8288 451 100 Owner’s Manual Digital Multitracker MON OUT INPUT 1/9/A 2/10/B 3/11/C 4/12/D 5/13/E 6/14/F 7/15/G BAL UNBAL 8/16/H INSERT LINE MIC LINE MIC LINE MIC LINE MIC MON OUT LINE MIC LINE MIC LINE MIC LINE MIC L UNBAL BAL TRIM 0 10 PHONES R INSERT PHONES 0 DIGITAL 10 MULTITRACKER PEAK 1/9/A CH STATUS PEAK PEAK PEAK PEAK 2/10/B 3/11/C 4/12/D 5/13/E ORANGE INPUT RED REC PEAK 6/14/F GREEN PEAK PEAK 7/15/G 8/16/H PLAY MUTE OFF CH STATUS/CH
CAUTION: CAUTION TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRE-SPONDANTE DE LA PRISE ET POUSSER JUSQU' AU FOND. CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER - SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
Precautions About power supply * Before you change the location of the VF-16, pack the unit in the shipping carton or an impactresistant case. Make sure that the VF-16 is kept free from external vibration or impact since the VF-16 is very sensitive to vibration. * Be sure to connect the VF-16 to the power supply specified in the Specifications section of this owner’s manual. Do not use an AC outlet of any other voltage.
Table of Contents Safety Instructions ............................................. 2 Track Exchange ................................................... 34 Mixing ................................................................. 34 Precautions ..................................................... 3 Level Adjustment ...................................................... PAN Adjustment ....................................................... Equalizer Adjustment .............................................
Variable Pitch Control ON/OFF ................................ 59 Setting the Speed ...................................................... 59 Setting the Metronome function ................................ 102 Setting a preroll value ................................................ 103 Setting MIDI sync output signal ................................ 103 Setting an MTC frame rate ......................................... 104 Setting an MTC offset value .......................................
Chapter 1 Basic Features of VF-16 Introduction Recorder Section * Employs the FDMS-3 (Fostex Disk Management System-3) Fostex format. 16-track (plus 8 additional tracks) REC/PLAY with high quality uncompressed 16 bit/44.1kHz sound. Roughly 3 hour recording per 1GB in mono-track. Congratulations! You have chosen a truly unique multitracking device. The VF-16 Fostex Digital Multitracker features a myriad of high-tech functions.
Before Operating This section defines the contents, names and terms the user should know prior to actually operating the VF-16. Please read the overview before going any farther with your new recorder as it will save you a lot of time in the long run. BUSS Recording Two RECORDING Modes The second recording mode is the BUSS REC mode. This recording mode is mainly used to: The VF-16 has 2 recording modes, called REC ASSIGN.
The keys below play important roles when executing DIRECT recording or BUSS recording. Please learn their functions before operating the VF-16. [INPUT SEL] key [DIRECT-REC TRK] key This key is used to determine whether signals to be input to tracks Ch1-Ch16 should be the recorder output (TRACK) or the input signal (INPUT). When this key is pressed, the display shown below will be shown to enable selection of "TRACK" or "INPUT.
RECORDING System Remain Time 3h 07m Unlike conventional systems, the VF-16 records on a hard disk storage device, instead of cassette tape. Sound source recording can start from any point on a formatted disk, as long as the point is within a 24 hour time range in ABS time. Note that it is also possible to move (locate) to any point within that time range, as well. Just think of the VF-16 as coming with a tape that is pre-programmed with a 24 hour counter.
A. The VF-16 counts the silent portion of a silent track, which is counted as one file, but not recorded with any sound. Therefore, this means that there will be one file on the track. One track exchange Track 1 Track 9 Track 17 Track 2 Track 10 Track 18 Track 3 Track 11 Track 19 Track 4 Track 12 Track 20 Track 5 Track 13 Track 21 Track 6 Track 14 Track 22 Track 7 Track 15 Track 23 Track 8 Track 16 Track 24 B. One audio file is created when recording sound on a track.
CH STATUS ORANGE INPUT RED FADER The VF-16 features 16 channel faders and 1 master fader. Among the faders, the faders for channels 1 to 8 are always started up with output signals from the recorder of tracks 1 to 8 (PLAYBACK or INPUT Monitoring) to adjust this level. The master fader is always used to adjust the output level of the stereo output.
MTC set the ABS 0 location to MTC ** H** M**S. In other words, MTC sets the time base to start MTC from a certain time, which serves as the offset time, to synchronize the following 24 hour MTC time base with the ABS to count the time. If, for example, ABS 0 is set to MTC 1H, then MTC starts from 1H and ABS 1H (one hour elapsed) will be MTC 2H. TIME BASE The term “Time Base” frequently appears in the text of this manual.
Names and Functions MON OUT INPUT 1/9/A 2/10/B 3/11/C 4/12/D 5/13/E 6/14/F 7/15/G BAL 8/16/H UNBAL INSERT LINE MIC LINE MIC LINE MIC LINE MIC MON OUT LINE MIC LINE MIC LINE MIC LINE L UNBAL BAL TRIM MIC 0 10 PHONES R INSERT PHONES 0 DIGITAL 10 MULTITRACKER PEAK 1/9/A CH STATUS PEAK PEAK PEAK PEAK 2/10/B 3/11/C 4/12/D 5/13/E ORANGE INPUT RED REC PEAK 6/14/F GREEN PEAK PEAK 7/15/G 8/16/H PLAY MUTE OFF CH STATUS/CH SEL SCENE RECALL STORE OPTI
Top Panel Analog Input/Output Section 1 2 3 4 INPUT 1/9/A 2/10/B 3/11/C 4/12/D 5/13/E 6/14/F 7/15/G BAL UNBAL 8/16/H BAL INSERT LINE MIC PEAK 1/9/A LINE MIC LINE MIC LINE MIC LINE MIC PEAK PEAK PEAK PEAK 2/10/B 3/11/C 4/12/D 5/13/E LINE MIC LINE PEAK 6/14/F MIC LINE MIC PEAK PEAK 7/15/G 8/16/H 7 8 0 10 9 6 MON OUT PHONES L R INSERT UNBAL MON OUT TRIM 5 PHONES 0 10 10 1. [INPUT] (Unbalanced) Jack: A to F 5.
Mixer Section CH STATUS ORANGE INPUT RED REC GREEN OFF PLAY MUTE SCENE CH STATUS/CH SEL RECALL STORE DIRECTRCL MAP CLEAR EFF EDIT EFF1 EFF2 11 +6 +6 +6 +6 +6 +6 +6 +6 0 0 0 0 0 0 0 0 -10 -10 -10 -10 -10 -10 -10 -10 MUTE 12 -20 -20 -20 -20 -20 -20 -20 -20 -30 -30 -30 -30 -30 -30 -30 -30 -40 -40 -40 -40 -40 -40 -40 -40 -∞ -∞ -∞ -∞ -∞ -∞ -∞ -∞ 1 2 3 4 5 6 7 MUTE CH PARAM EDIT EQ/COMP EFF1/EFF2 HI-G/F/Q PRE/POST COMP AUX1/AUX2 MID
* Use the [CH STATUS/CH SEL] key to select the channel to change any settings together. 15. [EFF EDIT-EFF1/MUTE] Key * This is used to CHECK/CHANGE the EFFECT type and parameter settings of EFFECT 1. * Press this key while the [SHIFT] key is depressed to turn ON/OFF the mute feature of EFFECT 1. 23. [MASTER CH STATUS/CH SEL] Key * This becomes the master channel ON/OFF key when the LCD is in the normal display mode (described later).
Recorder Section 25 26 27 28 INPUT SEL 35 34 33 32 43 42 40 41 REC ASSIGN BUSS DIRECT SOURCE REC TRK REC TRK AUTO RTN AUTO PUNCH IN OUT START 1 2 DISP SEL PGM SEL IN END 3 4 TIMEBASE CLIPBOARD ALIGN SEL 5 6 HOLD/ STORE AUTO PUNCH EDIT 7 SCENESEQ. UNDO/ REDO STOP SETUP A RTN A PLAY OUT MARK RECORD 47 48 49 29 30 31 PLAY CLIPBOARD PLAY L O C AT E A B S 0 LOCATE REC END VARI PITCH LOCATE P.
32. [AUTO RTN-START/MARK1] Key * This key is used to CHECK/CHANGE the parameters saved at the start point (AUTO RETURN START POINT) when executing auto return or auto repeat. * Press this key while the [SHIFT] key is depressed to CHECK/CHANGE the parameters saved in [MARK1]. * This can be used as Locate Memory. AUTO PLAY AUTO RETURN OFF AUTO REPEAT * Press this key while the [SHIFT] key is depressed to turn ON/OFF the scene sequence.
* 3X cuing (rewinding with sound) takes place when this key is pressed during the PLAY status. * Press this key while the [SHIFT] key is depressed to locate the “NEXT” memory (locate the next event memory). * Press this key while depressing the [STOP] key to “LOCATE REC END”. * Press this key while editing the parameters to move the column (digit) to edit. 46. [SCRUB] Key * This is used to digitally scrub sounds in the FWD and REV direction without any change in pitch. 47.
58. [PHANTOM] LED Display Section This lights ON when the phantom power is ON. The phantom power is turned ON/OFF with the setup mode. 59 OPTICAL 59. LCD (Liquid Crystal Display) 57 58 The recorder and mixer status and parameters are shown on the LCD. 60 ACCESS PHANTOM 60. Contrast Adjusting Knob This is used to adjust the contrast (difference in brightness) of the LCD. Increase or decrease the contrast by turning it clockwise or counterclockwise, respectively. 57.
About the hard disk storage device The VF-16 is complete with a 3.5-inch E-IDE hard disk (storage device) which is formatted in the Master 16 mode. Therefore, there is no need to newly assemble a hard disk or to format the hard disk. The user can immediately start recording with the VF-16. Note that the current hard disk can also be replaced with another model for use with the VF-16. (However, please only use hard disks that Fostex recommends.
5. Select the format type with the [F FWD] key or [REWIND] key. Then press the [ENTER/YES] key. When the hard disk is successfully formatted (formatting completed), the number of sectors and noncontiguous sectors are shown after formatted, then “Completed!” lights up. Formatting is completed instantaneously if either “Erase” or “Quick” is selected and executed. For this reason, the “Completed!” message lights up without showing the progress status while formatting is taking place.
1. Unscrew the four screws from the bottom of the main unit that are fixing the panel. 1 2 2 1 3 3 4 4 2. Turn over the panel that the hard disk is fixed according to the instructions shown in the figure below. Note that hard disk cables will be connected. Be careful not to apply excessive force when turning over the panel. 5. Fix a new hard disk to the panel in the reverse order of removing the hard disk as performed earlier. Connect the cables.
Formatting the Hard disk Carefully follow the instructions below to newly format the hard disk properly. 1. Turn ON the VF-16 after plugging the power cable in the electric outlet. 6. Press the [EXIT/NO] key (or [STOP] key) to escape from the SETUP mode. The VF-16 will startup. “Unformat!” will appear on the LCD. The menu will automatically go to the SETUP mode. The display showing the “Disk Format” menu appears.
Chapter 2 Basic Recording and Playback Connections of Peripheral Equipment The VF-16 is equipped with input/output jacks to connect the following sound sources and external equipment. Always turn the [MASTER] fader, [MON OUT] knob and [PHONES] knob to “0” when connecting the external equipment to the input/output jacks.
LCD The follwing describes the contents shown on the LCD and their operations. Menu shown when turning power ON Switching the Time Base When the VF-16 is turned ON with a hard disk already formatted, the following menu will appear in order: [Initial... (Initializing)] & [Version] -> [Current Dr] -> [IDE] -> [Name of Hard disk (Instantly)] -> [Recording mode (Standard or Quick)]. The head of the program (ABS 0) will then start up at the time base when the power was turned OFF.
*1. Switching with [DISP SEL] Key Every time the [DISP SEL] key is pressed the LCD alternately shows the “1. Normal Display of Current Time Base” -> “2. REMAIN Display of Current Time Base” -> “3. MTC Time Display Input”. The description of each display is defined below. The REMAINING time display appears as follows according to the time base that has been selected. 1. Normal Display of Current Time Base * Current time according to current time base. * Program number and program title.
Instructions for DIRECT Record This section describes the basic REC/PLAY procedures in the “DIRECT” recording mode, which is the easiest recording procedure and also provides recordings that most closely resemble the original. Hints and tips to successfully operate the VF-16 are included according to the workflow, ranging from the actual recording to mix down process. Both experienced and novice users of multitracker should try this process so as to learn the VF16 operations.
3. Press the [STOP] key to stop the recording operations. Cancel READY Status of Recording Track The LCD will show a “Please Wait” message and then return to the Normal Display. Press once again the [DIRECT-REC TRACK] key that is lit up RED, then press the [CH STATUS/CH SEL] key of the channel that is in the READY mode to cancel the ready state of the track recorded and to put that track in the SAFE mode. Then press the [EXIT/NO] key to return to the Normal Display.
DIRECT Recording After reading the instructions up to this point, you are probably aware that the track recorded varies according to the input channel. With DIRECT Recording, the relationship between the channel input and track recorded are as follows. Connect to [INPUT] 1/9/A: Recordable on track 1/9. Connect to [INPUT] 2/10/B: Recordable on track 2/10. Connect to [INPUT] 3/11/C: Recordable on track 3/11. Connect to [INPUT] 4/12/D: Recordable on track 4/12.
Saving on the Memory key and Mark key 2. Press the [LOCATE] key. This allows Direct Location to the time shown. 1. Ensure the system is in the PLAY or STOP status. Press the [HOLD/>] key at the time to save. Tips: PREROLL The time is held on the LCD at the point the [HOLD/>] key is pressed. By setting “PREROLL” in the SETUP mode, it is possible to locate the time (0-10 seconds) several seconds before the time set to locate. Changing the Time Saved in the Memory key and Mark key 2.
Locating an event memory You can store up to 99 event memory points (00 to 99). These are used for the “Skip locate” function, as well as for the Scene event map described later in “Chapter 3. Advanced mixer operations.” Creating an event memory 2. Rotate the [JOG] dial to scroll through the event memory list. 1. At the desired position while the VF-16 is stopped or during playback, press the [HOLD/>] key. The time when pressing the [HOLD/>] key is held on the screen. 3.
PUNCH IN/OUT Punch IN/OUT recording enables you to record over previously recorded parts. This function comes in handy in the following cases. * If a recording is unsatisfactory in either recording or performance and you want to redo it. * If you want to record a solo part to another track while listening to the backup tracks. PUNCH IN refers to the process to switching from PLAY to REC. On the other hand, PUNCH OUT refers to the reverse process, to switch from REC to PLAY.
Track Exchange Up to now, we changed the input channel according to the track to record. However, there is also a way to record all tracks with one input jack. You can do this by exchanging a recorded track that was recorded normally with an unrecorded track. This procedure is called “Track Exchange”. This feature is convenient to use when recording with all G and H [INPUT] jacks that can be connected with a condenser mic or balanced output, for example.
2. Press the [CH STATUS/CH SEL] key of the channel intended for PAN adjustment. Effect Send Level Adjustment 1. Press the [CH PARAM EDIT-EFF1/EFF2] key. The channel selected flashes, then the input signal and the current setting of the channel selected appears on the LCD. Every time the key is pressed the mode alternates between the EFF1 and EFF2 menu. 3. Turn the [JOG] dial to set the PAN level. A graphic display of the PAN parameter appears on the LCD in real-time. flashing 4.
Mix Down Create the master tape after adjusting all tracks. Start recording the piece with a master recorder (cassette tape, DAT, MD, etc.). The VF-16 can output S/P DIF (optical) digital signals making it is possible to directly mix down digital signals if the master recorder can input S/P DIF (optical) digital signals. Analog Mix Down Digital Mix Down 1. Connect the IN (input jack) of the master recorder with the [ST OUT-L/R] jack of the VF-16. 1.
Instructions for recording with BUSS RECORD This section will discuss the basic procedures to REC/PLAY with "BUSS" RECORD, which is another recording option. With DIRECT RECORD, the track recorded was determined according to the input of channel A to H. However, with BUSS RECORD, recording is possible regardless of the channel input. It is also possible to record the input of all 8 channels on 2 tracks with BUSS RECORD.
4. Press the [BUSS-SOURCE] key (GREEN: Flashing). Tips: Changing the recording mode The display to select the source channel sent to REC BUSS appears. To change the BUSS recording mode to the DIRECT recording mode, press the [DIRECT-REC TRK] key while the tracks to be directly recorded are selected in the step above. "Rec Mode Change!" appears and "Sure?" flashes on the screen.
These procedures complete the instructions to record to track 1 with the BUSS recording option. Tips: Adjusting the PAN Setting of the Source Channel When recording on one track with the BUSS RECORD option, the PAN setting of the source channel is either fixed to the left or right. If the REC track is an odd number, the source channel PAN is fixed all the way to the left. If the REC track is an even number, the source channel PAN is fixed all the way to the right.
Adjusting the Source Channel Tips: Applying an Effect on the Source Channel It is possible to apply effect sound on the source channel during BUSS RECORD. 9. Press the [RECORD] key and set tracks 7 and 8 to the input monitor (RED: Flashing). As in the earlier case, the monitor sound is output at this stage. Adjust the volume of the monitor sound with the [MON OUT] or [PHONES] knob. 1.
Chapter 3 Advanced mixer operations This section describes practical operations of the mixer including functions that are not described in "Basic operations" as well as detailed information about settings. Initial condition when the power is turned on When you turn the power on, the VF-16 shows the start-up display ("FOSTEX" -> "Initial.." -> "Current DR", "IDE" -> "Format Type" ["Standard" or "Quick"]), and then becomes ready.
Channel parameter edit You can edit the various parameter settings such as pan and equalizers for channels 1 through 16 and the master channel. We refer this type of editing as "Channel parameter edit". There are several channel parameter edit keys on the top panel (as shown below) and pressing the dedicated key for the parameter you want to edit brings up the corresponding edit screen.
3. Use the [HI-G/F/H] (or [MID-G/F/Q] or [LO-G]) or [HOLD/ >] key to select a parameter. Adjusting EQ The VF-16 provides a 3-band equalizer section including HI, MID and LO bands. You can control G (gain), F (frequency) and Q for HI and MID equalizers, while only G (gain) for LO. Each time you press the key, the flashing parameter (to be edited) changes in the following order. G -> F -> Q -> ON -> G ....(When setting the LO equalizer, the flashing parameter changes between G and ON.) 4.
Controlling Effect send level Selecting pre/post of Effect sends You can control send levels of channels 1 through 16 (pre- or post-fader) to the two internal A.S.P. effect processors. The master channel controls the effect send master level. You can select whether the pre-fader or post-fader signal is sent from each channel (1 to 16) to the effect processor. If you select "Post", the signal adjusted by the channel fader is sent to the effect processor is also lowered.
4. To set another channel's pre/post selection, repeat steps 2 and 3 above. Selecting pre/post of AUX sends You can select whether the pre-fader or post-fader signal is fed from each channel (1 to 16) to the AUX SEND jack. If you select "Post", the signal adjusted by the channel fader is sent to the effect processor, so if you lower the channel fader, the signal sent to the effect processor is also lowered.
The following operations are assumed that the compressor is applied to channels 13 and 14. 5. After completing the pre/post selection, press the [EXIT/ NO] key. The VF-16 exits the channel edit mode and the display returns to the Normal display. 1. Press the [HI-G/F/Q] key while holding down the [SHIFT] key. The compressor setting screen appears.
The screen example above shows the following status. If you try to select a channel to which the compressor cannot be applied, a warning message ("Can't select!") will flash and the operation will be cancelled. The following screen shows that you can apply the compressor to channels 13-14 and the master channel. 1 Channel 1 is currently selected. 2 The channel is on. 3 The channel fader is set to "00" (-∞). 4 The pan is in the center position. 5 The signal is fed to ST OUT (L/R).
Effect Edit Mode The VF-16 offers high quality ambient effects by employing the A. S. P. (Fostex Advanced Signal Processing Technology), which is exclusively developed by Fostex. With the A. S. P., you can obtain an incomparably clean and high density Hall Reverb, overwhelmingly clear Room Reverb and wonderfully hi-fidelity Plate Reverb.
About the effect types The VF-16 contains two independent DSP multi-effect units; EFF 1 and EFF 2. A variety of effect types are preset for each effect unit. By selecting a suitable effect type, you can process the sound as you wish. You can also edit the parameters of the selected effect type to create your own effect sounds. The following 28 effect types are preset for EFF 1. The 38 effect types shown on the next page are provided for EFF 2, and these include the same 28 effect types as EFF 1.
Effect types preset for EFF 2 Name L01 ~ L28 Parameter type Explanation 1~28 are the same effect types as the EFF 1 presets listed on the preceding page. (For details refer to the preceding page.) L29 MonoDELAY DELAY Mono delay L30 PanDELAY DELAY Panning delay L31 MonoBpmDL BPM DELAY Mono delay. Specify BPM and note value to set the delay time. L32 PanBpmDL BPM DELAY Panning delay. Specify BPM and note value to set the delay time.
4. If you wish to adjust another parameter, repeat from . Effect parameter settings Here's how to set the effect parameters. 5. When you are finished making settings, press the [EXIT/ NO] key twice to exit Effect Edit mode. 1. If the effect parameter that you wish to adjust is not displayed, press the [EFF 1] key (or the [EFF 2] key) twice. One of the parameters of that effect type will appear. Muting an effect You can mute the effect sound of effect 1 or effect 2.
BPM delay effect parameters (parameter type: BPM DELAY) For effect types 31 and 32 of the preceding "Effect type" table, the following four parameters can be adjusted. 1. Eff Level 2. BPM 3. Note 4. Feedback 5. Filter Adjust the effect return level: 0~99 Adjust the BPM. Range: 30--250 bpm Select the note value for the delay. Range: 24, 16, 8T, 16...8, 4T, 8., 4, 2T, 4., 2, 2., 1 * 24 = 16th note sextuplets, 16 = 16th notes, 8T = 8th note triplets, 16.
Scene memory The VF-16 provides 100 scene memories (Scene numbers 00 to 99). You can store a set of desired parameter settings to each memory. Items to be stored include all parameters set by the channel parameter edit and effect edit modes, as well as all channel fader levels. Furthermore, you can give a desired scene name with up to 16 alphanumeric or symbolic characters to each scene memory (Note that up to 14 characters can be shown on the display).
Level adjust When recalling a scene memory, if the recalled fader level does not match the current physical fader position (the red indicator of the [FADER ADJUST] key flashes), you can adjust the level to match the current fader position. The fader icons below are examples of indicating different status. 1. Press the [FADER ADJUST] key while holding down the [SHIFT] key. •The current physical fader position is higher than the recalled position. The unit enters the Level adjust mode.
Direct recall of a scene memory Clearing a scene memory Besides recalling a scene memory by selecting the desired scene from the list as described above, you can recall a scene directly. You can clear an unnecessary scene memory by using the following procedure. You cannot clear the memories in scene number 00. If you select scene number 00 and try to clear the memory, "Warning Can't Clear Current Scene" appears on the display and the operation is ignored.
While "Non" is flashing, you can selects the scene number from those currently stored by rotating the [JOG] dial. The corresponding scene names are also shown below. If no scene memory except the initial setting "S00 Init Mix" is stored, selecting any scene number (01 to 99) except 00 shows "Un-defined" on the screen. The event memories created in real-time by the procedure described above can be viewed by the operation below. 1.
Deleting an event memory Executing the scene sequence You can delete unnecessary event memories. When the scene sequence mode is set to ON, the scenes will be recalled according to the scene event map during playback. You cannot delete event memory 00. • When executing the scene sequence, the fader positions are recalled according to the fader recall mode in the SETUP mode (the default is "Off").
Chapter 4 Recorder Functions Cueing This section describes the cueing feature for cueing sound during the F FWD or REWIND process. 3. Turn the [JOG] dial left and right to hear the playback sound of only the track selected. The center line indicates the current location. Scrub takes place in the FORWARD or REWIND direction from this point. Either “” appears when turning the [JOG] dial, which moves the cursor forward or reverse.
Variable Pitch Control This section describes the Variable Pitch Control feature to play or record programs at variable recorder speeds. The VF-16 can change the speed in 0.1% units within a +/-6.0% range. Note that the key changes when changing the variable pitch speed.
Auto Function The VF-16 is equipped with 3 Auto Functions. One is the “Auto Play”, which automatically starts playing a track after locating it. Another is the “Auto Return”, which locates a predetermined time during playback. The third, “Auto Repeat”, combines the former two features to repeat playing a certain segment. Use the [A RTN/A PLAY] key to start the Auto Function. Every time the key is pressed the function switches through “Auto Play” -> “Auto Return” -> “Auto Repeat” -> “OFF”.
Program With the VF-16, the music is managed according to programs numbered 01-99 (99 programs). These programs are independent of each other and can be recorded or played separately. This section describes the instructions of how to operate the program. 3. Press the [ENTER/YES] key again. Creating a New Program The “Tentative Title” (#0002, etc.) that was automatically assigned when creating a new program appears on the LCD. The left end of the title is highlighted and flashes.
1. Press the [SETUP] key in the STOP state. Selecting a Program The system goes to the SETUP mode and proceeds to the SETUP menu selection display. If there are several programs set on the disk, there may be a need to select a target program. The following instructions are based on the VF-16 in the STOP status in the Normal Display. 2. Turn the [JOG] dial to select the “Delete” menu, then press the [ENTER/YES] key. The current program number appears and “Sure?” flashes (****: Title).
3. Press the [REWIND] key or [F FWD] key to move the cursor to the point to edit. Then turn the [JOG] dial to choose the alphanumeric/symbol to input. 4. Press the [ENTER/YES] key after inputting the title. The title input is set and the LCD returns to the Normal Display. The title can contain up to 16 characters form the following alphanumerics and symbols. Editing the Track The VF-16 features a 3.5 inch E-IDE hard disk as a storage media.
Copy & Paste and Move & Paste * If COPY (or MOVE) is executed without selecting a track to COPY (or MOVE), then “Select Track!” will appear on the LCD with a flashing “Copy Clip!” (or “Move Clip!”) message. In this case, repeat the procedure by using the [CH STATUS/CH SEL] key to choose the track to COPY (or MOVE). This section describes the Copy & Paste (or Move & Paste) details.
* Note that it is not possible to paste to the same track that was copied (or moved) when copying (or moving) multiple tracks (1-3, 5-8, etc.), although it was possible in the cases described earlier. In this case, the track will not be changed even if the [CH STATUS/CH SEL] key is pressed. UNDO/REDO Paste Copy & Paste or Move & Paste can be undone and redone with the UNDO/REDO feature. * The data pasted can be undone (unpasted) by pressing the [UNDO/REDO] key after Copy & Paste (or Move & Paste).
Erase The VF-16 provides the following “ERASE” options. Please read the instructions in its entirety prior to actual operations, to prevent any erroneous understanding of the description. First, start the desired program if there are several programs set. DO NOT change a program in the middle of the erase procedure. Erasing a selected section between ABS - REC END. Erasing from a voluntarily specified point to REC END.
4. Press the [ENTER/YES] key. UNDO/REDO Erase “Sure?” flashes. The erase procedure can be undone and redone with the UNDO/REDO feature. * Data eased can be undone (unerased) by pressing the [UNDO/REDO] key after ERASE. The data will return to the pre-erase status. * The data erased but undone (unerased) can be redone (re-erased) by pressing the [UNDO/REDO] key immediately after undoing the erase process. The data will return to the post-erase status. 5. Press the [ENTER/YES] key once again.
3. Press the [ENTER/YES] key. The tracks are instantly exchanged. “Completed!” appears on the display when the tracks are successfully exchanged. Then the LCD returns to the original time base display. When exchanging mono tracks. 1. Turn the [JOG] dial while “1-8” is flashing. By turning the [JOG] dial to the left and right it is possible to select the mono track numbers “1”, “2”, “3”, “4”...”24" other than “01-08”. At the same time, the display on the right also shows the mono track display.
Chapter 5 Features Application Applications of DIRECT RECORD This section describes applications of the DIRECT RECORD feature. DIRECT RECORD while listening to the input signal DIRECT RECORD basically takes place with the play [TRACK] started for all the channel faders. However, it is also possible to start [INPUT] signals A to H. Here we will DIRECT RECORD to tracks 1 to 16, while monitoring the counter and listening to a rhythm machine (in this case, a drum machine) from input H.
Applications of BUSS RECORD BUSS RECORD makes it possible to record all the source channel signals sent to REC BUSS L/R on either 2 tracks or 1 track. The source channel is selectable with the “INPUT” channel and “TRACK” channel, therefore, it is possible to record the input signals along with signals that are already recorded. Record by mixing the input sound and play sound Here, we will mix the play sounds of tracks 1-4 with the signals input through [INPUT] A-D to record on tracks 7 and 8.
Ping-Pong RECORD By using BUSS RECORD, it is possible to select a maximum of 15 source channels when recording to 1 track and a maximum of 14 source channels when recording to 2 tracks. Here we will ping-pong record the sound recorded on tracks 1-14 onto tracks 15 and 16 for temporary mix down. Ping-pong RECORD refers to the process in which the sound of several tracks are mixed and then recorded on another track.
Metronome Function The VF-16 incorporates a tempo map to set a desired bar/beat (4/4, 3/4, etc.) and tempo (30-250). It is possible to output a metronome sound, according to the setting of the tempo map. This allows for recording in sync with the rhythm output from the VF-16 without having to use an external metronome or rhythm box. Setting the tempo map Setting metronome output The user must first set the tempo map to output metronome sound.
Digital Recording This section will describe digitally recording from the VF-16 to external digital devices or to digitally record from external digital devices that are connected to the [DATA IN]/[DATA OUT] jack of the VF-16. Digital signals recorded are either S/P DIF or adat digital signals. Digital recording from an external digital device This section describes digitally record from an external S/P DIF digital device (CD, MD, DAT, etc.) or adat digital device (Fostex D-1624, D-824, VC-8, VM88, etc.
Selecting a track to record Starting to record Digital recording is only an option of "DIRECT RECORD" that was described in the section on basic recording choices. It is not possible to apply equalization or effect on the signals recorded. 1. Turn up the channel fader and master fader corresponding to the track recorded to "0". 2. Press the [PLAY] key while the [RECORD] key is depressed to start recording with VF-16, as well as start playing the external digital device. 1. Press the [INPUT SEL] key.
Setting the VC-8 or VM88 Check adat signal and adjust monitor 1. Set the VC-8 or VM88 so it outputs adat digital signals. 1. Press the [RECORD] key. For more details refer to the VC-8 or VM88 User's Manual. All tracks go to the input monitor status. If signals are input from the VC-8 (or VM88) in this state, the input level appears on the level meters 1-8. To monitor the adat signals, turn the ch1-ch8 channel fader up to "0", and then turn up the [MON OUT] knob or [PHONES] knob.
5. Press the [DISP SEL] key while holding down the [SHIFT] key, and then change the time base display to BAR/BEAT/ CLK. Connecting external equipment 1. Connect the VF-16 MIDI OUT to MIDI IN of the MIDI sequencer. 2. Set the MIDI sequencer for “external sync mode (EXTERNAL SYNC) by MIDI clock.
Connecting to external equipment 1. Connect the VF-16 MIDI IN/OUT to the computer (with MIDI interface) MIDI IN/OUT. Setup of external equipment By “MTC offset time setting” and “MTC offset mode setting,” at what position (ABS 0 or 001BAR/1BEAT/ 00CLK) should the setup MTC (MTC offset time) is to be output is set. When setting the start time of the tune in the sequence software by these setups, be careful of the following points. 1.
External MIDI equipment sync system by the slave mode Up to this point, synchronization with external MIDI equipment has been explained with the VF-16 as the master and MIDI equipment as the slave but depending on the slave mode setting, the MIDI equipment can be set as the master and the VF-16 as the slave.
Confirming chase lock 1. When the sequence software is played, “CHASE” and “MTC” in the display will be light and the chase lock will be completed. Normally, when “Setup of slave type” is set to “Vari,” the VF-16 will be constantly controlled by vari-pitch and follow the MTC, which is the master.
Chapter 6 Save/Load of song data You can save or load the desired song data (including audio and various setup data) of the current program to a DAT or adat recorder, as well as a SCSI backup device. This function allows you to save finished or unfinished song data to a digital recorder such as a DAT and adat or a SCSI backup device, and load the data later.
•Memory data: Data for CLIPBOARD IN/OUT, AUTO RTN START/END, AUTO PUNCH IN/OUT. Locate data (for Locate No.
Saving data using the S/PDIF or adat digital signal You can save data using the S/PDIF or adat digital signal via the DIGITAL/DATA OUT jack. *Use an external device that supports 44.1 kHz sampling frequency (the same as the VF-16). Connecting to an external device Saving data Connect the DIGITAL/DATA OUT jack to the digital input jack of the external digital device (DAT or adat etc.). You can save data via the "Save PGM" menu in the SETUP mode.
If you save data using the adat digital signal, select "adat". If you save data using the S/PDIF digital signal, select "SPDIF". If you save/load data using the SCSI (described later), select "SCSI". 4. Use the [JOG] dial to select the program to be saved and press the [ENTER/YES] key. The display shows the "Save Length" screen. Initially, the recorded time length of the selected program (ABS 00 to REC END) is shown as the time length of data saving.
Loading data using the S/PDIF or adat digital signal You can load data using the S/PDIF or adat digital signal via the DIGITAL/DATA IN jack. *Use an external device that supports 44.1 kHz sampling frequency (the same as the VF-16) Connecting to an external device Loading data Connect the DIGITAL/DATA IN jack to the digital output jack of the external digital device. You can load data via the "Load PGM" menu in the SETUP mode.
8. Start playback of the player. * If you load data to a program in which data is already recorded, the newly loaded data overwrites the current data track by track. Consequently, on each overwritten track, the loaded data becomes valid while the current data is erased. After reading the pilot signal recorded when saving the data, the data starts loading automatically. When starts loading, the display shows something like the one below, in which "Wait time" starts counting down. 4.
Saving/loading data using SCSI You can save/load song data using a SCSI backup disk. Normally a backup SCSI disk should be formatted by the backup format (for backup use only). You can also save data to or load data from a WEV file on a SCSI disk formatted by the DOS format (for computer use). Since song data written in a WAV file can be read by a computer, as well as can be loaded to the VF-16, you can use the data with a music software.
5. Use the [JOG] dial to select a program to be saved. Saving data to a SCSI disk Depending on a program selected, the display shows as below. You can save data via the "Save PGM" menu in the SETUP mode. When saving to a SCSI disk, you can save data for each specified program like saving to a DAT/adat. • When selecting a vacant program (no data is recorded): "0MB" is shown.
While "B01: New PGM" is flashing, you can select "Eject" for the forced eject by using the [JOG] dial. When you remove the disk forcibly, select "Eject" and press the [ENTER/YES] key. The disk will be ejected and "Insert Disk" will flash on the display. The save operations described above (both for using a single disk and multiple disks) are assumed that backup disks used are newly formatted and have no recorded data.
Loading from a single SCSI disk • In the saving operation using more than one disk, if you use a disk in which save data is already recorded: You can load data using the "Load PGM" menu in the SETUP mode. The following procedure shows how to load song data saved to a single SCSI disk. See the next section for loading data saved to more than one SCSI disk. When carrying out step 6 above, an existing program number is shown.
Loading from more than one disk The following procedure shows how to load song data saved to two SCSI disks. 1. Insert the first disk (Disk-1) to the SCSI device. 2. Carry out the same procedures as steps 1 through 3 described in the previous section "Loading from a single disk". You can select any existing program available on the current drive by rotating the [JOG] dial besides "New PGM". When selecting an existing program, the data size of the program is also shown.
4. Use the [JOG] dial to select the load destination program and press the [ENTER/YES] key. The data load to the selected program starts. The display changes to something like the screen below. As the data load goes on, the remaining data size shown on the screen counts down. After completing the data load from Disk-1, the display shows "Insert Disk 2", while Disk-1 is automatically ejected. 5. Insert Disk-2 (the second disk) to the SCSI device according to the display message.
Save/load a WAV file Song data can be saved to or load from a SCSI disk by the FDMS-3 (Fostex Disk Management System-3) format, as well as by the WAV file format (RIFF WAVE file format) using a DOS-formatted disk. As you can handle song data of the VF-16 with a WAV file, it is possible to directly import/export data from/to a personal computer, to playback/edit a data file with various software applications, and to import a data file edited by a computer to the VF-16.
5. While "OFF" is flashing, press the [ENTER/YES] key. Saving a WAV file The display shows the screen for selecting a program to be saved. The program number currently selected flashes, while the data size of the program is shown. You can save a WAV file. Make sure that the DOS-formatted disk with FAT16 is set. The following procedure assumes that the newly formatted "clean" disk is used for backup. 1. Press the [SETUP] key to enter the Setup mode.
8. After selecting a file, press the [ENTER/YES] key. The display shows the screen for editing the WAV file. flashing If the backup disk contains any existing program(s) previously saved, the display may show following screens after carrying out the previous step, depending on the available space of the backup disk. By rotating the [JOG] dial, you can enter the desired numeric, symbolic or alphabetical character in the flashing digit.
In the save operation which requires more than one backup disk, if you use a backup disk which contains any program(s) saved, the display shows the screen as shown below. • If the file name you are going to save duplicates with the existing WAV file name on the backup disk, "Warning! Already Exist" is shown on the screen and the save operation will not be executed. In such a case, change the file name according to the procedure above and carry out the save operation again.
When the load operation is completed, "Completed!" appears on the screen. 5. After selecting the desired WAV file, press the [ENTER/ YES] key. The display shows the screen for selecting a track to be loaded. "All" flashes initially. Besides "All", you can select any one of tracks (01 through 24) by rotating the [JOG] dial. The title of the program to which the WAV file is loaded is replaced with the WAV file name loaded (the first 6 characters). 6.
<< Special loading method when using a computer >> < Note> WAV files which can be saved/loaded by this recorder must have file names written as “******##.WAV.” Other file names cannot be acknowledged by this recorder. Unknown file names will not be acknowledged and could cause malfunction. Extreme care should be taken when changing file names and making folders on a computer. * The first six letters will be the title shown in the SETUP mode “Title Edit” display.
Chapter 7 SETUP mode The SETUP mode of the VF-16 offers the “Changing the initial settings” menus, which configure the operating environment of the VF-16, a “Check” menu that enables you to check the number of events for each track, and an “Execution” menu that executes certain operations, such as save and load and disk formatting. The “Changing the initial settings” menu include 20 parameters as shown in below.
To enter the SETUP mode Entering the SETUP is possible only when the VF-16 is in the Stop mode. 1. While the recorder is stopped, press the [SETUP] key on the operating panel. At shipping from the plant or when power is switched on again, the “Signature Set” menu will be reversed in white-black. Otherwise, when exiting from the SETUP mode, the SETUP menu that was displayed last will be reversed in black and white.
You cannot register the “001BAR“ of “001BAR 4/4 .” flashing Take care because this procedure wipes out the tempo setting as well as time signature setting. The following bar numbers and time signatures can be entered via the [JOG] dial. Bar You can enter are from 001 to 999. Time Signature 1/4, 2/4, 3/4, 4/4, 5/4, 1/8, 3/8, 5/8, 6/8, 7/8, 8/8 or DEL “DEL” is used to deleted time signature data.
Setting a tempo [“Tempo Set”] The “Tempo Map Set” menu enables you to specify a tempo at a given point in a song that already has a time signature setting. For example, you can specify a tempo of 150 to the third beat of the 12th measure. Time signature and tempo settings make a Tempo Map, which is used by the VF-16 to manage the song using the BAR/BEAT/CLK time base, and enable the metronome function.
Correction of the Registered Tempo Erasing of the Registered Tempo 1. Under the above “Confirmation display,” select the tempo map which is to be changed and press the [ENTER/YES] key. 1. Under the above “Confirmation display,” select the tempo map which is to be erased and press the [ENTER/ YES] key. The same as before, “tempo value” will flash. The same as before, “tempo value” will flash. 2. Input the desired tempo with the [JOG] dial and press the [ENTER/YES] key. 2.
Setting a preroll value [“Preroll Time”] The VF-16 features a Preroll function that enables you to locate a position a few seconds prior to a specified locate point. The “Setting a preroll value” menu enables you to set the preroll time (in seconds). The Preroll function is convenient when you wish to monitor the audio data from a point slightly before the locate point. 1. Select “Preroll Time” in the menu selection display and press the [ENTER/YES] key.
Setting an MTC frame rate [“Frame Rate”] The “Setting an MTC frame rate” menu enables you to set the frame rate for MTC output from the MIDI OUT connector of the VF-16 to an external MIDI device. If you have already set the type of MIDI sync output signal to [MTC], you need to set the frame rate. Use the frame rate of MTC received by the external MIDI device (or sequence software). 2. Select the desired frame rate value with the [JOG] dial and press the [ENTER/YES] key.
Setting MTC Offset mode [“Offset Mode”] If you have selected [MTC] in the “Setting Offset mode” menu, you need to select MTC Offset mode. This menu enables you to determine whether the specified MTC is output at ABS 00h 00m 00s 00f or at 001bar 1beat 00clk (bar/beat) of the Tempo Map. * As an example, if you set MTC Offset mode to “ABS” and you wish to start the song from MTC’s 1h 00m 00s 00f, you may want to set a preroll of three seconds with MTC offset of 00h 59m 57s 00f.
Setting the Slave Type [“Slave Type”] If you have set Slave Mode to “On” in the previous section “Slave Mode Setting,” you can choose what type of external sync signal that the VF-16 synchronizes to. This mode allows you to choose the external sync signal type. • • * * Initial setting: [Vari] Offset mode option: [Vari], [Free], [SPDIF] or [adat] You can set the mode for each Program individually. The settings can be saved and loaded as part of the song data.
Setting Digital Input [“Digital In”] In the [Setting digital input] menu, whether the signal assigned to tracks 1 through 16 are digital signals (adat digital signal/SP DIF digital signal) or analog signals, can be setup. By using this function, it becomes possible to digitally record from external digital equipment (CD, MD, DAT, adat, digital mixer, etc.).
Setting Digital Output [“Digital Out”] In the “Setup of digital output” menu, the type of digital signal to be output to external digital equipment from the VF-16 DIGITAL/DATA OUT connector, can be setup. By using this feature, digital signals recorded in VF-16 can be directly sent without conversion to external digital equipment (MD, DAT, adat, digital mixer). 2. Select the desired “digital out” with the [JOG] dial. Depending on the selected item, LCD will be as follows.
Setting the MIDI device number [“Device ID”] The “Setting the MIDI device number” menu enables you to set the VF-16 device ID number required to control the VF-16 from a sequence software using MMC (MIDI Machine Control). The transmit device ID links to this setting. You can set the device ID from 00 to 99. However, if the device ID number of the message the VF-16 receives is [7F], the VF-16 will recognizes it to perform the corresponding operation, regardless of its device ID setting. 2.
The Drive Format Information [“Drive Information”] Format information of the current drive currently installed can be checked by using the “Drive Format Information” menu. Should any trouble occur in the VF-16, providing the information obtained here to our nearest Fostex Service Station will be of great help in giving quick service. The following items will be displayed and can be confirmed. 1. Select “Drive Information” in the menu selection display and press the [ENTER/YES] key. 1.
Fader Fix Mode Setting [“Fader Fix”] Whether the fader manipulation should be reflected on the sound volume or not can be set. The setup content will be held even if the main power is switched off. 2. Select the desired item with the [JOG] dial and press the [ENTER/YES] key. The “Fader Fix Mode” can be made to function when set in other (CH, MST or CH & MST) than “Off” of the next item on the “Fader Recall Mode”. The selected item will be set.
On/Off of phantom power setting [“Phantom Power”] ON/OFF of phantom power provided at INPUT 7 and 8 (XLR-3-31) can be setup. 1. Select “Phantom Power” in the menu selection display and press the [ENTER/YES] key. • • * * Initial setting: [Off] Options: [On] or [Off] You can set the value for each Program individually. The settings cannot be saved and loaded as part of the song data. * The settings are maintained after you turn off the power to the VF-16. The currently set will flash.
EQ cannot be applied to the channel (Except the master channel) setup for the compressor. With the compressor channel setup, if the EQ editing mode is entered, this condition will be indicated by the [CH STATUS/CH SEL] key LED. The channel in which the LED (green) is blinking is an indication that EQ editing is possible in this channel and the channel in which the LED is not lit is an indication that EQ cannot be applied to this channel.
Trouble Shooting A breakdown? If you suspect so, please read the fpllowing explanations before requesting repairs. Troubles at Recording? * Input signal not indicated by the level meter ? * When attempting to select a recording track for DIRECT recording, are there some tracks between 9-16 that cannot be selected ? Level meter does not light up even though recording track is set and channel fader/master fader is raised to the "0" position.
* Even though effect is selected for the source channel, effect cannot be applied ? * Cannot record external digital signals ? Match "Digital In" in the SETUP mode to the digital signal (S/P DIF or adat) to be input Raise the effect send level Read page 107 for details. Initially, the effect send level of each channel will all be at "0". Select the channel for applying effect and raise the effect send level with the JOG dial. For details, read page 44.
MIDI Implementation Chart (Digital Multitracker) MIDI Implementation Chart Model VF-16 Transmitted Function.................... Basic Channel Default Changed Mode Note Number: Velocity After Touch Recognized X X X X Default Message X X X Altered ******************************** X X X X True Voice ******************************** X Note ON Note OFF X X X X X X X X X X X X X X ******************************** X Key’s Channel’s Pitch Bend Date: Version: V1.
MMC Command List Command list Movement (Recorder) 01: STOP STOP 02: PLAY 03: DEFERRED PLAY PLAY DEFERRED PLAY 04: FAST FORWARD 05: REWIND F FWD REWIND 06: RECORD STROBE 07: RECORD EXIT REC PUNCH OUT 09: PAUSE 40: WRITE Refer to MMC Response/Information Field List STOP 41: MASKED WRITE 42: READ Refer to MMC Response/Information Field List 44: LOCATE 46: SEARCH LOCATE to Setting Data CUE/REVIEW (+/- 1~60 times) 47: SHUTTLE 4C: MOVE CUE/REVIEW (+/- 1~60 times) Refer to MMC Response/Informati
Maintenance Cleaning the exterior * For normal cleaning, use a soft dry cloth. For stubborn dirt, moisten a cloth in diluted detergent, wring it out firmly, and wipe the dirt off. Then polish with a dry cloth. Never use solvents such as alcohol, thinner or benzene, since these will damage the printing and finish of the exterior. Specifications Recording/Reproducing Recording Medium Recording Format Save/Load Format Sampling Frequency Quantization A/D Converter D/A Converter No.
Output Level STEREO OUT L, R Connector Load Impedance Output Level DIGITAL IN Connector Format DIGITAL OUT Connector Format MIDI IN/OUT Connector PUNCH IN/OUT Connector SCSI (for use Backup) Connector : -10dBV : : : RCA pin jack 10kΩ or more -10dBV : : Optical (1) IEC 60958 (S/P DIF), (2) Alesis Proprietry Multi Channel Optical Interface (Either (1) or (2) is selected in the SETUP mode) : : Optical (1) IEC 60958 (S/P DIF), (2) Alesis Proprietry Multi Channel Optical Interface (Either (1) or (2) is
Block Diagram PEAK (To HDR) INPUT A DIR A/D INPUT A (+4 ~ -50dBV) (From HDR) REP TRK1 REP TRK2 REP TRK3 REP TRK4 REP TRK5 REP TRK6 REP TRK7 REP TRK8 (To HDR) INPUT B DIR PEAK TRIM A/D INPUT B (+4 ~ -50dBV) REC SOURCE SEL X8 3 BAND EQ CH STATUS PAN GAIN HI GAIN HI FREQ HI Q MID GAIN MID FREQ MID Q EFF 1 LO GAIN TRIM PEAK AUX 1 2 CH ON EQ PARAMETERS PLAY REC BUSSES ST REC EFF L R L R 1 2 OFF ON GRN: PLAY RED: REC OFF: CH OFF (To HDR) INPUT C DIR EQ A/B/OFF EFF 2 A/D INPUT C (+4
Declaration of EC Directive This equipment is compatible with the EMC Directive (89/336/EEC) - Directive on approximation of member nation's ordinance concerning the electromagnetic compatibility and with the Low Voltage Directive (73/23/EEC) - Directive on approximation of member nation's ordinance concerning electric equipment designed to be used within the specified voltage range.
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