PM5D’s mix parameters as “scenes.” About scenes The PM5D can store and recall the current state of its mix parameters as a “scene.” Scenes are assigned a scene number of 000–500. Scene 000 is read-only, and cannot be overwritten. Other scene numbers may be rewritten freely.
10 Scene memory Items in the SCENE MEMORY section The SCENE MEMORY section lets you store and recall mix parameters as scene memories. Mute operations for mute groups 1–8 are also performed in this section. C SCENE MEMORY [PREVIEW] key 2 3 4 5 6 1 7 8 This key selects either NORMAL mode or PREVIEW mode as the operation when you recall a scene. PREVIEW mode is selected if this key LED is lit; NORMAL mode is selected if it is dark. Operation will differ as follows according to the selected mode.
Using scene memories As the default choice in which edited library settings will be stored when you store a scene, choose either NEW (select an unused library) or OVERWRITE (select the original library). Storing a scene Here’s how to store the current mix settings (the current scene) into a scene memory.
10 Scene memory Recalling a scene 1 Use the SCENE MEMORY [π]/[†] keys to select the scene number that you want to recall. When you select a new scene number, the scene number and name shown at the top of the display and the scene number shown in the scene number indicator of the SCENE MEMORY section will blink. 2 Press the SCENE MEMORY [RECALL] key. A message in the display will ask you to confirm the recall operation.
Using the Auto Store function With the PM5D’s default settings, pressing the SCENE MEMORY [STORE] key will open the SCENE STORE window where you can name the scene and store it. If you enable the Auto Store function, you can execute the Store operation simply by pressing the SCENE MEMORY [STORE] key twice. Here’s the procedure. 1 In the DISPLAY ACCESS section, press the [UTILITY] key several times to access the PREFERENCE 1 screen shown below.
10 Scene memory 5 In the SCENE MEMORY section of the console, press one of the SCENE MEMORY [1]–[8] keys. The LED of the corresponding key will light, and the scene assigned to that key will be recalled. Using the Selective Recall function “Selective Recall” is a function that lets you restrict the parameters or channels that will be updated when you recall a specific scene, or, conversely, specify for each scene parameters or channels that will be excluded from recall operations.
❏ Other parameters 1 4 In the upper left of the screen, switch the SELECTIVE RECALL ENABLE/DISABLE button to ENABLE. When this button is set to ENABLE, the Selective Recall function will apply to subsequently-stored scenes. 5 Store the current scene. The settings of the SELECTIVE RECALL screen will be saved as part of the scene. When you recall this scene, only the selected channels/parameters will be excluded from (or subject to) Recall.
10 Scene memory Using the Recall Safe function “Recall Safe” is a function that excludes only specific parameters/channels from Recall operations. This differs from the Selective Recall settings (➥ p.84) made for individual scenes in that Recall Safe settings are common to all scenes. 1 In the DISPLAY ACCESS section, press the [SCENE] key several times to access the RECALL SAFE screen shown below.
Using the Fade function “Fade” is a function that smoothly changes fader and pan to their new values over a specified duration when you recall a scene. The settings of the Fade function are made independently for each scene. 1 In the DISPLAY ACCESS section, press the [SCENE] key several times to access the FADE TIME screen shown below. In this screen you can select the channels that will use the Fade function, and specify the fade time and start offset time.
10 Scene memory Using the Tracking Recall function “Tracking Recall” is a function that adds a specified offset value to each fader or level value when a scene is recalled. Tracking Recall settings are common to all scenes. For example if the original level of a certain sound source has changed, or if an actor was replaced by an understudy, this function provides a convenient way to adjust the level of that specific channel for all scenes.
Using the Global Paste function “Global Paste” is a function that lets you copy and paste settings of the desired channel or parameter from the current scene to scene data in memory (multiple selections are allowed). This is a convenient way in which changes to the current scene can be applied to scenes that have already been stored. 1 In the DISPLAY ACCESS section, press the [SCENE] key several times to access the GLOBAL PASTE screen shown below.
10 Scene memory • When PASTE MODE = DCA, GEQ, EFFECT Select DCA groups, GEQ modules, and internal effects. 5 Click the PASTE button. The selected items of the current scene will be pasted to the scene(s) in memory. Note • If the parameter settings differ between the copy-source and paste-destination, exception handling may be applied when the data is pasted (➥ p.171). • Only the parameters selected by PASTE MODE will be pasted.
11 Monitor and Cue This chapter explains the PM5D’s Monitor and Cue functions. About the MONITOR and CUE sections The MONITOR section sends the signal selected as the monitor source to the MONITOR OUT jacks. You can select the following signals as the monitor source.
11 Monitor and Cue Using the Monitor function Items in the MONITOR section 1 2 3 6 4 7 5 8 9 K J A [2TR IN A1] key B [2TR IN A2] key These keys select the input signals of 2TR IN ANALOG jacks 1/2 as the monitor source. C [2TR IN D1] key D [2TR IN D2] key E [2TR IN D3] key These keys select the input signals of 2TR IN DIGITAL jacks 1–3 as the monitor source. F [STEREO A] key G [STEREO B] key These keys select the output signals of STEREO A/B channels as the monitor source.
4 Monitoring a signal Use the keys of the MONITOR section to select the monitor source from the following. Here we explain how you can use the MONITOR section to monitor the desired source. [2TR IN A1]/[2TR IN A2] keys The input signal from 2TR IN ANALOG jacks 1/2 1 Make sure that your monitor system is connected to the rear panel MONITOR OUT jacks L/R/C. If you want to monitor through headphones, make sure they are connected to the top panel or front panel PHONES jack.
11 Monitor and Cue Using the Cue/Solo functions Items in the CUE section About CUE mode and SOLO mode 1 4 2 5 3 A [INPUT]/[DCA]/[OUTPUT] LEDs These LEDs indicate the monitoring status. If even one [CUE] key is on, the LED of the group to which that key belongs will light. If a special Cue signal such as KEY IN CUE or EFFECT CUE is active, all three LEDs will light. The PM5D lets you select either SOLO mode or CUE mode when using the [CUE] key to monitor signals.
Cue and Solo groups The PM5D’s cue and solo signals can be categorized into the following four groups. • INPUT CUE group The cue/solo signals of input channels make up this group. This group becomes active when a [CUE] key of an input channel, ST IN channel, or FX RTN channel is pressed to turn it on. Input channel [CUE] key ST IN/FX RTN channel [CUE] key • DCA CUE group The cue/solo signals of DCA groups make up this group.
11 Monitor and Cue Using the Cue function This section explains how you can use the [CUE] key of a desired channel or DCA group to monitor the Cue signal. 3 Make sure that the [SOLO] key in the CUE section is turned off. 4 Press the [CUE] key of a desired channel or DCA group to turn it on. The cue signal of the corresponding channel will be output from the CUE OUT jacks and the MONITOR OUT jacks. 5 To defeat Cue, press the currently-on [CUE] key once again.
12 Talkback and Oscillator This chapter explains how to use talkback and oscillator. About the TALKBACK/OSCILLATOR sections The TALKBACK and OSCILLATOR sections let you send the signal of a mic connected to the TALKBACK jack or the signal of a test oscillator to the desired output jacks. Signal flow in the TALKBACK/OSCILLATOR sections is as follows. Items in the TALKBACK/OSCILLATOR sections A TALKBACK jack 1 This is a balanced XLR-3-31 jack to which a talkback mic can be connected.
12 Talkback and Oscillator Using talkback Here’s how the talkback signal input from the TALKBACK jack can be sent to the desired bus(es). 1 Repeatedly press the [MON/CUE] key of the DISPLAY ACCESS section until the TALKBACK screen appears. TALKBACK TALKBACK area BUS ASSIGN area 4 To enable talkback, press the TALKBACK [ON] key in the TALKBACK section of the panel to turn it on.
Using the oscillator The PM5D contains a test oscillator. By outputting the oscillator signal to the desired bus you can check the operation of connected devices or test the acoustics of a hall. 1 4 Repeatedly press the [MON/CUE] key of the DISPLAY ACCESS section until the OSCILLATOR screen appears. OSCILLATOR OSC MODE area BUS ASSIGN area Click a button in the BUS ASSIGN area to select the oscillator signal output destination from the following choices.
13 Meters 13 Meters This chapter explains meter-related operations. Items in the meter section The meter section shows the input levels of the input channels and the output levels of the output channels. A INPUT/MIX meters Depending on the key you press, these meters indicate the input levels of input channels 1–24 or 25–48, or the output levels of MIX channels 1–24.
Switching the metering point The metering point for the level meters (i.e., the position at which the level is detected) can be specified separately for input channels and output channels. Specifying the metering point for input channels Specifying the metering point for output channels Here’s how to specify the metering point for input channels and ST IN/FX RTN channels. 1 Here’s how to specify the metering point for output channels, MONITOR channels, and the CUE bus.
13 Meters Viewing the gain reduction of the internal gates and compressors The amount of gain reduction produced by the gates/compressors of the input channels and the amount of gain reduction produced by the compressors of the output channels can be viewed in the display. Viewing the gain reduction for input channels Here’s how to view the amount of gain reduction produced by the gates/compressors provided on input channels 1–48 and ST IN channels 1–4.
14 Effects This chapter explains the functionality and operation of the PM5D’s internal effects. About the internal effects The PM5D contains eight internal effect modules. For each module, you can choose one of 48 effect types (not including AddOn Effects) for the module to use. Hint You can add effect types for the internal effects by installing an optional Add-On Effects package (➥ p.109).
14 Effects Using an internal effect via a MIX bus This section explains how to use an internal effect via a MIX bus. As an example, we will choose effect 1 for our operations, assign MIX bus 1 to the effect input, and assign the effect output to FX RTN channels 1/2. 1 In the DISPLAY ACCESS section, repeatedly press the INPUT [PAN/ROUTING] key to access the CH to MIX screen.
10 11 In the MIX section, press the [MIX MASTER] key to turn it on (LED lit). When the [MIX MASTER] key is on, you can use the controls of the MIX section to control MIX channels 1–24. 12 In the FX RTN channel strip, press the FX RTN channel 1 [ON] key to turn it on. 13 Use the FX RTN channel 1 fader to adjust the effect return level. Hint Press the MIX channel 1 MIX [ON] key to turn it on. Use the MIX encoder of that MIX channel to adjust the master send level of the signal sent to the effect.
14 Effects Basic operations in the effect screen This section explains how to store or recall effect library data, and how to edit effect parameters. Recalling settings from the effect library 3 In the library list at the right of the screen, click to select the library item you want to recall When you click a library item in the library list, that line will be highlighted and move to the center of the list. The effect type of the currently selected library item will be shown above the library list.
Storing settings in the effect library 3 Note Here’s how to store effect parameter settings in the effect library. 1 In the DISPLAY ACCESS section, repeatedly press the [EFFECT] key to access the EFFECT PARAM screen. EFFECT PARAM In the library list, choose the store-destination number and click that line. Library items for which an “R” (read-only) appears in the right column of the list are factory preset library items. These numbers cannot be overwritten. 4 Click the STORE button.
14 Effects Using the Tap Tempo function This section explains how to use the Tap Tempo function. “Tap tempo” is a function that lets you specify the delay time of a delay effect or the modulation speed of a modulation effect by striking a key at the desired interval. 1 From the effect library, recall a library item whose effect type uses a TEMPO parameter (e.g., Delay+ER., Echo, Chorus). TEMPO is a parameter that specifies a time-related effect parameter (the DELAY parameter of Delay+ER.
Using the Freeze effect Here’s how to use the “FREEZE” effect type, which provides the functionality of a simple sampler. When this effect type is selected, you can perform operations in the screen to record (sample) and play back a sound. 1 In the EFFECT LIBRARY screen, recall a library item that uses the FREEZE effect type. 2 In the DISPLAY ACCESS section, repeatedly press the [EFFECT] key to access the EFFECT PARAM screen.
15 Graphic EQ 15 Graphic EQ The PM5D contains twelve 31-band graphic EQ modules. This chapter explains how to use the graphic EQ. Patching the graphic EQ The twelve GEQ (Graphic EQ) modules built into the PM5D can be inserted into the insert-out/in of the desired channel. As an example, here’s how to insert graphic EQ into the STEREO A channel. 1 In the DISPLAY ACCESS section, repeatedly press the [GEQ] key to access the GEQ PARAM screen.
Basic graphic EQ operations There are two ways to control a graphic EQ; using the virtual faders and buttons within the display, or using the DCA faders of the panel. Controlling the graphic EQ from the display Controlling the graphic EQ from the DCA section Here’s how to control the desired GEQ module by using the faders and buttons shown in the GEQ PARAM screen (GEQ function). Here’s how to control the graphic EQ using the keys and faders of the panel DCA strip.
15 Graphic EQ When a button is clicked, you can use the DCA faders to control the faders of that frequency region. The faders of the selected region are indicated by a red line in the center of the fader. While any of the buttons in the ASSIGN TO FADERS area is on, you can use the FADER MODE section FADER MODE [A]–[F] keys to select the frequency region corresponding to these buttons.
16 Remote control This chapter explains how you can use MIDI or GPI to control the PM5D’s parameters from an external device, or conversely how you can use the PM5D to control external devices. MIDI on the PM5D The PM5D can use MIDI to perform the following operations. • Program Change transmission and reception When you execute a specific event (scene/effect library recall) on the PM5D, a program change message of the corresponding number can be transmitted to an external device.
16 Remote control 3 In the PROGRAM CHANGE SETUP area at the left of the screen, you can select the way in which program changes will be transmitted and received, and switch reception and transmission on/off. The MODE area of PROGRAM CHANGE SETUP lets you choose one of the following as the way in which program changes will be transmitted and received. • SINGLE If this button is on, program changes will be transmitted/received on a single MIDI channel (Single mode).
7 When you have finished making settings, click the OK button in the MIDI PGM CHANGE window. 8 Assign events to other program numbers in the same way. With these settings, executing the specified event on the PM5D will cause a program change (or bank select + program change) message to be transmitted to the external device. When an external device transmits a program change (or bank select + program change) message on the appropriate channel, the event assigned to that program number will be executed.
16 Remote control 3 In the CONTROL CHANGE SETUP area at the left of the screen, you can select the way in which control changes will be transmitted and received, and switch reception and transmission on/off. The MODE area of CONTROL CHANGE SETUP lets you choose one of the following as the way in which control changes will be transmitted and received.
Hint • You can use the CLEAR button above the list to erase all assignments to control numbers. The PRESET button will return all control number assignments to their default state. • The contents of the control change table are not saved in the scene. If desired, you can save this data on a memory card as a MIDI CTRL TABLE.
16 Remote control 3 In the DISPLAY ACCESS section, press the [MIDI/REMOTE] key several times to access the MIDI REMOTE screen shown below. LATCH button MIDI message box LEARN button MIDI REMOTE You can assign a MIDI message to a controller in any of the following three ways. A Directly inputting hexadecimal values In this method you directly input the message as hexadecimal values.
If you set a value to SW, ENC, or FAD, that value will be linked to the state of the controller. For example if you have made settings as shown in the following screen, the last value will be linked with the fader position, and will change in the range of 0–127. When you have finished inputting data in the MIDI REMOTE SETUP window, click the OK button. The hexadecimal values will be input in the MIDI message box of the MIDI REMOTE screen.
16 Remote control When you have specified all of the values, click the “ ” button in the screen; the hexadecimal values for that message will be input in the input box of the MIDI REMOTE SETUP window. As necessary, you can edit the message by clicking an input box and turning the [DATA] encoder. Hexadecimal values that were input C Using the LEARN button The LEARN button lets you assign a MIDI message to a controller by receiving that message from an external device.
Using MIDI remote channels Here’s how to recall banks A–D to which you assigned MIDI messages, and operate MIDI remote channels. In the DISPLAY ACCESS section, press the [MIDI/REMOTE] key several times to access the following MIDI REMOTE screen. MIDI REMOTE BANK SELECT area 2 In the BANK SELECT area at the upper right of the screen, use the A–D buttons to select the bank you want to use.
16 Remote control Transmitting MIDI events when you switch scenes You can register a desired MIDI message for each scene in scene memory so that this message will be transmitted from the MIDI OUT connector when you recall the scene. For example you can use this to switch programs on an external MIDI-compatible effect processor when the scene changes. 1 Connect the MIDI OUT connector of the PM5D to the MIDI IN connector of the external device.
Using GPI (General Purpose Interface) The GPI connector on the rear panel can be used as a GPI (General Purpose Interface) input/output connector. This connector provides four GPI IN ports and twelve GPI OUT ports. For example you can use an external switch or joystick to control the PM5D’s parameters, or conversely use the PM5D’s keys and faders to send control signals to an external device. The following diagram is an example of an external circuit that can operate GPI via the GPI connector.
16 Remote control When controlling a continuously-variable parameter, that parameter will be at its minimum value when the voltage is at low level, and at its maximum value when the voltage is at high level.
Specify the function and parameter for other GPI IN ports in the same way. With these settings when you operate an external device to make the GPI IN port active, the corresponding PM5D function will be executed. (If a continuously-variable parameter is assigned, the parameter value will vary according to the change in voltage.) 4 Turn on the CALIBRATION button. The red line (or red square) in the GPI IN monitor area will temporarily disappear, and only the yellow symbol will remain.
16 Remote control ❏ FADER START Using GPI OUT Here’s how you can use the GPI OUT ports of the GPI connector to control an external device from the PM5D’s faders or keys. 1 To the PM5D’s GPI connector, connect the external device that you want to control from the PM5D. 2 In the DISPLAY ACCESS section, press the [MIDI/REMOTE] key several times to access the GPI screen. 3 In the POLARITY column of the GPI OUT area, select the polarity of the signal that is output from each GPI OUT port.
❏ USER DEFINED KEYS ❏ TALLY (other) Operation of a User Defined key on the PM5D will be the trigger for outputting a signal from the GPI OUT port. To edit the setting, click the button at the left to open the GPI OUT PORT ASSIGN window; from the list, select the User Defined key bank (A–D) and number (1–25), and choose the trigger mode (how the trigger will operate when the key is pressed). You can choose one of the following trigger modes.
17 Using memory cards 17 Using memory cards This chapter explains how to save/load PM5D internal data using a memory card. Using memory cards with the PM5D You can insert a commercially available memory card into the memory card slot located on the front panel of the PM5D, and use it to save or load various types of data. MEMORY CARD You can use PCMCIA Type II PC flash ATA cards, or CompactFlash media inserted in a PC card adaptor. (In either case, media with a power supply voltage of 3.
If the file list contains a directory above the current level, it will be shown as “. .” in the FILE NAME column and “[DIR]” in the TYPE column.
17 Using memory cards 9 To execute the Save operation, click the OK button. A window will appear, indicating the progress of the Save operation. When saving is completed, the previous screen will reappear. If you click the CANCEL button instead of the OK button, the Save operation will be aborted and you will return to the previous screen. Do not insert or remove the memory card while it is being accessed. A BUSY indicator at the upper right of the display will light while the card is being accessed.
Note • If you select a directory in the file list, the Load mode will automatically switch to CSV IMPORT, and the screen will indicate whether that directory contains any CSV files. If you subsequently select any file readable by the PM5D other than a CSV file, the mode will automatically switch to BASIC. • If the type of file to be loaded is ALL DATA, the entire contents of the PM5D’s scene memories and libraries will be rewritten.
18 Surround pan 18 Surround pan This chapter explains how to use the surround pan functionality. About surround pan “Surround pan” is functionality that, when used with a multi-channel playback system, lets you place the signal of an input channel in two-dimensional space or move the sound image between front/back and left/right. (To move the surround pan image, you can use the mouse, the CURSOR [√]/[®]/[π]/[†] keys, or the MIX encoders etc.
Bus configuration and operation in surround mode When any of the three surround modes (3-1ch, 5.1ch, 6.1ch) are selected, the PM5D’s bus configuration and operation will change as follows. About the surround buses How the MIX section will operate While a surround mode is selected, MIX buses 1–8 or MIX buses 9–16 can be used as surround buses. (The choice of whether to use MIX buses 1–8 or MIX buses 9–16 is made in the MATRIX/ST function SURR SETUP screen.
18 Surround pan ❏ If the MIX section [MIX MASTER] key is on A Output level The encoders adjust the output level of each surround channel. 1 Basic settings for surround buses Here’s how to choose either 3-1ch, 5.1ch, or 6.1ch as the surround mode, and make settings for the MIX buses you will use as surround buses. 1 According to the surround mode you intend to use, connect an appropriate playback system to MIX OUT jacks 1–8 or MIX OUT jacks 9–16.
6 Use the knobs and buttons in the lower part of the screen to adjust the volume, delay, on/off status, and cue for each surround channel. For details on these knobs and buttons, refer to SURR PARAM screen (➥ p.283) in the Reference section. 7 In the MIX section, make the [MIX MASTER] key light, and turn on the MIX [ON] keys of all MIX buses that will be used as surround buses. The signal of each surround bus is now sent from the corresponding MIX OUT jack.
18 Surround pan • Using the MIX encoders If you turn on the [MIX SEND] key of the MIX section, you can use MIX encoders 1 or 9 to adjust the left/right position of the input channel, and MIX encoders 2 or 10 to adjust the front/rear position. The SURR PARAM screen MIX SECTION ASSIGNMENT area shows the parameters assigned to each MIX encoder. • Using MIDI control changes or GPI If you assign surround pan parameters to MIDI control changes or GPI, you can use an external device to control surround pan.
Notes regarding surround pan Here are some notes and limitations that you should be aware of when using surround pan. ❏ Scene recall operations • The surround mode selection and the surround pan settings of each channel are stored as part of the scene. • If you recall a scene whose surround mode differs from the current scene, the screen and panel display will change accordingly. The surround mode is recalled regardless of Selective Recall or Recall Safe settings.
19 Other functions 19 Other functions This chapter explains other functionality of the PM5D not covered elsewhere. Using the user defined keys You can assign the desired functions to the User Defined keys in the USER DEFINED section of the top panel, and press these keys to execute the defined function. Items in the USER DEFINED section BANK SELECT area USER DEFINE 2 In this screen you can make User Defined key assignments for each of four banks; A–D.
5 Assign functions to other keys and banks in the same way. Executing functions assigned to the User Defined keys Hint The User Defined key assignments are not saved in the scene. If desired, you can save the assignments on a memory card as USER DEFINED KEY data. Here’s how to use the USER DEFINED [1]–[25] keys to execute the functions that have been assigned to them. 1 In the DISPLAY ACCESS section, repeatedly press the [UTILITY] key to access the USER DEFINE screen.
19 Other functions 2 Use the channel selection boxes for the desired layer (A–F) to select the channel assigned to each fader 1–8. Controlling the channels assigned to DCA faders 1 In the FADER MODE section, use the FADER MODE [A]–[F] keys to select the layer you want to use. The key LED will light, and the corresponding layer will become active. If input channels are assigned to the DCA faders, the channel names will appear in the name indicators of the DCA strip.
Locking the PM5D (Security functions) The PM5D lets you prohibit changes to certain parameters (Parameter Lock), or prohibit operation of the console (Console Lock). For example, this lets you prevent an unauthorized person from operating the console while the engineer is taking a break. You can also apply password protection to the lock function using a “system password” which is remembered even after power-off, or a “console password” which is cleared when the power is turned off.
19 Other functions Note Using Parameter Lock or Console Lock Here’s how to lock parameters or the console. You can also lock using the password you specified. 1 As long as the PARAMETER LOCK button is on, the above settings cannot be edited. You will need to defeat the lock function before editing them. 3 Depending on the items you want to lock, click either the PARAMETER LOCK button or one of the two CONSOLE LOCK buttons. If a password has been specified, a window will ask you to input the password.
Using cascade connections Buses can be shared by cascade-connecting multiple PM5D units (up to four) or the PM5D with an external mixer (such as the Yamaha DM2000/02R96). When multiple PM5D units are cascade-connected, operations such as scene store/recall, cue/ solo, and dimmer can also be linked. Making cascade connections Basic settings for cascade connection Here we will explain cascade connections and operation, using an example in which two PM5D units are cascadeconnected.
19 Other functions 3 Select “PM5D” in the CASCADE FROM field and in the CASCADE TO field. through which audio signals will be transmitted to and received from the cascade-connected external device. If “PM5D” or “DM2000/02R96” are selected as the other cascade-connected device, only “CASCADE IN” can be selected for the CASCADE IN PORT SELECT field. In the CASCADE OUT PORT SOURCE SELECT field, you can choose from the output channels of slots 1–4 as well as “CASCADE OUT” (➥ p.203).
2 In the CASCADE LINK area at the left of the screen, turn on the buttons for the operations that you want to be linked. Hint DCA and MUTE parameter values will be linked as soon as linking is turned on. CUE/SOLO will be initialized as soon as linking is turned on. Other parameters will be linked only when that parameter is first operated after Link is turned on.
19 Other functions Connecting the PM5D to a computer via USB The PM5D Editor application can be installed in a computer and used to control the PM5D’s parameters or to backup and restore the contents of the PM5D’s memory. Here we will explain the operations required in order to establish a USB connection between the PM5D and a computer. Note Note The following procedure assumes that the PM5D Editor program and USB driver have already been correctly installed in the computer.
Initializing the PM5D’s internal memory If an error occurs in the PM5D’s internal memory, or if you are unable to return to normal operation because you have forgotten the system password, use the following procedure to initialize the internal memory. 2 All of the content that had been saved in memory will be lost if you initialize the internal memory. You must use extreme caution when performing this operation.
19 Other functions Calibrating the faders Here you can execute a semi-automatic procedure for calibrating the faders of the specified channel strip (INPUT, DCA, STEREO A/B, ST IN/FX RTN). This window will also appear if a problem with the fader settings is detected when the PM5D is started up. Adjusting the analog input gain (PM5D-RH model only) If necessary, you can make fine adjustments in steps of 0.1 dB to the gain of the specified analog input port.
Information shown in the display Reference section The Reference section explains the functionality and operations for every screen of the PM5D, organized into four main areas; function menu, global functions, output functions, and input functions. The following illustration is a typical screen on the PM5D. Note • You can move the cursor to the scene number and turn the [DATA] encoder to select a scene.
Main area of the display • PRESENT TIME Indicates the present time. The time can be specified in the UTILITY function PREFERENCE 1 screen. • TIME CODE Indicates the internal time code being generated by the PM5D, or the time code being received from an external device. This is the same as the time code shown in the SCENE function EVENT LIST screen. • CASCADE/Fs Indicates the master/slave status when using a cascade connection, and the sampling frequency at which the PM5D system is currently operating.
Function menu D INPUT CH (Input channel) layer E FADER MODE This is linked with the FADER MODE section on the panel, and indicates the function that is assigned to the faders of the DCA strip. You can also click the / buttons to switch this directly. Here you can select the function that you want to view in the display. These operate in the same way as the keys of the DISPLAY ACCESS section.
Global functions Global functions EFFECT functions C Input patch This box lets you select the signal path that will be patched to the L/R input channels of the internal effect. Move the cursor to this box and turn the [DATA] encoder or click the / buttons at left or right to display the desired signal path, and then press the [ENTER] key to finalize the change. You can choose the following signal paths.
9 K J L Information shown in the display 8 5 6 This button temporarily bypasses the effect. G CUE This button cue-monitors the output of the effect shown in the screen. Cue is automatically defeated when you switch to a different screen. (However, cue will be held if you switch to the EFFECT ASSIGN screen.) H Output meter Indicates the level of the signal being output from the effect.
EFFECT functions F Output patch EFFECT ASSIGN screen This screen lists the effect types used by internal effects 1–8, and shows their input levels.. Here you can also assign signals to input/output channels, and make settings for bypass and cue. EFFECT ASSIGN 1 2 3 4 5 6 A Level meter Indicates the input level to the effect. B Effect type Indicates the selected effect type, both by name and as a graphic. When you click this area, the EFFECT PARAM screen will appear.
6 Information shown in the display EFFECT LIBRARY screen Here you can recall, store, rename, or delete items in the effect library. Function menu EFFECT LIBRARY 7 8 9 K 1 2 F Library effect type Global functions J G RECALL Recalls the library item shown in the list into the currently selected effect. H STORE Stores the currently selected effect into the selected location of the list. When you click this button a window will appear, allowing you to name and save the effect.
GEQ function GEQ function GEQ PARAM (GEQ parameter) screen Here you can adjust the boost/cut for a 31-band graphic EQ, specify the input/output patching, and assign a GEQ to faders. GEQ PARAM You can choose the following insertion destinations.
GEQ ASSIGN screen This screen lists the approximate values of the graphic EQ settings, and shows the input/output levels. The signal path assignments and on/off status can also be edited in this screen.
GEQ function 9 GEQ LIBRARY screen Here you can recall, store, rename, or delete items in the GEQ library. GEQ LIBRARY 5 6 7 8 J 1 2 3 E RECALL Recalls the library item selected in the list into the currently selected GEQ module. F STORE Stores the settings of the currently selected GEQ module into the selected location in the list. When you click this button a window will appear, allowing you to name and save the GEQ module settings.
SCENE screen F Library link Here you can store/recall scenes. This area shows the number and title of the INPUT PATCH library, OUTPUT PATCH library, and HA library used by each scene. You can click the button at the left to access a window that lets you change the library number that is linked. The LINK button for each library determines whether library recall operations will be linked to scene recall operations.
SCENE function K L • PREVIEW If this button is on, the PM5D will be in PREVIEW mode; this allows you to view or edit the settings of a scene stored in memory or the settings of a library item without affecting the internal signal processing. This is linked with the [PREVIEW] key in the SCENE MEMORY section of the panel (➥ p.80). Note • Monitor settings will apply to internal signal processing even during Preview mode. You can perform cue/monitor operations while Previewing.
This lets you select the scenes that will be directly recalled by the SCENE MEMORY [1]–[8] keys on the panel. This function is available if the DIRECT RECALL button is on. When you move the cursor to the field on the left and turn the [DATA] encoder, or when you click the / buttons to select a scene number, the scene name will appear in the field on the right.
SCENE function • No. Indicates the event number. • EVENT TRIGGER This column specifies the condition that will recall each event. Click the button, and in the window that appears, use the following three buttons to select the condition. MANUAL . . . . . The event can be recalled by the DIRECT button in the EVENT RECALL area (3) or by a User Defined key. The EVENT TRIGGER field will indicate “[MANUAL]”. INTERVAL . . . .
This button inserts a new event at the location selected in the event list. The EVENT TRIGGER field of the new event will be “[MANUAL],” and its SCENE TITLE field will be “no assignment.” You can change these as desired. H MANUAL OVERWRITE This button overwrites a new event onto the location currently selected in the event list. (If the line at the current location is blank, this button will be grayed-out and unavailable.) The EVENT TRIGGER field of the new event will be “[MANUAL].
SCENE function M SCENE INSERT This button inserts one or more consecutive scenes from scene memory into the event list. Use the FROM/ TO fields located at right to specify the starting and ending scene numbers, and click this button; the specified scenes will be inserted as new events for recall immediately before the currently selected event. The EVENT TRIGGER field is set to “[MANUAL]” for all of the new events.
4 Information shown in the display 3 5 Function menu 8 If the SAFE PARAMETER button is on These buttons function as SAFE ON/OFF buttons that specify the channels excluded from recall operations. If the RECALL PARAMETER button is on I SET ALL These buttons function as RECALL ON/OFF buttons that specify the channels that will be recalled. D Parameter matrix grid This button turns on all buttons of the OTHER SAFE PARAMETERS area.
SCENE function C Parameter matrix grid RECALL SAFE screen Here you can select the channel parameters that will be excluded from recall operations. If the ALL button is on, all parameters except for CH to MIX will be excluded. Recall Safe and Selective Recall can be used together. Channels/parameters excluded from recall operations by either Recall Safe or Selective Recall (or both) will not be recalled. Here you can specify parameters/channels that will be excluded from recall operations for all scenes.
Here you can specify how fader and pan will change smoothly to their new values over a specified duration when the scene is recalled. Function menu FADE TIME Information shown in the display FADE TIME screen Note Global functions • Selective Recall applies when a scene is recalled in PREVIEW mode. • When you recall a scene, there may be cases in which a conflict in pairing settings between Recall Safe and Selective Recall causes the settings of a parameter to differ between L and R channels.
SCENE function • When the START OFFSET button is on Edit the time (start offset time) after which the fader or pan parameter of the corresponding channel will begin changing when you recall a scene for which the Fade function is enabled. 4 E SET ALL This button enables the Fade function for all input channels or output channels. F CLEAR ALL 5 6 D Channel settings Here you can turn the Fade function on/off and specify the fade time (or the start offset time) for each input channel / output channel.
6 TRACKING RECALL 7 F ON (Tracking On) These buttons enable/disable tracking for each channel. If the TRACKING RECALL ENABLE/DISABLE button is set to ENABLE, tracking is enabled on channels for which this button is ON. Information shown in the display Here you can make settings for the Tracking Recall function, which adds a specified offset value to the value of each fader when you recall a scene.
SCENE function GLOBAL PASTE screen This screen lets you copy parameter settings of any desired channel or parameter in the current scene, and paste them into one or more scenes in scene memory. • If Paste Mode= INPUT Select input channels in the left area, and select parameters in the right area. You can select the following parameters.
MIDI REMOTE function 4 MIDI SETUP screen Here you can select the types of MIDI message transmitted and received by the PM5D, and select the MIDI port that will be used. Information shown in the display 3 Global functions Function menu MIDI SETUP C DESTINATION SCENE (Paste-destination scene) This list lets you select the scenes to which the data will be pasted.
MIDI REMOTE function MULTI If this button is on, program changes will be transmitted/received on multiple MIDI channels (Multi mode). Hint • If program change reception is on, the PM5D’s scenes or effects will switch when the appropriate program change is received from an external device. Additionally, if transmission is on, program changes will be transmitted to an external device when scenes or effects are switched on the PM5D.
5 Information shown in the display MIDI PGM CHANGE (MIDI program change) screen In this screen you can select the scene or effect library assigned to each MIDI program number. MIDI PGM CHANGE Function menu 6 7 This selects the port that will transmit MMC (MIDI Machine Control). F MIDI REMOTE OUTPUT PORT (MIDI remote output port) Here you can select the port from which MIDI messages will be transmitted by the MIDI Remote function, for each of the four banks.
MIDI REMOTE function 5 6 4 MIDI CTRL CHANGE (MIDI control change) screen Here you can select the PM5D parameter (fader operation, [ON] key operation, etc.) assigned to each control number. MIDI CTRL CHANGE D List In this list you can view and select the event (scene recall / effect library recall) assigned to each program number. • CH/BANK (Channel/Bank) Indicates the MIDI channel on which the program change is transmitted/received.
C ECHO ON/OFF This selects whether control changes received from an external device are echoed-out from the MIDI transmission port. This item is linked with the settings in the MIDI SETUP screen. MIDI REMOTE screen Here you can assign MIDI messages to panel faders, CH [ON] keys, encoders, and ENCODER [ON] keys, and make settings for the MIDI Remote function used to control external devices.
MIDI REMOTE function G LEARN 5 Use this button to assign a received MIDI message to a controller. When you turn on one of the four LEARN buttons, the MIDI message received by the PM5D will be assigned to the corresponding controller. The LEARN function uses the MIDI messages received at the input port specified by the MIDI REMOTE OUTPUT PORT in the MIDI SETUP screen. 4 D BANK SELECT Of the four banks, select the bank for which you want to make settings.
Switches the Dimmer function on/off SOURCE= [monitor source name] Switches the monitor source MONO ON Switches the monitor section [MONO] key on LATCH Switches the Talkback function on/off (latched operation) UNLATCH Switches the Talkback function on/off (unlatched operation) CH ONLATCH [channel name] Switches the channel on/ off (latched operation) CH ONUNLATCH [channel name] Switches the channel on/ off (unlatched operation) FADER LEVEL [channel name] Modifies the fader value (LEVEL param
MIDI REMOTE function ❏ GPI IN MONITOR ❏ GPI OUT MN O P Q 8 6 9 7 J KL F GPI IN monitor The voltage from the GPI IN port selected by the XAXIS field (8) and Y-AXIS field (9) is respectively indicated by a yellow in the X-axis (horizontal) and Y-axis (vertical) dimensions of the graph. The range of voltage variation used to determine the active/inactive status is shown as a red rectangle. K GPI OUT port These are the numbers of the GPI OUT ports for which you can make settings.
Here you can make settings for the Fader Start function which lets you use input channel faders to control GPI OUT ports or external devices. FADER START Q TALLY Global functions This area indicates the state of other Tally output functions assigned as triggers to each port. When you execute the corresponding operation on the PM5D, a control signal will be output from the corresponding GPI OUT port.
MIDI REMOTE function FADER STOP . . . . . GPI OUT port from which the trigger is sent when the fader reaches –∞ dB. Note that the GPI-related settings you make in the FADER START screen are linked with the FADER START field of the GPI screen.
TRANSPORT screen Information shown in the display 3 Here you can use MMC/RS422 protocol commands to remotely control transport/locate operations on a recorder or other external device from the PM5D. C Transport A MMC DEVICE No. These buttons operate the transport of an external device. When you click a button, the corresponding MMC/RS422 command (from the left, REWIND, FAST FORWARD, STOP, PLAY, REC) will be transmitted.
MIDI REMOTE function D LOCATE POINT These buttons correspond to each locate point. Twenty locate points can be specified for MMC-compatible devices, and another twenty locate points can be separately specified for RS422-compatible devices. When you click buttons 1–20, an MMC command or RS422 command for moving to that locate point will be transmitted. DME CONTROL screen Here you can remotely control various functions of a Yamaha DME series digital mixing engine.
D STORE/RECALL These buttons save (overwrite) the settings of the DME series unit edited in the PM5D’s screen into the scene selected in the SCENE area, or recall the scene selected in the SCENE area into the DME. Note • When storing a DME scene from the PM5D’s screen, you can only store by overwriting an existing scene on the DME; you cannot store the settings as a new scene or edit the scene name. • If SETUP is selected, items 3, 4, and 6 are not shown.
MIDI REMOTE function ❏ Initiating communication between the PM5D and the DME series unit 4 To select the port used for audio signal transmission/reception between the PM5D and the DME series unit, and to initiate communication, proceed as follows. 1 2 Connect the PM5D and the DME series unit. 3 In the component selection area at the upper left of the screen, select SETUP. A screen like the following will appear.
Hint Hint • The above program change message is always transmitted via the MY16-C card or the CASCADE IN/OUT connector. This is not affected by MIDI PGM CHANGE or by the MIDI program change transmission port or transmission on/off setting selected in the MIDI SETUP screen. • The program number assignment for each scene can be specified in the MIDI PGM CHANGE screen. 8 To initiate communication between the PM5D and the DME series unit, click the CONNECT button to turn it on.
UTILITY function UTILITY function PREFERENCE 1/2 screens Preference settings for the PM5D are divided into two screens. PREFERENCE 1 • AUTO STORE Turns the Auto Store function on/off. If this button is on, pressing the [STORE] button (SCENE MEMORY section) of the panel twice in succession will store the current scene in the currently selected scene number. • LINKED LIBRARY PROTECTION If this button is on, you will be unable to overwrite or delete library items that are linked to a protected scene.
Input channel phase/attenuator INPUT EQ function ø/ ATT screen EQUALIZER EQ-related parameters INPUT EQ/OUTPUT EQ function EQ PARAM screen DYNAMICS Gate/compressorrelated parameters INPUT GATE/COMP function or OUTPUT COMP function GATE PARAM or COMP PARAM screen DELAY Delay-related parameters INPUT DELAY/OUTPUT DELAY function screens DCA group / Mute group / Recall saferelated parameters INPUT DCA/GROUP function or OUTPUT DCA/GROUP function DCA GROUP ASSIGN, MUTE GROUP ASSIGN or RECALL SAFE scre
UTILITY function LIST UP/DOWN . . Pressing the SCENE MEMORY [π] key will scroll the list upward, and pressing the SCENE MEMORY [†] key will scroll the list downward. (Key presses will scroll the list upward/downward.) • LIST ORDER This specifies the order in which scene memories and library items will appear in the screen. NORMAL . . . . . . . . Show the list in ascending numerical order. REVERSE . . . . . . . . Show the list in descending numerical order.
Here you can assign functions to the User Defined keys (USER DEFINED [1]–[25] keys). M WARNING DISPLAY Here you can select whether a warning will be displayed when the following problems occur. • TIME CODE DROP When time code (LTC, MTC) being received from an external device is dropped. • DIGITAL I/O ERROR When a DIO error is detected. • MIDI I/O ERROR When a MIDI error is detected. 1 3 2 A BANK Select a bank A–D (groups of functions assigned to the User Defined keys).
UTILITY function FUNCTION PARAMETER 1 PARAMETER 2 — — No assignment INC RECALL — Recall the scene of the next existing number. DEC RECALL — NO ASSIGN SCENE DIRECT RECALL SCENE #000–#500 TIME CODE [RTN TO START] Explanation Recall the scene of the previous existing number.
PAGE BACK PAGE FORWARD — PAGE BOOKMARK GEQ PARAM PAGE GEQ 1–12 Display the GEQ PARAM screen EFFECT PARAM PAGE EFFECT 1–8 Display the EFFECT PARAM screen — — LATCH Switch the function of the SCENE MEMORY [1]–[8] keys (DIRECT RECALL / MUTE MASTER) each time you press the User Defined key UNLATCH The SCENE MEMORY [1]–[8] keys will function as DIRECT RECALL while you hold down the User Defined key MODE CHANGE DIRECT SELECT BANK A–D Switch to the desired bank of User Defined key assignments MID
UTILITY function B Select the items to save SAVE screen Choose one of the following to specify the data that will be saved. Here you can save PM5D scenes and library data on a memory card inserted in the MEMORY CARD slot. This cannot be used while in PREVIEW mode. Button SAVE 1 A MODE Choose one of the following as the mode in which files will be saved: BASIC, ADVANCED, CSV EXPORT. The left side of the screen will change according to the mode you select.
❏ CSV EXPORT mode In this mode you can select either scene memory or a library, specify a starting number and ending number, and save the specified range of data on a card. If desired, you can also specify that the starting number be shifted forward or backward when the data is saved. If ADVANCED is selected, the left side of the screen will show the following items.
UTILITY function If you use Microsoft Excel to edit these files, use the Data menu to import the CSV file, and use the Text File Wizard to delete the character string quotation ("). (If you fail to do so, symbols such as “–” and “+” will not be displayed correctly.) I SET ALL Selects all LIBRARY TITLE / CHANNEL NAME items. J CLEAR ALL De-selects all items. ➠ K L M O If a higher directory is selected, this column will show a “. .” symbol. You can click this symbol to return to that directory.
This displays the number of files and directories in the current directory, and the free area on the memory card. Note LOAD screen Information shown in the display N Number of files / Free area In this screen, scene or library data from a memory card inserted in the MEMORY CARD can be loaded into the PM5D. This cannot be used while in PREVIEW mode. A maximum of 99 files and directories can be displayed in the file list.
UTILITY function this button, a message will ask you to confirm the Load operation. (This is common to all modes.) 4 ❏ ADVANCED mode D Mode Here you can select the mode in which files will be loaded. If a file other than CSV is selected in the file list, you will be able to select BASIC mode or ADVANCED mode. (The CSV button will be grayed-out and unavailable.) If a CSV file or directory is selected in the file list, CSV IMPORT mode will be selected automatically.
If a CSV file or directory is selected, CSV IMPORT mode will be selected automatically. The selected CSV file (or CSV files in the selected directory) will be searched, and the following items will appear in the right of the screen. FADER ASSIGN screen Here you can assign the desired input channels / output channels to the eight faders in the DCA section of the panel.
UTILITY function open the SYSTEM PASSWORD CHECK window, where you will need to input the system password. SECURITY screen In this screen you can prohibit console operation (Console Lock) or prohibit editing for specific parameters (Parameter Lock). Two passwords of differing levels can be specified to allow locking and unlocking. C CONSOLE LOCK This button locks the console operations.
WORD CLOCK • • • 2 • 1 As the master clock to use, you can select the internal clock or an external clock input from a connector or slot. This setting determines the sampling frequency at which the PM5D will operate. You can select the following items. Content • Noise may occur at the output jacks when the word clock setting is changed. In order to protect your speaker system, be sure to turn down the power amp output before changing the word clock setting.
SYS/W.CLOCK function 34 5 MIXER SETUP screen Here you can make settings that apply to the entire PM5D system. MIXER SETUP 67 8 C Slot number / Card type This area shows the type of digital I/O card installed in slots 1–4. D INPUT FORMAT (Input signal format) E OUTPUT FORMAT (Output signal format) Select one of the following as the method by which signals will be exchanged with a digital I/O card installed in the slot when the PM5D is operating at a high sampling rate (88.2/96 kHz).
Here you can specify whether a signal will be at nominal level when panned to center, or at nominal level when panned far left or far right. Choose one of the following two settings. You can choose independently for monaural channels and paired channels. • CENTER The signal will be at nominal level (+0 dB) when panned to the center, and will rise +3 dB when panned to far left or far right.
SYS/W.CLOCK function • 6.1ch This mode uses seven channels: 5.1ch with the addition of Bs (rear center). H CASCADE IN PORT SELECT Select one of the following as the port that will receive the audio signals from the cascade-connected device.
32 channels SLOT IN 1–4 (CH 9–16) CH 9-16 SLOT 1-4 • SLOT 1-4 [CH9-16] Up to 30 channels of audio signals can be received via input channels 9–16 of I/O cards installed in slots 1–4. (Since channels 15/16 of SLOT 4 are not used, only 30 channels are actually available.) If you choose this setting, the signals from the CASCADE IN connector (channels 1–32) will be assigned to channels 9–16 of the SLOT IN 1–4 ports instead.
SYS/W.CLOCK function If you daisy-chain two to four PM5D units (i.e., connect the first unit’s CASCADE OUT → second unit’s CASCADE IN, and the second unit’s CASCADE OUT → third unit’s CASCADE IN. Up to four units can be connected.), set the PM5D located last in the chain to MASTER, and the remaining PM5D units to SLAVE. Turn the BI-DIRECTION button Off for all units. CASCADE screen Here you can make various settings related to cascade connection.
Destination bus MIX 1 BUS 1 SLOT4- 1 MIX 1 MIX 2 BUS 2 SLOT4-2 MIX 2 MIX 3 BUS 3 SLOT4-3 MIX 3 MIX 4 BUS 4 SLOT4-4 MIX 4 MIX 5 BUS 5 SLOT4-5 MIX 5 MIX 6 BUS 6 SLOT4-6 MIX 6 MIX 7 BUS 7 SLOT4-7 MIX 7 MIX 8 BUS 8 SLOT4-8 MIX 8 MIX 9 AUX 1 SLOT4-9 MIX 9 MIX10 AUX 2 SLOT4-10 MIX10 MIX11 AUX 3 SLOT4-11 MIX11 MIX12 AUX 4 SLOT4-12 MIX12 MIX13 AUX 5 SLOT4- 1 MIX13 MIX14 AUX 6 SLOT4- 2 MIX14 MIX15 AUX 7 SLOT4- 3 MIX15 MIX16 AUX 8 SLOT4- 4 MIX16 *3 MIX
SYS/W.CLOCK function C Slot/Channel HA (Head Amp) screen Here you can view/select the slot and channels to which the audio output of the external head amp device is connected. In this screen you can make settings such as phantom power (+48V), gain, and HPF for each of the internal head amps (PM5D-RH model only), or for each channel of an external head amp device that supports remote control via the dedicated protocol (e.g., Yamaha AD8HR or AD824).
DITHER screen In this screen you can specify the amount of attenuation for each output channel and for each output channel of an I/O card. In this screen you can turn dithering on/off and specify the bit depth for dithering. These settings are made individually for each digital output jack and each output channel of the digital I/O cards.
SYS/W.CLOCK function HA LIBRARY screen In this screen you can recall, store, rename, or delete items in the HA library. HA LIBRARY 8 9 J 4 5 6 7 D RECALL Recalls the HA library item selected in the list into memory. E STORE 1 Stores the current settings of the HA screen into the location selected in the list. When you click this button a window will appear, allowing you to name and save the settings. F TITLE EDIT Edits the title of the library item selected in the list.
INPUT METER screen This screen contains meters that show the input level of the input channels (input channels 1–48, ST IN channels 1–4, FXTRN channels 1–4). 4 Information shown in the display METER function D Meters These peak level meters indicate the input level of each channel. The current fader value is shown in the box below. If clipping occurs at any point PRE ATT, POST EQ, POST GATE, POST COMP, INSERT IN, or POST FADER, the ∑ segment will light.
METER function OUTPUT METER screen This screen contains meters that show the output level of output channels (MIX channels 1–24, MATRIX channels 1–8, STEREO A/B channels), MONITOR (L/R/C), and CUE (L/R). 4 OUTPUT METER 5 D Meters These peak level meters indicate the output level of each channel. The current master level value is shown in the box below. If clipping occurs at any point POST EQ, POST COMP, POST ON, POST FADER, or INSERT IN, the ∑ segment will light.
OUTPUT GR (Output Gain Reduction) screen This screen contains meters that show the amount of gain reduction produced by the gate/compressor for each input channel (input channels 1–48, ST IN channels 1–4). This screen contains meters that show the amount of gain reduction produced by the compressor for each output channel (MIX channels 1–24, MATRIX channels 1–8, STEREO A/B channels).
MON/CUE function MON/CUE function 3 TALKBACK screen 5 In this screen you can switch talkback on/off, and select the talkback destination. 4 TALKBACK 6 C Talkback input selection If you want to use an input jack other than the TALKBACK jack for purposes of talkback, you can choose it here from analog inputs AD IN 1–48. The talkback input selection is not included in the input patch library.
’Here you can make settings and perform operations related to the internal oscillator. OSCILLATOR Function menu 9 Information shown in the display OSCILLATOR screen J Here you can select the bus(es) or output jack(s) from which the talkback signal will be sent. (Multiple selections are allowed.) MIX 1–24 . . . . . . . . MIX bus 1–24 MATRIX 1–8 . . . . . MATRIX bus 1–8 ST A L/R . . . . . . . . . STEREO A bus L/R channels ST B L/R . . . . . . . . .
MON/CUE function H WIDTH I INTERVAL • If SINE WAVE 1CH is selected 4 5 If burst noise is selected, these knobs select the duration of the noise itself (WIDTH) and the duration of silence between noise bursts (INTERVAL). The range is 0.1–10 sec for WIDTH, and 1–30 sec for INTERVAL. (The current setting is shown in the box below each knob.
5 2TR I/O 6 E Output level meter Indicates the output level of 2TR OUT DIGITAL jacks 1–3. F SRC (Sampling Rate Converter) These are on/off and output frequency select switches for the sampling rate converters built into 2TR OUT DIGITAL jacks 1–3. As the output frequency you can select either 44.1 kHz or 48 kHz. The on/off button selects either ON or THROUGH (off). G Fs (Sampling frequency) This indicates the sampling frequency at which the PM5D is operating.
MON/CUE function ❏ If the USE AS STEREO BUS button is on MONITOR screen Here you can make settings and perform operations related to monitoring.
Here you can make settings and perform operations related to the Cue/Solo function. 6 8 CUE/SOLO 9 Information shown in the display CUE/SOLO screen 7 F Level meter Function menu These peak level meters indicate the level of the output signal from the MONITOR OUT jacks. You can select the level detection point to be immediately before the delay that is provided on the MONITOR/CUE bus output (when the PRE DELAY button is on) or immediately after the delay (when the POST DELAY button is on).
MON/CUE function B CUE MODE 5 This button selects one of the following two possibilities for when the [CUE] key of more than one channel is pressed. • MIX CUE mode All channels / DCA groups whose [CUE] key is on will be mixed for monitoring. Note As an exception to MIX CUE, turning on a CUE button in the EFFECT PARAM screen or GATE PARAM screen or turning on a CUE button in the DME CONTROL screen (EXTERNAL CUE) will give priority to monitoring only the corresponding signal.
Here you can specify input channels that will be excluded from Solo operations. (You can specify more than one.) The buttons correspond to the following input channels. J Level meter INPUT 1–48 Input channels 1–48 ST IN 1–4 ST IN channels 1–4 FX RTN 1–4 FX RTN channels 1–4 SET ALL Sets all input channels to the Solo Safe condition CLEAR ALL Defeats the Solo Safe setting for all input channels This is a peak level meter that indicates the level of the signals output from the CUE OUT jacks.
Output functions Output functions OUTPUT PATCH function The red lines at the left and top indicate the grid location to which you move the cursor. Hint OUTPUT PATCH screen • If PATCH CONFIRMATION is turned on in the PREFERENCE 1 screen (UTILITY function), a confirmation message will appear each time you attempt to change a patch setting.
In this screen you can patch the input/output ports into which external devices will be inserted. Select the output port in the left side of the screen, and the input port in the right side of the screen. INSERT PATCH For each output channel (vertical column), this grid lets you can patch one or more output ports (horizontal row) to be used as insert-outs. Currently-patched grids are indicated by a symbol. By clicking a grid location you can set/cancel patching.
OUTPUT PATCH function 9 INSERT POINT screen In this screen you can select the position at which the insert-in/out of each output channel will be patched. Here you can also switch insert-in on/off. INSERT POINT I LIBRARY button This button accesses the OUTPUT PATCH LIBRARY screen (➥ p.223), where you can store/recall patch library settings for output channels.
7 Information shown in the display OUTPUT PATCH LIBRARY screen Here you can recall, store, rename, or delete items in the output patch library. Function menu OUTPUT PATCH LIBRARY 3 4 5 8 C RECALL 1 Global functions 6 Recalls the output patch library item selected in the list into memory. Stores the current settings of the OUTPUT PATCH screen into the location selected in the list. When you click this button a window will appear, allowing you to name and save the settings.
OUTPUT INSERT function OUTPUT INSERT function 1 INSERT IN MIX 1-24 screen 2 3 INSERT IN MATRIX/STEREO/MONITOR screen 4 Here you can make settings for the internal HA (PM5DRH model only) or external HA assigned to the insert-in of an output channel or MONITOR L/C/R channel. 5 6 INSERT IN MIX1-24 A +48V Switches phantom power (+48V) on/off for each channel. B HPF (High Pass Filter) Turns the HPF on/off for each channel. C Cutoff frequency Specifies the HPF cutoff frequency for each channel.
Here you can edit the EQ parameters of the selected output channel. Global functions Function menu EQ PARAM (If a MIX channel or STEREO A/B channel is selected) Output functions EQ PARAM Input functions HA LIBRARY EQ PARAM (EQ Parameter) screen (If a MATRIX channel is selected) Appendices This screen is shared with HA LIBRARY in the SYS/ W.CLOCK function (➥ p.208).
OUTPUT EQ function 1 2 3 6 4 LM NO J 5 9 8 7 A Channel selection K J Knobs Select the output channel that you want to edit. You can use eight-band EQ (four UPPER bands + four LOWER bands) for MIX channels and STEREO A/B channels, and four-band EQ for MATRIX channels. If a channel is paired (or if a STEREO A/B channel is selected), a heart symbol is displayed at the right. For MIX channels or MATRIX channels, you can click this symbol to enable/disable pairing.
1 2 Information shown in the display 4 MIX 1-24 screen MATRIX/STEREO screen These screens list the EQ settings for all output channels. Here you can also copy EQ settings between output channels. 3 MIX 1-24 Global functions This mini-graph shows the approximate EQ response for each output channel. When you click the graph at which the cursor is currently located, the EQ PARAM screen for that channel will appear.
OUTPUT EQ function 9 OUTPUT EQ LIBRARY screen Here you can recall, store, rename, or delete items in the output EQ library. OUTPUT EQ LIBRARY 5 6 7 8 J E RECALL 1 Recalls the EQ library item selected in the list into memory. F STORE Stores the EQ settings of the currently selected channel into the location selected in the list. When you click this button a window will appear, allowing you to name and save the settings. 2 G TITLE EDIT Edits the title of the library item selected in the list.
Information shown in the display OUTPUT COMP function COMP PARAM (Compressor parameter) screen Here you can edit the compressor parameters of the selected output channel. 5 Function menu COMP PARAM 2 3 4 Hint If GR METER ON/OFF LINK is turned on in the PREFERENCE 1 screen (UTILITY function), the gain reduction meter will not be displayed when the compressor is off. Select the channel that you want to edit.
OUTPUT COMP function ❏ Key-in signal flow when Link= On J K L M N O LINK= ON Key-in signal of odd- THR numbered channel Key-in signal of even- THR numbered channel Detect the maximum level ATTACK processing GR ATTACK processing GR J THRESHOLD (Threshold level) ❏ Key-in signal flow when Link= Off Specifies the threshold level at which the compressor will operate.
Information shown in the display MIX 1-24 screen MATRIX/STEREO screen These screens show the compressor settings for all output channels. Here you can also copy compressor settings between output channels. Global functions You can also copy compressor settings between the MIX 1-24 screen and the MATRIX/STEREO screen. First drag the mini-graph over the MIX 1-24 tab or MATRIX/STEREO tab in the screen (the screen will switch).
OUTPUT COMP function 9 COMP LIBRARY (Compressor library) screen Here you can recall, store, rename, or delete items in the compressor library. The contents of this screen are in common with the COMP LIBRARY screen of the INPUT GATE/COMP function. COMP LIBRARY 5 6 7 8 J E RECALL Recalls the compressor library item selected in the list into memory. F STORE 1 Stores the compressor settings of the currently selected channel into the location selected in the list.
MIX1-24 Hint • If you change the DELAY SCALE setting of the OUTPUT DELAY function screen, the DELAY SCALE setting of the INPUT DELAY function screen will change in tandem. • The TAP button of the OUTPUT DELAY function is independent from the TAP TEMPO button of the internal effect. • The number of frames per second is linked with the TIME CODE SETUP field in the EVENT LIST screen (SCENE function).
OUTPUT DCA/GROUP function OUTPUT DCA/GROUP function DCA GROUP ASSIGN screen Here you can specify the output channels that will be assigned to DCA groups 7/8. You can use DCA faders 7/8 to uniformly adjust the levels of output channels belonging to the same DCA group. 4 5 D SET BY CUE (Assign by [CUE] key) This specifies whether the [CUE] key will be used to make/cancel DCA group assignments.
Here you can specify the output channels that will be assigned to mute groups 1–8. Muting can be switched on/ off together for channels assigned to the same mute group. MUTE GROUP ASSIGN These buttons temporarily defeat the muted state of a channel. When a button is displayed as “–”, clicking it will change its display to “ON,” and the corresponding output channel will be excluded from mute groups. Clicking the button once again restores the original state.
OUTPUT DCA/GROUP function EQ LINK ASSIGN screen Here you can specify the output channels that will be assigned to EQ link groups A–H. EQ parameters are linked for channels belonging to the same group. EQ LINK ASSIGN 3 4 C SET BY CUE (Assign by [CUE] key) This specifies whether the [CUE] key will be used to make/cancel EQ link group assignments.
Information shown in the display COMP LINK ASSIGN (Compressor link assign) screen Here you can specify the output channels that will be assigned to compressor link groups A–H. Compressor parameters are linked for channels belonging to the same group. 4 C SET BY CUE (Assign by [CUE] key) This specifies whether the [CUE] key will be used to make/cancel compressor link group assignments.
MATRIX/ST function ❏ If the MATRIX channels are used individually MATRIX/ST function LEVEL knobs Adjust the send level of the signals sent from the MIX channels and STEREO A/B channels to each MATRIX bus. MATRIX/ST ROUTING screen Here you can send the signal from MIX channels and STEREO A/B channels to the STEREO bus or the desired MATRIX bus.
3 LEVEL knobs Adjust the send level of the signals sent from the MIX channels and STEREO A/B channels to each MATRIX bus. 4 5 7 6 8 C MIX TO MATRIX ON/OFF MIX channel 1 ↓ MATRIX buses 1/2 This button is an on/off switch for the signal sent from each MIX channel or STEREO A/B channel to the MATRIX buses. If this button is off, no signal will be sent from that channel to the MATRIX buses.
MATRIX/ST function ❏ When the MTRX from MIX button is on MIX to MATRIX VIEW screen You can view the status of the signals sent from all MIX channels or STEREO A/B channels to a specific MATRIX bus. This screen lists the signals sent from the MIX channels to the MATRIX buses. You can also edit the settings from within this screen. MIX to MATRIX VIEW B SEND LEVEL/SEND POINT Select one of the following two parameters to view in the grid.
Information shown in the display Global functions LEVEL COPY [ALL MATRIX ] Copy the send level (pan) value of the selected grid to all send level (pan) settings of the corresponding MIX (or STEREO A/B) channel in the vertical direction of the grid. Function menu To change the position from which the signal is sent, move the cursor to the vertical column for the desired channel, and press the [ENTER] key, click, or turn the [DATA] encoder.
MATRIX/ST function Send level Pan (displayed if the destination MATRIX channel is paired and an odd-numbered MATRIX bus is selected) Position from which the signal is sent On/off switch for the signal sent to the MATRIX bus 4 LCR screen Here you can make settings for LCR mode, which allows three-channel playback by adding a CENTER channel to the L/R channels of the STEREO bus. This function can be used only with MIX channels.
Signal sent to the L channel Signal sent to the R channel L C R [PAN] encoder When the PAN knob ([PAN] encoder) is in the center position, the signal level of the CENTER channel will be at maximum, and no signal will be sent to the L/R channels. This is the number of the MIX channel you are editing. Paired MIX channels are indicated by a heart symbol displayed at the right. You can click this symbol to enable/disable pairing. The values of parameters 2–3 are linked for paired channels.
MATRIX/ST function SURR SETUP screen Here you can make various settings related to surround functionality, such as selecting the surround mode, and assigning MIX buses to surround channels. 2 3 4 B Bus assignments SURR SETUP This area indicates the surround channels assigned to the MIX buses that are being used as surround buses. You can edit these settings by clicking the / buttons at the left and right.
CH VIEW (Channel view) screen This screen displays the mix parameters of the currently selected MIX channel, MATRIX channel, or STEREO A/B channel. In this screen you can also edit the principal parameters and access other screens. CH VIEW K Function menu 6 9 Information shown in the display OUTPUT VIEW function 7 8J E DELAY Global functions This specifies the delay time for each surround channel in a range of 0–1000 msec. The current value is shown by the two boxes below the knob.
OUTPUT VIEW function If you click the mini-graph, the EQ PARAM screen for that channel will appear. C Compressor This area shows the amount of gain reduction and the output level of the compressor, a mini-graph showing the approximate response of the compressor, and the compressor on/off status. You can click the COMP ON/OFF button to switch the compressor on/off in this screen. If you click the mini-graph, the COMP PARAM screen for that channel will appear.
SIGNAL FLOW screen This controls the output level of the channel. P CUE This button cue-monitors the signal of the channel. This is linked with the [CUE] key of the corresponding channel. Q ON/OFF (Channel on/off) SIGNAL FLOW 1 2 Output functions Global functions Function menu This is an on/off switch for the signal that is output from the channel. This is linked with the [ON] key of that channel.
OUTPUT VIEW function 3 5 6 C Level meters These meters indicate the levels within the signal flow. Levels are detected at the following locations.
CH COPY (Channel copy) screen This screen shows the on/off status, level, and cue monitor status of the output channels and DCA groups. FADER VIEW In this screen you can copy the desired parameter(s) from the selected output channel into a memory buffer, and paste them to the same type of channel (you may select more than one paste-destination).
OUTPUT VIEW function E CH SELECT (Channel selection) Here you can select the paste-destination channel(s). You can only select channels of the same type as the copy-source. 3 6 7 Hint If the copy-source MIX/MATRIX channel is paired, the oddnumbered channel is copied to the odd-numbered channel(s), and the even-numbered channel is copied to the even-numbered channel(s). F SET ALL 4 5 Specifies the paste-destination as all channels of the same type as the copy-source.
8 Information shown in the display OUTPUT CH LIBRARY screen Here you can recall, store, rename, or delete items in the output channel library. Function menu OUTPUT CH LIBRARY 4 5 6 Recalls the channel library item selected in the list into memory. If the channel selected in (1) is of a different type than the channel selected in the list, this button is grayedout and the Recall operation is unavailable. (However, Initial Data can be recalled to any output channel.
Input functions Input functions INPUT PATCH function D Grid This grid lets you patch input ports (horizontal rows) to input channels (vertical columns). Currentlypatched grids are indicated by a symbol. By clicking a grid location you can set/cancel patching. The red lines at the left and top indicate the grid location to which you move the cursor.
7 8 DIRECT OUT PATCH screen Here you can patch an input channel to an output port so that the input signal will be output directly from that port. This button resets the input port → input channel assignments to the following default settings.
INPUT PATCH function E Output port From the top, this area indicates the type of output port, the ID number, the output channel number, and the number of input channels assigned. The following types of output port can be selected. SLOT OUT Output channels of an I/O card installed in slots 1–4 2TR OUT L/R channels of 2TR OUT DIGITAL jacks 1–3 INSERT PATCH screen In this screen you can patch the input/output ports by which external devices will be inserted into each input channel.
For each input channel (vertical column), this grid lets you can patch one or more output ports (horizontal row) to be used as insert-outs. Currently-patched grids are indicated by a symbol. By clicking a grid location you can set/cancel patching. The red lines at the left and top indicate the grid location to which you move the cursor.
INPUT PATCH function INSERT/DIRECT OUT POINT screen D INSERT I/O (Insert I/O point) Here you can select one of the following as the insertin/out location for each channel. For each input channel, you can specify the point at which insert in/out will be patched, and the point from which direct output will be taken. Here you can also switch Insert or Direct Output on/off.
INPUT PATCH LIBRARY screen Here you can recall, store, rename, or delete items in the input patch library. Here you can assign a name to each input channel and DCA group. INPUT PATCH LIBRARY 2 Except for the fact that these are patch settings for input channels, display and operations are the same as in the OUTPUT PATCH function OUTPUT PATCH LIBRARY screen. Refer to p.223.
INPUT HA/INSERT function INPUT HA/INSERT function 1 CH 1-24 (Input channel 1-24) screen 2 3 STIN/FXRTN (ST IN/FXRTN channel) screen 4 Here you can make settings for internal HAs (PM5D-RH model only) or external HAs assigned to input channels. 5 6 CH 1-24 A +48V B HPF (High Pass Filter) C Cutoff frequency D GAIN E Input port These items are the same as in the OUTPUT INSERT function INSERT IN MIX1-24 screen and INSERT IN MATRIX/STEREO/MONITOR screen (➥ p.224).
1 INSERT 25-48 screen 2 3 Information shown in the display INSERT 1-24 screen INSERT STIN screen 4 Here you can make settings for internal HAs (PM5D-RH model only) or external HAs assigned to the insert-in of input channels. 5 Function menu 6 INSERT 1-24 A +48V B HPF (High Pass Filter) C Cutoff frequency E Input port These items are the same as in the OUTPUT INSERT function INSERT IN MIX1-24 screen and INSERT IN MATRIX/STEREO/MONITOR screen (➥ p.224).
INPUT ø/EQ function INPUT ø/EQ function HA LIBRARY screen This screen is the same as HA LIBRARY in the SYS/ W.CLOCK function (➥ p.208). HA LIBRARY EQ PARAM (EQ parameter) screen Here you can edit the EQ parameters of the selected input channel. EQ PARAM 1 2 3 4 5 A Channel selection Selects the input channel (input channel 1–48, STIN channel 1–4 L/R, FXRTN channel 1–4 L/R). B Name This is the name of the currently selected input channel.
EQ 25-48 switch 6 8 J 9 F ATT (Attenuation) This knob adjusts the amount of attenuation/gain immediately following AD conversion in a range of –96 dB to +24 dB. This is linked with the ATT knob in the ø/ATT 1-48 screen and ø/ATT STIN/FXRTN screen. The current value is displayed in the box located below the knob. G EQ TYPE Selects the type of EQ. Turning the TYPE I button on selects the algorithm used in the 02R series. Turning the TYPE II button on selects a newly developed algorithm.
INPUT ø/EQ function 4 1 2 ø/ATT 1-48 (Phase/Attenuation 1-48) screen ø/ATT STIN/FXRTN (Phase/Attenuation STIN/FXRTN) screen 3 Here you can adjust the amount of attenuation/gain immediately following AD conversion, and reverse the phase. A EQ graph This mini-graph shows the approximate EQ response for each input channel. When you click the graph at which the cursor is currently located, the EQ PARAM screen for that channel will appear.
2 Here you can recall, store, rename, or delete items in the input EQ library. INPUT EQ LIBRARY 3 Information shown in the display INPUT EQ LIBRARY screen 1 A GANG When you turn this button on, attenuation/gain settings will be linked for adjacent odd-numbered/evennumbered channels (or the L/R sides of an STIN/ FXRTN channel). If the settings are different when you turned the button on, they will maintain their relative difference while linked.
INPUT GATE/COMP function INPUT GATE/COMP function E Level meters These meters indicate the amount of gain reduction (GR), the peak level before (PRE) and after (POST) the gate, and the peak level of the key-in signal (KEY IN) that causes the gate to operate. If the signal clips, the OVER segment will light. If stereo link is turned on for the input channel (or if a ST IN channel is selected), level meters for two channels are displayed.
❏ Key-in signal flow when Link= Off THR Detect maxOdd-numbered channel key-in signal imum level ATTACK processing GR Even-numbered THR Detect maximum level channel key-in signal ATTACK processing GR L CUE This button cue-monitors the currently selected key-in signal. Note Note Stereo Link is fixed at On for paired channels. H Gate graph This graph displays the approximate response of the gate.
INPUT GATE/COMP function COMP PARAM (Compressor parameter) screen F Level meters These meters indicate the amount of gain reduction (GR), the peak level before (PRE) and after (POST) the compressor, and the peak level of the key-in signal (KEY IN) that causes the compressor to operate. If the signal clips, the OVER segment will light. Here you can edit the compressor parameters of the selected input channel.
CH 25-36 (Input channel 25–36) screen Select the desired key-in signal from the following choices.
INPUT GATE/COMP function 2 1 4 GATE LIBRARY screen Here you can recall, store, rename, or delete items in the gate library. GATE LIBRARY 3 5 6 7 A Gate graph This mini-graph shows the approximate gate response for each input channel. If you click the mini-graph, the GATE PARAM screen for that channel will appear. B Level meters These meters show the amount of gain reduction produced by the gate (at left), and the peak level of the signal after passing through the gate (at right).
COMP LIBRARY (Compressor library) screen Here you can recall, store, rename, or delete items in the compressor library. Function menu COMP LIBRARY Information shown in the display 9 5 6 7 Global functions 8 J E RECALL Except for the fact that these settings are for input channels, this is the same as the OUTPUT COMP function COMP LIBRARY screen. Refer to p.232. Recalls the gate library item selected in the list into memory.
INPUT DELAY function INPUT DELAY function 2 CH 1-24 (Input channel 1–24) screen 3 CH 25-48 (Input channel 25–48) screen 4 ST IN (ST IN channel) screen 5 Here you can edit the delay parameters of the selected input channel. B GANG CH 1-24 C Delay time knob D DELAY ON/OFF These are the same as in the OUTPUT DELAY function (➥ p.233). E Channel This area shows the number and name of the input channel you are editing.
Information shown in the display INPUT DCA/GROUP function DCA GROUP ASSIGN screen Here you can specify the input channels that will be assigned to DCA groups 1–8. The level of input channels belonging to the same DCA group can be adjusted as a whole using DCA faders 1–8. D SET BY CUE (Assign by [CUE] key) This specifies whether the [CUE] key will be used to make/cancel DCA group assignments.
INPUT DCA/GROUP function MUTE GROUP ASSIGN screen EQ LINK ASSIGN screen Here you can specify the input channels that will be assigned to mute groups 1–8. Muting can be switched on/ off together for channels assigned to the same mute group. Here you can specify the input channels that will be assigned to EQ link groups 1–8. EQ parameters are linked for channels belonging to the same group.
Here you can specify the input channels that will be assigned to compressor link groups 1–8. Compressor parameters are linked for channels belonging to the same group. Information shown in the display COMP LINK ASSIGN (Compressor link assign) screen COMP LINK ASSIGN 4 Function menu 3 C SET BY CUE (Assign by [CUE] key) Global functions This specifies whether the [CUE] key will be used to make/cancel EQ link group assignments.
PAN/ROUTING function ❏ POST ON PAN/ROUTING function The signal will be sent from immediately after the [ON] key. CH to MIX (Channel to mix) screen INPUT CHANNEL 1 FADER ON CH to MIX …… PAN TO ST MIX1 (VARI) LEVEL …… STEREO L STEREO R POST ON/POST TO ST= MIX1 MIX2 Here you can send signals from input channels to the desired MIX bus. In this screen you can also switch the type (VARI or FIXED) of each MIX bus, and specify the location from which the signal will be sent.
Input channel 2 ↓ MIX bus 2 Input channel 1 ↓ MIX bus 2 Input channel 1 ↓ MIX bus 1 ❏ Type = FIXED, Pairing = enabled Input channel 2 ↓ MIX buses 1/2 Input channel 1 ↓ MIX buses 1/2 Input channel 2 ↓ MIX bus 1 Information shown in the display ❏ Type = FIXED, Pairing = disabled INPUT CHANNEL 1 FADER ON …… INPUT CHANNEL 1 FADER ON …… …… PAN …… PAN STEREO L STEREO R MIX1 MIX2 STEREO L STEREO R MIX1 MIX2 SEND ON/OFF button On/off switch for the signal sent from input channels to each MIX bus.
PAN/ROUTING function ❏ Type = VARI, Pairing = disabled Input channel 2 ↓ MIX bus 2 Input channel 1 ↓ MIX bus 2 Input channel 2 ↓ MIX bus 1 SEND ON/OFF button On/off switch for the signal sent from input channels to the two MIX buses. SEND LEVEL knob Adjusts the level of the signal sent from input channels to each MIX bus. PRE/POST button Selects either PRE (pre-EQ or pre-fader) or POST (post ON or post TO ST) as the location from which the signal will be sent from input channels to each MIX bus.
J Note K E PRE EQ/PRE FADER These buttons let you specify in greater detail the location from which the pre-fader signal will be sent from an input channel to the MIX buses. You can choose one of the following two send locations.
PAN/ROUTING function • The POST ON/POST TO ST button will be set to POST TO ST for the destination MIX bus. Note • Mix Minus does not switch a “mode”; rather, it is a quick way to make certain settings. This means that even after executing Mix Minus, you can freely edit the parameters of the CH to MIX screen. • When you execute the Mix Minus operation, only the input channel you selected as the source will be removed from the mix.
Information shown in the display • Mix pan/balance When the destination MIX bus is paired, move the cursor to a MIX PAN/BALANCE knob displayed in the CH to COPY area; then hold down the [SHIFT] key and click (or press the [SHIFT] key + [ENTER] key) to access the following window. Note Note • This operation is ignored by unpaired MIX buses and FIXED-type MIX buses. • You cannot copy PAN parameters to BALANCE parameters (or vice versa).
PAN/ROUTING function B SEND LEVEL, PRE/POST (Send level / Send point) MIX SEND VIEW screen This screen lists the signals sent from the input channels to the MIX buses. You can also edit the settings from within this screen. MIX SEND VIEW 1 2 Select one of the following two parameters to view in the grid. ❏ When the SEND LEVEL button is on The send levels of the signals sent from input channels to MIX buses are shown in the grid as bar graphs.
C Grid Each indication has the following significance. (green) . . . PRE EQ (immediately before the EQ) (yellow) . . PRE FADER (immediately before the fader) (gray) . . . . POST ON (immediately after the [ON] key) (red) . . . . . POST TO ST (immediately after the [TO ST] key) 4 Information shown in the display Function menu D SELECTED PARAMETER (currently selected parameter) This indicates the input channel and MIX bus for the grid where the cursor is currently located.
PAN/ROUTING function D TO ST (To stereo) FIX ASSIGN VIEW screen If this button is on, the corresponding input channel is assigned to the STEREO bus. This is linked with the TO ST button of the CH to MIX screen (PAN/ROUTING function). This screen lists the signals sent from the input channels to the buses and direct outputs. You can also set or cancel these assignments from within this screen.
Here you can make settings for LCR mode, which allows three-channel playback by adding a CENTER channel to the L/R channels of the STEREO bus. SURR PARAM (Surround parameter) screen Here you can perform realtime control of surround panning for the two currently selected input channels. LCR 1 Output functions Except for the fact that the send-sources are input channels, the display and operations are the same as in the MATRIX/ST function LCR screen. Refer to p.242.
PAN/ROUTING function ❏ If Surround Mode = 6.1ch An F knob for controlling the front divergence and an R knob for controlling the rear divergence are displayed. Use these two knobs to specify the proportion (0–100) at which a signal positioned in the center will be sent to the center buses (C, S, Bs) and the left/right buses (L, R, Ls, Rs). In 6.1ch mode, a LINK button that links the front and rear divergence is displayed between the F knob and R knob.
M/S screen This screen shows the surround settings for each input channel. From this screen you can also jump to the SURR PARAM screen for the desired channel. For two adjacent odd-numbered/even-numbered input channels (or ST IN channel L/R), these settings convert the two-channel signal from an MS mic into L/R signals.
INPUT VIEW function INPUT VIEW function D EQ Refer to the explanation of the OUTPUT VIEW function CH VIEW screen (➥ p.245). CH VIEW (Channel view) screen E GATE This area shows the amount of gain reduction and the output level of the gate, a mini-graph showing the approximate response of the gate, and the gate on/off status. You can also switch the gate on/off from this screen. If you click the mini-graph, the GATE PARAM screen for that channel will appear.
SIGNAL FLOW screen This screen shows the signal flow for two adjacent oddnumbered/even-numbered input channels or ST IN channels. In this screen you can also edit some of the parameters, and access other screens. You can also determine the location within the signal flow at which clipping occurred.
INPUT VIEW function • POST ON (immediately after the CH [ON] key) • INSERT IN (immediately after the insert point) FADER VIEW screen This screen shows the on/off status, level, and cue monitor status of the input channels and DCA groups. 5 FADER VIEW E Signal flow • • • • • • • • • This area indicates the signal flow of the selected channel. The following parameters are displayed.
In this screen you can copy the desired parameter(s) from the selected input channel into a memory buffer, and paste them to the same type of channel (you may select more than one paste-destination). INPUT CH LIBRARY (Input channel library) screen Here you can recall, store, rename, or delete items in the input channel library.
Appendices Appendices EQ Library List # 01 Parameter Title Bass Drum 1 LOW L-MID H-MID HIGH PEAKING PEAKING PEAKING H.SHELF G +3.5 dB –3.5 dB 0.0 dB +4.0 dB F 100 Hz 265 Hz 1.06 kHz 5.30 kHz Q 02 Bass Drum 2 1.2 10 0.9 — PEAKING PEAKING PEAKING LPF G +8.0 dB –7.0 dB +6.0 dB ON F 80 Hz 400 Hz 2.50 kHz 12.5 kHz Q 03 Snare Drum 1 Snare Drum 2 0.0 dB +3.0 dB +4.5 dB 132 Hz 1.00 kHz 3.15 kHz 5.00 kHz 1.2 4.5 0.11 — L.
PEAKING PEAKING PEAKING –1.0 dB +1.0 dB +1.5 dB +2.0 dB F 118 Hz 400 Hz 2.65 kHz 6.00 kHz 30 Total EQ 1 0.18 0.45 0.56 0.14 L.SHELF PEAKING PEAKING H.SHELF G –7.0 dB +1.5 dB +1.5 dB +2.5 dB F 112 Hz 335 Hz 2.00 kHz 6.70 kHz Q — 0.16 0.2 — PEAKING PEAKING PEAKING PEAKING G –2.0 dB –1.0 dB +1.5 dB +3.0 dB F 90 Hz 850 Hz 2.12 kHz 4.50 kHz Q 2.8 2 0.7 7 PEAKING PEAKING PEAKING H.SHELF G –0.5 dB 0.0 dB +3.0 dB +6.5 dB F 95 Hz 950 Hz 2.12 kHz 16.
Compressor Library List Compressor Library List # 1 Title Comp Type COMP Parameter 3 Expand Compander (H) EXPAND COMPAND-H COMPAND-S 6 A. Dr. BD A. Dr. BD COMP COMPAND-H 8 A. Dr. SN A. Dr. SN COMP EXPAND 2 Attack (ms) 60 Attack (ms) 38 Out gain (dB) 0.0 10 A. Dr. Tom COMPAND-S EXPAND COMPAND-S Out gain (dB) –3.5 Width (dB) 54 250 Release (ms) 842 Threshold (dB) –23 Threshold (dB) –12 Ratio ( :1) 1.
COMP Syn. Pad COMP 25 26 27 28 SamplingPerc Sampling BD Sampling SN Hip Comp Solo Vocal1 COMPAND-S COMP COMP COMPAND-S COMP 2 Attack (ms) 76 Attack (ms) 1 Out gain (dB) 2.5 COMP COMP EXPAND Out gain (dB) 2 Knee 2.0 2 186 Release (ms) 284 Threshold (dB) –18 Threshold (dB) –14 Ratio ( :1) 1.7 Ratio ( :1) 2.5 Attack (ms) 18 Attack (ms) Out gain (dB) 4.0 32 Announcer COMPAND-H 1 Out gain (dB) 1 –2.
Dynamics Parameters Dynamics Parameters Each channel has a GATE section (input channels and ST IN channels only) and a COMP section. The Gate section includes Gate and Ducking types. The Comp section includes Compressor, Expander, Compander Hard (COMP. (H)), and Compander Soft (COMP. (S)) types. GATE section ❏ GATE A gate attenuates signals below a set THRESHOLD level by a specified amount (RANGE). Parameter Range Description THRESHOLD (dB) –54.0 to 0.
❏ Compressor (COMP) The COMP processor attenuates signals above a specified THRESHOLD by a specified RATIO. The COMP processor can also be used as a limiter, which, with a RATIO of ∞:1, reduces the level to the threshold. This means that the limiter’s output level never actually exceeds the threshold. Description –54.0 to 0.0 (541 points) This determines the level of input signal required to trigger the compressor. RATIO 1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1, 2.5:1, 3.0:1, 3.5:1, 4.0:1, 5.0:1, 6.
Dynamics Parameters ❏ COMPANDER HARD (COMP.(H)) ❏ COMPANDER SOFT (COMP.(S)) Output Level The hard and soft companders combine the effects of the compressor, expander and limiter. THRESHOLD WIDTH 0dB Input Level The companders function differently at the following levels: 1 0 dB and higher . . . . . . . . . . . . . . . . . . Functions as a limiter. 2 Exceeding the threshold . . . . . . . . . . Functions as a compressor. 3 Below the threshold and width . . . . Functions as an expander.
001 Reverb Hall 002 Reverb Room Type Description No. REVERB HALL Concert hall reverberation simulation with gate REVERB ROOM Room reverberation simulation with gate Title Type Description 041 Multi.Filter MULTI.FILTER 3-band parallel filter (24 dB/ octave) 042 Freeze FREEZE Simple sampler 043 Stereo Reverb ST REVERB Stereo reverb M.BAND DYNA. Multi-band dynamics processor REVERB STAGE Reverb designed for vocals, with gate 044 M.Band Dyna.
Effects Parameters Effects Parameters ❏ REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE One input, two output hall, room, stage, and plate reverb simulations, all with gates. Parameter REV TIME INI. DLY Range Description Parameter TYPE Range Type-A, Type-B Description Type of early reflection simulation Reverb time ROOMSIZE 0.1–20.0 Reflection spacing 0.0–500.0 ms Initial delay before reverb begins LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live) INI. DLY 0.
0.0–2725.0 ms Delay time Parameter DELAY L 0.0–1350.0 ms Left channel delay time –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) DELAY R 0.0–1350.0 ms Right channel delay time FB.DLY L 0.0–1350.0 ms Left channel feedback delay time FB.DLY R 0.0–1350.0 ms Right channel feedback delay time FB. G L –99 to +99% Left channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) FB.
Effects Parameters ❏ FLANGE ❏ AUTOPAN Two input, two output flange effect. Parameter Range Two input, two output autopanner. Description Parameter Range 0.05–40.00 Hz Modulation speed FREQ. DEPTH 0–100% Modulation depth DEPTH 0–100% Modulation depth MOD. DLY 0.0–500.0 ms Modulation delay time DIR. *1 Panning direction FB.
Parameter Range Description PITCH 1 –24 to +24 semitones Channel #1 pitch shift FREQ. 0.05–40.00 Hz FINE 1 –50 to +50 cents Channel #1 pitch shift fine DEPTH 0–100% Modulation depth LEVEL 1 –100 to +100% Channel #1 level (plus values for normal phase, minus values for reverse phase) PHASE 0.00–354.38 degrees Left-channel modulation and right-channel modulation phase difference PAN 1 L63 to R63 Channel #1 pan TYPE LPF, HPF, BPF DELAY 1 0.0–1000.
Effects Parameters ❏ DYNA. FLANGE ❏ REV+CHORUS Two input, two output dynamically controlled flanger. Parameter Range Description One input, two output reverb and chorus effects in parallel. Parameter Range REV TIME 0.3–99.0 s Description Reverb time SOURCE INPUT, MIDI Control source: input signal or MIDI Note On velocity INI. DLY 0.0–500.0 ms Initial delay before reverb begins SENSE 0–100 Sensitivity HI. RATIO 0.1–1.0 High-frequency reverb time ratio DIR.
INI. DLY HI. RATIO Description Parameter Range Description Reverb time REV TIME 0.3–99.0 s 0.0–500.0 ms Initial delay before reverb begins INI. DLY 0.0–500.0 ms Initial delay before reverb begins 0.1–1.0 High-frequency reverb time ratio HI. RATIO 0.1–1.0 High-frequency reverb time ratio DIFF. 0–10 Spread DIFF. 0–10 Spread DENSITY 0–100% Reverb density DENSITY 0–100% Reverb density HPF THRU, 21.2 Hz– 8.00 kHz HPF THRU, 21.2 Hz– 8.
Effects Parameters ❏ REV→PAN ❏ DELAY→ER. One input, two output reverb and autopan effects in parallel. One input, two output delay and early reflections effects in series. Parameter Range REV TIME 0.3–99.0 s INI. DLY HI. RATIO Description Parameter Range Description Reverb time DELAY L 0.0–1000.0 ms Left channel delay time 0.0–500.0 ms Initial delay before reverb begins DELAY R 0.0–1000.0 ms Right channel delay time 0.1–1.0 High-frequency reverb time ratio FB. DLY 0.0–1000.
One input, two output delay and reverb effects in series. Two input, two output 3-band multi-filter (24 dB/octave). Description Left channel delay time DELAY R 0.0–1000.0 ms Right channel delay time FB. DLY 0.0–1000.0 ms FB.
Effects Parameters ❏ ST REVERB ❏ M.BAND COMP Two input, two output stereo reverb. Parameter Range Description REV TIME 0.3–99.0 s REV TYPE Hall, Room, Stage, Plate Reverb time Reverb type INI. DLY 0.0–100.0 ms Initial delay before reverb begins HI. RATIO 0.1–1.0 LO. RATIO Two input, two output 3-band compressor, with individual solo and gain reduction metering for each band. Parameter Range Description LOW GAIN –96.0 to +12.0 dB Low band level MID GAIN –96.0 to +12.
• Parameters related to tempo synchronization The following five parameters are related to tempo synchronization. 1) SYNC 2) NOTE 3) TEMPO 4) DELAY 5) FREQ. SYNC: ............................ This is the on/off switch for tempo synchronization. NOTE and TEMPO:..... These are the basic parameters for tempo synchronization. DELAY and FREQ.: ...... DELAY is the delay time, and FREQ. is the frequency of the modulation signal. These directly affect the way in which the effect sound will change.
Scene Memory/Effect Library to Program Change Table Scene Memory/Effect Library to Program Change Table ❏ Preset Bank/Ch# 1 Program Change# 308 Scene/ Effect ❏ Preset Bank/Ch# 2 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 Program Change# 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 022 023 024 025 026 027 028 029 030 031 032 033 034 035 03
Program Change# Scene 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058
Scene Memory/Effect Library to Program Change Table ❏ Preset Bank/Ch# 13 ❏ Preset Bank/Ch# 5 Program Change# 001 002 003 : 128 Scene/Effect Preset# No Assign Scene/Effect Preset# No Assign Scene/Effect Preset# No Assign Program Change# 001 002 003 : 128 Program Change# 001 002 003 : 128 Scene/Effect Preset# No Assign Program Change# 001 002 003 : 128 ❏ Preset Bank/Ch# 9 Program Change# 001 002 003 : 128 Scene/Effect Effect1 Preset# 001 002 003 : 128 ❏ Preset Bank/Ch# 10 Program Change#
User# Program Change# 001 044 087 002 045 088 003 046 089 004 047 090 005 048 091 006 049 092 007 050 093 008 051 094 009 052 095 010 053 096 011 054 097 012 055 098 013 056 099 014 057 100 015 058 101 016 059 102 017 060 103 018 061 104 019 062 105 020 063 106 021 064 107 022 065 108 023 066 109 024 067 110 025 068 111 026 069 112 027 070 113 028 071 114 029 072 115 030 073 116 031 074 117 032 075 118 033 076
Parameters that can be assigned to control changes Parameters that can be assigned to control changes MODE PARAMETER 1 PARAMETER 2 — — NO ASSIGN INPUT CH 1–CH48 STIN1L–STIN4R FXRTN1L–FXRTN4R OUTPUT MIX 1–MIX24 MATRIX 1–MATRIX 8 STEREO AL–STEREO BR INPUT CH 1–CH48 STIN1L–STIN4R FXRTN1L–FXRTN4R OUTPUT MIX 1–MIX24 MATRIX 1–MATRIX 8 STEREO AL–STEREO BR FADER H FADER L MODE ST TO MATRIX MATRIX 1 LEVEL H– MATRIX 8 LEVEL H MATRIX 1/2 PAN– MATRIX 7/8 PAN ON IN DELAY TIME HIGH TIME MID OUTPUT M
L LOW BYPASS ATTACK L LOW Q THRESHOLD OUTPUT COMP L LOW GAIN RELEASE L RATIO L LOW MID Q GAIN L LOW MID GAIN L HIGH MID BYPASS KNEE/WIDTH MIX 1–MIX24 MATRIX 1–MATRIX 8 STEREO AL–STEREO BR LFE H LFE L L HIGH MID Q DIVERGENCE F L HIGH MID FREQ SURROUND L HIGH BYPASS FRONT-REAR PAN L HIGH Q L HIGH FREQ EFFECT U LOW BYPASS MIX BALANCE U LOW FREQ GEQ U LOW GAIN ON GAIN 1–GAIN31 DCA U LOW MID Q FADER H MIX 1–MIX24 STEREO AL–STEREO BR MUTE MASTER ON MASTER 1–MASTER 8 ON CH 1–CH48 S
Control change parameter assignments Control change parameter assignments ❏ PRESET CHANNEL1 Control Change# MODE PARAMETER 1 Control Change# MODE PARAMETER 1 PARAMETER 2 1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 11 CH11 74 CH11 12 CH12 75 CH13 76 CH14 77 CH14 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH1
MODE PARAMETER 1 PARAMETER 2 1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH35 12 CH36 75 CH37 76 CH38 77 CH38 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 CH44 21 CH45 84 CH45 22 CH46 85 CH46 23 CH47 86 CH47 24 CH48 87 25 MIX 5 88 INPUT 13 14 15 FADER H
Control change parameter assignments ❏ PRESET CHANNEL3 Control Change# MODE PARAMETER 1 PARAMETER 2 Control Change# PARAMETER 1 PARAMETER 2 1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 11 CH11 74 CH11 12 CH12 75 CH13 76 14 CH14 77 CH14 15 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH19 82 CH19 20 CH20
MODE PARAMETER 1 PARAMETER 2 1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH35 12 CH36 75 CH37 76 14 CH38 77 CH38 15 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 CH44 21 CH45 84 CH45 22 CH46 85 CH46 23 CH47 86 CH47 24 CH48 87 25 MIX13 88 13 INPUT EQ LO
Control change parameter assignments ❏ PRESET CHANNEL5 PARAMETER 2 Control Change# 1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 CH11 74 CH11 CH12 75 CH13 76 14 CH14 77 CH14 15 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH19 82 CH19 20 CH20 83 CH20 21 CH21 84 CH21 22 CH22 85 CH22 23 CH23 86 CH23
1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH35 CH36 75 CH37 76 14 CH38 77 CH38 15 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 CH44 21 CH45 84 CH45 22 CH46 85 CH46 23 CH47 86 CH47 24 CH48 87 25 MIX 9 88 INPUT EQ PARAMETER 2 LOW MID FREQ CH36 CH37 CH48
Control change parameter assignments ❏ PRESET CHANNEL7 PARAMETER 2 Control Change# 1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 CH11 74 CH12 75 CH13 76 14 CH14 77 CH14 15 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH19 82 CH19 20 CH20 83 CH20 21 CH21 84 CH21 22 CH22 85 CH22 23 CH23 86 CH23 24 C
1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH36 75 CH37 76 14 CH38 77 CH38 15 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 CH44 21 CH45 84 CH45 22 CH46 85 CH46 23 CH47 86 CH47 24 CH48 87 25 MIX21 88 MIX22 89 CH25 MIX23 90 CH26 MIX24 91 CH27 92 CH2
Control change parameter assignments ❏ PRESET CHANNEL9 Control Change# MODE PARAMETER 1 PARAMETER 2 Control Change# PARAMETER 1 PARAMETER 2 1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 11 CH11 74 CH11 12 CH12 75 CH13 76 14 CH14 77 CH14 15 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH19 82 CH19 20 CH20
MODE PARAMETER 1 PARAMETER 2 1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH35 12 CH36 75 CH37 76 14 CH38 77 CH38 15 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 CH44 21 CH45 84 CH45 22 CH46 85 CH46 23 CH47 86 CH47 24 CH48 87 25 MATRIX 5 88 13 INPUT EQ
Control change parameter assignments ❏ PRESET CHANNEL11 Control Change# MODE PARAMETER 1 PARAMETER 2 Control Change# PARAMETER 1 PARAMETER 2 1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 11 CH11 74 CH11 12 CH12 75 CH13 76 14 CH14 77 CH14 15 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH19 82 CH19 20 CH20
MODE PARAMETER 1 PARAMETER 2 1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH35 12 CH36 75 CH37 76 14 CH38 77 CH38 15 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 CH44 21 CH45 84 CH45 22 CH46 85 CH46 23 CH47 86 CH47 24 CH48 87 25 CH13 88 13 INPUT ATT IN
Control change parameter assignments ❏ PRESET CHANNEL13 Control Change# MODE PARAMETER 1 Control Change# MODE PARAMETER 1 PARAMETER 2 1 CH 1 64 CH 1 2 CH 2 65 CH 2 3 CH 3 66 CH 3 4 CH 4 67 CH 4 5 CH 5 68 CH 5 6 CH 6 69 CH 6 7 CH 7 70 CH 7 8 CH 8 71 CH 8 9 CH 9 72 CH 9 10 CH10 73 CH10 11 CH11 74 CH11 12 CH12 75 CH13 76 14 CH14 77 CH14 15 CH15 78 CH15 16 CH16 79 CH16 17 CH17 80 CH17 18 CH18 81 CH18 19 CH19 82 CH19 20 CH20 83 C
MODE PARAMETER 1 PARAMETER 2 1 CH25 64 CH25 2 CH26 65 CH26 3 CH27 66 CH27 4 CH28 67 CH28 5 CH29 68 CH29 6 CH30 69 CH30 7 CH31 70 CH31 8 CH32 71 CH32 9 CH33 72 CH33 10 CH34 73 CH34 11 CH35 74 CH35 12 CH36 75 CH37 76 14 CH38 77 CH38 15 CH39 78 CH39 16 CH40 79 CH40 17 CH41 80 CH41 18 CH42 81 CH42 19 CH43 82 CH43 20 CH44 83 CH44 21 CH45 84 CH45 22 CH46 85 CH46 23 CH47 86 CH47 24 CH48 87 25 CH37 88 CH38 89 CH25 C
Control change parameter assignments ❏ PRESET CHANNEL15 Control Change# MODE PARAMETER 1 Control Change# 1 CH 1 64 2 CH 2 65 3 CH 3 66 4 CH 4 67 5 CH 5 68 6 CH 6 69 7 CH 7 70 8 CH 8 71 9 CH 9 72 10 CH10 73 11 CH11 74 CH12 75 CH13 76 14 CH14 77 15 CH15 78 16 CH16 79 17 CH17 80 18 CH18 81 19 CH19 82 20 CH20 83 21 CH21 84 22 CH22 85 23 CH23 86 24 CH24 87 25 DCA 1 88 26 DCA 2 89 DCA 3 90 DCA 4 91 12 13 27 SURROUND DCA LEFT-
1 CH25 64 2 CH26 65 3 CH27 66 4 CH28 67 5 CH29 68 6 CH30 69 7 CH31 70 8 CH32 71 9 CH33 72 10 CH34 73 11 CH35 74 CH36 75 CH37 76 14 CH38 77 15 CH39 78 16 CH40 79 17 CH41 80 18 CH42 81 19 CH43 82 20 CH44 83 21 CH45 84 22 CH46 85 23 CH47 86 24 CH48 87 25 DCA5 88 26 DCA6 89 DCA7 90 DCA8 91 12 13 27 SURROUND DCA LEFT-RIGHT PAN FADER H 28 29 30 31 NO ASSIGN MUTE MASTER MASTER5 93 MASTER6 94 33 CH25 95 34 CH26 102 35
Control change parameter assignments ❏ CHANNEL _ Control Change# MODE PARAMETER 1 PARAMETER 2 Control Change# 1 64 2 65 3 66 4 67 5 68 6 69 7 70 8 71 9 72 10 73 11 74 12 75 13 76 14 77 15 78 16 79 17 80 18 81 19 82 20 83 21 84 22 85 23 86 24 87 25 88 26 89 27 90 28 91 29 92 30 93 31 94 33 95 34 102 35 103 36 104 37 105 38 106 39 107 40 108 41 109 42 110 43 111 44 112 45 113 46 114 47 115 48 116 49 117 50 1
MIX1-20, MATRIX18, ST A LR to Matrix LEVEL MIX1-8 to ST LEVEL ON CH to Mix ON MIX1-20, MATRIX18, ST A LR to Matrix LEVEL MIX1-8 to ST ON PHASE INSERT ON 0C4A 0CAA 0D0A 0D6A 0DCA 0E2A 0E8A 0EEA 0F4A 0FAA 100A 106A 10CA 112A 118A 0C89 0CE9 0D49 0DA9 0E09 0E69 0EC9 0F29 0F89 0FE9 1049 10A9 1101 1161 11C1 CH to Mix PRE/ POST INPUT DELAY EQ CH & MIX1-20, MATRIX1-8, ST A LR OUTPUT(LOWER) *1 GATE RANGE HOLD DECAY ON ATTACK THRESH RELEASE RATIO GAIN KNEE CHANNEL MIX9-10 MIX11-12 MIX13-14 MIX15-16 MIX17-1
NRPN parameter assignments PARAMETER EFFECT 1-8 GEQ 1-6 SURROUND FADER 332 BYPASS MIX PARAM1 PARAM2 PARAM3 PARAM4 PARAM5 PARAM6 PARAM7 PARAM8 PARAM9 PARAM10 PARAM11 PARAM12 PARAM13 PARAM14 PARAM15 PARAM16 PARAM17 PARAM18 PARAM19 PARAM20 PARAM21 PARAM22 PARAM23 PARAM24 PARAM25 PARAM26 PARAM27 PARAM28 PARAM29 PARAM30 PARAM31 PARAM32 ON GAIN1 GAIN2 GAIN3 GAIN4 GAIN5 GAIN6 GAIN7 GAIN8 GAIN9 GAIN10 GAIN11 GAIN12 GAIN13 GAIN14 GAIN15 GAIN16 GAIN17 GAIN18 GAIN19 GAIN20 GAIN21 GAIN22 GAIN23 GAIN24 GAIN25 GAIN
OUTPUT EQ OUTPUT EQ IN HPF 3685 368B 3691 3697 369D 36A3 36A9 36E9 3729 3769 37A9 37E9 3829 COMP MIX21-24, ST A LR OUTPUT PAN CH to MIX PAN MIX21-24, ST B LR to Matrix PAN MATRIX1,2 MATRIX3,4 MATRIX5,6 MATRIX7,8 MIX TO ST 382A 3830 3836 383C 3842 382F 3835 383B 3841 3851 MIX9-24 to ST PAN LCR IN, MIX DIRECT OUT CH TO STEREO DCA MUTE MASTER RECALL SAFE HA Information shown in the display 3680 3686 368C 3692 3698 369E 36A4 36AA 36EA 372A 376A 37AA 37EA Function menu ON ATTACK THRESH RELEASE R
Channel Library List Channel Library List This table lists the parameters that are saved in the channel library for INPUT/ST IN channels, MIX channels, MATRIX channels, and STEREO A/B channels.
This table lists the behavior of channel parameters when INPUT/ST IN channels, MIX channels, or MATRIX channels are paired.
MIDI Data Format MIDI Data Format This section explains the format of the data that the PM5D is able to understand, send, and receive. In addition to the messages described here, you can use the MIDI REMOTE function or the MIDI EVENT settings of the SCENE function to transmit any type of command. 1 CHANNEL MESSAGE 1.1 NOTE OFF Equation for converting a Control Value to parameter data paramSteps add mod curValue (8n) Reception These messages are echoed to MIDI OUT if [OTHER ECHO] is ON.
F0 7F dd 01 … F7 MIDI TIME CODE rx Command 11111000 F8 Timing clock 11111111 FF System reset Scene Memory & Request tx/rx Input Channel library & Request tx/rx Output Channel library & Request 1–199 512– (channel current data) 1–199 512– (channel current data) 1–199 512– (channel current data) 1–199 768 - (channel current data) tx/rx Gate library & Request tx/rx Compressor library & Request tx/rx Input Equalizer library & Request tx/rx Output Equalizer library & Request 1–199 512– (GEQ 1-
MIDI Data Format 4.2 Current Scene, Setup, Backup, Window control, Input Patch, Output Patch, HA Data – Parameter request – [Recovery from bulk data to actual data] d[0. 6]: actual data b[0. 7]: bulk data for( I=0; I<7; I++){ b[0] <<= 1; d[I] = b[I+1]+(0x80&b[0]); } 4.2.1 Format 3.3 PARAMTER CHANGE Reception This message is echoed if [Parameter change ECHO] is ON. This message is received if [Parameter change RX] is ON and [Rx CH] matches the Device number included in the SUB STATUS.
Reception This message is received if [Parameter change RX] is ON and [Rx CH] matches the Device number included in the SUB STATUS. This message is echoed if [Parameter change ECHO] is ON. When the message is received, the specified memory/library will be edited. Transmission In response to a request, a Parameter Change message is transmitted on the [Rx CH]. If [Parameter change ECHO] is ON, the message is transmitted without change. 4.3.
MIDI Data Format MODEL ID DATA CATEGORY FUNCTION NAME 4.5.4 Protect (Parameter change) format 00001111 0F PM5D 00000000 00 OTHER DATA STATUS ID No.
Transmission In response to a request, a Parameter Change message is transmitted on the [Rx CH]. If [Parameter change ECHO] is ON, the message is transmitted without change. STATUS ID No.
MIDI Data Format 4.8 Time Counter Data – Time Code – 4.6.2 Effect module names MODULE NAME Freeze Play button Freeze Record button "FRZPLAY_" "FRZREC__" channel 0:Effect1 - 7:Effect8 0:Effect1 - 7:Effect8 Nothing will happen if the Effect Type is different. 4.7 Level Meter Data – Parameter change – 4.7.1 Format (Parameter change) Once a Level Meter Request is received to enable transmission, the specified meter data will be transmitted at 50 msec intervals for a duration of ten seconds.
#xxx of Scene is Read Only! You attempted to overwrite (store) a read-only scene. #xxx of Scene is Protected! You attempted to overwrite (store) a protected scene. Cannot Undo! You pressed the SCENE MEMORY [UNDO] key when Undo was not available. Cannot Assign! You clicked an unavailable (grayed-out) grid in the patch screen, or pressed an invalid key on the panel (e.g., a DCA/MUTE assign key that is unavailable due to the selected channel).
Error Messages Message Meaning Parameter Locked. Parameter Lock has been enabled. Parameter Unlocked. Parameter Lock has been defeated. This Parameter is Locked. The parameter you attempted to control is locked. Channel Copied. The selected channel settings were copied to the memory buffer. Channel Pasted. The channel settings in the memory buffer were pasted to the selected channel. Nothing to Paste! Paste cannot be performed because there is no data in the memory buffer.
Sound is not output ❍ ❍ ❍ ❍ Is the optional I/O card installed correctly? (➥ p.30) Is the [ON] key indicator of the STEREO A/B channel lit? Is an output port patched to the output channel? (➥ p.67) Could LCR be on, and the CSR value be set to 1.0? (➥ p.
General Specifications You paired input channels, but the signal phase is incorrect ❍ Set the paired input channels to the same phase setting. Even when channels are paired, the phase settings are not linked. (➥ p.45) When you recall a scene, some channels/parameters are not updated ❍ Could those channels/parameters be set to Recall Safe or Selective Recall? (➥ p.
Connector XLR-3-31 Type (Balanced) x48 Phantom Power PM5D: PM5D-RH: +48V DC is supplied to Input by individual mechanical switch +48V DC is supplied to Input by individual software control Pad Switch PM5D: 0/26 dB attenuation PM5D: 44 dB detented –60 dB to –16 dB (PAD=OFF), –34 to +10 dB (PAD=ON) 72 dB by software control –62 dB to 10 dB (1 dB step) Red LED is lit when post HA level reaches 3 dB below clipping Signal Indicator Green LED is lit when post HA level reaches 14 dB below nominal Inse
Input/output characteristics Input/output characteristics ❏ Analog Input Characteristics (PM5D) Input Terminals PAD GAIN Actual Load Impedance For Use With Nominal Input Level GAIN SW *4 –60dB 0 3kΩ INPUT 1-48 –16dB 50-600Ω Mics & 600Ω Lines — 26 –34dB ST IN1-4 [L,R] — Sensitivity *1 Nominal Max. Before Clip –80 dBu (0.0775 mV) –60 dBu (0.775 mV) –40 dBu (7.75 mV) –36 dBu (12.3 mV) –16 dBu (123 mV) +4 dBu (1.23 V) –10 dBu (245 mV) +10 dBu (2.45 V) +30 dBu (24.51 V) –54 dBu (1.
Actual Source Impedance For Use With Nominal STEREO A,B [L,R] 150Ω 600Ω Lines MONITOR OUT [L,R,C] 150Ω 600Ω Lines CUE OUT [L,R] 150Ω 600Ω Lines MATRIX OUT 1-8 150Ω 600Ω Lines MIX OUT 1-24 150Ω 600Ω Lines INSERT OUT 1-48 150Ω 10kΩ Lines PHONES (x 2) 15Ω Nominal Max. Before Clip +24 dB (default) +4 dBu (1.23 V) +24 dBu (12.28 V) +18 dB –2 dBu (616 mV) +18 dBu (6.16 V) +24 dB (default) +4 dBu (1.23 V) +24 dBu (12.28 V) +18 dB –2 dBu (616 mV) +18 dBu (6.
Input/output characteristics • Channel Status of 2TR OUT DIGITAL 1,2 byte bit Block Format 1 Mode 2-4 0 5 6-7 1 2 3 field name 0 fixed Emphasis Fs Lock Sampling Frequency variable 0-3 Channel Mode 4-7 Users Bit Management 0-2 Use of AUX 3-7 Source 0-7 Multi Channel 0-1 Digital Audio Reference Signal 3-6 7 fixed fixed 2 4 fixed/variable fixed — Sampling Frequency fixed variable Sampling Frequency Scan Flag data description 1 professional use 0 audio 0x4 off 0 lock
Format Level B Type USB Connector IN MIDI THRU Connector USB 1.1 — MIDI DIN Connector 5P OUT TIME CODE IN WORD CLOCK SMPTE IN OUT SMPTE 0.3Vpp(Min)/10.0Vpp(Max), 10kΩ TTL/75Ω (ON/OFF) — TTL/75Ω GPI — KEYBOARD PS/2 MOUSE LAMP 1,2,3 D-Sub Connector 9P (Female) — DIN Connector 6P 2.5V - 11.5V — MEMORY CARD D-Sub Connector 9P (Male) RS422 RS422 REMOTE BNC Connector D-Sub Connector 25P (Female)*3 — HA REMOTE XLR-3-31 Type (Balanced)*1 — XLR-4-31 Type*2 PCMCIA (Compact Flash) *1.
Electrical characteristics Electrical characteristics All faders are nominal when measured. Output impedance of signal generator:150ohms ❏ Frequency Response Input Fs= 44.1 kHz or 48 kHz @20 Hz–20 kHz, referenced to the nominal output level @1 kHz Fs= 88.2 kHz or 96 kHz @20 Hz–40 kHz, referenced to the nominal output level @1 kHz Output RL Conditions Min. Typ. Max. Unit 0.0 0.5 dB Min. Typ. Max. Unit 2.0 4.0 6.0 2.0 4.0 6.
❏ Hum & Noise Conditions Min. Typ. Master fader at nominal level and one INPUT fader at nominal level. INPUT 1-48 STEREO A,B 600Ω STEREO A,B 600Ω STEREO A,B Rs= 150Ω, GAIN: Max., PAD: Off –64 PM5D-RH: Rs= 150Ω, GAIN: Max. –62 Master fader at nominal level and one INPUT fader at nominal level. PM5D: Rs= 150Ω, GAIN: Min., PAD: On PM5D-RH: Rs= 150Ω, GAIN: Min. –81 –64 Master fader at nominal level.
Other Functions Other Functions ❏ Libraries ❏ Output Function Name Number Total Function Parameter Scene Memory Preset 1 + User 500 501 Frequency= 20 Hz to 20 kHz Input Patch Library Preset 1 + User 99 100 Gain= –18 dB to +18 dB Output Patch Library Preset 1 + User 99 100 Input Channel Library Preset 1 + User 199 200 Output Channel Library Preset 1 + User 199 200 Input EQ Library Preset 40 + User 159 199 Output EQ Library Preset 3 + User 196 199 GATE Library Preset 4 + User 1
❏ CASCADE OUT Pin Signal Pin Signal Pin Signal Pin 1 GND 35 GND 1 GND 35 GND 2 Input 1-2(+) 36 Input 1-2(–) 2 Output 1-2(+) 36 Output 1-2(–) 3 Input 3-4(+) 37 Input 3-4(–) 3 Output 3-4(+) 37 Output 3-4(–) 4 Input 5-6(+) 38 Input 5-6(–) 4 Output 5-6(+) 38 Output 5-6(–) 5 Input 7-8(+) 39 Input 7-8(–) 5 Output 7-8(+) 39 Output 7-8(–) 6 Input 9-10(+) 40 Input 9-10(–) 6 Output 9-10(+) 40 Output 9-10(–) 7 Input 11-12(+) 41 Input 11-12(–) 7 Output 11-12(
Dimensions 13 3 2 1 4 8 14 15 20 7 13 19 25 6 12 18 23 1 2 3 9 5 11 16 17 22 10 21 16 15 14 ❏ GPI ❏ DC POWER INPUT Pin Signal Name Pin Signal Name Pin Signal Name Pin Signal Name 1 GPO1 14 GPO2 1 +24V 13 GND 2 GPO3 15 GPO4 2 +24V 14 GND 3 GPO5 16 GPO6 3 +24V 15 GND 4 GPO7 17 GPO8 4 +24V 16 GND 5 GND 18 GND 5 +24V 17 GND 6 GND 19 GND 6 +24V 18 GND 7 GND 20 GND 7 +24V 19 CAUTION(+) 8 GND 21 +5V 8 +24V 20 CAUTION(–) 9
MIDI Implementation Chart YAMAHA [Digital Mixing Console] Model: PM5D/PM5D-RH Function... Date: 30-Apr-2004 MIDI Implementation Chart Version: 1.
Index Index Symbols ø ................................................... 59 ø/ATT 1-48 ................................. 262 ø/ATT STIN/FXRTN................... 262 Numerics 2TR I/O....................................... 215 A Accessing a screen ......................... 23 AD IN section ............................... 35 Add-On Effects ........................... 109 Adjusting the input gain (PM5D-RH) ............. 148 Adjusting the output gain ............ 148 ADVANCED mode ..............
G Gain .............................................. 59 Adjusting ............................... 148 Gain reduction ....................... 102 Gate ............................................ 102 Operations ............................... 64 GATE LIBRARY..................... 64, 268 GATE Library List ....................... 291 GATE PARAM ............................ 264 GEQ GEQ ASSIGN ......................... 157 GEQ function......................... 156 GEQ LIBRARY.......................
Index INPUT VIEW function ............... 286 CH COPY .............................. 289 CH VIEW .............................. 286 FADER VIEW ........................ 288 INPUT CH LIBRARY............. 289 SIGNAL FLOW ...................... 287 Input/output characteristics......... 348 INSERT....................................... 259 INSERT IN MIX 1-24.................. 224 INSERT PATCH ............ 70, 221, 254 INSERT POINT .......................... 222 INSERT STIN .............................
P PAIR MODE .......................... 45, 200 Pairing Enabling/disabling.................... 45 Pairing MIX channels ............... 51 PAN/ROUTING function ........... 274 CH to MIX ............................. 274 FIX ASSIGN VIEW ................ 282 LCR ....................................... 283 M/S ........................................ 285 MIX SEND VIEW .................. 280 SURR PARAM ....................... 283 SURR VIEW .......................... 285 Panels ....................................
Index T Tabs ....................................... 19, 150 TALKBACK ..................... 97, 98, 212 TALKBACK/OSCILLATOR sections ................................... 97 TALLY ........................................ 179 TAP TEMPO BPM....................................... 153 Tap Tempo function ................... 108 Tapping ........................................ 22 TB indicator ................................ 150 TIME CODE ........................ 149, 163 TIME CODE SETUP ...................
PM5D/PM5D-RH Block Diagram PM5D(NonRecallable HA) SIGNAL AD ST IN 1-4 L GATE KEYIN METER Keyin Self Pre EQ/ Self Post EQ/ Mix21-24 OUT/ Keyin Filter CH1-8 Post EQ/ CH9-16 Post EQ/ ... CH41-48 Post EQ LINK ON/OFF INSERT IN LEVEL/ DCA1-8 ON Keyin Self Pre EQ/ Self Post EQ/ Mix21-24 OUT/ CH1-8 Post EQ/ CH9-16 Post EQ/ ...
PM5D Level Diagram Analog Analog dBu +30 +24 +20 Digital dBFS 0 -10 +10 +4 0 -20 -10 -40 -20 -50 -30 -60 -40 -70 -50 -80 -30 -60 -90 -70 -100 -80 -110 -90 -120 -100 -130 -110 -140 -120 -150 -130 -160 -140 -170 -150 -180 -160 -190 -170 -180 -190 -200 -210 PAD GAIN Digital AD INPUT PATCH Digital MSEQ INSERT GATE COMP INSERT DELAY LEVEL DCA INSERT ON HPF INSERT (x4) PHASE ATT.
PM5D-RH Level Diagram Analog Analog dBu +30 +24 +20 Digital 0 -10 -20 -10 -40 -20 -50 -30 -60 -40 -70 -50 -80 -70 -80 -90 -100 -110 -30 -90 -100 -110 -120 -130 -140 -120 -150 -130 -160 -140 -170 -150 -180 -160 -190 -170 -180 -190 AD INPUT PATCH Digital EQ INSERT GATE COMP INSERT DELAY LEVEL DCA INSERT ON MSPHASE ATT.
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Yamaha Manual Library http://www2.yamaha.co.jp/manual/english/ This document is printed on recycled chlorine free (ECF) paper with soy ink. U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2004 Yamaha Corporation WC42160 405IPAP2.
