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A N ew D i m e n si o n In Digital Live So u nd A lot has changed in the past few years – with more than a little help from Yamaha. Where analog consoles were the only accepted means of handling serious sound reinforcement applications, high-performance digital consoles such as the Yamaha PM1D now share the limelight with their analog brothers such as the PM4000, and more recently the PM5000.
The Ya m a h a D i g i t a l A dvan tage Model PM5D or PM5D-RH: A Choice Of Two Configurations Customers have a choice of two front-end configurations. The PM5D includes 48 XLR/balanced TRS analog mono inputs with manual mic preamps, plus additional 4 stereo line level inputs. The PM5D-RH includes 48 XLR analog mono inputs with recallable mic preamps with 4 stereo inputs that will accept mic level signals.
Elegant, Efficient, and Eminently Practical Everything you need for hands-on mix control is right where you need it. The PM5D’s physical control surface offers direct access to all of the major functions you’re likely to need for just about any real-world application.
Flexibility To Create The Ideal Mix For Any Application In addition to dual stereo mix buses that can be used together for LCR send, the PM5D offers 24 independent mix buses that you can use for submix, auxiliary, effect, or just about any other type of send your application requires … all with master mix control as well as individual mix send level control from all available inputs.
Comprehensive Monitoring Facilities TALKBACK Level Meters Staying in touch with your sound is vital to create the perfect mix. The PM5D’s in-depth cue, monitor and metering facilities let you hear what’s happening at any point in the mix with maximum ease and efficiency.
Details That Make the Job a Pleasure DIRECT RECALL/ MUTE MASTER These are the features that make a difference in workflow and efficiency. On the PM5D they attest to the fact that Yamaha has really listened to feedback from the field, and implemented refinements that make sense in real-world applications. These eight keys can be used either to directly recall assigned scene numbers, or to mute the corresponding mute groups.
Libraries Setting up the entire PM5D system from scratch can be a formidable task, so Yamaha has provided an extensive selection of presets in a range of libraries that can simply be selected and used as they are or modified to suit specific requirements. Of course, your own setups can be added to the libraries for instant recall whenever they are needed.
Comp l et e S o f t wa r e C o n trol System Examples As with other Yamaha digital consoles, editor application software is provided to PM5D users. The PM5D Editor is designed for the offline programming and on-line control, with comprehensive analog-style visual representation of the PM5D controls. The PM5D Editor will run on Windows XP and Mac OSX (10.2 or later) compatible computers connected to the PM5D via USB. 1.
Op t i o n s Software packages are available for adding unique and valuable effect programs to the PM5D internal effect programs. You can edit, store and recall ADD-ON EFFECTS on the console in the usual way. In addition, a special GUI is available in the PM5D editor to manage these effects. The PM5D’s real I/O versatility comes in the form of four mini-YGDAI expansion slots.
PM5D, PM5D-RH Specifications ANALOG OUTPUT CHARACTERISTICS Actual Source Impedance For Use With Nominal STEREO A, B [L, R] 150Ω 600Ω Lines Output Terminals GENERAL SPECIFICATIONS GAIN SW *4 +24dB (default) Max. Before Clip +24dBu (12.28 V) +18dB -2dBu (616mV) +18dBu (6.16V) +24dB (default) +4dBu (1.23 V) +24dBu (12.28 V) +18dB -2dBu (616mV) +18dBu (6.16V) +24dB (default) +4dBu (1.23 V) +24dBu (12.28 V) +18dB -2dBu (616mV) +18dBu (6.16V) +24dB (default) +4dBu (1.23 V) +24dBu (12.
+30 +24 +20 -190 -10 0 +10 +4 0 -20 -10 -40 -20 -50 -30 -60 -40 -70 -50 -80 -60 -90 -70 -100 -80 -110 -90 -120 -100 -130 -110 -140 -120 -150 -130 -160 -140 -170 -150 -180 -160 -190 -170 -200 -180 -210 -30 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 [0dBu = 0.775Vrms] [0dBFS = Full Scale] -150 Max.
