TDM_Install.book Page 1 Saturday, January 13, 2001 9:35 PM Pro Tools TDM Installation Guide Version 5.1 for Macintosh Digidesign Inc. 3401-A Hillview Avenue Palo Alto, CA 94304 USA tel: 650·842·7900 fax: 650·842·7999 Technical Support (USA) 650·842·6699 650·856·4275 Product Information (USA) 650·842·6602 800·333·2137 Fax on Demand (USA) 1·888·USE·DIGI (873·3444) International Offices Visit the Digidesign Web site for contact information. World Wide Web www.digidesign.com Digidesign FTP Site ftp.
TDM_Install.book Page 2 Saturday, January 13, 2001 9:35 PM Copyright This User’s Guide is copyrighted ©2001 by Digidesign, a division of Avid Technology, Inc. (hereafter “Digidesign”), with all rights reserved. Under copyright laws, this manual may not be duplicated in whole or in part without the written consent of Digidesign. DIGIDESIGN, AVID and PRO TOOLS are trademarks or registered trademarks of Digidesign and/or Avid Technology, Inc. All other trademarks are the property of their respective owners.
TDM_Install.book Page iii Saturday, January 13, 2001 9:35 PM contents Chapter 1. Pro Tools TDM System Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Pro Tools TDM Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 System Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Digidesign Registration . . . . . . . . . . . . . . . . . . . . . . . . . .
TDM_Install.book Page iv Saturday, January 13, 2001 9:35 PM Connecting Effects Units . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Connecting MIDI Devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Connecting SMPTE Synchronization Devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Chapter 5. Installing Pro Tools Software. . . . . . . . . . . . . . . . . . . .
TDM_Install.book Page 1 Saturday, January 13, 2001 9:35 PM chapter 1 Pro Tools TDM System Requirements Pro Tools TDM Systems Pro Tools 24 A core system includes: Pro Tools 5.1 supports the following TDM systems.
TDM_Install.book Page 2 Saturday, January 13, 2001 9:35 PM Audio Interfaces To record and play audio you must have one of the following Digidesign audio interfaces: 888/24 I/O ◆ Analog: XLR (balanced or unbalanced) connectors, +4 dBu or –10 dBV Digital: XLR (AES/EBU) or RCA (S/PDIF) connectors System Requirements The CPU, hard disk, monitoring and MIDI requirements for Pro Tools differ depending on your system configuration. The requirements for each configuration are listed below.
TDM_Install.book Page 3 Saturday, January 13, 2001 9:35 PM A 17-inch or larger color monitor; black and white monitors are not supported ◆ A Digidesign-qualified floppy drive, along with the appropriate driver software (included on the Pro Tools Installer CD-ROM); required to authorize most plug-ins ◆ Hard Drive Requirements For audio recording and storage, all Pro Tools TDM systems require one or more Digidesignqualified drives.
TDM_Install.book Page 4 Saturday, January 13, 2001 9:35 PM About the Pro Tools Guides PDF versions of the Pro Tools guides are installed automatically with Pro Tools, and can be easily accessed from the Help menu in Pro Tools. To read the guide online, or print it, you must install Acrobat Reader (included on the Pro Tools Installer CD).
TDM_Install.book Page 5 Saturday, January 13, 2001 9:35 PM chapter 2 Connecting SCSI Drives SCSI hard drives function as the recommended recording media for Pro Tools TDM systems; it is there that Pro Tools sessions and audio files are kept. Although Pro Tools will let you record to your system drive, this is generally not recommended. Performance for recording and playback on system drives is worse than on non-system drives, resulting in lower track counts and fewer plug-ins.
TDM_Install.book Page 6 Saturday, January 13, 2001 9:35 PM SCSI Cables Using these guidelines: Use shorter SCSI cables to improve reliability. Table 1 provides guidelines for maximum cable lengths according to SCSI type.
TDM_Install.book Page 7 Saturday, January 13, 2001 9:35 PM Connecting SCSI Drives To connect an external SCSI drive: 1 Turn off power to both the computer and the hard drive. to SCSI accelerator card 2 Attach a SCSI cable from the SCSI port of the hard drive to the SCSI port of the SCSI HBA card or computer depending on your system’s SCSI requirements. Connecting an external SCSI hard drive SCSI Termination 3 Secure the cable’s connectors to the hard drive and computer.
TDM_Install.book Page 8 Saturday, January 13, 2001 9:35 PM Initializing and Maintaining SCSI Drives SCSI hard drives used for audio recording on TDM systems must be formatted (or initialized) for either the HFS or HFS plus file system. Drive partitions of up to 2 terabytes (2000 gigabytes) can be used. TDM systems require that you use the ExpressPro-Tools software from ATTO (included with Pro Tools) for all drive formatting and partitioning; only one disk utility should be used for all drives in a system.
TDM_Install.book Page 9 Saturday, January 13, 2001 9:35 PM When is High-Level Formatting Necessary? It is generally necessary to initialize a hard drive in one of the following cases: If a new drive is being prepared for use on a computer for the first time and the drive is not already initialized. ◆ If a drive is being changed from one platform to another. For example if you are switching from a Windows to a Macintosh-based system, the drive must be reinitialized for the new operating system.
TDM_Install.book Page 10 Saturday, January 13, 2001 9:35 PM Optimizing (Defragmenting) Drives To prevent fragmentation, you can optimize your drive, which rearranges your files into a contiguous format. Most optimizing software lets you run a check on a drive to find out the percentage of fragmentation. If your drive shows moderate to heavy fragmentation, you should consider optimizing it.
TDM_Install.book Page 11 Saturday, January 13, 2001 9:35 PM Mounting an HFS Drive If the MacOpener utility is installed and enabled, no additional steps are required to mount HFS drives. They will appear as normal system drives after you connect them and restart your computer. Formatting and Maintaining HFS (and HFS+) Drives While it is possible to use MacOpener to format HFS (and HFS+) drives from a Windows machine, this can yield unpredictable results.
TDM_Install.
TDM_Install.book Page 13 Saturday, January 13, 2001 9:35 PM chapter 3 Installing Pro Tools Hardware Pro Tools TDM Cards Your Pro Tools TDM cards will differ depending on your system configuration. Card components for each configuration are listed below. If you are installing an expanded system in your computer, or using an Expansion Chassis to add additional cards to your system, refer to the Expanded Systems Guide included with your Pro Tools system.
TDM_Install.book Page 14 Saturday, January 13, 2001 9:35 PM you can attach two 8-channel audio interfaces. The DigiSerial port is for connecting a Digidesign Universal Slave Driver, or a 9-pin device for use with the Pro Tools MachineControl option. The DSP Farm The DSP Farm provides the power for the Pro Tools 24 system’s mixing and processing capabilities. It powers DSP software such as the DigiRack plug-ins included with Pro Tools.
TDM_Install.book Page 15 Saturday, January 13, 2001 9:35 PM Installing the Pro Tools Cards Install the Pro Tools cards: 1 Turn off your computer and any peripherals. Leave your computer’s power cable plugged in so the computer is grounded. 2 Open the computer case. The illustrations in this section show a Blue & White Macintosh G3 and a Macintosh 9600 computer. If you are using a different model, your installation should be similar.
TDM_Install.book Page 16 Saturday, January 13, 2001 9:35 PM Group similar cards together (put all MIX Farm cards next to each other, for example). 6 If installing a SCSI HBA card, install it in the highest numbered remaining slot. For 9500 and 9600 computers, the SCSI HBA should reside before the video card. Connect all TDM cards with the TDM ribbon cable: 1 Connect the first node of the cable to the first TDM card.
TDM_Install.book Page 17 Saturday, January 13, 2001 9:35 PM The 1622 I/O Audio Interface is not supported by the DSP Farm. It must be connected to a MIX Core, MIX Farm, or d24 card. Only one 1622 I/O can be connected to any of these cards. The optional 16channel peripheral cable adapter is not supported by the 1622 I/O. 3 If using multiple audio interfaces, connect the Slave Clock Out of the primary interface to the Slave Clock In of the second interface with the provided BNC cable.
TDM_Install.
TDM_Install.book Page 19 Saturday, January 13, 2001 9:35 PM chapter 4 Connecting Your Studio This chapter explains how to connect Pro Tools to a mixer, amplification system, digital recorders, and SMPTE synchronization devices. The information is organized according to the type of interface or Pro Tools configuration you have.
TDM_Install.book Page 20 Saturday, January 13, 2001 9:35 PM Internal This is the 888/24 I/O standard setting. In this mode, the 888/24 I/O sample rate is generated by its internal crystal oscillator (whose frequency is determined by the Sample Rate setting in the Session Setup window). Internal mode should be active whenever the 888/24 I/O is not synchronized to an external clock source.
TDM_Install.book Page 21 Saturday, January 13, 2001 9:35 PM 48 kHz This is a standard sampling rate of many professional audio devices. It is recommended for use with devices that cannot receive digital transfers at 44.1 kHz. 44.1 kHz This is the compact disc standard sampling rate and the Pro Tools default sample rate. To avoid the need for sample rate conversion, you should use this rate when you are recording material that will ultimately be published on a compact disc.
TDM_Install.book Page 22 Saturday, January 13, 2001 9:35 PM 888/24 I/O Back Panel AES/EBU Digital Outputs 1–8 The 888/24 I/O has the following back panel connectors, moving from left to right: The 888/24 I/O AES/EBU output jacks are balanced, 3-conductor, XLR connectors which output a 24-bit digital data stream. Output is continuously active on both the AES/EBU and S/PDIF jacks even when the 888/24 I/O input selector is set to analog.
TDM_Install.book Page 23 Saturday, January 13, 2001 9:35 PM S/PDIF Digital Input/Output The Sony Philips Digital Interface Format (S/PDIF) is used in many professional and consumer CD players and DAT recorders. The 888/24 I/O S/PDIF in/out jacks are unbalanced 2-conductor phono (RCA) jacks which utilize a full 24-bit digital data stream. To avoid RF interference, use 75-ohm coaxial cable for S/PDIF transfers and keep the cable length to a maximum of 10 meters.
TDM_Install.book Page 24 Saturday, January 13, 2001 9:35 PM To change the operating level of an input channel: 1 Turn off your computer and the 888/24 I/O. 2 With a Phillips screwdriver, remove the screws To change the operating level of an output channel: 1 Turn off your computer and the 888/24 I/O. 2 Using the 1/16-inch hex wrench included from the top of the 888/24 I/O.
TDM_Install.book Page 25 Saturday, January 13, 2001 9:35 PM 8 Replace the four front panel screws using the hex wrench. 9 Replace the top screws with a Phillips screw- driver. Making Signal Connections to the 888/24 I/O Depending on how you plan to use the 888/24 I/O, the way you connect it to your studio will vary. Most manuals contain device input specifications, including whether or not there are pads or attenuators. Consult the manufacturer of your mixer or power amplifier for further information.
TDM_Install.book Page 26 Saturday, January 13, 2001 9:35 PM Using the 888/24 I/O Interface as Standalone Audio Converter To use the 888/24 I/O as a standalone D/A converter: 1 Make sure that a digital device providing a word clock signal is connected to AES/EBU inputs 1–2 of the 888/24 I/O and turned on. The 888/24 I/O can be used apart from Pro Tools as a standalone 8-channel, 24-bit, analog-to-digital or digital-to-analog converter. 2 Turn on the 888/24 I/O.
TDM_Install.book Page 27 Saturday, January 13, 2001 9:35 PM The 882/20 I/O Interface This section explains all of the connectors and indicators on the front and back panels of the 882/20 I/O interface, how they are used, and offers suggestions for connecting the 882/20 I/O to your studio.
TDM_Install.book Page 28 Saturday, January 13, 2001 9:35 PM In expanded Pro Tools systems, the Super Clock output of the master audio interface locks all other interfaces together with sample accuracy, keeping all signals phase-synchronous. When slaving to a Digidesign Universal Slave Driver, Video Slave Driver, or SMPTE Slave Driver, set the clock source to Internal. The audio interface will automatically switch to Slave mode when it detects the 256x input clock.
TDM_Install.book Page 29 Saturday, January 13, 2001 9:35 PM Because input channels 1–2 of the 882/20 I/O are software selectable between analog or S/PDIF digital format, input to these two analog channels is disabled when S/PDIF digital input format is chosen in the Pro Tools Hardware Setup dialog. The 882/20 I/O analog inputs are factory calibrated at a –14 dB nominal level, referenced to a full code signal.
TDM_Install.book Page 30 Saturday, January 13, 2001 9:35 PM 50-pin Interface Connector This 50-pin connector is used to connect the 882/20 I/O to a MIX card, d24, Disk I/O, or DSP Farm card. The necessary cable is supplied with your audio interface. If you plan to connect two 882/20 I/O interfaces to a MIX card or d24 card, a 16-channel peripheral cable adapter is necessary. (This cable is available from your Digidesign dealer.) Power Input This connector accepts a standard AC power cable.
TDM_Install.book Page 31 Saturday, January 13, 2001 9:35 PM Figure 2 diagram shows a setup without a mixer, where effects and monitoring gear are connected directly to the 882/20 I/O. Mic Preamp, Direct Box, Synth, etc. Power Amp and Speakers S/PDIF Digital Input/Output To DAT Recorder COM IN 1 2 3 4 5 7 2 3 4 5 6 7 8 OUT K E CLOC SLAV searches briefly for a word clock signal on channels 1–2 of its digital input ports.
TDM_Install.book Page 32 Saturday, January 13, 2001 9:35 PM To return the 882/20 I/O to Pro Tools-based operation: ■ Turn on your computer. – or – ■ If your computer is on, launch Pro Tools. The 1622 I/O Interface This section explains the connectors and indicators on the front and back panels of the 1622 I/O interface, how they are used, and offers suggestions for connecting the 1622 I/O to your studio.
TDM_Install.book Page 33 Saturday, January 13, 2001 9:35 PM Slave This LED is lit when the 1622 I/O is synchronized to another Digidesign audio interface or synchronization peripheral. In this mode, the sample rate of the slave interface is derived from the frequency of the incoming master clock signal present at the Slave Clock In (256x) port.
TDM_Install.book Page 34 Saturday, January 13, 2001 9:35 PM synthesizers, samplers and effects devices. Unbalanced connections are supported through the use of standard 1/4-inch TRS mono phone plugs.
TDM_Install.book Page 35 Saturday, January 13, 2001 9:35 PM Because crucial timing data is passed over these ports, you should use high-quality, 75-ohm RG59 cables for making connections, and keep total cable length to less than 3 meters between interfaces. S/PDIF Digital Input/Output The Sony Philips Digital Interface Format (S/PDIF) is used in many professional and consumer CD players and DAT recorders. The 1622 I/O S/PDIF jacks are 24-bit capable, unbalanced, 2-conductor, phono (RCA) jacks.
TDM_Install.book Page 36 Saturday, January 13, 2001 9:35 PM To fine tune the input level gain: 1 Create an Auxiliary Input track. This can be either mono or stereo depending on the device you are monitoring. 2 Set the track input to the 1622 I/O input channel you just set in the Other Options dialog. 3 Play the instrument at maximum volume, sending a steady signal to the 1622 I/O.
TDM_Install.book Page 37 Saturday, January 13, 2001 9:35 PM Using the 1622 I/O Interface as Standalone Audio Converter The 1622 I/O can be used apart from Pro Tools as a standalone 2-channel, 20-bit analog-to-digital, or 24-bit digital-to-analog converter. Input and output levels are determined by the settings last saved by clicking the Store button in the Other Options dialog (choose Setups > Hardware and click Other Options).
TDM_Install.book Page 38 Saturday, January 13, 2001 9:35 PM Connecting Equipment with Digital Audio Ins and Outs Because the 888/24 I/O, 882/20 I/O, 1622 I/O, and ADAT Bridge I/O feature digital inputs and outputs, Pro Tools allows you to digitally record to or from a digital device such as a DAT recorder. The 888/24 I/O and ADAT Bridge I/O provide both AES/EBU and S/PDIF digital audio input and output. The 882/20 I/O and 1622 I/O provide S/PDIF digital audio input and output.
TDM_Install.book Page 39 Saturday, January 13, 2001 9:35 PM source such as a DAT deck). You should then set your digital effects devices to accept an external digital clock so that they will synchronize themselves to Pro Tools. In the Pro Tools Hardware Setup dialog, set the input of the channel pair to which you have connected the digital effects device to Digital, and set the Sync Mode to Internal.
TDM_Install.book Page 40 Saturday, January 13, 2001 9:35 PM For fairly short pieces of audio program material, SMPTE Trigger is acceptable, especially if the sync master has a fairly stable transport or is resolved to house sync or a black burst generator. In this case, the master transport and Pro Tools will probably not drift very far apart in such a short period of time.
TDM_Install.book Page 41 Saturday, January 13, 2001 9:35 PM chapter 5 Installing Pro Tools Software The complete Pro Tools software installation process includes: To configure the Apple System software for optimum Pro Tools use: • Preparing your Apple System software for Pro Tools 1 In the Memory Control Panel do the follow- • Installing Pro Tools software • Set the Disk Cache to a Custom Setting of 512 K. • Installing OMS ing: • Set Virtual Memory to Off.
TDM_Install.book Page 42 Saturday, January 13, 2001 9:35 PM Installing Pro Tools Software To install Pro Tools software: 1 Locate the Pro Tools Installer CD for Macintosh and place it in your CD-ROM drive. Locate and double-click the file named “Install Pro Tools.” 2 Select the hard drive on which to install Pro Tools from the Install Location pop-up menu. For maximum reliability, install Pro Tools on your startup drive.
TDM_Install.book Page 43 Saturday, January 13, 2001 9:35 PM 6 Select an initial set of Pro Tools Preferences. 8 If you installed Surround Mixer in the previ- These Preference “sets” have been pre-configured to include some of the more popular settings for post production, audio, and audio with MIDI. After selecting a setting, click Continue. ous step, the Installer prompts you to select a Surround Monitor Format.
TDM_Install.book Page 44 Saturday, January 13, 2001 9:35 PM The following sections provide basic instructions for installing and configuring OMS. For more detailed information, refer to the online OMS Guide installed with Pro Tools. 2 Select whether your MIDI interface is con- nected to the Modem or Printer port. If using a USB or PCI-based MIDI interface, leave both ports unchecked. Click Search. Installing OMS The OMS Installer is located on your Pro Tools Installer CD.
TDM_Install.book Page 45 Saturday, January 13, 2001 9:35 PM OMS searches for and displays any detected MIDI devices. Some older instruments, as well as some newer ones, may not be recognized by the OMS auto-detection routines. Undefined OMS device Devices not recognized by OMS appear with a red question mark and are named based on the interface or port to which they are connected. These devices can be defined as necessary within the OMS Setup application (see “Defining MIDI Devices in OMS” on page 45).
TDM_Install.book Page 46 Saturday, January 13, 2001 9:35 PM To edit the IAC driver’s name: 1 Double-click the OMS Setup application. 2 In the Studio Setup window, double-click the IAC driver. Studio Setup window with IAC Driver 3 Rename “∞ IAC bus #1” to “MMC” and click OK. Renaming the IAC Driver 4 Quit OMS Setup.
TDM_Install.book Page 47 Saturday, January 13, 2001 9:35 PM chapter 6 Checking Your TDM System and Launching Pro Tools Before you launch Pro Tools, run the DigiTest diagnostics application located in the Digidesign Utilities folder (see “Running DigiTest” on page 48). DigiTest finds your cards and confirms that they are correctly installed and working. When DigiTest has completed and you have rebooted your computer, launch Pro Tools for the first time.
TDM_Install.book Page 48 Saturday, January 13, 2001 9:35 PM Running DigiTest Run the DigiTest diagnostics application to identify TDM cards and verify that they are correctly installed and working. DigiTest is included on the Pro Tools Installer CD and installed with Pro Tools. DigiTest resides in the Digidesign Utilities folder. Before you run DigiTest, lower the volume of all output devices. Very loud digital noise may be emitted during the test.
TDM_Install.book Page 49 Saturday, January 13, 2001 9:35 PM When you select a computer type, a second window also opens and displays the lowest slot in your computer. 3 If using an expansion chassis, select it from the SlotArrangement menu.The number of Expansion Chassis card slots updates in the main window to reflect your chassis type. 6 If any cards fail, you can review test details by clicking the Info button for the corresponding card and slot.
TDM_Install.book Page 50 Saturday, January 13, 2001 9:35 PM Configuring Pro Tools TDM Cards and Audio Interfaces The first time you run Pro Tools, the Hardware Setup dialog automatically opens after you validate Pro Tools software. The Hardware Setup dialog prompts you to configure the parameters for each Pro Tools card and audio interface in your system. To configure Pro Tools hardware: 1 If the Hardware Setup dialog isn’t on-screen, choose Setups > Hardware in Pro Tools.
TDM_Install.book Page 51 Saturday, January 13, 2001 9:35 PM 9 From the H/W Buffer pop-up, select the audio buffer size, in samples, for host processing tasks such as Real-Time AudioSuite (RTAS) plug-in processing. Select a minimum of 128 samples. Select larger buffer sizes for slower computers; for a Power Macintosh 9600 or a beige G3, the Hardware Buffer size can be set as high as 1024 samples.
TDM_Install.book Page 52 Saturday, January 13, 2001 9:35 PM Opening the Demo Session Now you will open the demo session and begin playback to hear Pro Tools in action. To open the demo session: 1 Locate and open the demo session folder. 2 Double-click the file, “Pro Tools SoundCheck.” 3 If this is the first time you are launching Pro Tools, a dialog appears prompting you to use the Hardware dialog to configure your system. Click OK. (See “Configuring Pro Tools TDM Cards and Audio Interfaces” on page 50.
TDM_Install.book Page 53 Saturday, January 13, 2001 9:35 PM chapter 7 Calibrating the 888/24 I/O Before you use the 888/24/I/O Audio Interface, you may want to calibrate its input and output levels to the level of your mixing console. The 888/24 I/O is factory-calibrated so that its input operating level is set to +4 dB nominal with 18 dB headroom nominal at full code, unity gain, making calibration unnecessary for most professional applications.
TDM_Install.book Page 54 Saturday, January 13, 2001 9:35 PM The Calibration Process Analog To calibrate the input level of an analog device to a mixing console’s output level, you would typically send a 1 kHz tone at 0 VU from the console to the analog deck and align the recording deck’s meters to read 0 VU.
TDM_Install.book Page 55 Saturday, January 13, 2001 9:35 PM 14 Create an additional mono Auxiliary Input track for each 888/24 I/O input you want to calibrate. Set the input assignment for each of these Auxiliary Inputs to its respective 888/24 I/O input. Then set the output of each of these Auxiliary Inputs to an unused bus pair (for example Bus 31–32) so that feedback doesn’t occur when monitoring main outputs 1–2. 15 Connect an external VU meter to each of the 888/24 I/O outputs in turn.
TDM_Install.
TDM_Install.book Page 57 Saturday, January 13, 2001 9:35 PM appendix a Determining Slot Order In order to determine slot order for your TDM cards, you need to first note the model of your Power Macintosh, then find its lowest numeric slot. The following figures show the lowest slot for Power Macintosh computers supported by Pro Tools. For systems without an Expansion Chassis, the primary d24 or MIX Core card will always be installed in your computer’s lowest slot.
TDM_Install.book Page 58 Saturday, January 13, 2001 9:35 PM Card Order Guidelines for Each Pro Tools System The following are card installation guidelines for each Pro Tools TDM system. Install your cards in the following order, starting with the lowest numeric slot. The guidelines below may include optional cards not present in your system.
TDM_Install.book Page 59 Saturday, January 13, 2001 9:35 PM Card order for mixed systems: 1 MIX Core card 2 MIX Farm card 3 d24 audio cards 4 DSP Farm cards 5 MIX I/O cards 6 SampleCell II TDM cards 7 SCSI host bus adapter (HBA) 8 Video capture cards When configuring a Pro Tools system with a Power Macintosh 9500 0r 9600 (without an expansion chassis), make sure to install Pro tools Core cards on a separate PCI bridge from other bus master cards.
TDM_Install.
TDM_Install.book Page 61 Saturday, January 13, 2001 9:35 PM appendix b DigiTest Error Codes DigiTest Error Codes Code Description Err3 Cards from different Pro Tools systems are incorrectly mixed. See “Card Order Guidelines for Each Pro Tools System” on page 58. Err4 Err5 Err6 Err1010 Err1011 Cards marked with this error are installed in the wrong order. See “Card Order Guidelines for Each Pro Tools System” on page 58. Too many cards of this type are installed in the system.
TDM_Install.
TDM_Install.book Page 63 Saturday, January 13, 2001 9:35 PM index Numerics A 1-2 Format of 888/24 I/O 20 1622 I/O Audio Interface 16 as standalone converter 37 back panel 34 connecting to studio 35 connections & levels 2 front panel 32 input meters 33 output meters 33 16-channel peripheral cable adapter 16 44.
TDM_Install.
TDM_Install.
TDM_Install.
