User Manual

ManualsBrandsPreSonus ManualsSoftwareStudio One

Studio One 2 Manual Addendum

Table&of&Contents&

Introduction*...........................................................................................................................................*4!

Version*2.6*..............................................................................................................................................*5!

Pages*.........................................................................................................................................................*5!

2.1! Start*...........................................................................................................................................................*5!

#$"$%!&'()*(!+',-)./!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!0!

Setup*.........................................................................................................................................................*7!

4.5! Managing*Your*Content*......................................................................................................................*7 !

1$0$"$"!&2(,*34/!5/*(,'/!5/62/*(*!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!7!

4.7*! Advanced*Options*................................................................................................................................*7!

1$7$1!89:9!;!+)(<=!>).(/'!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!7!

1$7$0!+.2?)@!:/4)</*!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!7!

1$7$A!89:9!BB!C'3@*D)(!53(/!E8 9:9!B,@(',../'!&2(,D3(),@F!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!%!

Recording*................................................................................................................................................*8!

5.4! Metronome*Control*.............................................................................................................................*8!

0$1$#!8/(',@,D/!G/=34),'!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!H!

0$1$1!IJ)(<=3K./!+'/<,2@(!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!H!

0$1$0!L*/!B2*(,D!I,2@M*!)@!(=/!8/(',@,D/!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!H!

0$1$A!N)*23.!B,2@(O9@!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!H!

0$1$7!&MP2*(3K./!Q--K/3(!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!H!

0$1$%!5/R/3(!&<</@(!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!H!

0$1$H!B.)<S!+'/*/(*!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!H!

0$1$"T!5/@M/'!B.)<S!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!H!

U@=3@</M!C/DR,!5/*,.2(),@!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!"T!

5.6! Instrum e nt*T ra ck *R eco r din g*Modes*............................................................................................*10!

0$A$V$"!W,(/!5/R/3(!N/.,<)(X!B,@(',.!N)3!&-(/'(,2<=!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!"T!

Editing*................................................................ ................................ ................................ ................... *10!

6.11! Event*Effects*.......................................................................................................................................*10!

A$""$""!&MM!U--/<(*!(,!82.()R./!U4/@(*!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!"T!

6.12! Edit*View*Event*Ed iting*..................................................................................................................*10!

A$"#$#$1!+3)@(!C,,.!!E82*)<!UM)(,'F!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!"T!

6.2! Arrange*View*Mouse*Tools*..............................................................................................................*10!

A$#$"$1!I/./<(!82.()R./!U4/@(*!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!"T!

6.4! Common*Editing*Actions*..................................................................................................................*10!

A$1$7!I(')R!I)./@</!$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!"T!

6.8! Comping*.................................................................................................................................................*10!

Summary of content (31 pages)

PAGE 1
Studio One 2 Manual Addendum Table of Contents Introduction ........................................................................................................................................... 4 Version 2.6 .............................................................................................................................................. 5 Pages ...............................................................................................................
PAGE 2
6.8.1 Takes and Layers – Layer Follows Events ............................................................................................... 10 6.8.4 Merge Events – Instrument Parts ............................................................................................................... 10 6.9 Transient Detection and Editing ...................................................................................................
PAGE 3
5.6.4 Note Erase ............................................................................................................................................................. 16 6.8 Comping ................................................................................................................................................. 16 6.8.1 Takes and Layers ............................................................................................................
PAGE 4
Introduction This document is an addendum to the existing PreSonus Studio One 2 Reference Manual and is organized by functional areas in Studio One. Versions 2.5 and 2.6 offer numerous enhancements and features, making it necessary to readdress some of the features described in the Reference Manual.
PAGE 5
Version 2.6 Pages 2.1 Start The Studio One start Page offers new dashboards for accessing Nimbit and SoundCloud accounts. 2.1.
PAGE 6
SoundCloud Dashboard Once your account is active, the SoundCloud dashboard will contain a scrolling display of the Activity Stream, and provide access to important account information and statistics using the following icons: Indicates the number of tracks that you have uploaded to your account. Shows you how many followers you have.
PAGE 7
Setup 4.5 Managing Your Content 4.5.1.1 Autosave Restore Requests Once you’ve told Studio One that you don’t want to open or load an Auto-‐Saved song, it will be copied into the History, and you will no longer be asked if you “want to keep the backup as a version”. 4.7 Advanced Options 4.7.
PAGE 8
4.7.6 MIDI CC Transmit Rate (MIDI Controller Automation) You can now vary the speed at which Automated MIDI CC messages are transmitted, using the Slider that has been added to the Device Edit Panel. The available range is from 10 – 100ms, with the default value being 10ms. Recording 5.
PAGE 9
5.4.2 Metronome Behavior Studio One 2.6 offers eight new click samples for the Metronome. 5.4.4 Switchable Precount This allows you to switch the Precount on and off. You can change this setting by opening the Metronome Settings and filling in the Precount checkbox.
PAGE 10
Enhanced Tempo Resolution You can now set and adjust the Song Tempo with an accuracy of 1/10000th of a beat. 5.6 Instrument Track Recording Modes 5.6.3.
PAGE 11
6.9 Transient Detection and Editing 6.9.2.2 Use the Bend Panel The Stretch Events parameter is switchable and turned off by default when slicing an Audio Event (Action > Slice, with the Merge option activated). Session Import 7.8 Importing Other Application Project Files 7.8.1 StudioLive/Capture Mix Import When a Capture 2.
PAGE 12
9.2 Signal Routing 9.2.12 Send to an FX Channel Dragging an FX Chain to the Send slot of a Track creates a new FX Channel with the same name as the FX Chain. 9.3 Groups 9.3.1 Create or Dissolve a Group Dissolving a Group leaves only the first Track of the Group selected. 9.3.
PAGE 13
Expanded Remote hardware Support Studio One 2.6 offers deeper integration with Mackie/HUI control hardware. 11 Control Link 11.1 Expanded Mackie Control/HUI Support This now includes Control Link Mapping and Send slot navigation, with the ability to scroll through, and select from the lists of available plugins and instruments, and their presets.
PAGE 14
Built-‐In Effects 13.8 Mixing 13.8.6 Native Fat Channel Plug-‐in This new plugin is a complete virtual version of the channel strip found on the StudioLive 32.4.2 AI mixer, which allows you to use all Fat Channel presets in both Studio One and on StudioLive AI.
PAGE 15
Version 2.5 Arrangement 5.6 Instrument Track Recording Modes There are several modes for recording to an Instrument track. To switch between these modes, navigate to the View menu and select the Record panel or press [Shift]+[Alt]/[Option]+[R] on the keyboard.
PAGE 16
5.6.3 Note Repeat If Note Repeat is selected in the Record panel, any notes played during the current recording pass will be repeated at the interval of the current Quantize value. Note that this mode cannot be combined with the Note Erase mode. 5.6.
PAGE 17
To hide or show layers, [Right]/[Control]-‐click on a track, and then click on Expand Layers. Layers have their own track controls, including Solo, Activate, Duplicate, and Remove. Click on the layer’s Solo button to solo the layer on the track.
PAGE 18
Any selected range on a layer can be sized left or right by floating the mouse cursor to the edge of the range and clicking and dragging, which will alter the track accordingly. 6.8.
PAGE 19
other effect that you will want to render beyond the event length on the track. Note that Auto Tail may not work well with lengthy delays or extremely long reverbs, as it works by detecting a range of silence at which to cut off and fade out the transformed audio. In that case, setting a fixed tail will be the best option.
PAGE 20
• • • • • Render All Channels. If the connected Instrument has more than one audio output engaged, this option will appear. If this option is disengaged, only the channel related to the selected track will be rendered, as specified in the Track Inspector. Render Inserts.
PAGE 21
Clicking on the Folder icon on a Folder Track will show and hide the tracks within the Folder in the Arrange view. Note that Folder Tracks also have Mute, Solo, Record, and Monitor Enable buttons. Clicking on these will engage the appropriate action for any track within the folder. 8.8.
PAGE 22
If a bus selection is made, the Folder Track will act as an effects-‐drop target for the bus channel when dragging effects from the browser onto the Folder Track.
PAGE 23
10.3.3 Move an Automation Point To move any point on an automation envelope, using the Arrow tool, click-‐and-‐hold on any existing point on the envelope. While holding, moving the selected point vertically changes its parameter value, and moving the point horizontally changes its time position.
PAGE 24
click in empty space, or directly on a point, to select all points on the envelope from that point in time forward. With multiple points selected, click-‐and-‐drag, using the Arrow tool, on any of the selected points, in order to move them all.
PAGE 25
10.3.6.3 Transform Automation You can also choose the Transform tool from the Paint tool drop-‐down list to alter existing automation, or add new automation.
PAGE 26
Audio Engine Pre-‐Record Pre-‐Record is a global setting found in the Studio One/Options/Advanced/Audio menu that allows any live input to be recorded, audio or MIDI, while record is not running. This option is disengaged by default, and a length up to a maximum of one minute can be specified.
PAGE 27
FX Set • • • A Mix parameter has been added for all Dynamics and Distortion effects, making parallel processing very easy. Send FX Mix Lock o Inserting an effect into the first slot of a bus/FX channel sets dry/wet mix to 100% and enables a lock for the mix.
PAGE 28
Music Editor Legato and Overlap Correction • • When editing notes in the Music Editor, the “Length” dialog contains three new modes: o Legato: Note lengths are enlarged until they reach the desired overlap with the next event. Note lengths are never shortened.
PAGE 29
Other Project Page Metering The Project page metering section now includes Sonogram and Waterfall metering, in addition to Octave, Third Octave, and FFT modes. Add Tracks Dialog The Add Tracks dialog now has additional options for Audio and Instrument tracks to make I/O connections directly.
PAGE 30
Versions Since the initial release of Studio One 2, the feature comparisons between versions have changed, most notably with the release of Studio One Free. Here is the updated version comparison chart.
PAGE 31
31