Owner's Manual Bedienungsanleitung Mode d'emploi Manual de instrucciones Before using the Clavinova, be sure to read “PRECAUTIONS„ on pages 6 -7. Achten Sie darauf, vor Einsatz des Clavinova die “VORSICHTSMASSNAHMEN„ auf Seite 6-7 durchzulesen. Avant d'utiliser le Clavinova, lire attentivement la section «PRECAUTIONS D'USAGE» aux pages 6-7. Antes de utilizar el Clavinova, lea las “PRECAUCIONES„ que debe tener en cuenta en las páginas 6-7.
Introduction SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK).
Thank you for purchasing the Yamaha Clavinova! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the Clavinova. We also recommend that you keep this manual in a safe and handy place for future reference. About this Owner’s Manual This manual consists of three main sections: “Introduction,” “Reference” and “Appendix.” Reference (page 13): This section explains how to make detailed settings for the Clavinova’s various functions.
Table of Contents Introduction SPECIAL MESSAGE SECTION ...................... 2 About this Owner’s Manual ........................ 3 Application Index........................................ 5 PRECAUTIONS............................................. 6 ENGLISH Accessories .................................................. 8 Maintenance ............................................... 8 Features....................................................... 9 Before Using the Clavinova ......................
Application Index Use this index to find reference pages that may be helpful for your particular application and situation. Listening Listening to demo songs with different voices....................................... “Listening to the Demonstration Tunes” on page 16 Listening to songs from “50 Greats for the Piano” ...................................... “Listening to 50 Piano Preset Songs” on page 17 Listening to my recorded performance .................................................................
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING ENGLISH Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/Power cord ● ● ● ● Water warning Only use the voltage specified as correct for the instrument.
Connections Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. ● ● ● Maintenance ● ● When cleaning the instrument, use a soft, dry or slightly damp cloth.
Accessories • “50 Greats for the Piano” (Music Book) • Owner’s Manual This manual contains complete instructions for operating your Clavinova. • Bench ENGLISH A bench may be included or optional, depending on your locale. Maintenance Clean the instrument using a dry or slightly damp soft cloth (wring well). CAUTION Do not use benzene, thinner, detergent, or chemically-treated cloth for cleaning. Do not place vinyl, plastic or rubber products on the instrument.
CLP130(E).book Page 9 Thursday, October 31, 2002 2:45 PM Features TEMPO [▼] [▲] [REVERB] / [EFFECT] [TRANSPOSE] You can change the song tempo (speed) and select useful functions using this buttons (pages 37–48). Add reverb (reverberation) and effects to the sound (pages 22, 23). You can shift the pitch of the entire keyboard up or down so that the pitch will match that of another instrument or singer, while you play the same, unshifted keys (page 25). The Clavinova includes 50 preset songs.
Before Using the Clavinova Key Cover To open the key cover: Lift the cover slightly, then push and slide it open. To close the key cover: ENGLISH Slide the cover toward you and gently lower the cover over the keys. CAUTION Be careful to avoid catching your fingers when opening or closing the cover. CAUTION Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed.
Turning the Power On 1. Connect the power cord. Insert the plugs at the ends of the cord, one into the AC INLET on the Clavinova, and the other into a standard AC outlet. In some areas, a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area. 1 2 (The shape of plug differs depending on locale.) 2. Turn the power on. Press the [POWER] button.
Using Headphones Connect a pair of headphones to one of the [PHONES] jacks. Two [PHONES] jacks are provided. You can connect two sets of standard stereo headphones. (If you are using only one pair of headphones, you can plug them into either jack.) bottom surface ENGLISH OFF ON NORMAL HP. SW SPEAKER PHONES standard stereo phone plug Using the Headphone Hanger A headphone hanger is included in the CLP-130/120 package so that you can hang the headphones on the Clavinova.
Part Names................................................................ 14 Listening to the Demonstration Tunes ................... 16 Listening to 50 Piano Preset Songs.......................... 17 Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function)............................................ 18 A-B Repeat for 50 Preset Songs .................................. 20 Selecting & Playing Voices ....................................... 21 Selecting Voices ..................................
Part Names Top panel (CLP-130) 2 4 MIN 5 8 TEMPO/ OTHER VALUE TEMPO FUNCTION MASTER VOLUME MELLOW 3 7 6 MAX START/STOP BRIGHT DEMO BRILLIANCE METRONOME — /NO +/ YES USER 1 USER 2 USER 3 PRESET TEMPO / FUNCTION TRACK 1 TRACK 2 START/STOP REC SONG ENGLISH 9 GRAND PIANO 2 GRAND PIANO 1 E.PIANO 1 JAZZ ORGAN CHURCH ORGAN STRINGS E.PIANO 2 HARPSICHORD CHOIR E.CLAVICHORD VIBRAPHONE WOOD BASS GUITAR A E.
Top panel (CLP-120) 4 2 MIN 5 8 TEMPO/ OTHER VALUE TEMPO FUNCTION MASTER VOLUME MELLOW 3 7 6 MAX START/STOP BRIGHT DEMO BRILLIANCE METRONOME — /NO +/ YES TRACK 1 PRESET TEMPO / FUNCTION TRACK 2 START/STOP REC SONG 9 CHURCH ORGAN1 E.PIANO 1 JAZZ ORGAN CHURCH ORGAN2 E.PIANO 2 HARPSICHORD1 STRINGS 1 STRINGS 2 HARPSICHORD2 A VIBRAPHONE CHOIR GUITAR REVERB VOICE MIN MAX START/STOP BRIGHT BRILLIANCE GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.
Listening to the Demonstration Tunes Demonstration tunes are provided that effectively demonstrate each of the CLP-130/120’s voices. 2 5 MIN 4 MAX START/STOP BRIGHT BRILLIANCE GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION GUITAR WOOD BASS E.
Listening to 50 Piano Preset Songs The Clavinova provides performance data of 50 piano songs. You can simply listen to these songs (page 17) or use them for practice (page 18). You can also refer to the included “50 Greats for the Piano” that contains scores for 50 piano preset songs. 2 -1 1 4 MAX START/STOP BRIGHT BRILLIANCE GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.
4. Exit from Preset Song mode. Press the [PRESET] button to exit Preset Song mode. The indicator turns off, and the unit returns to normal play mode. NOTE MIDI reception is not possible in Piano Song mode. Piano song data is not transmitted via the MIDI connectors.
Starting playback automatically as you start playing the keyboard (Synchro Start) When the Synchro Start function is engaged, playback of the selected preset song will begin automatically as soon as you start playing on the keyboard. To engage the Synchro Start function press the song number SONG [START/STOP] button while holding the synchro start mark part button for the ON part. A dot will appear in the lower right corner of the display.
A-B Repeat for 50 Preset Songs The A-B Repeat function can be used to continuously repeat a specified phrase within a preset song. Combined with the Part Cancel function described below, this provides an excellent way to practice difficult phrases. 1 MIN MAX ENGLISH START/STOP BRIGHT BRILLIANCE GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.
Selecting & Playing Voices Selecting Voices Voice buttons MAX MELLOW START/STOP BRIGHT BRILLIANCE GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION GUITAR WOOD BASS E.
Sostenuto (Center) Pedal If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will sustain as long as you hold the pedal (as if the damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played “staccato.” TIP Organ, string and choir voices will continue to sound for as long as the sostenuto pedal is depressed.
Procedure Pressing the [REVERB] button repeatedly toggles the reverb on and off. The indicators light in sequence each time the [REVERB] button is pressed. No effect is produced when all indicators are off. Even if the REVERB effect is OFF, a “Soundboard Reverb” effect will be applied when the GRAND PIANO 1 voice is selected. TIP depth 0: no effect depth 20: maximum reverb depth depth TIP [EFFECT] Default depth settings are different for each voice.
Touch Sensitivity – [TOUCH] You can select four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED — to match different playing styles and preferences. HARD: TIP Requires that the keys be played quite hard to produce maximum loudness. Produces a fairly “standard” keyboard response. Allows maximum loudness to be produced with relatively light key pressure. All notes are produced at the same volume no matter how hard the keyboard is played. You can adjust the volume.
Transposition – [TRANSPOSE] The Clavinova’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to “5,” playing key C produces pitch F. In this way, you can play a song as though it were in C major, and the Clavinova will transpose it to the key of F.
Combining Two Voices (Dual mode) You can play two voices simultaneously across the entire range of the keyboard. In this way, you can simulate a melody duet or combine two similar voices to create a thicker sound. 1 MIN MAX ENGLISH START/STOP BRIGHT BRILLIANCE GRAND PIANO 2 JAZZ ORGAN E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION GUITAR WOOD BASS E.
Splitting the Keyboard Range and Playing Two Different Voices (Split mode) (CLP-130) Split mode enables you to play two different voices on the keyboard — one with the left hand and another with the right hand. For example, you can play a bass part using the Wood Bass or Electric Bass voice with the left hand, and a melody with the right hand. Voice buttons MAX START/STOP BRIGHT BRILLIANCE GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.
3. Select a voice for the right hand. Press a voice button. 4. Select a voice for the left hand. Press the corresponding voice button while holding the [SPLIT] button. (The indicator of the Left Voice button will light while the [SPLIT] button is pressed.) To turn the variation on or off for the split voice, hold the [SPLIT] button and press the [VARIATION] button or the currently-selected voice button. 5. Exit Split mode and return to normal play mode.
Using the Metronome The Clavinova features a built-in metronome (a device that keeps an accurate tempo) that is convenient for practicing. 1 2 MIN [TEMPO/FUNCTION# ▲▼] MAX START/STOP BRIGHT BRILLIANCE GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION GUITAR WOOD BASS E.
CLP130(E).book Page 30 Thursday, October 31, 2002 2:45 PM Recording Your Performance The ability to record and play back what you’ve played on the CLP130/120 keyboard can be an effective practice aid. You can, for example, record just the left-hand part, and then practice the right-hand part while playing back the recorded left-hand part.
3. Engage Record Ready mode. NOTE flash Record Ready mode can be disengaged before recording by pressing the [REC] button a second time. 4. Select the record track. When Record mode is engaged in the previous step, the last-recorded track will automatically be selected for recording and its indicator — i.e. the [TRACK1] or [TRACK2] button indicator — will glow red. If you want to record on a different track, press the appropriate track button so that its indicator glows red. 5. Start recording.
Re-recording TRACK1 This section explains how to record again in case your performance was not satisfactory. 1. Select a voice or voices (and other settings) for recording, if necessary. Repeat Step 1 on page 30 if you wish to change the previous settings. 2. Re-engage Record Ready mode. Press the [REC] button, again. The selected track’s indicator flashes in red. ENGLISH Follow the procedure from Step 5 on page 31 to re-record.
The user song recorder records the following data: Data in addition to the notes and voices you play is recorded. This data includes “Individual Tracks” and “Entire Song.” See below.
Changing the Initial Settings (Data recorded at the beginning of a song) The initial settings (data recorded at the beginning of a song) can be changed after the recording. For example, after recording, you can change the voice to create a different ambience or adjust the song tempo to your taste. ENGLISH You can change the following initial settings.
Playing Back Recorded Songs You can play back songs recorded using the Record function (pages 30–34). You can also play the keyboard along with the playback. NOTE Song data is not transmitted via the MIDI connectors. Playing Back a Song MIN MAX START/STOP BRIGHT BRILLIANCE GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.
Useful Playback Functions ENGLISH Turning track playback on and off When you select a song on the Clavinova, the indicators for tracks that contain data (one of [TRACK1] [TRACK2] or both) are lit in green. While the Clavinova is playing or stopped, pressing these track buttons turns off the indicators, and the data on those tracks is not played. Pressing the track buttons toggles track playback on and off.
Detailed Settings – [FUNCTION] You can set various parameters to make the best use of Clavinova functions, such as fine tuning the pitch, selecting a voice for the metronome, repeating playback, etc. The following parameters are available. The CLP-130 has nine main functions, and the CLP-120 has eight main functions. Some of these main functions consist of a set of sub-modes. Function Sub-Mode CLP-130 CLP-120 Reference page Fine tuning of the pitch — F1 F1 40 Selecting a scale Scale F2.1 F2.
Basic Procedure in Function Mode Follow the steps below to use the functions. (If you become lost while using a function, return to this page and read the basic procedure.) 1 5 MIN MAX MELLOW START/ STOP BRIGHT BRILLIANCE 3 4 GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION GUITAR WOOD BASS E.
Operation Example 1 (F1. Fine tuning of the pitch) TEMPO FUNCTION LCD indication TEMPO FUNCTION TEMPO / FUNCTION Engage Function mode. – /NO TEMPO / FUNCTION Select a desired function. LCD indication +/ YES Change the value. TEMPO FUNCTION TEMPO FUNCTION TEMPO / FUNCTION TEMPO / FUNCTION Engage function mode. Select a desired function. LCD indication TEMPO FUNCTION +/ YES LCD indication ENGLISH Operation Example 2 (F3.1 “Dual Balance”) TEMPO / FUNCTION Engage the respective sub-mode.
About Each Function TIP F1. Fine Tuning of the Pitch You can fine tune the pitch of the entire instrument. This function is useful when you play the Clavinova along with other instruments or CD music. ENGLISH 1. Engage Function mode and select . 2. Use the [–/NO] and [+/YES] buttons to lower or raise the pitch of the A3 key in approximately 0.2 Hz increments. ..... .....
1. Engage Function mode and select 2. Press the [+/YES] button to engage the scale function’s sub-mode, then use the [TEMPO/ FUNCTION# ▼, ▲] buttons to select the desired sub-mode. Press the [–/NO] and [+/YES] buttons to select the number of the desired tuning. You can select various scales. Equal Temperament is the most common contemporary piano tuning scale. However, history has known numerous other scales, many of which serve as the basis for certain genres of music.
F3. Dual Mode Functions You can set various parameters for Dual mode to optimize the settings for the songs you play, such as adjusting the volume balance between two voices. Dual mode function settings are set individually for each voice combination. ENGLISH 1. Select the voices in Dual mode and engage Function mode and select . 2. Press the [+/YES] button to engage the Dual mode function’s sub-mode, then use the [TEMPO/FUNCTION# ▼, ▲] buttons to select the desired sub-mode.
This menu enables you to make various detailed settings for Split mode. By changing the split point or other setting, you can optimize the settings for the songs you play. You can make these settings for each combination of voices individually. 1. Select the voices in Split mode and engage Function mode and select . 2. Press the [+/YES] button to engage the Split mode function’s sub-mode, then use the [TEMPO/FUNCTION# ▼, ▲] buttons to select the desired sub-mode.
F5.4 F5. (CLP-130) / F4. (CLP-120) Other Functions This function conveniently lets you set operation of the left pedal to one of the modes listed below. ENGLISH 1. Engage Function mode and select 130)/ (CLP-120). (CLP- 2. Press the [+/YES] button to engage the other functions’ sub-mode, then use the [TEMPO/ FUNCTION# ▼, ▲] buttons to select the desired sub-mode. Press the [–/NO] or [+/YES] button to select the desired pedal function or assign the values. Sub-mode F5.1 (CLP-130)/F4.
F8. (CLP-130) / F7. (CLP-120) MIDI Functions You can change the volume of the metronome sound. Use this function to adjust the metronome volume. 1. Engage Function mode and select 130)/ (CLP-120). (CLP- 2. Use the [–/NO] and [+/YES] buttons to set the metronome volume as required. Setting range: 1 – 20 Normal setting: 10 TIP SHORTCUT: You can jump directly to the metronome functions (CLP-130)/ (CLP-120) by pressing the [TEMPO/FUNCTION#] button while holding the METRONOME [START/ STOP] button.
F8.2: (CLP-130)/F7.2: (CLP-120) MIDI Receive Channel Selection F8.4: (CLP-130)/F7.4: (CLP-120) Program Change ON/OFF In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. This parameter enables you to specify the channel on which the Clavinova receives MIDI data.
F8.6: (CLP-130)/F7.6: (CLP-120) MIDI Transmit Transpose F8.8: (CLP-130)/F7.8: (CLP-120) Bulk Data Dump This function allows the MIDI note data transmitted by the CLP-130/120 to be transposed up or down in semitone increments by up to plus or minus 12 semitones. The pitch of the CLP-130/120 itself is not affected.
Description of sub-modes F9. (CLP-130) / F8. (CLP-120) Backup Functions F9.1: (CLP-130)/F8.1: (CLP-120) Voice TERMINOLOGY ENGLISH Backup: You can back up some settings, such as voice selection and reverb type, so that they will not be lost when you turn off the power to the Clavinova. If the backup function is turned on, the settings at power off are effective. If the backup function is turned off, the settings in memory are erased when you turn off the power.
About MIDI Using MIDI, you can control a connected MIDI device from the Clavinova, or control the Clavinova from a connected MIDI device or computer. MIDI connectors MIDI Mac PC-1 MIDI PC-2 TIP MIDI performance data and commands are transferred in the form of numeric values. TIP Since MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the “MIDI Implementation Chart” to find out what MIDI data and commands your devices can transmit or receive.
Connections Connectors CAUTION Before connecting the Clavinova to other electronic components, turn off the power to all the components. Before turning the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may result.
2 AUX IN [R], [L/L+R] jacks The stereo outputs from another instrument can be connected to these jacks, allowing the sound of an external instrument to be reproduced via the Clavinova’s speakers. Refer to the diagram below and use audio cables to make the connections. CAUTION When the Clavinova’s AUX IN jacks are connected to an external device, first turn on the power to the external device, then to the Clavinova. Reverse this order when you turn the power off.
CLP130(E).book Page 52 Thursday, October 31, 2002 2:45 PM Connecting a Personal Computer You can enjoy computer music data on the Clavinova by connecting a computer to the TO HOST (or MIDI) jack. ENGLISH NOTE When the Clavinova is used as a tone module, performance data with voices that are not found on the Clavinova will not be played correctly.
1. Connecting the serial port on the computer to the Clavinova’s TO HOST jack Connect the computer’s serial port (RS-232C or RS-422) to the Clavinova’s TO HOST jack. With this connection, the Clavinova functions as a MIDI interface. Therefore, you do not need a special MIDI interface. Connection Use a special serial cable (page 53) to connect the computer’s serial port (RS-232C or RS-422) to the Clavinova’s TO HOST jack.
Clavinova HOST SELECT switch setting Set the Clavinova HOST SELECT switch properly according to the type of connected computer. • Macintosh: “Mac” (data transfer rate: 31,250bps, 1MHz clock) • Windows: “PC-2” (data transfer rate: 38,400bps) TIP If your system does not work properly with the connections and settings listed above, your software may require different settings. Check your software operation manual and set the HOST SELECT switch to the proper data transfer rate.
3. Connecting the computer’s USB port to the Clavinova via a USB interface, such as the UX256, UX96, or UX16 Connect the computer’s USB port to the USB interface (such as the UX256, UX96, or UX16) using a USB cable. Install the driver (that came with the USB interface) on the computer, and connect the USB interface to the Clavinova using a serial cable or MIDI cables. For more information, refer to the instruction manual for the USB interface.
Troubleshooting ENGLISH Problem Possible Cause and Solution The Clavinova does not turn on. The Clavinova has not been plugged in properly. Securely insert the female plug into the socket on the Clavinova, and the male plug into a proper AC outlet (page 11). A click or pop is heard when the power is turned on or off. This is normal when electrical current is being applied to the instrument. Noise is heard from the speakers or headphones.
CLP-120: Keyboard Stand Assembly CAUTION • Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below. • Assembly should be carried out by at least two persons. • Be sure to use the correct screw size, as indicated below. Use of incorrect screws can cause damage. • Be sure to tighten up all screws upon completing assembly of each unit. • To disassemble, reverse the assembly sequence given below.
3. Mount the main unit. 5. CAUTION Connect the pedal cord. (1) Insert the pedal cord plug to the pedal connector from the front. PEDA L • Fingers can become pinched between the main unit and the rear or side panels, be extra careful so as not to drop the main unit. • Do not hold the keyboard in any position other than the position shown in the illustration. (3) Use a vinyl tie to take up any slack in the pedal cord.
CLP130(E).book Page 59 Thursday, October 31, 2002 2:45 PM 7. Set the adjuster. Rotate the adjuster until it comes in firm contact with the floor surface. After completing the assembly, please check the following. • Are there any parts left over? ENGLISH ➝ Review the assembly procedure and correct any errors. • Is the Clavinova clear of doors and other movable fixtures? ➝ Move the Clavinova to an appropriate location.
CLP-130: Keyboard Stand Assembly CAUTION • Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below. • Assembly should be carried out by at least two persons. • Be sure to use the correct screw size, as indicated below. Use of incorrect screws can cause damage. • Be sure to tighten up all screws upon completing assembly of each unit. • To disassemble, reverse the assembly sequence given below.
Mount the main unit. 5. Connect the pedal cord. (1) Insert the pedal cord plug to the pedal connector from the front. PEDA L 3. CAUTION • Fingers can become pinched between the main unit and the rear or side panels, be extra careful so as not to drop the main unit. • Do not hold the keyboard in any position other than the position shown in the illustration. (2) Attach the cord holders to the rear panel as shown, then clip the cord into the holders.
CLP130(E).book Page 62 Thursday, October 31, 2002 2:46 PM 7. Set the adjuster. Rotate the adjuster until it comes in firm contact with the floor surface. After completing the assembly, please check the following. ENGLISH • Are there any parts left over? ➝ Review the assembly procedure and correct any errors. • Is the Clavinova clear of doors and other movable fixtures? ➝ Move the Clavinova to an appropriate location.
Preset Voice List CLP-130 GRANDPIANO 1 VARIATION GRANDPIANO 2 VARIATION E.PIANO 1 VARIATION E.PIANO 2 VARIATION HARPSICHORD VARIATION E. CLAVICHORD VARIATION VIBRAPHONE VARIATION CHURCH ORGAN Stereo Sampling Touch Response Dynamic Sampling*1 Key-Off Sampling*2 Voice Descriptions Recorded samples from a full concert grand piano. Also includes three levels of dynamic sampling, sustain samples, and key-off samples for exceptionally realistic acoustic grand piano sound.
Voice Name Stereo Sampling GUITAR VARIATION WOOD BASS VARIATION E.BASS ENGLISH VARIATION 64 Touch Response Dynamic Sampling*1 Key-Off Sampling*2 Voice Descriptions Warm and natural-sounding nylon guitar. Enjoy the quiet ambience of nylon strings. Bright, brilliant steel guitar. Suitable for popular music. An upright bass played fingerstyle. Ideal for jazz and Latin music. Adds a cymbal voice to the bass sound. Ideal for walking bass lines in jazz tunes.
CLP-120 Stereo Sampling Touch Response Dynamic Sampling*1 Key-Off Sampling*2 Voice Descriptions GRANDPIANO 1 Recorded samples from a full concert grand piano. Perfect for classical compositions as well as any other style that requires acoustic piano. GRANDPIANO 2 Spacious and clear piano with bright reverb. Good for popular music. E.PIANO 1 An electronic piano sound created by FM synthesis. Good for standard popular music. E.
Demo Song List Voice Name CLP-130 CLP-120 GRAND PIANO1 Title Consolation No.3 Composer F. Liszt HARPSICHORD Gavotte HARPSICHORD1 J.S. Bach HARPSICHORD2 Invention No.1 ENGLISH The demonstration pieces listed above are short rearranged excerpts the original compositions. All other songs are original (©2002 Yamaha Corporation). Piano Voice Demo Description (CLP-130) Voice Name 66 Piano Voice Demo GRAND PIANO1 Stereo sampling GRAND PIANO2 Monaural sampling E.
Index Numerics F 50 Greats for the Piano ...................................................17 Factory Setting List .........................................................70 50 Piano Preset Songs .....................................................17 Fine Tuning of the Pitch.................................................40 FUL (LED display)..........................................................31 A-B Repeat for 50 Preset Songs ......................................20 Accessories ..............
ENGLISH P T PEDAL jack................................................................14, 51 TEMPO................................................................ 14, 17, 35 PHONES....................................................................12, 15 TEMPO (METRONOME) ............................................. 29 Piano Voice Demo Description......................................66 TO HOST ..................................................................
CLP130(E).book Page 69 Thursday, October 31, 2002 2:46 PM Appendix This section introduces reference material. In diesem Abschnitt finden Sie Referenzmaterial. Cette section présente le matériel de référence. En esta sección se incluye material de referencia. Factory Setting List / Liste der Vorgabeeinstellungen / Liste des réglages / Lista de ajustes de fábrica.............. 70 MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI ...................
Factory Setting List / Liste der Vorgabeeinstellungen / Liste des réglages / Lista de ajustes de fábrica Backup Group Voice CLP-130 CLP-120 F9.1 F8.1 OFF — — 0 (no accent) F9.1 F8.1 120 — — 0 F9.3 F8.
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computergener-ated MIDI messages, the data provided in this section can help you to control the CLP-130/120.
4. PROGRAM CHANGE 6. SYSTEM EXCLUSIVE MESSAGES (Yamaha MIDI Format) Data format: [CnH] -> [ppH] CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number CLP-130 GRANDPIANO 1 VARIATION GRANDPIANO 2 VARIATION E.PIANO 1 VARIATION E.PIANO 2 VARIATION HARPSICHORD VARIATION E. CLAVICHORD VARIATION VIBRAPHONE VARIATION CHURCH ORGAN VARIATION JAZZ ORGAN VARIATION STRINGS VARIATION CLP-120 GRANDPIANO 1 — GRANDPIANO 2 — E.PIANO 1 — E.
(2) Universal Non-Realtime Message (GM On) General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H] F0H = Exclusive status 7EH = Universal Non-Realtime 7FH = ID of target device 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive or F0H = Exclusive status 7EH = Universal Non-Realtime XnH = When received, n=0~F.
MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) 00 00 00 4 020C - 05F4(*1) 01 02 03 04 1 05 1 06 1 7E 7F TOTAL SIZE 07 00 - 7F — 34 - 4C(*2) 00 00 Parameter MASTER TUNE MASTER VOLUME — TRANSPOSE XG SYSTEM ON RESET ALL PARAMETERS Description -50 - +50[cent] 1st bit 3 - 0 ➝ bit 15 - 12 2nd bit 3 - 0 ➝ bit 11 - 8 3rd bit 3 - 0 ➝ bit 7 - 4 4th bit 3 - 0 ➝ bit 3 - 0 0 - 127 Default value (H) 00 04 00 00 400 -12 - +12[semitones] 00=XG sytem ON 00=ON (receive only) 40 7F *1: VCLP130(E).book Page 75 Thursday, October 31, 2002 2:46 PM [ Clavinova ] MIDI Implementation Chart Model CLP-130/120 MIDI Implementation YAMAHA Function...
Specifications / Technische Daten / Caractéristiques techniques / Especificaciones Item CLP-130 Keyboard Sound Source CLP-120 88 keys (A-1 - C7) AWM Dynamic Stereo Sampling Polyphony Voice Selection AWM Stereo Sampling 64 Notes Max.
IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
Introduction SPECIAL MESSAGE SECTION For details of products, please contact your nearest Yamaha or the authorized distributor listed below. PRODUCT SAFETY MARKINGS: Yamaha electronic Battery Notice: This product MAY contain a small non- products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page.
Owner's Manual Bedienungsanleitung Mode d'emploi Manual de instrucciones Before using the Clavinova, be sure to read “PRECAUTIONS„ on pages 6 -7. Achten Sie darauf, vor Einsatz des Clavinova die “VORSICHTSMASSNAHMEN„ auf Seite 6-7 durchzulesen. Avant d'utiliser le Clavinova, lire attentivement la section «PRECAUTIONS D'USAGE» aux pages 6-7. Antes de utilizar el Clavinova, lea las “PRECAUCIONES„ que debe tener en cuenta en las páginas 6-7.