SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over ,or roll anything over power or connecting cords of any kind.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/AC power adaptor Water warning • Only use the voltage specified as correct for the instrument.
CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: Power supply/AC power adaptor Maintenance • When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. • Unplug the AC power adaptor when not using the instrument, or during electrical storms.
Introduction Congratulations and thank you for purchasing the Yamaha 01X Digital Mixing Studio. The 01X is a full-featured music production tool that effectively gives you three sophisticated, comprehensive devices in one easy-to-use package — convenient remote control over your computer-based DAW (digital audio workstation) via mLAN connection (FireWire/i.
About This Manual This manual consists of the following sections. Before Using (page 14) Use this section to find out about all of the buttons, controls and connectors of the 01X. It also explains how to set up the instrument and connect external equipment. Basics Section (page 25) This section provides an overview of the main functions and features of the 01X and introduces you to the basic operating conventions. Getting Started (page 43) This section explains how to use the basic functions of the 01X.
The 01X — What it is and what it can do Powerful, multi-faceted digital mixer, computer audio recording interface, and control surface—all in one The 01X is actually several full-featured high-end digital devices in one compact, easy-to-use package. It serves as a flexible 28-channel (maximum) digital mixer for recording in home and project studios, and even live applications. It’s also a 24-bit audio front-end for your computer, for high-resolution recording and playback of your sequencer/DAW tracks.
Powerful software applications Included with your 01X are a variety of useful plug-ins and software programs to help you get the most out of the mixer and your computer music system. • 01X Channel Module This plug-in software provides at-a-glance control over all Dynamics and EQ processing for an 01X channel.
Application Index This convenient, easy-to use index is divided into general categories to help you when you want to find information on a specific topic or function. For information on the electronic owner’s manuals (PDF), refer to the separate Installation Guide. ■ Installation/Normal Settings ● ● ● ● ● ● ● Uninstall (removing the installed application) .......................................................................................................................................
■ Saving data ● ● ● ● Backing up system data. .....................................................................................................................................BACKUP ([SHIFT]+[UTILITY] (page 86) Saving/recalling/deleting groups of programmed settings (Library). ............................................................................................... LIBRARY (page 36) Using the channel Library. ........................................................................................
■ Output ● ● ● ● ● ● ● Outputting only the DAW’s stereo output to Monitor Out or headphones.............................................................................. MONITOR (pages 37, 96) Outputting only the stereo output of the 01X to Monitor Out or headphones. ...................................................................... MONITOR (pages 37, 96) Assigning the stereo bus, Rec bus and Aux bus signals to the desired mLAN outputs.......
Table of Contents Before Using 14 01X Terminology ...................................................14 Controls and Connectors .......................................16 Connections ..........................................................23 Setting Up .............................................................24 Basics Section 25 Overview of the 01X ..............................................25 Mixer .................................................................27 Internal effects 1/2 .......
Before Using Before Using 01X Terminology Digital Mixing Terms Basics Section Getting Started ■ Attenuator (ATT) ■ Channel After A/D conversion, input signals (pre-EQ level) can be attenuated using this control. This is used mainly in the EQ section to prevent the signal from clipping and to adjust the level so that fader of each channel can be operated around 0dB. (See page 98.
01X Terminology In automation, the initial movement of a fader is referred to as “touch-in,” while the releasing of the fader is called “touch-out.” The 01X registers touch-in when a fader starts moving, and registers touch-out not at the physical release of the fader but after the elapsed “Timeout” time (page 88). The [SEL] button flashes when touch-in starts (when automation recording is active). You can manually touch-out or stop recording automation before the “Timeout” by pressing the [SEL] button.
Controls and Connectors Controls and Connectors Before Using Top Panel • For details on the functions in the Remote mode, see the Remote Function List (page 104). • Depending on your particular DAW, not all control features may be implemented, and some buttons may be assigned different functions. Refer to the owner’s manual of your particular DAW for specific instructions and setups.
e Channel knobs o MONITOR/PHONES knob These knobs mainly control the parameter settings/values respectively assigned to them. They are also used to execute (YES) or cancel (NO) operation when a confirmation message appears (page 143). By simultaneously holding down the [SHIFT] button and turning the desired knob, you can quickly make broad value changes. Adjusts the level of the signal that is output from the MONITOR OUT jacks and PHONES jack.
Controls and Connectors Before Using !7 !8 !9 @0 !6 @2 @1 @3 @4 @5 @6 @7 Basics Section @8 @9 #2 #0 #1 #4 Getting Started #3 #5 #6 Reference Appendix MODE !6 [REMOTE] button !9 [UTILITY] button This button selects the Remote mode, enabling you to control DAW (digital audio workstation) software on a connected computer (page 23). In this condition, the MIXER/ LAYER buttons (page 19) function according to their upper names ([AUDIO], [INST], [MIDI], [BUS/AUX], [OTHER]).
Controls and Connectors @1 [SELECTED CHANNEL] button @9 BANK [] (Left/Right) buttons This button switches between the Selected Channel mode (the lamp lights) and Multi Channel mode (the lamp is off). These buttons are used to select the next/previous layer (page 40) or bank (page 15), in groups of eight channels. ● Multi Channel mode In this mode, the display shows a single parameter (or function) for all eight channels in the selected layer.
Controls and Connectors Before Using #7 #8 #9 $0 $1 $2 $3 Basics Section $4 $5 $6 Getting Started Transport Buttons Reference These buttons are used primarily for controlling song playback/recording on your DAW software. They also let you control the software no matter which mode is selected, Remote or Internal. The functions are the same as the transport buttons in the software (page 104). On the SQ01 for example, the buttons function as follows.
Controls and Connectors e w q !0 q MIC/LINE INPUT • MIC/LINE INPUT (XLR) jacks 1/2 These are XLR-3-31 type balanced input jacks. The nominal input level is -46 to +4 dB. Mics, direct boxes, or line level devices with balanced output jacks can be connected here. Each jack corresponds to AD1and AD2 of the Input Patch settings (pages 27, 61, 88). The pin configuration is shown below.
Controls and Connectors Before Using Basics Section t mLAN (IEEE 1394) connectors 1/2 o FOOT SWITCH jacks 1/2 For connecting mLAN devices or IEEE 1394-compatible (FireWire/i.Link) devices via standard IEEE 1394 (6-pin) cables. The operation is identical no matter which terminal is used, mLAN 1 or mLAN 2. If the target device has a 4pin connector, use a commercially available 4-pin to 6-pin IEEE 1394 cable. Avoid creating a connection “loop (page 147)” when connecting the devices.
Connections Before Using Connections • Before connecting the 01X to other electronic components, turn off the power to all the components. Before turning the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may occur. Basics Section The following diagram shows a typical example of connections to the 01X. Connect your microphones, instruments, and external devices as shown in this diagram.
Setting Up Setting Up Before Using Power Supply Make sure that the 01X’s [STANDBY/ON] switch is set to the STANDBY (off) position. q Connect one end of the AC cable to the PA-300. POWER Basics Section ON!! w Connect the PA-300’s DC plug to the 01X’s DC IN terminal on the rear panel. e Connect the other end (normal AC plug) to the nearest electrical outlet.
Basics Section Before Using Overview of the 01X This section gives you an overview of the 01X’s features. The following diagram shows the various component sections or “blocks” of the 01X: mixer, effects and remote control. It also indicates the mLAN interface capabilities, both audio and MIDI.
Overview of the 01X Before Using ● When using the included SQ01 V2 Basics Section Computer SQ01 V2 *2 Plug-in File exchange Software Effect 01X Channel Module Pitch Fix Vocal Rack Final Master Program Change MIDI AUDIO *1 MIDI TWE *2 Commercially available Software Synthesizer USB MIDI Driver mLAN Auto Connector mLAN Driver Setup mLAN Driver (MIDI & Audio) Port 4 Port 3 Port 2 Port 1 Remote Control Reference Port 5 mLAN MIDI IN/OUT mLAN Audio IN/OUT mLAN AUDIO Getting Started Stud
Overview of the 01X ● Symbol Indications .......... Amplifier stage .......... Value change via knob .......... Value change via fader .......... On/off switch, button Before Using Getting Started (page 61) Reference (page 88) Input patch The Input Patch section allows assignment of input signals to input channels 1 through 8 and stereo input channels (STI) 1/2. The following types of input signals can be selected.
Overview of the 01X Input channel Before Using ● 01X Channel Module Basics Section ● Input channels 1 through 8 These are monaural input channels used mainly for input of microphones or line-level instruments. The signals that are input to input channels 1 through 8 pass through an attenuator, phase switch, 4-band EQ, and dynamics processor, and are sent to the stereo bus, AUX buses 1 through 4 and Rec bus.
Digital cascade connection These are stereo input channels used mainly for inputting the return signal from internal effects 1/2. However, the input signal assignment can be changed in the input patch section, allowing these to be used as additional input channels. The input signal from the rear panel DIGITAL STEREO IN connector can be cascade-connected directly to the stereo bus, instead of being routed through the input patch section and patched to an input channel.
Overview of the 01X Before Using AUX 1 AUX 2 AUX 3 (FX1) AUX 4 (FX2) Getting Started STEREO (STEREO BUS) L STEREO (STEREO BUS) R Basics Section ● Stereo output channel This is a stereo output channel that processes the signals sent from each channel to the stereo bus. Stereo faders contorl the level of these outputs. It provides a 4-band EQ and dynamics processor identical to those provided on the input channels.
For monitoring purposes, the 01X provides MONITOR OUT jacks and a PHONES jack. The MONITOR OUT jacks and PHONES jack always output the same signal, and is linked to the level adjustment.
Overview of the 01X Remote Control Before Using Basics Section With mLAN MIDI transfer, the 01X can be used to conrtol DAW (digital audio workstation) software, such as Cubase SX, Nuendo, Sonar, and Digital Performer as well as the Multi Part Editor for Yamaha MOTIF ES or MOTIFRACK program (contained on the included CD-ROM). This powerful feature lets you control software programs by using knobs, faders and buttons on the panel of the 01X, rather than your computer’s mouse and keyboard.
Overview of the 01X Before Using mLAN Interface The mLAN interface of the 01X also lets you connect MIDI or audio devices that do not have mLAN connectors or capability.
Application examples Application examples Before Using The 01X is one of the most versatile recording mixers available. Its all-in-one, fully digital operation makes it ideal for songwriters, producers, project studios, home recording, and virtually all post-production applications. Here are some of the ways you can set up and use the 01X in your own system.
Application examples Computer HDR (Wave) Synth Before Using Here, the 01X functions simultaneously as a front-end/ audio interface for a computer system as well as a fully digital mixer for your sequencer audio tracks. 3) Recording mixer, monitor mixer — with use of 01X Channel Module software and Studio Manager This advanced hardware/software hybrid system combines the conveniences of computer-based mixing/processing with the intuitive control surface and digital processing of the 01X.
Memory (Library) Structure Memory (Library) Structure Before Using The 01X features several libraries (internal memory) that enable you to store Scene, Input Patch, Output Patch and other data. You can also quickly recall this data from the libraries to restore previous parameter values. Furthermore, the Backup function lets you save your data including the Utility settings. The 01X offers the following libraries: Basics Section ■ Library Scene : 100 Default settings EQ : 200 page 85 ...
Basic Operations Before Using Basic Operations In this section, you’ll learn about the structure of the modes of the 01X, its panel display indications and its fundamental operations. REMOTE Mode INTERNAL Mode LED [SCENE] button [UTILITY] button Operation/Settings GENERAL (SQ01) [REMOTE] lights Remote Control of the computer software (DAW). LOGIC [REMOTE] lights CUBASE [REMOTE] lights * For specific information on each of the DAW selections, see page 87.
Basic Operations Mode selection and display indications Before Using (A) Remote Mode (Ex. SQ01 V2) q y Drums- Drums- SteelG SteelG CleanG CleanG DistGt DistGt L63 R63 R15 R63 L63 R63 L63 R63 Basics Section (B) Home Channel knob [INTERNAL] q t Drums- Drums- SteelG SteelG CleanG CleanG DistGt DistGt PAN PAN PAN PAN PAN PAN PAN PAN w LEVEL -6.3 LEVEL -3.05 LEVEL -3.95 e w CH1 -6.3 CH2 -3.05 CH3 -3.95 LEVEL -4.85 LEVEL -3.05 LEVEL -3.65 LEVEL -3.6 CH4 -6.6 CH5 -4.85 CH6 -3.05 CH7 -3.
Before Using Basic Operations (F) Page (Ex. EQ-LOW) Multi Channel Selected Channel e CH1 CH2 CH3 CH4 CH5 CH6 CH7 CH8 0.0 + 0.4 + 1.2 0.0 y + 2.1 + 0.4 - 0.4 - 0.4 t y EQ LOW OFF + 0.2 SEL 0.11 125 [INTERNAL] +2.1 e Basics Section [REMOTE] Channel knob Channel knob SEL CH2 EQL-G CH3 EQL-G CH4 EQL-G CH5 EQL-G CH6 EQL-G CH7 EQL-G SEL CH8 EQL-G t EQ LOW EQ-ON ATT Fader LEVEL -6.3 LEVEL -3.05 LEVEL -3.95 LEVEL -6.6 LEVEL -4.85 LEVEL -3.05 LEVEL -3.65 LEVEL -3.
Basic Operations Layer selection/Channel selection Before Using The Input Channels and Output Channels are arranged into layers, as illustrated below. There are four layers altogether. Basics Section Input Channel Layer 1–8 Getting Started Input Channel Layer 9 – 16 (mLAN1 – mLAN8) Input Channel Layer 17 – 24 (mLAN9 – mLAN16) (48kHz/44.1kHz mode only) Master Layer Reference Appendix The currently selected layer determines the function of the channel strip, [SEL] buttons, [ON] buttons, and faders.
Basic Operations • L- : indicates the left channel pan settings of the stereo input channel. • R- : indicates the right channel pan settings of the stereo input channel. PAN L-L63 L-L63 Before Using You can freely name the stored Library. The following data types can be named.
Basic Operations Before Using r Enter the letters, numbers, or symbols by turning the channel knob [5]. SCENE LIBRARY 05 [Initial Eata ] CHAR SCENE No. [ 05] INSERT EXIT/OK Basics Section t Turn any of the channel knobs [2] - [4] to move the cursor to the position of the next character. y Enter the other characters, by repeating steps r - t above. Getting Started Insertion/Deletion of Characters Channel knob [6] is assigned to Insertion (INSERT) and Deletion (DELETE).
■ Sound Mixing 101: The Fundamentals ■ Before Recording: Mixing is a skill, but it’s also an art. Making a good recording and creating a good mix is more than simply plugging in a microphone and moving a couple of faders. In this section, you’ll learn some of the basics of mixing, from setting up to tips on how to use effects and how to use the 01X to create a well-balanced mix. ● Reset all controls ● Basics Section Very simple.
Getting Started ● Clean up sounds Before Using Garbage in usually means garbage out. So make sure your source sounds are as clean and noise-free as possible. Use quality cabling, check microphone placement, turn off the air conditioner or anything else causing hum, patch in a noise gate, or change the pickups in your guitar if necessary.
Getting Started Apply effects (page 56) There’s so much you can do right inside the 01X itself— with the two built-in effects units—we won’t even scratch the surface here. For example, apply reverb to add ambience, use a short delay to “double” an instrument or vocal, use chorus to fatten a sound, or put distortion on a guitar track. The sky’s the limit, and if you need more effects, you can patch in your own external processors (page 60).
Mixing Tutorial Mixing Tutorial Before Using • The example displays are generally taken from the Value mode. • Be sure to enter the INTERNAL mode before you start the following tutorial. Basics Section Setting input levels and viewing the meters Getting Started Setting the input levels is a straightforward process, but we’ve included two separate sets of instructions here.
Mixing Tutorial q Follow the basic procedure above, or at least the first two steps—setting the controls to minimum and connecting the source(s). r Studio Manager automatically detects the connected 01X and after a short pause prompts you to select the type of link (synchronization) for your computer and the 01X. Before Using With Studio Manager Click on “Console → PC” here. You can use the software controls to adjust the level. Notice that the faders on the 01X move when you move the software faders.
Mixing Tutorial Applying EQ Before Using EQ stands for “equalizer” or “equalization” and lets you change the tonal characteristics of the audio. The 01X is equipped with a four-band sweepable parametric EQ, for maximum versatility and control. Basics Section ● EQ Tips Keep in mind, EQ has three main uses in recording and mixing: ■ Operation q Select the desired channel by pressing the corresponding [SEL] button. w Press the desired EQ button: [LOW], [LOW-MID], [HIGH-MID], [HIGH].
Mixing Tutorial EQ-ON ON ATT 0.0 EQHM-Q EQHM-F EQHM-G 0.70 4.00k 0.0 SEL ● EQ parameters/ranges Before Using r-a From the Selected Channel mode, adjust the desired EQ parameter by turning the corresponding knob. Gain Determines the amount of level boost or cut in the signal at the frequency specified below. Range: -18.0 dB — +18 dB Attenuation (input signal level) Frequency Determines the central frequency at which the signal is boosted or cut.
Mixing Tutorial Before Using ● Hints on using EQ • In general, cut rather than boost. For example, if you want to make a sound brighter, try cutting the bass first. This will not only emphasize the higher frequencies, overall it will give you a cleaner mix. Basics Section • We recommend that you use the HPF on every sound source in your mix, except for kick drum, bass guitar and synth bass.
Mixing Tutorial Remember that both Mute and Solo can be used with several channels, not just one. (The Solo function depends on the SOLO MODE setting; page 96.) In other words, you can solo two channels, to hear how they sound separate from the mix, and hear how they sound together. Or if you have drums on three different channels, you can mute all three to hear a drum-less mix. Moreover, you can use Mute with the Group feature (page 101) to instantly mute several grouped channels all at the same time.
Mixing Tutorial Before Using Using Dynamics — applying compression, etc. The Dynamics effects of the 01X provide useful, powerful ways to process the sound, both during and after recording. They can be used to tame excessively wild sounds or expand and enhance less lively sounds. Basics Section ● About Dynamics and Compression Of all the aspects of modern music production, compression is one of the least understood. This is mainly because the sonic results are so subtle and hard to distinguish.
Mixing Tutorial Ratio Determines the amount of compression, or the change in output relative to the change in input. A 1:1 ratio represents no compression or normal (unity) gain—output is the same as input. A 2:1 ratio means that for a 10dB change in input level, the output changes only by 5dB. Higher ratios obviously result in greater level “squashing.” For vocals, piano and bass, a range between 2:1 and 6:1 is commonly used. Greater ratios are used on drums and guitars and for special effects.
Mixing Tutorial Before Using Basics Section Dynamics Library Pairing channels Here is another handy feature of the 01X that puts the realworld experience of professional engineers to work for you. The Dynamics Library contains forty different dynamics processing presets for a variety of common recording applications, such as compressing drums, guitar and vocals. It also includes some expansion presets for enhancing the dynamics of certain types of sound.
Mixing Tutorial Pan position RECBUS ST-BUS PHASE -ON NORMAL Stereo Bus (See page 99.) Recording Bus (See page 99.) ■ Operation q Select the desired channel by pressing the corresponding [SEL] button. w Press the [PAN] button. e Press [SELECTED CHANNEL] to switch between the Single Channel and Multi Channel modes. Which you select depends on your preferences or the application at hand. ON/OFF LEVEL ON -2.8 Basics Section PAN CENTER Phase (See pages 21, 99.) On/Off This duplicates the [ON] button.
Mixing Tutorial Before Using r-b From the Multi Channel mode, press the [PAN] button, repeatedly if necessary, to select the Pan parameter. Adjust the parameter for each channel with the corresponding knob.
1) Effect send routing 2) Effect type and parameters The 01X features four separate effect send routings: AUX 1, AUX 2, AUX 3 and AUX 4. AUX 1 and 2 are used only for external routing (to your favorite outboard effects, for example). AUX 3 and 4 are used for the two internal effect blocks, and those are the ones we’ll cover here. The Reverb Hall type is selected by default. There are several other reverb types among the presets; you may want to explore these as well.
Mixing Tutorial Before Using e Edit the effect if desired. Press the DISPLAY [ ] (Up) button repeatedly to step back through the effect parameter pages—Reverb Hall has four of them. (To jump directly to the ‘top’ page, hold down [PAGE SHIFT] and press the DISPLAY [ ] (Up) button.) Basics Section REV TIME 3.2s INI.DLY 36.0ms HI.RATIO 0.3 LO.RATIO 1.4 1/4 FX1 This is the first parameter page for Reverb Hall. Use knobs 1, 3, 5, and 7 to edit the four parameters here.
Mixing Tutorial -oo -oo r Go back to the input channels—press the MIXER/ LAYER [1-8] button. Before Using AUX3 SEND LEVEL t Adjust the send level for the desired channel with the corresponding channel knob. While you’re adjusting this, listen to the change in the sound. If you need to, go back to steps 2 and 3 above and adjust the Return level to an appropriate value.
Mixing Tutorial Using external effects [Fig. 3] Before Using Basics Section With all of the EQ, Dynamics and Effect processing available within the 01X itself, you can do all your recording and mixing without ever having the need for an external effect unit. Still you may have a favorite reverb, delay or other effect device that you’d love to patch into the system. Here’s how to do it: ■ Operation q Connect the STEREO/AUX OUT jacks to the inputs on your effect unit (Fig. 1).
Mixing Tutorial The 01X is an all-digital mixer, with all internal processing done digitally. If you have a digital source you want to record or mix—such as a CD/MD player or DAT deck — it only makes sense to keep it in the digital realm throughout the recording/mixing session. Naturally, you can apply EQ, Dynamics and effects to the audio, and you can also route it to the digital output (page 91) so that it stays in pristine digital form—even after leaving the 01X.
Mixing Tutorial Routing audio to the digital stereo output Before Using Basics Section In the section above you learned how to route digital audio into the 01X. In this section, we’ll see how to send it back out again. One common routing would be to send the entire stereo mix to the digital output for recording. Another would be to use the digital output as an aux stereo send for external effects. ■ Operation Getting Started q Connect the digital source to the DIGITAL STEREO OUT jack on the rear panel.
Storing your custom patch setups You can use the following operation to send audio buses to specific mLAN output pairs. For example, you can direct the two Aux Out pairs (AUX 1/2, AUX 3/4) to separate mLAN outputs. You can route the stereo bus and the record bus (REC Bus) to independent mLAN outputs from this page as well. Keep in mind, this all happens digitally over the high-speed IEEE 1394 (Firewire/i.Link) connection, letting you directly feed digital audio to an mLANequipped device.
Mixing Tutorial Before Using Basics Section Groups Mute Groups You can use the Group features to make mixdown chores easier. For example, if you assign all of your drum channels to the same Fader Group, you can adjust the levels of all the drums together just by moving one of the faders.
Mixing Tutorial Make your life easier—coordinate the Scenes with your sequencer songs. Here are some tips to get you started. • Make sequencer templates for often-used song styles and instrument combinations and create Scenes to match these templates. • Use MIDI to control the 01X. If you make mixing changes within a song, you can record program change messages in your sequencer tracks and have each Scene change called up automatically as the song plays. (See pages 87, 94.) Before Using SCENE No.
Recording/Playback/Remote Control Recording/Playback/Remote Control Before Using You’ve seen how the 01X is a full-featured stand-alone mixer and an exceptionally versatile front-end mixer for recording and mixdown with a computer system. In this section, you’ll discover that it’s also a convenient, comprehensive control surface for your audio sequencer or DAW (digital audio workstation).
Recording/Playback/Remote Control • MIDI and audio setup Since mLAN serves not only as a control surface for Cubase SX but also as a MIDI and audio interface, you’ll need to make the appropriate MIDI and audio settings in Cubase SX. Before Using e Select “Mackie Control” (or “Yamaha 01X”) from the list and click Add. Basics Section MIDI setup q From the Devices menu, select “Device Setup...” w Select “Default MIDI Ports” from the list. e Click on the Setup tab (if necessary).
Recording/Playback/Remote Control Before Using Audio setup q From the Devices menu, select “Device Setup...” w Select “VST Multitrack” from the list. Basics Section Getting Started • Do not select the unnumbered mLAN MIDI port; this corresponds to Port 1 and is reserved for the remote control functions. t Select “All MIDI Inputs” from the list at left. Reference y From the Setup tab, disable mLAN MIDI In Ports 1 and 4 - 8. e Click on the Setup tab (if necessary). r Specify the ASIO Driver.
Recording/Playback/Remote Control ASIO Driver Setup q From the Devices menu, select “VST Inputs.” Before Using t If desired, click the Control Panel button and adjust the latency (Preferred Buffer Size). For details on setting the latency, refer to the separate Installation Guide. Getting Started Basics Section y Click OK to finish. Reference w Activate all the inputs you intend to use. Click on the [power] button to activate a desired input.
Recording/Playback/Remote Control e From the Devices menu, select “VST Outputs.” Before Using Basics Section r Activate all the outputs buses you intend to use. Click on the [power] button to activate a desired bus. (Bus 1 is on by default and doesn’t have such a button.) Up to nine buses can be activated. In these instructions, we’ll use the simplest routing system—only using Bus 1—so leave all the other buses off.
Recording/Playback/Remote Control 1 From the Devices menu, select “VST Outputs.” 2 Activate all the the output buses you intend to use. so that the lamp is off.) This enables monitoring of the individual mLAN outputs from the DAW/computer. It also enables you to independently mix and process the individual DAW audio tracks from the 01X. Keep in mind that this monitor setting can be changed (page 96). The instructions here apply when the default setting is used.
Recording/Playback/Remote Control Before Using ● Recording audio In this section, you’ll learn how to record an audio input signal from the 01X to the computer. 1 Connect the instrument or microphone to the 01X Basics Section and set the level(s). Make sure the 01X is set to Internal mode (press the [INTERNAL] button so that it lights). Also, set the [MONITOR A/B] switch to monitor the 01X sound. (In the default condition, the button lamp should be off.
Recording/Playback/Remote Control q Make sure your computer is on and the mLAN driver is active. Refer to the explanation in the separate Installation Guide. Working in the Project window Before Using Select the Remote setting to match your sequencer In Cubase SX, make sure the Project window is on top. This is the main working area in the sequencer and shows all tracks from top to bottom. You can call this up from the 01X by holding [SHIFT] and pressing [TRACK (F1)].
Recording/Playback/Remote Control Before Using Using the transport controls Programming markers These buttons let you control Cubase in the same way as using a tape recorder. If you haven’t set up a marker or want to program a new one, you can do this from the 01X, too. Move to the desired song position, then press the [WRITE] button. A new marker is set for the current postion.
Recording/Playback/Remote Control Mixer control — using the faders and knobs q Hold down [SHIFT] and press the [MIXER (F2)] button to call up the Mixer window. Basics Section The Zoom controls are another navigation convenience. No longer do you have to mouse with the zoom sliders or the magnifying glass tool or use the Zoom submenu in the sequencer. You’ll soon appreciate how easy it is to navigate through your song and change the views of your song data — right from the 01X.
Recording/Playback/Remote Control Before Using Using Mute/Solo Working in an Editor window First make sure the [AUTO R/W], [SOLO] and [REC RDY] buttons are off, and use the BANK [] (Left/ Right) buttons (if needed) to call up the desired set of tracks on the 01X. For this section, you should have one or more MIDI tracks, and preferably at least one drum or percussion track in your song.
Recording/Playback/Remote Control Before Using Basics Section This is one of the most powerful of the control surface features of the 01X. Not only does it let you automate your sequencer mixes in coordination with the 01X, all physical fader moves are completely automated as well, moving along with the song playback. The following is a brief explanantion on how to use the 01X to record and play back volume automation on a specific track.
Recording/Playback/Remote Control ■ Operation Before Using q Select the desired channel/track. Press the appropriate [SEL] button or use the [ / ] (Up/Down) cursor buttons. Basics Section w Activate Read/Write automation. Press [AUTO R/W] (the button lights), then press the [ON] button of the channel, repeatedly if necessary, until both “R” (Read) and “W” (Write) are on in Cubase SX. Keep in mind that while the [AUTO R/W] button is lit, all channel [ON] buttons are used for Automation Read/Write.
Recording/Playback/Remote Control w Select the desired audio track. Do this within Cubase SX or press the [SEL] button of the corresponding channel. e Click on the “e” button in the selected track box. This calls up the Channel Settings window for the channel. Freq2 Gain2 Freq3 Full Kit Gain3 Before Using Freq4 Gain4 Page:01/02 t Use the DISPLAY [ / ] (Up/Down) buttons to change display pages.
Recording/Playback/Remote Control Editing Effect settings Before Using The 01X can also be used to edit the plug-in effects in Cubase SX. Basics Section 1) Setup Using the 01X to control the effects in Cubase SX is essentially a three-stage operation: 1) setting up, 2) adjusting the send levels, and 3) changing the effect settings. w Select the desired effects. Do this within Cubase.
2) Adjust the send levels 3) Change the effect settings q Select the desired audio channel. Use the [SEL] buttons (and the BANK [] (Left/ Right) buttons, if necessary). Note that the display windows in Cubase SX change as well — letting you directly select the Channel Settings window for any track. q Press the [EFFECT] button. Each press of the [EFFECT] button toggles between MFX (Master) and FX (Send). w Call up the Send parameters by pressing the [SEND] button.
Recording/Playback/Remote Control Other control features Before Using Using the Function buttons Basics Section The eight Function buttons [F1] - [F8] provide a powerful and versatile way to customize DAW control and streamline your recording, editing and mixing work. Just as with the Key Commands, these buttons can be assigned to any desired function, operation or command.
Recording/Playback/Remote Control Before Using Undo Basics Section The [UNDO] button performs the same function as Undo in the sequencer — allowing you to cancel the last edit made and restore the previous condition of the song. You can also execute Redo from the 01X. Simply hold down the [SHIFT] button and press [UNDO]. The last edit you made will be repeated, cancelling the just-made Undo.
Reference Before Using Function Tree/Function List This chart shows the names, ranges and explanations of all settable parameters in the Internal mode, listed in order according to the function tree. These parameters can be set not only from the 01X itself, but also conveniently from a computer—using the included software program “Studio Manager” (see separate Installation Guide and PDF documentation).
Function Tree/Function List Function name/ settings Knob Explanation Prompt Determines the Library number. Preset Scene numbers and write-protected Scenes are indicated by asterisks (*) in the display and cannot be changed (see “Protect” on page 86). Library number 00 is read-only and contains the default settings for all parameters. By using Recall (below) to call up this Scene, you can restore all 01X settings to their initial default state.
Function Tree/Function List Function name/ settings Before Using Knob Explanation Prompt Related Block pages diagram This deletes the selected Scene. m CLEAR Yes • You can turn write-protect on for specific important Scenes that you wish to keep from inadvertently overwriting or deleting. (See “Protect” below.
Function Tree/Function List Prompt REMOTE Pressing this jumps to the first page of the Remote Control menu (see below). No x PATCH Pressing this jumps to the first page of the Patch menu (page 88). No c W.CLK (Wordclock) Pressing this jumps to the first page of the Wordclock menu (page 92). No v DIO (Digital In/Out) Pressing this jumps to the first page of the Digital In/Out menu (page 93). No b OSC (Oscillator) Pressing this jumps to the first page of the Oscillator menu (page 93).
Function Tree/Function List Before Using Knob 3 u Basics Section PATCH Function name/ settings Explanation Prompt Determines the amount of time that the 01X “waits” for fader movement before turning off automation recording. This can be set over a range of 100 ms – 5000 ms, in 100 ms units. When a fader has not been moved for more than the time set here, the 01X stops writing automation data. (This is also referred to as “touch-out”; see page 15.
Function Tree/Function List Related Block pages diagram INPUT PATCH (ST1/2) (Input Channel Stereo 1/2) e NONE, AD1/2 – AD7/8, D.IN/FX2 → STI2 (44.1kHz/48kHz mode only) 4 INPUT PATCH LIBRARY q–r 00 – 32 (Library number) z – v (Title Edit) RECALL Determines the input signal routing for Stereo Input channels (STI1/2). The settings “FX1”and “FX2” correspond to the outputs of internal effects.
Function Tree/Function List Before Using Knob 5 Basics Section w Function name/ settings Explanation Prompt Related Block pages diagram OUTPUT PATCH (mLAN OUT CHANNEL) ST-BUS → 1/2 – 23/24 (17/18 – 23/24 are available in 48kHz/ 44.1kHz mode only) The 01X’s Stereo Out, Rec Bus Out, Aux Out 1 through 4 signals can be patched to any mLAN output channels by using these Output Patch parameters (also see page 30). Turning the knob immediately changes the routing.
Function Tree/Function List 6 Function name/ settings Explanation Prompt Related Block pages diagram Before Using Knob OUTPUT PATCH (DIGI. ST/AUX OUT PORT) q ST-BUS, RECBUS, AUX1 – 4 → D. OUT (Digital Out) • To set stereo pairs for AUX 1 – 4, simultaneously hold down the [SEL] button corresponding to one of the desired AUX numbers and press the [SEL] button of the intended pair (odd/even numbers). This links the parameters and lets you use the AUX outs in stereo (page 102).
Function Tree/Function List Before Using Knob Function name/ settings Explanation Prompt Related Block pages diagram An Output Patch is stored to internal memory in the Output Patch Library. Up to 32 Output Patches can be stored. The confirmation prompt can be turned on/off as desired. (See “Store Confirmation” on page 95.) n STORE Yes 65 Basics Section • Any and all data in the Store destination will be lost when executing the Store operation.
Function Tree/Function List Related Block pages diagram [UTILITY] → Channel knob 4 D.IN ST-BUS CASCADE (Digital In Stereo Bus Cascade) [PAGE SHIFT] + DISPLAY [ / ] b ON/OFF Determines whether cascade connection to the stereo bus is enabled or not for the external device connected to the DIGITAL STEREO IN terminal. No !6 y ATT (Attenuate) This control is used to attenuate Cascade Input signals.
Function Tree/Function List Before Using Knob MIDI 1 u Basics Section 2 Explanation Prompt Related Block pages diagram [UTILITY] → Channel knob 6 STUDIO MANAGER ID 1–8 [PAGE SHIFT] + DISPLAY [ Determines the Studio Manager ID. This number must match the Console Device ID of the Studio Manager (page 9) when transferring the data. No MIDI CHANNEL Getting Started t TX CH (Transmit Channel) 1 – 16 Determines the MIDI Transmit channel for transmitting MIDI (program change) messages.
Function Tree/Function List 5 Function name/ settings Explanation Prompt Related Block pages diagram Before Using Knob mLAN MIDI INFORMATION 1 : GENERAL 1 : LOGIC 1 : DP (DIGITAL PERFORMER) x 2 : MIDI-A c 3 : MIDI-B v 4 : STUDIO.
Function Tree/Function List Function name/ settings Before Using Knob 4 MIX SOLO/ LAST SOLO Basics Section When using the Solo function with the [ON] button ([SOLO] button is on), this determines whether multiple channels can be soloed (MIX SOLO) or only the last selected channel is soloed (LAST SOLO). No Input Channels can be configured individually so that they are not muted when other Input Channels are soloed (Solo Safe function).
Function Tree/Function List Related Block pages diagram Explanation Prompt Turns the EQ on or off. The LOW-band EQ functions as a high-pass filter when the Q parameter is set to HPF. It functions as a shelving-type EQ when the Q parameter is set to L.SHELF. The L and R settings of the ST IN channel’s EQ are linked together. No u No t Before Using Function name/ settings Knob z–, ON/OFF (z) Basics Section EQ ON/OFF ATT (Attenuate) (Selected Channel only) (w) - 96.0dB – +12.
Function Tree/Function List Function name/ settings Before Using Knob Explanation Prompt Related Block pages diagram EQ HIGH-MID FREQUENCY/EQHL-F q–i 21.2Hz – 20.0kHz (t) Adjusts the frequency. No Determines the bandwidth of the EQ processing. No Turns the EQ on or off. The L and R settings of the ST IN channel’s EQ are linked together. No u No t EQ LOW Q/EQL-Q Basics Section q–i 10.0 – 0.10 (r) EQ ON/OFF z–, ON/OFF (z) ATT (Attenuate) (Selected Channel only) Getting Started (w) - 96.
Function Tree/Function List Explanation ■ EQ LIBRARY (Common to 4 bands) (Selected Channel only) Prompt Related Block pages diagram [PAGE SHIFT] + DISPLAY [ / ] / ] Before Using Function name/ settings Knob 01 – 200 (Library number) q–r z – v (Title Edit) b RECALL Determines the Library number. Preset EQ numbers (01 – 40; see page 115) are indicated by asterisks (*) in the display and cannot be changed. No 36 Determines the title (name) of the EQ Library.
Function Tree/Function List Before Using Function name/ settings Knob SEND Explanation Prompt Related Block pages diagram [INTERNAL] → ([SELECTED CHANNEL]) → [SEND] SEND 1 – 4 (AUX Send Level 1 – 4 ) [PAGE SHIFT] + DISPLAY [ / ] Determines the Aux Send level of the Input Channels. When the channel knob is pressed, the level is set to nominal (0dB).
Function Tree/Function List b Function name/ settings RECALL Related Block pages diagram Explanation Prompt For calling up the selected Dynamics effect. The confirmation prompt can be turned on/off as desired. (See “Recall Confirmation” on page 95.) Yes 54 Yes 65 Before Using Knob n STORE Basics Section Dynamics settings are stored to internal memory in the Dynamics Library. Up to 88 Dynamics settings can be stored. The confirmation prompt can be turned on/off as desired.
Function Tree/Function List Before Using Knob Function name/ settings Explanation CH PAIR (Channel Pair) Basics Section q–i PAIRED/---(r) Prompt Related Block pages diagram [PAGE SHIFT] + DISPLAY [ Faders and most parameters of adjacent odd-even channels or Aux buses are linked for stereo operation. When the channels are linked, the message “PAIRED” appears.
Function Tree/Function List Explanation 1 – 7 EFFECT1/2 PARAMETER (Effect 2 is 48kHz/44.1kHz mode only) z – v (Effect Parameters) No 01 – 128 (Library number) RECALL / ] / ] 126 [PAGE SHIFT] + DISPLAY [ z – v (Title Edit) b Related Block pages diagram [PAGE SHIFT] + DISPLAY [ Determines the effect parameters. Parameters depend on the Effect Types selected in the Library (see the Effect Library List).
Remote Function List Remote Function List Before Using • For information and instructions on setting up the 01X for remote control, refer to the Getting Started and the section “Demo Song Playback/Remote Control Setup” in the separate Installation Guide booklet. • For information on the Remote functions of the Multi Part Editor, refer to the Multi Part Editor owner’s manual (PDF file).
Remote Function List This cancels the Save operation, when the final confirmation for Save appears ([SAVE] flashes). — [SHIFT]+[F1] Brings the Track View window to the front of the computer screen. (This operation applies to the current song.) — [SHIFT]+[F2] Displays the Mixer window (Audio Mixer/Multi Part Editor) or brings it to the front of the computer screen. — [SHIFT]+[F3] Displays the List window or brings it to the front of the computer screen. — [SHIFT]+[F4] Closes the current window.
Remote Function List ■ LOGIC: On the 01X, set Remote Select (page 87) in the Utility mode to “LOGIC.” Before Using Basics Section Getting Started Reference Appendix 106 Button Function LED Notes (page 114) In all modes: [NAME/VALUE] Changes the indication of the parameter name and its value. — [SHIFT]+[NAME/VALUE] Changes the meter display mode. — [PAGE SHIFT]+DISPLAY [ / ] Cursor [ / ] (Multi Channel View) Changes the Slot number.
Remote Function List [SAVE] Executes the Save operation. [MARKER] Turns the Marker on or off. — [SHIFT]+[MARKER] Enters the Marker Option mode. — [r] Press to continuously rewind. Press repeatedly to rewind more quickly. When the Marker is turned on, this operation moves the song position to the previous Marker. When Nudge is turned on, this operation moves the current object. — [f] Press to continuously fast-forward. Press repeatedly to fast-forward more quickly.
Remote Function List Button LED Before Using Knobs 1 – 8 (pressing) (Parameter page) Reset the parameter value to the default. (Some parameters cannot be reset.) — DISPLAY [ / ] Cursor [ / ] (Parameter page) Changes the page. (Page is displayed at the right of the LCD.) — Return to the PLUG-IN mode from PLUG-IN parameter pages.
Remote Function List Starts the Mixer View window./Brings the Mixer View window to the front of the computer screen. — [SHIFT]+[F3] [SHIFT]+[F3] as defined in Cubase/Nuendo. — [SHIFT]+[F4] Closes the current window. — [SHIFT]+[F5] [SHIFT]+[F5] as defined in Cubase/Nuendo. — [SHIFT]+[F6] [SHIFT]+[F6] as defined in Cubase/Nuendo. — [SHIFT]+[F7] [SHIFT]+[F7] as defined in Cubase/Nuendo. — [SHIFT]+[F8] [SHIFT]+[F8] as defined in Cubase/Nuendo.
Remote Function List ■ SONAR: On the 01X, set Remote Select (page 87) in the Utility mode to “SONAR.” Before Using Button LED Notes (page 114) In all modes: Changes the indication of the parameter name and its value. — [SHIFT]+[NAME/VALUE] Turns the Meter indication on or off. — DISPLAY [ Changes the parameter to be edited via a Knob in order one by one. — Changes the parameters to be edited via a Knob in groups of eight. — Changes the indicated parameter in order one by one.
Function LED Notes (page 114) [f] Forward (or Fast Forward). When the Marker is turned on, this operation moves the song position to the next Marker. — *33 [SHIFT]+[f] Moves the song position to the end of the song. When the Marker is turned on, this operation opens the window for entering the Marker. — [■] Stops recording or playback. [>] Press to start playback. lights [●] Press this to start song recording. The [>] (Play) and [●] (Rec) lamp are turned on during recording.
Remote Function List ■ Digital Performer: On the 01X, set Remote Select (page 87) in the Utility mode to “DP.” Before Using Basics Section Getting Started Reference Appendix 112 Button Function LED Notes (page 114) In all modes: [SHIFT]+[PAN] Calls up the Mode list display. — [SHIFT]+[NAME/VALUE] Turns the Meter indication on or off. — [SHIFT]+[REMOTE] Enters the mode for Multi Part Editor Remote operation. Press [REMOTE] button to cancel the mode.
[PAN] ( or [SHIFT]+[PAN] ➝ Knob) PAN mode LED Notes (page 114) lights *26 Knobs 1 – 8 (turning) For editing parameters. — Knobs 1 – 8 (pressing) (Surround Audio Channel) Enters the PANNER Effect Edit mode. Press the [EDIT] button to return to the PAN mode. — [SHIFT]+Knobs 1 – 8 (pressing) Resets the edited parameter to the default value (center). [FLIP] Switches the functions of the Channel Knobs and the Faders. [PAN] in the PAN mode Turns the Meter on or off.
Remote Function List Before Using *1 The normal condition is when the [AUTO R/W], [SOLO] and [REC RDY] button lamps are off. *21 Depending on the effect type, there are some effects whose parameters cannot be edited. *2 Not used or operable for the Master channel. *22 This is ignored for parameters whose default values are not set. *3 The Multi Part Editor must be selected as the MIDI editor in SQ01 V2. (This is done from the Track view window by selecting [Set] ➝ [Remote Control].
Appendix Before Using Parameter Lists ■ Preset EQ Library Preset Name Description 21 A. G. Stroke 2 A variation on preset 20. You can also use it with an acoustic-electric nylon string guitar. 22 A. G. Arpeg. 1 Ideal for arpeggio playing on acoustic guitars. 23 A. G. Arpeg. 2 A variation on preset 22. 24 Brass Sec. Use with trumpets, trombones, or saxes. When used with a single instrument, try adjusting the HIGH or HIGH-MID frequency.
Parameter Lists ■ Preset EQ Parameters/Values Before Using No. 01 Parameter Title Bass Drum 1 Basics Section Bass Drum 2 Snare Drum 1 Getting Started 05 Reference 06 07 Snare Drum 2 Tom-tom 1 Cymbal High Hat PEAKING PEAKING H.SHELF –3.5 dB 0.0 dB +4.0 dB F 100 Hz 265 Hz 1.06 kHz 5.30 kHz 1.2 10 0.9 — PEAKING PEAKING PEAKING LPF G +8.0 dB –7.0 dB +6.0 dB ON F 80 Hz 400 Hz 2.50 kHz 12.5 kHz Appendix Percussion 10 11 E. Bass 1 E. Bass 2 Syn.
Parameter Lists 28 29 Female Vo. 1 Female Vo. 2 Chorus & Harmo Total EQ 1 PEAKING PEAKING 0.0 dB +2.0 dB +3.5 dB 190 Hz 1.00 kHz 2.00 kHz 6.70 kHz 0.11 4.5 0.56 0.11 PEAKING PEAKING PEAKING H.SHELF G +2.0 dB –5.0 dB –2.5 dB +4.0 dB F 170 Hz 236 Hz 2.65 kHz 6.70 kHz 0.11 10 5.6 — PEAKING PEAKING PEAKING PEAKING G –1.0 dB +1.0 dB +1.5 dB +2.0 dB F 118 Hz 400 Hz 2.65 kHz 6.00 kHz Q 0.18 0.45 0.56 0.14 L.SHELF PEAKING PEAKING H.SHELF G –7.0 dB +1.
Parameter Lists ■ Preset Dynamics Library Before Using No. Type Description Basics Section 1 Comp COMP Compressor for reducing the overall volume level. Use it on the stereo output during mixdown, or with paired Input or Output Channels. 2 Expand EXPAND Expander template. 3 Compander (H) COMPAND-H Hard-kneed compressor template. 4 Compander (S) COMPAND-S Soft-kneed compressor template. 5 A. Dr. BD COMP Compressor for use with acoustic bass drum. No.
Parameter Lists Comp COMP 2 Expand EXPAND 3 Compander (H) COMPAND-H 4 Compander (S) COMPAND-S 5 A. Dr. BD COMP 6 A. Dr. BD COMPAND-H 7 A. Dr. SN COMP 8 A. Dr. SN EXPAND 9 A. Dr. SN COMPAND-S 10 A. Dr. Tom EXPAND Value –8 2.5 60 0.0 2 250 –23 1.7 1 3.5 2 70 –10 3.5 1 0.0 6 250 –8 4 25 0.0 24 180 –24 3 9 5.5 2 58 –11 3.5 1 –1.5 7 192 –17 2.5 8 3.5 2 12 –23 2 0 0.5 2 151 –8 1.7 11 0.0 10 128 –20 2 2 5.0 2 749 No. Title Type 11 A. Dr. OverTop COMPAND-S 12 E. B.
Parameter Lists No. Type Before Using Basics Section Getting Started Reference Appendix 21 Strings3 COMP 22 BrassSection COMP 23 Syn.
Parameter Lists Threshold Compressor –54 dB–0 dB (0.1 dB step) Ratio (x :1) x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20, ∞ (16 points) Out gain 0 dB to +18 dB (0.1 dB step) Knee Hard, 1, 2, 3, 4, 5 (6 points) Attack Before Using ■ Dynamics Parameters 0 ms–120 ms (1 ms step) 6 ms–46.1 s (160 points) @ 44.1 kHz 5 ms–42.3 s (160 points) @ 48 kHz Basics Section Release 3 ms–23.0 s (160 points) @ 88.2 kHz 3 ms–21.2 s (160 points) @ 96 kHz Threshold Expander –54 dB to 0 dB (0.
Parameter Lists Before Using Explanations for Dynamics Parameters Compressor dB A compressor provides a form of automatic level control. By attenuating high levels, thus effectively reducing the dynamic range, the compressor makes it much easier to control signals and set appropriate fader levels. Reducing the dynamic range also means that recording levels can be set higher, therefore improving the signal-to-noise performance.
Parameter Lists Ratio controls the amount of expansion — the change in output signal level relative to change in input signal level. With a 2:1 ratio, for example, a 5 dB change in input level (below the threshold) results in a 10 dB change in output level. For a 5:1 ratio, a 2 dB change in input level (below the threshold) results in a 10 dB change in output level. Before Using Threshold (THRESH) determines the level of input signal required to trigger the expander.
Parameter Lists dB dB +20 +20 +10 Basics Section Output Level 0 +10 Threshold = -10dB 0 -10 Output Level Before Using Gate and Ducking -20 -30 Range = -30dB -40 -50 Threshold = -20dB -20 -30 -40 -50 -60 Range = -70dB -70 dB -70 -60 -50 -40 -30 -20 -10 0 +10 +20 Input Level -60 Range = -30dB -70 dB -70 -60 -50 -40 -30 -20 -10 0 +10 +20 Input Level Getting Started A gate, or noise gate is an audio switch used to mute signals below a set threshold level.
Parameter Lists Preset Name/ Types Description No. Preset Name/ Types Description 1 Reverb Hall Concert hall reverberation simulation with gate 24 Distortion Distortion 2 Reverb Room Room reverberation simulation with gate 25 Amp Simulate Guitar amp simulation 3 Reverb Stage Reverb designed for vocals, with gate 4 Reverb Plate Plate reverb simulation with gate 5 Early Ref.
Parameter Lists ■ Effects Parameters Before Using ● REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE One input, two output hall, room, stage, and plate reverb simulations, all with gates. Parameter Range Description Basics Section Getting Started REV TIME 0.3–99.0 s Reverb time INI. DLY 0.0–500.0 ms Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio LO. RATIO 0.1–2.4 Low-frequency reverb time ratio DIFF.
Parameter Lists ● MONO DELAY Parameter Range Before Using One input, two output basic repeat delay. Description 0.0–2730.0 ms Delay time FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) HI. RATIO 0.1–1.0 High-frequency feedback ratio HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LPF 50.0 Hz–16.
Parameter Lists ● ECHO Before Using Two input, two output stereo delay with crossed feedback loop. Parameter Range Basics Section 0.0–1350.0 ms Left channel delay time DELAY R 0.0–1350.0 ms Right channel delay time FB.DLY L 0.0–1350.0 ms Left channel feedback delay time FB.DLY R 0.0–1350.0 ms Right channel feedback delay time FB. G L –99 to +99% Left channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) FB.
Parameter Lists ● SYMPHONIC Range Description FREQ. 0.05–40.00 Hz Modulation speed DEPTH 0–100% Modulation depth MOD. DLY 0.0–500.0 ms Modulation delay time WAVE Sine, Tri Modulation waveform LSH F 21.2 Hz–8.00 kHz Low shelving filter frequency LSH G –12.0 to +12.0 dB Low shelving filter gain EQ F 100 Hz–8.00 kHz EQ (peaking type) frequency EQ G –12.0 to +12.0 dB EQ (peaking type) gain EQ Q 10.0–0.10 EQ (peaking type) bandwidth HSH F 50.0 Hz–16.
Parameter Lists ● HQ. PITCH Before Using One input, two output high-quality pitch shifter. Parameter Range Description PITCH –12 to +12 semitones Pitch shift FINE –50 to +50 cents Pitch shift fine DELAY 0.0–1000.0 ms Delay time FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) MODE 1–10 Pitch shift precision Basics Section ● DUAL PITCH Two input, two output pitch shifter.
Parameter Lists ● MOD. FILTER Parameter Range Before Using Two input, two output modulation filter. Description 0.05–40.00 Hz Modulation speed DEPTH 0–100% Modulation depth PHASE 0.00–354.38 degrees Left-channel modulation and right-channel modulation phase difference TYPE LPF, HPF, BPF Filter type: low pass, high pass, band pass OFFSET 0–100 Filter frequency offset RESO. 0–20 Filter resonance LEVEL 0–100 Output level Basics Section FREQ.
Parameter Lists ● DYNA. FLANGE Before Using Two input, two output dynamically controlled flanger. Parameter Range Description Basics Section SENSE 0–100 Sensitivity DIR. UP, DOWN Upward or downward frequency change DECAY *1 Decay speed OFFSET 0–100 Delay time offset FB.GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) LSH F 21.2 Hz–8.00 kHz Low shelving filter frequency LSH G –12.0 to +12.
Parameter Lists ● REV->CHORUS Range Description 0.3–99.0 s Reverb time INI. DLY 0.0–500.0 ms Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio DIFF. 0–10 Spread DENSITY 0–100% Reverb density HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency REV.BAL 0–100% Reverb and chorused reverb balance (0% = all chorused reverb, 100% = all reverb) FREQ. 0.05–40.
Parameter Lists ● REV+SYMPHO. Before Using One input, two output reverb and symphonic effects in parallel. Parameter Range Basics Section 0.3–99.0 s INI. DLY 0.0–500.0 ms Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio DIFF. 0–10 Spread DENSITY 0–100% Reverb density HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency LPF 50.0 Hz–16.
Parameter Lists ● DELAY+ER. Parameter Range Before Using One input, two output delay and early reflections effects in parallel. Description 0.0–1000.0 ms Left channel delay time DELAY R 0.0–1000.0 ms Right channel delay time FB. DLY 0.0–1000.0 ms Feedback delay time FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) HI. RATIO 0.1–1.0 High-frequency feedback ratio HPF THRU, 21.2 Hz–8.
Parameter Lists ● DELAY->REV Before Using One input, two output delay and reverb effects in series. Parameter Range Basics Section 0.0–1000.0 ms Left channel delay time DELAY R 0.0–1000.0 ms Right channel delay time FB. DLY 0.0–1000.0 ms Feedback delay time FB. GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) DELAY HI 0.1–1.0 Delay high-frequency feedback ratio HPF THRU, 21.2 Hz–8.
Parameter Lists ● ST REVERB Range Description REV TIME 0.3–99.0 s Reverb time REV TYPE Hall, Room, Stage, Plate Reverb type INI. DLY 0.0–100.0 ms Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio LO. RATIO 0.1–2.4 Low-frequency reverb time ratio DIFF. 0–10 Reverb diffusion (left–right reverb spread) DENSITY 0–100% Reverb density E/R BAL. 0–100% Balance of early reflections and reverb (0% = all reverb, 100% = all early reflections) HPF THRU, 21.
Parameter Lists ■ Scene Memory to Program Change Table Before Using Basics Section Getting Started Reference Appendix 138 Program Change No. Initial Scene No. 1 User Scene No. Program Change No. Initial Scene No. 01 44 2 02 3 4 User Scene No. Program Change No. Initial Scene No.
Parameter Lists Before Using ■ Input Patch Parameters * Each display may differ depending on the channel name (Studio Manager) settings. : Disabled when Wordclock is set to 96kHz/88.2kHz.
Parameter Lists ■ Output Patch Parameters Before Using * Each display may differ depending on the channel name (Studio Manager) settings. : Disabled when Wordclock is set to 96kHz/88.2kHz. ● mLAN OUT (Output) ● D.
MIDI Data Format 3.3 System Real-time Messages Command 2. Function Outline MIDI is used with the 01X for the following purposes/programs. Studio Manager Controlling the DAW software Controlling the Multi Part Editor Recalling preset Library Scenes (via program change messages) Remote control (Mode can be selected.) mLAN-MIDI-2 Direct connection to MIDI-A terminal mLAN-MIDI-3 Direct connection to MIDI-B terminal mLAN-MIDI-4 Studio Manager mLAN-MIDI-5 Remote control (Mode is fixed to “GENERAL.
MIDI Implementation Chart MIDI Implementation Chart YAMAHA [DIGITAL MIXING STUDIO] Model:01X MIDI Implementation Chart Before Using Transmitted Recognized Date : May/28,2003 Version : 1.0 Remarks Function...
Display Messages These channels cannot be used while 01X is set to 96kHz/88.2kHz operation. Do you want to initialize backup data? This prompt asks if you want to initialize the backup data (page 86). ERROR: Backup Data Crashed!! Do you want to initialize backup data? Because the power was turned off while data was being written to Flash ROM (during a “Please keep power on” message), the backup data must be initialized (page 86). The prompt asks if you want to initialize the backup data.
Troubleshooting Troubleshooting Before Using No sound? Wrong sound? When a problem like this occurs, please check the following points before assuming that the product is faulty. In many cases you’ll find the solution to your problem here. If the problem persists, then contact your Yamaha dealer or service center. ■ No sound, or sound is too faint. Basics Section • Are speakers or headphones connected correctly? .....
Troubleshooting • Make sure that the appropriate number of devices is connected to the computer. Connection of too many devices may cause noise, depending on the capacity of the computer. • Are there any noise-producing devices (such as those containing power inverters, etc.) near the cables? Move all cables away from any possible noise sources. • Is the mLAN cable damaged? Cables that do not satisfy IEEE1394 standards may cause noise.
Troubleshooting Before Using ■ Pairing was specified, but the signal phase does not match. • Even when channels are paired, the phase setting is not linked. ................................ page 102 ■ Automation (Automix) cannot be stopped. • Has the REMOTE AUTOMATION SETUP parameter been set to correctly? ............................... page 88 Basics Section ■ Can’t use the internal effects. • Effect BYPASS may be turned ON. ........................
Troubleshooting • Make sure that you set up the wordclock correctly. Also, make sure that one node is assigned as master and the other nodes are assigned as slaves. ........ “mLAN Connection Settings” (Graphic Patchbay Online Manual) ■ The mLAN Driver (MIDI/Audio) is not detected from the application (DAW, audio sequencer, etc.). • (For Windows) Make sure mLAN has not been turned off. On the task bar, right-click mLAN Manager (mLAN icon), then select ON. ........
Troubleshooting Before Using To change mLAN settings, select [Start | (All) Programs | Start Up], then start mLAN Manager. • (When a message such as “file cannot be found” appears when uninstalling:) Try executing the installation once more, then uninstall again. Basics Section ■ (For Windows) The mLAN Manager (mLAN icon in the task bar) has disappeared. • Select [Start] ➝ [(All) Programs] ➝ [Startup] (or [mLAN Tools]) ➝ [mLAN Manager] .....................
Specifications Before Using Specifications Normal rate: 44.1 kHz (-10 %) – 48 kHz (+6 %) Double rate: 88.2 kHz (-10 %) – 96 kHz (+6 %) 44.1 kHz, 48 kHz 20 Hz – 20 kHz 0 +1/-3dB, MIC/LINE IN to STEREO OUT (48 kHz) 88.2 kHz, 96 kHz 20 Hz – 40 kHz 0 +1/-3dB, MIC/LINE IN to STEREO OUT (96 kHz) Total Harmonic Distortion Less than 0.
Specifications ■ Input/Output Specifications Before Using Analog Input MIC/LINE INPUT 1, 2 Input level Connector XLR type, Balanced, +48 V +3 V/-3 V Phantom Nominal -46 dB – +4 dB Max.
About This Manual .......................................................................7 Accessories ...................................................................................6 ACTIVE lamp ............................................................................22 Application examples (Basics Section) ......................................34 Application Index .......................................................................10 ASIO Driver Setup ............................................
Index Before Using Basics Section F L F1 - F8 (Function 1 - 8) buttons .................................................19 Factory Set (Restore Factory Defaults) (Basics Section) ...........42 FADER GROUP ......................................................................101 Fader Groups ..............................................................................64 FADER LEVEL DISP ................................................................95 Fader Level Display ...............................
NAME/VALUE button ..............................................................17 Nominal level (01X Terminology) .............................................14 NUENDO (Remote Function List) ...........................................108 PROGRAM CHANGE ...............................................................94 Program change ..........................................................................87 PROGRAM CHANGE ASSIGN TABLE .................................94 Programming markers ..............
Index Before Using Basics Section SQ01 V2 .......................................................................................9 SQ01 V2 (Remote Function List) .............................................104 STANDBY/ON switch ...............................................................22 ST-BUS (Stereo bus assign) .......................................................99 Stereo bus assign ........................................................................99 Stereo buses L/R (01X Terminology) ..
24*1 24*1 EFFECT (FX) 2 METER*3 2 2 16*2 AD 3-8 e FX2 FX1 r DINL/R *1 Wordclock 96kHz/88.2kHz : 16 *2 Wordclock 96kHz/88.2kHz : 8 *3 Studio Manager only y y INSERT DYNAMICS 4BAND EQ ATT t y INSERT (Gain Reduction) METER*3 DYNAMICS Mono in X 16 (96kHz/88.2kHz: X 8) 4BAND EQ u i Stereo in X 2 (96kHz/88.2kHz: X 1) 4BAND EQ 4BAND EQ u Mono in X 8 (Gain Reduction) METER*3 i u INPUT 9(...24*1) (mL1-mL16*2) ATT ATT t ST IN 1(...2) ATT t INPUT 1(...
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A.
