® POD® HD500 Advanced Guide An in-depth exploration of the features & functionality of POD HD500 Electrophonic Limited Edition
Table of Contents Overview.................................................................................. 1•1 Home Views.................................................................................................... 1•1 Tuner Mode..................................................................................................... 1•3 Tap Tempo....................................................................................................... 1•4 Connections........................................
Set Lists & Presets.................................................................. 4•1 Working with Set Lists.................................................................................... 4•1 Working with Presets...................................................................................... 4•4 Saving Presets.................................................................................................. 4•6 FX Edit Mode......................................................................
USB Audio............................................................................... 9•1 The Line 6 USB Audio Driver....................................................................... 9•1 The Line 6 Audio-MIDI Devices Panel......................................................... 9•3 Mac® - Line 6 Audio-MIDI Devices.............................................................. 9•4 Windows® - Line 6 Audio-MIDI Devices......................................................
Overview Overview Welcome to the POD® HD500 Advanced Guide. This guide contains in-depth details of the POD HD500 features and functionality. Please be sure to also read through your POD HD500 Pilot’s Guide for basic info on POD HD500 and this Guide will take it from there! In this chapter, we’ll present an overview of the main screens and features to get you started. This Guide covers POD HD500 with Flash Memory version 2.0 (or later) installed.
Overview At the bottom of the Signal Flow View screen, you’ll see up to four parameters that are accessed using the Multi-function knobs 1-4. 1•2 Accessing parameters with the Multi-select Knobs These parameters are specific to the currently selected Block and allow you to choose new Models & edit parameters. Or, you can dive deeper in the Edit Mode and access additional settings in other screens, as covered in the following chapters.
Overview Big User View This screen simply provides you with one BIG display of the currently loaded Preset number - convenient for dark stages! The Big User View Tuner Mode To enter Tuner mode, press and hold the TAP button. A few options are available, adjusted using the Multi-function knobs. The Tuner screen Pluck an individual string on your guitar and you’ll see the name of the note displayed.
Overview • Reference (Knob 1): If you’d like to tune to a reference other than standard 440Hz, select from 425 to 455Hz. 1•4 • Audio (Knob 2): Select Mute to silence POD HD500 output while tuning, or select Bypass to hear your guitar dry. Press the TAP switch, or any other footswitch, to exit Tuner Mode. Tap Tempo Tap Tempo is the term we use to refer to the “System Tempo” value that is accessed via the TAP button on your POD HD500 device. Stomp rhythmically to set your Tap Tempo.
Overview POD HD500 Edit Software Be sure to visit line6.com/software to download the Line 6 POD® HD500 Edit software - the free patch editor/librarian for Mac® and Windows® computers. Using POD HD500 Edit and a USB connection you can easily create, audition, customize, backup/restore and save an unlimited number of Tone Presets for your device.
System Setup System Setup In this chapter, we’ll cover the options for configuring your POD® HD500 system settings. Note that some System Setup options are “global” settings (they persist always, regardless of the current Preset) while others are saved individually per Preset, as noted in the following sections. You’ll want to be sure to save your Preset after changing settings of the latter type in order to retain them.
System Setup Page 1, Setup:Utilities Options 2•2 The top portion of the screen lists the Flash Memory and USB Firmware versions currently installed on your POD HD500 device. The lower portion of the screen offers four options, adjustable using the Multi-function Knobs 1 - 4. • Footswitch Mode (Knob 1): Configures the function of POD HD500 footswitches FS5 through FS8 for either “Pedalboard Mode” or “Preset Mode” (see “Bank & Channel Footswitches” on page 4•5). This setting is global.
System Setup Note that the Looper display’s icons represent what each footswitch will do when pressed, and not the function that the Looper is currently performing. • Trails (Knob 4): When set to “On,” allows the echo repeats and/or decay of Delay and Reverb FX to continue when the Model is toggled Off. With the Trails option “Off” the decay is muted instantly when toggling the Model Off. This setting is saved per Preset.
System Setup Page 3, Setup: Input Options The Inputs Setup page allows you to select which of the device’s audio inputs are used as the “source” – sort of like a built-in, programmable patchbay. There is also a control which adjusts the Guitar input impedance. 2•4 • Input 1 and Input 2 Source (Knobs 1 & 2) - Select the physical input(s) that you want to be the “source” fed into the signal path.
System Setup Note: The Guitar In-Z setting affects the GUITAR IN input only. Please see the Impedance Ratings table at the end of this section to reference the input impedance of each individual model. • The Auto option dynamically sets the input impedance to match the input impedance of the very first Amp or FX model in your POD HD signal chain. • Or, you can manually select from a variety of impedance values from low to high (22k, 32k, 70k, 90k, 136k, 230k, 1M, or 3.5M).
System Setup Amp & FX Model - Guitar Input Impedance Ratings Model Guitar Input Impedance (Ohms) 2•6 Facial Fuzz Jumbo Fuzz Fuzz Pi Octave Fuzz All Other Distortion Models 22k 90k 22k 230k 1M Dynamics FX All Dynamics Models 1M Modulation FX Dual Phaser U-Vibe Analog Chorus All Other Modulation Models 230k 90k 22k 1M Filter FX All Filter Models 1M Pitch FX All Pitch Models 1M Delay FX Multi Head Analog Echo Analog w/Mod All Other Delay Models 22k 230k 90k 1M Preamp + EQ FX All Preamp & EQ Mode
System Setup Amp & FX Model - Guitar Input Impedance Ratings Model Guitar Input Impedance (Ohms) Volume & Pan FX All Volume and Pan Models 1M FX Loop FX Loop 1M About Source Input Signal Routing: It is important to note how POD HD500 actually routes Source Inputs 1 and 2 through Amp & FX Blocks that are positioned “Pre” position. The following behaviors apply: • In a configuration with no Amp or FX Blocks in Pre, Input 1 is fed only to Path A and Input 2 only to Path B.
System Setup Page 4, Setup: Output Options The Mode setting on this page allows you to configure the type of signal fed to your POD HD500 analog outputs to optimize for direct recording versus connecting to an external amplifier. 2•8 Note that this Mode setting affects the signal fed to several POD HD500 outputs: Balanced, Unbalanced & Phones outputs as well as USB Record Send & L6 LINK audio outputs. Knob 1 selects the Output Mode. This is a global setting.
System Setup • Combo Power Amp & Stack Power Amp: For connecting to the power amp of a combo or head amp. TIP: When using the Combo or Stack options and connecting into a tube amplifier, we also recommend that you choose a Preamp Model from the Amp Model menu (rather than one of the “Full” Amp Models). HD Preamp Models include no power amp emulation, making them typically better suited for this connection. That said, there is no wrong choice! PODs have always been about flexibility...
System Setup Page 6, MIDI/Tempo Options 2•10 • MIDI Channel (Knob 1): Sets the “System” MIDI Channel that POD HD500 utilizes for both receiving and sending MIDI communication via the MIDI DIN Input/Output. Choose any individual Channel 1 - 16, or “Omni” for all Channels.* This is a global setting. *Note: The MIDI Channel selected here also affects the MIDI Channel settings utilized by L6 LINK - see “Page 10, Setup: L6 LINK Control” on page 2•17.
System Setup Page 7, Setup:Variax Options 2•11 Setup Page 7 - No Variax connected Setup Page 7 - James Tyler Variax connected As illustrated above, Setup page 7 will display additional, model-specific options when a Variax instrument is connected to the POD HD500 VARIAX (VDI) input. The specific Variax family and its firmware version are displayed at the top right of the screen when the Variax is connected.
System Setup James Tyler® Variax® All James Tyler Variax (JTV) family guitars are supported. Also see “Page 8, James Tyler Variax Tuning Options” on page 2•16 for even more JTV options! 2•12 • Variax Control (Knob 1): See page 2•11. • Model (Knob 2): Selects the Variax Model & pickup position setting. Choose the “Don’t Force” option if you prefer to not have the JTV local Model changed by the Model value saved within the POD HD500 presets.
System Setup • Tone (Knob 4): Allows the JTV Tone knob value to be saved with the current preset, or applied Globally, per the Variax Control (Knob 1) setting. Variax Electric All first generation Variax Electric Guitars are supported. • Variax Control (Knob 1): See page 2•11. • Model (Knob 2): Selects the Variax Model & pickup position setting. Choose the “Don’t Force” option if you prefer to not have the Variax guitar’s model changed by the Model value saved within the POD HD500 presets.
System Setup Variax Acoustic 700 For a Variax Acoustic Guitar, you’ll see two Setup pages, 7a and 7b, to accommodate the additional controls. Multifunction Knobs 1, 2 & 3 are common controls, shown on both Setup pages. Knob 4 is unique on each page. 2•14 • Variax Control (Knob 1): See page 2•11. • Model (Knob 2 - pgs. 7a & b): Selects the Variax Acoustic Model. Choose the “Don’t Force” option if you prefer to not have the JTV local Model changed by the Model value saved within the POD HD500 presets.
System Setup Variax Bass 700 & 705 For a Variax Bass, you’ll see three Setup pages, 7a, 7b & 7c to accommodate all the controls on the Bass. Multifunction Knobs 1, 2 & 3 on all pages are common controls. Knob 4 on each page is unique. 2•15 • Variax Control (Knob 1 - pgs. 7a, b & c): See page 2•11. • Model (Knob 2 - pgs. 7a, b & c): Selects the Variax Bass Guitar Model.
System Setup Page 8, James Tyler Variax Tuning Options The Page 8 Setup screen offers Tuning options for James Tyler Variax guitars.* These allow you to configure and edit alternate tunings for your connected JTV guitar, which can be saved right along with any POD HD500 preset! 2•16 *Note: This tuning functionality is only available for James Tyler Variax family guitars. If no JTV (or any first-generation Variax) is connected, this screen offers no accessible options.
System Setup Page 9, Setup: L6 LINK Audio 2•17 These options configure the POD HD500 audio signal fed to up to four Line 6 DT50™/ DT25™ amplifiers using the L6 Link connection.* These settings are saved per Preset. *Note: For details on using the POD HD500 L6 LINK connection with DT amplifiers, please see the additional documentation available at http://line6.com/support/manuals/.
System Setup • Each DT amplifier can be set independently to follow either the current Preset’s Amp Model A or Amp Model B. 2•18 • The DT amplifier automatically configures its power amp Topology settings to match the selected Amp Model A or B. • The DT amp controls are also synced to the selected Amp Model A or B. • Alternatively, you can select a MIDI Channel to set the DT amp’s MIDI communication channel.
Features & Functionality Features & Functionality Ready to dive deeper? In this chapter, we’ll go into more detail on the major features & functionality offered on POD® HD500. FX Blocks For each Preset there are always a total of 8 FX Blocks, each capable of loading any FX Model, (or the FX Loop - see next section). When in the Signal Flow View screen, select any FX Block and you’ll see options at the bottom of the screen, adjustable using the Multi-Function Knobs 1-4.
Features & Functionality • Knob 3 - FX Parameters: Choose from up to 5 adjustable parameters. Alternatively, double-press the ENTER button to access all the Model’s parameters in one screen see “FX Edit Mode” on page 5•1. • Knob 4 - Parameter Value: Adjusts the value for the currently selected parameter. Each FX Block also offers the following features: 3•2 • On/Off: Toggle the FX Block “On” or “Off” by pressing the ENTER button once. When Off, your signal flows through the FX Block unprocessed.
Features & Functionality Access options for the FX Loop at the bottom of the Signal Flow View, or in the Edit Mode screen. You can also toggle the FX Loop “On” or “Off” by pressing the ENTER button once. The FX Loop’s position and all its parameter values are saved per Preset. Please also see “FX Loop” on page 5•3. Amp Blocks A single Amp Block can be placed in the “Pre” or “Post” signal flow positions, or within parallel Path A.
Features & Functionality Mixer Block The Mixer is permanently positioned at the end of the parallel Paths A & B and provides individual Level and Pan controls for each Paths’ output before fed to the “Post” position. When the Mixer is selected in the Signal Flow View, its four parameters are available at the bottom of the screen, accessible using the Multi-function Knobs 1-4.
Features & Functionality Moving FX Blocks Any of the 8 FX Blocks can be moved throughout your tone’s signal flow, providing tremendous routing flexibility. To move any FX Block, start within the Signal Flow View and select the FX Block to be moved. Press the MOVE button and you’ll see the selected FX Block appear “raised” to indicate it is now moveable.
Features & Functionality Model Types and Mono/Stereo Signal Routing 3•6 It is important to note that some Models (all EQs, Wahs & Volume, and some Modulations, Filters, Pitches and Delays, as well as the FX Loop) preserve a stereo output within the signal chain, while others (all Dynamics, Distortions, all Amps & Preamps, and other various Models) are mono FX and do not. The POD HD500 Inputs 1 & 2 are fed into the signal chain as stereo (see “Page 3, Setup: Input Options” on page 2•4).
Features & Functionality • The above rules also apply within each of the parallel Paths A and B, since these are each stereo signal paths as well. The Mixer Block offers Pan controls to independently adjust the stereo balance of each of these Paths before they are fed into the first “Post” FX (or Amp Block, if the Amp is placed here), immediately following the Mixer. • Please also see “Amp Model Positioning” on page 6•1 for additional signal flow information.
Features & Functionality EXP 1 and EXP 2 with Pedal 2 Connected CD/MP3 UNBALANCED OUTPUT BALANCED OUTPUT FX RETURN FX SEND PHONES AUX IN INPUT L/MONO R/MONO LEFT TRS STEREO GUITAR IN Optionally, you can connect a 2ndRIGHTExpression Pedal MIC(such as a L/MONO Line RIGHT 6 EX-1 Expression Pedal) to the PEDAL 2 input. With a Pedal 2 connected, the on-board Pedal controls only EXP 1, and Pedal 2 controls only EXP 2. Whenever a Pedal 2 is connected, you’ll see the EXP 1 & EXP 2 LEDs both lit.
Features & Functionality The Controller Assign screen is then displayed specifically for the selected Model. In our example, it is the Digital Delay W/Modulation. Use the Multi-function Knobs 1-4 to configure the controller assignment options. 3•9 The Controller Assign screen • Parameter (Knob 1): Select the parameter for the current Model that you want to control.* In our example, we’ll choose the Mix parameter. • Controller (Knob 2): Select the controller that you want to assign to the parameter.
Features & Functionality To create controller assignment to an FX Loop parameter, simply select the FX Loop Block within the Signal Flow View and go to the Controller Assign screen, as described above. 3•10 The Controller Assign options for the FX Loop Note: When a Controller is assigned to any FX Model parameter, manually editing this parameter’s value will result in changing the Controller’s MIN or MAX value.
Features & Functionality Note that when Looper Mode is active, the Performance View displays a set of Looperspecific footswitch functions, as covered in “Looper Footswitch Controls & Performance View” on page 8•1. Assigning an FX or Amp Block to a Footswitch From the Signal Flow View, select the FX or Amp Block that you want assigned to one of your footswitches. As an example, we’ll select the Delay FX Block. Then Press and hold the ENTER button to display the Footswitch Assign screen.
Features & Functionality Use Multi-function Knob 1 to select the footswitch to which you want this FX Block assigned - choose FS1 through FS8, the EXP Toe Switch, or None to remove the Block’s assignment. The following behaviors apply: 3•12 • If a footswitch already has an FX or Amp block assigned: The existing Block remains assigned, and selecting this footswitch additionally assigns your new Block.
Features & Functionality Using the EXP Pedal Toe Switch As noted in “Expression Pedal & Variax® Knob Controller Assignment” on page 3•7, when adding a Wah or Volume/Pan Model to your tone, their Position parameters are automatically assigned to the EXP 1 and EXP 2 Pedal Modes. Most Factory Presets already include this Wah/Volume switching pre-configured for you. But the Toe Switch assignment is not set automatically for newly added FX Models, so here is how to set this up manually.
Features & Functionality • In the Signal Flow View, select the Volume FX block and toggle it “Off” using the ENTER button. You should now see the Wah “On” and the Volume “Off.” Wah in “On” Volume is “Off” 3•14 • Repeat the previous Footswitch Assign steps for both the Wah and the Volume, assigning each to the EXP TOE SWITCH.
Features & Functionality In the above example, trying to change the Model for a 2nd Amp placed our tone over the DSP limit. Therefore, the DSP LIMIT REACHED message is shown temporarily, and the Amp B Model we selected is automatically bypassed, as indicated by the DSP Over message. When the DSP Limit is reached, you have a few options to free up DSP resources. • Try using different Amp Models. Some of the HD Amp Models require more DSP power than others, so try switching to a different Amp Model.
Working with Presets Set Lists & Presets This chapter covers all you need to know about working with Set Lists and Presets to manage all your POD® HD500 Tones. Be sure to also check out the free Line 6 POD HD500 Edit software. It can be used to create, customize & manage an unlimited library of POD HD500 Set Lists & Presets right on your Mac® or Windows® computer! See “POD HD500 Edit Software” on page 1•5. Working with Set Lists POD HD500 stores 64 Presets within each of its 8 Set Lists.
Working with Presets Rename a Set List: With the desired Set List selected, press the SAVE button to display the Rename Set List screen. SAVE P R E S E TS HOLD FOR SYSTEM & I/O VIEW 4•2 To edit the Set List name, use Multi-function Knob 3 to select the desired character, then use Knob 4 to edit the character. Once complete, press SAVE again to commit your new name, and you’ll be returned to the Set Lists screen.
Working with Presets Load a Preset: Use the Nav. Disc buttons, or turn the PRESETS knob to select any of the 64 locations, or use the Nav. Disc buttons to navigate through the list one Bank at a time. Press the ENTER button to immediately load the selected location’s Preset. Move a Preset: Here is an example where we’ll move the “HIWAY 100” Preset from location 2A to location 2C. ENTER • Select location 2A for the “HIWAY 100” Preset, then press the MOVE button.
Working with Presets • Repeat the above steps to rearrange any additional Presets as desired. To commit all your changes, you must next press the PRESETS button - you’ll see the “Saving” screen displayed to indicate this process. 4•4 The Set List Saving screen Working with Presets Each of the 8 Set Lists within POD HD500 includes 64 Channel locations for holding Presets. These Set Lists and Presets are all retained in your POD HD500 internal memory.
Working with Presets Bank & Channel Footswitches SAVE ENTER AMP & FX ON / OFF Preset selection is completely “hands-free” by way of the Bank Up , Bank Down and Channel A, B, C, D (FS5 - FS8) Footswitches. Note that you’ll need to set the System - FS Mode setting to “ABCD” to allow FS5 - FS8 to instantly access the Channel locations see “Page 1, Setup:Utilities Options” on page 2•2.
Working with Presets Saving Presets To retain any customization you may have performed on your Preset, or if you want to rename or move the current Preset, you can use the Save function. Whenever your current Preset is in an “unsaved” state, you’ll see an asterisk appear in the Signal Flow View.
Working with Presets • Cursor & Character (Knobs 3 & 4): To rename your Preset, select a character with Knob 3, then use Knob 4 to edit the selected character. TIP! For speedy preset naming... The Nav Disc buttons may be used to move the cursor left & right. Pressing down clears the currently selected character. Pressing up cycles through the first character of Upper Case, Lower Case, Numeric, and blank. Once you’ve completed the above settings, press the SAVE button to commit.
FX Edit Mode FX Edit Mode Within this chapter, we’ll cover the Edit Mode for FX, which provides access to all editable parameters for the FX models and the FX Loop. (For info on Amp Models, see “Editing Amp Parameters” on page 6•7.) All changes made in the Edit Mode are saved per Preset. Accessing FX Edit Mode First press the VIEW button to display the Signal Flow View screen. SAVE P R E S E TS HOLD FOR SYSTEM & I/O VIEW The Signal Flow View - Modulation FX Block selected Use the Nav.
FX Edit Mode Use the Multi-Function Knobs 1- 4 to access the respectively numbered options at the bottom of the Edit Mode screen. The Multi-Function Knobs While the Edit Mode screen is displayed, these knobs access the following functions. Knob 1 - Type 5•2 Select the type of FX Model you want to insert into this Block location. You’ll see the selected Type displayed at the top of the screen, as well as a handy Model On/Off indicator at the right.
FX Edit Mode Knob 4 - Value Set the value for the selected parameter. 5•3 As shown above, some parameters utilize numerical values, while others utilize a graphical bar display. FX Loop The FX Loop can be inserted into any one FX Block. .
FX Edit Mode Adjust the Parameter & Value settings the same as with any FX Model. These FX Loop Edit Mode settings are saved per Preset. • Send: Reduces the level fed out the FX Loop SEND to your external devices. Note: Use the LINE-STOMP switch on the back of POD HD500 to choose between levels for Rack FX versus Pedals. This Send parameter can then be used to further fine-tune the level fed to your connected devices.
Amp, Cab & Mic Models Amp, Cab & Mic Models This chapter provides details on selecting & editing the exemplary HD Guitar Amp & Preamp Models, all of which have been newly developed by our amazing team of sound engineers for POD® HD500! Also covered here are details on Speaker Cabs, Mic Models and putting Amp Models to use. Amp Model Positioning Each Preset includes the ability to run one or two Amp or Preamp Models.
Amp, Cab & Mic Models • Each Amp Block can be individually set to a different Amp or Preamp Model,* edited and enabled/disabled. *Note: Some Amp/Preamp Models utilize more DSP than others. You may find it necessary to bypass or remove some FX Models to enable two simultaneous Amps - see “Dynamic DSP” on page 3•14 for more info. • The Amp Blocks cannot be moved within the A or B Paths, however, it is possible to move any FX Blocks before or after the Amps within either Path.
Amp, Cab & Mic Models Note that when utilizing both Inputs 1 & 2 (or when using “SAME” for either of these Input options) the two Input signals are combined to allow them to be fed into any Amp or mono FX Model within the Pre position, which can result in a hot signal level. Reduce your instruments’ volume as needed to avoid overloading your Pre-positioned Models.
Amp, Cab & Mic Models Once an Amp Model is selected, you’ll see the 4 editable Amp options at the bottom of the screen, accessible via the Multi-function knobs 1 - 4. • Knob 1 - Selects the Amp Model. • Knob 2 - Selects the Cab Model. • Knob 3 - Selects the Mic Model. • Knob 4 - When the current Preset includes two Amp models, this selects which Amp (the Amp within Path A or B) is controlled by the Amp Tone knobs.
Amp, Cab & Mic Models *Note that, whether an Amp or Preamp is selected, the additional application of Cab and Mic Models is dependent upon the SETUP:OUTPUT settings. Please see “Page 4, Setup: Output Options” on page 2•8. The overall volume levels among the different Preamp Models varies - this is normal.
Amp, Cab & Mic Models Mic Models To follow is a list of all Mic Models. Note that all Guitar Amp’s Cabs offer a selection of 8 Mics, and the 1x15 Flip Top Bass Cab offers its own selection of 8 Mic Models. Mic Model Descriptions Mic Name Based On...
Amp, Cab & Mic Models Editing Amp Parameters To toggle the selected Amp model On or Off ENTER AMP & FX ON / OFF Press the ENTER - AMP ON/OFF button once. Toggling the Amp “Off” results in bypassing the Amp, Cab and Mic processing. DBL PRESS TO ASSIGN CTL MOVE To adjust the Amp Tone Turn any of the Amp Tone knobs to adjust the desired settings for the selected Amp.
Amp, Cab & Mic Models Amp Edit - Page 1 ENTER AMP & FX ON / OFF DBL PRESS TO ASSIGN CTL MOVE Page 1 of the Amp:Edit Screen - both Amps are On 6•8 • With both Amp Models On: You’ll see the screen’s respective controls update as you adjust the Amp Tone knobs, as shown above. Note that the black “dots” around each knob indicate its last-saved value. You can also still access the Amp, Cab & Mic Model and Amp A/B selections via the Multi-function Knobs 1-4 while this screen is displayed.
Amp, Cab & Mic Models Note that the VOLUME knob does not control the level at all for a “Null” Amp Block. • Use the Multi-Function knobs 1 - 4 to adjust the options at the bottom of the screen: • • • • Knob 1: Select the desired Amp or Preamp Model. Knob 2: Select the desired Cab Model (also see the Page 4 options). Knob 3: Select the desired Mic Model (also see the Page 4 options). Knob 4: Choose between adjusting controls for Amp A or Amp B. (This option is available on all AMP EDIT screens.
Amp, Cab & Mic Models Amp Edit - Page 3 Page 3 offers two more options that affect the power amp characteristics. Page 3 of the Amp:Edit Screen (not displayed for Preamp Models) • Knob 1: Changes the Bias of the power tubes. Set to minimum to achieve a very “cold” Class AB biasing. At maximum the amp is operating in Class A. 6•10 • Knob 2: The Bias Excursion determines how the power amp tubes’ voicing reacts when they are pushed hard. Set low for a tighter feel. Set high for more tube compression.
Amp, Cab & Mic Models Note: If you selected “No Cab” for your Cab Model, these Mic and Early Reflections settings will perform no function since no Speaker, Mic or Early Reflections processing is applied. • Knob 1: Sets the amount of “early reflections.” Higher values add more reflective room sound to your Amp tone. • Knob 2: Applies low frequency attenuation - helpful to tighten up the low end of your tone. • Knob 3: Selects the Mic type (see the Mic Model table on page 6•6).
Amp, Cab & Mic Models • Knob 3: Adjusts the Decay time of the modeled speaker resonance. This control provides the feel of a “tighter” speaker cone at lower values and a “looser” speaker at higher values. Note: The above three Cab parameters are interactive - As the Resonance Level is decreased so are the effects of the Thump and Decay parameters.
Amp, Cab & Mic Models POD HD Amp/Preamp Models Amp/Preamp Model Based On...* PhD Motorway Class A-15 Class A-30 TB Brit J-45 Normal Brit J-45 Bright Plexi Lead 100 Normal Plexi Lead 100 Bright Brit P-75 Normal Brit P-75 Bright Brit J-800 Bomber Uber Treadplate Angel F-Ball Line 6 Elektrik Flip Top Dr.
• Divide 9/15: The Divided by 13 amp offers two interactive channels. The DRIVE knob controls the “clean” channel, and the BASS knob is being used as the Drive knob for the “dirty” channel. The MID & TREBLE knobs behave like the amp’s Tone & Cut knobs. Divide 9/15 Amp:Edit screen • Class A-15 & Class A-30TB: Following the Vox® design, we’ve labeled the MID knob as “Cut” for these two Amp Models - turning the knob counter-clockwise reduces the high-end frequencies.
Cab Models To follow is a table showing the classic speaker cabinets upon which our Cab Models are based.* Cab Model No Cab 212 Blackface Double 412 Hiway 6x9 Super O 112 Field Coil 410 Tweed 112 BF ‘Lux 112 Celest 12-H 212 PhD Ported 112 Blue Bell 212 Silver Bell 412 Greenback 25 412 Blackback 30 412 Brit T-75 412 Uber 412 Tread V-30 412 XXL V-30 115 Flip Top POD HD Cab Models Based On...* Choosing this option applies no Speaker, Mic or Early Reflections processing to your Amp Model.
FX Models FX Models POD HD500® includes a plethora of amazing FX Models, primarily from the popular Line 6 M13 Stompbox Modeler! This chapter provides Reference Tables showing all POD HD500 FX Models by category, as well as details on their parameters. FX Model parameters are all accessible within the Edit Mode. Please see “FX Edit Mode” on page 5•1 for details on Edit Mode features.
FX Models Distortion Models 7•2 Distortion Model - Parameter Reference Table Model Parameters Tube Drive Drive Bass Mid Treble Screamer Drive Bass Tone Treble Overdrive Drive Bass Mid Treble Classic Dist Drive Bass Filter Treble Heavy Dist Drive Bass Mid Treble Color Drive Drive Bass Mid Treble Buzz Saw Drive Bass Mid Treble Facial Fuzz Drive Bass Mid Treble Jumbo Fuzz Drive Bass Mid Treble Fuzz Pi Drive Bass Mid Treble Jet Fuzz Drive Fdbk Tone Speed Line 6 Drive Drive Bass Mid Treble Line 6 Distortion D
FX Models Modulation Models Modulation Models - Parameter Reference Table Model Parameters Pattern Tremolo Speed Step 1 Step 2 Step 3 Panner Speed Depth Shape VolSens Bias Tremolo Speed Level Shape VolSens Opto Tremolo Speed Level Shape VolSens Script Phase Speed ---Panned Phaser Speed Depth Pan Pan Spd Barberpole Phaser Speed -Fdbk Mode Dual Phaser Speed Depth Fdbk LFO Shp U-Vibe Speed Depth Fdbk VolSens Phaser Speed Depth Fdbk Stages Pitch Vibrato Speed Depth Rise VolSens Dimension Sw1 Sw2 Sw3 Sw4 Analog
FX Models Common Parameters The following parameters are common to most Modulation FX Models. • Speed: Adjusts the modulation/oscillation/tremolo speed for the effect, with higher settings providing faster rates. Note that the Speed can be adjusted to a Hz value or Note Division: • Choosing a Hz value provides a specific modulation speed in cycles per second. • Choosing a Note Division value provides a time that is based on the current Tap Tempo (see “Tap Tempo” on page 1•4).
FX Models Filter Models Model Voice Box V-Tron Q Filter Vocoder Seeker Obi Wah Tron Up Tron Down Throbber Slow Filter Spin Cycle Comet Trails Octisynth Synth O Matic Attack Synth Synth String Growler Filter Models - Parameter Reference Table Parameters Speed Start End Auto Start End Speed Mode Freq Q Gain Type Mic Input -Decay Speed Freq Q Steps Speed Freq Q Type Freq Q Range Type Freq Q Range Type Speed Freq Q Wave Freq Q Speed Mode Speed Freq Q VolSens Speed Freq Q Gain Speed Freq Q Depth Freq Q Wave Pi
FX Models • Mix: Sets the balance of the “Dry” and “Wet” signals. At 0% no effect is added to your signal; at 100% you will hear the effected signal only. For most Filter FX, try the 100% setting to achieve the full weirdness factor.
FX Models Pitch Glide This effect is best used by assigning your POD® HD500 pedal to the Pitch parameter to “wham” out some wild pitch-bending effects! • Pitch: Manually lets you select the Pitch. For best results you’ll want to set your heel and toe values using your POD HD500 pedal!* • Mix: Controls the balance of wet & dry signals.
FX Models Select a Scale, Key and Shift value and our DSP algorithms will do the rest, producing a perfect harmony note along with your guitar riffs. The available parameters are: • Key: Select the Key you’ll be playing in. • Shift: Determines the interval value for the desired harmony note. • Scale: Select the Scale you’d like to use (see the following instructions and table). • Mix: Sets the balance or your dry signal + harmony notes.
FX Models Preamp+EQ Models Model Graphic EQ Parametric EQ Studio EQ 4 Band Shift EQ Mid Focus EQ Vintage Pre Preamp+EQ Models - Parameter Reference Table Parameters 80Hz 220Hz 480Hz 1.1kHz Lows Highs Freq Q Low Freq Low Gain Hi Freq Hi Gain Low Low Mid Hi Mid Hi Hi Pass Freq Hi Pass Q Low Pass Freq Low Pass Q Gain Output Phase Hi Pass Filter 2.2kHz Gain Gain Shift Gain Lo Pass Filter Common Parameters The following parameters are common to EQ Models.
FX Models • Gain: Dial in the amount of input gain - higher levels will add some tube distortion. • Output: Determines the final output level, capable of a significant signal boost. • Phase: Choose 0 for normal, or 180 to reverse the phase. (It can sometimes be necessary to reverse the phase of one mic’ed signal when combined with another, to correct for a resulting “hollow,” out-of-phase sound.) • HPF: A High Pass Filter to reduce bass frequencies.
FX Models Common Parameters The following parameters are common to most Delay FX Models. • Time: Adjusts the delay/repeat time, with higher settings providing longer delays. Time can be adjusted to a MS value or Note Division: • Choosing a MS value provides a specific time in milliseconds. • Choosing a Note Division value provides a time that is based on the current Tap Tempo (see “Tap Tempo” on page 1•4). • Fdbk (Feedback): Sets the number of delayed repeats. • Depth: Some delays include modulation.
FX Models Common Parameters The following parameters are common to all Reverb Models, with the exception of the Particle Verb Model, which we’ve described separately. • Decay: Sets the length of time the reverb effect sustains. • Predelay: Configures the time before the reverb effect is heard. • Tone: Adjusts the overall Tone of the wet reverb signal. Higher settings provide a brighter, more reflective reverb quality.
FX Models Volume/Pan & Wah Models The Volume/Pan and Wah sets of Models are all just waiting to be put to use with your POD HD500 pedal! To follow is info on the FX parameters & some tips on using them. When you add any Volume or Wah model to your tone, they are automatically assigned to be controlled with your POD HD500 Expression Pedal! Please see “Expression Pedal & Variax® Knob Controller Assignment” on page 3•7 for more information.
FX Models Pan • Pan: Adjusts the signal balance sent to the let and right stereo channels. 0% sends full left, 50% sends equally left & right, and 100% sends full right. The audible effect heard when using the Pan can differ quite a bit depending on the position in your signal chain and what types of FX follow it. Here are a few examples: Before Path A & B split 7•14 Pan positioned before Path A & B split When placed here, your guitar signal is panned left to Path A and right to Path B.
FX Models After Path A & B Mixer Pan positioned after Path A & B Mixer In this position, the stereo left & right signals fed into the Pan is determined by your Mixer Pan settings. The Pan effect then pans these signal to the left and right main outputs. Obviously, you’ll only benefit from using the Pan in this post-Mixer position when utilizing both the left and right outputs from POD HD500.
FX Models Wah Models Wah Models - Parameter Reference Table Model Parameters Fassel Position Mix Conductor Position Mix Throaty Position Mix Colorful Position Mix Vetta Wah Position Mix Chrome Position Mix Chrome Custom Position Mix Weeper Position Mix Common Parameters Each Wah offers the following two parameters: 7•16 • Position: This controls the “sweep” of the Wah.
Using the Looper Looper Mode SAVE P RE SE TS The Looper in POD® HD500 offers you up to 48 seconds of mono recording time (in Half-Speed Mode) or 24 seconds recording time (in Normal Mode), as well as the ability to undo, record overdubs, playback Loops at half speed, in reverse, and more! ENTER AMP & FX ON / OFF Looper Footswitch Controls & Performance View HOLD FOR SYSTEM & I/O VIEW DBL PRESS TO ASSIGN CTL MOVE When you engage the Looper mode, the POD HD500 footswitches control the Looper according
Using the Looper To follow are descriptions for each of the footswitch functions and Performance View while Looper mode is active. LOOPER - Toggles Looper Mode On/Off. When this switch’s LED is lit, the POD HD500 Looper Mode is active. The Performance View screen will display the Looper functions when the Looper is active, as shown above. UNDO - Use the FS1 switch to “undo” the last recorded overdub.
Using the Looper • When the Looper is set to POST, the Pre/Post icon appears as “PRE,” to indicate that pressing the PRE/POST footswitch will set the Looper to PRE. Note: If you record your Loop in POST mode and then switch to PRE for Loop playback, this results in the current Amp+FX to be applied to the Loop playback (where the Loop was already recorded with Amp+FX applied).
Using the Looper PLAY/STOP - Press the FS6 switch to toggle Play/Stop for your recorded Loop. If you are actively recording a Loop, press this switch to stop recording set your Loop “out” point. The FS6 switch remains lit whenever playback is active. • While playback is active, the Play/Stop icon appears as “STOP.” 1/2 SPEED - Press the FS7 switch to toggle the 1/2 Speed feature On/Off. The FS7 switch remains lit whenever 1/2 Speed is active.
Using the Looper Looper Settings Press the VIEW button to display the Signal Flow View screen and select the Looper to access several additional settings. The Signal Flow View screen, Looper options • 1 Playback - Use Multi-function Knob 1 to adjust the Looper playback volume. You may find it useful to turn this down a bit so that your live guitar can be slightly louder. • 2 Overdub - Use Multi-function Knob 2 to adjust the level at which all Overdubs are recorded.
Using the Looper Specific behaviors apply, as follows: • Full Speed: When set to Full Speed before recording, the Looper provides up to 24 seconds max. recording time. • Playback of the recorded Loop at the Full Speed setting is heard just as recorded. • If you change the setting to 1/2 Speed, your recorded Loop is played back at half speed, as well as pitched one octave lower. • 1/2 Speed: When set to 1/2 Speed before recording, the Looper provides up to 48 seconds maximum recording time.
USB Audio USB Audio In this chapter, we’ll cover the USB audio capabilities of POD® HD500. With the installation of the Line 6 USB audio driver, you can use POD HD500 as a high quality audio interface for your Mac® or Windows® computer! The Line 6 USB Audio Driver Before you connect POD HD500 to your computer, it is recommended that you download and install the free Line 6 POD HD500 Edit software.
USB Audio Audio Routing When using the POD HD500 USB connection, the audio driver manages several tasks. The driver feeds the processed guitar signal out the USB Record Send to your computer and receives playback audio from the computer. It also grabs the processed guitar signal before routing it to the Record Send, to provide a low latency monitor signal, and then mixes the monitor signal with the playback audio and feeds this combined signal to your POD HD500 analog outputs.
USB Audio The POD HD500 Record Send As shown above, the Record Send is the virtual “pipeline” that carries your POD HDprocessed, 24-bit digital signal across the USB connection, making it available to your audio software as an input signal for recording. The POD HD500 Record Send appears as an available audio input/recording device within your audio software. Simply select this Send as the input for your audio track and you’ll be able to record your POD HD500 signal.
USB Audio Mac® - Line 6 Audio-MIDI Devices Launch the Line 6 Audio-MIDI Devices utility from within the Mac® System Preferences. This utility provides access to several driver options. Line 6 Audio-MIDI Settings - Driver Options (Mac®) 2 1 3 4 5 6 7 9•4 The Line 6 Audio-MIDI Settings window - Driver page 1 Device Selector: Select your POD HD500 here. If you have more than one supported Line 6 audio device connected, each will be selectable in this list.
USB Audio 6 Sample Rate Converter Active: You’ll see this indicator light up whenever the device is operating at a sample rate other than its native 48kHz rate. In addition to 48kHz, POD HD500 supports 44.1kHz, 88.2kHz and 96kHz rates by utilizing an internal sample rate converter. Please check your specific software’s documentation for details on configuring its audio sample rate. 7 USB Audio Streaming Buffer: Adjusts the buffer size for the audio responsiveness of the Input Monitoring signal.
USB Audio 9 Hardware Monitor Level: This slider independently controls the volume of your processed guitar tone output for monitoring (the signal fed to the device’s main outputs). It does not affect the level of the signal fed to your computer via the Record Send. This allows you to balance your guitar’s monitor level against the playback audio from your computer, such as when recording in DAW software.
USB Audio *Note: The Audio MIDI Setup utility window within Mac OS® X 10.6 and higher has a slightly different layout, but offers the same options and functionality as described here. A System Settings: • The Default Input and Default Output options allow you to choose the audio interface you want your Mac® audio applications to use by default. If you want this to be your Line 6 device, select it here.
USB Audio Windows® - Line 6 Audio-MIDI Devices The following settings are the same for Windows® XP, Windows Vista® or Windows® 7, unless otherwise noted. Launch the Line 6 Audio-MIDI Devices from within the Windows® Control Panel. On Windows® systems, POD HD500 offers both a DirectSound and ASIO® recording driver for maximum compatibility with audio & multimedia software applications.
USB Audio 4 Driver/Inputs & Recording Selector - Choose between displaying the two tabs of the Driver Options window. (Also see “Inputs & Recording Page” on page 9•12.) 5 Driver Operation (Windows® XP only) - These options are only applicable for when an application utilizes the POD HD500 device via the Windows® DirectSound® driver. They will be non-selectable when in use via the ASIO® driver.
USB Audio 5 Driver Operation (Windows Vista® & Windows® 7) On Windows® Vista & Windows® 7 you will see a Sound Control Panel button - click this to launch the Windows® Sound panel. Within the Sound panel’s Playback and Recording tabs you can designate POD HD500 as the “Default” audio device if you want all your Windows® multimedia programs to utilize it as their sound card device.
USB Audio The Window Vista/7 Control Panel>Sounds>Properties - Advanced tab 6 ASIO® Driver Settings • ASIO® Client: If you are running audio software that is using POD HD500 as its ASIO® audio device, the name of the software will appear here. • Buffer Size: The ASIO® buffer size in use, which will affect the “responsiveness” and “latency” of the DAW software. The lower the setting, the faster the response, but with the trade-off of higher processor usage and the risk of audio dropouts.
USB Audio Inputs & Recording Page 9 10 11 The Line 6 Audio MIDI Devices - Inputs & Recording tab 9 Record Sends List: Displayed here are the Record Sends for the current Line 6 device that will be available to your audio software. For POD HD500 you’ll see the one, stereo “1-2 Main Out” Record Send. 9•12 10 Hardware Monitor Level: This slider independently controls the volume of your processed Source Input tone output for monitoring (the signal fed to the device’s main outputs).
Appendix A: Line 6 Monkey Appendix A: Line 6 Monkey™ Line 6 Monkey™ is the free, intelligent updater software that can be used to keep your POD® HD500, as well as related Line 6 products, up to date. Line 6 Monkey is installed automatically on your Mac® or Windows® computer along with the POD HD500 USB device drivers. If you have not yet installed the USB device drivers, you’ll need to do so now to utilize POD HD500 with your computer - please see “USB Audio” on page 9•1.
Appendix A : Line 6 Monkey Register Your Hardware A•2 If you have not already done so, you’ll be prompted to Register your connected Line 6 hardware. It’s a painless process really, so click that Register button now. Grab Those Updates If you see any items where a newer version is available, then you should click on that item and let the little Monkey fellow walk you through the installation steps.
Appendix A: Line 6 Monkey As an example, the above screenshot shows Monkey has detected that a newer Firmware Flash Memory version is available than is currently installed in our device. In this scenario you can select the Flash Memory item and click Update Selection. Be sure to read the prompts carefully and Monkey will assist you in performing the update in minutes.
Appendix B: MIDI Appendix B: MIDI This Appendix covers the MIDI features available for your POD® HD500 device. POD HD500 will respond to incoming MIDI messages for remote access of its assignable Footswitch & Pedal Controllers, and for loading Banks & Presets. POD HD500 also outputs Bank & Program Change messages when navigating Set Lists and Presets.
Appendix B: MIDI Controlling POD HD500 Functions via MIDI POD HD500 Footswitch & Pedal assignments, Looper functions and more can be can controlled remotely via a MIDI Controller device connected to the POD HD500 MIDI IN port. The following reference table shows the necessary MIDI CC settings to configure your MIDI Controller device to access these POD functions.
Appendix B: MIDI POD HD500 - MIDI Control Reference MIDI CC # Value Function Additional Controls 064 64-127 = Tap Tap Tempo - Enter Tap Tempo 069 0-63 = Off 64-127 = On Tuner Mode On/Off Bank & Program Change Messages POD HD500 will respond to incoming MIDI Bank & Program Change messages as follows. • Load Set List: From your MIDI controller device, send a Bank Change CC0 (Bank MSB), CC32 (LSB) message with a value of 0 (for Setlist 1), 1 (for Setlist 2), etc.
Appendix B: MIDI The following describes the automatic MIDI messages sent when these POD HD500 controls are accessed when using specific gestures. SAVE B•4 P R E S E TS HOLD FOR SYSTEM & I/O VIEW PRESETS Knob ENTER AMP & FX ON / OFF ENTER Button 4-Way Nav.
Appendix B: MIDI Using POD HD500 as a MIDI Controller Device You can configure any number of your POD HD500 Presets to include customized MIDI Control assignments for most footswitches and Pedal controls.
Appendix B: MIDI FS1 with MIDI Assignment B•6 FS1 with no MIDI Assignment • MIDI Channel (Knob 1): Select the MIDI Channel on which the selected control will transmit its MIDI command. • None: Send no MIDI data. (Note that you won’t see Knob 2 - 4 options appear until you select an option other than “None.”) • 01 - 16: Choose the MIDI Channel on which to transmit the selected control’s messages.
Appendix B: MIDI • Bank #: When the Message Type is “Bank Change,” this allows the choice of fixed Bank Value of 000 to 127. Note that an additional Program Change #001 message is automatically sent as well, which typically results in selecting the first patch within the selected Bank on your receiving device.
Appendix B: MIDI Looper Mode Footswitch Behaviors When POD HD500 is actively in Looper Mode, the Looper function footswitches automatically transmit the following MIDI CC messages. These are global MIDI CC assignments and cannot be edited. B•8 Note: These assignments are specifically the MIDI CC messages that POD HD500 and POD HD Pro devices respond to for these Looper Mode functions.
Appendix B: MIDI B•9
