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Contents Contents How to Use This Reference Manual ............................................... 1 Contents of the Owner’s Manual (Booklet) .......... 3 Function Tree .......................................................... 4 Control Surface & Rear Panel ................................. 6 Control Surface .................................................................................. 6 Rear Panel .........................................................................................
Contents of the Owner’s Manual (Booklet) The contents of the separate Owner’s Manual booklet are as follows.
Function Tree Function Tree BUTTON DISPLAY ACCESS Page numbers in parentheses ( ) are the page numbers of the Owner’s Manual (booklet).
Function Tree 5 BUTTON AUX1– AUX8 HOME (METER) FUNCTION PAGE NAME Function Tree FADER MODE LINK SEND AUX1–AUX8 SEND 38 PAN AUX1–AUX8 PAN 41 VIEW1-16 INPUT CH1-16 AUX VIEW 40 VIEW17-STI INPUT CH17-ST IN AUX VIEW 40 CH1-32 CH1-32 METER 8 ST IN ST IN METER 8 MASTER MASTER METER 8 EFFECT EFFECT1-4 INPUT/OUTPUT METER 8 STEREO STEREO METER 8 POSITION METER POSITION 8 LAYER BUTTON FUNCTION PAGE NAME LINK 1-16 8 17-32 8 8 MASTER REMOTE USER DEFINED 94 ProTools 83
Control Surface & Rear Panel Control Surface & Rear Panel Control Surface AD Input Section (p. 7) DISPLAY ACCESS Section (p. 8) SCENE MEMORY Section (p.
Control Surface CH1-4 1 2 3 4 5 9 10 11 12 13 15 14 16 1 A A A A A A A A A B B B B B B B B B 2 INPUT (BAL) INSERT 3 8 OUT IN (UNBAL) 4 INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB CH15/16 2TR IN PAD 5 6 7 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN P
Control Surface & Rear Panel STEREO Section DISPLAY ACCESS Section 1 SEL 1 [SEL] button 2 [ON] button 3 [STEREO] fader 1 2 3 4 2 DISPLAY ACCESS ON 6 5 SCENE DIO/SETUP PAN/ / INSERT/ ROUTING DELAY MIDI UTILITY PAIR/ GROUP PATCH EFFECT VIEW 7 8 0 DYNAMICS 5 EQ 10 9 0 A B 15 20 30 40 50 60 70 3 STEREO ST IN Section 1 ST IN 1 [ST IN] button 2 [SEL] buttons 3 [SOLO] buttons 4 [ON] buttons 5 Level controls 1 [SCENE] button 2 [DIO/SETUP] button 3 [MIDI] button 4 [UTILITY] button
Control Surface SCENE MEMORY Section Control Surface & Rear Panel Display Section SCENE MEMORY OVER STORE RECALL 0 -3 -6 -9 -12 -15 2 1 -18 1 3 2 -24 -30 -36 -48 STEREO 3 5 4 6 1 [STORE] button 2 Scene Up [ ] / Down [ ] buttons 3 [RECALL] button USER DEFINED KEYS Section 1 Display 2 Stereo meters 3 Contrast control 4 [F1]–[F4] buttons 5 Left Tab Scroll [ ] button 6 Right Tab Scroll [ ] button 1 [1]–[8] buttons SELECTED CHANNEL Section 8 2 3 4 5 6 7 8 Data Entry Section 1
Control Surface & Rear Panel Rear Panel PHANTOM +48V (p. 10) AD Output Section (p. 10) Power Section (p. 11) MIDI/USB Section (p. 10) SLOT Section (p. 11) PHANTOM +48V 3 Digital I/O Section (p.
Rear Panel 11 Control Surface & Rear Panel SLOT Section 1 SLOT 1 Power Section 1 POWER ON/OFF switch 2 AC IN connector 1 2 01V96i—Reference Manual
Analog I/O & Digital I/O Analog I/O & Digital I/O This chapter describes the 01V96i’s analog and digital input/output connectors as well as the basic operations involving the digital I/Os. Analog Inputs & Outputs Input Section The 01V96i’s top panel features input connectors, which enable you to connect microphone and line-level sources. • INPUT connectors A 1–12 1 2 These balanced TRS-type phone connectors accept A A line-level and microphone signals. The nominal input range is –60 dB through +4 dB.
Digital Inputs & Outputs The 01V96i top and rear panels feature output connectors that enable you to connect a monitoring system, effects processors and other line-level devices. • MONITOR OUT connectors L/R These balanced TRS-type phone connectors output monitoring signals or input signals routed from the 2TR IN connectors. The nominal output level is +4 dB. Use the Monitor source selector in the Monitor Out & Headphones section to select the signal output from these connectors.
Analog I/O & Digital I/O Converting Sampling Rates of Signals Received at I/O Card Inputs An optional MY8-AE96S Digital I/O card features sampling rate converters, so you can easily convert the sampling frequency of digital inputs to the current 01V96i sampling rate. Monitoring Digital Input Channel Status You can view and monitor the Channel Status (sampling rate, emphasis, etc.) of digital audio signals connected to the 2TR Digital Inputs and Slot Inputs as follows. 1.
Dithering Digital Outputs Description Temporarily used Laser Optical Laser optical device D/D Conv Digital - Digital converter and signal processing device Magnetic Magnetic tape device and magnetic disk device D.
Analog I/O & Digital I/O Setting the Transfer Format for Higher Sampling Rates To operate the 01V96i at higher sampling frequencies (88.2 kHz or 96 kHz) and transfer digital audio signals to and from connected external devices, you must set the data transfer format in accordance with the sampling frequencies supported by the external devices. 1. Press the DISPLAY ACCESS [DIO/SETUP] button repeatedly until the DIO/Setup | Word Clock page appears. 2. Select INT88.2k or INT96k as the wordclock source.
Input Channels 17 • LEVEL This section enables you to adjust the input level of the Input Channel signal. This chapter describes how to adjust the 01V96i’s Input Channel parameters. • PAN This section enables you to adjust the pan setting of the signals routed from the Input Channels to the Stereo Bus. You can also apply the pan setting to a pair of Bus channels.
Input Channels Setting the Input Channels from the Display Delaying Input Channels To set the delay for each channel, press the [ /INSERT/DELAY] button repeatedly until the page listed below that contains the desired channels appears. To set the Input Channel parameters, you can either move the cursor to the desired parameter on the display and change the value, or operate the desired button or control on the top panel to directly change the setting.
Setting the Input Channels from the Display • FB.GAIN This parameter sets the amount of delay feedback. Tip: • This function is unavailable for the ST IN Channels. • The delay time range depends on the sampling rate at which the 01V96i is operating. • If you select the DELAY SCALE meter or feet button, the distance value can be converted to the delay time based on sonic speeds (about 343.59 m/sec at 20 degrees Celsius).
Input Channels Compressing Input Channels Attenuating Input Channels To set the Input Channel compressors, use the [SEL] buttons to select the desired Input Channel, then press the DISPLAY ACCESS [DYNAMICS] button, then press the [F3] button to display the Dynamics | Comp Edit page. To set the attenuator for each Input Channel, press the DISPLAY ACCESS [EQ] button, then press the [F3] button to display the EQ | In Att page.
Setting the Input Channels from the Display The 01V96i’s Input Channels feature 4-band (LOW, LOW-MID, HIGH-MID, HIGH) parametric EQ. The LOW-MID and HIGH-MID bands are a peaking type of EQ. The LOW and HIGH bands can be set to shelving, peaking, or HPF and LPF respectively. 1. Press the [SEL] button of the channel for These sections contain the Q, Frequency (F), and Gain (G) parameters for the four bands. These parameter values range as follows: Parameter Q which you want to adjust EQ. 2.
Input Channels Panning Input Channels Routing Input Channels Input Channels can be panned in the range of L63 through CENTER to R63. To pan each channel, press the [PAN/ROUTING] button repeatedly until the Pan/Route | Pan page appears. You can route each Input Channel to the Stereo Bus, Bus 1–8, or its own Direct Out. With the default setting, signals are routed only to the Stereo Bus. However, you can patch signals to a single or multiple destinations, if necessary. 1 2 1.
Setting the Input Channels from the Display When this button is turned on, the currently-selected Input Channel is routed to the Stereo Bus. 4D When this button is turned on, the currently-selected Input Channel is routed to its Direct Out. See page 46 for more information on the Direct Out. 5 ALL STEREO This button turns on the S button for all channels on the page. 6 ALL BUS This button turns on the Bus buttons 1–8 for all channels on the page.
Input Channels 7 DELAY section (*) 3 BUS ROUTING/FOLLOW PAN section This section enables you to set the currently-selected channel’s Delay function. (See page 18 for more information.) 8 PAIR section (*) This section indicates whether or not channels are paired. The heart icon ( ) is in one piece when channels are paired. The heart icon is broken ( ) when channels are not paired. (See page 26 for more information.
Setting the Input Channels from the Control Surface 25 3. Rotate the level control of the desired chan- You can use the faders, [SEL] buttons, and various buttons and controls in the SELECTED CHANNEL section on the top panel to directly control most parameters for Input Channels. 4. Rotate the SELECTED CHANNEL [PAN] con- nel to set the level. You can always view the current channel level at the top of the display. trol to adjust the pan setting.
Input Channels If the check box is off, the parameter value currently being adjusted pops up. See page 21 for more information on EQ. Pairing Input Channels On the 01V96i, you can pair adjacent odd-even Input Channels or counterpart channels on Layer 1 and Layer 2 that share the same physical fader. Faders and most parameters of paired channels are linked for stereo operation.
Pairing Input Channels 27 ■ Pairing Input Channels Using the Display 1. While pressing and holding down the [SEL] 1. Press the [PAIR/GROUP] button repeatedly button for one of the channels you wish to pair, press the [SEL] button for the adjacent channel. (The paired channel numbers should be odd and even in this order). until the Pair/Grup | Input page appears. 2 1 2. When the Pair Confirmation check box is on (see page 109), the Channel Pairing window appears.
Input Channels 4. To cancel a pair, move the cursor to the desired channel’s STEREO button, then press [ENTER]. Tip: You can also create or cancel a pair of Output Channels in the same way on the Pair/Grup | Output page (see page 33). Naming Input Channels By default, Input Channels are named CH1, CH2, etc. You can change these names if desired.
Bus Outs This chapter describes how to adjust the 01V96i’s Stereo Out and Bus Out 1–8 parameters. Note: You can also patch the Stereo Out signals to other output connectors or the I/O card by using the Patch | Out Patch pages. About Stereo Out The Stereo Out section receives Input Channel and Bus Out 1–8 signals, mixes them into two channels, processes them using on-board EQ, compressor, etc., then routes them to the STEREO OUT and 2TR OUT connectors.
Bus Outs Setting the Stereo Out and Bus Out 1–8 from the Display To set the Stereo Out and Bus Out 1–8 parameters, you can either move the cursor to the desired parameter on the display and change the value, or operate the desired button or control on the top panel. This section explains how to set the parameters on the display. Delaying the Stereo Out and Bus Outs To delay the Stereo Out and Bus Out 1–8 signals, press the [ /INSERT/DELAY] button repeatedly until the /INS/DLY | Out Dly page appears.
Setting the Stereo Out and Bus Out 1–8 from the Display 2 TO ST ON/OFF To set the EQ for the Stereo Out and Bus Out 1–8 EQ, press the DISPLAY ACCESS [EQ] button, then press the [F1] button to display the EQ | EQ Edit page, and use the [SEL] buttons to select the Stereo Out or Bus Out 1–8. 3 TO ST Faders These buttons turn on and off the Bus Out 1–8 to the Stereo Bus routing. These faders set the Bus Out 1–8 to Stereo Bus levels.
Bus Outs ■ Viewing Faders and Other Parameters Bus Out (1–8) Fader page 12 3 45 To display the View | Fader page, use the corresponding [SEL] button to select the desired bus, then press the DISPLAY ACCESS [VIEW] button, then press the [F2] button. The Fader page layouts for Stereo Out and Bus Out 1–8 are slightly different. Stereo Out Fader page 12 1 BUS ON/OFF This button turns the currently-selected Bus Out (1–8) on or off, and links with the [ON] (9–16) button in the Master layer.
Setting the Stereo Out and Bus Out 1–8 from the Control Surface You can use the faders, [SEL] buttons, and various buttons and controls in the SELECTED CHANNEL section on the top panel to directly control certain parameters for the Stereo Out and Bus Out 1–8. Setting the Levels Move the [STEREO] fader to adjust the Stereo Out levels. Press the [ON] button in the STEREO section to turn the Stereo Out on or off.
Bus Outs 2 F.S This button determines whether Aux Sends follow the Input Channel Surround Pan when the 01V96i is in any Surround mode other than “Stereo.” When this button is turned on, Aux Sends follow the Input Channel Surround Pan. This is useful for feeding Surround signals to external Surround effects processors. 2. Move the cursor to the MONOx2 button for the desired Bus or Aux Send, then press [ENTER].
Naming the Stereo Out and Bus Outs 35 Bus Outs Naming the Stereo Out and Bus Outs You can change the default Bus names (BUS1, AUX4, STEREO, etc.). It may be convenient to name the buses “Monitor Out” or “Effect Send,” for example, so that you can easily identify the signal type. 1. Press the DISPLAY ACCESS [PATCH] button repeatedly until the Patch | Out Name page appears. 3 1 2 You can specify Short names in the center column (1) and Long (full) names in the right column (2).
Aux Outs Aux Outs Setting Aux Out 1–8 from the Display This chapter describes how to control Aux Out 1–8. To set Aux Out 1–8 parameters, you can either move the cursor to the desired parameter on the screen and change the value, or operate the desired button or control on the top panel. This section explains how to set the parameters on the screen.
Setting Aux Out 1–8 from the Display 37 EQ settings To delay Aux Out 1–8 signals, press the DISPLAY ACCESS [ /INSERT/DELAY] button repeatedly until the /INS/DLY | Out Dly page appears. To set the EQ for Aux Out 1–8, press the DISPLAY ACCESS [EQ] button, then press the [F1] button to display the EQ | EQ Edit page, then use the [SEL] buttons to select Aux Out 1–8.
Aux Outs ■ Viewing Faders and On/Off Parameters To display the View | Fader page, use the corresponding [SEL] button to select the desired Aux Out (1–8), then press the DISPLAY ACCESS [VIEW] button, then press the [F2] button. Setting Aux Send Levels You can adjust the level of signals routed from Input Channels to the corresponding Aux Out (1–8). Setting Send Levels from the Display You can view multiple channels’ Aux Send levels on the screen and adjust them individually. 1.
Setting Aux Send Levels 4. If you switched to Fixed mode in Step 3, the ON/OFF buttons turn each Input Channel on or off for the currently-selected Aux Send. 3. Move the cursor to the FIXED or VARIABLE button in the MODE section for the currently-selected Aux Send to select a mode. • Fixed Mode In this mode, Aux Send levels are fixed at nominal (0.0 dB). Also, channel ON/OFF buttons appear instead of the Send level rotary controls and PRE/POST buttons.
Aux Outs Note: • Do not raise the level of the Aux Sends (patched to the effects processor) on the effects return channels. • For example, by default, Aux 1 is routed to the input of the internal Effects processor 1, and L and R of ST IN Channel 1 are patched to the processor’s output. Under these conditions, if you raise the level of the send signals from ST IN Channel 1 to Aux 1, the signals are returned to ST IN Channel 1, creating a signal loop and possibly damaging your speakers.
Panning Aux Sends This field displays in dB the level of the Aux Send currently-selected by the cursor. 2. Move the cursor to either the DISPLAY LEVEL or PRE/POST button, then press [ENTER] to display the Level or Pre/Post parameters. 3. If you selected the PRE/POST button in Step 2, move the cursor to the desired Input Channel and Aux intersection, then press the [ENTER] button to change the signal source point.
Aux Outs 6. To link the Input Channel Pan setting with the Aux Send Pan setting, move the cursor to the INPUT PAN LINK ON/OFF button, then press [ENTER]. The pan positions on the Pan page are copied to the Aux pan setting, and the pan controls on both pages are linked. Tip: • If paired Aux Sends are in Variable mode, the Aux Send levels, Aux On/Off, and Pre/Post parameters for paired Input Channels are linked to each other.
Input & Output Patching This chapter describes how to patch (assign) signal paths within the 01V96i to its inputs, outputs, and slot channels Input Patching Follow the steps below to change the Input Patch. 1. Press the DISPLAY ACCESS [PATCH] button repeatedly until the Patch | In Patch page appears. Input Patching Signals input at INPUT connectors 1–16, ADAT IN connector, 2TR IN DIGITAL connectors, and Slot I/O card are patched to Input Channels for use.
Input & Output Patching 3. Press [ENTER] to confirm the change. Tip: • You can patch an input signal to multiple Input Channels. • You can store the Input Patch settings to the Input Patch library. Refer to “Libraries” on page 74 for more information.
Output Patching Tip: You can store the Output Patch settings to the Output Patch library. Refer to “Libraries” on page 74 for more information. Patching the 2TR Digital Outputs Follow the steps below to change the signal path patched to the 2TR OUT DIGITAL connector. Patching the USB Outputs By default, the following output signals are assigned to USB OUT. Outputs 1. Press the DISPLAY ACCESS [PATCH] button repeatedly until the Patch | 2TR Out page appears.
Input & Output Patching Patching Direct Outs Input Channel 1–32 signals can be directly patched to any outputs or slot outputs, as well as Bus Out 1–8 and Stereo Out. This patching is convenient when you want to record the input signal of each Input Channel to an individual track on a connected DAW. 1. Press the DISPLAY ACCESS [PATCH] button repeatedly until the Patch | Direct Out page appears. 4.
Insert Patching This page contains the following parameters: 1 POSITION The 01V96i’s Input Channels and Output Channels (Stereo Out, Bus Out 1–8, Aux Out 1–8) feature independent Insert Ins and Outs. Inputs, outputs, ADAT connector channels, slot channels, and internal effects processor inputs and outputs can be patched to the Output Channel Insert Ins and Outs. In this way, you can send the signals to external effects processors for processing, or insert internal effects.
Input & Output Patching 5. Move the cursor to the desired IN parameter box, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to select the inputs, ADAT IN channels, or slot input channels to be patched to the Insert In. Refer to the explanation regarding the Input Patch for more information on the parameter values (see page 43). 6. Press [ENTER] to confirm the change. Tip: Move the cursor to an empty OUT or IN parameter box and press the [ENTER] button. The Patch Select window appears.
Monitoring Monitor and Solo Setup This chapter explains how to set up monitoring and use the Solo function on the 01V96i. For monitoring and solo setup, press the DISPLAY ACCESS [DIO/SETUP] button repeatedly until the DIO/Setup | Monitor page appears. 5 1 6 2 3 4 Monitor STEREO L STEREO R SOLO L SOLO R The 01V96i features the stereo signal path to feed the monitors. The monitoring signal source is patched to MONITOR OUT connectors L & R and the PHONES connector.
Monitoring 3 SEL MODE This parameter determines how the Input Channels will be soloed when you press the [SOLO] button of each Channel. There are two options. • MIX SOLO In Mix Solo mode, any number of channels can be soloed simultaneously. • LAST SOLO In Last Solo mode, only one channel can be soloed at a time by pressing the [SOLO] button. The Solo function that was previously enabled for channels is automatically cancelled. Using the Monitor 1.
Using the Solo Function 51 Monitoring Using the Solo Function You can solo and monitor Input Channels, Aux Out 1–8, and Bus Out 1–8 using the [SOLO] buttons on the top panel. 1. Press the [DIO/SETUP] button repeatedly until the DIO/Setup | Monitor page appears. 2. Set the SOLO parameter to On. Set other parameters on the page, if necessary. 3.
Surround Pan Surround Pan • 5.1 This mode uses six channels that include front left, front right, rear left, rear right, front center, and subwoofer. Subwoofer This chapter describes surround panning, which determines how Input Channel signals are panned within and across the stereo field.
Setting Up and Selecting Surround Pan Modes • 3-1 Surround Surround Pan Setting Up and Selecting Surround Pan Modes 53 To configure the surround environment, select 3-1, 5.1, or 6.1 Surround mode on the 01V96i and connect a DAW or multi-channel monitoring system to the 01V96i. 1. Press the DISPLAY ACCESS [PAN/ROUTING] button repeatedly until the Pan/Route | Surr Mode page appears. 1 • 5.1 Surround 2 • 6.
Surround Pan 3 Surround LR to Stereo The DIO/Setup | Surr Bus page appears. 3 1 When this check box is on, the left and right front signals of the surround channels are output from the STEREO L/R connectors. 2 7. To change the assignment, move the cursor to the desired Bus parameter, rotate the Parameter wheel to select a channel, then press [ENTER]. The channels are swapped between the selected Bus and the Bus to which the channel assigned to the selected Bus was assigned previously.
Setting Up and Selecting Surround Pan Modes 55 To monitor surround pan movement, patch the Bus Outs to the analog outputs, to which a monitoring system is connected. The following diagram illustrates an example in which Bus Out 1/2 (left and right front channel) signals are output from the STEREO OUT L/R connectors and Bus Out 3–6 signals are output from the OMNI OUT 1–4 connectors in 5.1 Surround mode.
Surround Pan Surround Panning • OFFSET You can set the surround pan parameters for each Input Channel. ............This parameter offsets the left-to-right direction of the selected trajectory pattern. • OFFSET ............This parameter offsets the front-to-rear direction of the selected trajectory pattern. 1. Make sure that the 01V96i is in any Surround mode except Stereo, then press the [SEL] button of the channel for which you want to set surround pan. 2.
Surround Panning • ......The sound image moves while tracing a circle or oval. With this pattern, you can also fine-tune the radius and shape of the circle or oval using the WIDTH, DEPTH, OFFSET ( ), and OFFSET ( ) parameters. turning on the corresponding trajectory pattern button. The following patterns are available: • ......The sound image moves between left and right. 44 36 • 40 40 56 48 32 24 24 24 60 40 52 40 4.
Surround Pan 7. To list multiple-channel surround pan settings, press the [PAN/ROUTING] button repeatedly until the Pan/Route | Surr1-16, Surr17-32, or Surr ST IN page appears. These pages display and enable you to edit the surround pan settings for 16 channels. 1 2 3 1 Surround pan graphs These graphs display the trajectory patterns and the current pan positions for the Input Channels.
Grouping Channels & Linking Parameters This chapter describes how to group faders or [ON] buttons for multiple channels and link the EQ or compressor parameters for simultaneous operation. Grouping & Linking On the 01V96i, you can group faders or [ON] buttons for multiple Input Channels (Input Channels 1–32, ST IN Channels 1–4) or multiple Output Channels (Bus Outs 1–8, Aux Outs 1–8, Stereo Out) and link the EQ or compressor parameters.
Grouping Channels & Linking Parameters • Out Mute page This page enables you to set Mute groups (U–X) for Bus Outs (1–8), Aux Outs (1–8) and Stereo Out. 5. To turn a group on or off, move the corresponding button in the ENABLE column, then press [ENTER]. When the group Enable button is turned off, the corresponding group is temporarily cancelled. In Mute page 6. To use a fader group, operate one of the faders or level controls for the grouped channels.
Using Fader Group Master The 01V96i features a Fader Group Master function that enables you to control the level of all channels using the Group Master level while maintaining the relative balance between channels, much like a VCA group on an analog mixing console. While this function is enabled, channel fader operation does not affect channel levels in the corresponding Fader group. 1.
Grouping Channels & Linking Parameters Using Mute Group Master In addition to the Mute Group function that links the operation of channel [ON] buttons, the 01V96i features a Mute Group Master function that enables you to mute grouped channels using the Master Mute buttons in a manner similar to using a mute group on an analog mixing console. While this function is enabled, the [ON] buttons for grouped channels will not be linked. 1.
Linking EQ and Compressor Parameters 2. Press the up ( ) or down ( ) cursor button to select a link to which you want to add channels. 3. Press the [SEL] button for a channel you wish to add to the EQ or Compressor link. The selected channel is marked with “ nel is added to the link. • Out Comp page This page enables you to set Compressor links (m–p) for Bus Outs (1–8), Aux Outs (1–8) and Stereo Out. ” and the chan- Example: Input Channels 1–4, 7, 8, 12 and 14 have been added to EQ link b.
Internal Effects Internal Effects Using Effects Processors via Aux Sends This chapter describes how to use the 01V96i’s internal effects processors. You can use effects processors via Aux Sends by patching effects processor inputs to Aux Outs, and effects processor outputs to ST IN Channels. About the Internal Effects 1. Recall an effect program you wish to use. The 01V96i features four internal multi-effects processors.
Inserting the Internal Effects into Channels processor, move the cursor to the desired In parameter box, select a signal from the following options, then press [ENTER]. • • • • • • – ................................ No assignment AUX1–8 .................. Aux Sends 1–8 INS CH1–32........... Input Channel 1–32 Insert Out INS BUS1–8........... Bus 1–8 Insert Out INS AUX1–8 .......... Aux Send 1–8 Insert Out INS ST-L/R.............
Internal Effects 4. Select the effect insertion position using the INSERT button in the POSITION section. 5. Move the cursor to the OUT parameter box in the INSERT section, then select the inputs of the effects processor selected in Step 1. • FX1-1 & FX1-2 ......Inputs 1 & 2 of Internal Effects Processor 1 • FX2-1 & FX2-2 ......Inputs 1 & 2 of Internal Effects Processor 2 • FX3-1 & FX3-2 ......Inputs 1 & 2 of Internal Effects Processor 3 • FX4-1 & FX4-2 ......
About Add-On Effects Tip: If the Freeze effect is selected, the TEMPO section displays the record and playback buttons for using the effect, the recording data condition, and a progress bar that indicates the current status. 7 Meters About Plug-Ins If you installed a mini-YGDAI card that supports the Effects function into Slot, you can use plug-in effects in addition to the internal effects processors. You can patch Bus signals or channel insert outs to the plug-in input.
Scene Memories Scene Memories This chapter describes Scene memories, which store 01V96i mix and effects settings. Note: • Scenes take a snapshot of Input and Output Patch library numbers that are in use at the time the Scene is stored, but exclude current (edited) Input and Output patching. • If you do not store the edited Input and Output patching to the libraries, recalling a Scene may change the current patching.
Storing and Recalling Scenes You can store and recall Scenes by pressing the buttons on the top panel or using the dedicated Scene memory page on the display. Note: • When you store Scenes, make sure that there are no settings in the Edit Buffer that you do not want to store. Make sure that no settings, especially faders, have been adjusted unintentionally. • If you are not sure of the Edit Buffer’s contents, recall the last Scene, make the adjustments you want, then store the Scene.
Scene Memories 7 PATCH LINK INPUT This indicates the Input Patch library number that is linked to each scene. When you store a scene, the number of the input patch that was most recently recalled or stored will automatically be linked with that scene. When you recall that scene, this library number will also be automatically recalled. You can also move the cursor to the parameter boxes and change the library numbers.
Fading Scenes Fading Output Channels You can specify the time it takes the Input and Output Channel faders (or level controls) to move to their new positions when a Scene is recalled. This is called Fade Time, and it can be set for each channel in the range of 00.0 through 30.0 seconds (in 0.1 second steps). You can set the Fade Time for each Scene individually or for all Scenes globally.
Scene Memories Recalling Scenes Safely When a Scene is recalled, all mix parameters are set accordingly. However, in some situations, you can retain the current settings of certain parameters on certain channels by using the Recall Safe function. You can set the Recall Safe function parameters for each Scene individually or for all Scenes globally. To set the Recall Safe function, press the DISPLAY ACCESS [SCENE] button repeatedly until the Scene | Rcl Safe page appears.
Copying and Pasting a Scene (Global Paste) Any channel or parameter settings for the current scene can be copied and pasted into one or more scenes. This function is useful when you want to apply edited parameter settings in the current scene to other scenes. 1. Press the DISPLAY ACCESS [SCENE] button repeatedly until the Paste SRC page appears. 5. Use the Parameter wheel or [INC]/[DEC] buttons to select the destination scene(s).
Libraries Libraries This chapter describes the 01V96i’s various libraries. About the Libraries The 01V96i features seven libraries that enable you to store Channel, Input Patch, Output Patch, Effects, and other data. You can also quickly recall this data from the libraries to restore previous parameter values.
Using Libraries Channel Library Channel library enables you to store and recall Input Channel and Output Channel parameter settings. The library contains two preset memories and 127 user (readable & writable) memories. You can recall only the settings for the currently-selected channels from the Channel library.
Libraries Output Patch Library Effects Library The Output Patch library enables you to store and recall all Output Patch settings. The library contains one preset memory and 32 user (readable & writable) memories. To access the Output Patch library, press the DISPLAY ACCESS [PATCH] button repeatedly until the Patch | Out LIB page appears. For details on storing and recalling memories, see “General Library Operation” on page 74.
Using Libraries 77 Libraries For details on storing and recalling programs, see “General Library Operation” on page 74. The following tables list the preset effects programs in the Effects library: • Reverbs No.
Libraries • Combination Effects No. Preset Name Type Description 29 Rev+Chorus REV+CHORUS Reverb and chorus in parallel 30 Rev->Chorus REV->CHORUS Reverb and chorus in series 31 Rev+Flange REV+FLANGE Reverb and flanger in parallel 32 Rev->Flange REV->FLANGE Reverb and flanger in series 33 Rev+Sympho. REV+SYMPHO. Reverb and symphonic in parallel 34 Rev->Sympho. REV->SYMPHO. Reverb and symphonic in series 35 Rev->Pan REV->PAN Reverb and auto-pan in series 36 Delay+ER.
Using Libraries 79 Compressor Library The Gate library enables you to store and recall Input Channel gate settings. The library contains four preset memories and 124 user (readable & writable) memories. Follow the steps below to use the Gate library. This library enables you to store and recall settings for the compressors on Input Channels, Bus Outs 1–8, Aux Outs 1–8, and Stereo Out. The library contains 36 preset memories and 92 user (readable & writable) memories.
Libraries The following table lists the preset memories in the Compressor library: No. Preset Name Type Description 1 Comp COMP Compressor for reducing the overall volume level. Use it on the stereo output during mixdown, or with paired Input or Output Channels. 2 Expand EXPAND Expander template. 3 Compander (H) COMPAND-H 4 Compander (S) COMPAND-S Soft-kneed compressor template. 5 A. Dr. BD COMP Compressor for use with acoustic bass drum. 6 A. Dr.
Using Libraries This library enables you to store and recall EQ settings for Input Channels, Bus Outs 1–8, Aux Outs 1–8, and Stereo Out. The library contains 40 preset memories and 160 user (readable & writable) memories. Follow the steps below to use the EQ library. This parameter displays the currently-selected channel EQ type (TYPE I or II). 2 CURRENT CURVE This graph displays the current EQ curve.
No. Libraries Preset Name Description 26 Male Vocal 2 A variation on preset 25. 27 Female Vo. 1 An EQ template for female vocals. Try adjusting the HIGH or HIGH-MID parameters according to the voice quality. 28 Female Vo. 2 A variation on preset 27. 29 Chorus&Harmo An EQ template for brightening choruses. 30 Total EQ 1 Use on a stereo mix during mixdown. Sounds even better when used with a compressor. 31 Total EQ 2 A variation on preset 30. 32 Total EQ 3 A variation on preset 30.
Remote Control This chapter describes the Remote function, which enables you to control external equipment directly from the 01V96i top panel. About Remote Function The 01V96i’s Remote function enables you to control external DAW (Digital Audio Workstation) equipment, MIDI devices, etc.
Remote Control ■ Configuring Macintosh Computers Configuring the 01V96i 1. Download the Yamaha Steinberg USB Driver Follow the steps below to set up the 01V96i so that you can remotely control Pro Tools from the 01V96i Remote Layer. from the following URL. http://www.yamahaproaudio.com/ 2. Install the driver in your computer as described in the installation guide included in the downloaded file. 1.
Pro Tools Remote Layer ton repeatedly until the DIO/Setup | Remote page appears. 1 Display While the Pro Tools layer is selected, you can use the [F2]–[F4] buttons as well as the left and right [ ]/[ ] Tab Scroll buttons to select display modes. You can select the following display modes using these buttons: ■ Insert Display mode ( [F2] button) Press the [F2] button to select Insert Display mode. In this mode, you can assign and edit plug-ins. 21 34 6.
Remote Control 5 INSERT ASSIGN/EDIT section This section enables you to insert plug-ins into Pro Tools channels and adjust plug-in settings. Use the left and right [ ]/[ ] Tab Scroll buttons to change the parameters displayed in this section. ■ Channel Display mode ( [F3] button) Press the [F3] button to select this display mode, in which the parameter controls for tracks 1–16 are displayed. • ASSIGN Turn on this button to insert plug-ins into Pro Tools channels.
Pro Tools Remote Layer When the Pro Tools Remote layer is selected, the 01V96i controls on the top panel engage the following functions: ■ Channel Strip section • [SEL] buttons These buttons select Pro Tools channels, inserts, and Automation mode. • [SOLO] buttons These buttons solo Pro Tools channels. The button indicators for the soloed channels light up. • [ON] buttons These buttons mute Pro Tools channels.
Remote Control Parameter Function DAW REW Fast rewinds the cursor position. DAW SHUTTLE Switches the Wheel mode to Shuttle. DAW SCRUB Switches the Wheel mode to Scrub (Jog). DAW AUDITION You can audition the pre-roll, post-roll, in-point area, or out-point area by holding down the button to which this function is assigned and pressing a button to which DAW PRE, DAW POST, DAW IN, or DAW OUT is assigned.
Pro Tools Remote Layer Function DAW REC/RDY 2 DAW REC/RDY 3 DAW REC/RDY 4 DAW REC/RDY 5 DAW REC/RDY 6 DAW REC/RDY 7 DAW REC/RDY 8 DAW REC/RDY 9 DAW REC/RDY 10 DAW REC/RDY 11 Pressing the buttons (to which these functions are assigned) places the corresponding channel strips in Record Ready mode. At this time, the indicator of the button you pressed flashes. It lights up when recording starts. DAW REC/RDY 12 Muting Channels To mute Pro Tools channels, press the [ON] buttons.
Remote Control Soloing Channels Flip Mode To solo Pro Tools channels, press the [SOLO] buttons of the desired channels. Grouped channels are soloed together, and other channels are muted. Press the [SOLO] buttons again to unsolo the channels. In Flip mode, you can use the faders, [ON] buttons, and the [PAN] control to control send levels, pre/post positions, and mute settings as shown in the following table.
Pro Tools Remote Layer 2 1 Editing Plug-ins You can edit plug-ins inserted in the channel strips as follows: 1. Press the [F2] button to select Insert Display mode. 2. Press the corresponding [SEL] button to select the channel that was assigned the plug-in you want to edit. 3. In the INSERT ASSIGN/EDIT section, move 5. Move the cursor to the ASSIGN button (2), then press [ENTER] to turn on the button. You can now select plug-ins.
Remote Control 6. Move the cursor to a parameter control, then rotate the Parameter wheel or press the [ENTER] button to adjust the value. One or two parameters are assigned to a single parameter control. To turn the parameter setting on or off, press [ENTER]. To modify the parameter variable, rotate the Parameter wheel. Scrub & Shuttle By assigning the DAW SCRUB parameter to one of the User Defined buttons [1]–[8], you can scrub Pro Tools tracks back and forth by turning the Parameter wheel.
Nuendo/Cubase Remote Layer If you assign a parameter that controls Pro Tools Automation mode (such as DAW Auto Read, DAW Auto Touch, etc.) to one of the User Defined buttons, you can control the Automation settings for each channel by using that User Defined button. For more information on assigning functions to the user defined keys, refer to “Using the User Defined Keys” in the Owner’s Manual (separate booklet). Press the STEREO OUT channel [SEL] button.
Remote Control Other DAW Remote Layer MIDI Remote Layer You can remotely control DAW software that supports the Pro Tools protocol. If you select USER DEFINED as the target for the Remote Layer, you can remotely control the parameters of external MIDI devices (such as synthesizers and tone generators) by operating the channel [ON] buttons, and faders to output various MIDI messages. (This is called MIDI Remote function.) You can store MIDI messages assigned to the channel controls in four banks.
MIDI Remote Layer ton repeatedly until the DIO/Setup | MIDI/Host page appears. 1 TRANSMIT ENABLE/DISABLE This button switches the MIDI Remote function between enable and disable. 2 INITIALIZE 1 This button resets the settings stored in the bank selected by the BANK parameter their default settings. 3 BANK This parameter enables you to select one of four banks. 4 ID, SHORT, LONG These parameters display the channel names.
Remote Control Assigning MIDI Messages to Channel Controls You can quickly use the MIDI Remote function if you use the factory presets in the banks. However, you can also assign the desired MIDI messages to the faders or [ON] buttons. This section describes how to assign MIDI messages to the channel controls, using the example of assigning Hold On/Off messages (Control Change #64; Values 127 & 0) to the Channel 1 [ON] button. 5.
MIDI Remote Layer Note: Be sure to set one of the DATA parameter boxes of the FADER section to “FAD.” If no “FAD” is assigned, fader operation is ignored. ■ When “SW” is not assigned: • UNLATCH MIDI data transmission Off Illuminated Off 9. Move the cursor to the LATCH/UNLATCH button, then press [ENTER] to select LATCH or UNLATCH depending on how you want the [ON] buttons to function. • LATCH.................... Pressing the [ON] buttons repeatedly transmits alternating On and Off messages. • UNLATCH...
Remote Control Machine Control Function The 01V96i can control the transport functions and select tracks on external recording machines that support MMC by transmitting commands via the MIDI OUT port or USB port. Note: Controllable parameters vary depending on the connected devices. Refer to the User’s Manual for the external device for more information on controllable parameters. 1. Refer to the diagram below for information on connecting the 01V96i to an external device. • MIDI .................
Machine Control Function 99 • • • • • Remote Control 3 TRANSPORT section This section enables you to control the transport functions on external machines. REW......................... This button starts rewind on external machines. FF.............................. This button starts fast forward on external machines. STOP........................ This button stops external machines. PLAY........................ This button starts playback on external machines. REC ..........................
MIDI MIDI This chapter describes the 01V96i’s MIDI-related functions. MIDI & the 01V96i Using Control Changes, Program Changes, and other MIDI messages enables you to recall Scenes and edit parameters on the 01V96i, and store 01V96i internal data on external MIDI devices. The 01V96i supports the following MIDI messages. Each of these MIDI messages can be individually turned on or off for transmission and reception.
MIDI Port Setup This section enables you to select a remote control method and a remote control port to control external devices that support MMC. Selecting a Port for MIDI Message Transfer To configure MIDI ports for MIDI message transfer, press the DISPLAY ACCESS [DIO/SETUP] button repeatedly until the DIO/Setup | MIDI/Host page appears. This page enables you to set MIDI message input and output. 4 • PORT Select MIDI, USB, or SLOT for MMC command transfer.
MIDI Selecting MIDI Messages for Transmission and Reception You can select MIDI messages to be transmitted or received at a specified port. To do so, press the DISPLAY ACCESS [MIDI] button, then press the [F1] button to display the MIDI | Setup page. 1 2 3 4 5 6 This parameter row enables or disables reception of Bulk Dump data. • Rx ON/OFF ............Reception of Bulk Dump data is enabled or disabled. 6 OTHER COMMANDS • ECHO ON/OFF.....
Assigning Scenes to Program Changes for Remote Recall You can assign 01V96i Scenes to MIDI Program Changes for remote recall. When you recall a Scene on the 01V96i, the unit transmits the assigned Program Change to the connected MIDI device. When the 01V96i receives a Program Change, the assigned Scene is recalled. Initially, Scenes 1 through 99 are assigned sequentially to Program Changes 1 through 99, and Scene #0 is assigned to Program Change #100, although you can change these assignments.
MIDI Assigning Parameters to Control Changes for Real-time Control You can assign 01V96i parameters to MIDI Control Changes for real-time control. When the 01V96i receives a Control Change, the assigned 01V96i parameter is set accordingly. Also, when you adjust a parameter on the 01V96i, the 01V96i transmits the assigned Control Change message. Tip: You can store a Parameter to Control Change assignment table to an external device by using MIDI Bulk Dump or the Studio Manager software. 1.
Assigning Parameters to Control Changes for Real-time Control MID LOW HIGH INPUT1–32/ST IN1–4 ON MASTER BUS1–8/AUX1–8/STEREO ATTACK THRESH L AUX2 SEND GATE AUX3 SEND AUX4 SEND AUX5 SEND INSERT ON DECAY H AUX7 SEND DECAY L ON BUS TO ST BUS1–8 ATTACK CHANNEL INPUT1–32/ST IN1L–4R THRESH H CHANNEL INPUT1–32 THRESH L MASTER BUS1–8/AUX1–8/STEREO GAIN H AUX5 SEND INPUT1–32/BUS1–8/AUX1–8 /STEREO GAIN L INPUT1–32/ST IN1–4 KNEE AUX6 SEND CHANNEL AUX7 SEND AUX1–2 PAN AUX3–4 INPUT1–
MIDI Parameters that feature a setting range of more than 128 steps (such as Fader and Delay Time parameters) require two or more Control Change messages to specify the values. For example, if you wish to control Fader parameters on certain channels using Control Changes, you must assign the same channel to two Control Change numbers, and select “FADER H” and “FADER L” for the Control Changes in the parameter boxes in the first PARAMETER column.
Transmitting Parameter Settings via MIDI (Bulk Dump) You can back up data stored in the 01V96i, such as libraries and Scenes, to an external MIDI device by using MIDI Bulk Dump. In this way, you can later restore previous 01V96i settings by transmitting this MIDI data back to the 01V96i. Note: Some of the data transmitted from the 01V96i to the sequence software may occasionally drop out during Bulk Dump transmission.
MIDI 5. If necessary, move the cursor to the parameter box next to the selected button, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to select the desired bulk dump data. Tip: If you selected [ALL] in the parameter box, all data selected by the corresponding button is transmitted as bulk dump data. 6. To start transmitting bulk data, move the cursor to the TRANSMIT button, then press [ENTER]. Bulk Dump is executed.
Other Functions This chapter describes the 01V96i’s miscellaneous functions. Setting Preferences You can change the default settings and environmental settings of the 01V96i by using the DIO/Setup | Prefer1 and Prefer2 pages. To locate one of the Preferences page, press the DISPLAY ACCESS [DIO/SETUP] button repeatedly.
Other Functions • Routing ST Pair Link When this check box is checked, paired channels’ routing to the Stereo Bus will be linked. Prefer2 page The Prefer2 page enables you to name the channel indicated on the display, and adjust the display brightness. Creating a Custom Layer by Combining Channels (User Assignable Layer) If you set the Remote Layer target to “USER ASSIGNABLE,” you can create a custom layer by combining any 01V96i channels (excluding the Stereo Out).
Cascading Consoles 111 The 01V96i features a Cascade Bus that enables cascade connection. You can connect two 01V96is in cascade using the digital inputs and outputs, or the OMNI IN and OMNI OUT connectors. In this way, two consoles work just like one big console, integrating each unit’s Buses 1–8, Aux Sends 1–8, Stereo Bus, and Solo Bus. The following functions are linked between two cascaded 01V96is via the MIDI IN and OUT ports.
Other Functions Bus signals via the ADAT IN and OUT connectors and two 8-channel digital I/O cards (such as MY8-AT). 8. Press the DISPLAY ACCESS [DIO/SETUP] button repeatedly to display the DIO/Setup | MIDI/Host page, then set the Cascade Link parameter to “MIDI.” 9. Repeat Step 8 for the master unit. After Steps 8 and 9, the slave unit will be able to transmit and receive MIDI messages. Note: Be sure to patch the slave Bus signals to the same Buses on the master unit.
Checking the Battery and the System Version The Utility | Battery page enables you to check the condition of the internal memory-backup battery and the system version number. To locate this page, press the DISPLAY ACCESS [UTILITY] button repeatedly. Calibrating the Faders The 01V96i motorized fader positions may shift over time depending on the operating conditions and environment. You can correct the shifted faders using the Calibration function. 1. Make sure that the power to the 01V96i is turned off.
Other Functions 5. When the calibration operation is complete, 11. If there is any problem with the calibration the 01V96i displays a window in which you can select faders for position adjustment. result, the 01V96i displays the following window. If you selected “2 FADER MOVE ONLY” in Step 3, the fader adjustment is complete. The 01V96i starts in normal mode. Also, the channel [SEL] button indicator of a problematic fader flashes. 6.
Index Symbols /INS/DLY | DLY 1-16 page ............18 /INS/DLY | DLY 17-32 page .........18 /INS/DLY | Insert page ............ 47, 65 /INS/DLY | Out Dly page ........ 30, 37 /INS/DLY | Phase page ...................18 /INSERT/DELAY button ................. 8 +48V ON/OFF switches .......................10 Numerics 1–16/17–32 buttons ................................ 8 1–8 buttons ............................................... 9 2TR IN connectors ............................7, 12 2TR IN DIGITAL COAXIAL ...
Index DYNA. FILTER .................................. 136 DYNA. FLANGE ................................ 136 DYNA. PHASER ................................ 137 Dynamics | Comp Edit page .. 20, 30, 37 Dynamics | Comp Lib page ................. 79 Dynamics | Gate Edit page .................. 19 Dynamics | Gate Lib page ................... 79 DYNAMICS button ................................8 E EARLY REF. ........................................ 132 ECHO ...................................................
Index N Naming ............................................ 28, 35 Nominal Pan preference ....................109 Nuendo ...................................................83 Nuendo/Cubase .....................................93 O OMNI OUT connectors ............... 10, 13 ON buttons ...........................................7, 8 OpenDeck .............................................143 Other functions ...................................109 Preferences ....................................
Index REMOTE button .............................. 8, 83 Remote Layer Nuendo/Cubase ............................. 93 Pro tools .......................................... 83 RESET BOTH ....................................... 27 REV+CHORUS .................................. 137 REV+FLANGE ................................... 137 REV+SYMPHO. ................................. 138 REV->CHORUS ................................. 137 REV->FLANGE .................................. 138 REV->PAN ..................
USER DEFINED KEYS 119 USER DEFINED KEYS # 52 # Function Display Function Display Input MUTE Group Enable O IN Mute Group O 53 Input MUTE Group Enable P IN Mute Group P Output Fader Group Enable Q OutFader Group Q 0 No Assign No Assign 54 1 Scene MEM. Recall +1 Scene +1 Recall 55 Output Fader Group Enable R OutFader Group R 2 Scene MEM. Recall –1 Scene –1 Recall 56 Output Fader Group Enable S OutFader Group S 3 Scene MEM. Recall No.
Appendix: Parameter Lists # Function Display # Function Display 105 Machine Set RTZ Machine Set RTZ 164 DAW CREATE GROUP DAW CREATE GROUP 106 Track Arming 1 Track Arming 1 165 DAW SUSPEND GROUP DAW SUSPEND GRP 107 Track Arming 2 Track Arming 2 166 DAW WINDOW TRANSPORT DAW WIN TRANSPORT 108 Track Arming 3 Track Arming 3 167 DAW WINDOW INSERT DAW WIN INSERT 109 Track Arming 4 Track Arming 4 168 DAW WINDOW MIX/EDIT DAW WIN MIX/EDIT 110 Track Arming 5 Track Arming 5
USER DEFINED KEYS Initial Assignments BANK A BANK B BANK C BANK D BANK E BANK F BANK G BANK H TITLE Scene Recall Group Enable DAW 1 DAW 2 Machine Control Program Change Special Function No Assign 1 Scene 1 Recall IN Fader Group A UDEF BANK D UDEF BANK C Machine SHUTTLE MIDI PGM 1 Display Back No Assign 2 Scene 2 Recall IN Mute Group I DAW WIN MIX/EDIT DAW OPTION/ALL Machine SCRUB MIDI PGM 2 Display Forward No Assign 3 Scene 3 Recall IN Fader Group B DAW BANK – DAW A
Appendix: Parameter Lists INPUT Port ID Description INSERT IN Port ID Description EFFECT IN Port ID Description CASCADE Port ID Description SL-05 Slot CH5 IN SL-05 Slot CH5 IN INS CH21 InsertOut-CH21 AD5 AD IN 5 SL-06 Slot CH6 IN SL-06 Slot CH6 IN INS CH22 InsertOut-CH22 AD6 AD IN 6 SL-07 Slot CH7 IN SL-07 Slot CH7 IN INS CH23 InsertOut-CH23 AD7 AD IN 7 SL-08 Slot CH8 IN SL-08 Slot CH8 IN INS CH24 InsertOut-CH24 AD8 AD IN 8 SL-09 Slot CH9 IN SL-09 Slot CH9 IN IN
Initial Input Patch Settings 123 CHANNEL Appendix: Parameter Lists Initial Input Patch Settings EFFECT IN PATCH 1 AD1 1-1 2 AD2 1-2 AUX1 NONE 3 AD3 2-1 AUX2 4 AD4 2-2 NONE 5 AD5 3-1 AUX3 6 AD6 3-2 NONE 7 AD7 4-1 AUX4 8 AD8 4-2 NONE 9 AD9 10 AD10 11 AD11 12 AD12 13 AD13 14 AD14 15 AD15 16 AD16 17 ADAT1 18 ADAT2 19 ADAT3 20 ADAT4 21 ADAT5 22 ADAT6 23 ADAT7 24 ADAT8 25 S-1 26 S-2 27 S-3 28 S-4 29 S-5 30 S-6 31 S-7 32 S-8 STI1L
Appendix: Parameter Lists CHANNEL NAME CHANNEL ID SHORT LONG CH1 CH1 CH1 CH1 CH2 CH2 CH2 CH2 CH3 CH3 CH3 CH3 CH4 CH4 CH4 CH4 CH5 CH5 CH5 CH5 CH6 CH6 CH6 CH6 CH7 CH7 CH7 CH7 CH8 CH8 CH8 CH8 CH9 CH9 CH9 CH9 CH10 CH10 CH10 CH10 CH11 CH11 CH11 CH11 CH12 CH12 CH12 CH12 CH13 CH13 CH13 CH13 CH14 CH14 CH14 CH14 CH15 CH15 CH15 CH15 CH16 CH16 CH16 CH16 CH17 CH17 CH17 CH17 CH18 CH18 CH18 CH18 CH19 CH19 CH19 CH19 CH20 CH20 CH20 CH20
Output Patch Parameters 125 SLOT, ADAT, OMNI, 2TR OUT Digital Source Description INSERT IN Source Description DIRECT OUT Source USB OUT Description Source Description – NONE – NONE – NONE – NONE BUS1 BUS1 AD1 AD IN 1 ADAT1 ADAT1 OUT BUS1 BUS1 BUS2 BUS2 AD2 AD IN 2 ADAT2 ADAT2 OUT BUS2 BUS2 BUS3 BUS3 AD3 AD IN 3 ADAT3 ADAT3 OUT BUS3 BUS3 BUS4 BUS4 AD4 AD IN 4 ADAT4 ADAT4 OUT BUS4 BUS4 BUS5 BUS5 AD5 AD IN 5 ADAT5 ADAT5 OUT BUS5 BUS5 BUS6 BUS6 AD6 A
Appendix: Parameter Lists SLOT, ADAT, OMNI, 2TR OUT Digital INSERT IN Source Description Source Description INS BUS1 InsertOut-BUS1 USB11 INS BUS2 InsertOut-BUS2 USB12 INS BUS3 InsertOut-BUS3 INS BUS4 Description USB CH11 IN — USB CH12 IN — USB13 USB CH13 IN InsertOut-BUS4 USB14 INS BUS5 InsertOut-BUS5 INS BUS6 USB OUT Source Description — INS BUS1 InsertOut-BUS1 — INS BUS2 InsertOut-BUS2 — — INS BUS3 InsertOut-BUS3 USB CH14 IN — — INS BUS4 InsertOut-BUS4 USB
Initial Output Patch Settings 127 SLOT SLOT1-1 SLOT1-2 SLOT1-3 SLOT1-4 SLOT1-5 SLOT1-6 SLOT1-7 SLOT1-8 SLOT1-9 SLOT1-10 SLOT1-11 SLOT1-12 SLOT1-13 SLOT1-14 SLOT1-15 SLOT1-16 BUS1 BUS2 BUS3 BUS4 BUS5 BUS6 BUS7 BUS8 BUS1 BUS2 BUS3 BUS4 BUS5 BUS6 BUS7 BUS8 21 22 23 24 25 26 27 28 29 30 31 32 Appendix: Parameter Lists Initial Output Patch Settings NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE 2TR OUT Digital 1L 1R ST L ST R CHANNEL NAME ADAT OUT 1 2 3 4 5 6 7 8 CHANNEL ID BUS1 BUS2 BUS3
Appendix: Parameter Lists User Defined Remote Layer Initial Bank Settings Bank 1 (GM Vol & Pan) ID Name Short Long RM01 GM01 GM-CH01 VOL&PAN RM02 GM02 GM-CH02 VOL&PAN RM03 GM03 GM-CH03 VOL&PAN RM04 GM04 GM-CH04 VOL&PAN RM05 GM05 GM-CH05 VOL&PAN RM06 GM06 GM-CH06 VOL&PAN RM07 GM07 GM-CH07 VOL&PAN RM08 GM08 GM-CH08 VOL&PAN RM09 GM09 GM-CH09 VOL&PAN RM10 GM10 GM-CH10 VOL&PAN RM11 GM11 GM-CH11 VOL&PAN RM12 GM12 GM-CH12 VOL&PAN RM13 GM13 GM-CH13 VOL&PAN RM14 GM14 GM-CH14 VOL&PAN RM15 GM15 GM-CH15 VOL&PA
User Defined Remote Layer Initial Bank Settings ID Name Short Long RM01 GM01 GM-CH01 VOL&EFF1 RM02 GM02 GM-CH02 VOL&EFF1 RM03 GM03 GM-CH03 VOL&EFF1 RM04 GM04 GM-CH04 VOL&EFF1 RM05 GM05 GM-CH05 VOL&EFF1 RM06 GM06 GM-CH06 VOL&EFF1 RM07 GM07 GM-CH07 VOL&EFF1 RM08 GM08 GM-CH08 VOL&EFF1 RM09 GM09 GM-CH09 VOL&EFF1 RM10 GM10 GM-CH10 VOL&EFF1 RM11 GM11 GM-CH11 VOL&EFF1 RM12 GM12 GM-CH12 VOL&EFF1 RM13 GM13 GM-CH13 VOL&EFF1 RM14 GM14 GM-CH14 VOL&EFF1 RM15 GM15 GM-CH15 VOL&EFF1 RM16 GM16 GM-CH16 VOL&EFF1 Con
Appendix: Parameter Lists Bank 3 (XG Vol & Pan) ID Name Short RM01 XG01 RM02 XG02 RM03 XG03 RM04 XG04 RM05 XG05 RM06 XG06 RM07 XG07 RM08 XG08 RM09 XG09 RM10 XG10 RM11 XG11 RM12 XG12 RM13 XG13 RM14 XG14 RM15 XG15 RM16 XG16 Long XG-CH01 VOL&PAN XG-CH02 VOL&PAN XG-CH03 VOL&PAN XG-CH04 VOL&PAN XG-CH05 VOL&PAN XG-CH06 VOL&PAN XG-CH07 VOL&PAN XG-CH08 VOL&PAN XG-CH09 VOL&PAN XG-CH10 VOL&PAN XG-CH11 VOL&PAN XG-CH12 VOL&PAN XG-CH13 VOL&PAN XG-CH14 VOL&PAN XG-CH15 VOL&PAN XG-CH16 VOL&PAN 01V96i—Reference Ma
User Defined Remote Layer Initial Bank Settings ID Name Short RM01 CH1 RM02 CH2 RM03 CH3 RM04 CH4 RM05 CH5 RM06 CH6 RM07 CH7 RM08 CH8 RM09 CH9 RM10 CH10 RM11 CH11 RM12 CH12 RM13 CH13 RM14 CH14 RM15 CH15 RM16 CH16 Long VST MIXER CH1 VST MIXER CH2 VST MIXER CH3 VST MIXER CH4 VST MIXER CH5 VST MIXER CH6 VST MIXER CH7 VST MIXER CH8 VST MIXER CH9 VST MIXER CH10 VST MIXER CH11 VST MIXER CH12 VST MIXER CH13 VST MIXER CH14 VST MIXER CH15 VST MIXER CH16 Controller Data Format 1 2 3 4 5 6 7 ON B0
Appendix: Parameter Lists Effects Parameters GATE REVERB, REVERSE GATE REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE One input, two output hall, room, stage, and plate reverb simulations, all with gates. Parameter Range Description One input, two output early reflections with gate, and early reflections with reverse gate. Parameter TYPE Range Type-A, Type-B Description Type of early reflection simulation ROOMSIZE 0.1–20.
Effects Parameters 133 DELAY LCR Two input, two output basic stereo delay. One input, two output 3-tap delay (left, center, right). Range Parameter DELAY L 0.0–1350.0 ms DELAY R FB. G L FB. G R Description Description DELAY L 0.0–2730.0 ms Left channel delay time 0.0–1350.0 ms Right channel delay time DELAY C 0.0–2730.0 ms Center channel delay time DELAY R 0.0–2730.
Appendix: Parameter Lists ECHO FLANGE Two input, two output stereo delay with crossed feedback loop. Two input, two output flange effect. Parameter DELAY L Range 0.0–1350.0 ms Parameter Range Description FREQ. 0.05–40.00 Hz Left channel delay time DEPTH 0–100% Modulation depth MOD. DLY 0.0–500.0 ms Modulation delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Description Modulation speed DELAY R 0.0–1350.
Effects Parameters 135 HQ. PITCH Two input, two output 16-stage phaser. One input, two output high-quality pitch shifter (Available for internal effects 1 and 2.). Parameter Range Description FREQ. 0.05–40.00 Hz Modulation speed DEPTH 0–100% Modulation depth –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) FB. GAIN Parameter Range Description PITCH –12 to +12 semitones FINE –50 to +50 cents Pitch shift fine DELAY 0.0–1000.
Appendix: Parameter Lists ROTARY AMP SIMULATE One input, two output rotary speaker simulator. One input, two output guitar amp simulator. Parameter Range Description Parameter Range Description ROTATE STOP, START Rotation stop, start AMP TYPE 1 Guitar amp simulation type SPEED SLOW, FAST Rotation speed (see SLOW and FAST parameters) DST TYPE SLOW 0.05–10.00 Hz SLOW rotation speed DST1, DST2, OVD1, OVD2, CRUNCH Distortion type (DST = distortion, OVD = overdrive) FAST 0.05–10.
Effects Parameters 137 REV->CHORUS Two input, two output dynamically controlled phaser. One input, two output reverb and chorus effects in series. Parameter Range Description Parameter Range Description SOURCE INPUT, MIDI Control source: input signal or MIDI Note On velocity REV TIME 0.3–99.0 s Reverb time INI. DLY 0.0–500.0 ms Initial delay before reverb begins SENSE 0–100 Sensitivity HI. RATIO 0.1–1.0 High-frequency reverb time ratio DIR.
Appendix: Parameter Lists REV->FLANGE REV->SYMPHO. One input, two output reverb and flanger effects in series. One input, two output reverb and symphonic effects in series. Parameter Range Description Parameter Range Description REV TIME 0.3–99.0 s Reverb time REV TIME 0.3–99.0 s Reverb time INI. DLY 0.0–500.0 ms Initial delay before reverb begins INI. DLY 0.0–500.0 ms Initial delay before reverb begins HI. RATIO 0.1–1.0 High-frequency reverb time ratio HI. RATIO 0.1–1.
Effects Parameters 139 DELAY->ER. One input, two output delay and early reflections effects in parallel. One input, two output delay and early reflections effects in series. Parameter Range DELAY L 0.0–1000.0 ms DELAY R FB. DLY Description Parameter Range Description Left channel delay time DELAY L 0.0–1000.0 ms 0.0–1000.0 ms Right channel delay time DELAY R 0.0–1000.0 ms Right channel delay time 0.0–1000.0 ms Feedback delay time FB. DLY 0.0–1000.0 ms Feedback delay time FB.
Appendix: Parameter Lists DELAY+REV DELAY->REV One input, two output delay and reverb effects in parallel. One input, two output delay and reverb effects in series. Parameter Range Description Parameter Range Description DELAY L 0.0–1000.0 ms Left channel delay time DELAY L 0.0–1000.0 ms Left channel delay time DELAY R 0.0–1000.0 ms Right channel delay time DELAY R 0.0–1000.0 ms Right channel delay time FB. DLY 0.0–1000.0 ms Feedback delay time FB. DLY 0.0–1000.
Effects Parameters 141 FREEZE Two input, two output 3-band multi-filter (24 dB/octave). One input, one output basic sampler (Available for internal effects 1 and 2.). Parameter Range Description TYPE 1 HPF, LPF, BPF Filter 1 type: high pass, low pass, band pass TYPE 2 HPF, LPF, BPF Filter 2 type: high pass, low pass, band pass TYPE 3 HPF, LPF, BPF Filter 3 type: high pass, low pass, band pass FREQ. 1 28.0 Hz–16.0 kHz Filter 1 frequency FREQ. 2 28.0 Hz–16.0 kHz Filter 2 frequency FREQ.
Appendix: Parameter Lists ST REVERB Comp276/Comp276S Two input, two output stereo reverb. This emulates the characteristics of an analog compressor that has become a standard item in recording studios. It thickens the sound, and is particularly suitable for drum and bass sounds. Comp276 lets you control two monaural channels independently. Comp276S links the L/R channel parameters for control. Parameter Range Description REV TIME 0.3–99.
Effects Parameters 143 OpenDeck This emulates the characteristics of an analog equalizer of the 1970s. By reproducing the distortion that is typical of analog circuits, it adds drive to the sound. This emulates the tape compression produced by two open-reel tape recorders (a recording deck and a reproduction deck). You can change the tonal character by adjusting various elements, such as the deck type, tape quality, and playback speed.
Appendix: Parameter Lists REV-X Hall, REV-X Room, REV-X Plate Max 100 This is a 2-in/2-out reverb algorithm. It provides rich, high-density reverberation with a smooth decay, and depth and spaciousness that will enhance the original sound. You can choose one of three programs to suit the venue and your needs: REV-X Hall, REV-X Room, and REV-X Plate. This is a 1-in/1-out phaser that emulates a vintage effect that was manufactured only during the late 1970s.
Effects Parameters 145 Appendix: Parameter Lists Dual Phaser This is a 2-in/2-out phaser that emulates a vintage phaser manufactured during the mid-1970s. Parameter Range Description RATE 1 SYNC, 0.067–20.000 Hz Adjusts the modulation rate of LFO1 SHAPE 1 Sine, Square Selects the waveform of LFO1 RATE 2 SYNC, 0.111–20.000 Hz Adjusts the modulation rate of LFO2 SHAPE 2 Sine, Square Selects the waveform of LFO2 DEPTH (A/B) 1.00–10.00 Adjusts the depth of modulation FB (A/B) 0.00–10.
Appendix: Parameter Lists Effects and tempo synchronization Example 1: When SYNC=ON, DELAY=250 ms, TEMPO=120, you change NOTE from 8th note to quarter note DELAY= new NOTE x 4 x (60/TEMPO) = (1/4) x 4 x (60/120) = 0.5 (sec) = 500 ms Thus, the DELAY will change from 250 ms to 500 ms. Some of the 01V96i’s effects allow you to synchronize the effect with the tempo. There are two such types of effect; delay-type effects and modulation-type effects.
Preset EQ Parameters # LOW L-MID H-MID HIGH PEAKING PEAKING PEAKING H.SHELF G +3.5 dB –3.5 dB 0.0 dB +4.0 dB F 100 Hz 265 Hz 1.06 kHz 5.30 kHz Q 02 Bass Drum 2 1.2 10 0.9 — PEAKING PEAKING PEAKING LPF G +8.0 dB –7.0 dB +6.0 dB ON F 80 Hz 400 Hz 2.50 kHz 12.5 kHz Q 03 Snare Drum 1 0.0 dB +3.0 dB +4.5 dB 1.00 kHz 3.15 kHz 5.00 kHz 1.2 4.5 0.11 — L.SHELF PEAKING PEAKING PEAKING G +1.5 dB –8.5 dB +2.5 dB +4.0 dB F 180 Hz 335 Hz 2.36 kHz 4.
# 28 Appendix: Parameter Lists Parameter Title Female Vo. 2 29 Chorus & Harmo LOW L-MID H-MID HIGH L.SHELF PEAKING PEAKING H.SHELF G –7.0 dB +1.5 dB +1.5 dB +2.5 dB F 112 Hz 335 Hz 2.00 kHz 6.70 kHz Q — 0.16 0.2 — PEAKING PEAKING PEAKING PEAKING G –2.0 dB –1.0 dB +1.5 dB +3.0 dB F 90 Hz 850 Hz 2.12 kHz 4.50 kHz Q 30 Total EQ 1 31 Total EQ 2 2.8 2 0.7 7 PEAKING PEAKING PEAKING H.SHELF G –0.5 dB 0.0 dB +3.0 dB +6.5 dB F 95 Hz 950 Hz 2.
Preset Compressor Parameters (fs = 44.1 kHz) # 1 Title Comp Type COMP Parameter 3 Expand Compander (H) EXPAND COMPAND-H 5 6 A. Dr. BD A. Dr. BD COMPAND-S COMP COMPAND-H A. Dr. SN COMP A. Dr. SN EXPAND COMPAND-S EXPAND 2 Out gain (dB) 5.0 749 Attack (ms) 60 Threshold (dB) –24 Out gain (dB) 0.0 Ratio ( :1) 2 2 Attack (ms) 38 11 A. Dr. OverTop COMPAND-S 2 Release (ms) 250 Threshold (dB) –23 Width (dB) 54 Ratio ( :1) 1.
# 20 Appendix: Parameter Lists Title Strings2 Type COMP Parameter COMP BrassSection COMP Syn. Pad COMP 25 26 27 28 SamplingPerc Sampling BD Sampling SN Hip Comp Solo Vocal1 COMPAND-S COMP COMP COMPAND-S COMP –9 1.7 Attack (ms) 93 Out gain (dB) 1.5 COMP COMP 4 Attack (ms) 39 Out gain (dB) 2.5 Knee 1.35 S 2 Release (ms) 226 –33 –17 Threshold (dB) 1.5 Ratio ( :1) 2 Attack (ms) 76 Attack (ms) 1 Out gain (dB) 2.
Dynamics Parameters The dynamics effects for each channel strip include a Gate section (only for Input Channels) and a Comp section. The Gate section includes Gate and Ducking types. The Comp section includes Compressor, Expander, Compander Hard (COMP. (H)), and Compander Soft (COMP. (S)) types. GATE Section (Only for Input Channels) GATE A gate attenuates signals below a set THRESHOLD level by a specified amount (RANGE). Parameter Range Description THRESHOLD (dB) –54.0 to 0.
Appendix: Parameter Lists DUCKING Ducking is commonly used for voice-over applications in which the background music level is reduced automatically when an announcer speaks. When the KEY IN source signal level exceeds the specified THRESHOLD, the output level is attenuated by a specified amount (RANGE). Parameter Range Description THRESHOLD (dB) –54.0 to 0.0 (541 points) This determines the level of trigger signal (KEY IN) required to activate ducking.
Dynamics Parameters 153 COMP The COMP processor attenuates signals above a specified THRESHOLD by a specified RATIO. The COMP processor can also be used as a limiter, which, with a RATIO of :1, reduces the level to the threshold. This means that the limiter’s output level never actually exceeds the threshold. Parameter Range Description THRESHOLD (dB) –54.0 to 0.0 (541 points) This determines the level of input signal required to trigger the compressor. RATIO 1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.
Appendix: Parameter Lists EXPAND An expander attenuates signals below a specified THRESHOLD by a specified RATIO. Parameter Range Description THRESHOLD (dB) –54.0 to 0.0 (541 points) This determines the level of input signal required to trigger the expander. RATIO 1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1, 2.5:1, 3.0:1, 3.5:1, 4.0:1, 5.0:1, 6.0:1, 8.0:1, 10:1, 20:1, :1 (16 points) This determines the amount of expansion.
Dynamics Parameters 155 Output Level THRESHOLD 0dB Input Level WIDTH The companders function differently at the following levels: 1 0 dB and higher ...................................... Functions as a limiter. 2 Exceeding the threshold........................ Functions as a compressor. 3 Below the threshold and width ............ Functions as an expander. The hard compander has an expansion ratio of 5:1, while the soft compander has an expansion ratio of 1.5:1.
Appendix: MIDI Appendix: MIDI Scene Memory to Program Change Table Program Change # Initial Scene # 1 2 Program Change # Initial Scene # Program Change# Initial Scene # 01 44 02 45 44 87 87 45 88 3 03 88 46 46 89 89 4 5 04 47 47 90 90 05 48 48 91 91 6 06 49 49 92 92 7 07 50 50 93 93 8 08 51 51 94 94 9 09 52 52 95 95 10 10 53 53 96 96 11 11 54 54 97 97 12 12 55 55 98 98 13 13 56 56 99 99 14 14 57 57 100 00 15 15 5
Initial Parameter to Control Change Table 157 CHANNEL1 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 High NO ASSIGN FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN FADER H NO ASSIGN NO ASSIGN FADER
Appendix: MIDI CHANNEL2 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H FADER H NO ASSIGN ON NO ASSIGN NO ASSIGN FADER L FADER L FADER L FADER L FADER L
Initial Parameter to Control Change Table 159 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN Mid G LOW H G LOW H G LOW H G LOW
Appendix: MIDI CHANNEL4 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO AS
Initial Parameter to Control Change Table 161 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN Mid G LO-MID H G LO-MID H G LO-MID
Appendix: MIDI CHANNEL6 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO AS
Initial Parameter to Control Change Table 163 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN Mid G HI-MID H G HI-MID H G HI-MID
Appendix: MIDI CHANNEL8 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO AS
Initial Parameter to Control Change Table 165 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN Mid G HIGH H G HIGH H G HIGH H G H
Appendix: MIDI CHANNEL10 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO A
Initial Parameter to Control Change Table 167 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN Mid ATT H ATT H ATT H ATT H ATT H
Appendix: MIDI CHANNEL12 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN
Initial Parameter to Control Change Table 169 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO
Appendix: MIDI CHANNEL14 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO
Initial Parameter to Control Change Table 171 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO
Appendix: MIDI CHANNEL16 # 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 High NO ASSIGN SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO
MIDI Data Format 1. DATA FORMAT The following data types of parameter change are used by the 01V96i. Type (HEX) 1.1 CHANNEL MESSAGE Command 8n NOTE OFF rx/tx rx function Control the internal effects 9n NOTE ON Bn CONTROL CHANGE Cn PROGRAM CHANGE rx rx/tx rx/tx Control the internal effects Control parameters Switch scene memories 1.2 SYSTEM COMMON MESSAGE Command F1 MIDI TIME CODE QUARTER FRAME rx/tx rx function MTC 1.
Appendix: MIDI If [TABLE] is selected STATUS DATA 2.8.
MIDI Data Format ml tt bb ds : de ee F7 Receive is effective 1-99, 256, 8192 total block number(minimum number is 0) current block number(0-total block number) Scene data of block[bb] DATA NAME ee=(Invert(‘L’+…+de)+1)&0x7F End of exclusive 2.8.2.2 Scene memory bulk dump request format (compress) The second and third bytes of the DATA NAME indicate the scene number that is being requested. If this is 256, the data of the Edit Buffer will be bulk-dumped.
Appendix: MIDI 00100000 00100000 00111000 01000011 00111001 00110011 DATA NAME 01010110 00000000 0bbbbbbb BLOCK INFO. 0ttttttt 0bbbbbbb DATA 0ddddddd : 0ddddddd CHECK SUM 0eeeeeee EOX 11110111 20 20 38 43 39 33 56 00 bb tt bb ds : de ee F7 ‘’ 2.8.2.10 User Assignable Layer bulk dump request format ‘’ The second and third bytes of the DATA NAME indicate the bank number. ‘8’ STATUS ID No. SUB STATUS FORMAT No. ‘C’ ‘9’ ‘3’ ‘V’ b=0-7(bank no.
MIDI Data Format STATUS ID No. SUB STATUS FORMAT No. COUNT HIGH COUNT LOW 11110000 01000011 0000nnnn 01111110 0ccccccc 0ccccccc 01001100 01001101 00100000 00100000 00111000 01000011 00111001 00110011 DATA NAME 01010000 00000010 00000000 BLOCK INFO.
Appendix: MIDI 2.8.2.18 Compressor library bulk dump request format 2.8.2.21 Effect library bulk dump format The second and third bytes of the DATA NAME indicate the bank number. (See above) The second and third bytes of the DATA NAME indicate the bank number. 0:Library no.1 – 127:Library no.128, 256:EFFECT1 – 259:EFFECT4, 8192:UNDO 256-259 are the data for the corresponding area of the edit buffer. For reception by the 01V96i, only the user area is valid.
MIDI Data Format 43 39 33 48 mh ml tt bb ds : de ee F7 ‘C’ 2.8.2.26 Input patch library bulk dump request format ‘9’ The second and third bytes of the DATA NAME indicate the bank number. (See above) ‘3’ ‘H’ 0-128(Channel Library no.0-128), 256-(Current data) total block number(minimum number is 0) STATUS ID No. SUB STATUS FORMAT No. current block number(0-total block number) Channel Library data of block[bb] ee=(Invert(‘L’+…+de)+1)&0x7F End of exclusive 2.8.2.
Appendix: MIDI 2.8.2.29 Plug-in effect card bulk dump format The second byte of the DATA NAME indicates the slot number. 0:SLOT 1 The data is not received if the Developer ID and Product ID are different than the card that is installed in the slot. The data is not transmitted if a valid plug-in effect card is not installed. STATUS ID No. SUB STATUS FORMAT No.
MIDI Data Format Consult your dealer for parameter address details. 2.8.3.2 Parameter change STATUS ID No. SUB STATUS GROUP ID MODEL ID ADDRESS EOX (Edit buffer) System exclusive message 11110000 01000011 0001nnnn 00111110 01111111 00000001 0eeeeeee F0 43 1n 3E 7F 01 ee 0ccccccc 0ddddddd : 11110111 cc Channel no. dd data : F7 End of exclusive Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) MODEL ID (digital mixer) Universal Edit Buffer 2.8.3.7 Parameter request STATUS ID No.
Appendix: MIDI function SCENE RECALL EQ LIB RECALL GATE LIB RECALL COMP LIB RECALL EFF LIB RECALL CHANNEL LIB RECALL INPATCH LIB RECALL OUTPATCH LIB RECALL 0x00 0x01 0x02 0x03 0x04 0x06 0x07 0x08 number 0-99, 8192 1-200, 8192 1-128, 8192 1-128, 8192 1-128, 8192 0-128, 8192 0-32, 8192 0-32, 8192 channel*1) 256 0-513 0-95 0-513 0-3 0-513 256 256 tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx tx/rx SCENE STORE EQ LIB STORE GATE LIB STORE COMP LIB STORE EFF LIB STORE CHANNEL LIB STORE INPATCH LIB ST
MIDI Data Format STATUS ID No. SUB STATUS GROUP ID MODEL ID ADDRESS EOX 11110000 01000011 0011nnnn 00111110 01111111 00010100 0000ffff 0mmmmmmm 0mmmmmmm 11110111 F0 43 3n 3E 7F 14 0f mh ml F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) MODEL ID (digital mixer) DATA Universal Function call EOX attribute number High number Low End of exclusive 2.8.3.
Appendix: MIDI 2.8.3.21 Parameter request (Sort Table) When the 01V96i receives this data, it will transmit Sort Table Data. STATUS ID No. SUB STATUS GROUP ID MODEL ID ADDRESS EOX 11110000 01000011 0011nnnn 00111110 00011010 00010011 0000ffff 11110111 F0 43 3n 3E 1A 13 0f F7 System exclusive message Manufacture’s ID number (YAMAHA) n=0-15 (Device number=MIDI Channel) MODEL ID (digital mixer) 01V96i Library sort table Library type End of exclusive 2.8.3.
YAMAHA [Digital Mixing Console-Internal Parameters] Model: 01V96i Function... Date: 26 Aug. 2011 MIDI Implementation Chart Version: 1.
Yamaha Pro Audio Global Web Site http://www.yamahaproaudio.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ C.S.G.