PHOTO - VIDEO - PRO AUDIO Section3 Mixers Portable Kamesan ..............................354-355 PSC .......................................356-357 Sony .....................................358-359 Shure....................................360-363 Analog Alesis ...........................................364 TL Audio .....................................365 Behringer .............................366-371 Mackie .................................372-379 Samson ................................
KAMESAN KS-T2000 AUDIO MIXERS Compact 3-channel Mixer The KS-T2000 is a compact 3-channel mixer that is small and light enough to go anywhere. This product is made and guaranteed by Kamesan and is ideal for all audio applications in professional broadcast and film work. Camcorders are shrinking but that doesn’t mean audio requirements are getting any less demanding.
KAMESAN KS-342 4-Channel Compact Mixer FEATURES Input Facilities Selectable mic/line inputs providing 12- or 48-volt phantom power as required. ◆ Level trim at both sensitivities means the main channel faders can be set at optimum rotation for normal working. ◆ Massive 30dB pre-fader headroom plus continuously variable hi-pass filtering ensure signals never get out of hand. ◆ Channels can be ganged for true stereo operation and switched to the left or right mix busses.
PSC ALPHAMIX 356 AUDIO MIXERS Portable 4-Channel Audio Mixer The AlphaMix contains all of the features required by today’s most demanding ENG recordist. Do you regularly do two camera shoots, work with demanding producers or have complicated IFB feeds? No problem.
PSC M3 3-Channel ENG Audio Mixer ◆ Additional outputs include two 10-pin Hirose connectors for use with Beta snake cables (mic or line switchable) for conveniently connecting to two cameras, and two Auxiliary outputs for transcription or RF feeds (mic or line switchable). The 10-pin connector provides audio signal flow as well as tape return signal flow for monitoring. ◆ Ganging input and output connectors allow you to use two M3 mixers tied together.
SONY DMX-P01 358 AUDIO MIXERS Digital Portable Field Mixer Effective audio quality is now more important than ever for ENG and EFP applications, because even with high-quality video, lackluster audio performance will result in a mediocre production. The DMX-P01 is Sony’s answer to these high-quality audio requirements. Not only does it offer outstanding audio quality, it is also one of the most user-friendly mixers in the ENG and EFP markets.
SONY DMX-P01 Link/M-S Operation Inputs Outputs Decodes M-S microphone inputs, and links the input levels of channels 1/2 and 3/4 ◆ Phase reverse on channels 2 and 4 (M-S decode) ◆ LCD Panel Various level-meter displays: VU, PPM1 (BBC-type), PPM2 (DIN-type), PPM3 (NORDIC-type), PPM4 (IEC-type1), dBFS ◆ Displays setup menus and allows various parameter settings ◆ Three quick-recall memory settings for immediate mixer setup ◆ Ten user-scene memory settings (each including level meter, LCF, limiter/compre
SHURE FP-33 AUDIO MIXERS Portable 3-Channel Stereo Mixer The standard by which portable mixers are measured, the FP-33 is used all over the world for remote audio recording, ENG/EFP applications and location film production. Built upon the benchmark FP32 and FP32A field mixers, the FP33 is light enough, small enough and rugged enough to take anywhere.
SHURE FP-410 Portable Automatic 4-Channel Mic Mixer with IntelliMix Noise-Adaptive Threshold: MaxBus: Eliminates the poor audio quality that results when a speaker is picked up by more than one microphone. It does this by controlling the number of microphones that may be activated for a single sound source. With MaxBus, one talker will activate only one FP-410 channel, even if multiple microphones are “hearing” that talker.
SHURE FP-24 362 AUDIO MIXERS Portable 2-Channel Stereo Preamp and Mixer The FP-24 is a studio-quality, two-channel, portable stereo microphone mixer, designed for active use in demanding broadcast environments. Features including assignable L-C-R inputs, built-in slate microphone, 1kHz tone oscillator, and headphone monitoring render this mixer extremely adaptable in application.
SHURE FP-42 Portable 4-Channel Stereo Mic Mixer ◆ Four XLR-balanced inputs, each mic/line switchable with low-cut filters and cueing options ◆ Left and right XLR-balanced outputs with mic/line and mono/stereo switches ◆ Active feedback-type input gain controls for high level signals without input attenuators ◆ Pull-pot cueing on all inputs provides channel previewing ◆ VU meters with range switch and battery check function ◆ Built-in tone oscillator permits level checking and line testing ◆ Le
ALESIS 364 AUDIO MIXERS MULTIMIX SERIES Alesis’ MultiMix series is a line of powerful, portable, affordable mixers designed for a wide range of operating environments and applications. Available in 4 different tabletop mixers, plus a powerful rack mixer, all feature the high quality and high performance that Alesis is known for. Each mixer features 99 on-board 24-bit Alesis digital effects, for incredible control and creativity, as well as an intuitive interface design with superior feel.
TL AUDIO M-3 TUBETRACKER 8/2 Tube Mixer ◆ Balanced XLR mic and 1/4” jack line inputs ◆ Drive and Peak LEDs ◆ Balanced XLR L/R mix outputs ◆ Balanced internal signal busses ◆ Optional AES, S/PDIF and TOSLINK optical digital outputs ◆ Stereo main fader with VU metering ◆ Unbalanced 1/4˝ jack inserts ◆ ◆ ◆ Sovtek ECC83/12AX7A tubes Phantom power, 90Hz filter, phase reverse and mic/line switch 100mm faders with pan, mute and solo ◆ Word Clock input AUDIO MIXERS The M-3 is an 8-channel compa
BEHRINGER UB SERIES 366 AUDIO MIXERS Ultra Low-Noise Eurorack Mixers By continuously responding to the suggestions of their customers, Behringer has developed a range of mixers that offer more bang for the buck without compromising on audio quality. Built to exacting standards, they are rugged and reliable, and offer the flexibility and sonic integrity demanded by the most discerning end users.
BEHRINGER UB502 • UB802 • UB1002 • UB1202 5-, 8, 10- and 12-Input 2-Bus Mixers UB802 FEATURES One (UB502), two (UB802, UB1002) or four (UB1202) XLR-balanced discrete inputs featuring studio-grade “Invisible Mic Preamps” with: - 130dB dynamic range for 24-bit, 192kHZ sampling rate inputs - Ultra-wide 60dB gain range - Lowest distortion 0.
BEHRINGER UB1204-PRO • UB1204FX-PRO AUDIO MIXERS 12-Input 2/2-Bus Mic/Line Mixers These are mixers whose small size belies their incredible versatility and audio performance. You get 8 balanced high-headroom line inputs, 4 Invisible Mic Preamps, 2 aux sends per channel (1 pre fader for monitoring applications and 1 post fader for external FX devices).
BEHRINGER UB1832FX-PRO If you are looking for a capable compact mixer with a breathtaking 3D XPQ stereo surround effect and a 9-band stereo graphic EQ, this is your machine. Of course, you also get 14 balanced high-headroom line inputs, 6 “Invisible” Mic Preamps, and 3 aux sends per channel and extremely musical 3-band EQs with semi-parametric mid bands plus switchable low-cut filters on all mono channels.
BEHRINGER AUDIO MIXERS UB2442FX-PRO 24-Input 4-Bus Mic/Line Mixer and 24-bit Multi-FX Processor This is the big cajuna of the whole UB Series. You get all the features you’d expect in an ultra high-quality compact mixer: 16 balanced high-headroom line inputs with dedicated gain controls on stereo channels 13-16, 10 studio-grade IMP “Invisible” Mic Preamps, and an effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels.
BEHRINGER DDX3216 Fully Automated 32-Channel, 16-Bus Digital Mixing Console ◆ ◆ ◆ 32 full-fledged channels and 12 high-end ultra low-noise “Invisible” Mic Preamps with phantom power deliver crystal-clear audio with incredible reproduction of the slightest sound nuances and ample headroom.
MACKIE 1202-VLZ PRO • 1402-VLZ PRO AUDIO MIXERS 12 x 2 and 14 x 2 Compact Mixers Providing maximum performance in minimum sizes, the 1202-VLZ Pro and 1402-VLZ Pro are the mixers of choice for tens of thousands of musicians and sound engineers who need equipment to serve “double duty” in studios and on the road. With 12 or 14 balanced input channels divided between 4 (1202) or 6 (1402) mono mic/line inputs and 4 stereo line input channels, these mixers excel in the field or in the studio.
MACKIE MACKIE MIXER TECHNOLOGY Very Low Impedance ◆ EQ Very low impedance is achieved by scaling down resistor values by a factor of three or four, resulting in a corresponding reduction in thermal noise. XDR Mic Preamps ◆ ◆ ◆ 130dB dynamic range and extremely flat frequency response allows the XDR mic preamps to handle inputs from 192kHz workstations without added coloration. ◆ Knobs ride just thousandths of an inch from the metal surface of a mixer chassis. Mid-range frequency is placed at 2.
MACKIE 1604-VLZ PRO AUDIO MIXERS 16 x 4 Compact Mixer The highest headroom and lowest noise of any mixer in its class, the 1604’s flexible 4-bus architecture is ready for just about any project recording studio or live venue. Post production and broadcast facilities will also appreciate the myriad routing possibilities. VLZ design ensures quiet mixes with all 16 channels open during mix down, while the XDR mic preamps reveal all of the subtleties and nuances of your favorite condenser mic.
MACKIE CFX-SERIES 12-, 16- and 20-Channel Audio Mixers with Digital Effects Input Channels Subgroup Level-setting LED for each channel. ◆ Low-noise, high-headroom mic preamps with 50dB of gain; 48v phantom power ◆ +30dB of line level gain and a full 15dB of attenuation to "pad" hot signals. ◆ Two Aux Sends with balanced 1/4˝ outs, switchable to pre-fader for monitor use and post-fader for use as effects sends ◆ ◆ ◆ One external and one internal EFX Send.
MACKIE 376 AUDIO MIXERS 24•4-VLZ PRO/32•4-VLZ PRO 24- and 32-Channel Sound Reinforcement Consoles 32•4-VLZ PRO First introduced almost five years ago (but updated many times since), Mackie’s SR24•4 and SR32•4 have totally redefined the 24-and 32-input/4-bus mixer.
MACKIE 24•4-VLZ PRO/32•4-VLZ PRO ◆ The Phones/Control Room switch and level control are connected to stereo headphone outputs and left and right Control Room output, allowing the stereo Tape Return, Left/Right Main Mix, and Solo to be monitored. ◆ A stereo playback device can be monitored via the Tape Return inputs. Tape Return to Phones/C-R routes the tape playback signal into the monitor system and meters, and the Tape Return knob adjusts the level of playback, which can be monitored via headphones.
MACKIE 378 AUDIO MIXERS 16•8 / 24•8 / 32•8 8•BUS MIXERS Channel Strip ◆ ◆ In-line FLIP reverses tape and mic/line inputs between channel strip and Mix-B/Monitor section Mix-B Source selects from flip switch or channel strip (pre-fader) for in-line monitoring while recording or gives an extra stereo aux bus ◆ Constant power, buffered panpot for rock-solid panning ◆ Each channel strip has 6 mono auxiliary sends with several routing options: ◆ ◆ Auxes 1 & 2 have two independent level controls t
MACKIE 16•8 / 24•8 / 32•8 8•BUS MIXERS Master Section ◆ 6 Aux Sends with Solo and Solo LED ◆ Talkback assigns to all submasters, main mix, Aux 1, Aux 2 or Phones 1&2 ◆ Solo level adjust and ultra-rude LED ◆ Monitor section with separate control room and studio levels, source selection between L/R mix, Mix-B, tape and external. Can be switched to mono. ◆ Two separate headphone sections can be used totally independent of each other.
SAMSON MIXPAD 4 380 AUDIO MIXERS Compact 4-Channel Audio Mixer An incredibly compact 4-input stereo mic/line mixer with exceptional sound and a host of features, the Mixpad 4 also offers AC/DC capability, making it ideal for use in ENG and field recording applications as well as in the studio. Exceptionally professional from its high headroom design (+27dB) to its durable extruded aluminum chassis, the Mixpad 4 also shines as a sub-mixer in live and recording settings.
SAMSON MIXPAD 9/MIXPAD 12 9-and 12-Channel Compact Audio Mixers Remarkably compact 9- and 12-channel mixers, the Mixpad 9 and 12 offer professional audio performance and a wide range of user-intensive features for virtually any type of application. They boast superior low noise and low distortion specifications, include wide-range gain trim controls for both mic and line inputs, provide very transparent, open sound, and they have a very high slew rate—usually found on larger, more expensive mixers.
SAMSON Samson’s MDR (Maximum Dynamic Range) mixer series of mixers offer transparent sound, low noise and high quality mic preamps at very affordable prices. Each mixer features low impedance circuit design, 60mm faders, combi XLR connectors, phantom power, steel construction and all but the MDR 6 have built in 24-bit DSP. Samson’s exclusive Hard Disc Record Mode (MDR 6 and MDR 8 only) eliminates delay between instrument and monitor mix when recording to hard disc.
SAMSON MDR 16 16x4 Stereo Mixer Step-up features from the MDR 10— • 16-channel stereo 4-bus mixer • 16 XLR inputs with mic preamps • 60mm faders on channels, busses and mains • 3-band EQ with sweepable mids and a low cut filter on channels 1-8 Rackmount 12x4 Mic/Line Mixer “MPL” stands for “Mic/Program/Line” and the name describes the broad range of signals which can be handled by this powerful mixer. In fact, the compact design of the MPL-1204 belies its extraordinary versatility.
SOUNDCRAFT FOLIO NOTEPAD AUDIO MIXERS Compact Audio Mixer The ultra-compact and very affordable Folio Notepad is packed with enough features to handle a surprisingly wide range of mixing tasks. Less than 10˝wide, it can handle up to 10-inputs, configured to give you the maximum choice of source signals, from condenser mics to turntables. Its high-quality components and advanced design ensure CD-quality sound, while its ergonomic layout makes it very easy to use.
SOUNDCRAFT SPIRIT E SERIES 6-, 8- and 12-Input Mixers E6 E8 385 E12 FEATURES ◆ 6, 8, and 12-mono input channel frame sizes, each with two stereo inputs ◆ ES Version has 10 full-function stereo inputs and 4 mono inputs ◆ High quality, ultra-linear mic preamps with smooth gain control ◆ True, professional +48V phantom power for condenser microphones 100mm faders are used throughout, giving you accurate control during complex mixes ◆ Professional insert points for external processing ◆ ◆ 2 aux
YA M A H A MG SERIES 386 AUDIO MIXERS Analog Mixers Yamaha’s analog MG mixer series cover multiple applications, including PA, project studio, classroom, house of worship, personal monitoring and sub-mixing uses. The MG-series features six models ranging in size from the small MG10/2 10-channel/2-bus unit right up to the very flexible MG32/14FX 32-channel/14-bus type with an impressive selection of built-in effects. There have been no compromises.
YA M A H A MG12/4 • MG16/4 • MG16/6FX Extensive Creative Control in the Studio or on Stage AUDIO MIXERS The mid-range MG models go beyond the basics to give you extensive control for a wide range of applications - with the no-compromise Yamaha sonic quality that makes the MG mixers the finest in their class. Whether music is a hobby or profession, these mixers will deliver total satisfaction.
YA M A H A MG24/14FX • MG32/14FX AUDIO MIXERS Serious Capacity for Sound Reinforcement and Installations If your application is live sound reinforcement you’ll want all the channel capacity you can get - just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 24 and 32 input channels, respectively, the MG24/14FX and MG32/14FX are ready to handle all but the most ambitious sound-reinforcement setups.
YA M A H A MG SERIES COMPARISON MG16/4 MG16/6FX MG24/14FX 12 16 16 24 XLR Mic Inputs 1/4˝ TRS Line Inputs Stereo Inputs 1/4˝ TRS Insert I/O Phantom Power Input Gain Control High Pass Filter AUX Send/Return 1/4˝ TRS Send 32 4 2 2 Ch 1 – 2 + 48 V 44 dB variable 80 Hz 12 dB/Oct 6 4 2 Ch 1 – 4 + 48 V 44 dB variable 80 Hz 12 dB/Oct 10 8 2 Ch 1 – 8 + 48 V 44 dB variable 80 Hz 12 dB/Oct 10 8 2 Ch 1 – 8 + 48 V 44 dB variable 80 Hz 12 dB/Oct 16 16 4 Ch 1 – 16 + 48 V 44 dB variable 80 Hz 12 dB/Oct 16 16
MACKIE 390 AUDIO MIXERS D8B (DIGITAL 8•BUS) The Mackie Digital 8 Bus or D8B is a 24-bit 56 input, 72 channel digital mixing console designed for professional music, sound-for-picture, and installed live applications. The most advanced digital console in its class- the D8B utilizes a separate CPU for controlling limitless dynamic and snapshot automation capabilities and an open architecture that allows software upgrades as well as signal processing plug-in expansion.
MACKIE D8B (DIGITAL 8•BUS) Channel STRIP Fat Channel – For Hands-on Processing ◆ Provides four V-Pots and Previous/Next scroll buttons to quickly find and adjust effects parameters of all twelve auxiliary sends and 4-band EQ, compressor with limiting, and gate with expansion mode parameters for 48 channels ◆ The Compressor and Gate parameters can be viewed graphically in the expanded dynamics view windows.
MACKIE D8B (DIGITAL 8•BUS) 392 AUDIO MIXERS Locator/Transport/Jog ◆ Once you start using it, you’ll discover that you don’t have to take your eyes off of the console nearly as much. You can run the transport of any tape or hard-disk based recorder that can slave to MIDI Machine Controlled. You can create song start and stop or loop continuously between two points. And you can dial in any location point in a session right from the console.
MACKIE D8B (DIGITAL 8•BUS) Mackie MFX and UFX Cards and Digital 8•Bus Plug-ins MFX Card UFX Card UFX Card ▼ The UFX Card is the host for Acuma, Antares, Drawmer, and Massenburg plug-ins. Mackie Mono Delay and T.C Electronic’s TC FX II (provides reverbs from the renowned M2000) are bundled free with a UFX card. UFX and MFX cards can be mixed (up to a total of four cards).
MACKIE 394 AUDIO MIXERS ACUMA LABS PLUG-INS for the D8B A division of Mackie, Acuma Labs Ltd. develops real-time embedded systems for professional audio applications, specializing in digital signal processors, micro processors, digital audio effects, analog and digital software, real-time operating systems, interfaces, and hardware design. Seven plug-ins altogether, all of their parameters are automated through the D8B’s automation engine and can be stored or recalled as a preset.
MACKIE ACUMA LABS PLUG-INS for the D8B FILTER MACHINE Easy-to-Use Time Modulation Intuitive, Powerful, Sweeping Filter Effects An easy-to-use time modulation offering all of the classic time effects including Chorus, Flange, Auto Pan, Tremolo, combined with radically new and Xtreme settings. Acuma’s classic, analog styled 4-pole filtering plug-in is an easy and intuitive way to achieve powerful, sweeping filter effects.
SONY DMX-R100 396 AUDIO MIXERS Digital Audio Mixer A professional mixer inheriting the control philosophy of the worldfamous Sony OXF-R3 Console, the DMX-R100 is a compact, 48channel mixer with a comprehensive feature set that includes 25 motorized faders, a sophisticated control panel with touch-screen control, a fully integrated package of automation, a digital routing matrix and machine control.
SONY DMX-R100 Flexible Internal Routing Matrix The 24 fader strips of the DMX-R100 combine the familiarity of traditional console design with additional features derived from the OXF-R3 console. By default, each fader controls the channel gain, but Select to Fader buttons allow them to control 10 additional level adjustments in the channel path, including the eight Aux Sends, I/P Trim and MTR Sends.
SONY DMX-R100 AUDIO MIXERS Optional Expansion Boards For input/output expansion, the DMX-R100 has four option board slots. There are eight optional input/output boards, seven of which allow the user to flexibly expand input/outputs in groups of eight. The eighth optional board, the DMBK-R109 MADI board, allows the addition of 48 inputs/48 outputs via a single board slot.
SONY DRE-S777 Sampling Digital Reverberator AUDIO MIXERS The DRE-S777 is a digital reverb device that bridges the gap between “artificial” (synthesizer technology) and “real” to provide a new set of creative tools based on natural-sounding reverberation. This provides audio professionals a totally new approach to sound processing.
TA S C A M DM-24 DIGITAL MIXERS 32 Channel 8 Bus Digital Mixer The Tascam DM-24 is an affordable 32-channel digital mixer that combines 24-bit audio quality, with highly flexible routing capabilities, two powerful onboard effects processors, comprehensive snapshot and dynamic automation as well as dynamics processing and parametric EQ for every channel.
TA S C A M DM-24 Input and Master Sections B. Master Section: – 1/4˝ TRS Control Room outputs and Studio Monitor outputs plus two headphone outputs – 2 Track Input on RCA Connectors – XLR Main stereo outputs with 1/4˝ TRS insert – Four 1/4˝ TRS Sends and 1/4˝ TRS Returns can be configured as inserts for tape returns. Control Surface D. Control Room Section: – Solo and headphone volume controls. – A volume control, dim switch and mute switch are provided for the control room outputs.
TA S C A M DM-24 EQ AND DYNAMICS ON ALL 32 INPUT CHANNELS Dynamics 402 DIGITAL MIXERS 4 Band Parametric EQ High Filter Type: Frequency: Q: Boost/Cut: On/Off switchable Hi-shelving, Peak, LPF 31Hz to 19kHz 0.27 to 8.65 ±18dB, 0.5dB resolution Hi Mid Filter Type: Frequency: Q: Boost/Cut: On/Off switchable Peak, Notch 31Hz to 19kHz 0.27 to 8.65 ±18dB, 0.5dB resolution Lo Mid Filter Type: Frequency: Q: Boost/Cut: On/Off switchable Peak, Notch 31Hz to 19kHz 0.27 to 8.65 ±18dB, 0.
TA S C A M DM-24 Synchronization and Machine Control ◆ ◆ MIDI In, Out and Thru/MTC Out allows you to Send MMC, Lock to incoming MTC, Update firmware via Standard MIDI File, offload and upload library and automation data as well as Send/Receive MIDI program changes and MIDI controller data. Built-in Mackie HUI emulation provides MIDI-based control surface support for a variety of DAW applications including ProTools, Logic, DP, Cubase and Nuendo.
YA M A H A 01V96 32-Channel 24-bit / 96kHz Digital Mixing Console 404 DIGITAL MIXERS The 01V96 is a cutting edge digital mixing console designed to bring you the same performance and reliability of Yamaha’s most advanced digital consoles, in a smaller, more affordable format that’s ideal for the home or smaller professional production studio.
YA M A H A 01V96 20-bus Configuration ◆A - Main stereo program bus - Eight individual mixing buses - Two solo buses - Eight auxiliary buses Snapshot and Dynamic Automation ◆ The 99 Scene Memory allows complete console setups to be memorized and instantly recalled via the dedicated SCENE MEMORY controls or via MIDI program changes. ◆ An external sequencer can be used to record real-time movement of the motorized faders, EQ settings and other parameters, allowing complete mix automation.
YA M A H A 01V96 Surround Panning Navigation The high-resolution 320 x 240 dot LCD panel provides easy visual access to all of the consoles functions and parameters. ◆ Many of the parameters, such as EQ curves and compression parameters, are displayed graphically so you can see what’s happening at a glance. ◆ Display Access keys determine which type of data will be shown on the LCD panel – a total of 12 selectable categories.
YA M A H A 01V96 • 02R96 EXPANSION BOARDS Connection with 96-kHz Recorders and Workstations MY-16TD MY-16AT MY-16AE MY-8TD 16 channel TDIF format I/O 16 channel ADAT format I/O 16 channel AES/EBU format I/O 8 channel ADAT format I/O MY-8AE MY-8AT MY-8mLAN MY-4DA DIGITAL MIXERS Although the 01V96 handles 96 kHz audio as standard, most of the currently available digital recorders and workstations can handle 96 kHz audio only in double channel mode (using two tracks to make one).
YA M A H A 408 DIGITAL MIXERS 02R96 24-bit/96kHz Digital Mixing Console The 02R96 Digital Mixing Console is the long-awaited, and fully revised, successor to the revolutionary 02R — the industries first truly professional, affordable digital console. In fact, the 02R96 packs more than five times the processing power into the same footprint size as the original 02R.
YA M A H A 02R96 – Control Surface– L B. The 320 x 240 fluorescent backlit LCD display is enhanced by twelve Display Access keys that allow you to instantly switch the display to specific editing, utility and metering functions such as Automix, Channel Groups and Pairs, I/O Patching, MIDI and Remote setups and more. D. Editing the four internal effects processors is made easy with the parameter up/down selection keys and four rotary encoders.
YA M A H A 02R96 DIGITAL MIXERS – Rear Panel– B D A A. Sixteen balanced XLR mic and 1/4˝ TRS line inputs with 1/4˝ TRS inserts (+4dB unbalanced). B. Channels 17 - 24 feature balanced 1/4˝ TRS line level inputs. C.
YA M A H A 02R96 Four Multi-Effects Processors Effects types include reverbs, delays, modulation-based effects, combination effects, and multichannel effects designed especially for use with surround sound. ◆ Effects processors 2–4 feature assignable stereo inputs and outputs while processor 1 features eight assignable inputs and outputs for use with surround effects. ◆ An DIGITAL MIXERS ◆ Effects library is provided with 52 preset and 76 user memories.
YA M A H A 02R96 DIGITAL MIXERS Four Band Fully Parametric EQ Boost/Cut: ±18.0 dB in 0.1 dB steps Frequency Range: 21.1 Hz to 20.0 kHz (120 steps per 1/12 octave) Q (Low Band): HPF, 10.0 to 0.10 (41 steps), L.SHELF Q (Low-Mid Band): 10.0 to 0.10 (41 steps) Q (High-Mid Band): 10.0 to 0.10 (41 steps) Q (High Band): LPF, 10.0 to 0.10 (41 steps), H.SHELF A Complete Surround Solution ◆ Everything you need for 5.
YA M A H A mLAN The 5 Ws of mLAN One of the reasons for the complexity and inflexibility of many of today’s music production systems and studios is the sheer number of connections involved. All the MIDI and audio signals are routed separately, and each MIDI cable can handle up to 16 channels of data. Audio usually requires a separate cable — whether analog or digital — for each channel of audio for both input and output.