Table of Contents 1 INTRODUCTION 1.1 1.2 1.3 Projector Overview ......................................................................................1-1 Components.................................................................................................1-2 Purchase Record and Servicing ....................................................................1-3 2 INSTALLATION & 2.1 2.2 2.3 2.4 2.5 2.6 Quick Setup .......................................................................................
Section 1 Introduction 1.1 Projector Overview Christie DS+5K/5Kc/8K, HD5K/5Kc/8K/8Kc, Mirage S+2K/4K/8K/W3/W6/W8, DW3K/3Kc/6K/6Kc, Matrix S+2K/4000/W4, DLV1400-DX and DLV1920-DX are all professional 3-chip projectors based on nextgeneration Digital Light Processing™ (DLP™) technology by Texas Instruments™ to deliver high quality, crisp, clean images.
Section 1: Introduction Refer to Section 6 for a complete list of Specifications including Brightness and Contrast and Optional Input Modules How the projector works f The projector accepts data/graphics and video input signals for projection onto front or rear flat screens. High brightness light is generated by an internal Xenon lamp then modulated by three Digital Micro-mirror Device (DMD) panels that provide digitized red, green or blue color information.
Section 1: Introduction 1.3 Purchase Record and Warranty Registration Whether the projector is under warranty or the warranty has expired, Christie’s highly trained and extensive factory and dealer service network is always available to quickly diagnose and correct projector malfunctions. Service manuals and updates are available to service technicians for all projectors. If you encounter any problems with the projector and require assistance, contact your dealer or Christie Digital Systems.
Section 2 Installation & Setup 2.1 Quick Setup The instructions provided here are for those that are familiar with the projector and wish to quickly set it up and use it temporarily. Refer to the remaining subsections of this manual for a more complete setup. Step 1 f Install a Projection Lens The projection lens is shipped separately from the projector and must be installed prior to setting up the projector. Install the projection lens as described in 4.5 Replacing the Projection Lens.
Section 2: Installation and Setup Step 4 f Connect the Line Cord The North American-rated line cord is provided with each projector. Ensure that you are using a line cord that meets the appropriate rating standards (CCC for use in China, PSE for use in Japan). Plug the line cord to the AC receptacle located on the right hand side of the projector and the three-pronged end into a grounded AC outlet. Ensure the socket outlet is installed near the equipment and is easily accessible.
Section 2: Installation and Setup 2.2 Installation Considerations Proper installation of your projector will ensure the quality of your display. Whether you are installing a projector temporarily or permanently you should take the following into account to ensure your projector performs optimally. Installation type f Choose the installation type that best suits your needs: front or rear screen, floor mount or inverted mount.
Section 2: Installation and Setup Rear screen installations There are two basic types of rear screens: diffused and optical. A diffused screen has a surface, which spreads the light striking it. Purely diffused screens have a gain of less than one. The main advantage of the diffused screen is its wide viewing angle, similar to that of a flat screen for front screen projection. This type of screen is suitable when a wide viewing angle is required but there is low ambient room lighting.
Section 2: Installation and Setup output with a 4:3 aspect ratio onto a 10-foot (3m) high screen, the width of the screen must be at least 13.3feet (4m). Ambient Lighting f The high brightness of this projector is well suited for locations where ambient lighting might be considered less than ideal for projection. A typical room with ceiling lights and windows rarely requires special attention.
Section 2: Installation and Setup Vertical and horizontal position The correct vertical and horizontal position of the projector in relation to the screen depends on the lens type and the screen size. Ideally, the projector should be positioned perpendicular to the screen. This way, the image will appear rectangular instead of keystoned (trapezoidal).
Section 2: Installation and Setup Figure 2.1. Vertical Offset Examples 013-100199-03 2-7.
Section 2: Installation and Setup Figure 2.2.
Section 2: Installation and Setup The horizontal position of the image can be offset – that is moved to the left or right of lens center, by adjusting the fully motorized lens mount through software. The amount of horizontal offset available depends on the lens installed and if the image has already been vertically offset. Horizontal offset can also be expressed as the percent of half the image width – the number of pixels of shift to one side of lens center. Refer to Figure 2.
Section 2: Installation and Setup Figure 2.4.
Section 2: Installation and Setup Mounting There are several methods for mounting the projector. Depending on your chosen installation, one method may be more suitable than another. In typical front and rear screen installations the projector can be mounted to a secure and level surface, such as a table or cart. Carts are useful when the projector has to be moved during a presentation or from site to site.
Section 2: Installation and Setup 2.3 Connecting Sources Sources connect to the Input Panel located at the back of the projector. See Figure 2.6. The upper right corner (INPUT 1) typically accepts an RGB signal from an external analog RGB source, or it can also be used for YPbPr signals or additional video sources. Just beside these BNCs, the DVI-I connector (INPUT 2) accepts digital or analog display signals from a computer.
Section 2: Installation and Setup Figure 2.7. Connecting RGB and Sync NOTES: 1) If for some reason the projector fails to recognize a signal as an RGB signal, specify this Color Space option within the Image Settings menu. See 3.5 Adjusting the Image. 2) To connect YPbPr signals–such as from DVDs or analog HDTV sources–to INPUT 1, use the red, green and blue BNCs as described in YPbPr Signals (below). YPbPr Signals f Connect a YPbPr signal (component video) to INPUT 1 or INPUT 2 as shown in Figure 2.8.
Section 2: Installation and Setup Composite and S-Video f INPUT 3 and INPUT 4 provide simultaneous connection of both a composite video source (INPUT 3) and an S-Video source (INPUT 4). See Figure 2.9. Figure 2.9.Connecting Composite or S-Video sources DVI Digital Video f Use the DVI-I connector at INPUT 2 to connect either analog or digital video devices to the projector.
Section 2: Installation and Setup 2.4 Connecting Communications As an alternative to the projector’s keypad or remote, you may wish to communicate with the projector using a PC or other controller. Such a device sends commands and receives feedback via serial links (RS232 and RS422), Ethernet or GPIO communications to the projector, all described below. Remote Keypads f As desired, direct the projector’s IR remote keypad towards the display screen or the projector’s IR sensors.
Section 2: Installation and Setup Figure 2.11. Connecting RS422 Ethernet Communications f Ethernet Communications To add the projector to an existing Ethernet network with other equipment such as controllers and other projectors, connect standard CAT5 Ethernet cable between your Ethernet controller (or hub) and the Ethernet port on the side of the projector. Upon connection to an Ethernet network, the projector’s factory default IP address of 0.0.0.0.
Section 2: Installation and Setup Figure 2.12. RS232 Network MIXED NETWORK: To control multiple projectors with a computer/controller having an RS422 interface, first set them all to the same baud rate as your RS422 controller. NOTE: You must enable this combination of RS422 and RS232 in the Communications menu. Set the “Network Routing” option to “RS232 and RS422 Joined”. See Section 3 for details.
Section 2: Installation and Setup ETHERNET NETWORK SETUP: To add one or more projectors to an Ethernet network, use standard CAT5 cable to connect each projector’s Ethernet port to a hub belonging to the network. A controller or PC must also be connected to the hub. See Figure 2.14. Figure 2.14. Ethernet Network SETTING THE PROJECTOR’S IP ADDRESS: Upon connection to most Ethernet networks, each projector’s factory default IP address of 0.0.0.
Section 2: Installation and Setup SUBNET MASK AND DEFAULT GATEWAY: The Subnet Mask and Default Gateway are automatically assigned when DHCP is enabled. If a static IP is being used, it must be assigned before the subnet mask. The Default Gateway is an optional router device used to send and receive data outside the subnet. ArtNet INTERFACE SETTINGS: Refer to Section 3.
Section 2: Installation and Setup 2.6 Power Connection The North American rated line cord is provided with each projector. Ensure that you are using a line cord that meets the appropriate rating standards (CCC for use in China, PSE for use in Japan). Plug the line cord to the AC receptacle located at the back of the projector, below the input panel, and the three-pronged end into a grounded AC outlet. Ensure the socket outlet is installed near the equipment and is easily accessible.
Section 3 Operation 3.1 About the Projector This section explains how to effectively operate the projector once it has been installed. It is recommended that you read this section and familiarize yourself with the components and the available menu options before you begin using your projector for the first time. Built-in Keypad f The built-in keypad is located at the back of the projector, beside the input panel. Use it similarly to the IR remote to control the projector.
Section 3: Operation Lens Mount & Projection Lenses f The projector is built with a motorized lens mount that allows for easy lens control and adjustment. This includes such functions as adjusting vertical and horizontal offsets, zoom and focus. The lens mount can be fitted with any one of the available optional lenses – see Section 6 - Specifications. • Zoom and Focus – There are two internal lens motors that allow for quick motorized adjustment of zoom and focus.
Section 3: Operation 3.2 Laser radiation is emitted from the laser diode in the remote. Do not look directly into the beam of the remote.
Section 3: Operation *These are toggle keys, which require you to press and hold or press twice or press and use the up/down arrow keys. NOTE: To turn the OSD off you must press OSD and . Figure 3.2.
Section 3: Operation Wired Remote f You can convert the IR remote into a wired remote keypad using the cable provided with the projector. Connect one end into the remote and the other to the mini stereo connector on the input panel labeled as REMOTE. The wired remote is recommended when: • • The built-in keypad is inaccessible The lighting conditions are unsuitable for proper IR transmission NOTE: Leave the batteries in the wired remote for the laser key ( ) to work.
Section 3: Operation Table 3.1. Auto Setup What an “Auto Setup” Does OPTIMIZES: SETS TO DEFAULT: Pixel Tracking Contrast Pixel Phase Brightness Size and Blanking Auto Input Level (off) Vertical Stretch Detail (if video source) Position Filter Input Levels Luma Delay NOTE: You must have an unlocked channel present to use Auto Setup. Channel Channel to select a specific source setup (channel) defined and stored in projector Press memory.
Section 3: Operation Input 6 Input 6 Press Input 6 to display from the INPUT 6 interface module installed in the Option 2 slot. NOTE: If you have the optional Dual SD/HD-SDI Module installed and there are two inputs connected here, the second input (B) is considered INPUT 8.
Section 3: Operation OSD OSD (On-screen display) Press OSD to hide the projector’s menu system during use. To see the menus again, do one of the following: • Press and hold OSD for two seconds • Press and release OSD followed immediately by • Press OSD OSD Invisible menus are fully functional, enabling “hidden” access to numbered features and image adjustments by entering the corresponding sequence of key presses on the keypad.
Section 3: Operation The “Projector” checkbox (read-only) shows whether or not the projector physically connected to a keypad is listening to commands from that keypad. A checkmark means that connected projector is listening; if there is no checkmark, you are communicating with a different projector. To control a specific projector with the keypad, press Proj and then enter the threedigit number assigned to the projector you want to use.
Section 3: Operation Lens NOTE: Use the Shift key (built-in keypad) with the general keys to get the same effect as if using the arrow keys related to “Lens V” or “Lens H” on the IR remote. Laser to activate the laser pointer on the Press remote. This feature is useful when making presentations - just point the remote at the screen to highlight an area of your presentation. The closer you are to the screen the brighter the laser beam appears.
Section 3: Operation On-line Help f If at any time you are uncertain what to do next, press Help to display summary information about the current menu or highlighted option. Press Help again to exit. In addition, a line of “hint” text is included at the bottom of some menus. Press Help from the presentation level to access general Help Topics. Scroll as necessary within a topic; press Help or Exit to return to your presentation.
Section 3: Operation Once selected, change the setting as desired (see below) and press return to the current function menu. to save and Slide bars in menus – The current value for a given parameter, such as size or vertical stretch, appears to the left of its slide bar icon (adjustment window). This number often expresses a percentage, or it may have units associated with it (such as pixels, degrees Kelvin, etc.), to gradually adjust the setting up or depending on the specific option.
Section 3: Operation Example of Pull-Down List If you prefer to quickly scroll through a list without first pulling it down, highlight the option and use . Press or when the desired choice appears. NOTES: 1) Press to jump between pages in an extra long pull-down list. or 2) Press Exit while in a pull-down list to cancel any change. Editing Text f ACTIVATE THE EDIT WINDOW: To enter or edit text, highlight the desired parameter (such as a channel name) and press to activate its adjacent edit window.
Section 3: Operation Editing Numerical Values f Enter numbers directly from the keypad in order to specify numbers representing projectors, channels (source setups), or slots. As each digit is entered, it is displayed and the cursor moves on. Note that channel numbers are defined with two digits—for example, if you enter only a single digit (such as “7”) for a channel number, the channel will automatically be defined as “07”. Enter “07” to utilize this channel.
Section 3: Operation previously through the same input location. Once you have adjusted a display parameter, such as pixel tracking or contrast, all current settings are collectively stored in the projector's memory as a unique two-digit channel, such as 0 9 . You can have numerous distinct channels available for the same input, any of which can be key on the keypad followed by the two-digit channel selected by using the number.
Section 3: Operation NOTES: 1) The current channel is highlighted upon entering the channel list, or, if this channel is not displayed here, the first channel in the list is highlighted. 2) Channels created automatically do not appear in the channel list unless a parameter for the channel has been changed.
Section 3: Operation Table 3.2. Abbreviations for Signal Type Abbrev. 4WH 4WV SG 5W 5WR SVid CVid Dig 013-100199-03 Signal Type Composite (4 wire) on HC input Composite (4 wire) on V input Sync-on-green Separate H,V Separate H,V swapped S-Video Composite Video Digital 3-17.
Section 3: Operation FUNCTIONS WITHIN THE CHANNEL SETUP MENU —To copy, delete or edit a channel, highlight the desired channel in the Channel Setup menu and do one of two things: • Press Func if you want to copy the selected channel or delete this or other channels. See Copying or Deleting a Channel below. • Press if you want to edit channel setups (i.e., non-image related parameters) for the selected channel. See Editing a Channel Setup, below.
Section 3: Operation NOTE: For any deletion, a window will appear to confirm the deletion of the desired channel. Select “Cancel” (default) if you don’t want to delete after all. Editing a Channel Setup f The basic setups that describe how and where a channel can be accessed are listed in the Channel Setup menu. These channel setups can be edited at any time in the Channel Edit submenu. CHANNEL EDIT — STEP 1 Press Menu from the presentation level to display the main menu.
Section 3: Operation 3.5 Adjusting the Image • LOCKED: If • PREVIOUS CHANNEL: Select this option to see or change Channel Edit settings for the previous channel in the Channel Setup list. • Select this option to see or change Channel Edit settings for the next channel in the Channel Setup list. checked, all of the image settings for this channel are disabled. If unchecked (default), all available image settings can be adjusted as desired. You cannot use Auto Setup with a locked channel.
Section 3: Operation Refer to "Using Slide bars and Other Controls" (earlier in this section) if you need help using any of the options and controls. Changes made in the Size and Position menu are applied immediately and are saved when you exit the menu (press Exit or Menu ). Resize Presets NOTE: The same resize presets are available to all HD and HD2 widescreen models. Please note however, the graphics used to describe each preset in this section are of the SXGA+ models only.
Section 3: Operation • Select “FULL SIZE” to use all pixels for displaying the image, regardless of source or original aspect ratio. Incoming source material having a different aspect ratio than the projector will be stretched for display. • Select “FULL WIDTH” to fill the projector’s display from left-toright without changing the original aspect ratio of the image.
Section 3: Operation Size “Size” controls both the image width and height in tandem, maintaining the current aspect ratio (proportion) of the displayed signal data. Vertical Stretch “Vertical Stretch” adjusts the height of the image while keeping the width constant. Use “Vertical Stretch” to change the aspect ratio of the display. Pixel Track Steady flickering or several soft vertical stripes or bands across the entire image indicates poor pixel tracking.
Section 3: Operation NOTE: The value shown represents where the approximate center of the image lies in relation to the total number of pixels available vertically. This varies widely according to the signal—watch the image while adjusting. Advanced Size and Position — SUBMENU This submenu consists of the following options: ACTIVE INPUT WINDOW: This readonly value indicates the current size (i.e., area) of your displayed data or “region of interest” as defined by the blanking controls.
Section 3: Operation Figure 3.6. Blanking of a PIP Image PLUG & DISPLAY (EDID): By default, a Plug & Play (EDID) source outputs a signal according to the EDID information provided by the projector. To override this information and display in a different format (for example, if your Plug & Play [EDID] device does not support the projector’s resolution and/or frequency), select the desired Plug & Play (EDID) resolution from the list.
Section 3: Operation NOTE: If the environment lighting changes, an adjustment of Gamma is recommended (see below). Brightness (SHORT CUT: Press Bright and adjust the slide bar.) “Brightness” increases or decreases the amount of black in the image (0-100). For best results, keep close to 50. Start with a high value and decrease so that dark areas do not become black (i.e., are “crushed”). Conversely, high brightness changes black to dark gray, causing washed-out images.
Section 3: Operation Detail “Detail” adjusts the sharpness of a video image so that edges remain clearly defined. It can be particularly useful if a significant “Noise Reduction” adjustment has caused the image to appear too soft. Adjust until the display is as sharp as desired, keeping in mind that because “Detail” adds some high frequencies back into the image, it can also re-introduce a certain degree of noise.
Section 3: Operation ENABLE DECODER AGC: Automatic Gain Control (AGC) affects decoded video images only. Enter a checkmark (default) in most instances—this activates the decoder’s AGC circuit to ensure properly bright images. Delete the checkmark if a decoded video image exhibits strange color artifacts such as stripes in highly saturated colors, indicating an incompatibility between this source and the AGC.
Section 3: Operation COLOR: This slide bar adjusts the color saturation level, i.e., the amount of color in a video image. Lower settings produce less saturated colors — for example a setting of “0” produces a black and white image. If the color level is too high, colors will be overpowering and unrealistic. TINT: This slide bar adjusts the red/green color hue for true color reproduction of video and HDTV signals connected to Input 3 or 4.
Section 3: Operation NOTES: 1) Input levels apply for the current source only, but for any color temperature used. 2) Assuming that color temperature has been set up based on the internal test patterns, you can then set up input levels for a given source so that it matches the color temperature of the internal test patterns.
Section 3: Operation pulse from the normal back porch location (which is likely too short) to the tip of the horizontal sync pulse. Tri Level is typically needed for an HDTV source. COLOR ENABLE –Select which color or colors you want to see in the display, useful while working with color temperature white levels or input levels. NOTES: 1) Input levels apply for the current source only, but for any color temperature used.
Section 3: Operation Figure 3.7. Adjusting Input Levels Using the Peak Detector (RED EXAMPLE SHOWN) Advanced Image Settings — SUBMENU Use the Advanced Image Settings submenu to make the adjustments necessary for lesserused but more specialized applications on your projector. GAMMA TABLE: This control applies a default video, graphics or simple gamma table or “curve” to your images, controlling the intensity of midlevel colors and producing maximum contrast, brightness and color performance.
Section 3: Operation SELECT COLOR ADJUSTMENT: In “Select Color Adjustment”, choose an overall color palette for all images. The “Max Drives” factory default simply drives all three colors at their maximum level so that they are fully on and cannot be changed. The two other pre-defined color adjustment choices—SD Video and HD Video—apply a color gamut optimized for video sources (standard or high-definition). Alternatively, you can specify a color temperature.
Section 3: Operation Simulation 3D — SUBMENU OF ADVANCED IMAGE SETTINGS Use the options in the Simulation 3D menu to make the timing adjustments necessary for realistic simulation and 3D images. NOTES: 1) Available in Mirage projectors only. 2) For complete 3D application notes, refer to the separate Using 3D in Mirage manual provided with the Mirage projector. FRAME DELAY MONITOR — This slide bar monitors the latency between input and output.
Section 3: Operation With your sync cable, Z-screen and, if desired, emitter connected as described in the Using 3D in Mirage manual, select the option suited to your 3D configuration (see above). If Frame Delay is two (or 0), do not invert; if frame delay is one or three, invert. Generally, an “Unlocked” setting is synchronized with the incoming L/R signal rather than the vertical sync output, and may be needed only with multi-projector installations in which the vertical sync outputs vary.
Section 3: Operation 2. STILL: For static images with no motion, such as graphics from a CD. 3. MOTION: For video images that did not originate from film, or for moving computer-generated images. 4. FILM: For video images that originated from film. This will optimize image quality and stability. FILM MODE THRESHOLD — This setting determines how sensitively the projector can detect if an incoming video signal originated from film or not. It should not require adjustment.
Section 3: Operation Auto Power-up Enter a checkmark to enable the projector to automatically power up after losing power due to a power failure or due to unplugging the projector during operation. Note that unsaved display adjustments may be lost. Set Date & Time Enter/read the current year-month-day and hour-minute-second. Changes here reset the projector’s real-time clock. Menu Preferences — SUBMENU Adjust the appearance, content and/or location of on-screen menus and messages.
Section 3: Operation SPLASH SCREEN SETUP —Use the Splash Screen to choose when you would like to display a special introductory splash screen image, such as your company logo, graphic or message. • • • • Always Off = A splash screen never appears Always On = A splash screen is always on behind the current display image, similar to wallpaper. Start-up Only – The splash screen logo appears at projector start-up only.
Section 3: Operation SEPARATE: Select “Separate” (factory default) to keep RS232, RS422 and Ethernet messages on their respective paths instead of being broadcast to the other types of ports. In Figure 3.8A, RS422 controls only the projector to which it is connected. In Figure 3.8B, either RS232 or RS422 will control the network. Figure 3.8. Using the “Network Routing” Option RS232 AND RS422 JOINED: Messages originating from an RS232 or RS422 controller will be relayed to all RS232or RS422 ports.
Section 3: Operation IP ADDRESS: Enter a valid and unique IP address for use on the network to which the projector is currently connected. This address will overwrite any previous IP address such as the projector’s factory-defined default (0.0.0.0), or one that has been assigned by a DHCP server or other user. It takes approximately 10 seconds for the projector to respond at its new address.
Section 3: Operation DMX Channel Function Base Shutter Base + 1 Slider Lock Base + 2 Base + 3 Input * Channel * Base + 4 Lens – Vertical * † Base + 5 Lens – Horizontal * † Base + 6 Lens – Focus * † Base + 7 Lens – Zoom * † Base + 8 Power * Base + 9 None Value 0 – 64 65 – 192 193 – 255 0 – 254 255 1–8 1-99 0 1 – 254 255 0 1 – 254 255 0 1 – 254 255 0 1 – 254 255 0 1 – 254 255 Open No Action Closed Locked Unlocked * Input # Channel # Lens Down Stop Lens Up Lens Right Stop Lens Left Negativ
Section 3: Operation the remaining active sensor to OFF. The projector will no longer respond to an IR remote keypad. NOTE: Protocols B – G are used for rental staging applications. Wired Keypad The wired keypad is ON by default to when connected to the rear of the projector. The projector will then respond to incoming commands from this port. To disable the wired keypad, you must use a different keypad—the built-in or an IR remote keypad—to select “off”.
Section 3: Operation Brightness Uniformity — SUBMENU Brightness Uniformity provides further refinement of displays already matched for their primary colors and overall light output. Use Brightness Uniformity to create an exceptionally smooth image in which no area appears brighter and/or more red, green or blue than another.
Section 3: Operation DEFINING “USER” COLOR GAMUTS: In some cases, you may find that none of the predefined “Select Color Adjustment” options exactly suit your needs. For example, you may require a unique color gamut (range) for a single projector or application, or you may need to precisely match colors across multiple adjacent displays.
Section 3: Operation Figure 3.10. CIE 1931 Chromaticity Diagram (without Yellow Notch Filter) NOTE: Keep new x,y coordinates within the original color gamut triangle shown here. PROCEDURE FOR X,Y ADJUSTMENTS: See 3.10, Using Multiple Projectors. COLOR SATURATION: Use this submenu if you do not have specific color coordinates in mind and will simply judge color performance by eye or meter.
Section 3: Operation hardware, by matching up black level hues with a “target area” hue (the intersection of the center lines), and adjusting the overlaps (edges) surrounding the target area. NOTES: 1) Refer to section 3.10, Using Multiple Projectors for additional information. 2) There is a centerline (both horizontal and vertical) in the Black Level Blending test pattern. The intersection of these lines is the true center of the projector’s display area.
Section 3: Operation Test Pattern Grey Level Set the desired level of grey for displaying in the full gray field test pattern. Freeze Image Enter a check mark to freeze (stop) an image on a single frame. This diagnostic tool is useful if you need to examine in detail a still version of an incoming image that cannot be “frozen” at the source. For example, in moving images it is sometimes difficult to observe artifacts such as external de-interlacing/resizing and signal noise.
Section 3: Operation Figure 3.11. Using “Odd Pixel Adjustment” NOTES: 1) Adjust offset before gain, since offset affects gain. 2) A value of 128 represents no change in normal odd pixel offset or gain. 3) Odd Pixel Adjustment eliminates “one pixel on, one pixel off” artifact only, not any type of larger artifacts. Reserved No function. Peak Detector The “Peak Detector” is a fast method for defining individual input levels, and can improve the accuracy of input levels set by the Auto Input Level function.
Section 3: Operation LiteLOC™ Calibration NOTES: 1) LiteLOC™ Calibration takes up to two minutes. 2) For best results, allow the projector to warm up for 15 minutes prior to calibration. LiteLOC™ Calibration defines the range of power needed to maintain lamp brightness. Select Calibrate LiteLOC for calibration using your projector’s unique specifications (recommended) rather than standard specifications. The projector will revert to the default back-up in the event of a power failure.
Section 3: Operation 3.7 Working with PIP or Seamless Switching PIP (Picture-in-Picture) and Seamless Switching are independent but related projector features that both utilize two image-processing paths within the projector. In the case of Picture-in-Picture, this double processing enables you to display two different images simultaneously – typically a smaller “secondary” image within a large “primary” background.
Section 3: Operation Swap Main and PIP Image Toggle the current picture-in-picture relationship so that the primary (main) image becomes secondary (PIP), and the secondary image becomes primary. Swapping is available only when PIP is enabled. NOTE: There may be a slight delay when swapping the Primary and Secondary images. PIP Enable Short cut: Press on the Remote if menu not present. Toggle to display from two sources at once (Picture-inPicture) or the primary source only.
Section 3: Operation PIP Border Color Select the desired color for the PIP window border. NOTES: 1) Numbers 7 and 8 on the Picture-in-Picture and Switching submenu control switching parameters. 2) Disable PIP in order to work with Seamless Switching. 3) Disable PIP and Best Switching for Interlaced sources > 35kHz. Working with Seamless f Seamless Switching is the ability to instantly and/or smoothly switch sources, and is Switching controlled with options 7 and 8 in the PIP and Switching menu.
Section 3: Operation Numbers Select Main Image Use Numbers Select Main Image to use the numeric keys #1-8 as input keys. This remapping of the keypad (see right) can be particularly useful with PIP displays, providing a convenient shortcut for changing the primary (background) image without first having to return to the Main menu. Select “Always” to use the keys in this manner all of the time, even with single displays. For normal keypad function, select Never (default).
Section 3: Operation NOTES: 1) If you change modes over the life of a lamp, the lamp limit you originally expected may no longer be possible. 2) Turning the lamp on and off reduces lamp life significantly, as do other factors. 3) It is recommended that Lamp Limit not exceed the expected lamp life, otherwise a lamp could become dangerously fragile with overuse. Set which LAMP MODE you want to use in order to control the light output. You can choose to run the lamp as bright as possible (i.e.
Section 3: Operation NOTE: The number shown for “intensity” is not the actual lumen output, but rather a correlated value only—1246 may represent 3500 lumens, for example. To use “Intensity” mode, judge by eye (or use a meter) and set the level as desired for your application. Over time, the projector will automatically increase the power supplied to the lamp as needed to maintain the chosen intensity as closely as possible. This mode is known as “Brightness Tracking” or “LiteLOC™”.
Section 3: Operation Use CHANGE LAMP to record the serial number for a newly installed lamp: In the Lamp S/N window, use the number text entry keys to record the new lamp serial again to accept the change. See Using Slide bars and Other number and press Controls if you need help entering the number. Once entered, the new lamp serial number will be added to the Lamp History menu and the Lamp Hours timer will reset to “0”.
Section 3: Operation 3.9 Status Menu The read-only Status menu lists a variety of details about the standard and optional components currently detected in the projector. Refer to the Status menu for versions of hardware and software installed, the type (size) of lamp, the hours logged in total and for a specific period (such as a rental period), and for your projector model name and serial number.
Section 3: Operation To return to the factory-set color primaries, such as when a projector is moved to different site, you must access the Service menu (password-protected). Select the “Reset to Factory Defaults?” option in the Color Primaries submenu. Then repeat the calibration process describe above, if desired, and continue with matching of colors.
Section 3: Operation Figure 3.14. Copy X/Y Values into All Projectors 6. In each projector, judge by eye and adjust x/y coordinates slightly in the following manner: • • • To match reds, decrease “Red X” until full field red screens match. To match greens, decrease “Green Y” until full field green screens match. To match blues, increase both “Blue X” and “Blue Y” until full field blue screens match. NOTE: For speed, enable the “Auto Color Enable” checkbox.
Section 3: Operation Using the Color Saturation Menu for Color Matching You may prefer to use the Color Saturation menu to match colors across multiple screens. In the three Color Adjustment submenus (Red, Green, Blue—see right), set all main values to 100 and the secondary values to 0. Then judge by eye and adjust the slide bars as needed. Note that adjustments here define new x/y coordinates in the Color Adjustments by X,Y menu. For best results, use this menu after doing the color adjustment procedure.
Section 3: Operation RUN LAMP FOR 100 HOURS—Light output and Brightness Uniformity can vary significantly during the first 100 hours of lamp use. For best results with new lamps, either set up Brightness Uniformity after this period, or do an initial setup and re-check at 100 hours. SET LAMP POWER—Ensure that each “Lamp Power” setting is as high as possible for your application while still maintaining a good overall match of light output from screen-to-screen.
Section 3: Operation 1d) In either Color Adjustments menu, select a “User” color. Then: • • If you have created a “User 1” color gamut (recommended) for a wellmatched wall, continue to Step 1e. If you prefer maximum brightness rather than a particular color temperature, select “Max Drives”. IMPORTANT Do not change User 1 Color Adjustment in color-matched applications! 1e) In the White Uniformity menu, set the “Overall” output level to 50.0 and all remaining slide bars to 0.0.
Section 3: Operation Figure 3.16. Match Zones to Center Color Temperature Repeat the color adjustment of sides and corners for each edge of the screen that does not yet match the center (note that each corner is adjustable in either of its two adjacent “side” menus). When done, all areas of a given screen should match. Repeat Steps 2a & 2b for all remaining screens. Step 3: Adjust Light Output in Eight Zones 3a) For each screen, compare the light output of each edge and corner to that of the center.
Section 3: Operation Cancelling Brightness Uniformity If you do not want to use or apply Brightness Uniformity settings, delete the checkmark from the “Uniformity Enable” checkbox at the top of the Brightness Uniformity menu. Edge Blending f Christie Edge Blending is an innovative set of software functions that can quickly and easily blend white levels along the edges of multiple adjacent projected images to create a single seamless larger image.
Section 3: Operation • Blend Width determines how much area is used for blending along an overlapping edge. Slide bar values represent the number of eight-pixel steps used for the blend. For example, a setting of “eight” creates a blended edge 24 pixels wide. A setting of “0” signifies no blending. For best results in most applications, use a blend width of 16-48 steps (128-384 pixels). Ranges: 0-80 horizontal, 0-60 vertical.
Section 3: Operation • Show Blending Overlap turns • NOTE: Blending Overlap appears as Reserved when ChristieTWIST is installed. your defined blend width area to solid gray so that, if needed, simply overlapping the gray bars can seamlessly align two adjacent images. Toggle the Show Blending Overlap off to reactivate the blend effect.
Section 3: Operation 4. SET BLEND WIDTH: On one projector, increase the Blend Width for an overlapping edge (for example, if the projector’s image is on left, its right edge overlaps the adjacent image—adjust Right Blend Width). Use the same setting on the second projector for this shared edge. 5. Re-adjust width (both projectors) until the overly bright band at the midpoint of the overlapping blends disappears or just changes to very light gray.
Section 3: Operation 3. Working with one projector at a time, use the center brightness slide bar to adjust the center brightness (brightness of the non-blended region) so that the center intensity matches that of the brightest blended region (the center of all images when blending a 2 x 2 display is the target area). 4. Use the following three color slide bars, Black Red Level, Black Green Level and Black Blue Level, so the black hue of each projector matches. 5.
Section 3: Operation Repeat for remaining networked projectors as desired. Keep in mind that multiple units can be controlled from one PC, but each unit will be in its own ChristieNET interface (web browser) at the PC. Likewise, you can make up to five separate web locations to a single projector. The default login provides access to security settings, where you can define other users with the same or fewer rights. Use “unlimited” rights for most applications.
Section 3: Operation No Signal The message "No signal" occurs when there is no source signal detected at the selected input—both HSYNC and VSYNC are inactive and the screen background is black. Connect or correct the signal, or try another input. Bad Sync The message "Bad Sync" occurs when HSYNC or VSYNC are active but the signal cannot be displayed. Such a condition occurs when only one of the two sync signals is present or when either sync signal is unstable or is the wrong frequency.
Section 3: Operation The Status LED Codes If the status code display on the back of the projector shows one of the following values, you have encountered a likely system error requiring the attention of a qualified service technician (see System Warnings and System Errors, above). Acknowledge and clear the error with Exit Exit from presentation level, or try resetting the projector by powering it off and on again, cooling when necessary. Consult Table 3.5 and contact your dealer if the problem persists.
Section 3: Operation 88 Red modular Formatter communication failure 89 Green modular Formatter communication failure 8A Blue modular Formatter communication failure 93 Modular formatter architecture error 94 Modular formatter DMD mismatch 95 Modular formatter sequence mismatch MISCELLANEOUS A0 Unable to program the optional module A1 Unable to power the optional module A2 Unable to program the Dual Slot Backplane Module (DSBP) A3 Unable to program the optional Post Processing Module (Warp module) Exit .
Section 4 Maintenance 4.1 Warnings and Safety Guidelines The projector is an international regulatory agency approved product designed for safe and reliable operation. To assure complete safety at all times it is important to acknowledge the following precautions while operating the projector. WARNING Always remove the lens when shipping the projector. WARNING NEVER look directly into the projector lens. The high brightness of this projector could cause permanent eye damage.
Section 4: Maintenance • • Do not place the projector on an unstable cart, stand or table. A projector and cart combination should be used with care. Sudden stops, excessive force and uneven surfaces may cause the projector and cart combination to overturn. Only use Christie-approved ceiling mount fixture, if the projector is to be ceiling mounted. Lamp f Lamp: The projector uses a Cermax® Xenon lamp to deliver its high brightness.
Section 4: Maintenance • Operate the projector at the specified voltage only. Do not overload power outlets and extension cords as this can result in fire or shock hazards. • The projector is equipped with a three-wire plug having a third grounding pin. This is a safety feature – if you are unable to insert the plug into an outlet contact an electrician to have the outlet replaced. Do not defeat the safety purpose of this grounding-type plug.
Section 4: Maintenance 4.2 WARNING Cleaning and Maintenance Guide Always power down and unplug the projector before cleaning or servicing. Table 4.1. Maintenance Guide Part Description Lens Frequency Action As required Clean the lens only when absolutely necessary. A small amount of dust on the lens has very little effect on picture quality. To clean: Use a soft lint-free cloth without any chemicals.
Section 4: Maintenance 4.3 Replacing Remote Batteries The IR Remote Keypad uses two AA size, 1.5V batteries (preferably alkaline). To install new batteries: 1) Open the battery compartment at the backside of the keypad by placing your thumb in the oval depression and sliding the cover out about ½ inch. See Figure 4.1. Remove the old batteries and properly discard. Wait a minute or two. 2) Place the new batteries in the compartment, orienting the Figure 4.1.
Section 4: Maintenance Table 4.2.
Section 4: Maintenance 1. TURN THE LAMP OFF Press (power) to turn the lamp off. Allow the cooling fans to stop automatically (within approximately five minutes) before proceeding with Step 2. This wait period is also required to allow the lamp to sufficiently cool before handling. 2. UNPLUG THE PROJECTOR When the cooling fans have stopped, turn the projector’s main switch off, and unplug. WARNING Always power down and unplug the projector prior to servicing. Allow the lamps to cool before handling 3.
Section 4: Maintenance 5. REMOVE THE LAMP MODULE Firmly grasp the lamp by its housing only and pull it straight out (lamp slides along guides) until it is free. See Figure 4.4. Discard the lamp using safe disposal/recycling practices. Figure 4.4. Remove Lamp Module 6. INSERT THE NEW LAMP MODULE Align the new lamp with the top and bottom guides on the left side of the lamp compartment (see Figure 4.5).
Section 4: Maintenance WARNING Improper installation could cause a serious meltdown inside the projector. 7. LOCK IN THE NEW LAMP MODULE Pull out and turn the lamp lock lever (turned up in Step 4) ¼ turn clockwise to “lock” the lamp in place. NOTE: If you can’t turn the lamp lock into position, it is likely the lamp is not fully inserted. In this case, partially remove the lamp and try pushing it back in again. Then, try switching the lock lever to the “lock” position. 8.
Section 4: Maintenance Filter Replacement Procedure f The two filters located at the front and left side of the projector should be replaced whenever the lamp is replaced. If you are working in an extremely dusty environment you may want to replace the filters sooner. Use the filters provided in the Christie approved Lamp and Filter Kit for your specific projector model. 1.
Section 4: Maintenance Replace the two (2) filter access panels and tighten the screws loosened in step 1. 4.5 Replacing the Projection Lens A variety of lenses can accommodate different throw distances and specific types of installations. Refer to Section 6 - Specifications for details. To change a lens, follow the steps below. No tools are required for “compact” lenses shown.
Section 4: Maintenance STEP 3 f Rotate the lens Rotate the lens counter-clockwise until the tabs are free from the lens retainer ring. See Figure 4.10A. NOTE: The connector slide assembly allows the connector to move as the lens is rotated. STEP 4 f Pull lens out Lens connectors will disconnect when you pull the lens straight out from the projector. See Figure 4.10B. Figure 4.10. Rotating the Lens STEP 5 f Insert new lens. NOTE: Remove small rear cap! Keep front cap on.
Section 5 Troubleshooting If the projector does not appear to be operating properly, note the symptoms present and use the following guide to assist you. If you cannot resolve the problems yourself, contact your dealer for assistance. NOTE: A qualified service technician is required when opening the projector to diagnose any “probable cause”. 5.1 Displays Symptom f The projector is on but there’s no display... CAUSE / REMEDY: 1. Was a lens cover accidentally left on? Remove lens cover. 2.
Section 5: Troubleshooting Symptom f The upper portion of the display is waving, tearing or jittering… 1. This can sometimes occur with video or VCR sources. Check your source. CAUSE / REMEDY: Symptom f Portions of the display are cut off or wrap to the opposite edge… 1. Resizing and/or blanking may need adjustment. 2. The horizontal or vertical scan frequency of the input signal may be out of range for the projector. Refer to Section 6, Specifications for scan frequency ranges.
Section 5: Troubleshooting Symptom f The display is “noisy”… 1. Display adjustment at your input source may be required. Adjust pixel tracking, phase and filter. Noise is particularly common on YPbPr signals from a DVD player. (If using a PC source, adjust using a high-frequency test pattern with one pixel on/off throughout.) 2. The video input may not be terminated. Ensure the video input is terminated (75Ω).
Section 6 Specifications 6.1 Specifications NOTES: 1) Due to continuing research, specifications are subject to change without notice. 2) Specifications apply to all models unless otherwise noted.
Section 6: Specifications Colors and Gray Scale Resolution Displayable colors 10 bits 1.1billion Color Temperature Default 5800K +950K/-650K HD Default 6300K +/- 500K Range of Adjustment (see Note 1) 3200K – 9300K NOTE 1: Via electronic controls, with Comprehensive Color Adjustment™ turned off. Lenses f Lenses Offsets (Movement) or » or Max. Amount of Display Above or Below Lens Center Max. Amount of Display Left or Right of Lens Center 0.73:1 Fixed N/A N/A N/A N/A N/A 1.
Section 6: Specifications Sync (Interlaced or Progressive Scan Format) Horizontal Frequency Range Vertical Frequency Range (See Note 3) Sync Type Polarity (See Note 3) Input Levels (See Note 3) DC Offset (See Note 3) Nominal Impedance (See Note 3) Horizontal Sync Duty Cycle 31 – 120 kHz 23.
Section 6: Specifications GPIO Connector Type Number of I/O lines Power Output Output sink current (logic low) One male 9-pin Dsub 7 (each individually assignable as input or output) +12VDC @ 200mA max. 100mA @ 1V Ethernet Connector Type Maximum throughput One female RJ45 115.2kbps Remote Control Number of sensors Type Range (using std. keypad) Battery type (2 required) Two IR with wired ability 100 feet AA, 1.5 V Alkaline Laser Diode (laser pointer) Wavelength Max.
Section 6: Specifications Lamps f Type Power Mirage S+2K, Mirage W3, Matrix S+2K, DLV1400-DX, DLV1920-DX Mirage S+4K, Mirage W6, Christie DS+5K/5Kc, Christie HD5K/5Kc Matrix 4000, Matrix W4 Mirage S+8K, Mirage W8, Christie DS+8K, Christie HD8K/8Kc Adjustment Ranges 500W models 1000W models 1200W models Lamp Life (typical) Mirage S+2K, Mirage W3, DLV1400-DX, DLV1920-DX Mirage S+4K, Mirage W6, Christie DS+5K/5Kc, Christie HD5K/5Kc, Matrix S+2K, Matrix 4000, Matrix W4 CERMAX® Xenon 500W 1000W 1200W 350 – 50
Section 6: Specifications EMC Emissions f FCC CFR47, Part 15, Subpart B, Class A — Unintentional Radiation CISPR 22: 1997 / EN55022: 1998 — Radio disturbance characteristics for ITE EMC Immunity f CISPR 24 / EN55024:1998 (all parts of immunity characteristics for ITE) Operating Environment f Temperature Humidity Altitude 5°C to 35°C (41°F to 95°F) 20% to 80%, non-condensing 0 – 3000 meters Non-Operating f Temperature Environment Humidity (non-condensing) -40°C to 70°C (-40°F to 149°F) 0% to 95% Standard
Appendix A Glossary This appendix defines the specific terms used in this manual as they apply to this projector. Also included are other general terms commonly used in the projection industry. Active Line Time f The time, inside one horizontal scan line, during which video is generated. Ambient Light Rejection f The ability of a screen to reflect ambient light in a direction away from the “line of best viewing”. Curved screens usually have good ambient light rejection.
Appendix A: Glossary adjustable display settings, etc. Use channels to switch between a variety of setups quickly, automatically recalling previously defined display parameters. Channel List f A list/menu of previously defined channels available in projector memory. Channel Number f A number that uniquely identifies a specific channel retained in projector memory. The projector can retain up to 99 channels.
Appendix A: Glossary Diffused Screen f A type of rear-projection screen which spreads the light striking it. Screen gain is less than one but audience viewing angles are increased. Display Setting f An adjustment that affects the display of an image. Such display settings include contrast, brightness, tint, blanking, size, offsets, and others. Dot Clock f The maximum frequency of the pixel clock. Also known as pixel clock rate.
Appendix A: Glossary Input f A physical connection route for a source signal, described by a two-digit number representing 1) its switcher/projector location and 2) its slot in the switcher/projector. Input Signal f Signal sent from a source device to the projector. Interface f A device, such as the Serial Digital Input Module, that accepts an input signal for display by the projector.
Appendix A: Glossary Menu f A list of selectable options displayed on the screen. NTSC Video f A video output format of some video tape and disk players. There are two types of NTSC (National Television Standards Committee) video: NTSC 3.58 and NTSC 4.43. NTSC 3.58 is used primarily in North America and Japan. NTSC 4.43 is less commonly used. Optical Screen f A type of rear-projection screen which re-directs light through the screen to increase image brightness in front of the screen.
Appendix A: Glossary Retrace Time f The minimum time required for a CRT projector to move the position of the scanning (Horizontal) spot from the right edge to the left edge. Rise Time f The time required by the video amplifier of the projector to increase its output from 10% to 90% of the maximum value. RGB Video f The video output (analog or digital) of most computers. Analog RGB video can have three, four, or five wires — one each for red, green, and blue, and either none, one or two for sync.
Appendix A: Glossary Sync Width f The duration of each sync pulse generated by a computer. The sync width is part of the blanking time. TTL Video f A type of RGB video with digital characteristics. Terminated f A wire connecting a single video source to a display device, such as a projector, must be terminated by a resistance (usually 75Σ for video). Throw Distance f The distance between the front feet of the projector and the screen. Also called “Projector-to-Screen Distance”.
Appendix B Keypad Reference NOTE: The IR remote is a standard component provided with the projector. Use the extension cable also provided to convert the IR remote to a wired remote, if desired. Refer to Section 3 for a specific description of each key and how to use them correctly. * Toggle keys, which require you to either, press and hold, or press twice or press and use the up/down arrow key.
Appendix C Serial Communication Cables A serial link of RS232 or RS422 enables ASCII communication with the projector so that it can be controlled remotely from a PC or other controller. From a PC, connect a standard nine-wire RS232 serial cable to the RS232 IN port. Or, for long-distance (>100 ft.) links with an RS422-compatible PC or controller, connect RS422 cable to the RS422 port.
Appendix D Throw Distance Calculating Throw Distance It is important throw distance be precisely calculated for your installation using the appropriate formula from the chart below. To calculate throw distance you must know the screen size and the lens type installed in the projector. In general, the larger you want the image to be the greater the distance you must allow between the lens and the screen. NOTES: 1) Throw distance is measured from the screen to the center of the projector’s front feet.
Appendix D: Throw Distance SXGA+ Lenses f D-2 013-100199-03
Appendix D: Throw Distance 013-100199-03 D-3
Appendix D: Throw Distance D-4 013-100199-03
Appendix D: Throw Distance 013-100199-03 D-5
Appendix D: Throw Distance D-6 013-100199-03
Appendix D: Throw Distance 013-100199-03 D-7
Appendix D: Throw Distance D-8 013-100199-03
Appendix D: Throw Distance 013-100199-03 D-9
Appendix D: Throw Distance D-10 013-100199-03
Appendix D: Throw Distance HD Lenses f 0.67:1 Fixed Lens Image Diagonal Image Width (W) Inch cm Inch 66.9 169.8 58.3 67.8 172.1 74.5 81.3 cm Throw Distance (TD) Inch cm TD = 0.7058 x W + 2.23 148 43.4 110.1 Where W = image width (inch) 59.1 150 43.9 111.5 189.3 65.0 165 48.1 122.1 206.5 70.9 180 52.2 132.7 88.1 223.7 76.8 195 56.4 143.3 94.9 240.9 82.7 210 60.6 153.9 101.6 258.2 88.6 225 64.8 164.5 108.4 275.4 94.5 240 68.9 175.1 115.2 292.6 100.
Appendix D: Throw Distance 1.1:1 FP Fixed Lens Image Diagonal D-12 Image Width (W) Throw Distance (TD) Inch cm Inch cm Inch cm 114.7 291.4 100.0 254.0 118.3 300.4 122.0 309.8 106.3 270.0 125.5 318.7 128.7 327.0 112.2 285.0 132.2 335.9 135.5 344.2 118.1 300.0 139.0 353.1 142.3 361.4 124.0 315.0 145.8 370.2 149.1 378.6 129.9 330.0 152.5 387.4 155.8 395.8 135.8 345.0 159.3 404.6 162.6 413.0 141.7 360.0 166.0 421.8 169.4 430.3 147.6 375.0 172.8 438.
Appendix D: Throw Distance 013-100199-03 487.8 1239.1 425.2 1080.0 490.6 1246.2 494.6 1256.3 431.1 1095.0 497.4 1263.3 501.4 1273.6 437.0 1110.0 504.1 1280.5 508.2 1290.8 442.9 1125.0 510.9 1297.7 515.0 1308.0 448.8 1140.0 517.7 1314.9 521.7 1325.2 454.7 1155.0 524.4 1332.0 528.5 1342.4 460.6 1170.0 531.2 1349.2 535.3 1359.6 466.5 1185.0 537.9 1366.4 542.1 1376.8 472.4 1200.0 544.7 1383.6 548.8 1394.0 478.3 1215.0 551.5 1400.7 555.6 1411.2 484.
Appendix D: Throw Distance 1.38 - 1.84 Zoom Image Diagonal D-14 Image Width (W) Throw Distance (TD) Inch cm Inch cm Inch cm 129.2 328.1 112.6 286 157.5 400.1 131.0 332.7 114.2 290 159.7 405.6 137.8 349.9 120.1 305 167.9 426.4 144.5 367.2 126.0 320 176.0 447.1 151.3 384.4 131.9 335 184.2 467.9 158.1 401.6 137.8 350 192.4 488.6 164.9 418.8 143.7 365 200.5 509.3 171.7 436.0 149.6 380 208.7 530.1 178.4 453.2 155.5 395 216.9 550.8 185.2 470.4 161.
Appendix D: Throw Distance 013-100199-03 496.9 1262.1 433.1 1100 600.7 1525.8 503.7 1279.3 439.0 1115 608.9 1546.6 510.4 1296.5 444.9 1130 617.1 1567.3 517.2 1313.7 450.8 1145 625.2 1588.1 524.0 1330.9 456.7 1160 633.4 1608.8 530.8 1348.1 462.6 1175 641.6 1629.6 537.5 1365.3 468.5 1190 649.7 1650.3 544.3 1382.6 474.4 1205 657.9 1671.1 551.1 1399.8 480.3 1220 666.1 1691.8 557.9 1417.0 486.2 1235 674.2 1712.6 564.6 1434.2 492.1 1250 682.
Appendix D: Throw Distance 1.38 - 1.84 Zoom Image Diagonal D-16 Image Width (W) Throw Distance (TD) Inch cm Inch cm Inch cm 94.9 240.9 82.7 210.0 157.2 399.3 101.6 258.2 88.6 225.0 168.3 427.6 108.4 275.4 94.5 240.0 179.5 455.8 115.2 292.6 100.4 255.0 190.6 484.1 122.0 309.8 106.3 270.0 201.7 512.3 128.7 327.0 112.2 285.0 212.8 540.6 135.5 344.2 118.1 300.0 224.0 568.9 142.3 361.4 124.0 315.0 235.1 597.1 149.1 378.6 129.9 330.0 246.2 625.4 155.
Appendix D: Throw Distance 013-100199-03 467.5 1187.5 407.5 1035.0 769.1 1953.6 474.3 1204.7 413.4 1050.0 780.3 1981.9 481.1 1221.9 419.3 1065.0 791.4 2010.1 487.8 1239.1 425.2 1080.0 802.5 2038.4 494.6 1256.3 431.1 1095.0 813.6 2066.6 501.4 1273.6 437.0 1110.0 824.8 2094.9 508.2 1290.8 442.9 1125.0 835.9 2123.2 515.0 1308.0 448.8 1140.0 847.0 2151.4 521.7 1325.2 454.7 1155.0 858.1 2179.7 528.5 1342.4 460.6 1170.0 869.3 2207.9 535.3 1359.6 466.
Appendix D: Throw Distance 1.84 - 2.58 Zoom Image Diagonal D-18 Image Width (W) Throw Distance (TD) MINIMUM ZOOM Throw Distance Formula Inch cm Inch cm Inch cm 97.6 247.8 85.0 216 157.4 399.7 TD = 1.897 x W - 3.95 Where W = image width (inch) 99.4 252.4 86.6 220 160.4 407.3 106.2 269.6 92.5 235 171.6 435.8 112.9 286.8 98.4 250 182.8 464.2 119.7 304.0 104.3 265 194.0 492.7 126.5 321.3 110.2 280 205.2 521.1 133.3 338.5 116.1 295 216.4 549.6 140.0 355.
Appendix D: Throw Distance 013-100199-03 465.3 1181.8 405.5 1030 765.3 1943.9 472.0 1199.0 411.4 1045 776.5 1972.3 478.8 1216.2 417.3 1060 787.7 2000.8 485.6 1233.4 423.2 1075 798.9 2029.2 492.4 1250.6 429.1 1090 810.1 2057.7 499.1 1267.8 435.0 1105 821.3 2086.2 505.9 1285.0 440.9 1120 832.5 2114.6 512.7 1302.2 446.9 1135 843.7 2143.1 519.5 1319.4 452.8 1150 854.9 2171.5 526.2 1336.7 458.7 1165 866.1 2200.0 533.0 1353.9 464.6 1180 877.
Appendix D: Throw Distance 1.84 - 2.58 Zoom Image Diagonal D-20 Image Width (W) Throw Distance (TD) MAXIMUM ZOOM Throw Distance Formula Inch cm Inch cm Inch cm 71.4 181.3 62.2 158 157.9 401.1 TD = 2.597 x W - 3.64 72.3 183.6 63.0 160 160.0 406.3 Where W = image width (inch) 79.0 200.8 68.9 175 175.3 445.2 85.8 218.0 74.8 190 190.6 484.2 92.6 235.2 80.7 205 206.0 523.1 99.4 252.4 86.6 220 221.3 562.1 106.2 269.6 92.5 235 236.6 601.0 112.9 286.8 98.
Appendix D: Throw Distance 2.58 - 4.15 Zoom Image Diagonal 013-100199-03 Image Width (W) Throw Distance (TD) Inch cm Inch cm Inch cm 161.7 410.7 140.9 358 357.9 909.1 162.6 413.0 141.7 360 359.8 914.0 169.4 430.3 147.6 375 374.4 950.9 176.2 447.5 153.5 390 388.9 987.8 182.9 464.7 159.4 405 403.4 1024.7 189.7 481.9 165.4 420 417.9 1061.6 196.5 499.1 171.3 435 432.5 1098.4 203.3 516.3 177.2 450 447.0 1135.3 210.0 533.5 183.1 465 461.5 1172.
Appendix D: Throw Distance D-22 521.7 1325.2 454.7 1155 1129.5 2868.9 528.5 1342.4 460.6 1170 1144.0 2905.8 535.3 1359.6 466.5 1185 1158.5 2942.7 542.1 1376.8 472.4 1200 1173.1 2979.6 548.8 1394.0 478.3 1215 1187.6 3016.5 555.6 1411.2 484.3 1230 1202.1 3053.3 562.4 1428.4 490.2 1245 1216.6 3090.2 569.2 1445.7 496.1 1260 1231.1 3127.1 575.9 1462.9 502.0 1275 1245.7 3164.0 582.7 1480.1 507.9 1290 1260.2 3200.9 589.5 1497.3 513.8 1305 1274.
Appendix D: Throw Distance 2.58 - 4.15 Zoom Image Diagonal Inch 013-100199-03 cm Image Width (W) Inch cm Throw Distance (TD) Inch cm 97.6 247.8 85.0 216 358.7 911.2 99.4 252.4 86.6 220 365.2 927.6 106.2 269.6 92.5 235 389.5 989.3 112.9 286.8 98.4 250 413.8 1051.0 119.7 304.0 104.3 265 438.0 1112.6 126.5 321.3 110.2 280 462.3 1174.3 133.3 338.5 116.1 295 486.6 1236.0 140.0 355.7 122.0 310 510.9 1297.7 146.8 372.9 128.0 325 535.2 1359.4 153.6 390.
Appendix D: Throw Distance D-24 465.3 1181.8 405.5 1030 1676.5 4258.3 472.0 1199.0 411.4 1045 1700.8 4320.0 478.8 1216.2 417.3 1060 1725.1 4381.7 485.6 1233.4 423.2 1075 1749.4 4443.4 491.9 1249.5 428.7 1089 1772.0 4500.
Appendix D: Throw Distance 4.15 - 6.74 Zoom Image Diagonal 013-100199-03 Image Width (W) Throw Distance (TD) Inch cm Inch cm Inch cm 130.1 330.4 113.4 288 473.4 1202.4 131.0 332.7 114.2 290 476.6 1210.5 137.8 349.9 120.1 305 500.7 1271.7 144.5 367.2 126.0 320 524.8 1332.9 151.3 384.4 131.9 335 548.9 1394.2 158.1 401.6 137.8 350 573.0 1455.4 164.9 418.8 143.7 365 597.1 1516.6 171.7 436.0 149.6 380 621.2 1577.8 178.4 453.2 155.5 395 645.3 1639.
Appendix D: Throw Distance D-26 496.9 1262.1 433.1 1100 1778.0 4516.1 503.7 1279.3 439.0 1115 1802.1 4577.3 510.4 1296.5 444.9 1130 1826.2 4638.6 517.2 1313.7 450.8 1145 1850.3 4699.8 524.0 1330.9 456.7 1160 1874.4 4761.0 530.8 1348.1 462.6 1175 1898.5 4822.2 537.5 1365.3 468.5 1190 1922.6 4883.4 544.3 1382.6 474.4 1205 1946.7 4944.6 551.1 1399.8 480.3 1220 1970.8 5005.8 557.9 1417.0 486.2 1235 1994.9 5067.1 564.6 1434.2 492.1 1250 2019.
Appendix D: Throw Distance 4.15 - 6.74 Zoom Image Diagonal 013-100199-03 Image Width (W) Throw Distance (TD) MAXIMUM ZOOM Throw Distance Formula Inch cm Inch cm Inch cm 76.8 195.0 66.9 170 471.6 1198.0 TD = 6.887 x W + 10.70 83.6 212.3 72.8 185 512.3 1301.3 Where W = image width (inch) 90.3 229.5 78.7 200 553.0 1404.6 97.1 246.7 84.6 215 593.7 1507.9 103.9 263.9 90.6 230 634.3 1611.2 110.7 281.1 96.5 245 675.0 1714.5 117.4 298.3 102.4 260 715.7 1817.
Appendix D: Throw Distance D-28 449.5 1141.6 391.7 995 2708.6 6879.7 456.2 1158.8 397.6 1010 2749.2 6983.0 463.0 1176.0 403.5 1025 2789.9 7086.4 469.8 1193.2 409.4 1040 2830.6 7189.7 476.6 1210.4 415.4 1055 2871.2 7293.0 483.3 1227.7 421.3 1070 2911.9 7396.3 490.1 1244.9 427.2 1085 2952.6 7499.6 496.9 1262.1 433.1 1100 2993.3 7602.9 503.7 1279.3 439.0 1115 3033.9 7706.2 510.4 1296.5 444.9 1130 3074.6 7809.5 517.2 1313.7 450.8 1145 3115.
Appendix E System Integration The GPIO (General Purpose Input Output) connector located on the input panel provides a flexible method of interfacing a wide range of external I/O devices to the projector. There are seven GIO pins available on the nine-pin D-Sub GPIO connector, which are configurable via RS232 commands. The other two pins are reserved for ground and power – see table below for pin identification.
Appendix E: System Integration Query Command (GIO?) Request the state and configuration of all pins (GIO! “HHLLHLH” “OOIOOOI”) Reply of pin state and configuration (GIO? C2) Request configuration for pin #2 (GIO! C2 O) Reply with pin #2 configuration as output (GIO? 2) Request the state of pin #2 (GIO! H) Reply with pin #2 state as high Real Time Event Use the serial command RTE to specify an action that is initiated at a particular time or based on an external stimulus.
Appendix F Optional Input Modules There are many optional input modules and accessories currently available for this projector. Contact your dealer for a complete and up-to-date listing. RGB500 Input Module f The RGB500 Input Module may be installed in this projector, a Marquee Signal 38-804606-xx Switcher, or a Marquee Case/Power Supply. The module receives analog RGB input signals from computers or other RGB source devices.
Appendix G: Index RGB400 Active Loop-Thru f The RGB400 ALT Input Module may be installed in this projector, a Marquee Signal Input Module Switcher, or a Marquee Case/Power Supply. The module receives analog RGB input 38-804607-xx signals from computers or other RGB source devices. Video inputs are 75Ω terminated. Video outputs provide buffered loop-through to another display device.
Appendix G: Index Features • Supports Digital Visual Interface (DVI) single-channel • Supports VESA® Extended Display Identification Data (EDID™) • Provides an active-loop-through using a DVI connector (conforming to the DVI Specification) Serial Digital Input Module f The module accepts a serial digital 4:2:2 component video signal (YCbCr) via a single 38-804602-xx SERIAL IN BNC connector. The signal can loop through the SERIAL OUT BNC out to another device (such as another projector).
Index 3 3D Simulation, 34 3D Stereo Sync, 34 A Ambient Lighting, 5 Anamorphic, 22 Arrow Keys, 9 Auto Input Level, 30 Auto Key, 5 Auto Setup, 5 AutoSource Checkbox, 19 B Backlight, 41 Bad Sync, 70 Baud Rate, 17, 38 Blacklevels and Drives, 30 Blanking, 24 Brightness Key, 7 Brightness Uniformity Canceling, 64 Definition, 60 Prerequisites, 60 Procedure, 60 Submenu, 43 Broadcast Key, 41 Broadcasting, 9 Built-in Keypad, 1 C Cables Serial Communication, 1 Ceiling Mount, 11 Channel Locked, 20 013-100199-03 Nam
Appendix G: Index D Dark Interval, 34 Date and Time Setting, 37 Decoder AGC Enabling, 28 Decoder Luma Delay, 29 Detail Threshold, 36 Diagnostics and Calibration, Submenu, 46 Display Channel List, 37 Error Messages, 37 Slidebars, 37 DVI, 14 E Edge Blending, 43 Description, 64 How Blends are Used, 64 Main functions, 64 Procedure, 66 Enter Key, 9 Error Messages Bad Sync, 70 H-Sync or V-Sync, 70 No Signal, 70 System Warnings/Errors, 70 Ethernet Communications, 16 Troubleshooting, 3 Ethernet Network, 18 Ethern
Appendix G: Index L Lamp, 2, 4 Failure to Ignite, 3 History, 55 Hours, 53 Hours of Use, 56 Intensity Setting, 54 Limit, 53 LiteLoc, 54 Manu, 53 Message, 53 Mode, 54 Optical Aperture, 55 Recording Serial Number, 56 Serial Number, 53 Troubleshooting, 3 Lamp Door, 2 Lamp Modes Max Brightness, 54 Power, 54 Lamp Replacement, 5 Language Choosing, 36 Laser Key, 10 LEDs, Status, 71 Lens Offset Adjustment, 6, 9 Replacement Procedure, 11 Lens Mount, 2 Level Value, 48 Line Cord, 2 Lite LOC Calibration, 49 LiteLOC Tro
Appendix G: Index Projector Height, 11, 1 Projector Key, 8 Pull-Down Lists, Use of, 12 R Remapping Keypad. See Working with PIP or Seamless Switching RGB Connection, 12 RS-232 Connection, 15 RS-422 Connection, 15 S Screen Size, 5 Fade Time, 52 Image Optimization. See Working with PIP or Seamless Switching Shutter Key, 8 Slidebar Adjustment, 11 Slidebars "Direct", 12, 20 Using, 12 Source Setup. See Channel Splash Screen Setup.