TWO COMPUTERS, TWO USB PORTS, FOUR DECKS AND A RANGE OF EFFECTS RANE SIXTY-EIGHT MIXER FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.4.
Important Safety Instructions 1. Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with a dry cloth. 7. Do not block any ventilation openings. Install in accordance with manufacturer’s instructions. 8. Do not install near any heat sources such as radiators, registers, stoves, or other apparatus (including amplifiers) that produce heat. 9.
Copyright Notices Introduction © 2013 Rane Corporation. All rights reserved. Scratch Live and the Scratch Live logo are trademarks of Serato. Trademarked in the U.S. and other countries. This software is based in part on the work of the Independent JPEG Group, and uses libpng code, copyright © 2000-2002 Glenn Randers-Pehrson. The Scratch Live Control Tone, the audio pressed on Scratch Live Control vinyl and Control CDs, is copyright ©20042013 Serato.
Contents Important Safety Instructions FCC Statement Introduction Copyright Notices Minimum System Requirements Check List Wear Parts 2 2 3 3 3 3 3 Sixty-Eight Mixer Overview 6 Connecting the Mixer PGM Inputs 1-4 Mic Inputs Analog Outputs Power Supply 6 6 6 6 6 Mixer Controls Four Program Input Channels Crossfader Mics Main Mix Headphones Control Strip Controls Layer / Shift Control Point Channel Control Strips Back Scroll Crate / Load A / B Loop: Manual / Auto Manual Loop Controls Auto Loop Controls
DJ-FX Plugin Ultra Knob Mode Super Knob Mode Effects BPM Multiplier Deck Assign Show Parameters Macro Edit Mode 33 33 33 33 33 33 33 MIDI Control MIDI Controller Setup Assigning Controls MIDI Platters Assigning MIDI to Controls Ctrl-Click Functionality Presets Native Controller Support MIDI Devices Technical Information 34 34 34 34 34 34 34 34 35 35 Organizing Your Music Grouping Tracks into Crates Subcrates Smart Crates Sorting Your Files Using the Song Browser Searching Prepare Window History Serato P
Mic Inputs SixtyEight Mixer Overview The Mic Inputs will accept an XLR 3-pin plug, a balanced ¼" TRS (tip-ring sleeve) plug or an unbalanced TS (tip-sleeve) plug. Mic 1 has a switchable phantom power option, and Mic 2 has a switchable line level option. Connecting the Mixer Analog Outputs The Sixty Eight is a four channel mixer with dual high-speed USB ports, Serato Scratch Live controls and built in effects.
Mixer Controls AYER / SHIFT MIC 1 4 BACK 4 PGM 1 SOURCE 8 0 10 LEVEL SCROLL 1 2 1 AUX PH/CD 2 2 1 1 6 2 8 0 1 2 2 3 4 1 AUX PH/CD 4 2 3 4 PGM 2 SOURCE 6 4 LEVEL PGM 3 SOURCE 6 10 4 2 8 LEVEL 2 10 8 PAN RIGHT LEFT PAN 0 LEVEL 10 4 0 BACK Four Program Input Channels AUTO HIGH HIGH +6 OFF HIGH ROBOT 6 2 10 MIC22 4 8 0 10 0 LEVEL OFF MANUAL PAN HIGH RIGHT LEFT PAN 104 LEVEL2 8 +6 OFF LEVEL 0 2 10 0 4 8 -310 4 8 0 -6 LEVEL 0
MIC 2 4 PGM 1 SOURCE 2 8 LEVEL 0 LEVEL SCROLL LEFT RIGHT LOAD A OFF OFF LOOPS LOW SELECT PAN RIGHT LEFT LEFT +6 FLEXFX LOOP OUT IN LOW 2 8 0 10 LOW OFF FLEXFX 6 4 2 62 0 LEVEL 4 8 80 10 LEVELLEVEL 6 PGM 2 SOURCE 8 62 4 0 LEVEL 8 +6 0 10 4 LEVEL +6 62 4 SCROLL 80 10 -3 0 -6 LOW +6 +6 LOW FLEXFX 8 LEVEL 4 OFF OFF Main Mix HIGH OFF +6 HIGH HIGH -18 OFF +6 +6 OFF HIGH HIGH +6 +6 0 LEVEL The Main Mix OFF is made OFF +6 +6 OFF +6 +6 MID MID MI
Control Strip Controls ER / SHIFT pressing the knob will display the contents of the selected crate and move the focus Layer / Shift2 1 2 1 43 4 6 11 22 1 13 the 24 3Library area.
Cue Points path and turning it on. So, it’s important to understand the different control functions. The order of processing in the FlexFx Bus is: 1. FlexFx assign for each PGM and Mic. 2. Internal Effects 3. Ext. Analog Insert 4. USB Insert 5. Cue 6. FlexFx On 7. FlexFx Mix Level control. These are shown with signal flow in the drawing below. You can set and trigger cue points in Scratch Live by using the Cue buttons on the Sixty-Eight.
6. The FlexFx ON button, when off, effectively bypasses the FlexFx bus and passes assigned signals straight through to the Main Mix. What you hear in the main mix is a dry version of any signal assigned to the FlexFx Loop. This allows any combination of internal and external effects to be applied and cued before being heard in the Main Mix, without interrupting play of assigned dry signals. When you’re ready to listen to the effected signal, engage the FlexFx ON button (green).
Effects Parameter Table Effect Level/Depth Knob Time Encoder Adjusts the strength of the effect. Adjusts the effect time. Holding the Tap Button while turning the knob adjusts the BPM. Depressing the knob restarts the effect. Value range: 32ms – 32000ms Echo Adjusts the decay of the echo. Max results in no decay, with faster decay the more the knob is turned CCW. Minimum results in no echo. Adjusts the effect time. The effect time is the length of the recorded sample used for echoing.
Record channels are assigned as follows: USB-1 Record is assigned to one of these: • PH / CD 1 ∙ Pre-source selector ∙ Supports Serato Vinyl Control • AUX 1 • PGM 1 post fader USB-2 Record is assigned to one of these: • PH / CD 2 ∙ Pre-source selector ∙ Supports Serato Vinyl Control • AUX 2 • PGM 2 post fader USB-3 Record is assigned to one of these: • PH / CD 3 ∙ Pre-source selector ∙ Supports Serato Vinyl Control • AUX 3 • PGM 3 post fader USB-4 Record is assigned to one of these: • PH / CD 4 ∙ Pre-source
Core Audio (Macintosh) The Sixty-Eight uses a low-latency Core Audio device driver to interface with software applications other than Scratch Live on Macintosh operating systems. Core Audio allows different audio software applications to simultaneously stream audio to and from the Sixty-Eight. To launch the Sixty-Eight driver Control Panel, open the System Preferences window. Locate the Sixty-Eight in the “Other” section and click the Sixty-Eight icon.
• Phono Sensitivity: If Phono Input is selected on the mixer, the Phono sensitivity control appears as shown in the PGM 3 and 4 panels above. Clicking the down-arrow displays a list of 16 sensitivity settings between 2.5 mV and 10 mV in 0.5 mV steps. Choose the setting that most closely matches the level of a CD input, or to the setting that provides the highest output without clipping. • Filter Resonance: Each channel of the Sixty-Eight has a filter knob that provides both High- and Low-Cut filtering.
MIDI In Assignments 52 53 PH/CD BACK SCROLL 6 0 10 2 4 6 0 10 2 8 LEVEL PGM 1 SOURCE 8 4 LEVEL LEFT PAN RIGHT LEFT PAN PGM 2 SOURCE 6 2 4 8 0 LOAD A 3 4 1 AUX PH/CD 4 2 3 A 3 4 3 AUX PH/CD 4 4 3 3 AUX 4 LEVEL PGM 3 SOURCE 6 2 4 8 10 0 LEVEL 10 PGM 4 SOURCE 6 2 4 8 0 LEVEL 6 0 10 8 MAIN LEVEL 8 0 LEVEL B 60 61 CONTROL POINT 58 59 6 2 10 4 2 MIC 2 MIC 1 4 1 2 1 AUX PH/CD 2 2 1 1 LAYER / SHIFT 54 55 1 2 2 OL BACK +6 SCROLL +3 10 0 -3
MIDI Mapping It is possible to MIDI-map most mixer controls on the Sixty-Eight and control the color of buttons in the Scratch Live control strips. The following graphics show MIDI-Out “Note ON/OFF” and “Control Change” assignments. Control Change format is shown in the following tables. Control Change Output from the Device: All knobs and sliders are 0-127.
Scratch Live: Getting Started System Overview The Scratch Live control records and CDs are pressed with an audible tone specifically developed for controlling the Scratch Live software application. The Sixty-Eight converts the control signal coming from each deck into digital audio, to be sent via USB to the Scratch Live software, which decodes that signal into a stream of information based on what the DJ is doing with the control disc. A virtual ‘deck’ replicates the movements of the control disc.
4. The optional Rane Device Drivers are required for other software you may have that uses Core Audio to communicate with your Rane device. To install the Core Audio drivers, doubleclick the .pkg file inside the appropriate product folder in the Rane Device Drivers folder on the software installation CD. Core Audio driver updates are available to download from the product’s page at rane.com. 3. Follow the on-screen instructions.
How to Calibrate Scratch Live Calibrating Scratch Live Since Scratch Live is controlled by an analog signal, there is no guarantee of what state that signal will be in by the time the software gets to interpret it. Therefore, Scratch Live needs to be able to handle a wide range of signals, and be configurable to use them optimally. Calibrating is just configuring the software to your situation. Calibration is equally important for both vinyl and CD users of Scratch Live.
Importing and Playing Music 2. Once you have located your music, drag the folder or files you want to import onto the purple “ All...” icon. This is located to the left of your screen at the top of the crates and playlist window. If you wish to import all of your music, just drag your whole music folder onto this icon. TIP: You can also import by dragging files and folders directly from Windows Explorer (PC version) or Finder (Mac version) into the Scratch Live library.
Primary & Secondary Deck Layers When using the Sixty-Eight with more than two Virtual Decks, layers are used to determine which Decks respond to keyboard shortcuts and the Control Strips on the Sixty-Eight. The Primary Deck layer is the main left and right Decks that you will use, while the Secondary Deck layer is the other secondary Decks. You decide which Decks are to be the Primary and Secondary Decks, this can be configured on the Setup screen. See “Select Primary Decks” on page 44.
Set Auto BPM The Control CD Playback Control If this option is checked while analyzing files, Scratch Live will calculate the estimated tempos of your files. If Scratch Live is confident that the Auto BPM estimate for a file is accurate, it will be written to an ID3 tag* in the file. The Auto BPM function will not be applied if the track already contains BPM information. To re-analyze these files and use Auto BPM or auto gain on them, drag them onto the Analyze Files button.
Main Screen Overview Virtual Deck The Virtual Deck shows everything about the speed and position of a track. As the vinyl rotates, so does the line on the label. The circular progress bar around the edge is a visual representation of the position within the song, and can be set to flash to warn you that the track is nearing its end. The time and remaining time are displayed in minutes and seconds.
TIP: Use the + and – keys to zoom in and out. TIP: Waveform can be either vertical or horizontal. See “Display Modes” on page 26. Kick Drum In this example, the red part of the wave represents a kick drum, while the purple part represents a snare drum. Snare Drum Beat Matching Display This view shows the position of beats within the track. When beat matching, this view helps align the downbeats of the two tracks. The markers are matched up when the two tracks are beat matched.
Track Gain Use the track gain knob to balance the volume of the tracks in your library. Any adjustment made to the gain of a track is saved with the file, and will be reapplied to the entire track when it is loaded again. The level meter shows the level sent to the hardware interface after both individual track gain and master gain adjustment.Ctrl-click the knob to reset it to 12 o’clock. Display Modes NOTE: For automatic gain setting of your tracks, see “Use Auto Gain” on page 45.
Absolute Mode Relative Mode ABS mode is the default mode, and most closely resembles the properties of normal vinyl. The beginning of the track is mapped to the start of the record, and by picking up the tone arm and moving the needle to another part of the record (needle dropping) you can move to a different position within the track. ABS mode faithfully reproduces the movement of vinyl control records, including stops, starts, scratching, needle dropping, rubbing and other turntablist techniques.
Internal Mode INT mode allows playing tracks without external vinyl (or CD) control. INT mode has a start / stop function and a virtual pitch slider. Holding down the shift key moves the pitch slider slowly. Holding the ctrl key and clicking on the pitch slider resets the pitch to zero. Scratch Live automatically switches to INT mode when the end of the control record is reached; you can switch back to REL mode by placing the needle in the first five minutes of the control record.
Cue Points TIP: Zoom in on the waveform using the – and + keys and ‘scrub’ to the desired position for greater accuracy when setting cue points. Looping Enable Hot Cues To turn on hot cues, check Enable Hot Cues in the Playback tab on the Setup screen. When Hot Cues are enabled, you can set cue points simply by pressing the number keys 1 through 0 (no ctrl modifier required). Note that you can only add cues this way if the cue point slots are empty. See “Enable Hot Cues” on page 44.
will be green. Press the x button to clear the loop. If you click on the locked loop symbol, a red border will appear. This indicates the loop is locked, and you will not be able to adjust the end points or delete the loop until you unlock it, by clicking on the number again. NOTE: Looping applies to REL and INT modes. Auto-Looping Auto-looping allows you to create loops instantly. If the track has a BPM value simply click the number of beats you wish to loop and Scratch Live will create the loop for you.
SP-6 Sample Player The SP-6 Sample Player allows you to play up to six sources of audio, in addition to the tracks playing on the Virtual Decks. Any audio file in your Scratch Live library can be loaded to any one of the six slots, allowing playback of short samples, sound effects, or full length tracks. The SP-6 is enabled when the SixtyEight is plugged in, but not operational in the offline player mode. Click on the SP-6 button to access the sample player window.
SP-6 Pitch Controls SP-6 Track Overviews There are individual Pitch Slider, Bend, Nudge, and Keylock controls for each sample slot. The BPM is also displayed next to the pitch slider. If no BPM is present in the tracks ID3 tag, the pitch of the track is displayed as a percentage. Click and drag the pitch slider to make regular pitch adjustments. Hold the shift key and move the pitch slider to make fine pitch adjustments. Click on the + and – buttons to nudge the track into time.
Super Knob Mode DJ-FX Plugin The DJ-FX Plugin gives you control of two FX units, each with three chained effects slots per unit. Each FX unit has two control modes: Ultra Knob Mode and Super Knob Mode, both of which can be fully customized. The DJ-FX plugin opens in Ultra Knob Mode by default. The DJ-FX Plugin must be enabled in the Plugins tab in the setup screen. Once enabled, the DJ-FX panel button appears in the panels area on the main screen. See “Enable DJ-FX” on page 47.
MIDI Control The MIDI Control feature in Scratch Live provides the ability to map MIDI controls to Scratch Live controls, and thus control the functions of Scratch Live using MIDI controllers such as keyboards, triggers, sliders, and knobs. Integrating MIDI controllers into your Scratch Live setup can improve live performance usability, such as hitting pads on a MIDI controller to trigger loops and cue points.
Native Controller Support This Scratch Live version currently has native support for the following 3rd party controllers: • Denon DJ DN-HC1000S • Denon DJ DN-HC4500 • Novation Dicer • Vestax VFX-1 • Pioneer CDJ-350 • Pioneer CDJ-850 • Pioneer CDJ-2000 • Pioneer CDJ-900 • Pioneer CDJ-400 • Pioneer MEP-7000 These controllers are plug and play, and can automatically control Scratch Live with no MIDI assigment necessary. Visit serato.com for detailed documentation on how to use these controllers.
Check the Match all of the following Rules option so that tracks must match all the set rules to be added to the crate. If this option is not checked, any track which matches any of the rules will be added to the crate. Check the Live update option to have the smart crate update when any tags are edited in your music library. With this option unchecked, the crate contents will be updated only when you click the refresh crate icon, which is not visible when Live update is checked.
Playtime: When viewing a song row, the total played time of the song is displayed (i.e., 00:03:00). When viewing a session row, the total elapsed time of the session is displayed with date (i.e., 10/09/08 01:38:16). Deck: The Virtual Deck that the song was played on will be displayed under the deck column. In the song row, either left or right is displayed. The offline player will be listed as offline. Notes: Use this field to list particular information about your songs and each session (i.e.
Editing ID3 tags Adding Album Art Much of the information associated with each file can be edited from within Scratch Live. Double click on the attribute within the main library to edit the attribute. Filename, length, size, bit rate and sampling cannot be edited. This information is saved in the file itself. Note that the protect library option in setup must be unchecked to allow edits. for details on auto-BPM See “Preparing Your Files” on page 22.
File Management Located in the files pane are two buttons, rescan ID3 tags and relocate lost files. Use these tools for ongoing file and library management. Rescan ID3 Tags Click this button to force Scratch Live to re-read all file tags. Alternatively, you can drag and drop files, folders, or drives onto the rescan id3 tags button from the files pane. This will only scan the files that you drag and drop, resulting in much faster processing.
Recording Recordings can be loaded onto the Decks, renamed, and managed like other files. Recordings are saved as 24-bit, 48 kHz stereo AIFF files by default. Recordings are saved in “My Documents\My Music\_Serato_\ Recording” in Windows XP, “Libraries\ Music\_Serato_\Recording” in Windows 7, and “~/Music/_Serato_/Recording Temp” on a Mac.
Using LiveFeed LiveFeed LiveFeed allows you to stream a USB record channel from the Sixty-Eight to a Virtual Deck. This includes any Phono/ Line/S/PDIF input, either Mic, FlexFx Insert or the Mix. You can then instantly play the recording back just like a normal audio file — you can scratch it, speed it up, slow it down, set loops and set cue points. There are two recording options, Normal and Gated.
DJ Handover 2b. Using Two Control Sources: Unassign the USB Source for the nonplaying Virtual Deck on Computer A. Then have Computer B assign that same USB Source to one of its Virtual Decks. See “USB Sources & Analog Inputs” on page 24. Swapping between two DJs both using Scratch Live is now easier than ever! With a computer already connected to the Sixty-Eight and playing, do the following: Two Computer Connection 1. Connect the second computer to the unused USB port on the Sixty-Eight.
KEY Keyboard Shortcuts ctrl - L ctrl - R ctrl - F ctrl - A ctrl - C ctrl - E ctrl - V ctrl - X ctrl - Z shift - ctrl - shift - ctrl - These actions can be accessed directly from the computer keyboard. NOTE: Playback, cue and speed controls use Shift or Caps Lock. You can turn this off in the Setup screen. See “Playback Keys Use Shift” on page 44.
Input Select Status The input level currently set on the Sixty-Eight is displayed for each input. To change the input level setting, use the switches on the Sixty-Eight. Choose P for Phono, S for S/PDIF and L for Line. When Phono is selected, the Phono Sensitivity setting is also displayed. Set the Phono Sensitivity to the same level of your cartridge (see your cartridge documentation for the correct value).
Use Auto Gain Play From Start Auto gain enables you to set a uniform volume level for the tracks in your library. When a track is in auto gain mode, the track gain knob appears recessed. Check this box to enable auto gain. Provided you have analyzed your files, your tracks will now be loaded with the auto gain applied. Next to this box is a drop down menu, in which you set the target gain volume level. To find the optimum setting, load a track with an average volume level onto one of the Virtual Decks.
Library Drop To Cue Points (Relative Mode) This option triggers the corresponding cue point when the needle is repositioned into one of the first five one-minute sections on the control vinyl. For instance: needle dropping into the second minute on the left turntable will send playback for Deck 1 to cuepoint 2, if that cuepoint is set. (REL mode only) Vinyl Start Offset If there is cue burn at the beginning of the vinyl, you will notice that the tracking will be poor at this point.
Import AAC Files Display Plugins Maximum Screen Updates Enable SP-6 Sample Player This slider allows you to throttle back the screen refresh rate. Users with slower computers might like to do this if they are having performance issues. It could also be useful if you want to limit Scratch Live’s processor usage, for example if you are running a recording program at the same time. The default setting is 60 Hz, or refreshed 60 times per second. This setting applies to the entire screen (i.e.
Troubleshooting and FAQ (Frequently Asked Questions) The audio playback is dropping out / clicking / popping Scratch Live is not getting a clear signal from the record, or your computer is not able to process quickly enough. Go to the Setup screen and check the scope views. When the record is playing, the circles should be round, and the value in the bottom right corner should be close to 100%. If this is not the case, you need to calibrate. See “Calibrating Scratch Live” on page 20.
Corrupt File Descriptions and Diagnoses Corrupt file: This MP3 contains invalid frames. This MP3 contains frames which do not conform strictly to the official MP3 specification. Scratch Live can not be certain that this file will play back 100% accurately. Corrupt file: This file contains corrupt frames that may result in audible glitches. This file contains two or more contiguous corrupt frames. Since corrupt frames are replaced with silence, this could result in what might sound like an audio glitch.
Scope Reading and Fixes Most of the problems that occur with Scratch Live can be attributed to it not getting a good reading of the control signal from your records or CDs. These examples show what the scopes on the setup screen can look like to help solve possible problems. Some problems cause similar looking scopes, e.g., if your scopes look like the Dusty Needle one, the cause could be a damaged needle. GOOD SIGNAL - Clean signal with 100% tracking.
RECORD BURN - This section of the control vinyl has been worn. Swap sides or adjust the Vinyl Start Offset. LEFT CHANNEL MISSING - The signal from the needle is not reaching the SixtyEight. Check cable and cartridge wiring. RIGHT CHANNEL MISSING - The signal from the needle is not reaching the SixtyEight. Check cable and cartridge wiring. BAD RECORD BURN - Your record is badly worn and Scratch Live is unable to track. Swap sides or get new vinyl ASAP.
Appendix ADD 3.5” (8.9 cm) MINIMUM CLEARANCE FOR CABLES .65" (1.6 cm) PROJECTION Specifications All specifications typical unless otherwise stated Analog Inputs 4 Stereo unbalanced RCA jacks …...Phono, Line level or S/PDIF input Rear panel switches for each input …...Phono Response RIAA ±1 dB, Gain: 35 dB at 1 kHz …...Max Phono Input 115 mV …...Max Line Input 4 Vrms S/PDIF Inputs 16-bit or 24-bit PCM only …........SRC Output Always 24-bit …...Input Sample Rate 16 kHz to 144 kHz …........
Mounting Bracket Accessories When installing a Sixty-Eight mixer in a coffin case, it is important to leave 3.9 inches (10 cm) in front and in back of the mixer to allow room for cables and access to controls. The rubber feet provided on the chassis for table top use should remain in place when installing the mixer in a coffin case. When in operation, the coffin case setup must provide 0.39 inches (1 cm) clearance on each side of the mixer and above the controls on the face of the mixer.
Magnetic Crossfader Maintenance The crossfader in the Sixty-Eight is designed with materials highly resistant to corrosion and most chemicals. While it will handle millions of operations, it may become dirty over time. Bad things may be spilled into the crossfader, but in many instances the crossfader may not be damaged and the sound quality thus unaffected. Cleaning is only required to maintain the feel of the crossfader.
Fader Assembly Removal 1 Remove all five fader knobs. 1 2 Remove all four screws holding the fader panel face plate. 2 3 Lift up the fader panel face plate and set it aside where it can’t get damaged. 4 Remove the two screws in the main panel at the top of the fader assembly. 5 Remove the two screws at the front of the fader assembly. 3 6 Slide the fader assembly out just enough to see the three white and blue wires and their connectors. 7 Unplug the connectors of the three white and blue wires.
HP-FILTER MIC-2/LINE INPUT Line Input HP-FILTER MIC-1 INPUT A/D A/D AUX-4 INPUT Phantom Power A/D A/D AUX-3 INPUT CH-4 SP/DIF CH-4 Phono / Line Input RIAA / LINE HP-FILTER A/D CH-3 Phono / Line Input CH-3 SP/DIF A/D AUX-2 INPUT A/D A/D A/D RIAA / LINE HP-FILTER RIAA / LINE HP-FILTER RIAA / LINE HP-FILTER AUX-1 INPUT CH-2 SP/DIF CH-2 Phono / Line Input CH-1 SP/DIF CH-I Phono / Line Input Record Aux-4 Record Aux-3 Record A4 Record A3 Record Aux-2 Record Aux-1 Record A2
Declaration of Conformity Application of Council Directive: 2001/95/EC 2002/96/EC 2004/108/EC 2006/95/EC 2011/65/EU Standard(s) to which conformity is declared: EN60065:2002/A1:2006/A11:2008 EN55103-1:2009 EN55103-2:2009 EN50581:2012 ENVIRONMENT E2 SERIAL NUMBERS 850000-950000 CE MARK FIRST AFFIXED IN: 2010 Manufacturer: Rane Corporation 10802 47th Avenue West Mukilteo WA 98275-5000 USA This equipment has been tested and found to be in compliance with all applicable standards and regulations applying to
Limited Warranties Factory Authorized Service Your unit may someday need to be serviced by the Rane Factory if you live in the USA. International customers should contact your dealer or distributor for service. You must call the Rane factory before shipping. Please do not return your unit to Rane without prior authorization. Rane Corporation To obtain service or a Return Authorization in the USA, please phone 425-355-6000 or Fax 425-347-7757 Limited U.S.A.
Warranty Procedure - Valid in U.S.A. only NOTICE! You must complete and return the warranty card or register your product online to extend the Warranty from 2 years to 3 years! TO VALIDATE YOUR EXTENDED WARRANTY: Use the postcard that came in the box with your unit, or go to product registration under support at dj.rane.com. Fill out the warranty completely, being sure to include the model and serial number of the unit since this is how warranties are tracked. If your Rane product was purchased in the U.S.
RANE SIXTY-EIGHT MIXER FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.4.
