*# 1 Model :- Thank you, and congratulations on your choice of a Hammond XK-1. In order to get the most out of this instrument for many years to come, first take the time to read this manual in full.
IMPORTANT SAFETY INSTRUCTIONS Read these instructions. Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. Keep these instructions. Only use attachments/accessories specified by the manufacturer. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with dry cloth. Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.
FOR UNITED KINGDOM: FOR YOUR SAFETY, PLEASE READ THE FOLLOWING TEXT CAREFULLY This appliance is supplied with a molded 3-pin mains plug for your safety and convenience. A 5 amp fuse is fitted in this plug. Should the fuse need to be replaced, please ensure that the replacement fuse has a rating of 5 amps and that it is approved by ASTA or BSI to BSI1362. Check for the ASTA mark or the BSI mark on the body of the fuse.
IMPORTANT - PLEASE READ Your Hammond XK-1 Drawbar Keyboard is designed to give you the true and authentic sound of Hammond Harmonic Drawbars, as well as provide you a large variety of features to allow great flexibility in how you want to use the keyboard. This Owner's Manual is designed to explain the operating features of your Hammond XK-1 as simply and graphically as possible.
BATTERY BACK UP Your XK-1 uses a battery-backed RAM to remember your changes to the Parameters. When the battery voltage becomes low, the Display will show: If you see these messages, you should immediately back up your parameter changes, if you have made any. If there is no battery installed in the unit, or if the battery is compeletely dead, the Display will show: After the above message is displayed, the XK-1 will re-initialize itself, and the factory default settings will be restored.
Table Of Contents IMPORTANT SAFETY INSTRUCTIONS .................................. 2 IMPORTANT - PLEASE READ ............................................... 4 BATTERY BACK UP .............................................................. 5 MAIN FEATURES ................................................................. 9 NAMES AND FUNCTIONS .................................................. 10 Front Panel ................................................................................... 10 End Block .......
SETTING THE PARAMETERS ....... 53 MIDI ................................................. 75 DRAWBAR ......................................................................... 54 MIDI .................................................................................. 76 Setting the Manual (LOWER and UPPER) ................................................. 54 Setting the PEDAL .................................................................................... 55 What is “MIDI”? .........................
*# 1 :- Owner’s Manual
MAIN FEATURES 9 ACCURATELY REPRODUCES THE TONE-WHEEL SOUND. Your new XK-1 contains (96) independent oscillating digital tone-wheels and accurately reproduces the sound of the Vintage B-3. In addition, this keyboard has full polyphony. DIGITAL LESLIE / VIBRATO EFFECTS. The XK-1 keyboard is equipped with a DSP effect generator to simulate the Scanner-Vibrato and Leslie Speaker.
NAMES AND FUNCTIONS 10 Front Panel 1 3 5 2 4 6 UPPER LEFT 1. MASTER VOLUME Knob CONTROL Button 11. THIRD Button Adds 2 2/3' Percussion (Decay sound) to UPPER part. TONE Knob 12. FAST Button Changes Decay time of Percussion. TONE TYPE Button 13. SOFT Button Assigns the function of TONE CONTROL (3). 5. OVERDRIVE Knob Controls the distortion of the Upper and Lower part. 6. O.D. ON Button Switches the overdrive effect On / Off. DRAWBAR SELECT 7. UPPER Button 8. PEDAL Button 9.
14 18 16 22 26 23 24 25 19 20 15 21 17 CONTROL PANEL 14. DISPLAY Displays various information. 15. VALUE Knob Adjusts the value of selected parameter. 16. BANK Button Selects the BANK of the Combination Presets. To select the bank, Touch a Combination Preset button while holding the BANK button. 17. REC/JUMP Button UPPER RIGHT 24. MANUAL BASS Button Allows Pedal sound to be played from the lowest notes on the manual keyboard. 25.
End Block 27 28 29 30 31 32 DRAWBARS 27. DRAWBARS Controls harmonics of part that is selected by DRAWBAR SELECT (7 - 9). The setting of the Drawbars is called a “Registration”. WHEEL 28. PITCH BEND Wheel Slides the pitch up or down. The pitch goes up when moved up, and goes down when moved down. 29. MODULATION Wheel On this keyboard, this is used mainly to send MIDI information to connected MIDI equipment, to add effect to Extra Voice. VIBRATO/CHORUS 30. V1/C1 Button 31.
Rear Panel 42 40 39 41 POWER SUPPLY 37. AC Inlet Connects the A.C. Power Cable. 38 37 42. LESLIE 8PIN Jack This is for connecting the Leslie 21 System Speaker. Read “CONNECTING THE LESLIE SPEAKER” for more details. 38. POWER Switch This switches on and off the keyboard. SOUND OUTPUT TERMINAL 39. LINE OUT L/MONO Jack If your amplifier has only a single (1) female 1/4" audio input connector (MONO input), use this Jack. 40. LINE OUT R Jack This is the Right channel output of the XK-1.
45 44 43 MIDI TERMINAL 47 CONTROLLER TERMINAL 43. MIDI OUT Jack 46. FOOT SWITCH Jack Sends out the performance information of this keyboard. 44. MIDI IN 1(PEDAL) Jack This is the MIDI IN Terminal used mainly for the Pedal Keyboard. [The factory setting] The MIDI information received by channel. You can set that through this terminal functions as PEDAL, regardless of the channel. 45. MIDI IN 2(LOWER) Jack This is the MIDI IN Terminal used mainly for the Lower Keyboard.
HOOK-UP *# 1 :- Owner’s Manual
BASIC HOOK-UP 16 See the figure below for connection. Amplifiers or speakers are not mounted in this keyboard. You must connect an external amplifiers and speakers (or Powerd Speaker) in order to hear the keyboard sounds. You can also enjoy playing this keyboard by connecting Stereo Headphones to the Headphone Jack. Be sure to make the connection with the Power OFF on this keyboard and all connected equipment.
CONNECTING THE LESLIE SPEAKER 17 This keyboard is equipped with a 8-Pin Leslie Connector, so you can directly connect the Leslie 21 System Speaker. Make this connection with switch power OFF on the equipment. STANDARD HOOK-UP Connect the Leslie Speaker to the 8-Pin Jack on the keyboard, with the exclusive 8-Pin Leslie Cable (LC-8-7M - to be separately purchased - with the other Leslie Speaker accessories). Note: 8-Pin Jack is mouted. This keyboard can not use 11-pin Leslie speakers.
CONNECTING THE MIDI KEYBOARD 18 You can upgrade this keyboard to an organ by connecting an external MIDI Keyboard and pedal keyboard. MIDI Keyboard Expression Pedal V-20R 1. 2. 3. MIDI Pedal Keyboard Hook-up external MIDI keyboard and pedal keyboard per the figure above. Use the MIDI Template “Seq. Record” of this keyboard. (P. 84) To use Expression Pedal, set the parameter “EXPRESSION SOURCE” for the model of expression pedal that you have connected. (P.
TURN ON AND PLAY *# 1 :- Owner’s Manual
POWER ON 20 HOW TO POWER ON After connecting your XK-1 to the power outlet, please perform the following steps before switching on the power. To avoid possible damages to speakers, please do not change the order of the steps. STEPS TO TAKE 1. 2. Set the MASTER VOLUME Knob at 0 (minimum), before switching the power on. Switch on the POWER on the rear panel. “PLAY” Mode appears, following the TITLE, in the Display window.
LISTEN TO THE DEMONSTRATION PERFORMANCE 21 In your XK-1, the demonstration performance is built in for introducing the features and sound. STEPS 1 Touch and hold the [MANUAL BASS] and [SPLIT] Button for 2 seconds. The Display will be as shown step 2. NOTE: 2 You can locate this mode another way. Touch the [MENU] Button to display the MENU, touch the [PAGE] Button and select page E, and touch the [2]DEMO. Press the [PAGE] Button and select a desired song.
USING THE COMBINATION PRESETS 22 You can record various settings to the Preset Buttons mounted on the right-hand side of the XK-1. This is called “Combination Preset”. The Combination Preset consists of the “BANK” and the preset “NUMBER”, and Such as “1 - 3” appears for each setting on the Display. The first letter is Bank and the second is Number. The Preset data is recorded in the Banks 1 to 12 at the factory. Thus you can start playing immediately.
PLAY WITH THE CONTROLLERS 23 Your performance will be more expressive, if you play using the controllers. You will see on this page how to use the controllers generally used with the electronic musical instruments. (How to use the exclusive Hammond Organ controllers is shown on the next page.) PITCH BEND WHEEL This is used to slide the pitch up or down while playing. The frequency goes up when you move it back, and it goes down when you move it forward.
MAKING YOUR OWN SOUNDS 24 You will be able to freely produce your own sound by using the exclusive features of your HAMMOND ORGAN, such as Drawbars and Percussion sound, as well as Vibrato and the Leslie effects. The steps to take are as follows: TOUCH THE DRAWBAR SELECT [UPPER] Select the button [UPPER] of Drawbar Select. These buttons allows to control the drawbar resistration each Part by drawbars which mouted on left side of the keyboard. Light Note: What is “Part”? (P.
ADD EFFECTS VIBRATO/CHORUS “Vibrato and Chorus” slightly changes the Drawbar pitch at a certain ratio and add warmth to the sound. [V1/C1], [V2/C2] Button Controls the Vibrato Depth and Switches on and off the Vibrato effect. The LED turns on when it is ON. The Vibrato effect is OFF when the two LEDs are OFF and are at maximum Vibrato Depth when the two LEDs are ON (V3). [CHORUS] Button It mixes Vibrato and original sound (= Chorus Effect) and adds richness to the sound.
Divide the keyboard into two parts - left and right. [SPLIT] This keyboard has only a single manual. But you can change the setting and play it as it was a double keyboard organ, using this “SPLIT” function. [SPLIT] Button Switch on the LED by pressing the button, to “split” the manual. The factory “SPLIT” setting is to divide it between B2 and C3 in the center. NOTE: NOTE: Split Point or Octave can be moved. (P. 82) The Split function does not work, when the MIDI IN jack is used for “LOWER/PEDAL”.
STORING REGISTRATIONS IN COMBINATION PRESET All the afore-mentioned settings can be memorized to the Combination Preset. The data stored at the factory can also be freely re-written. EX. Memorize to “6 - 3”. 1 1. While pressing the [BANK] Button, touch the Preset Button [6]. This turn on Preset BANK 6. The LED on the Preset Button indicates BANK while the [BANK] Button is pressed. NOTE: Light The LED goes out if you release the button. This means the Preset NUMBER is not decided.
*# 1 :- Owner’s Manual
SETTING UP *# 1 :- Owner’s Manual
SOUND ENGINE STRUCTURE 30 SYSTEM STRUCTURE OF XK-1 KEYBOARD *# 1 :- Owner’s Manual
To fully enjoy playing this keyboard, please read the following section of this manual. See the illustrated System Structure of your keyboard on the left page. TONE-WHEELS The sound source or “engine” of Hammond Organ is the Tone-wheels. They are like the strings and pick-ups on the electric guitar. While running, each of the 96 digital Tone-wheels keeps oscillating at a different pitch/frequency. KEYS Each of the sound signals made by the 96 ditgital Tone-wheels is switched at each key.
DRAWBARS™ 32 The 9 Drawbars on this keyboard are used to make the basic sounds. Each Drawbar is marked with the numbers 1 - 8. If you push back the Drawbar until you can not see any number at all, the sound of the Drawbar is not heard. If you pull it out to the fullest position THE SOUND LEVEL is maximum. Except when the Preset Button is [ADJUST], the actual Drawbar Registration is the value displayed in the (display-)window. The “Drawbar Registraion” shows the length of the pulled-out Drawbar(s).
WHITE DRAWBARS In each Drawbar set, the white Drawbar (8') on the left end makes the basic/fundamental sound. The other white Drawbars get higher by the octave to the right. BLACK DRAWBARS The sounds of the black Drawbars, too, play important roles in building rich tones. Their pitches are fifth and third to the fundamental. They contain the elements of all different harmonics of such as the sweet and soft horn, mellow strings and so on.
DRAWBAR REGISTRATION PATTERNS The Drawbar Registration is matched by the number value of each Drawbar as shown below on right side of Drawbar settings name. However, it is rather reasonable to remember the typical combinations of the 9 Drawbars by their forms/shapes.
Diapason family (check mark pattern) Accomp.
DRAWBAR SELECT 36 ASSIGN THE DRAWBARS FOR EACH PART Touch On this keyboard, there are 3 Parts: UPPER, LOWER and PEDAL, and each of them has the corresponding Drawbars. The manual on the keyboard is usually assigned to the UPPER position. If you want to play the LOWER or PEDAL Part, use the Split or Manual Bass functions, or connect a MIDI keyboard and assign each part. There is one set of Drawbars on this keyboard, though this keyboard has 3 Parts.
PERCUSSION 37 The Percussion attack sound is a Hammond exclusive. Percussion is usually used with the Drawbar sound. [SECOND] BUTTON The second harmonic, or 4' Drawbar decay, is added to the UPPER Part. To use this, press the [SECOND] button , and the LED will light. [THIRD] BUTTON The third harmonic, or 2 2/3' Drawbar decay, is added to the UPPER Part. By mixing it with the Drawbars, a distinotive sound is obtained. To use this, press the [THIRD] button , and the LED will light.
VIBRATO/CHORUS 38 VIBRATO adds warmth to the tone, by slightly changing the Drawbar pitch at a certain speed. You can also add richness to the sound by mixing the Vibrato sound with the fundamental (= Chorus Effect). [V1/C1], [V2/C2] BUTTON BUTTONS AND STATUS This switches ON/OFF Vibrato/Chorus Effects and sets the its depth. It affects on the UPPER and LOWER Part. To get this effect, touch the button and the LED will light.
OVERDRIVE 39 The Overdrive produces the distorted sound like that of an over-driven amplifier. By changing the amount of the Drive, various Tube Sounds are obtained, from the unclipped clean to the hard-distorted fuzzy, raspy Overdrive sound. [O.D. ON] BUTTON This button switches on/off the Overdrive Effect. Press this button to switch on the LED, and get the Overdrive Effct. [OVERDRIVE] KNOB This is for adjusting the distortion value of the Overdrive Effect.
LESLIE 40 LESLIE EFFECT is the simulated sound of rotating speakers. If you connect the real Leslie speakers to this keyboard, it controls those (speakers) [ON] BUTTON If you touch this button, the LED will light, and the rotor starts turning. Also the voice is heard thru the rotary channel. [FAST] BUTTON BUTTONS AND LESLIE STATES This switches the speed of the rotor in two steps. It switches every time you touch it. When the LED is ON, it is FAST, and when the LED is off, it is SLOW.
EQUALIZER & REVERB 41 The Equalizer and the Reverb effects give the final touch to the tone. The Equalizer regulates the tone, and the Reverb adds the resonance of the hall performance. You can control these functions with the panel buttons and knobs EQUALIZER [TONE] KNOB Can be setup to control any one of the three tone types. When delivered from the factory, TREBLE is assigned, and, as you turn it to the right, the treble is emphasized, and, to the left, the trebel is reduced.
COMBINATION PRESETS 42 The settings you have made can be recorded into the Combination Presets. BANK AND NUMBER Combination Presets 1 2 3 4 5 Number 6 7 8 9 10 11 Ad Adjust Bank 1 2 3 4 5 6 7 8 9 10 11 12 The combination preset chart to the left, shows the [BANK] and the [NUMBER], information. Access is made by the Preset Buttons. To select the [BANK], press the key, holding down the [BANK] button. To select the [NUMBER], just press the Preset Button.
NAME THE COMBINATION PRESETS 1 Go to the MENU. Touch the [MENU/EXIT] button. The MENU mode will be displayed. 2 Go to PAGE A. If the PAGE A is not displayed, touch the [PAGE] button and go to PAGE A. 3 Go to the PRESET FUNCTION mode. Touch the [2] PRESET button and go to the PRESET FUNCTION mode. 4 Input THE NAME. You can store names up to 10 letters. [PARAMETER] Button: moves the cursor. [VALUE] Button: selects letters.
RECORD A NEW THE COMBINATION PRESET EXAMPLE: 1 Record into “6-3”. Go to the PLAY mode. If the display is not in PLAY mode, touch the [PLAY] button to back to the PLAY mode. This operation is not necessary, if the display is in PLAY mode. 2 Select the Bank. While holding down the [BANK] button, touch the Preset Button [6]. The LED on the Preset Key indicates the BANK while you are holding down the [BANK] button. Lights NOTE: Press and hold The LED will be OFF, if you release the button.
USING THE CONTROL PANEL *# 1 :- Owner’s Manual
OPERATION CONTROL PANEL 46 You now know you can control many settings by using the buttons and knobs on your keyboard. You can do even finer settings like the delicate speed of the Leslie Effect or the MIDI equipment, using the display buttons on the Control Panel. There are PLAY, MENU and FUNCTION modes in the display. The buttons and knobs in each mode is explained on the following pages.
PLAY MODE 47 The PLAY MODE is the basic display for all the operations. The necessary informations for the normal play will be displayed. There are two types of PLAY MODE screens to display the Drawbar Registration. One is by showing the length of the Drawbars and the other by digits. How to show this display: 1. 2. Immediately after powered ON and the start up process is complete, the PLAY mode is displayed. If a different mode is displayed, touch the [PLAY] button.
MENU MODE 48 The MENU mode is the path for each function. How to show this display: Touch the [MENU] button. There are several pages which contains many various FUNCTION displays. Move from page to page and find the item where you want to go and touch the numbered button to see the desired display. HOW TO READ THE DISPLAY FUNCTION ITEM (If none, blank.) PAGE BUTTON OPERATION IN THIS MENU Moves from a page to another.
FUNCTION MODE 49 The FUNCTION MODE is for making each setting and adjustment. There are many displays, but the basic operation is the same. HOW TO READ THE DISPLAY This shows there are PAGEs above (or below). PARAMETER This shows there is a PAGE on the right (or on the left). CURSOR PAGE NAME VALUE CURSOR (Flashing VALUE) In the display window of this keyboard, the CURSOR is displayed in the flashing style, while the most popular indicatorcursor used on the PC, the mobo, etc.
Example of operation: Adjusting the DECAY TIME of the Percussion [FAST] 1 Go to the MENU Mode. Touch the [MENU] button. The [MENU] mode is displayed. 2 Select the PAGE. Search for the PERCUS page, using the [PAGE] button. “PERCUS” is on PAGE B. So select PAGE [B]. 3 Touch the Number button. Touch the [4] button for “PERCUS”. Now you are on the (first page) of the Percussion Function display. 4 Move the CURSOR to the Parameter you want to change. DECAY TIME is on the “DECAY” PAGE.
5 Change the value. Decrease the value, using the [VALUE] button or the [VALUE] knob on the left. NOTE: 6 Repeat the operation 1 - 5, if you want to change other parameters, too. Back to PLAY mode. Touch the [PLAY] button to return to the PLAY mode. 7 Record a new Combination Preset. The “DECAY FAST” is a Preset Parameter. It will go back to the set value if you call out the other (or current) Combination Preset.
SHORT CUT TO THE FUNCTION MODE 52 Each button on the panel has a “SHORT-CUT” capability, so that you can easily go to each Function mode. By holding down the button, you can easily go to the desired mode display. The “SHORT-CUT” mode can save time by going directry to the parmeters you want to change. Example of operation: Move to the Percussion Function Mode.
SETTING THE PARAMETERS *# 1 :- Owner’s Manual
DRAWBAR 54 In this mode, you can set the Parameter relating to the Drawbar sound of each part. To locate the Drawbar mode: Touch the [MENU/EXIT] button and display MENU, touch the [PAGE] button and select PAGE A and choose [1] DRAWBAR. 9 13 14 10 11 2 4 12 5 15 6 7 8 1 3 Setting the Manual (LOWER and UPPER) 1. TONE-WHEEL SET TONE-WHEEL Select the TONE-WHEEL SET (waveform) for the manual part. B-type: Mellow: Brite: 2.
8. FOLD-BACK - HIGH This allows you to set which key the 1' Drawbar starts to FOLD-BACK (= repeat the same octave) in the upper-most range. The set range is 4G - 5C. NOTE: The FOLD-BACK can be set not only on the 1' but also 1 1/3', 1 3/5', 2' and 2 2/3' Drawbars. Setting the PEDAL 9. TONE-WHEELS This allows you to select the Tone-wheel waveform of the PEDAL. Normal: Muted: Synth1: Synth2: NOTE: The traditional B-3/C-3 Tone-wheel sound Analog sound represented by the X-5.
PRESET 56 In this mode, you can name the Combination Presets. To locate this mode: Touch the [MENU/EXIT] button and display MENU, then touch the [PAGE] button to select PAGE A and touch the [2] PRESET button. 2 3 4 5 6 7 1 8 6. PRESET NAME 1. NOTE: The parameters by the names with (P) on the tail are Preset Parameters, and are recorded to each Combination Preset. PRESET LOAD This allows you to set the operation when you depress the Preset Key.
EFFECTIVE USE OF LINK-LOWER/PEDAL This is the function to switch/record only from the connected MIDI equipment, and not to operate the Preset for LOWER and PEDAL on this keyboard. The Preset Keys on B-3/C-3 are independent, key by key, and so they were operated independently. This function simulates that. WHEN LINK LOWER/PEDAL IS ON: When you recall the Combination Preset by the Preset Key, the content of all UPPER/LOWER and PEDAL will change.
CONTROL 58 In this mode, you can do the setting relating to each controller. You may change the roles of several knobs and switches mounted on this keyboard. Also, on the rear panel are two terminals for connecting the Foot-switch and the Expression Pedal. You must choose either of them in this 18 mode. To locate this mode: 1. 2. Touch the [MENU/EXIT] button and display the MENU and select PAGE A by the [PAGE] button, and then touch the [4] CONTROL button.
When the value of this parameter is “OF”, the pitch goes down and the sound gradually fades out. MODULATION 8. MODULATION - LESLIE (P) Assigns the Modulation Wheel to Leslie Speed Function. ON: If you push back and pull foward the Modulation Wheel, the speed of Leslie effect changes fast to slow continuously. OF: Does not function. BRAKE ON MODULATION If you want to “Brake” the Leslie effect by pull forward the modulation wheel, set the Slow Speed to “0” on Leslie Parameter (P. 66). EXPRESSION 9.
18 19 17 15 16 9 10 11 12 13 14 10 8 1 2 3 4 5 6 7 FOOT SWITCH 15. FOOT-SWITCH - TIP (G) This is for setting the function for the Foot Switch 1 terminal. If you are using the Foot Switch with the stereo plug, this sets the function on the tip side. OFF: Does not work. LESLIE S/F ALT: LESLIE S/F MOM: These are for switching SLOW/FAST of the Leslie Effect.
EXTRA VOICE / REVERB 17. EXTRA VOICE / REVERB (G) This is for setting the function for the [EXTRA VOICE / REVERB] BUTTON. EXVOICE: REVERB: PEDAL SUS: EX. ZONE: LOWER OCT: LES. BRAKE: LES. ON: LES. FAST: LESONREV: Switches the Organ sound and Extra Voice. Switches On/Off the Reverb Effect. Switches On/Off Sustain of the PEDAL. Switches On/Off the External Zone transmission. Switches 0/+1 of the LOWER Octave. Means the [LESLIE BRAKE] Button. Means the [LESLIE ON] Button. Means the [LESLIE FAST] Button.
ADJUSTING THE EXPRESSION PEDAL When you use the expression pedal V-20R, we suggest you follow the adjust procedure as below. 1 2 Set to “0” Plug-in the Expression Pedal V-20R to the this keyboard, set the Minimum Volume to Zero. Step on the Expression Pedal to the toe side maximum. 3 Set the 9. Expression - Source to “PED (NORM)”. 4 Adjust the 14. Expression - Gain to the minimum value that the 10. Monitor displays “127”.
TUNE 63 In this mode, you can tune and transpose for playing in ensemble with the other instruments. To locate to this mode: Touch the [MENU/EXIT] button (MENU will displayed), select PAGE A by the [PAGE] button and touch the [3] TUNE button. 1 1. 2 TRANSPOSE You can transpose the entire keyboard in semi-tone increments. The setting range is -6 to +6. Transpose effects: between the manual keyboard and the built-in sound engine, and between MIDI IN and the built-in sound engine.
CUSTOM TONEWHEELS 64 In this mode, you can select and regulate each the Tone-Wheel Set for the Manual Keyboard. We call this “CUSTOM TONEWHEELS”. The typical 3 (or 4) types of settings are recorded when delivered from the factory. To locate this mode: Touch the [MENU/EXIT] button and display MENU, select PAGE B by the [PAGE] button, and then touch either [1] B-type, [2] Mellow, or [3] Brite button for the desired Tonewheel Set.
PERCUSS (PERCUSSion) 65 In this mode, you can set the parameter of the PERCUSSION sound. To locate this mode: 1. 2. Touch the [MENU/EXIT] button and display MENU, then select PAGE B by the [PAGE] button and touch [4] PERCUSS button. Or, hold down either [SECOND],[THIRD],[FAST],or [SOFT] button for a certain length of time. 8 9 5 1. LEVEL - SOFT 2. LEVEL - NORMAL These are for setting the Volume of Percussion.
LESLIE 66 In this mode, you can create your own setting for the built-in Leslie Effect. There are many parameters for the built-in Leslie Effect, and so you create various settings, but not per each Combination Preset independently. The parameters are treated by the group called "CABINET". You can select the CABINET NUMBER in the 16 Combination Presets. To locate this mode: 1. 2. Touch the [MENU/EXIT] button to display the MENU. Then select PAGE C by the [PAGE] button and touch [3] LESLIE.
5. HORN LEVEL 12. BASS LEVEL The Volume of each Rotor is set. The setting range is 0 to -12dB. 6. RISE TIME - HORN 13. RISE TIME - BASS Here the Time is set for the Rotor to reach the Fast Speed, when you go from Slow or Break to Fast. The setting range for the Horn Rotor is 0.2 - 5.0s, and that for the Bass Rotor is 0.5 - 12.5s. 7. FALL TIME - HORN 14. FALL TIME - BASS Here the Time is set for the Rotor to reach the Slow speed, when you go from Fast to Slow Speed.
RECORD THE CABINETS The Leslie parameters (2 - 17 of the previous paragraph) can be recorded with the Cabinet Numbers, and you can choose and use them in each Combination Preset. 1 Enter the name for the Cabinet as you want. 2 Touch the [REC/JUMP] button in the setting mode of the Leslie Parameter. The Cabinet Selection mode is displayed. 3 Select the Cabinet Number to record by the [PAGE] button. 4 Touch [4] OK, and it is recorded. The display during the recording treatment shows as illustrated.
OD/VIB (OverDrive / VIBrato) 69 In this mode, you can change the setting relating to each Effect for Overdrive and Vibrato/Chorus. To locate this mode: 1. 2. Touch the [MENU/EXIT] button to display the MENU, select PAGE C by the [PAGE] button, and then touch the [1] OD/VIB button. Or, hold down the [O.D. ON] button for a while (OVERDRIVE page), [V1/C1], [V2/C2] or [CHORUS] button for a while (VIBRATO/CHORUS page). 6 7 8 3 1 9 4 10 11 5 2 OVERDRIVE 6. VIBRATO - DEPTH V1 1. 7.
EQUALIZ (EQUALIZer) 70 In this mode, you can change the setting for the Equalizer. Equalizer is an effect to adjust the tonal quality. The built-in Equalizer consists of 3 bands. With the 3 bands from bass to treble, you can boost or cut them. To locate this mode: 1. 2. Touch the [MENU/EXIT] button for the MENU, select PAGE C by the [PAGE] button, and then touch the [2] EQUALIZE button. Touch and hold the [TONE TYPE] button. 5 1 2 3 1. EQ BOOST/CUT - BASS 2. EQ BOOST/CUT - MIDDLE 4.
REVERB 71 In this mode, you can change the setting for the REVERB EFFECT. To locate this mode: 1. 2. Touch the [MENU/EXIT] button for the MENU display, select PAGE C by the [PAGE] button, and then touch the [4] REVERB button. Or, hold down the [EXTRA VOICE / REVERB] button for a while . 7 4 1 1. 5 2 REVERB ON 6 3 6. This parameter switches on/off the Reverb Effect. You can link this parameter with the [EXTRA VOICE / REVERB] button on the front panel. (P.61) 2.
DEFAULT 72 In this mode, you can return entirely or partially to the default setting as set at the factory. To locate this mode: Touch the [MENU/EXIT] button for the MENU display, select PAGE D by the [PAGE] button, and then touch the [3] DEFAULT button. 1 2 4 3 5 To initialize each parameter, touch the [PARAM] button and then [4] OK. 1. ADJUST PRESET Initializes the content of the Preset Key [B]. If the Drawbar Control mode is at “UPPER A#/B”, the content of [A#] is also initialized.
SYSTEM 73 In this mode, display information of this keyboard. To locate this mode: Touch the [MENU/EXIT] button to display the MENU, select PAGE D by the [PAGE] button, and then touch the [4] SYSTEM button. 1 2 3 4 1. VERSION - MAIN PROGRAM 2. VERSION - TONE INFORMATION 3. VERSION - DEMO SONG 4. VERSION - KEY SCAN PROGRAM 5. 5 VERSION - BOOT PROGRAM These are the versions of each software built in this keyboard. These are only for displaying, and not items to set.
EXVOICE (EXtra VOICE) 74 In this mode, you can set the EXTRA VOICE. Your keyboard has built-in tones such as Electric Piano and Clavi., to which you can switch from Drawbar or Percussion voice. To locate this mode: Touch the [MENU/EXIT] button to display the MENU, select PAGE F by the [PAGE] button, and then touch the [1] EXVOICE button. 2 1 1. 4 5 3 INSTRUMENT EXCLUSIVE USAGE Selects the Extra Voice instrument. EPf60's: EPf70's: EPf80's: Clav 1: Clav 2: Vibes: Saw Lead: Funny Ld: 2.
MIDI *# 1 :- Owner’s Manual
MIDI 76 What is “MIDI”? MIDI stands for Musical Instrument Digital Interface. (The capital letters of these four words.) MIDI is for exchanging the performance information between an electronic musical instrument and a sequencer etc. MIDI is an international standard, by which instruments made by different manufacturers can be connected to communitate with each other. The control information is exchanged, such as the performance information.
MIDI CHANNEL MIDI has the “MIDI CHANNELS” 1 - 16. Thus, you can send your playing information divided into 16 channels through one MIDI cable. However, the channel must match between the sender and the receiver. Otherwise, you can not “hear” what the other “says”. MAJOR MIDI MESSAGE The MIDI infomation is grouped into the channel message for each of the 16 channels and the system message for the total channels. The main MIDI message is as follows: See for details in the MIDI IMPLEMENTATION CHART.
MIDI STRUCTURE OF THIS KEYBOARD 78 The XK-1 has only a single keyboard but the sound engine has the three parts: UPPER, LOWER and PEDAL. Also this has three “EXTERNAL ZONES” to control the external MIDI equipment. For these reasons, there are 6 MIDI CHANNELS on this keyboard. KEYBOARD CHANNEL UPPER This is for sending and controlling the UPPER Part performance informaion, switching the Combination Presets and sending/receiving Expression.
EXPANDING THE KEYBOARD 79 This is the method how to connect the XK-1 to the MIDI keyboard and play on the full manual (3 keyboard) instrument. MIDI Keyboard Expression Pedal MIDI Pedal Keyboard 1. 2. Hook up as shown above. Recall “Seq. Record” by using a MIDI template. 3. If you use the Expression Pedal, set the “Expression Source” corresponding to the connected Expression Pedal. (P.
RECORDING AND PLAYING 80 This is the method to record and playback your performance, by connecting the Sequencer or Computer to your XK-1. Recording to the Sequencer or the Computer 1. MIDI Keyboard Hook up as illustrated. Connect the MIDI OUT to the MIDI IN of the Sequenser. 2. Recall “Seq. Record” by using a MIDI template. By this, the output of the XK-1 is sent to MIDI channels 1, 2 and 3. 3. 4. 5. 6. Set the Keyboard Channel if you want. Start the Sequencer recording.
CONTROLLING THE EXTERNAL MIDI EQUIPMENTS 81 You can control External MIDI Equipment such as a Sound Modules, upto 3 Zones by your XK-1. 1. Hook up as illustrated above. Connect the MIDI OUT to the MIDI IN of the Equipment you want to control. 2. Recall the MIDI template “Use EX Zone”. By this, the transmission of the Keyboard Channel stops and the infos. of the External Zone is sent from MIDI OUT. 3. Set the Zone, and the data is recorded to the Combination Preset, if necessary.
ZONES 82 To control the external sound module, a certain range of the manual keyboard of this keyboard is used for that. Each of them is called the “EXTERNAL ZONE”. At the same time, you can set the playing range (= “INTERNAL ZONE”) of the built-in sound engine and play on the same single keyboard. 6 1 7 8 2 3 9 To locate this mode: Touch the [MENU/EXIT] button to display the MENU, select PAGE D by the [PAGE] button, and then touch [1] ZONES. 10 4 11 12 EXTERNAL ZONE 1. PEDAL 6. 2.
16 17 18 19 13. NOTE - VOLUME This is for setting the volume (= Control Change #7) of this zone. However, the set value will be null, if the CC# (item #18) is at “7.VOL”. 14. NOTE - PAN This is for setting the Pan (= Control Change #10) of this Zone. 15. NOTE - VELOCITY This is for setting the Velocity Curve to send to this zone. The setting range is OF, 1 - 4. The velocity of OF is fixed at 100.
MIDI 84 This is the mode to do the basic setting of MIDI. To locate this mode: Touch the [MENU] button to display the MENU, select PAGE D by the [PAGE] button, and then touch the [2] MIDI button. 11 12 13 2 3 4 5 6 7 8 1 4. MIDI TEMPLATE 1. This is for switching ON/OFF the transmission of (= send and return) of NRPN (Non-Registered Parameter Number). On this keyboard, it switches ON/OFF whether to send/ receive the message of Drawbar Fold-Back, Leslie ON, etc.
9 9. RECEIVE DUMP This is for determining whether or not to receive the MEMORY DUMP. On this module, you can transmit/receive the current settings by the System Exclusive Message as the MEMORY DUMP, but you must switch this OFF, if you do not want the settings of this keyboard to be changed. When ON, it receives. But, at OFF, it does not. 10. SEND DUMP This is for sending the MEMORY DUMP. If you touch [4] SEND in this mode, the whole setup data is sent from the MIDI OUT terminal.
*# 1 :- Owner’s Manual
TROUBLE SHOOTING *# 1 :- Owner’s Manual
TROUBLE SHOOTING 88 Malfunction of the buttons, the keys, etc. Turn off the POWER switch once, then turn it on again. If this procedure is not successful, turn off the POWER switch once. Then, while pressing [REC/JUMP] button, turn the POWER switch on again. (Note that, in this case, all parameters return to their factory-preset status.) Malfunction of the Combination Presets. The Display is in MENU or any FUNCTION modes. Go back to PLAY mode by touching the [PLAY] button.
APPENDIX
Appendix Custom Tone-wheel B-Type Real B-3 This template faithfully simulates the classic model, B-3. It contains low motor hum and some leakage noise. 80's Clean This template simulates the B-3 sounds in the 80’s. It contains reduced leakage noise. Noisy This template is for passing all sounds of picked-up signal. It contains full motor hum and leakage noise. Noisy 60 This template boosts noise sounds. It contains full motor hum and leakage noise.
Appendix MIDI Templates Template Seq. Record Seq. Play Use Ex.Zone Data Range Lower / Pedal In1 / In2 Lower / Pedal Lower / Pedal , In1 / In2 Local Control On Off On Off/On NRPN On On Off Off/On MIDI In Messages Program Chg. On On Off Off/On Registration On On Off Off/On Wheel On On Off Off/On 1 1 Off Off, 1 - 16 2 2 Off Off, 1 - 16 3 3 Off Off, 1 - 16 Upper Kbd. 1 1 Off Off, 1 - 16 Lower Kbd. Pedal Kbd.
Appendix [Hammond Combo Organ] Model: XK-1 Function Default Basic Changed Channel Default Mode Messages Altered Note Number : True Voice Note ON Velocity Note OFF Key's After Ch's Touch Pitch Bender Control Change 0,32 1 6,38 7 10 11 16 64 80,81,82 98,99 100, 101 120 121 MIDI Implementation Chart Transmitted 1 1 - 16 3 X ***** 12 - 120 ***** O X X X O O O O O O O O O O O O X O O ***** O X X X X X X O O X Program Change : True # System Exclusive : Song Position System : Song Select Common : Tune : C
Appendix Part and MIDI Messages External Zone (Tx. Only) Note Pitch Bend Modulation Volume, Pan Expression Hold 1 Drawbar Reg. Spring Shock RPN NRPN All Notes Off All Sounds Off Reset All Ctrl. After Touch Bank Select Program Change (1) (7, 10) (11) (64) (16) (100, 101) (98, 99) (123) (120) (121) (0, 32) Upper Keyboard O O O O O *2 O X X O *4 X O X O X O O *1 O X O *3 O CC#80 O X O O O *5 O X Change voice each zone.
Appendix MIDI Information [Channel Voice Message] Note Off Status 2nd Byte 3rd Byte 8n kk vv 9n kk 00 n=MIDI Channel Number: kk=Note Number: vv=Velocity(disregard): or 0 - F(Ch.1 - 16) 00 - 7F(0 - 127) 00 - 7F(0 - 127) Note On Status 2nd Byte 3rd Byte 9n kk vv n=MIDI Channel Number: 0 - F(Ch.1 - 16) kk=Note Number: 00 - 7F(0 - 127) vv=Velocity: 00 - 7F(0 - 127) Control Change The value set by the Control Change is not reset even when Program Change messages etc. are received.
Appendix NRPN MSB/LSB Status 2nd Byte 3rd Byte Bn 63 mm (MSB) Bn 62 ll (LSB) n=MIDI Channel Number: 0 - F(Ch.1 - 16) mm=Upper Byte of the Parameter Number designated by NRPN[MSB]. ll=Lower Byte of same[MSB]. The value set by NRPN is not reset even if "Program Change", "Reset All controllers", etc. are received. RPN MSB/LSB Status 2nd Byte 3rd Byte Bn 65 mm (MSB) Bn 64 ll (LSB) n=MIDI Channel Number: 0 - F(Ch.1 - 16) mm=Upper Byte of the Parameter Number designated by RPN[MSB]. ll=Lower Byte of same[MSB].
Appendix System Exclusive Message Memory Dump Mode Setting Exclusive Message 1.Each Packet F0 System Exclusive 55 SUZUKI ID 00 Device ID 10 Model ID MSB 15 Model ID LSB 11 Command: Data Packet [TYPE] Data Type 02h= Setup Dump [PNH] Packet Number MSB [PNL] Packet Number LSB [DATA] 64 Bytes Data 128 Bytes nibblized ASCII ex: 7Eh = 37h, 45h [CHD] Check Digit Lower 7 bits of XOR [DATA] F7 End of Exclusive 2.
Appendix Global Parameters Category Global Parameters Parameter Tune Transpose Master Tune Expression Source NRPN DATA LSB MSB MSB (62) (63) (06) 01 00 3A - 40 - 46 (-6 - 0 - 6) 01 02 032E - 0338 - 0342 (430 - 440 - 450) 02 00 00 - 02 00: Exp. Pedal (Normal) 01: Exp. Pedal (Reverse) 02: MIDI IN Default Description 40 0 0338 440 00 Exp. Pedal (Normal) 06 -35dB Min. Level 02 Min. Limit LF 02 08 00 - 0D 09 (Off, -60dB - -0dB) 09 -20dB Min.
Appendix Preset Parameters Category Combination Preset Parameters Parameter Name Drawbar Effect NRPN LSB MSB (62) (63) DATA MSB (06) 10 Characters 09 09 09 09 09 09 09 09 00 01 06 07 08 02 03 04 Vibrato Tremolo Vibrato Cho. Emphasis Vibrato Depth V1 Vibrato Depth V2 Vibrato Depth V3 Vibrato Depth C1 Vibrato Depth C2 Vibrato Depth C3 OD On OD Drive Level Master OD Exp.
Appendix Category Combination Preset Parameters Parameter Upper/ Lower Drawbar Voice Percussion Voice Upper Drawbars Voice Type Drawbar Click Attack Drawbar Click Release Drawbar Env. Attack Drawbar Env.
Appendix Leslie Parameters Category Leslie Parameters Parameter Cabinet #1 - 8 NRPN on XK NRPN on 21 LSB MSB LSB MSB (62) (63) (62) (63) DATA MSB (06) (10 Characters) Default 00 - 63(0, 24 - 318rpm) 00 - 63(0, 24 - 318rpm) 00 - 1A(0, 375 - 453rpm) 00 - 1A(0, 375 - 453rpm) 00 - 18(0.2 - 5.0s) 00 - 18(0.5 - 12.5s) 00 - 18(0.2 - 5.0s) 00 - 18(0.5 - 12.5s) 00 - 18(0.2 - 5.0s) 00 - 18(0.5 - 12.5s) 00 - 0C(-12 - 0dB) 00 - 0C(-12 - 0dB) 00 - 06(0 - 180deg) 00 - 08(0.3 - 2.
*# 1 3 4 5 6 7 8 9 10 11 2 3 4 5 6 7 8 9 10 Bank 1 1 2 2 ex: Change to Bank 5 - Number 2 via MIDI... 12 2 1 11 1 0 Bank Select MSB Program Change 4 4 5 5 7 6 7 Preset Number 6 Bx 00 04 Cx 01 (x=Upper Channel) 3 3 8 8 9 9 10 10 11 11 AD 12 Appendix 101 Combi.
Appendix Specifications Sound Generator 2 x VASE III as Digital Tone-wheels Keyboard 61 notes Water Fall type with Velocity Harmonic Drawbars Knobs 9 Pitches Drawbar Select Tabs Upper, Pedal, Lower Waveform B-type/Mellow/Brite (Upper and Lower) Muted/Normal/Synth1/Synth2 (Pedal) Percussion Tabs Second On, Third On, Fast Decay, Soft Adjustable Touch, Velocity, Decay (Fast, Slow) Level (Soft, Normal) Extra Voice 8 Instruments Tuning Master 430 - 450 1Hz Steps Transpose -6 - 0 - +6 semit
*# 1 :- Demonstration Songs and Composers Playing the demonstration performance: 1. Touch and hold the [SPLIT] and [MANUAL BASS] Button 2 seconds. 2. Select the song by using [PAGE] Button. 3. Touch the [4]X Button to play. Songs / Composers 1. Liberation Takanobu Masuda 2. XK-1 Happy Joey DeFrancesco 3. Acid Wash Tony Monaco 4. Shooting Star Daisuke Kawai 5. B-3 Cookin’ Deryl Winston 6. Somthing Slow Joey DeFrancesco 7. Shakin’ Joey DeFrancesco 8.
2 3 4 5 6 7 8 9 10 11 12 1 2 3 4 5 6 7 8 9 10 11 B-3 Demo Song Intro 2 Intro 1 Lo & Hi Church Tibia Theatre Rock Gospel Jazz Default Bank Cancel Cancel Cancel Cancel Cancel Cancel Cancel Cancel Cancel Cancel Cancel Cancel 1 1 Jimmy 3 Gospel 3 Some Lovin Theatre D# Tibia & Vox Principl 8 Lo & Hi 3 Four Beat S.F.
HAMMOND SUZUKI, LTD. LIMITED 1-YEAR WARRANTY HAMMOND SUZUKI, LTD. (“HAMMOND”) warrants to the original consumer/purchaser that this product shall be free from any defect in material and workmanship for a period of one year from the date of purchase. If a defect coverd by this warranty occurs during this one-year warranty period, you should return the product within such one year to: A.
Some states do not allow limitations on how long any implied warranty lasts or the exclusion of incidental or consequential damages, so the above limitations or exclusion may not apply to you. This warranty gives you specific legal rights which vary from state to state. (Available in U.S.A. only) IMPORTANT: THIS IS YOUR HAMMOND WARRANTY REGISTRATION.
SERVICE 107 Hammond maintains a policy of continuously improving and upgrading its instruments and therefore reserves the right to change specifications without notice. Although every attempt has been made to insure the accuracy of the descriptive contents of this Manual, total accuracy cannot be guaranteed. Should the owner require further assistance, inquiries should first be made to your Authorized Hammond Dealer.
HAMMOND SUZUKI, LTD., Hamamatsu, Japan Printed in China 00457-40113 V1.
