AIRLAB User Manual Mixing consoles Version 2.03 D&R ELECTRONICA WEESP BV Rijnkade 15B 1382 GS Weesp The Netherlands Phone: +31 (294) 418014 Fax: +31 (294) 416987 Website: http://www.d-r.nl E-mail: info@d-r.
Introduction 1 INTRODUCTION ............................................................................................................................................. 3 2 PACKAGE CONTENTS .................................................................................................................................. 4 3 SYSTEM DESCRIPTION ................................................................................................................................
Introduction 1 INTRODUCTION Dear client, Thank you for choosing the Airlab console. The Airlab is designed by specialists in the field of radio broadcast and is intended to be used as a 24 hour "On-Air" console as well as a production console. We are confident that you will be using the Airlab for many years to come, and wish you much success.
Package Contents 2 PACKAGE CONTENTS The Airlab package comes with the following parts inside. • • • • • 1x Airlab 1x This manual 1x Airlab Control Center supporting Win98SE/Win2000/WinXP/WinNT4.
System Description 3 SYSTEM DESCRIPTION D&R Quality D&R has been the largest manufacturer of mixing consoles and signal processors in the Netherlands for 26 years. More than 90% of the total production is exported worldwide. This market demands excellent pricing and quality standards. D&R products are used in studios and live performances, both of which require 100% reliability, which is the result of 26 years of research, design and manufacturing.
System Description The Airlab is a complete and self-contained piece of hardware, requiring no additional items in order to be operated. All relevant functions are built-in, such as fader start/stop (pulse or continuously selectable). There is also no need for complex mic-on/cough switching to the announcer booth. A stereo jack, a LED and a simple push-button switch complete this task. The optional SiCo unit is a nice looking alternative with many extras for Cough switching and monitoring.
System Description Broadcasting Options In designing the Airlab, D&R decided to make the system as flexible for the operator as possible. Therefore the Airlab can be used in many ways. There's a minimum of jumper settings, which can be set to suit your own needs. Most of the settings are under software control in the master section and can be stored to a chip card.
Triple Line Input Stereo Module 4 TRIPLE LINE INPUT STEREO MODULE MONO Every channel has a mono switch with LED to send a mono input signal to both outputs of the module. (PHANTOM POWER, not on front panel. 48 volt switchable by a jumper setting (see also chapter 12)) MIC-TRIM The trim control adds an extra 13dB of mic gain to the mic pre-amp. An optimal gain range can be accomplished in this way. GAIN The gain control adjusts the incoming signal level on the MIC and LINE input.
Triple Line Input Stereo Module PAN Allows adjustment between the left and right channel outputs. CUE/SELECT Stereo pre-fade listening; allows pre-fade listening of the channel with the fader closed. The CUE function will be automatically TURNED OFF when the channel becomes active. The CUE switch also generates a start/stop pulse in the line-mode. The CUE switch also acts as a SELECT switch for the programming of the modules functions. ON Channel on/off switch.
Triple Line Input Stereo Module 4.1 SHORT OVERVIEW OF TRIPLE LINE MODULE FUNCTIONS Microphone input: Impedance: Level: Connectors: 48 Volt phantom: Mic High pass filter: Electronically balanced 2 kOhm From -70 dBu microphone input to 0 dBu XLR female, Pin 1 = ground. Pin 2 = in phase.
Triple Line Input Stereo Module Mono Microphone input The front end of this module is designed to amplify balanced microphone signals. A +48 Volt phantom power supply is available for condenser microphones. The Airlab has the ultimate in mic amplification with a wide dynamic range and extremely low noise. The microphone input is electronically balanced and protected against R.F. interference. Input impedance is 2 kOhm. This is high enough to accept all modern microphones.
Triple Line Input Stereo Module A. COUGH / REMOTE / SIGNALING IN MIC MODE This useful feature has two important functions: 1. Cough/Communication, 2. 'MIC-on' (CUE on) Both functions are software programmable. 1. Cough/Communication (A push-button needs to be connected to the ring and sleeve of the remote jack plug.) Using the push-button during broadcast, the announcer can temporarily mute the microphone in order to cough (where the name comes from).
Triple Line Input Stereo Module START/STOP FUNCTIONS CONFIGURED The 'Start' is only active when this is activated in the software. These remote connectors are activated by the fader and/or `ON' switch in the channel module. The start jack connectors are electronically separated by use of encapsulated reed relays. Reed relays are ideal devices for eliminating ground loops and limited life span effects of other switches and can easily be interfaced with all modern equipment.
Triple Line Input Stereo Module Equalizer The equalizer is optimized for broadcast. Center detents on all equalizer controls indicate their flat position. (On special demand we could manufacture modules without an EQ section) The maximum lift and cut is 12 dB at the following frequencies: 10 kHz: Shelve 1 kHz: Bell 60 Hz: Bell SUB The Sub switch switches the stereo modules output to a separate SUB mix amp located in the master section of the console.
Triple Line Input Stereo Module ON The channel on/off switch operates in tandem with the fader. There are two methods of activating the channel: A. Press the `ON' switch (Green LED is on). Then by moving up the fader, the signal is sent to the master and at the same time a mic-on/channel on indication is sent to the remote connector. B. When the 'ON' switch is 'OFF', no LED is illuminated. As the fader is moved upwards, the channel is put into 'stand-by'.
Triple Dig Input Module 5 TRIPLE DIG INPUT MODULE MONO Every channel has a mono switch with LED to send a mono input signal to both outputs of the module. (PHANTOM POWER, not on the front panel. But 48 volt switch able by a jumper setting (see also chapter 12)) MIC-TRIM The trim control adds an extra 13dB of mic gain to the mic pre-amp. An optimum gain range can be accomplished in this way. GAIN The gain control adjusts the incoming signal level on the MIC and DIG-LINE inputs.
Triple Dig Input Module PAN Allows adjustment between the left and right channel outputs. CUE/SELECT Stereo pre-fade listening; allows pre-fade listening of the channel with the fader closed. The CUE function will be automatically TURNED OFF when the channel becomes active. The CUE switch also generates a start/stop pulse in the line-mode. The CUE switch also acts as a SELECT switch for the programming of the modules functions. ON Channel on/off switch.
Triple Dig Input Module 5.1 SHORT OVERVIEW OF TRIPLE DIG INPUT FUNCTIONS Microphone input: Impedance: Level: Connectors: 48 Volt phantom: Mic High pass filter: Electronically balanced 2 kOhm From -70 dBu microphone input to 0 dBu XLR female, Pin 1 = ground. Pin 2 = in phase.
Triple Dig Input Module Mono Microphone input The front end of this module is designed to amplify balanced microphone signals. A +48 Volt phantom power supply is available for condenser microphones. The Airlab has the ultimate in mic amplification with a wide dynamic range and extremely low noise. The microphone input is electronically balanced and protected against R.F. interference. Input impedance is 2 kOhm. This is high enough to accept all modern microphones.
Triple Dig Input Module A. COUGH / REMOTE / SIGNALING IN MIC MODE This useful feature has two important functions: 1. Cough/Communication, 2. 'MIC-on' (CUE on) Both functions are software programmable. 1. Cough/Communication (A push-button needs to be connected to the ring and sleeve of the remote jack plug.) Using the push-button during broadcast, the announcer can temporarily mute the microphone in order to cough (where the name comes from).
Triple Dig Input Module START/STOP FUNCTIONS CONFIGURED The 'Start' is only active when this is activated in the software. These remote connectors are activated by the fader and/or `ON' switch in the channel module. The start jack connectors are electronically separated by use of encapsulated reed relays. Reed relays are ideal devices for eliminating ground loops and limited life span effects of other switches and can easily be interfaced with all modern equipment.
Triple Dig Input Module Equalizer The equalizer is optimized for broadcast. Center detents on all equalizer controls indicate their flat position. (On special demand we could manufacture modules without an EQ section) The maximum lift and cut is 12 dB at the following frequencies: 10 kHz: Shelve 1 kHz: Bell 60 Hz: Bell SUB The Sub switch switches the stereo modules output to a separate SUB mix amp located in the master section of the console.
Triple Dig Input Module ON The channel on/off switch operates in tandem with the fader. There are two methods of activating the channel: A. Press the `ON' switch (Green LED is on). Then by moving up the fader, the signal is sent to the master and at the same time a mic-on/channel on indication is sent to the remote connector. B. When the 'ON' switch is 'OFF', no LED is illuminated. As the fader is moved upwards, the channel is put into 'stand-by'.
Telco Module 6 TELCO MODULE TRIM The trim control adjusts the optimum side-tone suppression (R-balance). The trim needs to be re-adjusted with every new installation. TELCO SEND This gain control adjusts outgoing levels coming from the main output or the SUB output. LINE The Line input switches the modules input from the internal hybrid to a female XLR on the connector panel to eventually accept an external (digital) hybrid. GAIN This control adjusts incoming call levels.
Telco Module Airlab TELCO input module This input module is specially designed to accept a telephone line. An internal telephone hybrid circuit simplifies connection of telephone lines and phone appliances. There is a LINE input to accept external hybrids, a WALL connector for connecting to the telephone line and a “TO PHONE” output that connects to the phone device. Jumpers Aux send pre/post and C balance are jumper enabled/disabled. All other functions are software programmable.
Telco Module PAN The PAN enables positioning of the incoming caller signal. The range is not restricted in order to enable to position any incoming signal anywhere in the stereo image. CUE/SELECT/RING Automatic pre-fade listening/post pan, or cue, allows a caller to be heard without being in the broadcast. When activating the cue switch, the caller is connected to the CUE bus and listens to the talk back MIC of the engineer (fader closed). The CUE switch shows an incoming call by a flashing CUE LED.
Telco Module 6.1 COMMUNICATION WITH TELCO MODULE ENGINEER TO/FROM TELCO Communication with the engineer is easily accomplished by activating the CUE switch in the Telco module. An open communication is achieved now between caller and engineer. ANNOUNCER TO/FROM TELCO The CUE switch on the Telco module has to be activated. The moment the Announcer hits his cough switch communication takes place between announcer and caller (Telco module). There are several software programmable functions available here.
Module Connectors 7 MODULE CONNECTORS MIC Input / From Hybrid Connector type is female XLR: Pin1 = ground Pin2 = in phase Pin3 = out of phase LINE A LEFT / DIG-IN (AES3) / WALL Connector type is female XLR: Pin1 = ground / ground Pin2 = in phase / A (wire) Pin3 = out of phase / B (wire) LINE A RIGHT / DIG-OUT (AES3) / TO PHONE (this XLR is a Male for digital) Connector type is (fe)male XLR:Pin1 = ground/ground Pin2 = in phase / phone line A-wire Pin3 = out of phase / phone line B wire The input impedance
Master Section 8 MASTER SECTION TAPE SEND This section of the master houses the switches and controlling what's going to the tape outputs. A selection can be made between three outputs of the Airlab. With all switches up the main program signal is recorded. As soon as one of the other switches is pressed, the corresponding FROM SUB or FROM AUX. output signals are recorded. NOTE: With this circuitry it is possible to record stereo sources from the channels assigned to the sub buss during broadcast.
Master Section (FROM) SUB This is a stereo switch bringing the Sub output into the CRM/phones output. It will override the 'from air' and other selected sources when selected. CUE BALANCE The CUE balance pot continuously adjusts the balance between the stereo CUE signal and the stereo input selection made with the switches described above. (AUTO)CUE This LED indicates that both CRM outputs are automatically connected to a selected CUE switch in stereo.
Master Section STUDIO In the Studio area are three monitor systems, which can be used as needed in your studio situation. The studio output will give a stereo signal fed from the "PROGRAM" signal or from one of the selected other input sources, such as (from)AIR, (from)SUB or the CRM. The associated MUTE LED indicates that a microphone is opened in the Studio area avoiding feedback. The programming of this function is under software control.
Timer and System-setup 9 TIMER AND SYSTEM-SETUP This part of the Airlab is actually the most interesting part. In this section decisions are made and stored on memory cards for later retrieval. There are two important systems active here. 1. Programming of your Airlab configuration. 2. Internal TIMER.
Timer and System-setup 9.2 AIRLAB METERING The Airlab is shipped with 4 VU meters. The 2 meters on the left always follow the main program material and the 2 meters on the right side of the meter hood follow the CRM selectors. NOTE: The following levels should be used for a suitable sound pressure, for music, talk shows and interviews etc.
Back Panel Connectors 10 BACK PANEL CONNECTORS The connector back panel of the master section has all the in/outputs to interface with external equipment and a PC. SPARE 1 - 4 We have integrated 4 openings, which fit spare XLR connectors for "do it yourself" purposes. An activity extremely loved by inhouse technicians. Below these spare openings are the power on/off switch, a power inlet and the ground connector of the console to be used as central star ground point for the studio.
Back Panel Connectors EXTERN IN/AIR IN The next section shows the left and right input Cinch connectors for the EXTERNAL and AIR in signals. FROM AIR is the stereo input for controlling the off air signal coming from a receiver. Input sensitivity is either 0 dBu. GUEST/ANNOUNCER The next connectors on the right are the stereo GUEST and ANNOUNCER headphone outputs on stereo jack sockets. ON AIR 1/2 On the left side of these jacks are the ON-AIR 1 and ON-AIR 2 jacks.
Back Panel Connectors STUDIO The two Cinch connectors are the unbalanced Studio outputs. The level is +6 dBu at 47 Ohm. SUB OUTPUTS These outputs are electronically balanced and wired to male XLR outputs. Output level is +6 dBu at 47 Ohm. (Transformers are optional) RS232 This computer type connector is the interface between the Airlab and a PC. Through this connector and the delivered software it is possible to program the Airlab on your PC.
Airlab Master Panel Wiring 11 AIRLAB MASTER BACK PANEL WIRING EXTERN IN Connector type is Cinch. Unbalanced, level = 0 dBu 10 kOhm AIR IN Connector type is Cinch.
Airlab Master Panel Wiring RS 232 Connector type: SubD9 Male 1 = CD (Doesn't need to be connected)* 2 = TD 3 = RD 4 = DTR (Doesn't need to be connected)* 5 = gnd 6 = DSR (Doesn't need to be connected)* 7 = RTS (Doesn't need to be connected)* 8 = CTS (Doesn't need to be connected)* 9 = NC * (Some PC’s require connection instead) METER Connector type: SubD9 Female 1 = CRM-right (feeds meter right) 2 = ground 3 = External CUE LED drive 4 = ground 5 = Program right signal 6 = CRM left signal 7 = +18 volt 8 =
Airlab Jumper Settings 12 AIRLAB JUMPER SETTINGS 12.
Airlab Jumper Settings Figure 7: Triple Module Phantom Power Jumper settings Figure 8: Triple Module EQ Jumper settings NOTE: An optional R.I.A.A. phono pre amp can be plugged in here. The 'B' input of the channel can thus be connected directly to a phono cartridge. Jumpers should be removed from the channel completely. Figure 9: R.I.A.A connection on Triple module Airlab from D&R Phone +31 294 418014, email: info@d-r.
Airlab Jumper Settings 12.
Airlab Jumper Settings Figure 13: Triple Dig Module Phantom Power Jumper settings Figure 14: Triple Dig Module Digital Output Select Jumper and Digital Output Level trim Figure 15: Triple Dig Module FCLK-Select (PLL or Fixed) Digital Output settings: Dependent on the jumper setting the output is giving the stereo PROG signal or the stereo SUB-signal. Normally the output level is -9dBFS but the level (headroom) can be adjusted by VR2 and VR3.
Airlab Jumper Settings 12.3 TELCO MODULE Figure 16: Airlab Telco Module Jumper Locations Options AUX PRE/POST Jumpers J8 and J9 Settings 1 + 2 = POST Settings 3 + 4 = PRE Default POST Table 3: Airlab Telco Module Jumper settings Figure 17: Telco Module AUX Jumper settings Figure 18: Telco Module C-Balance Setting OPTIONAL It's optional to install High quality transformers on the PROGRAM outputs and on the SUB outputs. Please contact your dealer for further information.
Installing/Servicing the Airlab 13 INSTALLING/SERVICING THE AIRLAB Mains Please check that the local mains supply corresponds with the voltage selected on the Airlab mains inlet. The Airlab can be factory set for voltages between 100 - 120 Volts or 220 - 240 Volts. The Airlab is fused with a 2 Amp slow blow fuse for 110 Volt or 1.0 Amp slow blow fuse for 220 Volt. DO NOT use any other value, as this would be hazardous and the Airlab guarantee will be voided.
Installing/Servicing the Airlab NOTE: Wiring a tuner needs special attention. If the tuner is "cabled", the coax antennae cable will probably cause a ground loop. A H.F. transformer must separate the antenna input of the tuner. Ask your dealer or any radio shop for details. *IMPORTANT* SAFETY PRECAUTION - All 'outside' connections to the Airlab, even from the same building, must be connected via a transformer. This avoids the possibility of ground loops and 'hums'.
Installing/Servicing the Airlab INSTALLING / ALIGNMENT OF THE TELCO MODULE A. Connect the telephone line with the 'TO PHONE' labeled female XLR and a phone appliance to the female XLR labeled WALL. (See connector pages) ALIGNMENT OF N-1 (MixMinus) NOTE: This alignment has already taken place at the factory, however if you later on extend the AIRLAB with another TELCO module you need to follow the next steps for a correct alignment of the N-1 signal for every new installed TELCO module. 1. 2. 3. 4. 5. 6.
Installing/Servicing the Airlab 9. 10. 11. 12. 13. 14. Move the TELCO modules fader to its 0 dB position. Press the ON switch and activate the PROG and SUB switch only. The LINE IN switch should be off (up). CHECK if the CRM outputs this PHONE IN signal coming from the PROG buss, (No CRM select switches are active) to be sure that you have correctly connected and routed your source. Now open the fader on the channel where you have connected your audio and Press the ON switch on that channel.
How to program the Airlab 14 HOW TO PROGRAM THE AIRLAB As you might have noticed the Airlab has a LCD in the center section of the master panel with a number of switches positioned below that display. If you turn on the Airlab you'll notice the following text in the display. 00:00:00 TIMER This is the menu that's normally active. But before we go into this menu we need to program the Airlab conform to your requirements. This can be done without opening the frame.
How to program the Airlab LINE B ENABLES START TIMER To enter the next programming possibility you simply hit the DOWN button again and you'll see a new item. See on the right what the LCD shows: This option allows you to select one or more modules, which need to be able to activate the internal TIMER when in Line B input position. LineB Timerstrt? Toggle by SELECT HOW TO PROGRAM The SELECT switches in the modules have a dual function.
How to program the Airlab LINE B ENABLES START To enter the next programming possibility you simply hit the DOWN button again and you will see a new item. See on the right what the LCD shows: This option allows you to select one or more modules, which need to be able to give a start, when set in Line B input mode. Always on for Telco module. LineB Start? Toggle by SELECT HOW TO PROGRAM The SELECT switches in the modules have a dual function.
How to program the Airlab ON SWITCH GENERATES A START PULSE To enter the next programming possibility you simply hit the DOWN button again and you will see a new item. See on the right what the LCD shows: This option allows you to select one or more modules, which need to be able to give a start pulse when the ON switch is activated. Always on for Telco module. Start by On? Toggle by SELECT HOW TO PROGRAM The SELECT switches in the modules have a dual function.
How to program the Airlab REMOTE CUE POSSIBLE IN LINE A MODE To enter the next programming possibility you simply hit the DOWN button again and you will see a new item. See on the right what the LCD shows: This option allows you to set if the CUE must be activated by an incoming remote on one or more modules, when set in Line A input mode. LineA Rem. Cue? Toggle by SELECT HOW TO PROGRAM The SELECT switches in the modules have a dual function.
How to program the Airlab WHICH CHANNEL IS YOUR DJ CHANNEL To enter the next programming possibility you simply hit the DOWN button again and you will see a new item. See on the right what the LCD shows: This option allows you to set one or more modules in DJ mode. Not available for Telco Module. DJ. Module? Toggle by SELECT HOW TO PROGRAM The SELECT switches in the modules have a dual function.
How to program the Airlab ON AIR-1 ACTIVE FOR LINE A To enter the next programming possibility you simply hit the DOWN button again and you will see a new item. See on the right what the LCD shows: This option allows you to set one or more modules to toggle the ON-AIR-1 relay, when in Line A input mode. LineA On Air-1? Toggle by SELECT HOW TO PROGRAM The SELECT switches in the modules have a dual function.
How to program the Airlab ON AIR-2 ACTIVE FOR LINE A To enter the next programming possibility you simply hit the DOWN button again and you will see a new item. See on the right what the LCD shows: This option allows you to set one or more modules to toggle the ON-AIR-2 relay, when in Line A input mode. LineA On Air-2? Toggle by SELECT HOW TO PROGRAM The SELECT switches in the modules have a dual function.
How to program the Airlab ON AT START UP To enter the next programming possibility you simply hit the DOWN button again and you will see a new item. See on the right what the LCD shows: This option allows you to set one or more modules to be default ON when powering up the console. On at Power up? Toggle by SELECT HOW TO PROGRAM The SELECT switches in the modules have a dual function. They select the module you are programming and at the same time you can toggle between the active and not active setting.
How to program the Airlab REMOTE ON POSSIBLE IN MIC MODE To enter the next programming possibility you simply hit the DOWN button again and you will see a new item. See on the right what the LCD shows: This allows you to operate the ON switch on one or more selected modules by corresponding remote, when the Mic input is selected. Not available for Telco Module. MIC Rem. On? Toggle by SELECT HOW TO PROGRAM The SELECT switches in the modules have a dual function.
How to program the Airlab IMPORTANT INFORMATION To save all the work you have done you simply hit the ENTER switch and all settings are stored in the internal memory of the Airlab. Pressing the ESC switch instead will discard all the changed settings in the last session. You have now completed the modules set-up and it is now time to go to the Master settings. Airlab from D&R Phone +31 294 418014, email: info@d-r.
How to program the Airlab 14.2 MASTER SETTINGS To enter this part of the programming hit the EXIT button and you will see that the LCD returns to its TIMER menu. Now hit the UP or DOWN switch again until you see the text MASTER SETTINGS. This brings you into the master settings menu. Now push the ENTER switch to enter the four master programming possibilities. AUTO CUE RESET Use the YES and NO button to switch 'Auto cue Reset' option on and off.
How to program the Airlab 14.3 SYSTEM SETUP You have now completed the master set-up and it is now time to go to the System settings. To enter this part of the programming hit the EXIT button to leave the master settings without saving changes or hit the ENTER switch to leave the master settings with saving changes.
How to program the Airlab STORE In the Store menu you can store a setup to the internal memory. By pressing the ENTER switch the actual data will be stored to memory. Subsequently by pushing the ESC switch, the Store menu will be left. Store Press Enter/Esc RECALL Memory Card In the Recall memory card menu you can recall a stored setup from a Memory card. By pressing the ENTER switch the actual data will be recalled from an inserted memory card.
How to program the Airlab 14.4 TIMER As earlier mentioned the Airlab has a built in Timer, which is practical and easy to use.The Timer menu is the basic menu that the Airlab always shows. To activate the timer it is necessary to first program the modules and make up your mind which modules and in which mode they should trigger the Timer. Any module that has been programmed to start the timer shall trigger the timer and the clock is running, reading from left to right: hours, minutes and seconds.
How to program the Airlab 14.5 MENU DIAGRAM The menu diagram displays the menu structure as it is programmed in the Airlab. Timer Module Settings Master Settings System | LineA Timerstrt? | LineB Timerstrt? | Mic. Timerstrt? | LineA Start? | Line B Start? | Mic. Start? | Start by Fader? | Start by On? | Start by Cue? | Puls */Cont 0 ? | LineA Rem. Cue? | LineB Rem. Cue? | Mic. Rem. Cue? | DJ. Module? | Ann. Module? | Studio Module? | LineA On Air-1? | LineB On Air-1? | Mic.
Windows Software 15 Windows Software The RS232 communication option enables you to manage the Airlab programming from a remotely connected PC. The main advantage is that this gives you a much better overview on all the available settings that can be made. All the custom settings made can be saved in a file. That way you can create you own presets. The settings made can be saved to chipcard. Each user can have a personal chipcard with his or hers customized setting for the Airlab. 15.
Windows Software If the Airlab is connected correctly you'll see the following screen (Figure 21). You'll notice that the screen is divided in multiple sections. Each section is individually discussed in this chapter. Figure 21: Airlab Main Screen Figure 22 displays a summary of all the modules in the Airlab. Figure 22: Status bar As you can see we can have a total of 16 modules in the Airlab. The configuration, as shown in the second column, consists from 12 triple line modules and 2 Telco modules.
Windows Software Figure 24: Triple Module Settings Figure 25: Telco Module Settings Figure 24 and Figure 25 display the module settings for the Telco and the Line modules. Basically this is a graphical overview of the menu structure in the Airlab. The graphical user interface allows you to make changes very easily and very fast. For a detailed overview off all module settings you can read section 14.1 of this manual.
Specifications 16 SPECIFICATIONS INPUTS: Mic inp. bal. 2 kOhm - 128 dBr (+/- 40 dB gain range plus 30 dB of trim range). Line inp. bal 10 kOhm +/- 20 dB gain range. Insert level: -10dbV Telco input (XLR) 10 kOhm bal. +4 dBu nominal. CMRR: mic input max. gain: 1kHz 85 dB. Line input max. gain 1 kHz 30 dB. EQUALISATION: +/- 12 dB @ 10 kHz shelving. +/- 12 dB @ 1 kHz bell curve. +/- 12 dB @ 60 Hz bell curve. Low Cut: 80 Hz, 12 dB per octave (Mic only) Low Cut: 200Hz, 6 dB per octave (Telco only).
SiCo Remote Unit 17 SICO REMOTE UNIT The Airlab Sico Remote unit is designed to be the communication interface between the control room and the announcer or guest. It has a built in headphone amp, a remote connector to be wired via a shielded stereo cable to the related Airlab channel, and a very convenient CHOUGH/COMMUNICATION button. We shall describe all functions in detail now. COUGH/SIGNALLING IN MIC MODE This useful feature has two important functions: 1. Cough/communication, 2. 'Mic-on' 1.
Director Unit 18 DIRECTOR UNIT (discontinued) The Director is designed to be the answer for the need of the Station manager to manage the live broadcast and have control over in and outputs as well as communication to all essential in and outputs of the Airlab ON-AIR mixing console. Figure 29: Director front and rear view The director of the broadcast station can use the 'Director box'.
List of figures 19 LIST OF FIGURES Figure 1: The connections on a module ................................................................................................ 28 Figure 2: The Master Section ................................................................................................................ 29 Figure 3: The connections on the Master Section ................................................................................. 34 Figure 4: Airlab Triple Module Jumper Locations ............
List of tables 20 LIST OF TABLES Table 1: Airlab Triple Module Jumper settings ...................................................................................... 39 Table 2: Airlab Triple Dig Module Jumper settings................................................................................ 41 Table 3: Airlab Telco Module Jumper settings ...................................................................................... 43 Airlab from D&R Phone +31 294 418014, email: info@d-r.
Airlab User Questionnaire 21 AIRLAB USER QUESTIONNAIRE Dear Airlab user, We care very much about your opinion of our product, and would very much appreciate if you could complete the following questionnaire, and return it to the address below. Please use the reverse, or additional paper if required. USER NAME ........................................................................................................................ ORGANIZATION ..................................................................
Product Safety 22 PRODUCT SAFETY This product is manufactured with the highest standards and is double checked in our quality control department for reliability in the "HIGH VOLTAGE" section. CAUTION Never remove any panels, or open this equipment. No user serviceable parts inside. Equipment power supply must be grounded at all times. Only use this product as described, in user manual or brochure. Do not operate this equipment in high humidity or expose it to water or other liquids.
Product Safety Always keep the, on the previous page, mentioned information in mind when using electrically powered equipment. D&R ELECTRONICA B.V. WEESP HEAD OFFICE D&R Electronica Weesp b.v. Rijnkade 15B 1382 GS WEESP THE NETHERLANDS Phone: +31 (294) 418 014* Fax: +31 (294) 416 987 Website: http//www.d-r.nl E-mail: info@d-r.nl Airlab from D&R Phone +31 294 418014, email: info@d-r.
Declaration of Conformity 23 DECLARATION OF CONFORMITY DECLARATION OF CONFORMITY Manufacturers Name: D&R Electronica Weesp b.v.
24 DISCLAIMER Due to a policy of continuous product improvement, D&R Electronica Weesp B.V. reserves the right to change specifications, appearance and performance without prior notice. Since the use of this information, and the conditions by which the products are used are beyond the control of D&R Electronica Weesp B.V., it is the obligation of the owner and/or the equipment operator to determine the correct and safe selection, settings and conditions of use of the equipment and products.
