Advanced User Guide E CT2-D244-A © CANON INC.
Contents Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Package Contents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Supplemental Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Compatible Accessories. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Instruction Manuals. . . . . . . . . . . . . . . . . . . . . . .
Portrait Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 Group Photo Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 Landscape Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114 Panoramic Shot Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115 Sports Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
HDR Shooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191 HDR Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193 Auto Lighting Optimizer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198 Highlight Tone Priority. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200 Anti-Flicker Shooting. . . . . . . . . . . . . . . . . . . . . .
Metering Timer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322 Display Simulation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323 Optical Viewfinder Simulation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325 Shooting Information Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327 Viewfinder Display Format. . . . . . . . . . . . . . . . . . . . . . . .
Movie Servo AF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 472 Selecting the AF Area. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 476 Preview AF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 501 Touch & Drag AF Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 502 Manual Focus. . . . . . . . . . . . . . . . . . . . . . . . . . . .
Cloud RAW Image Processing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 658 Playback Creative Filters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 668 Resizing JPEG/HEIF Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 672 Cropping JPEG/HEIF Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 674 Converting HEIF to JPEG. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Camera Name. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 837 GPS Device Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 838 Error Details. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 844 Resetting Communication Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 845 Virtual Keyboard Operations. . . . . . . . . . . . . . . . . . . . . . . .
Fine-Tuning Viewfinder Color Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 921 UI Magnification. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 922 HDMI Resolution. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 923 Touch Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 924 Multi-Function Lock. . . . . . . . . . . . . . . . . . . . . . . . . .
Introduction Before starting to shoot, be sure to read the following To avoid shooting problems and accidents, first read the Safety Instructions and Handling Precautions. Also read this Advanced User Guide carefully to ensure that you use the camera correctly. Take some test shots, and understand about product liability After shooting, play images back and check whether they have been properly recorded.
Package Contents Before use, make sure the following items are included in the package. If anything is missing, contact your dealer. Camera (with body cap (Camera Cover R-F-5) and shoe cover) Battery Pack LP-E6NH (with protective cover) Battery Charger LC-E6/LC-E6E* Strap * Battery Charger LC-E6 or LC-E6E is provided. (The LC-E6E comes with a power cord.) The camera does not come with a memory card ( ), interface cable, or HDMI cable. If you purchased a Lens Kit, check that the lenses are included.
Caution When you need Lens Instruction Manuals, download them from the Canon website ( ). Lens Instruction Manuals (PDF files) are for lenses sold separately, and when a lens kit is purchased, some accessories included with the lens may not match those listed in the Lens Instruction Manual.
Supplemental Information Refer to the following website for information on lenses compatible with camera features, and for supplemental information about the camera. https://cam.start.
Compatible Accessories Check the following website for details on compatible accessories. https://cam.start.
Instruction Manuals The included Instruction Manual provides basic camera instructions. Advanced User Guide Complete instructions are provided in this Advanced User Guide. For the latest Advanced User Guide, refer to the following website. https://cam.start.canon/C012/ Lens/Software Instruction Manual Download from the following website and refer to the supplemental information. https://cam.start.canon/ Note Select [ : Manual/software URL] to display the QR code on the camera screen.
Quick Start Guide 1. Insert the battery ( ). Upon purchase, charge the battery to start using ( 2. Insert the card ( ). ). You can insert two cards. 3. Attach the lens ( ). Align the red mount index on the lens with the red mount index on the camera to attach the lens.
4. Set the power switch to < 5. Flip out the screen ( >( ). ). When the date/time/zone setting screen is displayed, see Date/Time/ Zone. 6. Set the focus mode to AF ( ). Set [ : Focus mode] to [AF]. When using lenses with a focus mode switch, set the switch to < 17 >.
7. Set the Mode dial to < >( ). All the necessary camera settings is set automatically. 8. Focus on the subject ( ). An AF tracking frame [ ] appears near eyes when a face is detected. Press the shutter button halfway, and the camera will focus on the subject. 9. Take the picture ( ). Press the shutter button completely to take the picture.
10. Review the picture. The image just captured will be displayed for approx. 2 sec. on the screen. To display the image again, press the < > button ( ).
About This Guide Icons in This Guide Basic Assumptions for Operational Instructions and Sample Photos Icons in This Guide > < < > < > Indicates the Main dial. Indicates Quick control dial 1. Indicates Quick control dial 2. < > Indicates the Multi-controller. < > Indicates the lens control ring. < > * Indicates the Set button. Indicates the duration (in * seconds) of the operation for the button you pressed, as timed after you release the button.
Basic Assumptions for Operational Instructions and Sample Photos Before following any instructions, make sure the power switch is set to < >( ) and the Multi-function lock feature is off ( ). It is assumed that all the menu settings and Custom Functions are set to their defaults. Illustrations in this guide show the camera with the RF24-105mm F4-7.1 IS STM lens attached as an example. The sample photos displayed on the camera and used in this guide are for instructional purposes only.
Compatible Cards The following cards can be used with the camera regardless of capacity. If the card is new or was previously formatted (initialized) by another camera or computer, format the card with this camera ( ). SD/SDHC/SDXC memory cards UHS-II and UHS-I cards compatible Cards That Can Record Movies When recording movies, use a card with ample performance (fast enough writing and reading speeds) for the movie recording size ( ).
Safety Instructions Be sure to read these instructions in order to operate the product safely. Follow these instructions to prevent injury or harm to the operator of the product or others. WARNING: Denotes the risk of serious injury or death. Keep the product out of the reach of young children. Keep batteries out of the reach of children. A strap wrapped around a person's neck may result in strangulation. The parts or provided items of cameras or accessories are dangerous if swallowed.
Observe the following instructions when using commercially available batteries or provided battery packs. • Use batteries/battery packs only with their specified product. • Do not heat batteries/battery packs or expose them to fire. • Do not charge batteries/battery packs using non-authorized battery chargers. • Do not expose the terminals to dirt or let them come into contact with metallic pins or other metal objects. • Do not use leaking batteries/battery packs.
CAUTION: Follow the cautions below. Otherwise physical injury or property damage may result. Do not fire the flash near the eyes. It may hurt the eyes. Do not look at the screen or through the viewfinder for prolonged periods of time. This may induce symptoms similar to motion sickness. In such a case, stop using the product immediately and rest for a while before resuming use. Flash emits high temperatures when fired.
Handling Precautions Camera care This camera is a precision instrument. Do not drop it or subject it to physical shock. The camera is not waterproof and cannot be used underwater. To maximize the camera's dust- and drip- resistance, keep the terminal cover, battery compartment cover, card slot cover, and all other covers firmly closed. Also attach the shoe cover to the multi-function shoe.
Avoid storing the camera where there are chemicals that result in rust and corrosion such as in a chemical lab. If the camera has not been used for an extended period, test all its functions before using it. If you have not used the camera for some time or if there is an important shoot such as a foreign trip coming up, have the camera checked by your nearest Canon Service Center or check the camera yourself and make sure it is working properly.
Lens After detaching the lens from the camera, put down the lens with the rear end up and attach the rear lens cap to avoid scratching the lens surface and electrical contacts (1). Smudges on the image sensor Besides dust entering the camera from outside, in rare cases, lubricant from the camera's internal parts may adhere to the front of the sensor. If smudges are visible on images, have the sensor cleaned by a nearest Canon Service Center.
Part Names Attaching the Strap (1) (2) (3) (14) (15) (16) (17) (18) (4) (5) (6) (7) (19) (20) (21) (22) (8) (23) (9) (24) (10) (11) (12) (13) 29
(1) Mode dial (2) < (3) < / / > Power/multi-function lock switch > Main dial (4) < (5) Shutter button > Multi-function button (6) Movie shooting button (7) Self-timer lamp/AF-assist beam (8) Grip (battery compartment) (9) DC cord hole (10) Depth-of-field preview button (11) Contacts (12) Lens mount (13) Shoe cover (14) Flash sync contacts (15) Multi-function shoe (16) RF lens mount index (17) < (18) Strap mount (19) < (20) Microphone (21) Image sensor (22) Len
(1) (2) (3) (5) (6) (4) (7) (8) (16) (9) (10) (17) (18) (19) (20) (1) Eyecup (2) Viewfinder eyepiece (11) (12) (13) (14) (15) (3) < (4) Terminal cover > Menu button (5) < (6) < (7) < > Multi-controller (can also be pressed straight in) (8) < > Magnify/reduce button (9) < > Quick Control button (10) < > Quick control dial 1 (11) < > Set button (12) < (13) < (14) Viewfinder sensor (15) < > Rating button (16) < > External microphone IN terminal (17) < > Digital
(1) (7) (8) (9) (10) (11) (12) (2) (3) (4) (5) (15) (16) (17) (6) (1) Dioptric adjustment knob (2) Accessory positioning hole (3) Screen (4) Tripod socket (5) Serial number (body number) (6) < (7) Speaker (8) < > AE lock button (9) < > AF point selection button (10) Strap mount (11) Access lamp (12) Card slot cover (13) Card slot 2 (14) Card slot 1 (15) Battery compartment cover lock (16) Battery compartment cover (17) Accessory positioning hole > Erase button 32 (1
Mode dial The Mode dial is divided into Basic Zone and Creative Zone modes. (1) Basic Zone All you do is press the shutter button. The camera sets everything to suit the subject or scene for shooting.
(2) Creative Zone These modes give you more control for shooting various subjects as desired. Flexible-priority AE Program AE Shutter-priority AE Aperture-priority AE Manual exposure Long (bulb) exposures (3) Custom shooting modes You can assign , , , , , , AF operation, menu functions, and >, < >, or < > ( ).
Battery Charger LC-E6 Charger for Battery Pack LP-E6NH/LP-E6N/LP-E6 ( ). (3) (1) (2) (1) Battery slots (2) Charge lamp (3) Power plug Battery Charger LC-E6E Charger for Battery Pack LP-E6NH/LP-E6N/LP-E6 ( (1) Charge lamp (2) Battery pack slot (3) Power cord (4) Power cord socket 35 ).
Attaching the Strap Pass the end of the strap through the strap mount from the bottom, then pass it through the strap buckle as shown. Pull the strap to take up any slack and make sure the strap will not loosen from the buckle.
Software/Apps Software/App Overview Installing Computer Software Installing Smartphone Apps Software Instruction Manuals Software/App Overview This section summarizes software used with EOS cameras. Note that installing the software requires an internet connection. The software cannot be installed in environments without an internet connection.
Installing Computer Software Always install the latest version of the software. In this case, previous versions are overwritten. Caution Do not install software while the camera is connected to the computer. The software will not be installed correctly. Installation is not possible without an internet connection. Older versions of the software do not support RAW image processing or correct display for images from this camera. 1. Download the software.
Installing Smartphone Apps Always install the latest version. Apps can be installed from Google Play or App Store. You can also access Google Play and App Store from the following Canon website. https://cam.start.
Software Instruction Manuals Check the following website for software instruction manuals. https://cam.start.
Preparation and Basic Operations This chapter describes preparatory steps before you start shooting and the basic camera operations.
Charging the Battery 1. Detach the protective cover provided with the battery. 2. Fully insert the battery into the charger. Do the opposite to remove the battery.
3. Charge the battery. LC-E6 Flip out the charger prongs as shown and plug the charger into a power outlet. LC-E6E Connect the power cord to the charger and insert the plug into a power outlet. Recharging starts automatically and the charge lamp blinks in orange. Charge Level Charge Lamp Color 0–49% 50–74% Orange 75% or higher Fully charged Display Blinks once per second Blinks twice per second Blinks three times per second Green Turned on Charging a depleted battery takes approx. 3 hr.
Upon purchase, the battery is not fully charged. Charge the battery before use. Charge the battery on the day before or on the day it is to be used. Charged batteries gradually lose their charge, even when they are not used. After charging the battery, remove it and disconnect the charger from the power outlet. You can attach the protective cover in a different orientation to indicate whether the battery is charged or not.
Inserting/Removing Batteries Insertion Removal Insert a fully charged Battery Pack LP-E6NH (or LP-E6N/LP-E6) in the camera. Insertion 1. Slide the battery compartment cover lock and open the cover. 2. Insert the battery. Insert the end with the electrical contacts. Insert the battery until it locks in place.
3. Close the cover. Press the cover until it snaps shut. Caution You cannot use batteries other than Battery Pack LP-E6NH/LP-E6N/LP-E6.
Removal 1. Open the cover and remove the battery. Press the battery lock lever as shown by the arrow and remove the battery. To prevent short-circuits, always attach the included protective cover ( ) to the battery.
Inserting/Removing Cards Insertion Formatting the Card Removal This camera accepts two cards. Recording is possible as long as there is at least one card in the camera. With two cards inserted, you can select one card to record to, or you can record the same image to both cards at once ( ). Caution Make sure the card's write-protect switch (1) is set upward to enable writing and erasing. Insertion 1. Slide the cover to open it.
2. Insert the card. Card 1 Card 2 The card in the rear card slot is [ ], and the one in front of it is [ ]. As shown by the illustration, face the card's label side toward you and insert it until it clicks in place. 3. Close the cover. Close the cover and slide it in the direction shown by the arrows until it snaps shut.
4. Set the power switch to < >( ). (2) Card selection icon (3) Card 1 (4) Card 2 Icons representing loaded cards are shown on the shooting screen ( ) accessed by pressing the < > button and on the Quick Control screen ( ). Cards labeled with [ ] are selected for recording.
Formatting the Card If the card is new or was previously formatted (initialized) by another camera or computer, format the card with this camera ( ).
Removal 1. Open the cover. Set the power switch to < >. Check that the access lamp (1) is off, then open the cover. If [Saving...] is displayed on the screen, close the cover. 2. Remove the card. Gently push in the card, then let it go to eject. Pull the card straight out, then close the cover. Caution Do not remove cards immediately after a red [ ] icon is displayed as you are shooting. Cards may be hot, due to high internal camera temperature.
Note The number of shots available varies depending on remaining card capacity and settings such as image quality and ISO speed. Setting [ : Release shutter without card] to [Disable] will prevent you from forgetting to insert a card ( ). Caution When the access lamp is lit or blinking, it indicates that images are being written to, read from, or erased from the card, or data is being transferred. Do not open the card slot cover during this time.
Using the Screen You can change the direction and angle of the screen. 1. Flip out the screen. 2. Rotate the screen. When the screen is out, you can tilt it up or down or rotate it to face the subject. Indicated angles are only approximate. 3. Face it toward you. Normally, use the camera with the screen facing you.
Caution Avoid forcing the screen into position as you rotate it, which puts undue pressure on the hinge. When a cable is connected to a camera terminal, the rotation angle range of the flipped-out screen will be limited. Note Keep the screen closed and facing the camera body when the camera is not in use. You can protect the screen. A mirror image (right/left reversed) of subjects is displayed when the screen faces subjects in front of the camera.
Turning on the Power Setting the Date, Time, and Time Zone Changing the Interface Language Automatic Sensor Cleaning Battery Level Indicator < > The camera turns on. This mode is for still photo shooting. < > The camera turns on. Multi-function locking is engaged ( ). < > The camera is turned off and does not function. Set the power switch to this position when not using the camera. Note If you set the power switch to < > while an image is being recorded to the card, [Saving...
Changing the Interface Language To change the interface language, see Language.
Automatic Sensor Cleaning Whenever the power switch is set to < >, the sensor is cleaned automatically (which may make a faint sound). During the sensor cleaning, the screen will display [ ]. To enable automatic sensor cleaning when the power switch is set to < > as well, you can set this in [ : Sensor cleaning] ( ). If you repeatedly turn the power switch to < > or < > within a short time period, the [ ] icon may not be displayed, but this does not indicate the camera is malfunctioning.
Battery Level Indicator The battery indicator shows the remaining capacity when the camera is on. Display Level (%) 100–70 69–50 49–20 19–10 9–1 0 Note Doing any of the following will exhaust the battery faster: • Pressing the shutter button halfway for a prolonged period. • Activating the AF frequently without taking a picture. • Using Image Stabilizer. • Using the Wi-Fi function or Bluetooth function. The number of available shots may decrease depending on the actual shooting conditions.
Attaching and Detaching RF/RF-S Lenses Attaching a Lens Detaching a Lens Caution Do not look at the sun directly through any lens. Doing so may cause loss of vision. When attaching or detaching a lens, set the camera's power switch to < >. If the front part (focusing ring) of the lens rotates during autofocusing, do not touch the rotating part. Tips for avoiding smudges and dust When changing lenses, do it quickly in a place with minimal dust.
Attaching a Lens 1. Remove the caps. Remove the rear lens cap (1) and body cap (2) by turning them as shown by the arrows. 2. Attach the lens. Align the red mount index on the lens with the red mount index on the camera and turn the lens as shown by the arrow until it clicks in place.
3. Set the focus mode to AF. AF stands for autofocus. MF stands for manual focus. Autofocus is disabled. For RF lenses without a focus mode switch Set [ : Focus mode] to [AF]. For RF lenses with a focus mode switch Set the lens's focus mode switch to < 4. Remove the front lens cap. 62 >.
Detaching a Lens While pressing the lens release button, turn the lens as shown by the arrow. Turn the lens until it stops, then detach it. Attach the rear lens cap to the lens you removed.
Attaching and Detaching EF/EF-S Lenses Attaching a Lens Detaching a Lens All EF and EF-S lenses can be used by attaching an optional Mount Adapter EF-EOS R. The camera cannot be used with EF-M lenses. Note With EF-S lenses, an approx. 1.6× crop factor is applied to the center of the regular image area. Attaching a Lens 1. Remove the caps. Remove the rear lens cap (1) and body cap (2) by turning them as shown by the arrows.
2. Attach the lens to the adapter. Align the red or white mount index on the lens with the corresponding mount index on the adapter and turn the lens as shown by the arrow until it clicks into place. (3) Red index (4) White index 3. Attach the adapter to the camera. Align the red mount indexes (5) on the adapter and camera and turn the lens as shown by the arrow until it clicks into place.
4. 5. Set the lens's focus mode switch to < >. < > stands for autofocus. < > stands for manual focus. Autofocus will not operate. Remove the front lens cap.
Detaching a Lens 1. While pressing the lens release button, turn the adapter as shown by the arrow. Turn the lens until it stops, then detach it. 2. Detach the lens from the adapter. Hold down the lens release lever on the adapter and turn the lens counterclockwise. Turn the lens until it stops, then detach it. Attach the rear lens cap to the lens you removed. Caution For lens precautions, see Attaching and Detaching RF/RF-S Lenses.
Multi-Function Shoe Using the Multi-Function Shoe The multi-function shoe is a hot shoe that supplies power to accessories and offers advanced communication functionality. Using the Multi-Function Shoe Removing the shoe cover Remove the shoe cover (1) by pressing the part labeled (A) in the figure as shown with your finger. After removal, keep the shoe cover in a convenient place to avoid losing it.
Attaching the shoe cover After removing accessories from the multi-function shoe, reattach the shoe cover to protect the contacts from dust and water. Slide the shoe cover all the way in by pressing the part labeled (A) in the figure, as shown. Caution Attach accessories correctly as described in Attaching accessories. Incorrect attachment may cause the camera or accessories to malfunction, and accessories may fall off.
Using the Viewfinder Dioptric Adjustment Look through the viewfinder to activate it. You can also restrict display to either the screen or viewfinder ( ). Dioptric Adjustment 1. Turn the dioptric adjustment knob. Turn the knob left or right to make the viewfinder display look sharp. Caution The viewfinder and screen cannot be activated at the same time. Viewfinder display is disabled when the screen is flipped out, even if you look through the viewfinder.
Basic Operations Holding the Camera Shutter Button < < < < > Main Dial > Quick Control Dial 1 > Quick Control Dial 2 > Multi-Controller < > Multi-Function Button < > AF Start Button < > Multi-Function Lock Switch < < > Control Ring > Info Button 71
Holding the Camera Viewing the screen as you shoot As you shoot, you can tilt the screen to adjust it. For details, see Using the Screen. (1) Normal angle (2) Low angle (3) High angle Shooting through the viewfinder To obtain sharp images, hold the camera still to minimize camera shake. (1) Horizontal shooting (2) Vertical shooting 1.With your right hand, hold the camera firmly by the camera grip. 2.With your left hand, support the lens from below. 3.
Shutter Button The shutter button has two steps. You can press the shutter button halfway. Then you can further press the shutter button completely. Pressing halfway This activates autofocusing and the automatic exposure system that sets the shutter speed and aperture value. The exposure value (shutter speed and aperture value) is displayed on the screen or in the viewfinder for 8 sec. (metering timer/ ). Pressing completely This releases the shutter and takes the picture.
Note The camera will still pause before taking a picture if you press the shutter button completely without pressing it halfway first, or if you press the shutter button halfway and immediately press it completely. Even during menu display or image playback, you can return to shooting standby by pressing the shutter button halfway.
< > Main Dial (1) After pressing a button, turn the < > dial. Press a button such as < >, then turn the < > dial. If you press the shutter button halfway, the camera will go back to shooting standby. Used for operations such as setting the white balance, drive mode, flash exposure compensation, or Picture Style. (2) Turn only the < > dial. While looking at the screen or viewfinder, turn the < > dial. Use this dial to set the shutter speed, aperture value, etc.
< > Quick Control Dial 1 (1) After pressing a button, turn the < > dial. Press a button such as < >, then turn the < > dial. If you press the shutter button halfway, the camera will go back to shooting standby. Used for operations such as setting the metering mode, AF operation, ISO speed, or AF area. (2) Turn only the < > dial. While looking at the screen or viewfinder, turn the < > dial.
< > Quick Control Dial 2 (1) After pressing a button, turn the < > dial. Press a button such as < >, then turn the < > dial. If you press the shutter button halfway, the camera will go back to shooting standby. Used for operations such as switching between main tabs on the menu screen. (2) Turn only the < > dial. While looking at the screen or viewfinder, turn the < > dial. Used for operations such as setting the ISO speed.
< > Multi-Controller < > is an eight-direction key with center button. To use it, press lightly with the tip of your thumb.
< > Multi-Function Button By pressing the < > button and then the < > button again repeatedly (or turning the < > dial), you can set the white balance ( ), drive mode ( ), flash exposure compensation ( ), Picture Style ( ), metering mode ( ), AF operation ( ), ISO speed ( ), and AF area ( ). Turn the < > dial to adjust the upper row of setting items (white balance, drive mode, flash exposure compensation, and Picture Style).
< > AF Start Button Equivalent to pressing the shutter button halfway (in Creative Zone modes).
< > Multi-Function Lock Switch Configuring [ : Multi function lock] ( ) and setting the power/multi-function lock switch to < > prevents settings from being changed by accidentally touching the Main dial, Quick control dials, Multi-controller, control ring, or touch-screen panel.
< > Control Ring By default, exposure compensation can be set by turning the control ring of RF lenses or mount adapters while pressing the shutter button halfway in , , , , or mode. Otherwise, you can assign a different function to the control ring by customizing operations in [ : Customize dials] ( ).
< > Info Button Each press of the < > button changes the information shown. The following sample screens are for still photos. * In Basic Zone modes, the screen by (1) is not displayed.
Menu Operations and Settings Basic Zone Menu Screen Creative Zone Menu Screen Menu Setting Procedure Dimmed Menu Items (1) < (2) < > button > button (3) < (4) Screen > button (5) < > Quick control dial 1 (6) < > button (7) < > Quick control dial 2 (8) < > Main dial 84
Basic Zone Menu Screen * In Basic Zone modes, some tabs and menu items are not displayed.
Creative Zone Menu Screen (1) Main tabs (2) Secondary tabs (3) Menu items (4) : Shooting (5) : Autofocus (6) : Playback (7) (8) : Communication functions : Set-up (9) : Custom Functions (10) : My Menu (11) Menu settings 86
Menu Setting Procedure 1. Display the menu screen. Press the < 2. > button to display the menu screen. Select a tab. Each time you turn the < > dial, the main tab (group of functions) will switch. You can also switch tabs by pressing the < > button. Turn the < 3. > dial to select a secondary tab. Select an item. Turn the < > dial to select an item, then press the < 87 > button.
4. Select an option. Turn the < > dial to select an option. The current setting is indicated in blue. 5. Set an option. Press the < 6. > button to set it. Exit the setting. Press the < > button to return to shooting standby. Note The description of menu functions hereafter assumes that you have pressed the < > button to display the menu screen. Menu operations are also possible by tapping the menu screen or using < >. To cancel the operation, press the < > button.
Dimmed Menu Items Example: When set to single shooting drive mode Dimmed menu items cannot be set. The menu item is dimmed if another function setting is overriding it. You can see the overriding function by selecting the dimmed menu item and pressing the < > button. If you cancel the overriding function's setting, the dimmed menu item will become settable. Caution You may not be able to see the overriding function for certain dimmed menu items.
Quick Control Quick Control in Still Photo Shooting or Playback Quick Control in Movie Recording You can directly and intuitively select and set the settings displayed. Quick Control in Still Photo Shooting or Playback 1. Press the < > button ( ).
2. Select a setting item and set your preferred option. To select an item, turn the < > dial or press < > up or down. To adjust the setting, turn the < > or < > dial, or press < left or right. Some items are set by pressing a button after this. > Press < > vertically or horizontally to select an item on the screen shown above. To adjust the setting, turn the < >, < >, or < items are set by pressing a button after this. 91 > dial.
Quick Control in Movie Recording As in still photo shooting, press the < > button to access the Quick Control screen. Each press of the < > button switches between screens if you have selected ([ ]) both [Display 1] and [Display 2] in [ : Quick Ctrl screen] ( ), but only the selected screen is displayed if one is selected ([ ]). [Display 1] [Display 2] Movie recording screen Use the [Display 1] screen as described in Quick Control in Still Photo Shooting or Playback.
1. Switch pages as needed. Turn the < > or < > dial to switch pages. You can also switch pages by tapping (A) or swiping left or right. 2. Select an item. Turn the < > dial or press < > vertically or horizontally to select an item, then press the < > button. 3. Select an option. To select an option, turn the < >, < >, or < < > up or down (or in some cases, left or right).
4. Set an option. Press the < 5. > button to set it. Exit the setting. Press the < > button to return to shooting standby.
Touch-Screen Operation Tapping Dragging Tapping Sample screen (Quick Control) Use your finger to tap (touch briefly and then remove your finger from) the screen. For example, when you tap [ ], the Quick Control screen appears. By tapping [ you can return to the preceding screen. Note To have the camera beep for touch operations, set [ : Beep] to [Enable] ( ). Responsiveness to touch operations can be adjusted in [ : Touch control] ( ).
Dragging Sample screen (Menu screen) Slide your finger while touching the screen.
Basic Zone This chapter describes how to use the Basic Zone modes on the Mode dial for best results. With Basic Zone modes, all you do is point and shoot, and the camera sets everything automatically.
• Special Scene Mode ◦ Portrait Mode ◦ Group Photo Mode ◦ Landscape Mode ◦ Panoramic Shot Mode ◦ Sports Mode ◦ Kids Mode ◦ Panning Mode ◦ Close-up Mode ◦ Food Mode ◦ Night Portrait Mode ◦ Handheld Night Scene Mode ◦ HDR Backlight Control Mode ◦ Silent Shutter Mode • Creative Filters Mode 98
A+: Fully Automatic Shooting (Scene Intelligent Auto) Shooting Moving Subjects Scene Icons Adjusting Settings Shooting with Effects Applied (Creative Assist) < > is a fully automatic mode. The camera analyzes the scene and sets the optimum settings automatically. It can also adjust focus automatically on either the still or moving subject by detecting the motion of the subject. 1. Set the Mode dial to < 2. Press the < >. > button. Read the message and select [OK].
3. Aim the camera at what you will shoot (the subject). A tracking frame (1) may be displayed on the subject, under some shooting conditions. 4. Focus on the subject. Press the shutter button halfway to focus. You can also focus by tapping a person's face or other subject on the screen (Touch AF). Under low light, the AF-assist beam ( needed. ) is automatically activated if Once the subject is in focus, that AF point turns green and the camera beeps (One-Shot AF).
5. Take the picture. Press the shutter button completely to take the picture. The image just captured will be displayed for approx. 2 sec. on the screen. Caution Subject movement (whether subjects are still or moving) may not be detected correctly for some subject or shooting conditions. Note AF operation (One-Shot AF or Servo AF) is set automatically when you press the shutter button halfway.
FAQ Focusing is not possible (indicated by an orange AF point). Aim the AF point over an area with good contrast, then press the shutter button halfway ( ). If you are too close to the subject, move away and shoot again. After focusing, multiple AF points are displayed simultaneously. Focus has been achieved at all those points. The shutter speed display is blinking. Since it is too dark, taking the picture may result in a blurred subject due to camera shake.
Scene Icons The camera detects the scene type and sets everything automatically to suit the scene. The detected scene type is indicated in the upper left of the screen. For icon details, see Scene Icons. Adjusting Settings By touching icons on the screen, you can adjust settings for drive mode, image quality, Touch Shutter, and Creative Assist.
Shooting with Effects Applied (Creative Assist) 1. Press the < > button. Read the message and select [OK]. 2. Select an effect. Use the < > dial to select an effect, then press the < 104 > button.
3. Select the effect level and other details. Set with the < > dial, then press the < To reset the setting, press the < 105 > button. > button, then select [OK].
Creative Assist effects [ ] Preset Select one of the preset effects. Note that [Saturation], [Color tone 1], and [Color tone 2] are not available with [B&W]. [ ] Background blur Adjust background blur. Choose higher values to make backgrounds sharper. To blur the background, choose lower values. [Auto] adjusts background blurring to match the brightness. Depending on lens brightness (f/number), some positions may not be available. [ ] Brightness Adjust image brightness. [ ] Contrast Adjust contrast.
Hybrid Auto With < > mode, you can make a short movie of the day just by shooting still photos. The camera records approx. 2–4-second clips of scenes before each shot, which are later combined in a digest movie. 1. Set the Mode dial to < 2. Press the < >. > button. Compose your shots and shoot.
Note For more impressive digest movies, keep the camera aimed at subjects for about 4 sec. before shooting still photos. To record digest movies that do not include still photos, set [ : Digest type] to [No stills] ( ). Battery life is shorter in this mode than in < > mode, because digest movies are recorded for each shot. A digest movie may not be recorded if you shoot a still photo immediately after turning the camera on, selecting < > mode, or operating the camera in other ways.
Special Scene Mode The camera will automatically choose the appropriate settings when you select a shooting mode for your subject or scene. *< > stands for Special Scene. 1. Set the Mode dial to < 2. Press the < >. > button.
3. Select a shooting mode. Use the < button. 4. > dial to select a shooting mode, then press the < Review the settings. Press the < > button to display the Quick Control screen. Note You can also set the shooting mode in [ : Shooting mode]. When [ : Mode guide] is set to [Disable], after step 1, press the < > button to > dial to select a shooting mode, access the Quick Control screen, use the < then press the < > button.
Available Shooting Modes in Mode Shooting Mode Portrait Close-up Group Photo Food Landscape Night Portrait Panoramic shot Handheld Night Scene Sports HDR Backlight Control Kids Silent shutter Panning 111
Portrait Mode Use [ ] (Portrait) mode to blur the background and make the person you shoot stand out. It also makes skin tones and hair look softer. Shooting tips Select the location where the distance between the subject and the background is the farthest. The further the distance between the subject and background, the more blurred the background will look. The subject will also stand out better against an uncluttered dark background. Use a telephoto lens.
Group Photo Mode Use [ ] (Group Photo) mode to take group photos. You can shoot with people from the front to the back all in focus. Shooting tips Use a wide-angle lens. With zoom lenses, zooming out near the wide-angle end makes it easier to focus on everyone in front and back at once. You can also increase the depth of field by standing a little farther away from subjects, so that they fit completely in the frame. Take a few shots of the group.
Landscape Mode Use [ ] (Landscape) mode for expansive scenery, to keep everything in focus from near to far. For vivid blues and greens, and sharp and crisp images. Shooting tips With a zoom lens, use the wide-angle end. When using a zoom lens, set the lens to the wide-angle end to make the objects near and far in focus. It also adds breadth to landscapes. Keep the camera steady when shooting night scenes. Using a tripod is recommended. Caution Flash photography is not available.
Panoramic Shot Mode Use [ ] (Panoramic Shot) mode to shoot panoramas. The panorama is created by combining shots captured in continuous shooting as you move the camera in one direction while pressing the shutter button completely. 1. Choose a shooting direction. Press the < > button or tap [ direction you will shoot. ] in the lower right to choose the An arrow is displayed showing the direction to move the camera. 2. Press the shutter button halfway.
3. Shoot. Press the shutter button completely and move the camera at a constant speed in the direction of the arrow. The area displayed clearly (1) is captured. A shooting progress indicator (2) is displayed. Shooting stops when you release the shutter button, or when all of the progress indicator is white. Caution In some scenes, images you intended to capture may not be saved as expected, and the panorama may not look as expected. Shooting may stop midway if you move the camera too slowly or quickly.
Sports Mode Use [ ] (Sports) mode to shoot subjects in motion, such as runners or moving vehicles. Shooting tips Use a telephoto lens. Use of a telephoto lens is recommended to enable shooting from a distance. Track the subject with the Area AF frame. An Area AF frame appears after you press the shutter button halfway. Once the subject is in focus, the AF point turns blue. Shoot continuously. ] (High speed continuous).
Kids Mode Use [ ] (Kids) mode to capture active children who are moving around. Skin tones will look vibrant. Shooting tips Track the subject with the Area AF frame. By default, [ : AF area] is set to [Whole area AF]. Area AF frames (1) appear when you press the shutter button halfway. Once the subject is in focus, the AF point turns blue. Shoot continuously. The default setting is [ ] (High speed continuous). At the decisive moment, press the shutter button completely to take the picture.
Panning Mode By panning, you can blur the background to convey a sense of speed. Attach a lens compatible with [ ] (Panning) mode to reduce subject blurring and keep subjects clear and sharp. Shooting tips Turn the camera to follow the moving subject. As you shoot, turn the camera smoothly while tracking the moving subject.
Caution For details on lenses compatible with [ ] mode, visit the Canon website ( ). Shutter speeds are slower. For this reason, Panning mode is not suitable unless you pan as you shoot. AF area options are limited to [1-point AF], [Flexible Zone AF 1], [Flexible Zone AF 2], and [Flexible Zone AF 3]. The default setting is [ ]. Note that [ ] is not available. Flash photography is not available.
Close-up Mode Use [ ] (Close-up) mode for close-ups of small subjects such as flowers. To make small things appear much larger, use a macro lens (sold separately). Shooting tips Use a simple background. A simple background makes small objects such as flowers stand out better. Move in as close as possible to the subject. Check the lens for its minimum focusing distance. The lens minimum focusing distance > (focal plane) mark on the top of the camera to the subject.
Food Mode Use [ ] (Food) mode for culinary photography. The photo will look bright and appetizing. Also, the reddish tinge due to the light source will be suppressed in the pictures taken under tungsten lights, etc. Shooting tips Change the color tone. [Color tone] can be adjusted. To increase the reddish tinge of food, set toward [Warm tone] (red), or set toward [Cool tone] (blue) if it looks too red. Caution The warm color cast of subjects may fade.
Night Portrait Mode Use [ ] (Night Portrait) mode for bright, beautiful shots of people with night scenes in the background. Note that shooting in this mode requires an external flash unit. Using a tripod is recommended. Shooting tips Use a wide-angle lens and a tripod. When using a zoom lens, use the wide-angle end to obtain a wide night view. Because camera shake occurs in handheld shooting, using a tripod is also recommended. Check the image brightness.
Handheld Night Scene Mode [ ] (Handheld Night Scene) mode enables handheld shooting for night scenes. In this shooting mode, four shots are taken consecutively for each picture, and the resulting image with reduced camera shake is recorded. Shooting tips Hold the camera steady. Keep your elbows close to your body to hold the camera steady ( ).
HDR Backlight Control Mode Use [ ] ( HDR Backlight Control) mode for backlit scenes with both bright and dark areas. Shooting once in this mode captures three consecutive images at different exposures, which are combined to create a single HDR image that retains detail in shadows that might otherwise be lost from backlighting. * HDR stands for High Dynamic Range. Shooting tips Hold the camera steady. Keep your elbows close to your body to hold the camera steady ( ).
Silent Shutter Mode Where silence is needed, you can shoot without beeps or shutter release sounds. Shooting tips Take some test shots. Consider taking some test shots in advance, because lens aperture and focusing adjustment may be audible under some shooting conditions. Caution Be responsible when using silent shooting, and respect subject privacy and portrait rights. Images of fast-moving subjects may look distorted. Continuous shooting and flash photography are not available.
Creative Filters Mode Creative Filter Characteristics Adjusting the Miniature Effect You can shoot with filter effects applied. Filter effects can be previewed before you shoot. 1. Set the Mode dial to < 2. Press the < >. > button.
3. Select a filter effect. Turn the < button. > dial to select a filter effect ( ), then press the < > The image is shown with the filter effect applied. 4. Adjust the effect and shoot. Press the < (except / > button and select an icon below [Creative filters] , , , or ). Turn the < > dial to adjust the effect, then press the < > button. Caution These operations are also possible by using < >. RAW and RAW+JPEG are not available.
Note With [Grainy B/W], the grainy preview will differ somewhat from the appearance of your shots. With [Soft focus] or [Miniature effect] options, the blurred effect preview may differ somewhat from the appearance of your shots. No histogram is displayed. A magnified view is not available. Some Creative filter settings are available in Creative Zone modes ( ).
Creative Filter Characteristics Grainy B/W Makes the image grainy and black and white. By adjusting the contrast, you can change the black-and-white effect. Soft focus Gives the image a soft look. By adjusting the blur, you can change the degree of softness. Fish-eye effect Gives the effect of a fish-eye lens. The image will have barrel distortion. Depending on the level of this filter effect, the area trimmed along the periphery of the image changes.
HDR art embossed The color saturation, brightness, contrast and gradation are decreased to make the picture look flat, so that the picture looks faded and old. The subject outlines will have intensely bright (or dark) edges. Caution Precautions for [ ], [ ], [ ], and [ ] Compared to other shooting modes, the image area will be smaller. Shots will look slightly different from the filter effect previews shown on the screen.
Adjusting the Miniature Effect 1. Move the scene frame. Use the scene frame to set an area that will look sharp. To make the scene frame movable (displayed in orange), press the < > button or tap [ ] in the lower right of the screen. By tapping [ ], you can also switch between vertical and horizontal scene frame orientation. Switching scene frame orientation is also possible by pressing < > left/right when in horizontal orientation or up/down when in vertical orientation.
2. Move the AF point as needed and shoot. The AF point turns orange and can be moved. Use the < >, < position to focus on. >, or < > dial to move the AF point to the Aligning the AF point and scene frame is recommended. To return the AF point to the center of the screen, press the < button. To confirm the position of the AF point, press the < 133 > button.
Creative Zone Creative Zone modes give you the freedom to shoot in a variety of ways by setting your preferred shutter speed, aperture value, exposure, and more. To clear the shooting mode description displayed when you turn the Mode dial, press the < > button ( ).
Fv: Flexible-Priority AE In this mode, you can set shutter speed, aperture value, and ISO speed manually or automatically and combine these settings with your preferred exposure compensation. Shooting in mode, with control over each of these parameters, is equivalent to shooting in all four modes of , , , and at once. * stands for Flexible value. 1. Set the Mode dial to < 2. Set the shutter speed, aperture value, and ISO speed. >. Turn the < > dial to select an item to set.
3. Set the amount of exposure compensation. Turn the < > dial and select the exposure level indicator. [ appears to the left of the exposure level indicator. Turn the < ] > dial to set the option. To reset the setting to [±0], press the < > button.
Note Values for shutter speed, aperture value, and ISO speed that are set to [AUTO] are underlined. You can set shutter speed, aperture value, and ISO speed to [AUTO] and exposure compensation amount to [±0] in step 2 or 3 by holding down the < > button.
P: Program AE The camera automatically sets the shutter speed and aperture value to suit the subject's brightness. *
stands for Program. * AE stands for Auto Exposure. 1. Set the Mode dial to < 2. Focus on the subject. >. Aim the camera at the subject and press the shutter button halfway. Once the subject is in focus, an AF point is displayed (in green for OneShot AF or blue for Servo AF). The shutter speed and aperture value are set automatically. 3. Check the display.
4. Take the picture. Compose the shot and press the shutter button completely. Caution If the “30"” shutter speed and the lowest aperture value blink, it indicates underexposure. Increase the ISO speed or use flash. If the “1/8000” shutter speed and the highest aperture value blink, it indicates overexposure. Lower the ISO speed or use an ND filter (sold separately) to reduce the amount of light entering the lens.
Tv: Shutter-Priority AE In this mode, you set the shutter speed and the camera automatically sets the aperture value to obtain the standard exposure matching the brightness of the subject. A faster shutter speed can freeze the action of a moving subject. A slower shutter speed can create a blurred effect, giving the impression of motion. * stands for Time value. Blurred motion (Slow speed: 1/30 sec.) Frozen motion (Fast speed: 1/2000 sec.) 1. Set the Mode dial to < >.
2. Set the desired shutter speed. Turn the < 3. > dial to set it. Focus on the subject. Press the shutter button halfway. The aperture value is set automatically. 4. Check the display and shoot. As long as the aperture value is not blinking, the standard exposure will be obtained.
Caution If the lowest aperture value blinks, it indicates underexposure. > dial to set a slower shutter speed until the aperture value stops Turn the < blinking or set a higher ISO speed. If the highest aperture value blinks, it indicates overexposure. Turn the < > dial to set a faster shutter speed until the aperture value stops blinking, or set a lower ISO speed. Note Shutter speed display For example, “0"5” indicates 0.5 sec. and “15"”, 15 sec.
Av: Aperture-Priority AE Depth-of-Field Preview In this mode, you set the desired aperture value and the camera sets the shutter speed automatically to obtain the standard exposure matching the subject brightness. A higher f/ number (smaller aperture hole) will make more of the foreground and background fall within acceptable focus. On the other hand, a lower f/number (larger aperture hole) will make less of the foreground and background fall within acceptable focus.
2. Set the desired aperture value. Turn the < 3. > dial to set it. Focus on the subject. Press the shutter button halfway. The shutter speed is set automatically. 4. Check the display and shoot. As long as the shutter speed is not blinking, the standard exposure will be obtained.
Caution If the “30"” shutter speed blinks, it indicates underexposure. > dial to decrease the aperture value (open the aperture) until the Turn the < shutter speed blinking stops or set a higher ISO speed. If the “1/8000” shutter speed blinks, it indicates overexposure. Turn the < > dial to increase aperture value (close the aperture) until the shutter speed blinking stops or set a lower ISO speed. Note Aperture value display The higher the value, the smaller the aperture opening will be.
Depth-of-Field Preview Press the depth-of-field preview button to stop down the lens to the current aperture value setting and check the area in focus (depth of field). Note The larger the aperture value, the wider the area in focus, from the foreground to the background. The depth-of-field effect is readily apparent on images as you change the aperture value and press the depth-of-field preview button. Exposure is locked (AE lock) as you hold down the depth-of-field preview button.
M: Manual Exposure Exposure Compensation with ISO Auto In this mode, you set both the shutter speed and aperture value as desired. To determine the exposure, refer to the exposure level indicator or use a commercially available exposure meter. * stands for Manual. 1. Set the Mode dial to < 2. Set the ISO speed ( Turn the < >. ). > dial to set it. With ISO Auto, you can set exposure compensation ( 3. ). Set the shutter speed and aperture value.
4. Focus on the subject. Press the shutter button halfway. Check the exposure level mark [ ] to see how far the current exposure level is from the standard exposure level. (1) Standard exposure index (2) Exposure level mark 5. Set the exposure and take the picture. Check the exposure level indicator and set the desired shutter speed and aperture value.
Note ISO speed is locked when you hold down the shutter button halfway after subjects are in focus with One-Shot AF in mode with ISO Auto, < > (evaluative metering), and [ : AE lock meter. mode after focus] set to the default setting ( ). When ISO Auto is set, you can press the < > button to lock the ISO speed. If you press the < > button and recompose the shot, you can see the exposure level difference on the exposure level indicator compared to when the < > button was pressed.
B: Long (Bulb) Exposures Bulb Timer In this mode, the shutter stays open as long as you hold down the shutter button completely, and closes when you let go of the shutter button. Use bulb exposures for night scenes, fireworks, astrophotography, and other subjects requiring long exposures. 1. Set the Mode dial to < 2. Set the desired aperture value. Turn the < 3. >. > dial to set it. Take the picture. The exposure will continue for as long as you keep the shutter button pressed completely.
Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. Long bulb exposures produce more noise in the image than usual. ISO 400 is used when the camera is set to ISO Auto. When shooting bulb exposures with the self-timer instead of the bulb timer, keep pressing the shutter button completely (for the self-timer time and bulb exposure time).
2. Select [Enable]. Select [Enable], then press the < 3. > button. Set the exposure time. Select an option (hours : minutes : seconds). Press the < > button to display [ ]. Set a value, then press the < 4. Select [OK]. 152 > button. (Returns to [ ].
5. Take the picture. After you press the shutter button completely, the bulb exposure continues for your specified time. [ ] and the exposure time are displayed on the screen during bulb timer shooting. To clear the timer setting, select [Disable] in step 2. Caution Bulb exposure stops if you press the shutter button completely and release it during the timer. Note that setting the power switch to < > ends bulb timer shooting when the camera is set to [ : Shooting creative filters].
Shooting and Recording This chapter describes shooting and recording and introduces menu settings on the shooting [ ] tab.
Still Photo Shooting to the right of titles indicates functions only available in Creative Zone modes.
• Shooting Creative Filters • Lens Aberration Correction • Long Exposure Noise Reduction • High ISO Speed Noise Reduction • Dust Delete Data Acquisition • Multiple Exposures • RAW Burst Mode • Focus Bracketing • Interval Timer Shooting • Silent Shutter Function • Shutter Mode • Releasing Shutter without Card • Image Stabilizer (IS Mode) • Customizing Quick Controls • Shooting with the Touch Shutter • Image Review • High-Speed Display • Metering Timer • Display Simulation • Optical Viewfinder Simulation • Sh
Tab Menus: Still Photo Shooting Shooting 1 (1) Image quality (2) Dual Pixel RAW (3) Cropping/aspect ratio (4) Digital tele-conv Shooting 2 (1) Expo.comp.
Shooting 3 (1) Anti-flicker shoot. (2) HF anti-flicker shooting (3) External Speedlite control (4) Metering mode Shooting 4 (1) White balance (2) Custom White Balance (3) WB Shift/Bkt.
Shooting 5 (1) Lens aberration correction (2) Long exp.
Shooting 7 (1) Drive mode (2) Interval timer (3) Bulb timer (4) Silent shutter function (5) Shutter mode (6) Release shutter without card Shooting 8 (1) IS (Image Stabilizer) mode (2) Customize Quick Controls (3) Touch Shutter (4) Image review (5) High speed display (6) Metering timer 160
Shooting 9 (1) Display simulation (2) OVF sim. view assist (3) Shooting info. disp. (4) VF display format (5) Disp. performance Shooting 10 (1) Movie rec.
In Basic Zone modes, the following screens are displayed.
Shooting 3 (1) IS (Image Stabilizer) mode (2) Touch Shutter (3) Image review (4) Shooting info. disp. (5) VF display format (6) Disp.
Shooting 5 (1) Movie rec.
Image Quality RAW Images Guide to Image Quality Settings Maximum Burst for Continuous Shooting You can select the pixel count and the image quality. JPEG/HEIF image quality options are as follows: / / / / / / . For RAW images, you can specify or as the image quality. 1. Select [ : Image quality]. The screen displayed varies depending on [ in [ : Record func+card/folder sel.].
2. Set the image quality. Standard/Auto switch card/Record to multiple For RAW images, turn the < JPEG/HEIF images, turn the < Press the < > dial to select the size, and for > dial. > button to set it. Record separately When [ Rec options] in [ : Record func+card/folder sel.] is set to [Rec. separately], turn the < > dial to select [ ] or [ ], then press the < > button. Note that recording separately to and is not available for RAW images.
Note HEIF can be specified when [ : HDR shooting ] is set to [Enable]. You can convert these images to JPEG images after shooting ( ). is set if you set both RAW and JPEG/HEIF to [ ]. Two versions of each shot are recorded at your specified image quality when you have selected both RAW and JPEG/HEIF. Both images have the same file number but each has a different file extension, with .JPG for JPEG, .HIF for HEIF and .CR3 for RAW. is in (Fine) quality.
Guide to Image Quality Settings For details on file size, number of shots available, maximum burst, and other estimated values, see File size/number of shots available and Maximum burst in the Still photo recording specifications.
Maximum Burst for Continuous Shooting The approximate maximum burst is displayed at the upper left of the shooting screen and lower right of the viewfinder. Note If the maximum burst is displayed as [99], it indicates that you can shoot 99 or more shots continuously. Fewer shots are available for a value of 98 or lower, and when [BUSY] is displayed on the screen, internal memory is full and shooting will stop temporarily. If you stop continuous shooting, the maximum burst will increase.
Dual Pixel RAW Shooting or images with this feature enabled produces special Dual Pixel RAW images containing dual pixel information from the image sensor. This is called Dual Pixel RAW shooting. When processing these images in Digital Photo Professional software for EOS cameras, you can take advantage of the dual pixel data to fine-tune apparent resolution (using depth information), shift the camera viewpoint slightly, and reduce ghosting.
4. Take the picture. A RAW image containing dual pixel data (Dual Pixel RAW image) is captured. Caution Startup takes longer when the power switch is set to < > or the camera resumes operation from auto power off. Continuous shooting speed is slower when you shoot with Dual Pixel RAW ( ). Maximum burst is also lower. [ ] and [ ] drive modes are not available. Setting the mode to [ ] or [ ] has the effect of setting it to [ ].
Still Photo Cropping/Aspect Ratio You can change the image area before shooting. With [1.6x (crop)], the center of the image sensor (an area equivalent to APS-C size) is used, for an angle of view that corresponds to approx. 1.6 times the lens focal length. Other setting options enable you to change the aspect ratio used for shooting. 1. Select [ 2. Select an option. : Cropping/aspect ratio]. Select [Full-frame], [1.6x (crop)], [1:1 (aspect ratio)], [4:3 (aspect ratio)], or [16:9 (aspect ratio)].
3. Select how the shooting area is displayed. On the screen in step 2, press the < > button. Select the type of display, then press the < > button. Caution / / / image quality options are not available when [1.6x (crop)] is set, or with RF-S/EF-S lenses. Shooting with [1.6x (crop)] and image quality set to / / produces / / / images, respectively.
Note For details on pixel counts when cropping or an aspect ratio is set, see Still photo pixel count. Nearly 100% field of view coverage is maintained vertically and horizontally when cropping or an aspect ratio is set. Aspect ratio information is added to RAW images when an aspect ratio is set, which are captured at full size. When the RAW images are played back, the image area used for shooting is indicated by lines. Note that only the shooting image area is shown in Slide Show.
Digital Tele-Converter You can adjust the shooting magnification to be higher than the lens magnification. 1. Select [ 2. Select a shooting magnification. : Digital tele-conv]. Different shooting magnifications are available when [ Cropping/aspect ratio] is set to [1.6x (crop)]. : Shooting magnification is not adjusted when [Off] is selected. Note One AF point is used, fixed at the center. Tracking frames are not displayed.
Auto Exposure Bracketing (AEB) In exposure bracketing, three consecutive images are captured at different exposures within your specified range of up to ±3 stops (in 1/3-stop increments) by automatically adjusting the shutter speed, aperture value, or ISO speed. * AEB stands for Auto Exposure Bracketing. 1. Select [ 2. Set the AEB range. : Expo.comp./AEB]. Turn the < > dial to set the AEB range (1). By turning the < dial, you can set the exposure compensation amount. Press the < > button to set it.
3. Take the picture. Standard exposure Decreased exposure Increased exposure Three bracketed shots are taken, according to the specified drive mode, in this sequence: Standard exposure, decreased exposure, and increased exposure. AEB will not be automatically canceled. To cancel AEB, follow step 2 to turn off the AEB range display. Caution Exposure compensation in AEB may be less effective with [ Optimizer] ( ) set to an option other than [Disable].
Manual Exposure Compensation Exposure compensation can brighten (increased exposure) or darken (decreased exposure) the standard exposure set by the camera. Exposure compensation is available in , , , , and modes. For details on exposure compensation when mode and ISO Auto are both set, see M: Manual Exposure, and see Fv: Flexible-Priority AE for mode. 1. Check the exposure. Press the shutter button halfway and check the exposure level indicator. 2.
Note The exposure compensation amount will remain in effect even after you set the power switch to < >.
Exposure Lock (AE Lock) Effect of AE Lock You can lock the exposure when you want to set the focus and exposure separately or when you will take multiple shots at the same exposure setting. Press the < > button to lock the exposure, then recompose and take the picture. This is called AE lock. It is effective for shooting backlit subjects, etc. 1. Focus on the subject. Press the shutter button halfway. The exposure value will be displayed. 2. Press the < > button ( ).
3. Recompose and take the picture. When you are to take more pictures while maintaining the AE lock, keep holding down the < > button and press the shutter button to take another picture. Note AE lock is not possible with bulb exposures. Effect of AE Lock Metering Mode Selection AF Point Selection Automatic Selection Exposure centered on the AF point in focus is locked. Manual Selection Exposure centered on the selected AF point is locked. Center-weighted exposure is locked.
ISO Speed Settings for Still Photos ISO Speed Range When Set Manually ISO Speed Range Used with ISO Auto Minimum Shutter Speed for ISO Auto Set the ISO speed (image sensor's sensitivity to light) to suit the ambient light level. In Basic Zone modes, ISO speed is set automatically. For details on ISO speed in movie recording, see ISO Speed in Movie Recording. Setting with a dial 1. Set the ISO speed. With an image displayed on the screen, set by turning the < > dial.
Setting ISO speed from a screen of options 1. Access the screen of ISO speed options. Tap the ISO speed in the lower right of the screen. 2. Select an option. Turn the < > dial or select a registered setting value. You can register frequently used ISO speed setting values by specifying an option other than [AUTO] and selecting [Register]. Note To specify [AUTO] when setting [ISO speed] in [ press the < > button.
ISO speed guide Low ISO speeds reduce image noise but may increase the risk of camera/subject shake or reduce the area in focus (shallower depth of field), in some shooting conditions. High ISO speeds enable low-light shooting, a larger area in focus (deeper depth of field), and longer flash range but may increase image noise. Note ISO speed can also be set in the ISO speed item by pressing the < > button with an image displayed on the screen.
ISO Speed Range When Set Manually You can set the manual ISO speed setting range (minimum and maximum limits). You can set the minimum limit within L (equivalent to ISO 50) to ISO 102400, and the maximum limit within ISO 100 to H (equivalent to ISO 204800). 1. Select [ 2. Select [ISO speed range]. 3. Set [Minimum]. : ISO speed settings]. Select the [Minimum] box, then press the < Select an ISO speed, then press the < 185 > button. > button.
4. Set [Maximum]. Select the [Maximum] box, then press the < Select an ISO speed, then press the < 5. Select [OK]. 186 > button. > button.
ISO Speed Range Used with ISO Auto You can set the automatic ISO speed range for ISO Auto within ISO 100–102400. The minimum can be set within ISO 100–51200 and the maximum within ISO 200–102400, in 1stop increments. 1. Select [Auto range]. 2. Set [Minimum]. Select the [Minimum] box, then press the < Select an ISO speed, then press the < 187 > button. > button.
3. Set [Maximum]. Select the [Maximum] box, then press the < Select an ISO speed, then press the < 4. > button. > button. Select [OK]. Note The [Minimum] and [Maximum] settings will also function as the minimum and maximum speeds for ISO speed safety shift ( ).
Minimum Shutter Speed for ISO Auto To prevent shutter speeds from being set too low automatically, you can set the minimum shutter speed for ISO Auto. This is effective in
or mode when shooting subjects in motion with a wide-angle lens, or when using a telephoto lens. It can also reduce camera shake and blurred subjects. 1. Select [Min. shutter spd.].
2. Set the desired minimum shutter speed. Auto If you select [Auto], turn the < > dial to set the difference relative to standard speed (toward Slower or Faster), then press the < > button. Manual If you select [Manual], turn the < then press the < > button. > dial to select the shutter speed, Caution If a correct exposure cannot be obtained with the maximum ISO speed limit set with [Auto range], a shutter speed slower than the [Min. shutter spd.] will be set to obtain the standard exposure.
HDR Shooting PQ in HDR PQ refers to the gamma curve of the input signal for displaying HDR images. HDR PQ settings enable the camera to produce HDR images conforming to the PQ specification defined in ITU-R BT.2100 and SMPTE ST.2084. (Actual display depends on monitor performance.) Shots are captured as HEIF or RAW images. * HDR stands for High Dynamic Range. * PQ stands for Perceptual Quantization. 1. Select [ 2. Select [Enable]. : HDR shooting ].
Caution Expanded ISO speeds (L, H) are not available in HDR shooting. Some scenes may look different from how they appear on an HDR display device. Unused signal values are roughly indicated by image areas in gray in the histogram when [ : HDR shooting ] is set to [Enable]. [ : Disp. performance] is not available when [ : HDR shooting ] is set to [Enable]. It is set to [Smooth].
HDR Mode Moving Subjects Dynamic Range You can shoot high dynamic range photos that retain detail in highlights and shadows of high-contrast scenes. Select “Moving subjects” for scenes with subjects in motion or “Dynamic range” for landscape and still-life shots. For enhanced gradation in dark image areas, HDR shooting produces an HDR image that compensates for loss of detail in those areas by merging multiple images captured across a wide range of exposures per shot.
3. Select an option. For normal, non-HDR shooting, select [Disable]. 4. Take the picture. Press the shutter button completely. Multiple images captured per shot are merged into a single HDR image recorded to the card. Moving Subjects Suitable when shooting subjects in motion. For each shot, images captured across a wide range of exposures are merged. Limit max brightness Available only with [ : HDR shooting ] set to [Enable]. With [Disable], maximum brightness is not limited.
Dynamic Range Suitable for landscape and still-life shots. For each shot, three images of different exposures (standard exposure, underexposure, and overexposure) are captured and automatically merged. Dynamic range Selecting [Auto] will have the dynamic range set automatically depending on the image's overall tonal range. The higher the number, the wider the dynamic range will be. Limit max brightness ] set to [Enable].
Caution Expanded ISO speeds (L, H) are not available in HDR shooting. The flash will not fire during HDR shooting. AEB is not available. Subjects such as the sky or white walls may not be rendered with smooth gradation and may have noise or irregular exposure or colors. HDR shooting under fluorescent or LED lighting may cause issues such as irregular exposure or colors in HDR images, due to the flickering light source. It may help reduce the effects of flickering if you set [ : Anti-flicker shoot.
Note Electronic first-curtain and electronic shutter modes are available with HDR set to [Moving sub.]. Setting HDR mode to [Dynamic range] produces RAW HDR images with the following image quality. • [ : HDR shooting ] set to [Disable]: JPEG quality ] set to [Enable]: HEIF quality • [ : HDR shooting HDR image quality in RAW+JPEG or RAW+HEIF shooting corresponds to your specified JPEG or HEIF image quality.
Auto Lighting Optimizer Brightness and contrast can be corrected automatically if shots look dark or contrast is too low or high. 1. Select [ 2. Set a correction option. : Auto Lighting Optimizer]. Caution Noise may increase and apparent resolution may change, under some shooting conditions. If the effect of Auto Lighting Optimizer is too strong and results are not at your preferred brightness, set to [Low] or [Disable].
Note For and images, face lighting can be adjusted in [ : RAW processing (RAW/DPRAW)] ( ). To enable [ : Auto Lighting Optimizer] to be set even in or mode, press the < > button in step 2 to clear the checkmark [ ] for [Disabled in M or B modes].
Highlight Tone Priority You can reduce overexposed, clipped highlights. 1. Select [ 2. Set an option. : Highlight tone priority]. [Enable]: Improves gradation in highlights. The gradation between the grays and highlights becomes smoother. [Enhanced]: Reduces overexposed highlights even more than [Enable], under some shooting conditions. Caution Noise may increase slightly. The available ISO range starts at ISO 200. Expanded ISO speeds cannot be set.
Note [ : Highlight tone priority] is set to [Enable] and cannot be changed after you set [ : HDR shooting ] to [Enable] by pressing the < > button to add a checkmark to this setting. [ : Highlight tone priority] is set to [Disable], even if you set [ : HDR shooting ] to [Enable], when you have set [ HDR Mode shoot.] in [ : HDR Mode] to an option other than [Off].
Anti-Flicker Shooting Uneven exposure and color may appear in continuous shooting at fast shutter speeds under flickering light sources such as fluorescent lights, due to uneven vertical exposure. Antiflicker shooting enables you to take pictures when exposure and colors are less affected by flickering. 1. Select [ 2. Select [Enable]. 3. Take the picture. : Anti-flicker shoot.].
Caution When [Enable] is set and you shoot under a flickering light source, the shutterrelease time lag may become longer. Also, the continuous shooting speed may become slower, and the shooting interval may become irregular. Flicker at a frequency other than 100Hz or 120Hz cannot be detected. Also, if the flickering frequency of the light source changes during continuous shooting, effects of the flicker cannot be reduced.
High-Frequency Anti-Flicker Shooting Auto Detecting Manual Setting Images may be affected by banding if you shoot under light sources that flicker at high frequencies. High-frequency anti-flicker shooting enables you to take pictures at suitable shutter speeds for high-frequency flickering, which minimizes the effect of this flickering on images. Caution Exposure in still photo shooting may vary. [ HDR Mode shoot.] cannot be set to [Dynamic range] in high-frequency antiflicker shooting.
3. Select [HF anti-flicker shooting]. 4. Select [Enable].
5. Select an item. Manual setting ( ) Auto detecting ( ) Auto Detecting The camera detects 50.0–2011.2 Hz light sources and displays a suitable shutter speed for shooting under light sources that flicker at high frequencies. You can then switch to the indicated shutter speed. 1. Set the desired shutter speed. Set the shutter speed you would prefer to shoot at. For light sources that flicker at high frequencies, the camera will determine a suitable shutter speed near this value.
2. Select [Auto detecting]. 3. Select [OK]. It may improve HF flicker detection accuracy to magnify, as much as possible, any areas affected by banding. 4. Switch to the indicated shutter speed. Select [Yes] to switch to the indicated shutter speed. Selecting [Yes (move to Tv settings)] will display the [Manual setting] screen. Go to step 2 in Manual Setting. 5. Take the picture.
Caution The range of the recommended shutter speed indicated varies by shutter mode. • Mechanical shutter: 1/50.0 to 1/1024.0 sec. • Electronic first-curtain: 1/50.0 to 1/512.0 sec. • Electronic shutter: 1/50.0 to 1/2048.0 sec. • Movie recording: 1/50.0 to 1/2048.0 sec. Do the following if [No flicker detected] is displayed, or if switching shutter speeds does not eliminate banding.
Manual Setting Check on the screen for image areas affected by light sources that flicker at high frequencies, then find a suitable shutter speed. 1. Select [Manual setting]. 2. Adjust the shutter speed. Do the following if banding is not eliminated at the shutter speed set with automatic detection. > dial. With the < > dial, you can increase the • Turn the < shutter speed set with automatic detection (×2, ×3, ×4, and so on) or decrease it (1/2×, 1/3×, 1/4×, and so on).
Caution The shutter speed range available for the manual setting mode varies by shutter mode. • Mechanical shutter: 1/50.0 to 1/2048.0 sec. • Electronic first-curtain: 1/50.0 to 1/2048.0 sec. • Electronic shutter: 1/50.0 to 1/8192.0 sec. • Movie recording: 1/50.0 to 1/8192.0 sec. Maximum flash sync speed in flash photography is limited to 1/181.0 sec. regardless of shutter mode. Dark lenses may prevent correct display simulation.
Shooting with Speedlites EL/EX Series Speedlites for EOS Cameras Canon Speedlites Other Than the EL/EX Series Non-Canon Flash Units Quick Flash Group Control EL/EX Series Speedlites for EOS Cameras Features of EL/EX series Speedlites (sold separately) can be used in flash photography with the camera. For instructions, refer to the EL/EX series Speedlite's Instruction Manual. Sync speed Varies depending on the shutter mode. [ : Shutter mode] Setting Sync Speed Mechanical 1/200 sec. or slower Elec.
Caution Some Speedlites cannot be attached directly to this camera. For details, see MultiFunction Shoe. Setting [ : Auto Lighting Optimizer] ( ) to an option other than [Disable] may still cause images to look bright even if you set lower flash exposure compensation for darker images. In flash photography, set [ : Shutter mode] to an option other than [Electronic] ( ). Note The Speedlite will fire an intermittent AF-assist beam as needed, if autofocusing is difficult under low light.
Canon Speedlites Other Than the EL/EX Series With an EZ/E/EG/ML/TL series Speedlite set to A-TTL or TTL autoflash mode, the flash can be fired at full output only. Set the camera's shooting mode to or and adjust the aperture value before shooting. When using a Speedlite that has manual flash mode, shoot in the manual flash mode.
Non-Canon Flash Units Sync speed Sync speed for non-Canon compact flash units varies by shutter mode. [ : Shutter mode] Setting Sync Speed Mechanical 1/200 sec. or slower Elec. 1st-curtain 1/250 sec. or slower With large studio flash units, the flash duration is longer than that of a compact flash unit and varies depending on the model. Before shooting, confirm that flash sync is performed correctly by taking some test shots at a sync speed of approx. 1/60 sec. to 1/30 sec.
Quick Flash Group Control As you view the shooting screen in wireless multi-flash photography, you can configure the settings for each flash group by pressing the button assigned to [Quick flash group control] in [ : Customize buttons]. This example is based on assigning the < > button ( ). 1. > (individual group control) to Set the flash firing mode to < prepare for wireless multi-flash photography. For details, refer to the instruction manuals of flash units supporting wireless multi-flash photography.
Flash Function Settings Flash Firing E-TTL Balance E-TTL II Flash Metering Continuous Flash Control Slow Synchro Flash Function Settings Flash Custom Function Settings Clearing Flash Function Settings/Clearing All Speedlite Custom Functions Functions of EL/EX Series Speedlites compatible with flash function settings can be set via a camera menu screen. Attach the Speedlite to the camera and turn on the Speedlite before setting the flash functions.
2. Select an option. Flash Firing To enable flash photography, set to [Enable]. To enable only the AF-assist beam of the Speedlite, set to [Disable].
E-TTL Balance You can set your preferred appearance (balance) for flash shots. This setting enables you to adjust the ratio of ambient light to Speedlite light output. Set the balance to [Ambience priority] to lower the proportion of flash output and uses ambient light to produce lifelike shots with a natural mood. Especially useful when shooting dark scenes (indoors, for example). After switching to
or mode, consider setting [Slow synchro] in [ : External Speedlite control] to [1/250-30sec.
E-TTL II Flash Metering Set to [Eval (FacePrty)] for flash metering suitable for shots of people. Set to [Evaluative] for flash metering that emphasizes firing in continuous shooting. If [Average] is set, the flash exposure will be averaged for the entire metered scene. Note Depending on the scene, flash exposure compensation may be necessary. Caution Even when [Eval (FacePrty)] is set, some subjects and shooting conditions may prevent you from obtaining the expected result.
Continuous Flash Control Set to [E-TTL each shot] to perform flash metering for each shot. Set to [E-TTL 1st shot] to perform flash metering for only the first shot before continuous shooting. The flash output level for the first shot is applied to all subsequent shots. Useful when prioritizing continuous shooting speed without recomposing shots. Caution Any subject movement in continuous shooting may cause exposure problems. [E-TTL 1st shot] is set automatically in [ ] drive mode.
Slow Synchro You can set the flash-sync speed for flash photography in
or mode. Note that the maximum flash synchronization speed varies depending on the [ : Shutter mode] setting. It is 1/250 sec. when set to [Elec. 1st-curtain] and 1/200 sec. when set to [Mechanical]. 1/250-30sec. auto ( )*1 Shutter speed is automatically set in the following range to suit brightness. High-speed sync is also possible. [ : Shutter mode] Setting Shutter Speed Mechanical 1/200–30 sec. Elec.
)*1 1/250-1/60sec. auto ( Prevents a slow shutter speed from being set automatically in low-light conditions. Effective for preventing subject blur and camera shake. Light from the flash provides standard exposure for subjects, but note that backgrounds may be dark. [ 1/250 sec. (fixed) ( : Shutter mode] Setting Shutter Speed Mechanical 1/200–1/60 sec. Elec. 1st-curtain 1/250–1/60 sec.
Flash Function Settings The information displayed on the screen, position of display, and available options vary depending on the Speedlite model, its Custom Function settings, the flash mode, and other factors. For details on the Speedlite's functions, refer to the Speedlite's Instruction Manual.
Flash mode You can select the flash mode to suit your desired flash photography. [E-TTL II flash metering] is the standard mode of EL/EX series Speedlites for automatic flash photography. [Manual flash] is for setting the Speedlite's [Flash output level] yourself. [CSP] (Continuous shooting priority mode) is available when using a compatible Speedlite. This mode automatically reduces flash output by one stop and increases ISO speed by one stop.
Wireless functions You can use radio or optical wireless transmission to shoot with wireless multiple-flash lighting. For details on wireless flash, refer to the Instruction Manual of a Speedlite compatible with wireless flash photography. Firing ratio control (RATIO) With a macro flash, you can set the firing ratio control. For details on firing ratio control, refer to the Instruction Manual of the macro flash.
Shutter synchronization Normally, set this to [First-curtain synchronization] so that the flash fires immediately after the shooting starts. Set to [Second-curtain synchronization] and use low shutter speeds for natural-looking shots of subject motion trails, such as car headlights. Set to [High-speed synchronization] for flash photography at higher shutter speeds than the maximum flash sync shutter speed.
Flash exposure bracketing Speedlites equipped with flash exposure bracketing (FEB) can change the external flash output automatically as three shots are taken at once.
Flash Custom Function Settings For details on the Speedlite's Custom Functions, refer to the Instruction Manual of the Speedlite. 1. Select [Flash C.Fn settings]. 2. Set the desired functions. Select the number. Select an option. Caution With an EL/EX series Speedlite, the Speedlite will always fire at full output if the [Flash metering mode] Custom Function is set to [1:TTL] (autoflash). The Speedlite's Personal Function (P.
Clearing Flash Function Settings/Clearing All Speedlite Custom Functions 1. Select [Clear settings]. 2. Select the settings to be cleared. Select [Clear flash settings] or [Clear all Speedlite C.Fn's]. Select [OK] on the confirmation screen to clear all flash settings or Custom Function settings.
Metering Mode Four methods (metering modes) to measure the subject's brightness are provided. Normally, evaluative metering is recommended. Evaluative metering is set automatically in Basic Zone modes (except in < : > mode, which uses center-weighted average metering). 1. Select [ 2. Select an option. : Metering mode]. : Evaluative metering General-purpose metering mode suited even for backlit subjects. The camera adjusts the exposure automatically to suit the scene.
Caution With (evaluative metering), holding down the shutter button halfway when shooting with [One-Shot AF] locks the exposure value (AE lock). With (partial metering), (spot metering), or (center-weighted average metering), exposure is set at the moment the picture is taken (without locking the exposure value when the shutter button is pressed halfway). With [ : AE lock meter. mode after focus] ( ), you can set whether or not to lock the exposure (AE lock) once subjects are in focus with One-Shot AF.
White Balance White Balance [ ] Auto White Balance [ ] Custom White Balance [ ] Color Temperature White balance (WB) is for making the white areas look white. Normally, the Auto [ ] (Ambience priority) or [ ] (White priority) setting will obtain the correct white balance. If natural-looking colors cannot be obtained with Auto, you can select the white balance to match the light source or set it manually by shooting a white object. In Basic Zone modes, [ ] (Ambience priority) is set automatically.
3. Select a white balance setting. Turn the < > dial to make a selection. Note For [ ] and [ ] setting instructions, see [ ] Auto White Balance. To set your preferred color temperature, select [ ] in [ : White balance], then turn the < > dial. White balance settings cannot be changed while you are pressing the movie shooting button to record a movie. Movie Exif information will include the white balance setting value at the time recording began. (Approx.
White Balance The human eye adapts to changes in lighting so that white objects look white under all kinds of lighting. Cameras determine white from the color temperature of lighting and, based on this, apply image processing to make color tones look natural in your shots.
[ ] Auto White Balance [ ] (Ambience priority) emphasizes the ambiance of scenes under tungsten or similar lighting, producing images with a slightly warm color cast. Selecting [ ] (White priority) will produce images with a less warm color cast. 1. Select [ 2. Select [ With [ 3. : White balance]. ]. ] selected, press the < Select an option. 235 > button.
Caution Precautions when set to [ ] (White priority) Reddish subjects may appear slightly faded. The color cast of images may not be less warm in scenes that include multiple light sources. In flash photography, the color tone will be the same as with [ ] (Ambience priority).
[ ] Custom White Balance With custom white balance, you can manually set the white balance for the specific light source of the shooting location. Make sure to perform this procedure under the light source at the actual location of the shoot. Registration from an image on a card 1. Shoot a white object. Aim the camera at a plain white object, so that white fills the screen. Set the camera to manual focus ( has standard exposure.
2. Select [ 3. Import the white balance data. : Custom White Balance]. Turn the < > dial to select the image captured in step 1, then press > button. the < Select [OK] to import the data. 4. Select [ 5. Select the custom white balance. : White balance]. Select [ ].
Shooting and registering white balances 1. Press the < 2. Select the white balance item. Press < 3. > button. > up or down for selection. Select [Record and register WB]. Turn the < press the < > dial or press < > button.
4. Shoot a white object. Aim the camera at a plain white object, so that white fills the screen. Set the camera to manual focus ( has standard exposure. ) and shoot so that the white object The custom white balance is registered to the camera. Caution Correct white balance may not be obtained if the exposure of your image differs greatly from standard exposure. Note Instead of shooting a white object, you can also shoot a gray card or standard 18% gray reflector (commercially available).
[ ] Color Temperature A value can be set representing the white balance color temperature. 1. Select [ 2. Set the color temperature. : White balance]. Select [ Turn the < button. ]. > dial to set a color temperature, then press the < The color temperature can be set from approx. 2500K to 10000K in 100K increments. Note When setting the color temperature for an artificial light source, set the white balance correction (magenta or green bias) as necessary.
White Balance Correction White Balance Correction White Balance Auto Bracketing You can correct the white balance that is set. This adjustment will have the same effect as using a commercially available color temperature conversion filter or color compensating filter. White Balance Correction 1. Select [ : WB Shift/Bkt.].
2. Set the white balance correction. Sample setting: A2, G1 Use < > to move the “■” mark on the screen to your preferred position. B is for blue, A for amber, M for magenta, and G for green. White balance is corrected in the direction you move the mark. The direction and amount of correction are indicated in the upper right of the screen. Pressing the < Press the < > button will cancel all the [WB Shift/Bkt.] settings. > button to exit setup.
White Balance Auto Bracketing White balance bracketing enables you to capture three images at once with different color tones. Setting the white balance bracketing amount In step 2 for White Balance Correction, when you turn the < > dial, the “■” mark on the screen will change to “■ ■ ■” (3 points). Turning the dial clockwise sets the B/A bracketing, and turning it counterclockwise sets the M/G bracketing.
Note The images will be bracketed in the following sequence: (1) Standard white balance, (2) Blue (B) bias, and (3) Amber (A) bias, or (1) Standard white balance, (2) Magenta (M) bias, and (3) Green (G) bias. You can also set white balance correction and AEB together with white balance bracketing. If you set AEB in combination with white balance bracketing, a total of nine images will be recorded for a single shot. The white balance icon blinks to indicate that white balance bracketing has been set.
Color Space The range of reproducible colors is called the “color space.” For normal shooting, sRGB is recommended. In Basic Zone, [sRGB] is set automatically. 1. Select [ 2. Set a color space option. : Color space]. Select [sRGB] or [Adobe RGB], then press the < > button. Adobe RGB This color space is mainly used for commercial printing and other professional applications. Recommended when using equipment such as Adobe RGB-compatible monitors or DCF 2.0 (Exif 2.21 or later) compatible printers.
Picture Style Selection Picture Style Characteristics Symbols Just by selecting a preset Picture Style, you can obtain image characteristics effectively matching your photographic expression or the subject. 1. Select [ 2. Select a Picture Style. : Picture Style].
Picture Style Characteristics Auto The color tone will be adjusted automatically to suit the scene. The colors will look vivid for blue skies, greenery and sunsets, particularly in nature, outdoor, and sunset scenes. Note If the desired color tone is not obtained with [Auto], use another Picture Style. Standard The image looks vivid, sharp, and crisp. Suitable for most scenes. Portrait For smooth skin tones, with slightly less sharpness. Suited for close-up portraits.
User Def. 1–3 You can add a new style based on presets such as [Portrait] or [Landscape] or a Picture Style file, then adjust it as needed ( ). Shots taken with a style you have not customized yet will have the same characteristics as the default [Auto] setting.
Symbols Icons on the Picture Style selection screen represent [Strength], [Fineness], and [Threshold] for [Sharpness] as well as [Contrast] and other parameters. The numbers indicate the values for these settings specified for the respective Picture Style. Sharpness Strength Fineness Threshold Contrast Saturation Color tone Filter effect (Monochrome) Toning effect (Monochrome) Caution For movie recording, “*, *” is indicated for the [Fineness] and [Threshold] parameters of [Sharpness].
Picture Style Customization Settings and Effects Monochrome Adjustment You can customize any Picture Style by changing it from the default settings. For details on customizing [Monochrome], see Monochrome Adjustment. 1. Select [ 2. Select a Picture Style. : Picture Style]. Select the Picture Style to adjust, then press the < 251 > button.
3. Select an option. Select an option, then press the < > button. For details on settings and effects, see Settings and Effects. 4. Set the effect level. Adjust the effect level, then press the < > button. Press the < > button to save the adjusted setting and return to the Picture Style selection screen. Any settings you change from default values are displayed in blue.
Note For movie recording, [Fineness] and [Threshold] for [Sharpness] cannot be set (not displayed). By selecting [Default set.] in step 3, you can restore the parameter settings of the respective Picture Style to the defaults. To shoot with the Picture Style you adjusted, first select the adjusted Picture Style, then shoot.
Monochrome Adjustment Filter effect With a filter effect applied to a monochrome image, you can make white clouds or green trees stand out more. Filter Sample Effects N:None Normal black-and-white image with no filter effects. Ye:Yellow Blue sky will look more natural, and white clouds will look crisper. Or:Orange The blue sky will look slightly darker. The sunset will look more brilliant. R:Red The blue sky will look quite dark. Fall leaves will look crisper and brighter.
Picture Style Registration You can select a base Picture Style such as [Portrait] or [Landscape], adjust it as desired, and register it under [User Def. 1] – [User Def. 3]. Useful when creating several Picture Styles with different settings. Picture Styles that you have registered on the camera using EOS Utility (EOS software, ) can also be modified here. 1. Select [ 2. Select [User Def.]. : Picture Style]. Select [User Def. *], then press the < 255 > button.
3. Press the < > button. With [Picture Style] selected, press the < 4. > button. Select a base Picture Style. Select the base Picture Style, then press the < > button. Also select styles this way when adjusting styles registered to the camera with EOS Utility (EOS software). 5. Select an option. Select an option, then press the < 256 > button.
6. Set the effect level. Adjust the effect level, then press the < > button. For details, see Picture Style Customization. Press the < > button to save the adjusted setting and return to the Picture Style selection screen. The base Picture Style will be indicated on the right of [User Def. *]. Blue style names in [User Def. *] have been changed from default values. Caution If a Picture Style is already registered under [User Def.
Clarity You can adjust image clarity, as determined by the contrast of image edges. Set toward the negative end to make images look softer or toward the positive end for a sharper appearance. 1. Select [ 2. Set the effect level. : Clarity]. Caution Setting clarity may darken or lighten the areas around boundaries in high-contrast images. The effect of this setting is not shown in images on the screen in still photo shooting.
Shooting Creative Filters Configuring Shooting Creative Filters Characteristics of Shooting Creative Filters You can shoot with filter effects applied. Note that only images with the filter effects applied are saved. Configuring Shooting Creative Filters 1. Select [ : Shooting creative filters]. Caution The camera shoots in single shooting mode when a Creative filter is set, regardless of the drive mode setting (< >, < >, or < >).
2. Select a filter effect. Turn the < > dial to select a filter effect ( ). Images are shown with the filter effect applied. Caution Some items on the AF tab are not available with [Fish-eye effect] or [Miniature effect] selected. 3. Adjust the filter effect. Press the < Turn the < 4. > button. > dial to adjust the filter effect ( ). Take the picture. The images captured have the filter effect applied.
Note Different creative filter effects are available in movie recording ( 261 ).
Characteristics of Shooting Creative Filters Grainy B/W Makes the image grainy and black and white. By adjusting the contrast, you can change the black-and-white effect. Soft focus Gives the image a soft look. By adjusting the blur, you can change the degree of softness. Fish-eye effect Gives the effect of a fish-eye lens. The image will have barrel distortion. Depending on the level of this filter effect, the area trimmed along the periphery of the image changes.
Caution With [Grainy B/W], the grainy preview will differ somewhat from the appearance of your shots. With [Soft focus] or [Miniature effect] options, the blurred effect preview may differ somewhat from the appearance of your shots. No histogram is displayed. A magnified view is not available.
Lens Aberration Correction Peripheral Illumination Correction Distortion Correction Focus Breathing Correction Digital Lens Optimizer Chromatic Aberration Correction Diffraction Correction Vignetting, image distortion, and other issues may be caused by lens optical characteristics. The camera can compensate for these phenomena by using [ : Lens aberration correction]. 1. Select [ 2. Select an option. : Lens aberration correction].
3. Select a setting. Confirm that the name of the attached lens and [Correction data available] are displayed. If [Correction data not available] or [ Optimizer. ] is displayed, see Digital Lens Peripheral Illumination Correction Vignetting (dark image corners) can be corrected. Caution Depending on shooting conditions, noise may appear on the image periphery. The higher the ISO speed, the lower the amount of correction will be.
Distortion Correction Distortion (image warping) can be corrected. Caution Specifying distortion correction may subtly change the angle of view, resulting in images that are cropped a little and seem slightly less sharp. The amount of image cropped may vary between still photos and movies. Note With RF or RF-S lenses, distortion correction during movie recording is supported.
Focus Breathing Correction Angle of view fluctuations from changes in focal position during movie recording can be reduced. This feature can be configured when [Distortion correction] is set to [Enable]. Caution Applying focus breathing correction will narrow the angle of view. The extent of narrowing depends on shooting conditions. Test focus breathing correction before use, because the image processing may affect apparent image resolution and noise.
Digital Lens Optimizer Various aberrations from lens optical characteristics can be corrected, along with diffraction and low-pass filter-induced loss of resolution. If [Correction data not available] or [ ] is displayed by [Digital Lens Optimizer], you can use EOS Utility to add the lens correction data to the camera. For details, refer to the EOS Utility Instruction Manual. Caution Image processing after you shoot takes longer when set to [High] (which causes the access lamp to be illuminated longer).
Chromatic Aberration Correction Chromatic aberration (color fringing around subjects) can be corrected. Note [Chromatic aberr corr] is not displayed when [Digital Lens Optimizer] is set to [Standard] or [High].
Diffraction Correction Diffraction (loss of sharpness caused by the aperture) can be corrected. Caution Depending on shooting conditions, noise may be intensified together with the effects of correction. The higher the ISO speed, the lower the amount of correction will be. For movie recording, [Diffraction correction] will not appear. (Correction is not possible.) The effect of diffraction correction cannot be checked on the screen at the time of shooting.
Note General notes for lens aberration correction Effects of lens aberration correction vary by lens and shooting conditions. Also, the effect may be difficult to discern depending on the lens used, shooting conditions, etc. If the correction is difficult to discern, magnifying and checking the image after shooting is recommended. Corrections are applied even when an extender or life-size converter is attached.
Long Exposure Noise Reduction Noise such as dots of light or banding that tends to occur in long exposures at shutter speeds of one sec. or slower can be reduced. 1. Select [ 2. Set a reduction option. : Long exp. noise reduction]. Auto For images exposed for 1 sec. or longer, noise reduction is performed automatically if noise typical of long exposures is detected. This setting is effective enough in most cases. Enable Noise reduction is performed for all images exposed for 1 sec. or longer.
Caution With [Auto] or [Enable] set, noise reduction after you shoot may take as long as exposure for the shot. Images may look grainier with the [Enable] setting than with the [Disable] or [Auto] setting. [BUSY] is displayed as noise is reduced, and the shooting screen is not displayed until processing is finished, when you can shoot again.
High ISO Speed Noise Reduction You can reduce the image noise generated. This function is especially effective when shooting at high ISO speeds. When shooting at low ISO speeds, the noise in the darker parts of the image (shadow areas) can further be reduced. 1. Select [ 2. Set the level. : High ISO speed NR]. Low, Standard, High The camera applies an amount of noise reduction corresponding to your specified level.
Caution Precautions on Multi Shot Noise Reduction If there is significant misalignment in the image due to camera shake, the noise reduction effect may become smaller. Be careful about camera shake in handheld shots. Using a tripod is recommended. If you shoot a moving subject, the moving subject may leave afterimages. Auto image alignment may not function properly with repetitive patterns (lattice, stripes, etc.) or flat, single-tone images.
Dust Delete Data Acquisition Preparation Dust Delete Data Appending Dust Delete Data used to erase dust spots can be appended to images in case sensor cleaning leaves dust on the sensor. The Dust Delete Data is used by Digital Photo Professional (EOS software) to erase the dust spots automatically. Preparation Use an RF or EF lens. Prepare a solid white object such as a sheet of paper. Set the lens focal length to 50 mm or longer. Set the focus mode to MF ( ) and focus manually at infinity (∞).
2. Select [OK]. After the automatic self-cleaning of the sensor is performed, a message will appear. Although there will be a mechanical sound of the shutter during the cleaning, no picture is taken.
3. Shoot a plain white object. Shoot with a plain white object (such as a new sheet of white paper) filling the screen, at a distance of 20–30 cm (0.7–1.0 ft.). Since the image will not be saved, the data can still be obtained even if there is no card in the camera. When the picture is taken, the camera will start collecting the Dust Delete Data. When the Dust Delete Data is obtained, a message will appear. If the data is not obtained successfully, an error message will appear.
Dust Delete Data Appending The camera will append the Dust Delete Data obtained to all shots from now on. Acquiring Dust Delete Data immediately before shooting is recommended. For details about using Digital Photo Professional (EOS software) to erase dust spots automatically, refer to the Digital Photo Professional Instruction Manual. File size is essentially unaffected by Dust Delete Data appended to images.
Multiple Exposures Merging Multiple Exposures with a JPEG Image Recorded on the Card Checking and Deleting Multiple Exposures During Shooting As you shoot multiple exposures (2–9), you can see how the images will be merged into a single image. 1. Select [ : Multiple exposure].
2. Set [Multiple exposure]. Select an option, then press the < > button. To exit shooting multiple exposures, select [Disable]. On:Func/Ctrl Convenient when shooting multiple exposures gradually as you check the results. During continuous shooting, the continuous shooting speed will decrease greatly. On:ContShtng Used for continuous multiple exposures of moving subjects.
3. Set [Multi-expos ctrl]. Select a merging option, then press the < > button. Additive The exposure of each single image captured is added cumulatively. Based on [No. of exposures], set negative exposure compensation. Follow these basic guidelines to set the exposure compensation amount. Exposure compensation setting guidelines, by number of exposures Two exposures: –1 stop, three exposures: –1.5 stops, four exposures: –2 stops Average Based on the [No.
4. Set [No. of exposures]. Select the number of exposures, then press the < 5. > button. Specify the images to save. To save all single exposures and the multiple-exposure image, select [All images] and press the < > button. To save only the multiple-exposure image, select [Result only] and press the < > button.
6. Set [Continue Mult-exp]. Select an option, then press the < > button. With [1 shot only], multiple-exposure shooting will be canceled automatically after the shooting ends. With [Continuously], multiple-exposure shooting continues until the setting in step 2 is set to [Disable]. 7. Shoot the first exposure. When [On:Func/Ctrl] is set, the captured image will be displayed. The [ ] icon blinks. The number of remaining exposures is indicated on the screen (1) for reference. Pressing the < ( ).
8. Shoot the next exposures. Images captured so far are displayed merged. For only image display, press the < > button repeatedly. Multiple-exposure shooting will end when the set number of exposures are taken. Note With [On:Func/Ctrl], you can press the < > button to view the multipleexposure image so far or delete the previous single exposure ( ). As shooting information, the multiple-exposure image has information captured for the last shot.
Merging Multiple Exposures with a JPEG Image Recorded on the Card You can select a JPEG image recorded on the card as the first single exposure. The selected JPEG image will remain intact. 1. Select [Select image for multi. expo.]. 2. Select the first image. Turn the < button. > dial to select the first image, then press the < > Select [OK]. The file number of the selected image will be displayed at the bottom of the screen.
3. Take the picture. When you select the first image, the number of remaining exposures as set with [No. of exposures] will decrease by 1. Caution The following images cannot be selected. • RAW or HEIF images • JPEG images extracted from RAW burst images ( • JPEG images in / / ) sizes Cropping/aspect ratio] set to an option other than [Full• Images with [ : frame] or [1.6x (crop)] • Images from other cameras Images that cannot be merged may be displayed.
Checking and Deleting Multiple Exposures During Shooting To view the multiple-exposure image so far, check exposure, and see how the images are merged, you can press the < > button before you finish shooting your specified number of exposures (when [On:Func/Ctrl] is set, but not with [On:ContShtng]). Pressing the < > button will display the operations possible during multiple-exposure shooting. Option Return to previous screen Description The screen before you pressed the < > button will reappear.
FAQ Are there any restrictions on the image quality? ] images. Even with [ Multiple exposures are captured as JPEG [ set to RAW only, they are captured as JPEG [ ] images. : Image quality] Can I merge images recorded on the card? With [Select image for multi. expo.], you can select the first single exposure from the images recorded on the card ( ). Note that you cannot merge multiple images already recorded on the card.
RAW Burst Mode Enables fast continuous shooting of RAW images. Useful for choosing the best shot, taken at exactly the right moment, from your captured images. Shots are captured as a single file (roll) with multiple images. You can extract any image from the roll to save it separately ( ). 1. Select [ 2. Set [RAW burst mode]. 3. Select [Enable]. : RAW burst mode]. After you select [Enable], [ 290 ] is displayed when you shoot.
4. Select [Pre-shooting]. 5. Set an option. [Enable]: Shooting begins slightly before (up to approx. 0.5 sec. before) you press the shutter button completely, after you momentarily press it halfway. [ ] is displayed when you shoot. [Disable]: Shooting begins when you press the shutter button completely. [ ] is displayed when you shoot. 6. Shoot. An on-screen indicator shows buffer status. The color varies by status.
Caution Use cards with 4 GB or more of free space. Images may not be captured correctly if the battery runs out during image processing while you are shooting in RAW burst mode with a slow-writing card and low battery. Display pauses when you press the shutter button halfway. Camera shake or subject motion may cause image distortion. ISO Auto is used when shooting in
, , or mode. Shutter speeds slower than 1/30 sec. are not available in , , or mode.
Focus Bracketing Focus bracketing enables continuous shooting with the focal distance changed automatically after each shot. These images enable you to create a single image in focus over a deep depth of field. Compositing is also possible using an application that supports depth compositing, such as Digital Photo Professional (EOS software). 1. Select [ 2. Set [Focus bracketing]. : Focus bracketing]. Select [Enable].
3. Set [Number of shots]. Specify the number of images captured per shot. Can be set in a range of [2]–[999]. 4. Set [Focus increment]. Specify how much to shift the focus. This amount is automatically adjusted to suit the aperture value at the time of shooting. Larger aperture values increase the focus shift and make focus bracketing cover a wider range under the same focus increment and number of shots. After completing the settings, press the < 294 > button.
5. Set [Exposure smoothing]. Selecting [Enable] suppresses changes in image brightness during focus bracketing by compensating for differences between the displayed and actual aperture value (effective f-number), which varies by focal position. Select [Disable] if you prefer not to compensate for changes in image brightness during focus bracketing. Use this option for purposes other than depth compositing of the captured images in Digital Photo Professional ( ). 6. Set [Depth composite].
7. Set [Crop depth comp.]. Select [Enable] for cropping before compositing, to prepare any images without a sufficient angle of view for compositing alignment by cropping them to correct the angle of view. Select [Disable] if you prefer not to crop these images. 8. Shoot. To save your shots in a new folder, tap [ ] and select [OK]. Focus at the nearer end of your preferred focal range, then press the shutter button completely. Once shooting begins, release the shutter button.
Caution Focus bracketing is intended for still photo shooting on a tripod. Shooting with a wider angle of view is recommended. After depth compositing, you can crop the image if necessary. For details on lenses compatible with this feature, visit the Canon website ( ). Suitable [Focus increment] settings vary by subject. An unsuitable [Focus increment] setting may cause unevenness in composite images, or shooting may take more time because more shots are taken.
Depth compositing image quality setting and images saved With [ Rec options] in [ : Record func+card/folder sel.] set to an option other than [Rec. separately] Only ( Composited Image RAW JPEG/HEIF*2 JPEG/HEIF JPEG/HEIF ( JPEG/HEIF ) Only JPEG/HEIF*3 Image Quality ( With [ Source Images*1 ) + JPEG/ HEIF*3 ) + JPEG/ HEIF Rec options] in [ : Record func+card/folder sel.] set to [Rec.
Interval Timer Shooting With the interval timer, you can set the shooting interval and number of shots, so that the camera takes individual shots repeatedly according to your interval until your specified number of shots are taken. 1. Select [ 2. Select [Enable]. : Interval timer]. Select [Enable], then press the < 299 > button.
3. Set the shooting interval and number of shots. Select an option to set (hours : minutes : seconds / number of shots). Press the < > button to display [ ]. Set a value, then press the < > button. (Returns to [ ].) Interval Can be set in a range of [00:00:01]–[99:59:59]. No. of shots Can be set in a range of [01]–[99]. To keep the interval timer on indefinitely until you stop it, set [00]. 4. Select [OK]. The interval timer settings will be displayed on the menu screen.
5. Take the picture. First shot is taken and shooting continues according to the interval timer settings. During interval timer shooting, [ ] will blink. After the set number of shots are taken, the interval timer shooting will stop and be automatically canceled. Note Using a tripod is recommended. Taking test shots in advance is recommended. Even during interval timer shooting, you can still shoot as usual by pressing the shutter button completely.
Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. In < > focus mode, the camera will not shoot unless subjects are in focus. Consider setting the mode to manual focus and focusing manually before shooting. If the shooting time is long, using the household power outlet accessories (sold separately) is recommended.
Silent Shutter Function Disables shutter release sounds, operating sounds, and firing and illumination of the flash and other light sources. The following settings are used and cannot be changed.
Shutter Mode You can choose the method of shutter release. 1. Select [ : Shutter mode].
2. Select an option. Mechanical Shooting activates the mechanical shutter. Recommended when shooting with the aperture of a bright lens wide open. Elec. 1st-curtain Camera vibration blur may be reduced more than with the mechanical shutter, under some shooting conditions. Flash sync speed can be set higher than with the mechanical shutter. Electronic Enables reduced sound and vibration from shutter operations, compared to mechanical shutter or electronic first-curtain.
Caution Defocused image areas may be incomplete when shooting near maximum aperture at high shutter speeds, depending on shooting conditions. If you dislike the appearance of defocused image areas, shooting as follows may give better results. • Shoot with an option other than [Elec. 1st-curtain]. • Lower the shutter speed. • Increase the aperture value. Setting [ : Silent shutter function] to [On] sets the shutter mode to [Electronic].
Releasing Shutter without Card You can set the camera not to shoot unless there is a card in the camera. The default setting is [Enable]. 1. Select [ 2. Select [Disable]. : Release shutter without card].
Image Stabilizer (IS Mode) Focal Length Image stabilization by the camera reduces camera shake in still photo shooting. Set [IS mode] to [On] as follows when using non-IS lenses. With IS-equipped lenses, camera shake is reduced using stabilization by both the camera and lens. When using IS lenses that do not have an IS switch, set [IS mode] to [On]. Note that for IS lenses with an IS switch, the [IS mode] setting is grayed out.
3. Select [Still photo IS]. [Always]: Provides constant image stabilization. [Only for shot]: Image stabilization is active only at the moment of shooting. Caution In some cases, this may not provide sufficient stabilization for certain lenses. Note For details on image stabilization for movie recording, see Movie Digital IS. Focal Length Image stabilization based on your specified lens focal length is possible by setting the focal length when using lenses that do not support lens communication. 1.
2. Set the focal length. Turn the < Press the < > dial to select the digit of the focal length. > button to display [ ]. Set a value, then press the < 3. > button. (Returns to [ ].) Select [OK]. Caution Set [ : Release shutter w/o lens] to [Enable]. [Disable] prevents image stabilization. [Focal length] is not displayed when lenses are attached that support lens communication. Note Focal length can be set in a range of 1–1000 mm (in 1 mm increments).
Customizing Quick Controls Resetting the Custom Quick Control Screen or Clearing All Items Quick Control items and the layout are customizable. 1. Select [ 2. Select [Edit layout]. : Customize Quick Controls].
3. Select items to remove. Turn the < press the < > dial or use < > button. > to select an item to remove, then Items shown on the Quick Control screen are labeled with a checkmark. You can remove the items labeled with a checkmark. 4. Select items to add. Turn the < > dial or use < the < > button. > to select an item to add, then press To change the layout, press the < 312 > button.
5. Change the layout. Use the < button. > dial to select an item to move, then press the < Use the < > dial to move the item, then press the < Press the < 6. > button to exit setup. Select [Save and exit]. 313 > > button.
7. Review the screen. Press the < > button to check the screen with your settings applied. Resetting the Custom Quick Control Screen or Clearing All Items Select [Reset settings] to restore the default Quick Control screen items and layout. Select [Clear all items] to remove all items from the layout, so that no Quick Control > button is pressed.
Shooting with the Touch Shutter Just by tapping the screen, you can focus and take the picture automatically. 1. Enable the Touch Shutter. Tap [ ] on the screen. Each time you tap the icon, it will toggle between [ ] and [ ]. [ ] (Touch Shutter: Enable) The camera will focus on the spot you tap, then the picture will be taken. [ ] (Touch Shutter: Disable) You can tap a spot to perform focusing on the spot. Press the shutter button completely to take the picture.
2. Tap the screen to shoot. Tap the face or subject on the screen. On the point you tap, the camera focuses (Touch AF) using your specified AF Area. When [ ] is set, the AF point turns green when focus is achieved, then the picture is taken automatically. If focus is not achieved, the AF point turns orange and the picture cannot be taken. Tap the face or subject on the screen again. Caution The camera shoots in single shooting mode regardless of the drive mode setting ], or [ ]).
Image Review Review Duration Viewfinder Display Review Duration To keep the image displayed immediately after you shoot, set to [Hold], and if you prefer not to have the image displayed, set to [Off]. 1. Select [ 2. Select [Review duration]. 3. Set a time option. : Image review].
Note When [Hold] is set, images are displayed as long as the time set in the [Screen off] option of [ : Power saving].
Viewfinder Display Set to [Enable] for viewfinder display of your shots immediately after you shoot. 1. Select [ 2. Select [Viewfinder review]. 3. Select an option. : Image review]. Note [Viewfinder review] settings take effect when [Review duration] is set to an option other than [Off].
High-Speed Display High-speed display that switches between each shot and the live image is available when shooting in [ ] (high-speed continuous shooting) drive mode and in a shutter mode other than electronic shutter. 1. Select [ 2. Select an option. : High speed display]. Select [Enable] for display that switches between each shot and the live image.
Caution Images may waver or flicker during high-speed display. This occurs more often at high shutter speeds. However, this does not affect shooting results. High-speed display is not performed for shutter speeds slower than 1/30 sec., aperture values higher than f/11, conditions that make autofocusing difficult, flash photography, or high ISO expansion. It may also stop as you are shooting. High-speed display is not available in the following cases. • With [ • With [ : OVF sim.
Metering Timer You can set how long the metering timer runs (which determines the duration of exposure value display/AE lock) after it is triggered by an action such as pressing the shutter button halfway. 1. Select [ 2. Set a time option. : Metering timer].
Display Simulation With display simulation, display of image brightness and depth of field more closely matches the actual brightness (exposure) of your shots. 1. Select [ 2. Select an option. : Display simulation]. Exposure+DOF ( ) Image brightness and depth of field as displayed closely matches the actual brightness (exposure) of your shots. If you set exposure compensation, the image brightness will change accordingly. Similarly, changes to the aperture value will alter the depth of field.
Disable ( ) The image is displayed at standard brightness, so it is easy to see. Even if you set exposure compensation, the image is displayed at the standard brightness. Caution Notes on [Exposure+DOF] Display may flicker at some shutter speeds. With EF lenses, this setting may increase the shutter-release time lag. The depth of field shown is only a guideline. For more precise indication of the depth of field, press the depth-of-field preview button. [Exposure+DOF] is not available with some lenses.
Optical Viewfinder Simulation Natural-looking viewfinder and screen display, resembling the view from an optical viewfinder, is available in still photo shooting. Note that images displayed with this feature set to [On] may differ from actual shooting results. 1. Select [ 2. Select an option. : OVF sim. view assist].
Caution Setting this feature to [On] sets [ : Display simulation] to [Disable]. Optical viewfinder simulation is used for display when this feature is set to [On] in HDR shooting. Creative filter display is used when shooting with Creative filters, even if this feature set to [On]. Image brightness before and after One-Shot AF is more likely to change when set to [On] than when set to [Off].
Shooting Information Display Customizing Information on the Screen Customizing Information in the Viewfinder Viewfinder Vertical Display Grid Histogram Lens Information Display Clearing Settings You can customize the details and screens of information shown on the screen or in the viewfinder when you shoot. Customizing Information on the Screen 1. Select [ : Shooting info. disp.].
2. Select [Screen info. settings]. 3. Select screens. Turn the < camera. > dial to select screens of information to show on the For information you prefer not to display, press the < clear the checkmark [ ]. To edit the screen, press the < 328 > button.
4. Edit the screen. Turn the < > dial to select options to show on the screen of information. For items you prefer not to display, press the < checkmark [ ]. Select [OK] to register the setting.
Customizing Information in the Viewfinder 1. Select [ 2. Select [VF info/toggle settings]. 3. Select screens. : Shooting info. disp.]. Turn the < viewfinder. > dial to select information screens to show in the For information you prefer not to display, press the < clear the checkmark [ ]. To edit the screen, press the < 330 > button.
4. Edit the screen. Turn the < > dial to select options to show in the viewfinder. For items you prefer not to display, press the < checkmark [ ]. Select [OK] to register the setting.
Viewfinder Vertical Display You can select how viewfinder information is displayed when you are shooting still photos vertically. 1. Select [ 2. Select [VF vertical display]. : Shooting info. disp.].
3. Select an option. On Information is automatically rotated, making it easier to read. Off Information is not automatically rotated.
Grid A grid can be displayed on the screen and viewfinder. 1. Select [ 2. Select [Grid display]. 3. Select an option. : Shooting info. disp.].
Histogram You can select the content and display size of the histogram. 1. Select [ 2. Select [Histogram disp]. 3. Select an option. : Shooting info. disp.]. Select the content ([Brightness] or [RGB]) and display size ([Large] or [Small]).
Lens Information Display You can display information about the lens in use. 1. Select [ 2. Select [Lens info display]. : Shooting info. disp.].
3. Select an option. Focus distance disp You can display focus distance when using RF lenses. In focus distance display, you can select the timing and unit of measurement. Focal length disp You can display the focal length of the lens in use. SA variable amount You can display the amount of correction set when using lenses featuring spherical aberration control.
Clearing Settings 1. Select [ 2. Select [Reset]. 3. Select [OK]. : Shooting info. disp.].
Viewfinder Display Format You can select how information is presented in the viewfinder. 1. Select [ 2. Select an option. : VF display format].
Display Performance You can select the performance parameter to prioritize in shooting screen display for still photos. 1. Select [ 2. Select an option. : Disp. performance]. When set to [Smooth] By pressing the < > button to add a checkmark, you can include low-light locations in the scenarios for suppressing lower display frame rates. The high frame rate (119.88 fps) display of the [Smooth] option is used for shooting standby in viewfinder shooting.
Caution Some shooting conditions and camera operations may prevent smooth, high frame rate display, even when set to [Smooth]. Shooting under low light with [Suppress lower frame rate] set for shooting screen display may affect performance as follows.
Type of Digest Movie Both still photos and clips are captured when you shoot in < > mode, but you can specify whether to include the still photos in the resulting digest movie. 1. Set the Mode dial to < 2. Select [ >. : Digest type].
3. Select an option. Include stills Digest movies include still photos. [ ] is shown on the information display screen. No stills Digest movies do not include still photos. ] is shown on the information display screen.
General Still Photo Shooting Information Display General Still Photo Shooting Precautions Information Display For details on the icons displayed for still photo shooting, see Information Display. Note White display of the [ ] icon indicates that your shots will be about as bright as the image displayed. If the [ ] icon is blinking, it indicates that the image is displayed at a brightness that differs from the actual shooting result because of low- or bright-light conditions.
General Still Photo Shooting Precautions Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. Image quality When you shoot at high ISO speeds, noise (such as dots of light and banding) may become noticeable. Shooting in high temperatures may cause noise and irregular colors in the image.
Images and display Under low- or bright-light conditions, the displayed image may not reflect the brightness of the captured image. Although noise may be noticeable in images under low light (even at low ISO speeds), there will be less noise in your shots, due to differences in image quality between displayed and captured images. The screen may flicker if the light source (lighting) changes. In this case, stop shooting temporarily and resume under the light source you will use.
Movie Recording For movie recording, set the still photo shooting/movie recording switch to < to the right of titles indicates functions only available in [ ], [ ], [ ], or [ >. ] mode. Caution When switching from still photo shooting to movie recording, check the camera settings again before recording movies. Note You can record movies by pressing the movie shooting button during still photo shooting.
• Shooting Information Display • Quick Control Screen • Time Code • Other Menu Functions • General Movie Recording Precautions 348
Tab Menus: Movie Recording Shooting 1 (1) Movie rec. size (2) High Frame Rate (3) Movie cropping (4) Digital zoom (5) Sound recording Shooting 2 (1) Exposure comp.
Shooting 3 (1) Av 1/8-stop incr.
Shooting 5 (1) Lens aberration correction (2) High ISO speed NR Shooting 6 (1) Pre-recording set.
Shooting 7 (1) IS (Image Stabilizer) mode (2) Customize Quick Controls (3) Shutter btn function for movies (4) Metering timer (5) False color set. (6) Zebra settings (7) Shooting info. disp. Shooting 8 (1) Quick Ctrl screen (2) VF display format (3) Standby: Low res.
Movie Recording Selecting a Recording Mode / Autoexposure Recording Shutter-Priority AE Aperture-Priority AE Scene Icons ISO Speed in [ ]/[ ]/[ ]/[ ] Mode Manual Exposure Recording ISO Speed in [ ] Mode Shutter Speed Creative Filters HDR Movie Recording Still Photo Shooting Information Display (Movie Recording) 353
Selecting a Recording Mode Set the still photo shooting/movie recording switch to < a recording mode. Mode Dial Mode > and use the Mode dial to select Operation The camera detects the type of scene and sets all settings accordingly. Exposure is controlled automatically to suit the brightness. You can manually set the shutter speed for movie recording. You can manually set the aperture value for movie recording.
/ Autoexposure Recording Exposure is controlled automatically to suit the brightness. 1. Set the recording mode to [ Turn the Mode dial to < 2. ] or [ >, < ]. >,
, , or . Focus on the subject. Before recording a movie, focus with AF ( ) or manual focus ( ). The camera focuses continuously under default settings, with [Movie Servo AF] in [ : Movie Servo AF] set to [Enable] ( ). When you press the shutter button halfway, the camera focuses using your specified AF area.
3. Record the movie. Press the movie shooting button to start recording a movie. You can also start recording a movie by tapping [ ] on the screen. While the movie is being recorded, the [ REC] icon (1) will be displayed in the upper right of the screen. Sound is recorded by the microphone (2). To stop recording the movie, press the movie shooting button again. You can also stop recording a movie by tapping [ ] on the screen.
Shutter-Priority AE [ ] recording mode enables you to set your preferred shutter speed for movies. ISO speed and aperture values are set automatically to suit the brightness and obtain standard exposure. 1. Set the recording mode to [ ]. Turn the Mode dial to . 2. Set the shutter speed (1). Set it by looking at the screen as you turn the < > dial. The available shutter speeds vary depending on the frame rate.
3. Focus and record the movie. Same as steps 2 and 3 for / Autoexposure Recording. Caution Avoid adjusting shutter speed while recording movies, which will record changes in exposure. When recording a movie of a moving subject, a shutter speed of approx. 1/25 sec. to 1/125 sec. is recommended. The faster the shutter speed, the less smooth the subject's movement will look. If you change the shutter speed while recording under fluorescent or LED lighting, image flicker may be recorded.
Aperture-Priority AE [ ] recording mode enables you to set your preferred aperture value for movies. ISO speed and shutter speed are set automatically to suit the brightness and obtain standard exposure. 1. Set the recording mode to [ ]. Turn the Mode dial to . 2. Set the aperture value (1). Set it by looking at the screen as you turn the < 359 > dial.
3. Focus and record the movie. Same as steps 2 and 3 for / Autoexposure Recording. Caution Avoid adjusting the aperture value while recording movies, which will record changes in exposure caused by aperture adjustment. Note Notes for [ ], [ ], [ ], and [ ] modes You can lock the exposure (AE lock) by pressing the < > button (except in [ ] mode). After locking, AE lock can be canceled by pressing the < > button again.
Scene Icons In [ ] recording mode, the camera detects the type of scene and sets all settings accordingly. The detected scene type is indicated in the upper left of the screen. For icon details, see Scene Icons.
ISO Speed in [ ]/[ ]/[ ]/[ ] Mode ISO speed is set automatically. See ISO Speed in Movie Recording.
Manual Exposure Recording You can manually set the shutter speed, aperture value, and ISO speed for movie recording. 1. Set the recording mode to [ Turn the Mode dial to . 363 ].
2. Set the shutter speed, aperture value, and ISO speed. Press the shutter button halfway and check the exposure level indicator. Turn the < > dial to set the shutter speed (1), the < > dial to set the aperture value (2), and the < > dial to set the ISO speed (3). Available shutter speeds vary by frame rate ( 364 ).
3. Focus and record the movie. Same as steps 2 and 3 for / Autoexposure Recording. Caution ISO speed cannot be expanded to L (equivalent to ISO 50) in movie recording. During movie recording, avoid changing the shutter speed, aperture value, or ISO speed, which may record changes in the exposure or create more noise at high ISO speeds. When recording a movie of a moving subject, a shutter speed of approx. 1/25 sec. to 1/125 sec. is recommended.
ISO Speed in [ ] Mode You can set the ISO speed manually or select [ ISO speed, see ISO Speed in Movie Recording. 366 ] to set it automatically.
Shutter Speed Available shutter speeds in [ ] and [ ] mode vary depending on the frame rate you have set for your specified movie recording size. Shutter Speed (Sec.) Frame Rate Normal Movie Recording High Frame Rate Movie Recording HDR Movie Recording 1/200–1/8000 High-Frequency Anti-Flicker Shooting 1/202.8–1/8192.0 1/160–1/8000 1/166.0–1/8192.0 – – 1/125–1/8000 1/120.3–1/8192.0 1/100–1/8000 1/100.0–1/8192.
Creative Filters In < > (creative filters) mode, you can record movies with one of five filter effects applied: Dream, Old movies, Memory, Dramatic B&W, or Miniature effect movies. Recording size can be set to / (NTSC) or (PAL). 1. Set the Mode dial to < 2. Press the < 3. Select [ >. > button. ]. Turn the < press the < > dial or press < > button.
4. Select a filter effect. Turn the < button. > dial to select a filter effect ( ), then press the < > For Miniature effect movies, move the AF point to the position to focus on. Move the scene frame if the AF point is outside of it, so that the AF point is aligned with it. 5. Adjust the filter effect level. Press the < > button and select < Turn the < button. > dial to select a filter effect ( >. ), then press the < When setting up miniature effect movies, select the playback speed. 6.
Note Can also be configured from [ modes ( ).
Creative Filter Characteristics Dream Applies a soft, dreamy, otherworldly appearance. Gives the movie a soft look overall, blurring the periphery of the screen. You can adjust the blurry areas along the screen edges. Old movies Creates an atmosphere like an old film by adding wavering, scratches, and flickering effects to the image. The top and bottom of the screen are masked in black. You can modify the wavering and scratch effects by adjusting the filter effect.
HDR Movie Recording You can record high dynamic range movies that retain detail in highlights of high-contrast scenes. Note Movies are recorded at 1. Set the Mode dial to < 2. Record an HDR movie. (NTSC) or (PAL). >. Record the movie in the same way as normal movie recording. For details on file sizes and the recording time available, see Movie recording. Caution Since multiple frames are merged to create an HDR movie, certain parts of the movie may look distorted.
Note You can also record HDR movies by setting [ [Enable].
Still Photo Shooting Still photo shooting is not supported in movie recording mode. Before shooting still photos, stop recording and change the still photo shooting/movie recording switch to < 374 >.
Information Display (Movie Recording) For details on the icons on the movie recording screen, see Information Display. Caution The remaining time displayed for movie recording is only a guideline. Movie recording may stop before the initially displayed recording time elapses if the red [ ] icon appears due to high internal camera temperature during recording ( ).
Movie Recording Size 4K Movie Recording Image Area Cards That Can Record Movies Movie Files Exceeding 4 GB Total Movie Recording Time and File Size Per Minute Movie Recording Time Limit You can set the recording size, frame rate, and compression method in [ : Movie rec. size]. Note that the frame rate is updated automatically to match the [ : Video system] setting ( ).
With [ : HDMI RAW output] set to [On] ( • [ ) ]: You can set the frame rate for HDMI RAW movie output. • [ ]: You can set the compression method of MP4 movies recorded to card [ ] at the same time. The MP4 movie frame rate corresponds to the frame rate setting for HDMI RAW movie output. The following combinations of movie recording quality options are available.
Note To obtain better performance with the card, formatting the card with the camera before recording movies is recommended ( ). Movies cannot be recorded in HD or VGA quality. 4K Movie Recording Recording 4K movies requires a stable card with a fast writing speed. For details, see Cards That Can Record Movies. 4K movie recording greatly increases the processing load, which may increase the internal camera temperature faster or higher than for regular movies.
Image Area The movie image area varies depending on the movie recording size, cropped recording setting, and lens used. RF or EF lenses with [ (1) (2) (3840×2160) / (1920×1080) RF or EF lenses with [ RF-S or EF-S lenses (3) (3840×2160) / : Movie cropping] set to [Disable] (time-lapse) / (time-lapse) : Movie cropping] set to [Enable] (time-lapse) / (1920×1080) / (time-lapse) Caution High Frame Rate movies cannot be recorded with RF-S or EF-S lenses, or with [ : Movie cropping] set to [Enable].
Frame rate (fps: frames per second) [ ] 179.8 fps / [ ] 119.9 fps / [ ] 59.94 fps / [ ] 29.97 fps For areas where the TV system is NTSC (North America, Japan, South Korea, Mexico, etc.). For [ ] or [ ], see High Frame Rate. [ ] 150.0 fps / [ ] 100.00 fps / [ ] 50.00 fps / [ ] 25.00 fps For areas where the TV system is PAL (Europe, Russia, China, Australia, etc.). For [ ] or [ ], see High Frame Rate. [ ] 23.98 fps Mainly for cinematic purposes. set to [For NTSC]. (23.
Cards That Can Record Movies See Card performance requirements (movie recording) for details on cards that can record at each movie recording size. Test cards by recording a few movies to make sure they can record correctly at your specified size ( ). Caution Before recording 4K movies, format cards by selecting [Low level format] in [ : Format card] ( ). FAT32-formatted cards cannot be used when recording movies with a frame rate of 179.8/150 fps.
Movie Files Exceeding 4 GB Using SD/SDHC cards formatted with the camera If you use the camera to format an SD/SDHC card, the camera will format it in FAT32. With a FAT32-formatted card, if you record a movie and the file size exceeds 4 GB, a new movie file will be created automatically. When you play back the movie, you will have to play back each movie file individually. Movie files cannot be played back automatically in consecutive order.
Total Movie Recording Time and File Size Per Minute For details, see Movie recording.
Movie Recording Time Limit When recording non-High Frame Rate movies The maximum recording time per movie is 6 hr. Once 6 hr. is reached, recording stops automatically. You can start recording a movie again by pressing the movie shooting button (which records the movie as a new file). When recording High Frame Rate movies Maximum recording time per movie is as follows. • Set to 119.88/100.00 fps: Up to 1 hr. 30 min. • Set to 179.82/150.00 fps: Up to 1 hr.
High Frame Rate You can record movies at a high frame rate of 179.8/150.0/119.9/100.0 fps. This is ideal for recording movies that will be played back in slow motion. Movies are recorded in quality. , , , or Sound is not recorded in High Frame Rate movies. Each second during movie recording, time code display advances as follows. • Set to 119.88/100.00 fps: 4 sec. • Set to 179.82/150.00 fps: 6 sec. Because high frame rate movies are recorded as 29.97/25.
Caution Precautions when set to [High Frame Rate: Enable] Time codes are not recorded when [Count up] is set to [Free run] in [ : Time code] ( ). Check the [ : Movie rec. size] setting if you return this setting to [Disable]. The screen may flicker if you record High Frame Rate movies under fluorescent or LED lighting. For a moment when you start or stop recording High Frame Rate movies, the movie is not updated, and the frame stops momentarily.
Movie Cropping With RF or EF lenses, you can record movies cropped around the center of the image area, as if captured with a telephoto lens. Recording movies with RF-S/EF-S lenses has the same effect as this movie cropping feature. 1. Select [ 2. Select [Enable]. : Movie cropping]. Caution High Frame Rate movies cannot be recorded with movie cropping.
Digital Zoom With the recording size set to [ ]/[ ] (NTSC) or [ ] (PAL), you can shoot with approx. 1–10× digital zoom (or approx. 1.6–10× with APS-C cropping). 1. Select [ 2. Select an option. : Digital zoom]. Select [On].
3. Use digital zoom. To zoom, either tap [ ] in the lower right of the screen or, if you have assigned [Digital zoom] in [ : Customize buttons] to a button, press the button. The digital zoom bar will appear. Press < > up to zoom in or down to zoom out. Pressing the shutter button halfway focuses with [1-point AF] (fixed at center). To cancel digital zoom, select [Off] in step 2. Caution Using a tripod to prevent camera shake is recommended. Time-lapse movies and Creative filters are not available.
Sound Recording Sound Recording/Sound-Recording Level Wind Filter Audio Noise Reduction You can record movies while recording sound with the built-in stereo microphone or an external stereo microphone. You can also freely adjust the sound-recording level. Use [ : Sound recording] to set sound recording functions. Caution Sounds from Wi-Fi operations may be captured with built-in or external microphones. During sound recording, using the wireless communication function is not recommended.
Note In Basic Zone modes, the settings available for [ : Sound recording] are [On] and [Off]. Set to [On] for automatic adjustment of the recording level. Audio is also output when the camera is connected to televisions via HDMI, unless [Sound recording] is set to [Off]. In case of feedback from television audio output, move the camera away from the television or turn down the volume. The volume balance between L/R (left/right) cannot be adjusted. Sound is recorded at a 48 kHz/16-bit sampling rate.
Wind Filter Set to [Auto] to reduce audio distortion in windy outdoor scenes. Only activated when the camera's built-in microphone is used. When the wind filter function takes effect, part of the low bass sounds will also be reduced.
Audio Noise Reduction When recording with the built-in microphone, this feature reduces mechanical lens sounds caused by autofocusing, as well as white noise. Disable Disables audio noise reduction. Enable Enables audio noise reduction. High Reduces audio noise more than with [Enable]. Caution Audio quality may be different when set to [Enable] than when set to [Disable]. Although [High] reduces audio noise more than with [Enable], this option may also have a greater impact on audio quality.
Canon Log Settings Shooting Settings Canon Log Image Quality Canon Log gamma curve takes full advantage of image sensor characteristics to ensure wide dynamic range for movies that will be processed in postproduction. With minimal loss of detail in shadows and highlights, movies retain more visual information across the dynamic range. To work with Canon Log movies in postproduction, you can apply look-up tables (LUTs). LUT data can be downloaded from the Canon website. 1. Select [ 2. Select [Canon Log].
3. Select [On ( 4. Set the options as desired. View Assist. ( )] ( ) Characteristics ( Color space ( ).
Canon Log On ( ) Enables 10-bit recording of Canon Log movies to the card. Movies can also be recorded to an external device that supports 10-bit recording. Note YCbCr 4:2:2 (10-bit) color sampling and the BT.709/BT.2020/Cinema Gamut color space are used in Canon Log recording.
View Assist. When played on the camera, these movies may look darker and have lower contrast than movies recorded with a Picture Style applied, due to Canon Log image characteristics, which are intended to ensure a wide dynamic range. For clearer display that makes it easier to check details, set [View Assist.] to [On]. Setting this feature to [On] does not affect movies recorded to the card, which are recorded using Canon Log characteristics.
Characteristics Adjust as needed. Select an option ([Sharpness: Strength], [Saturation], or [Hue]), adjust the effect level, then press the < > button. Sharpness: Strength 0: Weak outline emphasis Saturation −4: Low +4: High Reds −4: Toward magenta +4: Toward yellow Greens −4: Toward yellow +4: Toward cyan Blues −4: Toward cyan +4: Toward magenta Hue* 7: Strong outline emphasis * Reds, greens, and blues cannot be adjusted separately. Color space Choose [BT.709], [BT.
Shooting Settings Manually setting the ISO speed to 100–640 will make the dynamic range narrower. Canon Log offers a dynamic range of approx. 1600% at ISO 800 or higher. The following are expanded ISO speeds: ISO 100, 125, 160, 200, 250, 320, 400, 500 and 640. [ ] is displayed when an ISO speed is set.
Canon Log Image Quality With Canon Log, movies may be affected by horizontal banding, depending on the subject or shooting conditions. Record a few test movies and check the results in advance. In particular, noise may become more noticeable if you enhance the contrast when color-grading your movies. With Canon Log, skies, white walls, and similar subjects may be affected by noise or uneven gradation, exposure, or colors.
Pre-Recording Setting With pre-recording, automatic movie recording is already in progress a specified amount of time before you manually start recording. This preliminary recording is referred to as pre-recording. The camera pre-records automatically during standby in movie recording mode. 1. Select [ 2. Select [Pre-recording]. : Pre-recording set.]. Select [On].
3. Select [Recording time]. Select the amount of time for pre-recording, before recording is started manually.
4. Record the movie. Record the movie in the same way as normal movie recording. Movies are recorded with the pre-recorded part added. Caution Restrictions during pre-recording The following items are not displayed on the movie recording screen. • Electronic level • Histogram • Some Quick Control settings (functionality is limited during pre-recording) Touch sounds are not played. The following operations and camera status pauses pre-recording.
Note Current information when recording begins is applied to movie Exif information.
Time-Lapse Movies Approx. Time Available for Recording Time-Lapse Movies Still photos shot at a set interval can be stitched together automatically to create a 4K or Full HD time-lapse movie. A time-lapse movie shows how a subject changes in a much shorter period of time than the actual time it took. It is effective for a fixed-point observation of changing scenery, growing plants, celestial motion, etc.
3. Set [Interval]. Select [Interval]. As you set the number, refer to the [ playback time (2). ] time required (1) and [ ] Select an option (hours : minutes : seconds). Press the < > button to display [ ]. Set a value, then press the < > button. (Returns to [ ].) Can be set in a range of [00:00:02]–[99:59:59]. (An interval of once per second is not available.) Select [OK] to register the setting.
4. Set [No. of shots]. Select [No. of shots]. As you set the number, refer to the time required ([ time ([ ]). ]) and playback Select the digit. Press the < > button to display [ ]. Set a value, then press the < > button. (Returns to [ ].) Can be set in a range of [0002]–[3600]. Make sure the playback time ([ ]) is not displayed in red. Select [OK] to register the setting.
5. Select [Movie rec. size]. (3840×2160) The movie is recorded in 4K quality. The aspect ratio is 16:9. Additionally, the frame rate is 29.97 fps ( ) for NTSC and 25.00 fps ( ) for PAL, and movies are recorded in MP4 ( ) format with ALL-I ( ) compression. (1920×1080) The movie will be recorded in Full High-Definition (Full HD) quality. The aspect ratio is 16:9. Additionally, the frame rate is 29.97 fps ( ) for ) for PAL, and movies are recorded in MP4 NTSC and 25.
6. Set [Auto exposure]. Fixed 1st frame When taking the first shot, metering is performed to set the exposure automatically to match the brightness. The exposure setting for the first shot will be applied to subsequent shots. Other shooting-related settings for the first shot will also be applied for subsequent shots. Each frame Metering is also performed for each subsequent shot to set the exposure automatically to match the brightness.
7. Set [Screen auto off]. Disable Even during time-lapse movie recording, the image will be displayed. (The screen turns off only at the time of shooting.) Note that the screen will turn off when approx. 30 min. elapse after the shooting started. Enable The screen will turn off when approx. 10 sec. elapse after the shooting started. Caution Even if [Screen auto off] is set to [Disable], the screen turns off during exposure.
8. Set [Beep per taken]. Set to [0] to prevent the camera from beeping for each shot. 9. Check the settings. Time required (1) Indicates the time required to shoot the set number of shots with the set interval. If it exceeds 24 hours, “*** days” will be displayed. Playback time (2) Indicates the movie recording time (time required to play back the movie) when creating the time-lapse movie in 4K movie or Full HD movie from the still photos taken with the set intervals. 10. Close the menu.
11. Read the message. Read the message and select [OK].
12. Take a test shot. Press the < > button and double-check the Time required (1) and Interval (2) shown on the screen. As in still photo shooting, set the exposure and shooting functions, then press the shutter button halfway to focus. Press the shutter button completely to take a test shot, which is recorded to the card as a still photo. If there are no problems with the test shot, go to the next step. To take more test shots, repeat this step. Note Test shots are captured in JPEG quality.
13. Press the movie shooting button. The camera is now ready to start recording a time-lapse movie. To return to step 12, press the movie shooting button again. 14. Record the time-lapse movie. Press the shutter button completely to start recording the timelapse movie. AF will not work during time-lapse movie recording. A recording icon “●” is displayed on the screen as the time-lapse movie is recorded. When the set number of shots are taken, the time-lapse movie recording ends.
Note Using a tripod is recommended. Taking test shots as in step 12 or even recording test time-lapse movies beforehand is recommended. The movie's field of view coverage for both the 4K and Full HD time-lapse movie recording is approx. 100%. To cancel time-lapse movie recording in progress, either press the shutter button completely or press the movie shooting button. The time-lapse movie shot so far will be recorded on the card.
Caution Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. Time-lapse movies cannot be recorded when the camera is connected to a computer with the interface cable, or when an HDMI cable is connected. Movie Servo AF will not function. If the shutter speed is 1/30 sec.
Time-lapse movie shooting ends if the power switch is set to < >, for example, and the setting is changed to [Disable]. Even if a flash is used, it will not fire. The following operations cancel standby for time-lapse movie recording and switch the setting to [Disable].
Approx. Time Available for Recording Time-Lapse Movies For guidelines on how long you can record time-lapse movies (until the battery runs out), see Movie recording.
Movie Self-Timer Movie recording can be started by the self-timer. 1. Select [ 2. Select an option. 3. Record the movie. : Movie self-timer]. After you press the movie shooting button or tap [ ], the camera displays the number of seconds left before recording and then beeps. Note To cancel the self-timer, either tap the screen or press the < 419 > button.
Image Stabilizer (IS Mode) IS Mode Movie Digital IS The camera's IS mode and movie digital IS features reduce camera shake as movies are recorded. They can provide effective stabilization even when non-IS lenses are used. The [IS mode] menu item is not shown when IS-equipped lenses are used. In that case, setting the lens Image Stabilizer switch to < > combines stabilization by the lens and camera. IS Mode 1. Select [ 2. Select [IS mode]. : IS (Image Stabilizer) mode].
Movie Digital IS 1. Select [ 2. Select a [ : IS (Image Stabilizer) mode]. Digital IS] option. Off ( ) Image stabilization with Movie digital IS is disabled. On ( ) Camera shake will be corrected. The image will be slightly magnified. Enhanced ( ) Compared to when [On] is set, stronger camera shake can be corrected. The image will be more magnified.
Caution Movie digital IS will not function when the lens's optical Image Stabilizer switch is set to < >. With non-IS lenses, setting [ Digital IS] to [On] or [Enhanced] also sets [IS mode] to [On]. Stabilization by Movie digital IS may be less effective at some movie recording sizes. The wider the angle of view (wide angle), the more effective the image stabilization will be. The narrower the angle of view (telephoto), the less effective the image stabilization will be.
Shutter Button Function for Movies You can set the functions performed by pressing the shutter button halfway or completely during movie recording. 1. Select [ : Shutter btn function for movies].
2. Select an option. Half-press Specify the function performed by pressing the shutter button halfway. Fully-press Specify the function performed by pressing the shutter button completely. With [Fully-press] set to [Start/stop mov rec], you can start/stop movie recording not only with the movie shooting button but also by pressing the shutter button completely, or by using Remote Switch RS-60E3 (sold separately).
False Color Settings False Color Display Color-coded display in six colors based on the brightness level is shown on the screen during movie recording. This can help you adjust the exposure. 1. Select [ 2. Select [False color]. : False color set.]. Select [On]. 3. Adjust the exposure as needed ( ). Adjust the exposure, referring to false color descriptions in False Color Display if necessary.
False Color Display False color display is available for images on the camera screen and viewfinder. On the following types of external monitors, the actual image is displayed.
Zebra Settings To help you adjust exposure before or during movie recording, you can display a striped pattern over or around image areas of a specified brightness. 1. Select [ 2. Select [Zebra]. : Zebra settings]. Select [On].
3. Select [Zebra pattern]. [Zebra 1]: Displays left-slanting stripes around areas of the specified brightness. [Zebra 2]: Displays right-slanting stripes over areas that exceed the specified brightness. [Zebra 1+2]: Displays both [Zebra 1] and [Zebra 2]. [Zebra 1] display takes precedence where [Zebra 1] and [Zebra 2] display areas overlap. 4. Set the level. Zebra 1 level Zebra 2 level Turn the < > dial to set it.
Note The maximum brightness value does not reach 100% when HDR-PQ is set. Note that the maximum brightness value varies depending on [ : Highlight tone priority] and [ : Picture Style] settings. The maximum brightness value does not reach 100% when Canon Log is set. Checking the zebra display level in advance is recommended when you will set [Zebra pattern].
Shooting Information Display Recording Emphasis Aspect Marker You can customize the details and screens of information shown on the screen or in the viewfinder during movie recording. Note For details on the following topics, see Shooting Information Display in Still Photo Shooting.
Recording Emphasis 1. Select [ 2. Select [Recording emphasis]. 3. Select an option. : Shooting info. disp.]. On A red frame around the screen blinks while movie recording is in progress. Off No frame is displayed to call attention to recording in progress.
Aspect Marker If you will change the image aspect ratio when editing the recorded movie, you can display aspect markers on the movie recording screen (during standby and recording) to be aware of the final angle of view after editing. 1. Select [ 2. Select [Aspect marker]. 3. Select an option. : Shooting info. disp.]. Select a display option.
Note Markers are not shown during movie playback (recorded movies are not tagged with aspect marker information).
Quick Control Screen You can change the Quick Control ( ) views available during movie recording. 1. Select [ 2. Select the view to display. : Quick Ctrl screen]. Turn the < > dial to select Quick Control display options. For items you prefer not to display, press the < > button to clear the checkmark [ ]. The [ ] mark cannot be cleared from all items at the same time. Select [OK] to register the setting.
Time Code Count Up Start Time Setting Movie Recording Count Movie Play Count HDMI Drop Frame Time codes record the time automatically as movies are recorded. Time codes always record elapsed hours, minutes, seconds, and frames. They are mainly used when movies are edited. To set up the time code, use [ : Time code]. Caution Time codes may not be displayed correctly if your movies are played back on devices other than the camera.
Count Up Rec run The time code advances only during movie recording. Time codes in each movie file recorded continue from the last time code in the previous file. Free run The time code keeps advancing, even when you are not recording. Caution When set to [Free run], time codes are not added to movies recorded with the camera configured for High Frame Rate, time-lapse, or Creative filter recording.
Start Time Setting You can set the initial time of the time code. Manual input setting Enables you to set any starting hour, minute, second, and frame. Reset Resets the time set with [Manual input setting] or [Set to camera time] to “00:00:00.” or “00:00:00:” ( ). Set to camera time Matches the hour, minute, and second set as the time on the camera. Sets the frame value to “00.
Movie Recording Count You can select how time is displayed on the movie recording screen. Rec time During recording standby, displays the available recording time. During recording, displays the time that has elapsed since movie recording began (1). Time code Displays the time code during movie recording (2).
Movie Play Count You can select how time is displayed on the movie playback screen. Rec time Displays the recording or playback time during movie playback. Time code Displays the time code during movie playback. Note Time codes are always recorded to movie files (except when High Frame Rate movies are set to [Free run]), regardless of the [Movie rec count] setting. The [Movie play count] setting in [ : Time code] is linked to the [ : Movie play count], so that these settings always match.
HDMI Time code Time codes can be added to movies as you record them to an external device via HDMI. • Off No time code is added to HDMI video output. • On Time codes are added to HDMI video output. When [On] is set, [Rec Command] is displayed. Rec Command For HDMI video output recorded by an external device, you can synchronize recording to when you start and stop recording movies on the camera. • Off Recording is started and stopped by the external device.
Drop Frame The time code's frame count will cause a discrepancy between the actual time and the time code if the frame rate is set to (179.8 fps), (119.9 fps), (59.94 fps), or (29.97 fps). The discrepancy is corrected automatically when [Enable] is set. Enable Corrects the discrepancy automatically by skipping time code numbers (DF: drop frame). Disable The discrepancy is not corrected (NDF: non-drop frame). Time codes are displayed as follows. • Enable (DF) 00:00:00. (Playback: 00:00:00.
Other Menu Functions [ 2] [ 3] [ 5] [ 8] [ 2] Exposure comp. Exposure compensation can be adjusted in a range of ±3 stops, in 1/3-stop increments. For details on exposure compensation, see Manual Exposure Compensation. ISO speed settings ISO speed In [ ] mode, you can set the ISO speed manually. You can also select ISO Auto. ISO speed range You can set the manual ISO speed setting range (minimum and maximum). ISO expansion can also be configured.
[ 3] Av 1/8-stop incr. You can set aperture values on a finer scale when recording movies with RF or RF-S lenses. This feature is available in [ ] or [ ] recording mode. Select [Enable] to change the aperture increment from 1/3 stop (or 1/2 stop) to 1/8 stop. Caution [ Av 1/8-stop incr.] is not available (not displayed) when EF or EF-S lenses are used. When set to [Enable], setting options in [ : Exposure level increments] are disabled and have no effect.
Note Setting to [Disable] is recommended when recording moving subjects under low light, or when afterimages such as trails may occur.
[ 5] Lens aberration correction Peripheral illumination, distortion, focus breathing, and chromatic aberration can be corrected as you record movies. For details on lens aberration correction, see Lens Aberration Correction.
[ 8] Standby: Low res. Set to [On] to conserve battery power and control the rise of internal camera temperature during standby. As a result, it may enable you to record movies over a longer period. Caution The standby screen may differ from the movie recording screen in details such as image quality and angle of view. Briefly when you start recording movies, image display may remain on the current frame instead of being updated. [ : Standby: Low res.
+ Enables movie display both on the camera screen and on the other device, via HDMI output. Camera operations such as image playback or menu display are shown on the other device via HDMI, not on the camera screen. Deactivates the camera screen during output via HDMI, so that the screen is blank.
HDMI RAW output Set to [On] for RAW movie output at resolutions up to 4K from the HDMI terminal to compatible devices. As recording begins, the movies are also recorded to card [ ] (if it is in the camera) in MP4 format. You can restrict recording to external recording devices when card [ ] is not inserted by setting [Rec Command] to [On] ( ). Set the movie recording quality in [ : Movie rec. size] ( ).
Caution Movies will not be displayed correctly unless the connected device is compatible with the camera's HDMI RAW output. [HDMI RAW output] is not available in [ ] mode. HDMI RAW output is set to Canon Log 3 and cannot be changed. Image display on external recording devices conforms to the device settings and differs from display on the camera. Movies recorded to card conform to the image settings configured on the camera.
General Movie Recording Precautions Guidance Display Before Recording Warning Indicator Display in Movie Recording Guidance Display Before Recording Guidance may be displayed when the camera starts up, after settings are adjusted, or in other situations. The guidance warns that the camera may become hot internally if movies are recorded under the current settings, and that if you continue recording, the camera may turn off automatically.
Warning Indicator Display in Movie Recording A 10-level indicator (1) is displayed during movie recording in case of excessive internal camera temperature. As the internal temperature rises, the level on the indicator extends to the right. How fast the level increases will depend on shooting conditions. Levels 1–7 are marked in white, but once the temperature reaches level 8, the color changes. [ ] flashes in red if you continue recording after the indicator reaches level 9, marked in orange.
Caution Precautions for movie recording Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera's internal components. If you record something that has fine detail, moire or false colors may result. If [ ] or [ ] is set and the ISO speed or aperture value changes during movie recording, the white balance may also change.
If you use a card with a slow writing speed, an indicator may appear on the right of the screen during movie recording. The indicator shows how much data has not yet been written to the card (remaining capacity of the internal buffer memory), and it increases more quickly the slower the card is. If the indicator (1) becomes full, movie recording will stop automatically. If the card has a fast writing speed, the indicator will not appear or the level (if displayed) will not increase much.
AF/Drive This chapter describes autofocus operation and drive modes and introduces menu settings on the AF [ ] tab. to the right of titles indicates functions only available in Creative Zone modes. Note AF stands for autofocus. MF stands for manual focus.
Tab Menus: AF (Still Photos) AF1 (1) AF operation (2) AF area (3) Whole area tracking Servo AF (4) Subject to detect (5) Eye detection (6) Switching tracked subjects (7) Focus mode Note When lenses without a focus mode switch are used, [Focus mode] is 1] tab.
AF2 (1) Case 1 (2) Case 2 (3) Case 3 (4) Case 4 (5) Case A (6) Tracking sensitivity (7) Accel./decel. tracking AF3 (1) One-Shot AF release prior.
AF4 (1) Touch & drag AF settings (2) Limit AF areas (3) AF area selection control (4) sensitivity- AF pt select (5) Orientation linked AF point (6) Limit subject to detect (7) L/R eye detection AF5 (1) MF peaking settings (2) Focus guide (3) Movie Servo AF 457
AF6 (1) Electronic full-time MF (2) Lens electronic MF (3) Focus/control ring (4) Focus ring rotation (5) RF lens MF focus ring sensitivity 458
In Basic Zone modes, the following screens are displayed. Note that available menus vary by shooting mode.
AF3 (1) Touch & drag AF settings (2) sensitivity- AF pt select AF4 (1) MF peaking settings (2) Focus guide (3) Movie Servo AF AF5 (1) Focus ring rotation (2) RF lens MF focus ring sensitivity 460
Tab Menus: AF (Movie Recording) AF1 (1) Movie Servo AF (2) AF area (3) Subject to detect (4) Eye detection (5) Switching tracked subjects (6) Focus mode Note When lenses without a focus mode switch are used, [Focus mode] is displayed on the [ 1] tab. AF2 (1) Movie Servo AF speed (2) Movie Servo AF track sens.
AF3 (1) Lens drive when AF impossible AF4 (1) Touch & drag AF settings (2) Limit AF areas (3) AF area selection control (4) sensitivity- AF pt select (5) Limit subject to detect (6) L/R eye detection 462
AF5 (1) MF peaking settings (2) Focus guide AF6 (1) Electronic full-time MF (2) Lens electronic MF (3) Focus/control ring (4) Focus ring rotation (5) RF lens MF focus ring sensitivity 463
In Basic Zone modes, the following screens are displayed. Available menus vary by shooting mode.
AF3 (1) MF peaking settings (2) Focus guide AF4 (1) Focus ring rotation (2) RF lens MF focus ring sensitivity 465
AF Operation One-Shot AF for Still Subjects Servo AF for Moving Subjects AI Focus AF for Automatic AF Mode Switching You can select the AF operation characteristics to suit the shooting conditions or subject. 1. Set the focus mode to AF. For RF lenses without a focus mode switch Set [ : Focus mode] to [AF]. For RF lenses with a focus mode switch Set the lens's focus mode switch to < 466 >.
2. Select [ 3. Select an option. : AF operation]. Note If focus is not achieved, the AF point will turn orange. When using One-Shot AF, either recompose the shot and try to focus again or see Shooting Conditions That Make Focusing Difficult. With Servo AF, the camera shoots even when subjects are not in focus.
One-Shot AF for Still Subjects This AF operation is suited for still subjects. When you press the shutter button halfway, the camera will focus only once. When focus is achieved, the AF point will turn green and the beeper will sound. The focus remains locked while you hold down the shutter button halfway, allowing you to recompose the image before taking the picture. For details on the continuous shooting speed for continuous shooting, see Selecting the Drive Mode.
2. 3. After the AF point in focus turns green, keep the shutter button pressed halfway and recompose the shot. Press the shutter button completely to take the picture.
Servo AF for Moving Subjects This AF operation is suited for moving subjects. While you hold down the shutter button halfway, the camera will keep focusing on the subject continuously. The AF point turns blue when Servo AF is active. The beeper will not sound even when focus is achieved. The exposure is set at the moment the picture is taken. For details on the continuous shooting speed for continuous shooting, see Selecting the Drive Mode.
AI Focus AF for Automatic AF Mode Switching The AF mode is automatically switched from [One-Shot AF] to [Servo AF] based on subject status while you are pressing the shutter button halfway or shooting continuously.
Movie Servo AF Subject Detection AF With this function enabled, the camera focuses on the subject continuously during movie recording. 1. Set the still photo shooting/movie recording switch to < 2. Select [ 3. Select [Movie Servo AF]. : Movie Servo AF]. 472 >.
4. Select an option. Enable • The camera focuses on the subject continuously even when you are not pressing the shutter button halfway. • To keep the focus at a specific position, or if you prefer not to record mechanical sounds from the lens, you can temporarily stop Movie Servo AF by tapping [Movie Servo AF paused] (1) in the lower left of the screen. • Movie Servo AF will resume if you return to movie recording after operations such as pressing the < > or < > button or changing the AF area.
Caution Precautions when set to [Movie Servo AF: Enable] Shooting conditions that make focusing difficult • A fast-moving subject approaching or moving away from the camera. • A subject moving at a close distance to the camera. • When shooting with a higher aperture value. • Also see Shooting Conditions That Make Focusing Difficult. Since the lens is driven continuously and the battery power is consumed, the possible movie recording time ( ) will be shortened.
Subject Detection AF You can specify whether to use Movie Servo AF if the subject set in [ detect] ( ) is not detected. : Subject to Detect. priority Movie Servo AF is used for automatically selected subjects within the area set in [ AF area] ( ). Subjects set in [ : Subject to detect] are prioritized for automatic selection. : Detect. only Movie Servo AF is only used for subjects set in [ AF stops if no subject is detected. 475 : Subject to detect].
Selecting the AF Area AF Area Selecting the AF Area Whole Area Tracking Servo AF Subject to Detect Eye Detection Switching Tracked Subjects Tracking with a Button Focus Mode Manually Setting AF Points or Zone AF Frames Magnified View AF Shooting Tips Shooting Conditions That Make Focusing Difficult AF Range 476
AF Area : Spot AF The camera focuses in a narrower area than 1-point AF. : 1-point AF The camera focuses using a single AF point [ 477 ].
: Expand AF area: Focuses using one AF point [ ] and the AF area outlined here in blue. Effective for moving subjects, which are difficult to track with 1-point AF. Focusing on your preferred subject is easier than with Flexible Zone AF. When Servo AF is used, first you will focus using an AF point [ ]. : Expand AF area: Around Focuses using one AF point [ ] and the surrounding AF area outlined here in blue, which makes it easier to focus on moving subjects than with Expand AF area: .
: Flexible Zone AF 1 By default, a square Zone AF frame is set. : Flexible Zone AF 2 By default, a vertical rectangular Zone AF frame is set.
: Flexible Zone AF 3 By default, a horizontal rectangular Zone AF frame is set. With Flexible Zone AF 1–3, you can freely set the size of the Zone AF frame ( ). Uses auto selection AF in Zone AF frames to cover a larger area than Expand AF area, which makes focusing easier than with 1-point AF/Expand AF area and effective for moving subjects.
Selecting the AF Area You can select the AF area to suit the shooting conditions or subject. If you prefer to focus manually, see Manual Focus. 1. Select [ 2. Select the AF area. : AF area]. The screen above is displayed when [ : Orientation linked AF point] ( ) is set to [Separate AF pts: Area+pt]. Set separate AF areas after choosing vertical and horizontal orientations.
Note To set the AF area, you can also press the < button.
Whole Area Tracking Servo AF You can set whether to switch to whole-area subject tracking during Servo AF (while the shutter button is pressed halfway with [ : AF operation] set to [Servo AF]). 1. Select [ 2. Select an option. : Whole area tracking Servo AF]. On The AF area switches to whole-area AF to track subjects across the entire screen area while the shutter button is pressed halfway. Off Subjects are tracked only within AF points when the shutter button is pressed halfway or completely.
Subject to Detect You can specify conditions for automatic selection of the main subject to track. Selecting an option other than [None] will display a tracking frame [ ] for the main subject detected. The tracking frame will move to track subjects that start moving. You can shoot with the subject's eyes in focus by setting [ : Eye detection] to an option other than [Disable] ( ). Auto Automatic selection of the main subject to track from any people, animals, or vehicles in the scene.
None The camera determines the main subject automatically from how you compose shots, without detecting subjects. Tracking frames are not displayed. Caution The following kinds of subjects may not be detected. • Extremely small or large • Too bright or dark • Partially hidden • Difficult to distinguish from the background • Obscured by rain, snow, or dust clouds People's posture or the color or shape of what they are wearing may prevent detection.
Manually selecting a subject for focus 1. Check the tracking frame. Aim the camera at the subject. An AF point (or Zone AF frame) appears on the screen if you have set [ : AF area] to an option other than [Whole area AF]. In this case, aim the AF point over the subject. A tracking frame [ ] appears over any subjects detected. Tracking frames [ in some cases.
2. Focus and shoot/record. A tracking frame is displayed (in green for One-Shot AF or blue for Servo AF) when you press the shutter button halfway, and the camera beeps (only for One-Shot AF). An orange tracking frame indicates that the camera could not focus on subjects. Note Selecting a subject by touch with [ : AF area] set to [Whole area AF] changes the tracking frame to [ ] and locks on to that subject for tracking across the entire screen. To release locked tracking, tap [ ].
Caution Tapping the screen to focus will focus with [One-Shot AF], regardless of the AF operation setting. If the subject's face is significantly out of focus, face detection will not be possible. Adjust the focus manually ( ) so that the face can be detected, then perform AF. AF may not detect subjects or people's faces at the edges of the screen. Recompose the shot to center the subject or bring the subject closer to the center.
Eye Detection You can shoot with the eyes of people or animals in focus. 1. Select [ 2. Select an option. : Eye detection]. Disable Eye detection is not performed. Auto The eye for AF operation is selected automatically after eye detection. Right eye/Left eye Gives priority to the selected eye for AF, after eye detection. If the eye on the side with priority is not detected, the other eye is used for AF.
3. Aim the camera at the subject. A tracking frame is displayed around their eye. To choose an eye to focus on when [ : AF area] is set to [Whole area AF], either tap the screen or use < >. As you use < >, the tracking frame changes again to [ ]. You can also tap the screen to choose an eye, when [ set to [Whole area AF] or during tracking in progress. : AF area] is If your selected eye is not detected, an eye to focus on is selected automatically. 4. Take the picture.
Switching Tracked Subjects You can specify how easily the camera switches AF points to track subjects. Initial priority Tracks the subject initially determined for AF, to the extent possible. On subject Tracks the subject initially determined for AF, to the extent possible. Switches to other subjects if the camera can no longer determine if the tracked subject is the main subject. Switch subject Switches to track other subjects in response to shooting conditions.
Tracking with a Button You can press a button assigned to [Start/stop whole area AF tracking] in [ : Customize buttons] to track subjects with a tracking frame [ ]. This example is based on assigning the < > button ( ). 1. Check the tracking frame. A tracking frame appears after you aim the camera at a subject. Aim the AF point over the subject if you have selected an option other : AF area]. than [Whole area AF] in [ With Expand AF area: or Expand AF area: Around, adjacent AF points are also displayed.
3. Take the picture. Note The position of AF areas and points when tracking stops during shooting standby corresponds to the position before tracking. When tracking stops while the shutter button is pressed halfway or completely, the AF area reverts to the state before tracking, but the AF point is centered in the tracking frame when tracking stops (during [Servo AF]).
Focus Mode You can set how the camera focuses. 1. Select [ 2. Select an option. : Focus mode]. AF The camera operates in autofocus mode. MF The camera operates in manual focus mode. Caution [ : Focus mode] is not displayed under these conditions. • When lenses with a focus mode switch are attached • When lenses designed exclusively for manual focusing are attached • When no lens is attached When set to [MF], AF points are hidden during basic information display, and an MF icon is displayed.
Manually Setting AF Points or Zone AF Frames You can manually set the AF point. Screens such as these are shown when set to Flexible Zone AF 1. 1. Check the AF point. An AF point (1) is displayed. 2. Move the AF point. Use < > to move the AF point into position for focusing (but note that with some lenses, it may not move to the edge of the screen). To center the AF point, press < > straight in or tap [ ]. You can also focus by tapping a position on the screen.
3. Focus and shoot/record. Aim the AF point over the subject and press the shutter button halfway. Once the subject is in focus, the AF point turns green and the camera beeps. If the camera cannot focus, the AF point turns orange. Caution The camera will keep moving the AF point [ ] to track subjects when set to Flexible Zone AF and Servo AF, but under some shooting conditions (such as when subjects are small), it may not be possible to track the subject.
Magnified View You can check the focus by pressing the < 10×. > button to magnify display by approx. 5× or Magnification is centered on the tracking frame when the tracking frame is white (as an active frame) after subject detection. Magnification is centered on the AF point (in the center of the screen) when subjects are detected and the tracking frame is gray, or when subjects cannot be detected. Autofocusing is performed in magnified view if you press the shutter button halfway.
AF Shooting Tips Even when focus is achieved, pressing the shutter button halfway will focus again. Image brightness may change before and after autofocusing. Depending on the subject and shooting conditions, it may take longer to focus, or the continuous shooting speed may decrease. If the light source changes as you shoot, the screen may flicker, and focusing may be difficult. In this case, restart the camera and resume shooting with AF under the light source you will use.
Shooting Conditions That Make Focusing Difficult Subject with low-contrast such as the blue sky, solid-color flat surfaces or when highlight or shadow details are clipped. Subjects in low light. Stripes and other patterns where there is contrast only in the horizontal direction. Subjects with repetitive patterns (Example: Skyscraper windows, computer keyboards, etc.). Fine lines and subject outlines. Under light sources with constantly changing brightness, colors, or patterns.
AF Range The available autofocus range varies depending on the lens used and settings that control the aspect ratio, image quality, 4K movie recording, and Movie digital IS.
Preview AF This function keeps subjects generally in focus. The camera is ready to focus immediately when you press the shutter button halfway. 1. Select [ 2. Select [Enable]. : Preview AF]. Caution Fewer shots are available when set to [Enable], because the lens is driven continuously and battery power is consumed.
Touch & Drag AF Settings Touch & Drag AF Positioning Method Active Touch Area Relative Sensitivity You can move the AF point or Zone AF frame by tapping or dragging on the screen as you look through the viewfinder. Touch & Drag AF 1. Select [ 2. Select [Touch & drag AF]. : Touch & drag AF settings].
3. Select [Enable].
Positioning Method You can set how positions are specified by tapping or dragging. 1. Set [Positioning method]. Absolute The AF point moves to the tapped or dragged position on the screen. Relative The AF point moves in the direction you drag, by an amount corresponding to the amount you drag, no matter where you tap the screen.
Active Touch Area You can specify the area of the screen used for tap and drag operations. 1. Select [Active touch area]. 2. Set the area that will respond to touch. Note A round orange frame [ ] is displayed when you tap the screen with [ : AF area] set to [Whole area AF]. After you lift your finger at the position to move the AF point to, [ ] is displayed and that subject is tracked. To cancel subject selection, tap [ ].
Relative Sensitivity By setting [Positioning method] to [Relative], you can specify the amount of movement in response to tapping or dragging. 1. Select [Rel. sensitivity]. 2. Set the amount of movement. For faster AF point positioning, set toward the positive end, and for slower positioning, set toward the negative end.
Manual Focus Setting MF Peaking (Outline Emphasis) Focus Guide If focusing is not possible with autofocus, you can magnify the image and focus manually. 1. Set the focus mode to MF. For RF lenses without a focus mode switch Set [ : Focus mode] to [MF].
For RF lenses with a focus mode switch Set the lens's focus mode switch to < 2. Magnify the image. Each press of the < follows. 3. >. > button changes the magnification ratio, as Move the magnified area. Use < > to move the magnified area into position for focusing. To center the magnified area, press < 508 > straight in.
4. Focus manually. While looking at the magnified image, turn the lens focusing ring to focus. After achieving focus, press the < view. > button to return to the normal Note In magnified view, the exposure is locked. Even when focusing manually, you can use Touch Shutter to shoot.
Setting MF Peaking (Outline Emphasis) Edges of subjects in focus can be displayed in color to make focusing easier. You can set the outline color and adjust the sensitivity (level) of edge detection. 1. Select [ 2. Select [Peaking]. 3. Select [On]. : MF peaking settings].
4. Set [Level] and [Color]. Set as necessary. Caution In magnified view, peaking display is not shown. During HDMI output, peaking display is not shown on equipment connected via HDMI. Note that peaking display is shown on the camera screen when [ : HDMI ]. display] is set to [ + MF peaking may be hard to discern at high ISO speeds, especially when ISO expansion is set. If necessary, lower the ISO speed or set [Peaking] to [Off]. Note Peaking display shown on the screen is not recorded in images.
Focus Guide Setting [ : Focus guide] to [On] provides a guide frame that shows which direction to adjust focus and the extent of adjustment needed. 1. Select [ 2. Select [On]. : Focus guide]. The guide frame is displayed on the face of any person detected as the main subject. To display the guide frame near the eyes of any person detected as the main subject, set [ : Subject to detect] to [Auto] or [People] and [ : Eye detection] to an option other than [Disable].
The guide frame indicates the current position in focus and adjustment amount as follows.
Adjustment information not detected Caution Under difficult shooting conditions for AF ( ), the guide frame may not be displayed correctly. Higher aperture values are more likely to prevent correct guide frame display. No AF points are displayed while the guide frame is displayed. The guide frame is not displayed in these situations.
Servo AF Characteristics Case Details Case 1: Versatile Multi-Purpose Setting Case 2: Continue to Track Subjects, Ignoring Possible Obstacles Case 3: Instantly Focus on Subjects Suddenly Entering AF Points Case 4: For Subjects That Accelerate or Decelerate Quickly Case A: Tracking Automatically Adapts to Subject Movement Parameters Adjusting Case Parameters Shooting with Servo AF can be easily tailored to your subjects or shooting situations by selecting a Case * option.
Case Details Case 1 to Case A are five combinations of settings for “Tracking sensitivity” and “Acceleration/deceleration tracking.” Referring to the following table, select the case for your subject and shooting situation.
Case 1: Versatile Multi-Purpose Setting Default • Tracking sensitivity: 0 • Accel./decel. tracking: 0 Standard setting suited to moving subjects in general. Suitable for many kinds of subjects and scenes. In the following situations, select [Case 2] to [Case 4] instead: non-subjects moving across AF points, elusive subjects, or subjects that suddenly appear or change speed.
Case 2: Continue to Track Subjects, Ignoring Possible Obstacles Default • Tracking sensitivity: Locked on: –1 • Accel./decel. tracking: 0 Setting to continue focusing on the subject even if non-subjects move across AF points, or if the subject strays from AF points. Effective if you prefer the focus not to switch to nonsubjects or the background.
Case 3: Instantly Focus on Subjects Suddenly Entering AF Points Default • Tracking sensitivity: Responsive: +1 • Accel./decel. tracking: +1 Setting to focus on a series of subjects at different distances in the AF points, one after another. Focus switches to any new subject that appears in front of the target subject. Also effective when you want to always focus on the closest subject.
Case 4: For Subjects That Accelerate or Decelerate Quickly Default • Tracking sensitivity: Responsive: 0 • Accel./decel. tracking: +1 Setting to keep tracking and focusing on subjects even if they suddenly change speed. Effective for subjects having sudden movements, sudden acceleration/deceleration, or sudden stops. Note Try setting [Accel./decel. tracking] to [+2] to keep up with subjects that change speed significantly from moment to moment ( ).
Case A: Tracking Automatically Adapts to Subject Movement Useful when you prefer to shoot with parameters set automatically, based on how subjects change. Tracking sensitivity and acceleration/deceleration tracking are set automatically.
Parameters Tracking sensitivity Setting for Servo AF subject-tracking sensitivity in response to non-subjects moving across AF points or subjects straying from AF points. 0 Standard setting. Suitable for moving subjects in general. Locked on: –2 / Locked on: –1 The camera will try to continue focusing on the subject even if non-subjects move across AF points or if the subject strays from the AF points. The –2 setting makes the camera keep tracking the target subject longer than the –1 setting.
Acceleration/deceleration tracking Setting for subject-tracking sensitivity in response to sudden, significant changes in speed, as when subjects suddenly start or stop moving. 0 Suited for subjects that move at a steady speed (minor changes in moving speed). –2 / –1 Suited for subjects that move at a steady speed (minor changes in moving speed). Effective when a setting of 0 makes focus unstable, due to slight subject movement or an obstruction in front of the subject.
Adjusting Case Parameters You can manually adjust the parameters ((1) Tracking sensitivity and (2) Acceleration/ deceleration tracking) for Case 1 to Case 4. 1. Select a case. Turn the < 2. Press the < > dial to select the number of a case to adjust. > button. The selected parameter is outlined in purple. 3. Select a parameter to adjust.
4. Make the adjustment. Default settings are indicated by a light gray [ ] icon. To confirm the adjustment, press the < > button. To return to the screen in step 1, press the < > button. Note To restore default parameter settings for (1) and (2) to each case, press the < > button in step 2, then press the < > button. You can also register (1) and (2) parameter settings to My Menu ( ). This enables you to adjust settings for the selected case.
Customizing AF Functions [ 3] [ 4] [ 6] [ 2] (In Movie Recording) You can configure AF functions in detail to suit your shooting style or subject.
[ 3] One-Shot AF release priority You can specify whether to prioritize focus or release timing for One-Shot AF (except when shooting with Touch Shutter). [ ] Focus The picture will not be taken until focus is achieved. Useful when you want to achieve focus before capturing the image. [ ] Release Prioritizes shutter release over focus. Useful when capturing the decisive moment is most important. Note that the camera shoots whether or not the subject is in focus.
Lens operation when AF is not available You can specify lens operation that applies when autofocusing on a subject is not possible. [ ] Continue focus search If focus cannot be achieved with autofocus, the lens is driven to search for the precise focus. [ ] Stop focus search If autofocus starts and the focus is far off or if focus cannot be achieved, the lens drive will not be performed. This prevents the lens from becoming grossly out of focus due to the focus search drive.
AF-assist beam firing You can enable or disable AF-assist beam firing of the camera or a Speedlite for EOS cameras. 1. Select [ 2. Select an option. : AF-assist beam firing]. [ON] Enable Enables firing of the AF-assist beam, when needed. [OFF] Disable Disables firing of the AF-assist beam. Set if you prefer not to fire the AF-assist beam. [LED] LED AF assist beam only Enables LED AF-assist beam firing by Speedlites equipped with this feature, when these flash units are attached.
Caution Speedlite AF-assist beam firing is disabled when the Speedlite's [ beam firing] Custom Function is set to [Disable].
[ 4] Limit AF areas You can limit the AF areas available to the areas that you normally use. Select available AF areas and press the < > button to add a checkmark [ ]. Select [OK] to register the setting. For details on AF areas, see AF Area. Caution The [ ] mark cannot be cleared from all items at the same time. Note An asterisk to the right of [ has been modified.
AF area selection control You can set how AF area selection methods are switched. [ ] →M-Fn button > button, then the < Press the < [ ] > button. Each press switches the AF area. →Main Dial Press the < > button, then turn the < > dial to switch the AF area. Note When [ →Main Dial] is set, use < > to move the AF point horizontally. Multi-controller sensitivity in AF point selection You can adjust < > sensitivity, which applies to AF point positioning.
Orientation-linked AF points You can set separate AF areas/points or separate AF point positions for vertical and horizontal shooting. [ ] Same for both vert/horiz The same AF points or Zone AF frames in the same AF areas are used in both vertical and horizontal shooting. [ ] Separate AF pts: Area+pt Separate types of AF areas or separate AF points or Zone AF frames can be set for each camera orientation ((1) Horizontal, (2) Vertical with the camera grip up, (3) Vertical with the camera grip down ( )).
Limit subject to detect You can limit the available setting options in [ : Subject to detect] to your preferred options. Select an option to exclude and press the < > button to clear [ ]. Select [OK] to register the setting. Caution The [ ] mark cannot be cleared from all items at the same time. Note An asterisk to the right of [ setting has been modified.
Note An asterisk to the right of [ setting has been modified.
[ 6] Electronic full-time MF Operation of manual focus adjustment using the electronic focusing ring when certain lenses are attached is customizable. Check the Canon website for compatible lenses ( ). Disable Operation of manual focus adjustment corresponds to the [Lens electronic MF] setting. Enable Manual focus adjustment is available whenever camera operations are possible.
[ ] One-Shot→enabled (magnify) You can manually adjust the focus after the AF operation if you keep holding down the shutter button halfway. You can magnify the area in focus and adjust the focus manually by turning the lens focusing ring. [ ] Disable in AF mode Manual focus adjustment is disabled when the lens's focus mode switch is set to < >.
Use as a focusing or control ring Menu-based switching of lens focus/control ring functionality. Caution Available when using lenses that have a combination focusing ring/control ring but have no switch to switch between these features. Use as focus ring The ring works as a focusing ring. Use as control ring The ring works as a control ring.
Focusing ring rotation You can reverse the direction that the focusing ring of RF lens is rotated to adjust settings. [ ] Normal [ ] Reverse direction Focusing ring sensitivity of RF lenses You can set the sensitivity of the RF lens focusing ring. [ ] Varies with rotation speed Focusing ring sensitivity varies depending on rotation speed. [ ] Linked to rotation degree The focal position is adjusted based on the amount of rotation, regardless of the rotation speed.
[ 2] (In Movie Recording) Movie Servo AF speed You can set the AF speed and operating conditions for Movie Servo AF. The function is enabled when using a lens supporting slow focus transition during movie recording*. When active You can set [Always on] to have the AF speed take effect at all times for movie recording (before and during movie recording) or set [During shooting] to have the AF speed take effect only during movie recording.
Note Operation when inactive is equivalent to when [AF speed] is set to [Standard (0)]. An asterisk “*” to the right of [ : Movie Servo AF speed] indicates that the default setting has been modified. Movie Servo AF tracking sensitivity You can adjust the tracking sensitivity (to one of seven levels), which affects responsiveness if the subject strays from the AF point during Movie Servo AF, as when interfering objects move across AF points or when you pan.
Selecting the Drive Mode Single and continuous drive modes are provided. You can select the drive mode suiting the scene or subject. 1. Press the < > button ( ). With an image displayed on the screen, press the < 2. Select the drive mode item. Press the < 3. > button to select the drive mode item. Select the drive mode. Turn the < > dial to make a selection. 542 > button.
[ ] Single shooting When you hold down the shutter button completely, only one shot will be taken. [ ] High-speed continuous shooting + When you hold down the shutter button completely, you can shoot continuously as described below while you keep holding it down, based on the [ : Shutter mode] setting. • [Mechanical]: max. approx. 12 shots/sec. • [Elec. 1st-curtain]: max. approx. 12 shots/sec. • [Electronic]: max. approx. 40 shots/sec.
Caution [ ] enables approx. 12 shots/sec. continuous shooting speed when set to [Elec. 1st-curtain] or [Mechanical] under these conditions. • Room temperature (23°C / 73°F) • Fully charged LP-E6NH (note that continuous shooting speed may become slower when using batteries with weak recharge performance) • Shutter speed: 1/1000 sec.
Continuous shooting speed with Servo AF may be slower depending on subject conditions or the lens used. Visit the Canon website for details on lenses supporting the maximum continuous shooting speed ( ). Continuous shooting speed may be slower when shooting under flickering light with [ : Anti-flicker shoot.] set to [Enable] ( ). Also, the continuous shooting interval may become irregular and the release time lag may become longer.
Using the Self-Timer Use the self-timer when you want to be in the picture such as a commemorative photograph. 1. Press the < > button ( ). With an image displayed on the screen, press the < 2. Select the drive mode item. Press the < 3. > button. > button to select the drive mode item. Select the self-timer. Turn the < > dial to select the self-timer. : Shoot in 10 sec. : Shoot in 2 sec. : Shoot continuously in 10 sec.
4. Take the picture. Focus on the subject, then press the shutter button completely. To check operation, look at the self-timer lamp, listen for beeps, or watch the countdown in seconds on the screen. Self-timer lamp blinking accelerates and the camera beeps quickly approx. 2 sec. before the picture is taken. Caution With [ ], some conditions in continuous shooting may lengthen the shooting interval, such as image quality and use of flash.
Remote Control Shooting Wireless Remote Control BR-E1 Remote Switch RS-60E3 Remote control shooting is supported with Wireless Remote Control BR-E1 or Remote Switch RS-60E3 (Bluetooth and wired connections, respectively; sold separately). Wireless Remote Control BR-E1 You can shoot remotely up to approx. 5 meters/16.4 feet from the camera. First, pair the camera and BR-E1 ( ). For operating instructions, refer to the BR-E1 instruction manual.
Remote Switch RS-60E3 Once connected to the camera, the switch enables you to shoot remotely over a wired connection. For operating instructions, refer to the RS-60E3 instruction manual. 1. Open the terminal cover. 2. Connect the plug to the remote control terminal.
Customizing Operation Switching AF Areas with the < > Dial Choosing One Subject from Several People with < > Adjusting the Zone AF Frame Size This section describes ways to customize AF operation. You can also use a combination of customized settings. Switching AF Areas with the < You can switch AF areas with the < > Dial > dial as you look through the viewfinder. 1. In [ 2. Select [Select AF area]. : Customize dials], select [ ]. You can now switch AF areas with the < 550 > dial.
Note Before switching among Flexible Zone AF 1–3, it is convenient to change the Zone AF frame to your preferred size ( ).
Choosing One Subject from Several People with < > You can choose one subject from several people to lock the tracking frame on that person. Note Before this customization, some other settings must be set as follows. • [AF area]: [Whole area AF] • [Whole area tracking Servo AF]: [On] • [Subject to detect]: [People] • [Eye detection]: Other than [Disable] 1. 2. In [ : Customize buttons], set [ ] to [Direct AF point selection]. Press the < > button, and in [Direct sel.
3. Press the shutter button halfway, then release it. A tracking frame ( 4. Use < ) is displayed if multiple subjects are detected. > to set your preferred subject. Either press < > straight in or press it left or right. The tracking frame changes to [ ] and locks on to that subject for tracking. To release locked tracking, press < >. Caution [ ] is not displayed on both sides of the frame during Servo AF, even if multiple subjects are detected.
Adjusting the Zone AF Frame Size You can resize the Zone AF frame displayed for Flexible Zone AF 1–3. 1. 2. 3. Press the < > button during shooting screen display. > button repeatedly, select Flexible Zone AF 1, 2, or Press the < 3, then press the < > button. Adjust the Zone AF frame size. Use the < press the < > or < > dial to adjust the Zone AF frame size, then > button. To restore the default setting, press the < 554 > button.
Playback This chapter covers topics related to playback—playing back captured still photos and movies—and introduces menu settings on the playback [ ] tab. Caution Normal display or configuration on this camera may not be possible for images captured on other cameras, or images from this camera that have been edited or renamed on a computer. Images that cannot be used with playback functions may be displayed.
• Resuming from Previous Playback • Browsing Images with the Main Dial • Browsing Images with the Rate+Quick Control Dial 1 • Switching the Main Dial and Quick Control Dial 2 During Playback • Rate Button Function • Customizing Playback Information Display • Displaying the Highlight Alert • AF Point Display • Playback Grid • Movie Play Count • HDMI HDR Output • Still Photo Extraction from RAW Burst Images 556
Tab Menus: Playback Playback 1 (1) Protect images (2) Erase images (3) Rotate stills (4) Change mov rotate info (5) Rating (6) Image copy Playback 2 (1) Print order (2) Photobook Set-up 557
Playback 3 (1) RAW processing (RAW/DPRAW) (2) Creative Assist (3) Quick Control RAW processing (4) DPRAW processing (5) Cloud RAW image processing (6) Playback creative filters Playback 4 (1) Resize (2) Cropping (3) HEIF→JPEG conversion 558
Playback 5 (1) Slide show (2) Set image search conditions (3) View from last seen (4) Magnification Playback 6 (1) Image jump w/ (2) Image jump w/ (3) Switch (4) / + during playback btn function 559
Playback 7 (1) Playback information display (2) Highlight alert (3) AF point disp.
In Basic Zone modes, the following screens are displayed for [ 6].
Playback 5 (1) Image jump w/ (2) Image jump w/ (3) Switch (4) / + during playback btn function Playback 6 (1) Playback information display (2) Highlight alert (3) AF point disp.
Image Playback Single-Image Display Shooting Information Display Touch Playback Single-Image Display 1. Switch to playback. Press the < > button. The last image captured or played back is displayed.
2. Browse images. To play back images starting with your most recent shot, turn the < > dial counterclockwise. To play back images starting with the first captured image, turn the dial clockwise. Each time you press the < > button, the display will change. No information Basic information display Shooting information display 3. Exit image playback. Press the < standby.
Note Lines indicating the image area are shown on RAW images captured with [ : Cropping/aspect ratio] set to [1:1 (aspect ratio)], [4:3 (aspect ratio)], or [16:9 (aspect ratio)] ( ). If the search conditions are set with [ : Set image search conditions] ( ), only the filtered images will be displayed. When played back, images captured with [ : Add cropping information] set to an option other than [Disable] ( ) are displayed with lines indicating the image area.
Shooting Information Display With the shooting information screen displayed ( ), you can press < > up or down to view other information. You can also customize the information displayed, in [ : Playback information display] ( ).
Touch Playback The camera features a touch-screen panel that you can touch to control playback. Supported touch operations are like those used with smartphones and similar devices. First, press the < > button to prepare for touch playback.
Magnified view Note You can also magnify display by double-tapping with one finger.
Magnified Image Display Setting the Initial Magnification Ratio Setting the Initial Magnification Position Magnification for Subsequent Images You can magnify display of your captured images. 1. Magnify the image. Press the < > button. The magnified view will appear. The position of the magnified area (1) is displayed in the lower right of the screen, along with [ ]. To magnify images, turn the < > dial clockwise. To reduce magnification, turn the < > dial counterclockwise.
2. Scroll the image. Use < > to scroll around the magnified image. Press the < > or < > button to exit magnified view. Note To switch to other images while maintaining magnified view, turn the < Magnification is not available for movies. 570 > dial.
Setting the Initial Magnification Ratio You can set the initial magnification ratio. 1. Select [ 2. Select [Magnificatn (apx)]. : Magnification].
3. Select an option. 2x, 4x, 8x, 10x Magnified view starts at the selected magnification ratio. Actual size Displays images essentially full-size, based on their pixels. Same as last Magnified view resumes from the same ratio as the last time you exited magnified view by pressing the < > or < > button.
Setting the Initial Magnification Position You can set the initial magnification position. 1. Select [ 2. Select [Magnified position]. : Magnification].
3. Select an option. From center Magnified view starts from the center of the screen. From focus pt Magnified view starts from the AF point in focus. If the photo is taken with manual focus, the magnified view starts from the center of the screen.
Magnification for Subsequent Images You can specify whether to maintain the same position for magnified view or to use the position set in [Magnified position] when displaying subsequent images. 1. Select [ 2. Select [Maintain position]. : Magnification].
3. Select an option. Enable The current magnified position is maintained when displaying subsequent images in magnified view. Disable The position set in [Magnified position] is used when displaying subsequent images in magnified view.
Index Display (Multiple-Image Display) 1. Switch to the index display. During image playback, turn the < > dial counterclockwise. The 4-image index display will appear. The selected image is highlighted with an orange frame. Turning the < > dial further counterclockwise will switch the display from 9 to 36 to 100 images. Turning the dial clockwise cycles through 100, 36, 9, 4, and single-image display.
2. Browse images. Use < > or the < selection. > dial to move the orange frame for image Press the < > button in the index display to show the selected image in single-image display.
Movie Playback 1. Switch to playback. Press the < 2. > button. Select a movie. Turn the < > dial to select a movie to play. In single-image display, the [ the screen indicates a movie. ] icon displayed in the upper left of In index display, perforations at the left edge of a thumbnail indicate a movie. Movies cannot be played from index display, so press the < > button to switch to single-image display.
3. In single-image display, press the < > button. The movie playback panel will appear. 4. Play the movie. Press the < > button or tap [ ]. The movie will start playing back. Sound is played through the speaker (1). You can pause playback and access the movie playback panel by pressing the < > button. Press it again to resume playback. Press < > up or down to adjust the volume (even during playback).
Movie playback panel Item Skip backward Previous frame Play Next frame Skip forward Playback Operations Skips backward approx. 1 sec. each time you press < Holding < > left. > to the left rewinds the movie. Displays the previous frame each time you turn the < > dial left. Pressing the < > button toggles between playing movies and stopping playback. Displays the next frame each time you turn the < > dial right. Skips forward approx. 1 sec. each time you press < < > right.
Digest movie playback panel Item Previous clip Previous frame Play Next frame Next clip Playback Operations Press < > left to display the first frame of the previous clip. Displays the previous frame each time you turn the < Pressing the < playback. Displays the next frame each time you turn the < Press < > dial left. > button toggles between playing movies and stopping > dial right. > right to display the first frame of the next clip.
Controls not on the previous two screens are as follows. Item Edit Playback Operations Displays the editing screen ( ). Slow motion Adjust the slow motion speed by turning the < > dial. The slow motion speed is indicated in the upper right of the screen. Erase clip* Erases the current clip. Frame Grab Available when you play 4K movies. Enables you to extract the current frame and save it as a JPEG or HEIF still image ( ). Press the < > button to return to the previous screen.
Editing a Movie's First and Last Scenes You can edit out the first and last scenes of a movie in approx. 1-sec. increments. 1. Pause movie playback. The movie playback panel will appear. 2. Press the < > button, then select [ 585 ].
3. Specify the part to be edited out. Select either [ ] (Cut beginning) or [ ] (Cut end). Press < > left or right to go back or forward one frame. Keep pressing the Multi-controller to fast rewind or fast forward frames. Each > dial goes back or forward one frame. turn of the < After deciding which part to edit out, press the < > button. The portion indicated by a line at the bottom of the screen will remain. 4. Check the edited movie. Select [ ] to play back the edited movie.
5. Save. Select [ ] (1). The save screen will appear. To save it as a new file, select [New file], or to save it and overwrite the original movie file, select [Overwrite]. Select [ ] (2) to save a compressed version of the file. 4K movies are converted to Full HD movies before compression. On the confirmation screen, select [OK] to save the edited movie and return to the movie playback screen. Caution Because editing is performed in approx. 1 sec.
Frame Extraction from 4K Movies or 4K Time-Lapse Movies From 4K or 4K time-lapse movies, you can select individual frames to save as JPEG or HEIF still images. This is referred to as “frame grabbing.” 1. Select a 4K movie or 4K time-lapse movie. Turn the < > dial to make a selection. On the shooting information screen ( ] icon. movies are indicated by a [ In index display, press the < display. 2.
3. Select a frame to grab. Use the movie playback panel to select the frame to grab as a still image. For movie playback panel instructions, see Movie playback panel. 4. Press the < 5. Save. > button, then select [ ]. Select [OK] to save the current frame as a JPEG still image. HEIF images are saved if you grab frames from movies recorded with [ : HDR shooting ] set to [Enable]. Check the destination folder and image file number.
6. Select the image to display. Select [View original movie] or [View extracted still image]. Caution Frame grabbing is not possible from the following 4K movies. • Movies recorded with [ : Canon Log settings] set to [On ( )] • Movies recorded with other cameras Frame grabbing is not possible while the camera is connected to a computer.
Digest Movie Editing Individual chapters (clips) recorded in < clips, because they cannot be recovered. 1. Switch to playback. Press the < 2. > mode can be erased. Be careful when erasing > button. Select a still photo with an attached digest movie. Turn the < > dial to select a still photo that includes a digest movie. In single-image display, still photos with attached digest movies are labeled with [ ] in the upper left of the screen. In index display, press the < display. 3.
4. Select a clip. Use [ 5. ] or [ Erase the clip. Press the < 6. ] to select a clip. > button, then select [ ]. Select [OK]. The clip is erased, and the digest movie is overwritten.
Note For other instructions on using the movie playback panel for digest movies, see Digest movie playback panel.
Playback on a TV Set By connecting the camera to a television with a commercially available HDMI cable, you can play back the captured still photos and movies on the television. If the image does not appear on the TV screen, confirm that [ : Video system] is correctly set to [For NTSC] or [For PAL] (depending on the video system of your television). 1. Connect the HDMI cable to the camera. Insert the HDMI cable in the camera's < 2. > terminal. Connect the HDMI cable to the television.
5. Press the < > button. Images are now displayed on the television, with nothing displayed on the camera screen. The images will automatically be displayed at the optimum resolution matching the connected television. Caution Adjust movie sound volume with the television. The sound volume cannot be adjusted with the camera. Before connecting or disconnecting the cable between the camera and television, turn off the camera and television.
Protecting Images Protecting Individual Images Specifying the Range of Images to Protect Protecting All Images in a Folder or on a Card You can protect important images from being accidentally erased. Caution If you format the card ( ), the protected images will also be erased. Note Once an image is protected, it cannot be erased by the camera's erase function. To erase a protected image, you must first cancel the protection. If you erase all the images ( ), only the protected images will remain.
2. Select [Select images]. 3. Select the image to protect. Turn the < 4. > dial to select an image to protect. Protect the image. Press the < > button to protect the selected image, after which it will be labeled with a [ ] icon (1) at the top of the screen. To cancel protection and clear the [ again. ] icon, press the < > button To protect another image, repeat steps 3 and 4.
Specifying the Range of Images to Protect While looking at the images in the index display, you can specify the first and last images for a range to protect all the specified images at once. 1. Select [Select range]. Select [Select range] in [ 2. : Protect images]. Specify the range of images. Select the first image (start point). Next, select the last image (end point). The images in the specified range will be protected and the [ ] icon will appear.
Protecting All Images in a Folder or on a Card You can protect all the images in a folder or on a card at once. When you select [All images in folder] or [All images on card] in [ images], all the images in the folder or on the card will be protected. : Protect To cancel protection, select [Unprotect all images in folder] or [Unprotect all images on card]. If the search conditions are set with [ : Set image search conditions] ( display will change to [All found images] and [Unprotect all found].
Erasing Images Erasing Images Individually Selecting ([ ]) Multiple Images to Erase Together Specifying the Range of Images to Erase Erasing All Images in a Folder or on a Card You can either select and erase unnecessary images individually or erase them in one batch. Protected images ( ) will not be erased. Caution Once an image is erased, it cannot be recovered. Make sure you no longer need the image before erasing it. To prevent important images from being erased accidentally, protect them.
4. Erase the images. JPEG/HEIF/RAW images or movies Select [Erase]. RAW+JPEG/RAW+HEIF images Select an option. Series of images captured in [ ], [ ], or [ ] drive mode are erased when you select [Erase scene including image] during playback.
Selecting ([ ]) Multiple Images to Erase Together By adding checkmarks to the images to be erased, you can erase all those images at once. 1. Select [ 2. Select [Select and erase images]. 3. Select an image. : Erase images]. Turn the < button. > dial to select an image to erase, then press the < To select another image to be erased, repeat step 3. Press the < > button.
4. Erase the images. Select [OK].
Specifying the Range of Images to Erase While looking at the images in the index display, you can specify the first and last images for a range to erase all the specified images at once. 1. Select [Select range]. Select [Select range] in [ 2. : Erase images]. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images.
4. Erase the images. Select [OK].
Erasing All Images in a Folder or on a Card You can erase all the images in a folder or on a card at once. When you select [All images in folder] or [All images on card] in [ all the images in the folder or on the card will be erased. : Erase images], If the search conditions are set with [ : Set image search conditions] ( display will change to [All found images]. ), the • If you select [All found images], all the images filtered by the search conditions will be erased.
Rotating Still Photos You can use this feature to rotate the displayed image to the desired orientation. 1. Select [ 2. Select an image to rotate. : Rotate stills]. Turn the < 3. > dial to select the image. Rotate the image. Each time you press the < > button, the image is rotated clockwise as follows: 90° → 270° → 0°. To rotate another image, repeat steps 2 and 3.
Note If you set [ : Auto rotate] to [On ] ( ) before taking pictures, you need not rotate the image with this function. If the rotated image is not displayed in the rotated orientation during image ]. playback, set [ : Auto rotate] to [On Movies cannot be rotated.
Changing Movie Orientation Information You can manually edit movie playback orientation information (which determines which side is up). 1. Select [ 2. Select a movie. : Change mov rotate info]. Turn the < change.
3. Change the orientation information. As you watch the camera and icon in the upper left of the screen, press the < > button to specify which side is up. Each press of the < > button edits the movie rotation information as follows: [ ] → [ ] → [ ]. Caution Movies are played horizontally on the camera and via HDMI video output, regardless of the [ : Add rotate info] setting ( ). Movie orientation information of movies recorded with other cameras cannot be edited with this camera.
Rating Images Rating Individual Images with the < > Button Rating Individual Images via the Menu Rating by Specifying the Range Rating All Images in a Folder or on a Card You can rate images on a scale of 1–5 ( / / / / ). This function is called rating. * Rating images can help you organize them. Rating Individual Images with the < 1. Select the image to be rated. Press the < Turn the < 2. > Button > button to switch to image playback. > dial to select the image to rate. Rate the image.
Note In the detailed settings for [Rating] in [ rating to apply.
Rating Individual Images via the Menu 1. Select [ 2. Select [Select images]. 3. Select the image to be rated. : Rating]. Turn the < > dial to select the image to be rated.
4. Rate the image. Press the < shown. Turn the < button. > button so that the current rating is outlined in blue, as > dial to select a rating mark, then press the < > When you append a rating mark to the image, the number beside the set rating will increase by one. To rate another image, repeat steps 3 and 4.
Rating by Specifying the Range While looking at the images in the index display, you can specify the first and last images for a range to rate all the specified images at once. 1. Select [Select range]. Select [Select range] in [ 2. : Rating]. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images. To select other images, repeat step 2. 3.
4. Rate the image. Turn the < > dial to select a rating mark, then select [OK]. All the images in the specified range will be rated (same rating) at once.
Rating All Images in a Folder or on a Card You can rate all the images in a folder or on a card at once. Under [ : Rating], when you select [All images in folder] or [All images on card], all the images in the folder or on the card will be rated. Turn the < > dial to select a rating, then select [OK]. When you are not rating images or canceling the rating, select [ ]. If the search conditions are set with [ : Set image search conditions] ( display will change to [All found images].
Note Values next to ratings are displayed as [###] if more than 1,000 images have that rating. With [ : Set image search conditions] and [ : Image jump w/ ], you can display only the images given a specific rating.
Copying Images Copying Individual Images Copying a Range of Images Copying All Images in a Folder or on a Card You can copy the images on one card to the other card to save duplicates. All images in a folder or on a card can also be copied at the same time. Caution For extensive copying, consider using a household power outlet accessory (sold separately).
Copying Individual Images 1. Select [ 2. Select [Sel.Image]. : Image copy]. Check the source and target card numbers and the free space on the target card. Select [Sel.Image], then press the < 620 > button.
3. Select the folder. (1) Number of images in folder (2) Lowest file number (3) Folder name (4) Highest file number Select the source folder, then press the < > button. When selecting the folder, refer to the images displayed at right of the screen. 4. Select an image to copy. (1) Total images selected Turn the < button. > dial to select an image to copy, then press the < To select another image to copy, repeat step 4.
5. Press the < 6. Select [OK]. > button. Check the target card, then select [OK]. 7. Select the target folder. Select the folder to copy the image to, then press the < To create a new folder, select [Create folder]. 622 > button.
8. Select [OK]. Check the information about the source and target card, then select [OK]. Results are displayed after copying is finished. Select [OK] to return to the screen in step 2.
Copying a Range of Images You can copy all specified images at once by selecting the first and last images in a range as you look at images in the index display. 1. Select [Range]. 2. Select the folder. Select the source folder, then press the < > button. When selecting the folder, refer to the images displayed at right of the screen.
3. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images. To select another image to copy, repeat step 3. 4. Press the < > button. Images in the specified range are now copied.
Copying All Images in a Folder or on a Card You can copy all the images in a folder or on a card at once. Selecting [Sel. ] or [All images] in [ : Image copy] copies all the images it contains.
Print Ordering (DPOF) Setting Print Options Selecting Images for Printing DPOF (Digital Print Order Format) enables you to print images recorded on the card according to your printing instructions such as the image selection, quantity to print, etc. You can print multiple images in one batch or create a print order for a photofinisher. You can set the print settings such as print type, date imprinting, file number imprinting, etc. The print settings will be applied to all the images specified for printing.
3. Set the options as desired. Set [Print type], [Date], and [File No.] options. Print type Standard Prints one image on one sheet. Index Multiple thumbnail images are printed on one sheet. Both Prints both the standard and index prints. On Date [On] imprints the recorded date of the captured image. Off On File No. [On] imprints the file number. Off 4. Exit the setting. Press the < > button. Next, select [Sel.Image] or [Multiple] to specify the images to be printed.
Caution If you print an image with a large image size using the [Index] or [Both] setting ( ), the index print may not be printed with certain printers. In this case, resize the image ( ), then print the index print. Even if [Date] and [File No.] are set to [On], the date or file number may not be imprinted, depending on the print type setting and printer. With [Index] prints, the [Date] and [File No.] cannot both be set to [On] at the same time.
Selecting Images for Printing Selecting images Select and specify the images individually. Press the < > button to save the print order to the card. Standard/Both (1) Quantity (2) Total images selected Press the < > button to set the print quantity for the current image to 1. By turning the < > dial, you can set a print quantity of up to 99 copies. Index (3) Checkmark (4) Index icon Images that you add a checkmark [ index printing.
Selecting multiple images Select range Select [Select range] in [Multiple]. Selecting the first and last images of the range marks all the images in the range with a checkmark [ ], and one copy of each image will be specified for printing. All images in a folder Select [Mark all in folder] and select the folder. A print order for one copy of all the images in the folder will be specified.
Photobook Set-up Specifying Individual Images Specifying the Image Range for a Photobook Specifying All Images in a Folder or on a Card You can specify up to 998 images to be printed in a photobook. When you use EOS Utility (EOS software) to import images to a computer, the specified images for a photobook will be copied to a dedicated folder. This function is useful for ordering photobooks online. Specifying Individual Images 1. Select [ 2. Select [Select images]. : Photobook Set-up].
3. Select an image for the photobook. Use the < > dial to select an image for the photobook, then press the < > button. To select other images to be specified for a photobook, repeat step 3.
Specifying the Image Range for a Photobook While looking at the images in the index display, you can specify the range (start point to end point) of images to be specified for a photobook at once. 1. Select [Multiple]. Select [Multiple] in [ 2. : Photobook Set-up]. Select [Select range].
3. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images. To select other images, repeat step 3.
Specifying All Images in a Folder or on a Card You can specify all the images in a folder or on a card at once for a photobook. All images in the folder or on the card are specified for the photobook when you select [All images in folder] or [All images on card] in the [Multiple] option for [ : Photobook Setup]. To cancel the selection, select [Clear all in folder] or [Clear all on card].
RAW Processing (RAW/DPRAW) Magnified View Processing Images with Specified Aspect Ratios RAW Image Processing Options You can process or images with the camera to create JPEG or HEIF images. The RAW images remain the same as when captured, so you can adjust the processing conditions to create multiple JPEGs or HEIFs. You can also use Digital Photo Professional (EOS software) to process RAW images. Caution Processing into HEIF is not available for expanded ISO speed (L or H). 1.
2. Select an option, then select images. You can select multiple images to process at once. Select images Turn the < > dial to select an image to process, then press the < > button. Press the < > button. Select range Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images. To process other images, repeat this step. Press the < > button.
3. Set the desired processing conditions. Use shot settings Images are processed using image settings at the time of capture. Images captured with [ : HDR PQ settings] set to [Enable] are processed to create HEIFs, and images captured with this function set to [Disable] are processed to create JPEGs. Set up processing→JPEG/Set up processing→HEIF Use < > to select an item. Turn the < > or < Press the < > button to access the function setting screen. > dial to switch the setting.
4. Save. When using [Set up processing→JPEG] or [Set up processing→ HEIF], select [ ] (Save). Read the message and select [OK]. To process other images, select [Yes] and repeat steps 2–4. 5. Select the image to display. Select [Original image] or [Processed img.]. Your selected image is displayed.
Magnified View You can magnify images displayed for [Set up processing→JPEG] or [Set up processing →HEIF] by pressing the < > button. The magnification ratio varies depending on the [Image quality] setting. With < >, you can scroll around the magnified image. To cancel the magnified view, press the < > button again. Caution Results of processing with [Digital Lens Optimizer] set to [High] are only applied in magnified view. Results are not applied in normal display.
Processing Images with Specified Aspect Ratios JPEG or HEIF images at the specified aspect ratio are created when you process RAW images shot with [ : Cropping/aspect ratio] ( ) set to [1:1 (aspect ratio)], [4:3 (aspect ratio)], or [16:9 (aspect ratio)].
RAW Image Processing Options Brightness adjustment You can adjust the image brightness up to ±1 stop in 1/3-stop increments. White balance ( ) ] enables you to select [Auto: You can select the white balance. Selecting [ Ambience priority] or [Auto: White priority]. If you select [ ], you can set the color temperature. Picture Style ( ) You can select the Picture Style. You can adjust the sharpness, contrast, and other parameters.
Image quality ( ) You can set the image quality when creating a JPEG or HEIF image. Color space ( ) You can select either sRGB or Adobe RGB. Since the camera screen is not compatible with Adobe RGB, the difference in the image will hardly be perceptible when either color space is set. *[ selection.
• Diffraction correction ( ) The diffraction by the lens aperture degrading the image sharpness can be corrected. If [Enable] is set, the corrected image will be displayed. If the effect is difficult to discern, magnify the image ( ). Caution Processing RAW images in the camera will not produce exactly the same results as processing RAW images with Digital Photo Professional (EOS software). If you perform [Brightness adjustment], noise, banding, etc. may be intensified with the effects of adjustment.
Creative Assist You can process RAW images by applying your preferred effects and saving as JPEGs. 1. Select [ 2. Select an image. : Creative Assist]. Turn the < > dial to select an image to process, then press the > button.
3. Select an effect. Turn the < > dial to select an effect. By selecting [Preset] and pressing the < > button, you can choose [VIVID], [SOFT], or other preset effects. [AUTO1], [AUTO2], and [AUTO3] are effects recommended by the camera based on image conditions. You can select effects such as [Brightness] or [Contrast] by pressing the < > button and then turning the < > dial. Press the < > button when adjustment is finished.
To reset the settings, press the < > button and select [OK] after a confirmation message is displayed. To confirm the effect, press the < 4. Select [OK] to save the image. 648 > button.
Quick Control RAW Processing You can select the type of RAW image processing performed from the Quick Control screen. 1. Select [ : Quick Control RAW processing].
2. Select an option. Creative Assist RAW processing that applies your preferred effect ( ). RAW image processing RAW processing according to conditions you specify ( 650 ).
Dual Pixel RAW Processing Portrait Relighting Background Clarity When you use the camera in RAW image processing ( ) for images captured with Dual Pixel RAW enabled ( ), dual pixel data and detailed face information can be used in image correction. Portrait Relighting Oblique or insufficient lighting on human subjects can be corrected by applying a virtual light source.
2. Select [Portrait relighting]. Turn the < button.
3. Adjust the image. Select [ ], then press the < > button. Adjust the image, then press the < > button. (1) Use < > to position the light source. (2) represents the position of the selected face. By adjusting (1) relative to (2), you can adjust the direction of lighting. Overlapping positions of (1) and (2) place the light source directly in front of the face. You can also drag to adjust the direction of lighting. (3) To set the light intensity ( low / standard / high), press > button.
Caution Selection is possible from up to 10 people. Faces cannot be selected unless they are large enough and away from the edge of the screen, and the camera must be able to acquire detailed face information. 4. Save. Select [ ] (Save), read the message, and select [OK].
Background Clarity To adjust hazy backgrounds in images of people and landscapes, you can set the level of clarity in a range of 0–4. 1. Select [ 2. Select [Background clarity]. : DPRAW processing]. Turn the < button.
3. Adjust the image. Select [ ], then press the < > button. With [ ] selected, you can select the level by turning the < < > dial without pressing the < > button. Turn the < button. > or < > dial to select the level, then press the < Comparison screen You can switch between the [After change] and [Shot settings] screens by pressing the [ ] button, then turning the < > dial. Items in orange on the [After change] screen have been modified since the time of capture.
4. Save. Select [ ] (Save), read the message, and select [OK]. Note For settings other than [Portrait relighting] and [Background clarity], you can specify processing based on setting items of [ : RAW processing (RAW/ DPRAW)] ( ). Caution Portrait relighting and background clarity HEIF images cannot be processed this way. Magnified view is not available during adjustment. Images for which the camera could not acquire detailed face information cannot be selected.
Cloud RAW Image Processing Checking Processing Capacity Adding Images to Process Checking/Removing Selected Images Uploading Images You can upload or images to image.canon for processing into JPEG or HEIF images. The RAW images remain the same as when captured, so you can adjust the processing conditions to create multiple JPEGs or HEIFs. Caution Complimentary enrollment at image.canon must be completed in advance. Note that cloud RAW image processing requires a paid subscription.
Checking Processing Capacity You can check how many images you can process at image.canon. 1. Select [ 2. Select [Check proc. capacity (refresh)]. : Cloud RAW image processing]. The camera accesses image.canon. 3. Check the quantity in [Proc. capacity]. Information in [Proc. capacity] is updated.
Caution [Proc. capacity] is [0] unless you have a paid subscription for cloud RAW image processing. You will receive subscription information at the email address on record at image.canon if you check the processing capacity without a subscription.
Adding Images to Process 1. Select [Add images to process].
2. Select an option, then select images. You can select multiple images to process at once. Select images Turn the < > dial to select an image to process, then press the < > button. Press the < > button. Select range Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images. To process other images, repeat this step. Press the < > button.
3. Set the desired processing conditions. Use shot settings Images are processed using image settings at the time of capture. Images captured with [ : HDR shooting ] set to [Enable] are processed to create HEIFs, and images captured with this function set to [Disable] are processed to create JPEGs. Set up processing→JPEG/Set up processing→HEIF Use < > to select an item. Turn the < > or < Press the < > button to access the function setting screen. > dial to switch the setting.
4. Select [Save]. When using [Set up processing→JPEG] or [Set up processing→ HEIF], select [ ] (Save). 5. Add to the upload list. Read the message and select [OK].
Checking/Removing Selected Images 1. Select [Check/remove selected images]. 2. Browse your images. Turn the < > dial to check images. To remove from the upload list, press the < [ ] is displayed. > button. To check image processing conditions, press the < After you finish choosing images, press the < 665 > button. > button.
3. Remove the current image from the upload list as needed. Select [OK] when a message is displayed about removing images from the upload list.
Uploading Images 1. Select [Send]. 2. Read the message. Read the message, then tap [Send]. You will be notified at the email address on record for your Canon ID when your files have been received for processing and when processing is complete. Caution The number of images and processing capacity may not be updated correctly if an [Err 138] transmission error occurs during uploading.
Playback Creative Filters Creative Filter Characteristics You can apply the following filter processing to an image and save it as a separate image: Grainy B/W, Soft focus, Fish-eye effect, Art bold effect, Water painting effect, Toy camera effect, and Miniature effect. 1. Select [ 2. Select an image. : Playback creative filters]. Turn the < > dial to select an image, then press the < Images can be selected by touch from index display ( 668 ). > button.
3. Select a filter effect ( 4. Adjust the filter effect. ). Adjust the filter effect, then press the < > button. For [Miniature effect], you can move the area that looks sharp (the white frame). • By tapping [ ], you can switch between vertical and horizontal scene frame orientation. Switching scene frame orientation is also > left/right when in horizontal orientation possible by pressing < or up/down when in vertical orientation.
5. Save. Select [OK]. Check the destination folder and image file number, then select [OK]. To apply filter processing to other images, repeat steps 2–5. Note RAW images cannot be selected. Note that for images captured in RAW+JPEG shooting, filter processing is applied to the JPEG image before saving the results. Images processed using the fish-eye effect filter will not have Dust Delete Data ( ) appended. Playback creative filters cannot be applied to still photos from testing time-lapse movies.
Creative Filter Characteristics Grainy B/W Makes the image grainy and black and white. By adjusting the contrast, you can change the black-and-white effect. Soft focus Gives the image a soft look. By adjusting the blur, you can change the degree of softness. Fish-eye effect Gives the effect of a fish-eye lens. The image will have barrel distortion. Depending on the level of this filter effect, the area trimmed along the periphery of the image changes.
Resizing JPEG/HEIF Images You can resize a JPEG or HEIF image to reduce the pixel count and save it as a new image. Resizing is available for , , or JPEGs or HEIFs (in sizes except ), including those captured in RAW+JPEG and RAW+HEIF shooting. images and RAW images or movies cannot be resized. 1. Select [ 2. Select an image. : Resize]. Turn the < Press the < > dial to select the image to resize. > button to display the image size.
3. Select the desired image size. Select the desired image size (1). 4. Save. Select [OK] to save the resized image. Check the destination folder and image file number, then select [OK]. To resize another image, repeat steps 2 to 4.
Cropping JPEG/HEIF Images You can crop a captured JPEG or HEIF image and save it separately. RAW images and frame-grab images from 4K movies cannot be cropped. 1. Select [ 2. Select an image. : Cropping]. Turn the < Press the < > dial to select the image to crop. > button to display the cropping frame.
3. Set the cropping frame. The image area within the cropping frame will be cropped. Resizing the cropping frame size > dial to resize the cropping frame size. The smaller the Turn the < cropping frame, the more magnified the cropped image will look. Correcting tilt You can correct image tilt by ±10°. Turn the < > dial to select [ ], then press the < > button. While checking tilt relative to the grid, turn > dial (in 0.1° increments) or tap the left or right arrow (in 0.
5. Save. Turn the < > dial to select [ ], then press the < > button. Select [OK] to save the cropped image. Check the destination folder and image file number, then select [OK]. To crop another image, repeat steps 2 to 5. Caution The position and size of the cropping frame may change depending on the angle set for tilt correction. Once a cropped image is saved, it cannot be cropped again or resized. AF point display information ( ) and Dust Delete Data ( ) will not be appended to the cropped images.
Converting HEIF to JPEG Converting Individual Images Specifying the Range of Images to Convert You can convert HEIF images captured in HDR shooting and save them as JPEG images. Note HEIF images that have been converted to JPEGs are labeled [ Converting Individual Images 1. Select [ : HEIF→JPEG conversion]. 2. Select [Select images]. 677 ].
3. Select an image. Turn the < press the < > dial to select an HEIF image to convert to JPEG, then > button. To select another image to convert, repeat step 3. Press the < 4. > button to convert to JPEG. Save. Select [OK] to save the JPEG image. If there are other images for conversion, select [Yes].
5. Select the images to use for display. Select [Original image] to use the original HEIF images for display. Select [Processed img.] to use the converted JPEG images for display. Note Some scenes may look different after conversion if the original and converted images are compared. Conversion is not available for cropped images, or for frame-grab images from 4K movies.
Specifying the Range of Images to Convert 1. Select [Select range]. 2. Specify the range of images. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images. To select other images, repeat step 2. 3. Press the < > button.
4. Save. Select [OK] to save the JPEG image. If there are other images for conversion, select [Yes]. 5. Select the images to use for display. Select [Original image] to use the original HEIF images for display. Select [Processed img.] to use the converted JPEG images for display. Note Some scenes may look different after conversion if the original and converted images are compared. Conversion is not available for cropped images, or for frame-grab images from 4K movies.
Slide Show You can play back the images on the card as an automatic slide show. 1. Specify the images to be played back. To play back all the images on the card, go to step 2. If you want to specify the images to be played back in the slide show, filter the images with [ : Set image search conditions] ( ). 2. Select [ : Slide show].
3. Set the playback as desired. Select [Set up]. Set the [Display time] and [Repeat] (repeated playback) settings for the still photos. After completing the settings, press the < Display time Repeat 683 > button.
4. Start the slide show. Select [Start]. After [Loading image...] is displayed, the slide show will start. 5. Exit the slide show. To exit the slide show and return to the setting screen, press the < > button. Note To pause the slide show, press the < > button. During pause, [ ] will be displayed in the upper left of the screen. Press the < > button again to resume the slide show. During the automatic playback of still photos, you can press the < > button to switch the display format ( ).
Setting Image Search Conditions Clearing the Search Conditions You can filter image display according to your search conditions. After setting the image search conditions, you can play back and display only the found images. You can also protect, rate, play a slide show, erase, and apply other operations to filtered images. 1. Select [ : Set image search conditions].
2. Set the search conditions. Turn the < > dial to select an option. Turn the < > dial to set the option. A checkmark [ ] (1) is appended to the left of the option. (Specified as the search condition.) If you select the option and press the < > button, the checkmark [ ] will be removed (which cancels the search condition). Option Description Rating Displays images with the selected (rating) condition. Date Displays images taken on the selected shooting date.
3. Apply the search conditions. Press the < > button and read the message displayed. Select [OK]. The search condition is applied. 4. Display the found images. Press the < > button. Only the images that match the set conditions (filtered) will be played back. When the images are filtered for display, the screen will have an outer yellow frame (2). Caution If no images match the search conditions, pressing the < no effect.
Note Search conditions may be cleared after operations involving camera power or card changes and editing, adding, or erasing images. Auto power off time may be extended while the [ : Set image search conditions] screen is displayed. Clearing the Search Conditions Access the screen in step 2, then press the < 688 > button to clear all the search conditions.
Resuming from Previous Playback 1. Select [ 2. Select an option. : View from last seen]. [Enable]: Playback resumes from the last image displayed (unless you have just finished shooting). [Disable]: Playback resumes from your most recent shot whenever the camera is restarted.
Browsing Images with the Main Dial In single-image display, you can turn the < backward according to the jump method set. 1. Select [ 2. Select the jump method. > dial to jump through the images forward or : Image jump w/ ]. Note With [Jump images by the specified number], you can turn the < > dial to select the number of images to jump by. With [Display by image rating], turn the < > dial to select the rating ( ). Selecting will show all rated images as you browse.
3. Browse by jumping. (1) Jump method (2) Playback position Press the < > button. In single-image display, turn the < > dial. You can browse by the jump method set. Note You can also change the jump method by pressing < playback.
Browsing Images with the Rate+Quick Control Dial 1 In single-image display, you can turn the < > dial while holding down the < > button to jump through the images forward or backward according to the jump method set. 1. Select [ 2. Select the jump method. : Image jump w/ + ]. Note You can configure this feature when [ set to [ / ] or [ / ] ( ). : btn function] is With [Jump images by the specified number], you can turn the < > dial to select the number of images to jump by.
3. Browse by jumping. (1) Jump method (2) Playback position Press the < > button. In single-image display, turn the < > dial while holding down the > button. < You can browse by the jump method set.
Switching the Main Dial and Quick Control Dial 2 During Playback You can switch the functions assigned to these dials, as used on the image playback screen. 1. Select [ 2. Select an option. : Switch / during playback]. Disable Image jump Magnify/Index view Enable Magnify/Index view Image jump Note Corresponding icons in menus and on screens such as the Quick Control and Magnify/Reduce screen are changed accordingly.
Rate Button Function You can assign image rating/protection/erasure or browsing of rated or protected images to the < > button. 1. Select [ : btn function].
2. Select an option. [ ] Rating > button. (Default setting.) Assigns rating to the < You can press the < > button to select the rating to use. During playback, you can rate images or clear ratings by pressing the < > button. [ ] Protect Assigns protection to the < > button. During playback, you can protect images or clear protection by > button. pressing the < [ ] Erase images > button. Assigns erasure to the < During playback, you can erase images by pressing the < button.
Customizing Playback Information Display Histogram You can specify screens and accompanying information displayed during image playback. 1. Select [ 2. Add a checkmark [ : Playback information display]. ] next to the number of screens to display. Select numbers with the < > dial. Press the < > button to clear a checkmark [ a checkmark [ ]. Repeat these steps to add a checkmark [ screen to display, then select [OK]. ].
Histogram The histograms show signal levels across the tonal range. Brightness display (for checking the general exposure level and overall gradation) and RGB display (for checking saturation and gradation of red, green, and blue) are available. You can switch the histogram displayed by pressing the < > button when [ ] is displayed in the lower left of the [ : Playback information display] screen.
[Brightness] display This histogram is a graph showing the distribution of the image's brightness level, with the horizontal axis indicating the brightness level (darker on the left and brighter on the right) and the vertical axis indicating the pixel count at each brightness level. The more pixels there are toward the left, the darker the image, and the more pixels there are toward the right, the brighter the image.
[RGB] display This histogram is a graph showing the distribution of each primary color's brightness level in the image (RGB or red, green, and blue), with the horizontal axis indicating the color's brightness level (darker on the left and brighter on the right) and the vertical axis indicating the pixel count at each color brightness level. The more pixels there are toward the left, the darker and less prominent the color, and the more pixels there are toward the right, the brighter and denser the color.
Displaying the Highlight Alert You can specify blinking display of overexposed highlights on the playback screen. To obtain more detailed gradation in the blinking areas where you want the gradation to be faithfully reproduced, set the exposure compensation to a negative amount and shoot again for a better result. 1. Select [ 2. Select [Enable]. : Highlight alert].
AF Point Display You can display the AF points that were used to focus, which will be outlined in red on the playback screen. 1. Select [ 2. Select [Enable]. : AF point disp.].
Playback Grid You can display a grid over still photos shown in single-image display on the playback screen. This function is convenient for checking the image's vertical or horizontal tilt as well as composition. 1. Select [ 2. Select an option. : Playback grid]. Note When panoramic images are displayed, a single vertical and horizontal line are shown if [Playback grid] is set to an option other than [Off].
Movie Play Count You can select how time is displayed on the movie playback screen. 1. Select [ : Movie play count].
2. Select an option. Rec time Displays the recording or playback time during movie playback. Time code Displays the time code during movie playback. Note Time codes are always recorded to movie files (except when High Frame Rate movies are set to [Free run]), regardless of the [Movie rec count] setting. The [Movie play count] setting in [ : Time code] is linked to the [ : Movie play count], so that these settings always match. The “frame” count is not displayed during movie recording or playback.
HDMI HDR Output You can view RAW or HEIF images in HDR by connecting the camera to an HDR TV. 1. Select [ 2. Select [On]. : HDMI HDR output]. Note Make sure the HDR TV is set up for HDR input. For details on how to switch inputs on the TV, refer to the TV manual. Depending on the TV used, images may not look as expected. On HDR TVs, some information may not be displayed. Quick Control RAW processing of displayed images is recommended if you will process RAW images while viewing HDMI HDR output.
Still Photo Extraction from RAW Burst Images You can extract any image from the sets (“rolls,” as a JPEG, HEIF, or RAW image. 1. Switch to playback. Press the < 2. ) that are captured in RAW burst mode > button. Select a roll. Turn the < > dial to select a roll. In single-image display, rolls are identified by a [ upper left. In index display, press the < display.
4. Select an image. Turn the < > dial to select the image to extract. To delete unneeded portions at the beginning and end of the roll, press the < > button ( ). 5. Press the < 6. Select an image format and save the extracted image. > button. With [Extract as ] or [Extract as ], you can choose [Edit and save] and apply RAW image processing ( ) before saving. Note Images are saved in [ ] quality when you select [Extract as ] or [Extract as ].
Communication Functions This chapter describes how to send images, shoot remotely, and perform other operations using communication functions. Caution Important Note that Canon cannot be held liable for any loss or damage caused by erroneous wireless communication settings when using the camera. In addition, Canon cannot be held liable for any other loss or damage caused by use of the camera. When using wireless communication functions, establish appropriate security at your own risk and discretion.
Tab Menus: Communication Functions Communication functions 1 (1) Connect to smartphone(tablet) (2) Connect to Wireless Remote (3) Connect to EOS Utility (4) Upload to image.
Communication functions 3 (1) Airplane mode (2) Wi-Fi settings (3) Bluetooth settings (4) Camera name (5) GPS device settings (6) Error details (7) Reset communication settings Caution Some menu items cannot be configured while the camera is connected to computers or other devices via an interface cable. The Wi-Fi connection will be terminated if you set the camera's power to < >, or open the card slot cover or battery compartment cover.
Connecting to a Smartphone or Tablet Preparing the Smartphone Connecting to a Smartphone via Wi-Fi Main Functions of Camera Connect Maintaining a Wi-Fi Connection When the Camera Is Off Canceling the Pairing Automatic Image Transfer to a Smartphone as You Shoot Sending Images to a Smartphone from the Camera You can do the following after pairing the camera with a smartphone. Establish a Wi-Fi connection using only the smartphone ( ). Establish a Wi-Fi connection with the camera even when it is off ( ).
Preparing the Smartphone Turning on Bluetooth and Wi-Fi on a Smartphone Turn on Bluetooth and Wi-Fi from the smartphone settings screen. Note that pairing with the camera is not possible from the smartphone's Bluetooth settings screen. Installing Camera Connect on a Smartphone The dedicated app Camera Connect (free of charge) must be installed on the smartphone on which Android or iOS is installed. Use the latest version of the smartphone OS. Camera Connect can be installed from Google Play or App Store.
Connecting to a Smartphone via Wi-Fi 1. Select [ 2. Select [OK]. : Connect to smartphone(tablet)]. This screen is not displayed if the Wi-Fi setting is already set to [Enable]. 3. Select [Add a device to connect to].
4. Select [OK]. This screen is not displayed if the Bluetooth setting is already set to [Enable]. 5. Press the < 6. Start pairing. Press the < > button. > button to start pairing. If Camera Connect is not installed, use the smartphone to scan the QR code on the screen, go to Google Play or App Store to install Camera Connect, then press the < > button to start pairing.
7. Start Camera Connect. Following the instructions in the app, select the camera for pairing. 8. Establish a Bluetooth connection. Press the < > button. When a message appears on the smartphone, use the smartphone as indicated.
9. Complete the pairing process. Press the < > button to finish pairing. The name of the connected device is displayed. Caution The camera cannot be connected to two or more devices at the same time via Bluetooth. To switch to a different smartphone for the Bluetooth connection, see Reconnecting via Wi-Fi/Bluetooth. Bluetooth connection consumes battery power even after the camera's auto power off is activated. Therefore, the battery level may be low when you use the camera.
10. Tap a Camera Connect function. For details on Camera Connect functions, see Main Functions of Camera Connect. Tap a Camera Connect function to initiate a Wi-Fi connection. In iOS, tap [Join] when a message is displayed to confirm camera connection. 11. Confirm that the devices are connected via Wi-Fi. [ Wi-Fi on] is displayed on the camera screen ( ). The Wi-Fi connection to a smartphone is now complete. To end the Wi-Fi connection, select [Disconnect] on the [ Wi-Fi on] screen.
[ Wi-Fi on] screen Send to smartphone after shot Images can be transferred to a smartphone automatically ( ). Confirm Wi-Fi settings You can check setting details for Wi-Fi connections. Error details After any Wi-Fi connection errors, you can check the error details ( Disconnect Terminates the Wi-Fi connection. 719 ).
Main Functions of Camera Connect Images on camera Images can be browsed, deleted, or rated. Images can be saved on a smartphone. Effects can be applied to RAW images and saved to a smartphone (Creative Assist). Remote live view shooting Enables remote shooting as you view a live image on the smartphone. Auto transfer Enables camera and app setting adjustment for automatic transfer of your shots ( ). Bluetooth remote controller Enables remote control of the camera from a smartphone paired via Bluetooth.
Maintaining a Wi-Fi Connection When the Camera Is Off Even when the camera power switch is set to < >, as long as it is paired to a smartphone via Bluetooth, you can use the smartphone to browse images on the camera or perform other operations. If you prefer not to stay connected to the camera via Wi-Fi or Bluetooth when it is off, either set [ : Airplane mode] to [On] or set [ : Bluetooth settings] to [Disable].
Canceling the Pairing Cancel pairing with a smartphone as follows. 1. Select [ 2. Select [Edit/delete device]. 3. Select the smartphone to cancel pairing with. : Connect to smartphone(tablet)]. Smartphones currently paired with the camera are labeled [ ].
4. Select [Delete connection information]. 5. Select [OK]. 6. Clear the camera information on the smartphone. In the smartphone's Bluetooth setting menu, clear the camera information registered on the smartphone.
Automatic Image Transfer to a Smartphone as You Shoot Your shots can be automatically sent to a smartphone. Before following these steps, make sure the camera and smartphone are connected via Wi-Fi. 1. Select [ 2. Select [Send to smartphone after shot]. 3. Set [Auto send] to [Enable]. : Connect to smartphone(tablet)].
4. Set [Size to send]. 5. Take the picture.
Sending Images to a Smartphone from the Camera You can use the camera to send images to a smartphone connected via Wi-Fi. 1. Switch to playback. 2. Press the < 3. Select [ > button. Send images to smartphone]. If you perform this step while connected via Bluetooth, a message is displayed requesting you to establish a Wi-Fi connection. After pressing the < > button, tap a Camera Connect function to connect via Wi-Fi, then start again from step 1. 4. Select sending options and send the images.
(1) Sending images individually 1. Select an image to send. Turn the < button. > dial to select an image to send, then press the < Images can be selected by touch from index display ( 2. > ). Select [Send img shown]. In [Size to send], you can select the image sending size. When sending movies, you can select the image quality of movies to send in [Quality to send].
(2) Sending multiple selected images 1. Press the < 2. Select [Send selected]. > button.
3. Select images to send. Turn the < button. > dial to select an image to send, then press the < > To switch to selecting images from 3-image display, turn the < dial counterclockwise. To return to single-image display, turn the < > dial clockwise. > After selecting the images to send, press the < 729 > button.
4. Select [Size to send]. On the displayed screen, select an image size. When sending movies, select the image quality in [Quality to send]. 5. Select [Send].
(3) Sending a specified range of images 1. Press the < 2. Select [Send range]. 3. Specify the range of images. > button. Select the first image (start point). Next, select the last image (end point). A checkmark [ ] will be appended to all the images within the range between first and last images. To clear the selection, repeat step 3. To change the number of images in index display, turn the < ( ).
4. Press the < 5. Select [Size to send]. > button. On the displayed screen, select an image size. When sending movies, select the image quality in [Quality to send]. 6. Select [Send].
(4) Sending all images on the card 1. Press the < 2. Select [Send all card]. > button.
3. Select [Size to send]. On the displayed screen, select an image size. When sending movies, select the image quality in [Quality to send]. 4. Select [Send].
(5) Sending images that match the search conditions Send all the images that match the search conditions set in [ : Set image search conditions] at once. For details on [ : Set image search conditions], see Setting Image Search Conditions. 1. Press the < 2. Select [Send all found]. > button.
3. Select [Size to send]. On the displayed screen, select an image size. When sending movies, select the image quality in [Quality to send]. 4. Select [Send].
Ending image transfer Press the < > button on the image transfer screen. To end the Wi-Fi connection, select [Disconnect] on the [ Wi-Fi on] screen. Caution During the image transfer operation, a picture cannot be taken even if the camera's shutter button is pressed. Note You can cancel the image transfer by selecting [Cancel] during the transfer. You can select up to 999 files at a time. With a Wi-Fi connection established, disabling the smartphone's power saving function is recommended.
Connecting to a Wireless Remote Control Canceling the Pairing This camera can also be connected to Wireless Remote Control BR-E1 (sold separately, via Bluetooth for remote control shooting. 1. Select [ 2. Select [Add a device to connect to]. 3. Select [OK]. : Connect to Wireless Remote]. This screen is not displayed if the Bluetooth setting is already set to [Enable].
4. Pair the devices. When the screen shown above appears, press and hold the and buttons on the BR-E1 simultaneously for at least 3 sec. After a message confirms that the camera is paired with the BR-E1, press the < > button. 5. Set up the camera for remote shooting. For instructions after the pairing is complete, refer to the BR-E1's Instruction Manual. Caution Bluetooth connections consume battery power even after the camera's auto power off is activated.
Canceling the Pairing Before pairing with a different BR-E1, clear the information about the connected remote control. 1. Select [ 2. Select [Delete connection information]. 3. Select [OK]. : Connect to Wireless Remote].
Connecting to EOS Utility Operating the Camera Using EOS Utility Transferring Images from the Camera to a Computer (Direct Transfer) Transferring RAW+JPEG or RAW+HEIF Images Creating and Registering Captions This section describes how to connect the camera to a computer via Wi-Fi and perform camera operations using EOS software or other dedicated software. Install the latest version of software on the computer before setting up a Wi-Fi connection.
2. Select [OK]. This screen is not displayed if the Wi-Fi setting is already set to [Enable]. 3. Select [Add a device to connect to].
4. Check the SSID (network name) and password. Check the SSID (1) and Password (2) displayed on the camera screen. To establish a Wi-Fi connection using an access point, press the < > button. Follow the instructions for the connection method used.
Steps on the computer (1) 5. Select the SSID, then enter the password. Computer's screen (sample) On the computer's network setting screen, select the SSID checked in step 4 in Steps on the camera (1). For the password, enter the password checked in step 4 in Steps on the camera (1).
Steps on the camera (2) 6. Select [OK]. The following message is displayed. “******” represents the last six digits of the MAC address of the camera to be connected.
Steps on the computer (2) 7. Start EOS Utility. 8. In EOS Utility, click [Pairing over Wi-Fi/LAN]. If a firewall-related message is displayed, select [Yes]. 9. Click [Connect]. Select the camera to connect to, then click [Connect].
Steps on the camera (3) 10. Establish a Wi-Fi connection. Select [OK]. [ Wi-Fi on] is displayed on the camera screen ( The Wi-Fi connection to a computer is now complete. Operate the camera using EOS Utility on the computer. To reconnect via Wi-Fi, see Reconnecting via Wi-Fi/Bluetooth. 747 ).
[ Wi-Fi on] screen Image sel./transfer You can use the camera to transfer images to a computer ( ). Set up direct transfer You can specify the format of images to transfer to a computer ( ). Confirm Wi-Fi settings You can check setting details for Wi-Fi connections. Error details After any Wi-Fi connection errors, you can check the error details ( ). Disconnect Terminates the Wi-Fi connection.
Transferring Images from the Camera to a Computer (Direct Transfer) With the camera connected to a computer (via Wi-Fi or an interface cable) and the main EOS Utility window displayed, you can use the camera to transfer images to a computer. If you will transfer many images, consider using a household power outlet accessory (sold separately). Selecting images to transfer 1. Select [ 2. Select [Image sel./transfer]. 3. Select [Sel.Image]. : Connect to EOS Utility]. For options other than [Sel.
4. Select the image to transfer. Use the < > dial to select an image to transfer, then press the < button. Use the < > dial to add a checkmark [ ] in the upper left of the screen, then press the < > button. For three-image display, turn the < > dial counterclockwise. To return to single-image display, turn the < > dial clockwise. To select other images to transfer, repeat step 4. After image selection, press the < > button. 5. Select [Transfer]. 6. Select [OK].
Selecting multiple images Multiple images can be transferred at once after you choose a selection method. 1. Access the [Image sel./transfer] screen. Follow steps 1–2 in Selecting images to transfer. 2. Select a selection method.
Select range Select [Range]. Selecting the first and last images of the range marks all the images in the range with a checkmark [ ], and one copy of each image will be sent. After image selection, press the < > button. Selected images are registered in [Images to transfer]. Go to step 5 of Selecting images to transfer.
In a folder Select [Sel. ]. Select your preferred selection method. • Selecting [Select transfer failed images] selects all images in the selected folder for which transfer failed. • Selecting [Select images not transferred] selects all unsent images in the selected folder. • Selecting [Sel transfer fail img ( only)] selects all protected images in the selected folder for which transfer failed. • Selecting [Sel img not transfer. ( the selected folder.
Select [OK] to register the images in [Images to transfer]. Go to step 5 of Selecting images to transfer.
In a card Select [All images]. Select your preferred selection method. • Selecting [Select transfer failed images] selects all images on the card for which transfer failed. • Selecting [Select images not transferred] selects all unsent images on the card. • Selecting [Sel transfer fail img ( for which transfer failed. only)] selects all protected images on the card • Selecting [Sel img not transfer. ( the card.
Transferring RAW+JPEG or RAW+HEIF Images For RAW+JPEG or RAW+HEIF images, you can specify which image to transfer. 1. Access the [Image sel./transfer] screen. Follow step 1 in Selecting images to transfer. 2. Select [Set up direct transfer]. 3. Select the type of images to transfer. RAW+JPEG transfer Choose from [JPEG only], [RAW only] or [RAW+JPEG]. RAW+HEIF transfer Choose from [HEIF only], [RAW only] or [RAW+HEIF]. Caution Some menu items are not available during image transfer.
Creating and Registering Captions You can create captions and register them on the camera to use them as described in Adding a Caption Before Transfer. 1. Start EOS Utility and select [Camera settings]. 2. Select [WFT Captions]. 3. Enter the captions. Enter up to 31 characters (in ASCII format). To acquire caption data stored on the camera, select [Load settings].
4. Set the captions on the camera. Select [Apply to camera] to set your new captions on the camera.
Uploading Images to image.canon Connecting the Camera to image.canon Uploading Images to image.canon This section describes how to send images to image.canon. Connecting the Camera to image.canon Link the camera to image.canon to send images directly from the camera. A smartphone with a browser and internet connection is required. For instructions on how to use image.canon services and details on countries and regions where it is available, visit the image.canon site (https://image.canon/).
3. Select [Connect]. If the dedicated app has not been installed, select [Install]. 4. Select [OK]. 5. Scan the QR code with the dedicated app. Select [OK].
6. Establish a Wi-Fi connection. Connect to an access point via Wi-Fi. Follow the instructions for the connection method used. • Connecting via WPS ( , ) • Connecting manually to detected networks ( ) • Connecting manually by specifying access point information ( 7. Confirm that the number is displayed in the dedicated app. Select [OK].
8. Complete the settings. Press the < > button. The setting menu is displayed on the camera screen. Note The [ 9. ] icon changes to [ ]. Check the dedicated app. Confirm that the camera model name is registered in the dedicated app.
[Upload to image.canon] screen Auto send You can choose whether to upload images automatically. Type to send You can select the type of images uploaded. Switch network You can change the settings for Wi-Fi connections. Clear camera web link settings You can clear the camera web link settings.
Uploading Images to image.canon Images are automatically uploaded to image.canon after the camera starts up (or recovers from auto power off). Images uploaded to image.canon can be downloaded to a computer or transferred to other web services. Uploading is not possible during interval timer shooting. 1. Select [ : Upload to image.canon]. The [Upload to image.canon] screen appears ( 2. ). Set [Auto send] to [Enable]. If [Auto send] is already set to [Enable], go to step 3.
3. Set [Type to send]. Stills only Uploading only applies to still photos. Stills+movies Uploading applies to both still photos and movies. 4. Restart the camera. Note Uploaded images are stored at image.canon for 30 days at the original image size, without storage limitations.
Transferring Images to an FTP Server Connecting the Camera to an FTP Server Transferring Images Individually Transferring Multiple Images at Once Adding a Caption Before Transfer Auto Retry If Transfer Fails Using the Power Saving Function Viewing Transferred Images Transferring Images with Mobile File Transfer By connecting to an FTP server, you can send images on the camera to a computer.
2. Select [OK]. This screen is not displayed if the Wi-Fi setting is already set to [Enable]. 3. Select [Add a device to connect to]. 4. Select a setting method. To skip configuration of access point connection settings, select [Configure offline] and go to step 6 to configure FTP server settings. Select this option when specifying an access point at a remote location.
5. Establish a Wi-Fi connection. Connect to an access point via Wi-Fi. Follow the instructions for the connection method used. • Connecting via WPS ( , ) • Connecting manually to detected networks ( ) • Connecting manually by specifying access point information ( ) After the Wi-Fi connection is established, go to the next screen. 6. Select an FTP mode. For secure FTP transfer using a root certificate, select [FTPS]. For secure FTP transfer over an SSH connection, select [SFTP].
7. Select [Address setting]. Select [OK] to go to the next screen. 8. Enter the FTP server IP address. Use the virtual keyboard ( enter the domain name. ) to enter the IP address. If DNS is used, To confirm input and return to the screen in step 7, press the < > button.
9. Configure the port number. Normally, set [Port number setting] to 00021 (for FTP/FTPS) or 00022 (for SFTP). Select [OK] to go to the next screen. Go to step 11 if you selected [FTP] or [FTPS] in step 6. Go to step 10 if you selected [SFTP]. 10. Configure the SSH login authentication settings. Select [User name] and [Password] to access the virtual keyboard ( ) and enter the user name and password for SSH password authentication. Select [OK] to go to the next screen.
11. Configure the passive mode setting. Not displayed if you selected [SFTP] in step 6. Select [OK] to go to the next screen. Enable this setting in network environments protected by a firewall. If an Error 41 (Cannot connect to FTP server) is displayed in step 14, setting [Passive mode] to [Enable] may resolve it. 12. Configure proxy server settings. Not displayed if you selected [FTPS] or [SFTP] in step 6. Select [OK] to go to the next screen.
13. Configure the login method. Not displayed if you selected [SFTP] in step 6. Select [OK] to go to the next screen. 14. Specify a target folder. Select [Root folder] to have images saved in the root folder, as specified in FTP server settings ( ). Select [Select folder] to specify a target folder in the root folder. If the folder does not exist, it is created automatically. Select [OK] to go to the next screen. Note When the following message appears, select [OK] to trust the target server.
15. Press the < > button. If you selected [Configure online] in step 4, the [ appears ( ). Wi-Fi on] screen Not displayed if you selected [Configure offline] in step 4. Connection settings for FTP transfer are now complete.
[ Wi-Fi on] screen Image sel./transfer Images can be transferred to an FTP server ( ). Transfer with caption You can add a registered caption to individual images before transfer ( FTP transfer settings You can configure settings related to FTP transfer and power saving ( Confirm Wi-Fi settings You can check setting details for Wi-Fi connections. Error details After any Wi-Fi connection errors, you can check the error details ( Disconnect Terminates the Wi-Fi connection. 774 ). ). ).
Importing a root certificate for FTPS If you specified [FTPS] FTP mode when configuring connection settings, the root certificate used by the FTP server must be imported to the camera. Only the root certificate with a file name of “ROOT.CER,” “ROOT.CRT,” or “ROOT.PEM” can be imported to the camera. Only one root certificate file can be imported to the camera. Insert a card containing the root certificate file in advance.
4. Select [Load root certif from card]. 5. Select [OK]. The root certificate is imported. Select [OK] on the confirmation screen to return to the [Set root certif] screen. Note To delete the root certificate imported to the camera, select [Delete root certificate] on the screen in step 4. To check who it was issued to and issued by, the period of validity, and other information, select [View root certificate details].
Transferring Images Individually Automatic transfer after each shot Transferring the current image Specifying sizes or types of images to transfer Automatic transfer after each shot Each image can be immediately transferred to the FTP server automatically after your shot. You can continue shooting still photos as usual while images are being transferred. Before shooting, make sure a card is in the camera. If you shoot without recording images, they cannot be transferred.
3. Select [Automatic transfer]. 4. Select [Enable]. 5. Take the picture. The captured image is transferred to the FTP server. Caution Images cannot be erased during image transfer. Note During continuous shooting, images are transferred to the FTP server in the order they are captured. Captured images are also stored on the card. Any images for which transfer fails or is interrupted will be transferred automatically when the connection is recovered ( ).
Transferring the current image Enables you to transfer the image you are viewing simply by pressing the < > button. You can continue shooting still photos as usual while images are being transferred. 1. Access the [FTP transfer settings] screen. Follow steps 1–2 in Automatic transfer after each shot. 2. Select [Transfer with SET]. 3. Select [Enable]. 4. Select an image. On the camera, press the < > button. Select an image to transfer, then press the < image.
Specifying sizes or types of images to transfer You can specify which images to transfer when recording images of different sizes to both cards, or when shooting RAW+JPEG or RAW+HEIF images. 1. Access the [FTP transfer settings] screen. Follow steps 1–2 in Automatic transfer after each shot. 2. Select [Images to transfer]. 3. Select the size of images to transfer. Separate JPEGs Choose [SmallerJPEG] or [Larger JPEG]. Separate HEIFs Choose [SmallerHEIF] or [Larger HEIF].
4. Select the type of images to transfer. Shooting RAW+JPEG Choose from [JPEG only], [RAW only] or [RAW+JPEG]. Shooting RAW+HEIF Choose from [HEIF only], [RAW only] or [RAW+HEIF]. Note [Separate JPEGs] or [Separate HEIFs] determines the image size transferred if [ Rec options] in [ : Record func+card/folder sel.] is selected with different image quality set for each card ( ).
Transferring Multiple Images at Once Selecting images to transfer Selecting multiple images After shooting, you can select multiple images and transfer them all at once, or you can transfer unsent images or images that could not be sent previously. You can continue shooting still photos as usual during transfer. Caution Image transfer in progress is paused while the still photo shooting/movie recording switch is set to < >. To resume image transfer, set it to < >.
3. Select [Sel.Image]. For options other than [Sel.Image], see Selecting multiple images. 4. Select the image to transfer. Use the < button. > dial to select an image to transfer, then press the < Use the < > dial to add a checkmark [ screen, then press the < > button. ] in the upper left of the For three-image display, turn the < > dial counterclockwise. To return to single-image display, turn the < > dial clockwise. To select other images to transfer, repeat step 4.
5. Select [Transfer]. 6. Select [OK]. The selected images are transferred to the FTP server.
Selecting multiple images Multiple images can be transferred at once after you choose a selection method. You can continue shooting still photos as usual while images are being transferred. 1. Access the [Image sel./transfer] screen. Follow steps 1–2 in Selecting images to transfer. 2. Select a selection method.
Select range Select [Range]. Selecting the first and last images of the range marks all the images in the range with a checkmark [ ], and one copy of each image will be sent. After image selection, press the < > button. Selected images are registered in [Images to transfer]. Go to step 5 of Selecting images to transfer.
In a folder Select [Sel. ]. Select your preferred selection method. • Selecting [Select transfer failed images] selects all images in the selected folder for which transfer failed. • Selecting [Select images not transferred] selects all unsent images in the selected folder. • Selecting [Sel transfer fail img ( only)] selects all protected images in the selected folder for which transfer failed. • Selecting [Sel img not transfer. ( the selected folder.
Select [OK] to register the images in [Images to transfer]. Go to step 5 of Selecting images to transfer.
In a card Select [All images]. Select your preferred selection method. • Selecting [Select transfer failed images] selects all images on the card for which transfer failed. • Selecting [Select images not transferred] selects all unsent images on the card. • Selecting [Sel transfer fail img ( for which transfer failed. only)] selects all protected images on the card • Selecting [Sel img not transfer. ( the card.
Adding a Caption Before Transfer You can add a registered caption to each image before transfer. This is convenient if you want to inform the recipient of the printing quantity, for example. Captions are also added to images saved to the camera. You can check captions added to images by examining the Exif information, in the user comments. Captions can be created and registered with EOS Utility ( ). 1. Access the [Image transfer] screen. Follow step 1 in Selecting images to transfer. 2.
3. Specify the caption. Select [Caption], and on the screen displayed, select the content of the caption. 4. Select [Transfer]. The image is transferred with the caption. After transfer, display returns to the [Image transfer] screen. Caution Other images cannot be selected from the [Transfer with caption] screen. To select another image for transfer with a caption, view that image before following these steps.
Auto Retry If Transfer Fails If transfer fails, the Wi-Fi icon blinks temporarily. In this case, the following screen is displayed after you press the < > button and select [ : Transfer images to FTP server]. To resolve the error displayed, see Responding to Error Messages. Once you have resolved the issue, the images that could not be sent initially will be transferred automatically.
Using the Power Saving Function When [Enable] is set and no image is transferred for a certain period, the camera will log off from the FTP server and end the Wi-Fi connection. The connection is re-established automatically when the camera is ready for image transfer again. If you prefer not to end the Wi-Fi connection, set to [Disable]. 1. Select [ 2. Select [FTP transfer settings]. 3. Select [Power saving]. : Transfer images to FTP server].
Viewing Transferred Images Images transferred to the FTP server are stored in the following folder as specified in the FTP server settings. Target folder of the FTP server Under the default settings of the FTP server, images are stored in [C drive] → [Inetpub] folder → [ftproot] folder, or in a subfolder of this folder. If the root folder of the transfer destination has been changed in the FTP server settings, ask the FTP server administrator where images are transferred.
Transferring Images with Mobile File Transfer Using the Mobile File Transfer smartphone app, you can transfer images from the camera to FTP servers over a mobile network connection. Refer to the following website for instructions on transferring images with Mobile File Transfer. https://cam.start.
Advanced Connections Connecting to a Smartphone or Tablet This section describes how to establish a direct Wi-Fi connection with a smartphone and use Camera Connect to control the camera. Connecting to a Smartphone or Tablet 1. Select [ 2. Select [OK]. : Advanced connection]. This screen is not displayed if the Wi-Fi setting is already set to [Enable].
3. Select [Connect to smartphone(tablet)]. 4. Select [Add a device to connect to]. 5. Start searching for access points. Press the < > button to start searching. If Camera Connect is not installed, use the smartphone to scan the QR code on the screen, go to Google Play or App Store to install Camera Connect, then press the < > button to start searching.
6. Establish a Wi-Fi connection. Connect to an access point via Wi-Fi. Follow the instructions for the connection method used. • Connecting via WPS ( , ) • Connecting manually to detected networks ( ) • Connecting manually by specifying access point information ( 7. Start Camera Connect and tap the camera name. 8. Select [OK]. [ Wi-Fi on] is displayed on the camera screen ( 798 ).
Basic Communication Settings Preparation Checking the Type of Access Point Connecting via WPS (PBC Mode) Connecting via WPS (PIN Mode) Connecting Manually to Detected Networks Connecting Manually by Specifying Networks Connecting in Camera Access Point Mode Setting the IP Address Before using the following camera communication functions, configure camera and computer settings as described starting in Preparation.
Preparation Preparing to use communication functions EOS Utility A computer with EOS Utility (EOS software) installed is required. For EOS Utility installation instructions, visit the Canon website. FTP transfer A computer running one of the following OSes is required. The computer must also be set up in advance to function as an FTP server. • Windows 10 (ver. 1607 or later) • Windows 8.1, Windows 8.
Checking the Type of Access Point When connecting via an access point, check whether the access point supports WPS*, which simplifies connections between Wi-Fi devices. If you are unsure about WPS compatibility, refer to the access point user manual or other documentation. * Stands for Wi-Fi Protected Setup. When WPS is supported Two connection methods are available, as follows. You can connect more easily via WPS in PBC mode.
Connecting via WPS (PBC Mode) Instructions in this section are continued from Checking the Type of Access Point. This is a connection method used with access points compatible with WPS. In pushbutton connection mode (PBC mode), the camera and access point can be connected simply by pressing the WPS button on the access point. Connecting may be more difficult if multiple access points are active nearby. If so, try to connect with [WPS (PIN mode)].
3. Connect to the access point. Press the access point's WPS button. For details on where the button is and how long to press it, refer to the access point user manual. Select [OK] to initiate connection with the access point. The following screen is displayed once the camera is connected to the access point. 4. Set the IP address. Go to Setting the IP Address.
Connecting via WPS (PIN Mode) Instructions in this section are continued from Checking the Type of Access Point. This is a connection method used with access points compatible with WPS. In PIN code connection mode (PIN mode), an 8-digit identification number indicated on the camera is entered on the access point to establish a connection. Even if multiple access points are active nearby, connecting by using this shared identification number is relatively reliable. It may take approx. 1 min.
3. Enter the PIN code. On the access point, enter the 8-digit PIN code displayed on the camera screen. For instructions on entering PIN codes on the access point, refer to the access point's Instruction Manual. After entering the PIN code, select [OK] on the camera. 4. Connect to the access point. Select [OK] to initiate connection with the access point. The following screen is displayed once the camera is connected to the access point.
5. Set the IP address. Go to Setting the IP Address.
Connecting Manually to Detected Networks Instructions in this section are continued from Checking the Type of Access Point. Connect to an access point by selecting its SSID (or ESS-ID) in a list of active access points nearby. Selecting the access point 1. Select an access point on the [Select a network] screen. (1) SSID (2) Security icon (only for encrypted access points) (3) Channel used Turn the < > dial to select the access point to connect to in the list of access points.
Entering the access point encryption key Enter the encryption key (password) set on the access point. For details on the encryption key that has been set, refer to the access point's user manual. The screens displayed in steps 2–3 vary depending on the authentication and encryption set on the access point. Go to Setting the IP Address if the [IP address set.] screen is displayed instead of the screens shown for steps 2–3. 2. Select a key index.
4. Set the IP address. Go to Setting the IP Address.
Connecting Manually by Specifying Networks Instructions in this section are continued from Checking the Type of Access Point. Connect to an access point by entering its SSID (or ESS-ID). Entering the SSID 1. Select [Manual settings] on the [Select a network] screen. 2. Enter the SSID (network name). Press the < the SSID. > button to access the virtual keyboard ( Select [OK].
Setting the access point authentication method 3. Select the authentication method. Select an option and then [OK] to go to the next screen. On the [Encryption settings] screen displayed if [Open system] is selected, select [Disable] or [WEP]. Entering the access point encryption key Enter the encryption key (password) set on the access point. For details on the encryption key that has been set, refer to the access point's user manual.
5. Enter the encryption key. Press the < > button to access the virtual keyboard ( the encryption key. ), then enter Select [OK] to initiate connection with the access point. The following screen is displayed once the camera is connected to the access point. 6. Set the IP address. Go to Setting the IP Address.
Connecting in Camera Access Point Mode Camera access point mode is a connection method for directly connecting the camera and other devices via Wi-Fi without using an access point. Two connection methods are available, as follows. Connecting with Easy connection Network settings for camera access point mode are configured automatically. For instructions on using the devices you will connect to, refer to the device instruction manual. 1. Select [Camera access point mode] on the [Select a network] screen.
3. Use the other device to connect to the camera. (1) SSID (network name) (2) Encryption key (password) In other device's Wi-Fi settings, select the SSID (network name) shown on the camera screen, then enter the password. 4. Complete the connection settings based on the device to connect to.
Connecting with Manual connection Network settings for camera access point mode are configured manually. Set [SSID], [Channel setting], and [Encryption settings] on each screen displayed. 1. Select [Manual connection]. Select [OK]. 2. Enter the SSID (network name). Press the < > button to access the virtual keyboard ( the SSID. After input, press < >. Select [OK].
3. Select a channel setting option. To specify the settings manually, select [Manual setting], then turn the < > dial. Select [OK]. 4. Select an encryption setting option. For encryption, select [AES]. Select [OK]. When [AES] is selected, the [Password] screen is displayed. Press the < > button to access the virtual keyboard ( ), then enter the > button. encryption key.
5. Select [Auto setting]. Select [OK]. If an error is displayed for [Auto setting], set the IP address manually ( ). 6. Use the other device to connect to the camera. (1) SSID (network name) (2) Encryption key (password) 7. Complete connection settings for the communication function.
Setting the IP Address Select a method of setting the IP address, and then set the IP address on the camera. Setting the IP address automatically Set up the IP address settings automatically. 1. Select [Auto setting]. Select [OK]. If an error is displayed for [Auto setting], set the IP address manually ( ). 2. Select an IPv6 option. Select an option and then [OK] to go to the next screen. Select [Enable] to use IPv6. 3. Complete the connection settings based on the device to connect to.
Setting the IP address manually Set up the IP address settings manually. Note that the items displayed vary depending on the communication function. 1. Select [Manual setting]. Select [OK].
2. Select an option to configure. Select an option to access the screen for numerical input. To use a gateway, select [Enable], then select [Address]. To use a DNS address, select [Manual setting], then select [Address].
3. Enter the number. Turn the < > dial to switch to other input fields at the top of the screen, and turn the < > dial to select numbers to enter. Press the < > button to enter the selected number. To delete the number just entered, press the < > button. To set the entered numbers and return to the screen for step 2, press the < > button. 4. Select [OK]. When you have completed setting the necessary items, select [OK]. The next screen is displayed.
5. Select an IPv6 option. Select an option and then [OK] to go to the next screen. Select [Enable] to use IPv6. 6. Complete the connection settings based on the device to connect to.
Reconnecting via Wi-Fi/Bluetooth The camera keeps a record of past Wi-Fi or Bluetooth connections. You can use this record to reconnect to the same device. Here, [ : Transfer images to FTP server] is used as an example. 1. Select the record for the device to connect to. After the [Wi-Fi on] screen appears, select [Disconnect], then repeat step 1. 2. Select the device for the connection. Select an option to connect to via Wi-Fi or Bluetooth from the past connections listed.
3. Use the connected device as needed.
Editing/Deleting Devices for Connections Changing Device Nicknames Deleting Connection Information FTP Server Before editing or deleting connection settings for other devices, end the Wi-Fi connection. Here, [ : Transfer images to FTP server] is used as an example. Changing Device Nicknames You can change the nickname of devices the camera connects to. 1. Select an item. After the [Wi-Fi on] screen appears, select [Disconnect], then repeat step 1. 2. Select [Edit/delete device].
3. Select the device for the connection. 4. Select [Change device nickname]. 5. Change the nickname. Use the virtual keyboard ( 6. Press the < ) to enter the nickname. > button, then select [OK].
Deleting Connection Information 1. Access the screen for the connected device. Follow steps 1–3 in Changing Device Nicknames. For [ : Connect to Wireless Remote], see Canceling the Pairing. 2. Select [Delete connection information]. 3. Select [OK].
FTP Server You can configure FTP server settings. This is displayed when [ FTP server] is selected. 1. : Transfer images to Access the connection settings screen. Follow steps 1–3 in Changing Device Nicknames. 2. Select [FTP server]. 3. Select an option. 4. Change the settings as needed. The following are items not described in Connecting the Camera to an FTP Server. After the settings are complete, press the < screen.
Directory structure Default The server root folder is used for image storage. If you have created a subfolder in the root folder by changing the [Target folder] setting, images are saved in that folder. Camera Automatically creates a folder structure matching that of the camera's (such as A/DCIM/ 100EOSR6) in the server's root folder for image storage.
Trusting target servers Set to [Enable] if you prefer to connect to FTP servers even when trust cannot be established based on the root certificate used. In this case, take suitable security measures.
Airplane Mode You can temporarily disable Wi-Fi and Bluetooth functions. 1. Select [ 2. Set to [On]. [ : Airplane mode]. ] is displayed on the screen. Note [ ] may not be displayed in still photo shooting, movie recording, or playback, depending on display settings. If it is not displayed, press the < > button repeatedly to access detailed information display.
Wi-Fi Settings 802.1X Authentication Checking the MAC Address 1. Select [ : Wi-Fi settings].
2. Select an option. Wi-Fi When the use of electronic devices and wireless devices is prohibited, such as on board airplanes or in hospitals, set it to [Disable]. 802.1X authentication Configure these settings when connecting to networks that require 802.1X authentication. MAC address You can check the MAC address of the camera. 802.1X Authentication Selecting [802.1X authentication] enables you to set, check, or delete 802.1X authentication settings, using a setup wizard.
Note that the camera supports following protocols. Protocol Supported Authentication EAP-TLS X.509 EAP-TTLS MS-CHAP v2 PEAP MS-CHAP v2 Setup wizard Follow the wizard to configure the authentication settings. Confirm settings Select to check authentication settings. Delete settings Select to delete authentication settings. Selecting [OK] on the screen displayed deletes the settings.
Checking the MAC Address You can check the camera's MAC address. 1. Select [ 2. Select [MAC address]. 3. Check the MAC address. : Wi-Fi settings].
Bluetooth Settings 1. Select [ 2. Select an option. : Bluetooth settings]. Bluetooth If you will not use the Bluetooth function, select [Disable]. Bluetooth address You can check the camera's Bluetooth address. Connect to You can check the name and communication status of the paired device.
Camera Name You can change the camera name (displayed on smartphones and other cameras) as needed. 1. Select [ 2. Change the camera name. : Camera name]. Use the virtual keyboard ( 3. Press the < ) to enter the camera name. > button, then select [OK].
GPS Device Settings GP-E2 Smartphone GPS Connection Display You can geotag images with GPS Receiver GP-E2 (sold separately) or a smartphone. GP-E2 1. Attach GP-E2 to the camera. Attach GP-E2 to the camera's hot shoe and turn it on. For details, refer to the GP-E2 Instruction Manual. 2. Select [ 3. Select [Select GPS device]. : GPS device settings].
4. Select [GPS receiver]. 5. Take the picture. For details on [Set up], refer to the GP-E2 Instruction Manual. Caution Precautions when using GP-E2 Before use, check the countries and regions where use of GPS is allowed, and follow local regulations. Update the GP-E2 firmware to Ver. 2.0.0 or later. Firmware updating requires an interface cable. For updating instructions, visit the Canon website. GP-E2 cannot be connected to the camera with a cable. The camera does not record the shooting direction.
Smartphone Complete these settings after installing the dedicated Camera Connect app ( smartphone. 1. On the smartphone, activate location services. 2. Establish a Bluetooth connection. ) on the Start Camera Connect and pair the camera and smartphone via Bluetooth. 3. Select [ 4. Select [Select GPS device]. : GPS device settings].
5. Select [Smartphone]. 6. Take the picture. Images are geotagged with the information from the smartphone.
GPS Connection Display You can check the status of smartphone location information acquisition in the GPS connection icon on the screens for still photo shooting or movie recording ( and , respectively). Gray: Location services are off Blinking: Location information cannot be acquired On: Location information acquired For details on how GPS connection status is indicated when GP-E2 is used, refer to the GP-E2 Instruction Manual.
Caution The smartphone can acquire location information only while it is paired with the camera via Bluetooth. Direction information is not acquired. Acquired location information may not be accurate, depending on traveling conditions or smartphone status. It may take some time to acquire location information from the smartphone after you turn the camera on. Location information is no longer acquired after any of the following operations.
Error Details You can display details of errors affecting the camera's wireless communication functions. 1. Select [ : Error details]. Details of errors that have occurred are displayed. For more information on errors, see Responding to Error Messages.
Resetting Communication Settings All wireless communication settings can be deleted. By deleting the wireless communication settings, you can prevent their information from being exposed when you lend or give your camera to other people. 1. Select [ 2. Select [OK]. : Reset communication settings].
Virtual Keyboard Operations (1) Input area, for entering text (2) Cursor keys, for moving in the input area (3) Current no. of characters/no. available (4) Keyboard (5) Switch input modes (6) Space (7) Delete a character in the input area (8) Exit input Use the < > dial to move within (1). Use < > or the < > dial to move within (2) and (4)–(7). Press the < > button to confirm input or when switching input modes.
Responding to Error Messages When an error occurs, display the details of the error by following one of the procedures below. Then, eliminate the cause of the error by referring to the examples shown in this chapter. Select [ : Error details]. Select [Error details] on the [Wi-Fi on] screen. Click the following error numbers to jump to the corresponding section.
11: Connection target not found In the case of [Connect to smartphone(tablet)], is Camera Connect running? • Establish a connection using Camera Connect ( ). In the case of [Connect to EOS Utility], is EOS Utility running? • Start EOS Utility and try to connect again ( ). Are the camera and the access point set to use the same encryption key for authentication? • This error occurs if the encryption keys do not match when the authentication method for encryption is [Open system].
22: No response from DNS server What to check on the camera On the camera, the DNS address is set to [Manual setting]. Is this the correct setting? • If no DNS server is used, set the camera's DNS address setting to [Disable] ( ). On the camera, does the DNS server's IP address setting match the server's actual address? • Configure the IP address on the camera to match the actual DNS server address ( , ). What to check on the DNS server Is the power of the DNS server on? • Turn the DNS server on.
23: Device with same IP address exists on selected network Is another device on the camera network using the same IP address as the camera? • Change the camera's IP address to avoid using the same address as another device on the network. Otherwise, change the IP address of the device that has a duplicate address. • If the camera's IP address is set to [Manual setting] in network environments using a DHCP server, change the setting to [Auto setting] ( ).
41: Cannot connect to FTP server What to check on the camera The camera's proxy server setting is [Enable]. Is this the correct setting? • If no proxy server is used, set the camera's proxy server setting to [Disable] ( ). Do the camera's [Address setting] and [Port No.] settings match those of the proxy server? • Configure the camera's proxy server address and port number to match those of the proxy server ( ).
What to check on the FTP server Is the FTP server working correctly? • Configure the computer correctly to function as an FTP server. • If applicable, ask your network administrator for the FTP server address and port number, then set them on the camera. Is the power of the FTP server on? • Turn on the FTP server. The server may have been turned off because of an energy-saving mode.
What to check on the proxy server Is the proxy server on? • Turn on the proxy server. Is the proxy server working correctly? • Check the proxy server settings to make sure the server is working correctly as a proxy server. • If applicable, ask your network administrator for the proxy server's address setting and port number, then set them on the camera.
43: Cannot connect to FTP server. Error code received from server. What to check on the proxy server Is the proxy server on? • Turn on the proxy server. Is the proxy server working correctly? • Check the proxy server settings to make sure the server is working correctly as a proxy server. • If applicable, ask your network administrator for the proxy server's address setting and port number, then set them on the camera.
45: Cannot login to FTP server. Error code received from server. What to check on the camera On the camera, is the [Login name] set correctly? • Check the login name for accessing the FTP server. Check upper- and lower-case letters, and make sure the correct login name is set on the camera ( ). On the camera, is [Password] set correctly? • When a login password is set on the FTP server, check upper- and lower-case letters, and make sure the correct login password is set on the camera ( ).
46: For the data session, error code received from FTP server What to check on the FTP server The connection was terminated by the FTP server. • Restart the FTP server. Do the user rights for the FTP server allow reading, writing, and log access? • Configure the FTP server's user rights to allow reading, writing, and log access.
61: Selected SSID wireless LAN network not found Are any obstacles blocking the line of sight between the camera and the antenna of the access point? • Move the antenna of the access point to a position clearly visible from the point of view of the camera. What to check on the camera Does the SSID set on the camera match that of the access point? • Check the SSID at the access point, then set the same SSID on the camera ( ).
91: Other error A problem other than error code number 11 to 83 occurred. • Turn the camera's power switch off and on. 121: Not enough free space on server The target Web server does not have enough free space. • Delete unnecessary images on the Web server, check the free space on the Web server, then try sending the data again. 125: Check the network settings Is the network connected? • Check the connection status of the network.
133: Cannot log in to Web service An error occurred when signing in to image.canon. • Check the image.canon settings. • Try accessing image.canon over Wi-Fi again later. 134: Set the correct date and time The date, time, and time zone settings are incorrect. • Check the [ : Date/Time/Zone] settings. 135: Web service settings have been changed The settings for image.canon were changed. • Check the image.canon settings. 136: The QR code shown on the camera was not scanned correctly by the dedicated app.
Wireless Communication Precautions Distance Between the Camera and the Smartphone Installation Location of Access Point Antenna Nearby Electronic Devices Precautions for Using Multiple Cameras If the transmission rate drops, the connection is lost, or other problems occur when using the wireless communication functions, try the following corrective actions.
Distance Between the Camera and the Smartphone If the camera is too far from the smartphone, a Wi-Fi connection may not be established even when Bluetooth connection is possible. In this case, bring the camera and the smartphone closer together, then establish a Wi-Fi connection. Installation Location of Access Point Antenna When using indoors, install the device in the room where you are using the camera. Install the device where people or objects do not come between the device and the camera.
Security If security settings have not been properly set, the following problems may occur. Transmission monitoring Third parties with malicious intent may monitor wireless LAN transmissions and attempt to acquire the data you are sending. Unauthorized network access Third parties with malicious intent may gain unauthorized access to the network you are using to steal, modify, or destroy information.
Checking Network Settings Windows Open the Windows [Command Prompt], then enter ipconfig/all and press the key. In addition to the IP address assigned to the computer, the subnet mask, gateway, and DNS server information are also displayed. macOS In macOS, open the [Terminal] application, enter ifconfig -a, and press the key. The IP address assigned to the computer is indicated in the [enX] item (X: number) next to [inet], in the format “***.***.***.***”.
Wireless Communication Status Wireless communication status can be checked on the screen.
Bluetooth Function Indicator Bluetooth Function Connection Status Screen Bluetooth connected Other than [Disable] Bluetooth not connected [Disable] Bluetooth not connected 865 Not displayed
Set-up This chapter describes menu settings on the set-up [ ] tab. to the right of titles indicates functions only available in Creative Zone modes.
• Copyright Information • Other Information 867
Tab Menus: Set-up Set-up 1 (1) Record func+card/folder sel.
Set-up 3 (1) Beep (2) Volume (3) Headphones (4) Power saving Set-up 4 (1) Screen/viewfinder display (2) Screen brightness (3) Viewfinder brightness (4) Screen/viewfinder color tone (5) Fine-tune VF color tone (6) UI magnification (7) HDMI resolution 869
Set-up 5 (1) Touch control (2) Multi function lock (3) Shutter at shutdown (4) Sensor cleaning (5) Choose USB connection app Set-up 6 (1) Reset camera (2) Custom shooting mode (C1-C3) (3) Battery info.
Selecting Cards for Recording/Playback Recording Method with Two Cards Inserted Recording/Playback Selection with Two Cards Inserted Recording is possible when card [ ] or [ ] is in the camera (except under some conditions). With only one card inserted, there is no need to follow these steps. With two cards inserted, you can select the recording method and card to use for recording and playback as follows. Recording Method with Two Cards Inserted 1. Select [ : Record func+card/folder sel.].
2. Set the recording method. / separate • Select [Enable] for automatic configuration of the recording method for still photos and movies. Still photos are recorded to card [ ] and movies to card [ ]. • Without card [ ] inserted, still photos can be captured but not saved. Still photo shooting is not possible if the card is full. • Movie recording is not possible if card [ ] is full or not inserted.
Rec options Set the recording method for still photos. • Standard Records still photos to the card selected in [ Record/play]. • Auto switch card Same as [Standard], but additionally, the camera switches to the other card when one card becomes full. At this time, a new folder is created. • Rec. separately Enables you to set a specific image size for each card ( ). For and in your each shot, a still photo is recorded to card specified image quality.
Note Rec. separately/Rec. to multiple Images are recorded with the same file number to card and . The number of shots available as shown in the viewfinder and on the Quick Control screen is for the card with less free space. [Card* full] is displayed when one of the cards becomes full, and shooting is no longer possible. To continue shooting, either replace the card or set [ Rec options] to [Standard] and select the card with free space.
Rec options Set the recording method for movies. • Standard Records movies to the card selected in [ Record/play]. • Auto switch card Same as [Standard], but recording ends when the card becomes full. When you resume recording, the camera switches to the other card for recording. A new folder is created after switching cards. • Rec. to multiple For each recording, the same movie is recorded to card 875 and .
Caution Auto switch card Recording only switches to the other card when the current card has no remaining free space, and then movies with a frame rate of 179.8/150 fps can be recorded. Note that this occurs when an exFAT-formatted card is in one of the slots. Rec. to multiple Movies cannot be recorded if one inserted card is exFATformatted and the other is not. Note Rec. to multiple Images are recorded with the same file number to card and .
Recording/Playback Selection with Two Cards Inserted With [ Rec options]/[ Rec options] set to [Standard] or [Auto switch card], select the card for recording and playback. With [ Rec options] set to [Rec. separately] or [Rec. to multiple], or with [ Rec options] set to [Rec. to multiple], select the card for playback. Setting via the menu Standard/Auto switch card Select [Record/play]. • Select [ Record/play] for still photos or [ Record/play] for movies.
Note With [Priority: ] set, the camera switches to the priority card when cards are inserted or removed.
Folder Settings Creating a Folder Renaming Folders Selecting a Folder You can freely create and select the folder where the captured images are to be saved. You can also rename folders. Creating a Folder 1. Select [ : Record func+card/folder sel.]. 2. Select [Folder].
3. Select [Create folder]. 4. Select [OK]. To rename the folder, select [Change folder name].
Renaming Folders 1. Enter letters and numbers of your choice. You can enter five characters. By selecting [ ], you can change the input mode. To delete single characters, select [ Use the < > dial or < < > button to enter it. 2. ] or press the < > to select a character, then press the Exit the setting. Press the < > button, then press [OK]. 881 > button.
Selecting a Folder (1) Number of images in folder (2) Lowest file number (3) Folder name (4) Highest file number Select a folder on the folder selection screen. Captured images are stored in your selected folder. Note Folders A folder can contain up to 9999 images (file number 0001–9999). When a folder becomes full, a new folder with the folder number increased by one is created automatically. Also, if manual reset ( ) is executed, a new folder will be created automatically.
File Numbering Continuous Auto Reset Manual Reset The captured images saved in a folder are assigned a file number from 0001 to 9999. You can change how the image files are numbered. (Example) (1) File number 1. Select [ : File numbering].
2. Set the item. Select [Numbering]. Select [Continuous] or [Auto reset]. If you want to reset the file numbering, select [Manual reset] ( ). Select [OK] to create a new folder, and the file number will start with 0001. Caution If the file number in folder 999 reaches 9999, shooting will not be possible even if the card still has free space. After a message requesting you to replace the card is displayed, switch to a new card.
Continuous For continuous file numbering regardless of switching cards or creating folders File numbering is continuous up to 9999, even if you replace a card, create a folder, or switch the target card (as in → ). This is useful when you want to save images numbered anywhere between 0001 to 9999 on multiple cards or in multiple folders into one folder on a computer. Note that file numbering may continue from any existing images in cards or folders that you switch to.
Auto Reset For restarting file numbering from 0001 after switching cards or creating folders File numbering is reset to 0001 if you replace a card, create a folder, or switch the target card (as in → ). This is useful if you want to organize images by cards or folders. Note that file numbering may continue from any existing images in cards or folders that you switch to. If you want to save images with the file numbering starting from 0001, use a newly formatted card each time.
Manual Reset For resetting file numbering to 0001 or starting from 0001 in new folders When you reset the file numbering manually, a new folder is created automatically and the file numbering of images saved to that folder starts from 0001. This is useful, for example, if you want to use different folders for the images taken yesterday and the ones taken today.
File Naming Registering/Changing File Names File names consist of four alphanumeric characters followed by a four-digit file number ( ) and file extension. You can change the first four alphanumeric characters, which by default are unique for each camera and set when the camera is shipped. User setting 1 enables you to register four characters of your choice.
3. Enter letters and numbers of your choice. Enter four characters for User setting 1 or three for User setting 2. By selecting [ ], you can change the input mode. To delete single characters, select [ Use the < > dial or < < > button to enter it. 4. ] or press the < > to select a character, then press the Exit the setting. Press the < > button, then press [OK]. 889 > button.
5. Select a registered file name. Select [File name], then choose a registered file name. Caution An underscore (“_”) cannot be used as the first character. Note User setting 2 Shooting after you have selected “*** + image size” (as registered to User setting 2) will add a character representing the current image size to your file name as the fourth character. Meanings of added characters are as follows.
Card Formatting If the card is new or was previously formatted (initialized) by another camera or computer, format the card with this camera. Caution When the card is formatted, all images and data on the card will be erased. Even protected images will be erased, so make sure there is nothing you need to keep. If necessary, transfer the images and data to a computer, etc. before formatting the card. 1. Select [ : Format card]. 2. Select a card. [ ] represents card 1, and [ Select the card.
3. Format the card. Select [OK]. For low-level formatting, press the < > button to add a checkmark [ ] to [Low level format], then select [OK].
Conditions requiring card formatting The card is new. The card was formatted by a different camera or a computer. The card is full of images or data. A card-related error is displayed ( ). Low-level formatting Perform low-level formatting if the card's writing or reading speed seems slow or if you want to totally erase the data on the card. Since low-level formatting will format all recordable sectors on the card, the formatting will take longer than normal formatting.
Auto Rotate You can change the auto rotation setting that straightens images shot in vertical orientation when they are displayed. 1. Select [ : Auto rotate].
2. Select an option. On Automatically rotates images for display on both the camera and computers. On Automatically rotates images only for display on computers. Off Images are not automatically rotated. Caution Images captured with auto rotation set to [Off] will not rotate during playback even if you later set auto rotation to [On]. Note If a picture is taken while the camera is aimed up or down, automatic rotation to the proper orientation for viewing may not be performed correctly.
Adding Orientation Information to Movies For movies recorded with the camera held vertically, orientation information indicating which side is up can be added automatically to enable playback in the same orientation on smartphones or other devices. 1. Select [ : Add 2. Select an option. rotate info]. Enable Play movies on smartphones or other devices in the orientation in which they were recorded.
Date/Time/Zone When you turn on the power for the first time or if the date/time/zone have been reset, follow these steps to set the time zone first. By setting the time zone first, you can simply adjust this setting as needed in the future and the date/time will be updated to match it. Since the captured images will be appended with the shooting date and time information, be sure to set your date/time. 1. Select [ : Date/Time/Zone]. 2. Set the time zone.
Select the time zone. If your time zone is not listed, press the < difference from UTC in [Time difference]. > button, then set the Select a [Time difference] option (+–/hour/minute), then press the < > button. After setting the item, press the < > button. After entering the time zone or time difference, select [OK]. 3. Set the date and time. Select an item, then press the < After setting the item, press the < 898 > button. > button.
4. Set daylight saving time. Set it as necessary. Select [ ] or [ ], then press the < > button. When the daylight saving time is set to [ ], the time set in step 3 will advance by 1 hour. If [ ] is set, the daylight saving time will be canceled and the time will go back by 1 hour. 5. Exit the setting. Select [OK].
Language 1. Select [ : Language 2. Set the desired language. ].
Video System Set the video system of any television used for display. This setting determines the frame rates available when you record movies. 1. Select [ : Video system]. 2. Select an option. For NTSC For areas where the TV system is NTSC (North America, Japan, South Korea, Mexico, etc.). For PAL For areas where the TV system is PAL (Europe, Russia, China, Australia, etc.).
Help Changing the Help Text Size When [ Help] is displayed, you can display a description of the feature by pressing the < > button. Press it again to exit Help display. To scroll the screen when a scrollbar (1) appears on the right, turn the < > dial.
Example: [ : Multi function lock] < > 903
Changing the Help Text Size 1. Select [ : Help text size]. 2. Select an option.
Shooting Mode Guide A brief description of the shooting mode can be displayed when you switch shooting modes. The default setting is [Enable]. 1. Select [ : Mode guide]. 2. Select [Enable]. 3. Turn the Mode dial. A description of the selected shooting mode will appear.
4. Tap [ ]. The rest of the description will appear. To clear the mode guide, press the < > button. In < >/< > mode, you can display the shooting mode selection screen.
Feature Guide A brief description of functions and items can be displayed when you use Quick Control. 1. Select [ : Feature guide]. 2. Select an option.
Sample screens (1) Feature guide Note To clear a description, either tap it or continue performing operations.
Beeps 1. Select [ : Beep]. 2. Select an option. Enable The camera beeps after focusing and in response to touch operations. Disable Disables beeping for focusing, self-timer, shutter, and touch operations. Note By default, beeping volume for touch operations is set to [0] ( 909 ).
Volume The volume of camera sounds is adjustable. 1. Select [ : Volume]. 2. Select an option. 3. Adjust the volume. Turn the < > dial to adjust the volume, then press the < 910 > button.
Headphones Volume Audio Monitoring Volume 1. Select [ : Headphones]. 2. Select [Volume].
3. Adjust the volume. Turn the < > dial to adjust the volume, then press the < > button. Note You can check sound from the built-in microphone or an external microphone on headphones when [ : Sound recording] is set to an option other than [Disable] and [High Frame Rate] is set to [Disable].
Audio Monitoring You can choose the audio during movie recording that is used for headphone output. To reduce noise in audio recording, configure [Audio noise reduc.] ( ). 1. Select [Audio monitoring]. 2. Select an option. Real-time audio (without NR) Audio output without noise reduction. Recorded audio (NR applied) Audio output with noise reduction. Caution Selecting [Recorded audio (NR applied)] results in audio output that is slightly out of sync with video. Audio in recorded movies is not delayed.
Power Saving You can adjust the timing of when the screen dims and then turns off, when the camera turns off, and when the viewfinder turns off after the camera is left idle (Screen dimmer, Screen off, Auto power off, and Viewfinder off). 1. Select [ : Power saving]. 2. Select an option.
Note [Screen dimmer] and [Screen off] apply while the shooting screen is displayed. These settings do not apply during menu display or image playback. The camera turns off during menu display or image playback after the time set in [Screen dimmer], [Screen off], and [Auto power off] elapses. To protect the screen, the screen turns off 30 min. after it is dimmed (although the camera itself remains on), even if [Screen off] and [Auto power off] are set to [Disable].
Screen and Viewfinder Display You can specify to use the screen or viewfinder for display, to avoid accidentally activating the viewfinder sensor when the screen is open. 1. Select [ : Screen/viewfinder display]. 2. Select an option. AUTO1: Auto 1 ( : only screen) Always use the screen for display when it is open. Use the screen for display when it is closed and facing you, and switch to the viewfinder when you look through it.
Note You can also switch between viewfinder and screen display by pressing a button you have customized by assigning to switching. With this setting set to [AUTO1] or [AUTO2], the camera responds to the viewfinder sensor accordingly. With [AUTO1] set, the camera does not respond to the viewfinder sensor when the screen is open.
Screen Brightness 1. Select [ : Screen brightness]. 2. Make the adjustment. Referring to the gray image, turn the < > dial to adjust brightness, > button. Check the effect on the screen. then press the < Note To check the image's exposure, referring to the histogram is recommended ( 918 ).
Viewfinder Brightness 1. 2. Select [ : Viewfinder brightness]. Turn the < > dial and select either [Auto] or [Manual]. Auto Press the < shooting. > button. Check the effect in the viewfinder while Manual Turn the < > dial to adjust viewfinder brightness, then press the < > button. Check the effect in the viewfinder.
Screen and Viewfinder Color Tone 1. Select [ : Screen/viewfinder color tone]. 2. Make the adjustment. Turn the < > dial to select an item, then press the < 920 > button.
Fine-Tuning Viewfinder Color Tone 1. Select [ : Fine-tune VF color tone]. 2. Make the adjustment. Referring to the gray image, use < > for adjustment, then press the > button. Check the effect in the viewfinder.
UI Magnification You can magnify menu screens by double-tapping with two fingers. Double-tap again to restore the original display size. 1. Select [ : UI magnification]. 2. Select [Enable]. Caution Use camera controls when configuring menu functions with the display magnified. Touch-screen operations are not supported.
HDMI Resolution Set the image output resolution used when the camera is connected to a television or external recording device with an HDMI cable. 1. Select [ : HDMI resolution]. 2. Select an option. Auto The images will automatically be displayed at the optimum resolution matching the connected television. 1080p Output at 1080p resolution. Select if you prefer to avoid display or delay issues when the camera switches resolution.
Touch Control 1. Select [ : Touch control]. 2. Select an option. [Sensitive] makes the touch-screen panel more responsive than [Standard]. To disable touch operations, select [Disable]. Caution Precautions for touch-screen panel operations Do not use sharp objects such as fingernails or ballpoint pens for touch operations. Do not use wet fingers for touch operations. If the screen has any moisture or if your fingers are wet, the touch-screen panel may not respond or malfunction may occur.
Multi-Function Lock Specify camera controls to lock when the Multi-function lock is enabled. This can help prevent accidentally changing settings. 1. Select [ : Multi function lock]. 2. Select camera controls to lock. Press the < > button to add a checkmark [ ]. Select [OK]. Setting the power/multi-function lock switch to the < locks the selected [ ] camera controls. > position Note An asterisk “*” to the right of [ : Multi function lock] indicates that the default setting has been modified.
Shutter at Shutdown You can set whether to leave the shutter open or close it when the camera's power switch is set to < >. 1. Select [ : Shutter at shutdown]. 2. Select an option. : Closed Closes the shutter. Normally set to closed, to prevent dust from adhering to the sensor when you switch lenses. : Open Leaves the shutter open. This keeps camera quieter when the power switch is set to < > or < >. Useful when you want to shoot quietly.
Sensor Cleaning Cleaning Now Cleaning Automatically Cleaning Manually The camera's sensor cleaning feature cleans the front of the image sensor. Note For best results, clean with the camera in a stable position on a desk or other flat surface. Cleaning Now 1. Select [ : Sensor cleaning].
2. Select [Clean now ]. Select [OK] on the confirmation screen. Note Even if you repeat the sensor cleaning, the result will not improve much. Note that [Clean now ] may not be available immediately after cleaning.
Cleaning Automatically 1. Select [Auto cleaning 2. Select an option. Turn the < ]. > dial to select an option, then press the < > button. Note When set to [At pwr off] or [Enable], the sensor is cleaned when the screen goes off, including when it has been turned off automatically.
Cleaning Manually Dust that could not be removed by automatic cleaning can be removed manually with a commercially available blower or similar tool. Always use a fully charged battery. The image sensor is extremely delicate. If the sensor needs to be cleaned directly, having it done by a Canon Service Center is recommended. 1. Select [Clean manually]. 2. Select [OK]. 3. Remove the lens and clean the sensor.
4. End the cleaning. Set the power switch to < >. Note Using the household power outlet accessories (sold separately) is recommended. Caution While cleaning the sensor, never do any of the following. If the power is cut off, the shutter will close. These may result in damaging the image sensor and shutter curtains. • Setting the power switch to < >. • Removing or inserting the battery. The surface of the image sensor is extremely delicate. Clean the sensor with care.
App Selection for USB Connections By connecting the camera to a smartphone or computer with the interface cable, you can transfer images or import images to the smartphone or computer. 1. Select [ : Choose USB connection app]. 2. Select an option. Photo Import/Remote Control Select if you will use EOS Utility after connecting to a computer, or if you will use dedicated Android apps or the iOS version of Photos.
Caution When the camera is used with [Video calls/streaming], power is not supplied to the camera. Consider using an optional household power outlet accessory when using the camera over extended periods.
Resetting the Camera The camera's settings for shooting functions and menu functions can be restored to their defaults. 1. Select [ : Reset camera]. 2. Select an option. Basic settings Restores default settings for camera shooting functions and menu settings. Other settings Settings for individual selected options can be reset. 3. Clear the settings. Select [OK] on the confirmation screen.
Note Still photo Custom shooting modes are reset when [Custom shooting mode (C1C3)] in [Other settings] is selected in still photo shooting mode, and movie Custom shooting modes are reset when this option is selected in movie recording mode.
Custom Shooting Mode (C1–C3) Automatic Update of Registered Settings Canceling Registered Custom Shooting Modes You can register current camera settings such as shooting, menu, and Custom Function settings as Custom shooting modes assigned to < > to < > modes. You can register different functions to use when shooting still photos or movies. 1. Select [ : Custom shooting mode (C1-C3)]. 2. Select [Register settings].
3. Register the desired items. Select the Custom shooting mode to register, then select [OK] on the [Register settings] screen. The current camera settings are registered to Custom shooting mode C*. In still photo shooting, the registered shooting mode is indicated in the Custom shooting mode icon (as in [ ], [ ], [ ]). Custom shooting mode icons change to [ movie recording.
Canceling Registered Custom Shooting Modes If you select [Clear settings] in step 2, the settings of each mode can be restored to default settings, as they were before registration. Note You can also change shooting and menu settings in Custom shooting modes.
Battery Information Registering Batteries to the Camera Labeling Batteries with Serial Numbers Checking the Remaining Capacity of a Registered Battery Not in Use Deleting the Registered Battery Information You can check the conditions of the battery you are using. By registering multiple batteries to the camera, you can check their approximate remaining capacity and usage history.
1. Select [ : Battery info.]. (1) Battery position (2) Model of battery or household power source used. (3) Battery level indicator ( increments. ) with the remaining battery level, in 1% (4) The number of shots taken with the current battery. The number is reset when the battery is charged. (5) State of battery recharge performance, in three levels. (Green): Battery recharge performance is good. (Green): Battery recharge performance is slightly degraded. (Red): Purchasing a new battery is recommended.
Note The shutter count is the number of still photos taken (not including movie recording). Battery information is also displayed when an optional Battery Grip BG-R10 is used. If a battery communication error message is displayed, follow the instructions in the message.
Registering Batteries to the Camera You can register up to six LP-E6NH/LP-E6N/LP-E6 battery packs to the camera. To register multiple batteries to the camera, follow the procedure below for each battery. 1. Press the < > button. With the battery info. screen displayed, press the < If the battery is not registered, it will be grayed out. 2. Select [Register]. 3. Select [OK]. The battery is now displayed in white. 942 > button.
Labeling Batteries with Serial Numbers It is convenient to label registered LP-E6NH/LP-E6N/LP-E6 battery packs with their serial numbers, using commercially available labels. 1. On a label approx. 25×15 mm, write the serial number (1). 2. Apply the label. Set the power switch to < >. Remove the battery from the camera. Apply the label as shown in the illustration (on the side with no electrical contacts).
Caution Do not apply the label on any part other than as shown in the illustration in step 2. Otherwise, the misplaced label may make it difficult to insert the battery or impossible to turn on the power. When you use Battery Grip BG-R10 (sold separately), the label may peel off after repeated insertion and removal from the battery magazine. If it peels off, apply a new label.
Checking the Remaining Capacity of a Registered Battery Not in Use You can check the remaining capacity of batteries not currently in use, as well as their last date of use. 1. Find the matching serial number. On the battery history screen, find the battery serial number (1) matching the serial number that the battery is labeled with. You can check the respective battery's approximate remaining capacity (2) and the date when it was last used (3).
Deleting the Registered Battery Information 1. Select [Delete info.]. In Registering Batteries to the Camera, select [Delete info.] in step 2. 2. Select the battery information to delete, then press the < [ 3. ] is displayed. Press the < > button. Select [OK] on the confirmation screen. 946 > button.
Copyright Information Checking the Copyright Information Deleting the Copyright Information When you set the copyright information, it will be recorded to the image as Exif information. Caution If the entry for “Author” or “Copyright” is long, it may not be displayed entirely when you select [Display copyright info.]. Note You can also set or check copyright information with EOS Utility (EOS software, ). 1. Select [ : Copyright information]. 2. Select an option.
3. Enter text. Use the < > dial or < < > button to enter it. By selecting [ > to select a character, then press the ], you can change the input mode. To delete single characters, select [ 4. ] or press the < > button. Exit the setting. Press the < > button, then press [OK]. Checking the Copyright Information When you select [Display copyright info.] in step 2, you can check the [Author] and [Copyright] information that you entered.
Deleting the Copyright Information When you select [Delete copyright information] in step 2, you can delete the [Author] and [Copyright] information.
Other Information Manual/software URL To download instruction manuals, select [ : Manual/software URL] and scan the displayed QR code with a smartphone. You can also use a computer to access the website at the URL displayed and download software. Certification Logo Display Select [ : Certification Logo Display] to display some of the logos of the camera's certifications. Other certification logos can be found on the camera body and packaging.
Custom Functions/My Menu You can fine-tune camera functions and change the functionality of buttons and dials to suit your shooting preferences. You can also add menu items and Custom Functions that you adjust frequently to My Menu tabs.
Tab Menus: Custom Functions Custom Functions 1 (1) Exposure level increments (2) ISO speed setting increments (3) Speed from metering/ISO Auto (4) Bracketing auto cancel (5) Bracketing sequence (6) Number of bracketed shots (7) Safety shift Custom Functions 2 (1) Same expo. for new aperture (2) AE lock meter.
Custom Functions 3 (1) (2) direction to set Tv/Av direction to set Tv/Av (3) Switch / when shooting (4) Customize buttons (5) Customize dials (6) Clear customized settings Custom Functions 4 (1) Add cropping information (2) Audio compression (3) Default Erase option (4) Release shutter w/o lens (5) Retract lens on power off (6) Add IPTC information 953
Custom Functions 5 (1) Clear all Custom Func. (C.Fn) Selecting [ : Clear all Custom Func. (C.Fn)] clears all Custom Function settings.
Custom Function Setting Items C.Fn1 C.Fn2 C.Fn3 C.Fn4 C.Fn5 You can customize camera features on the [ ] tab to suit your shooting preferences. Any settings you change from default values are displayed in blue.
C.Fn1 Exposure level increments Sets 1/2-stop increments for the shutter speed, aperture value, exposure compensation, AEB, flash exposure compensation, etc. 1/3: 1/3-stop 1/2: 1/2-stop Note Display when set to [1/2-stop] is as follows. ISO speed setting increments You can change the manual ISO speed setting increment to a whole stop. 1/3: 1/3-stop 1/1: 1-stop Note Even if [1-stop] is set, ISO speed will be automatically set in 1/3-stop increments when ISO Auto is set.
Speed from metering/ISO Auto You can set the ISO speed status after the metering timer ends in cases where, for ISO Auto operation in
//// mode, the camera has adjusted the ISO speed during metering or during the metering timer. : Restore Auto after metering : Retain speed after metering Bracketing auto cancel You can specify to cancel AEB and white balance bracketing when the power switch is set to < >.
Number of bracketed shots The number of shots taken with AEB and white balance bracketing can be changed. When [Bracketing sequence] is set to [0, -, +], the bracketed shots will be taken as shown in the following table.
Safety shift If the subject brightness changes and the standard exposure cannot be obtained within the autoexposure range, the camera will automatically change the manually selected setting to obtain the standard exposure. [Shutter speed/Aperture] applies to or mode. [ISO speed] applies to , , or mode. OFF: Disable Tv/Av: Shutter speed/Aperture ISO: ISO speed Note Safety shift overrides any changes to [ISO speed range] or [Min. shutter spd.
C.Fn2 Same expo. for new aperture The maximum aperture value may decrease (the lowest f/number may increase) in mode (manual exposure shooting) with ISO speed set manually (except when set to ISO Auto) if you (1) Change lenses, (2) Attach an extender, or (3) Use a zoom lens with a variable maximum aperture value. This function prevents the corresponding underexposure by adjusting ISO speed or shutter speed (Tv value) automatically to maintain the same exposure as before (1), (2), or (3).
AE lock meter. mode after focus For each metering mode, you can specify whether to lock the exposure (AE lock) once subjects are in focus with One-Shot AF. The exposure will be locked while you keep pressing the shutter button halfway. Select metering modes for AE lock and add a checkmark [ ]. Select [OK] to register the setting. Set shutter speed range You can set the shutter speed range for each [ : Shutter mode] option.
Set aperture range You can set the aperture value range. In , , , or mode, you can set the aperture value manually within your specified range. In or mode, or in mode with the aperture value set to [AUTO], the aperture value is set automatically within your specified range. Select [OK] to register the setting. Max. aperture Can be set in a range of f/1.0–f/64. Min. aperture Can be set in a range of f/91–f/1.4.
C.Fn3 direction to set Tv/Av Dial turning direction when setting the shutter speed and aperture value can be reversed. Reverses the turning direction of the < >, < >, and < > dial in shooting mode and only the < > dial in other shooting modes. The direction of the < > and < > dial in mode matches the direction to set exposure compensation in , , and modes.
Customize buttons You can assign frequently used functions to camera buttons that are easy for you to use. Different functions, for use when shooting still photos or movies, can be assigned to the same button. 1. Select [ 2. Select a camera control. 3. Select a function to assign. : Customize buttons]. Press the < > button to set it. You can configure advanced settings for functions labeled with [ Detail set.] in the lower left of the screen by pressing the < > button.
Note [ : Customize buttons] settings are not cleared even if you select [ : Clear all Custom Func. (C.Fn)]. To clear the settings, select [ : Clear customized settings].
Functions available for customization AF ●: Default ○: Available for customization : AF stop - ○ ○ ○ ○ ○ ○ - - ● - - ● ○ ○ ○ - - ○ - ○ ○ ○ ● ○ ○ - ○ - - - - - - - ● - - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ● - ○ - ○ ○ ○ ○ - - ○ - ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ - ○ - - ○ ○ ○ ○ - - ○ - - ○ ○ ○ ○ - - ○ - : Metering and AF start ● - : AF point selection - ○ : Direct AF point selection - - : Set AF poi
: Eye detection - ○ ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - : Spot detection - ○ : Focus mode - ○ : Peaking - ○ : Focus guide - ○ : Subj. detect. : Drive - AF*2 ○ mode*1 ○ * 1: Cannot be assigned as a function available in movie recording. * 2: Cannot be assigned as a function available in still photo shooting.
Exposure ●: Default ○: Available for customization : Metering start ○ - - - - - - - - - - ○ ○ ○ ○ ○ ○ - - ○ - ○ ○ ●*4 ○ ○ - - ○ - ○ ○ ○ ○ - - ○ - - - - - - - - - - ○ ○ ●*3 ○ ○ - - ○ - ○ ○ ○ ○ - - ○ - - ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - : AE lock - : AE lock (hold) - ○ : AE lock, AF stop - ○ ○ : AE lock (while button pressed)*1 ○ - : AE lock/FE lock*1 - ○ : Release AE Lock - ○ ○ : Expo comp (hold btn, turn - - )
Image ●: Default ○: Available for customization : Image quality*1 - ○ ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - - ○ - : One-touch image quality setting*1 - ○ ○ : One-touch image quality (hold)*1 : ○ ○ Cropping/aspect ratio*1 -
: Rating - ○ ○ ○ ○ ○ ○ - - ○ - ○ ○ ○ ○ - - ○ - : Record func+card/folder sel. - ○ ○ * 1: Cannot be assigned as a function available in movie recording. * 2: Cannot be assigned as a function available in still photo shooting.
Movies ●: Default ○: Available for customization : False color*2 - ○ ○ ○ ○ ○ ○ ○ - ○ - - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ - - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - : Zebra*2 - : Movie recording - ● : Pause Movie Servo AF*2 - ○ : Digital zoom*2 - : Pre-recording*2 - ○ : Movie self-timer*2 - ○ : Standby: Low res.
Operation ●: Default ○: Available for customization : Flash function settings*1 - ○ ○ ○ ○ ○ ○ ○ - ○ ● ○ ○ ○ ○ ○ ○ - ○ ○ ● ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ●*3 ○ - ○ - ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ - - ○ - : Quick flash group control*1 - ○ : Dial function settings - ○ : Depth-of-field preview*1 - ○ ○ : Manual HF
: Menu display - ○ ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ ○ - ○ - : OVF sim. view assist*1 ○ ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ○ ○ ○ - ○ - : Touch Shutter*1 - ○ : Create folder*1 - : Disp.
: Wi-Fi/Bluetooth connection - ○ ○ ○ ○ ○ ○ ○ - ○ - ○ ○ ○ ●*4 ○ ○ ○ ○ : No function (disabled) - ○ ○ * 1: Cannot be assigned as a function available in movie recording. * 3: Default in still photo shooting. * 4: Default in movie recording. Note [ ]: “AF Stop” or “Lens Function” button on super telephoto lenses with Image Stabilizer.
Customize dials Frequently used functions can be assigned to the < 1. Select [ 2. Select a camera control. 3. Select a function to assign. >/< >/< >/< > dials. : Customize dials]. Press the < > button to set it. You can configure advanced settings for functions labeled with [ Detail set.] in the lower left of the screen by pressing the < > button.
Note [ : Customize dials] settings are not cleared even if you select [ : Clear all Custom Func. (C.Fn)]. To clear the settings, select [ : Clear customized settings]. Setting [ : Switch / when shooting] to [Enable] also changes the functions you can assign.
Functions available for dials ●: Default ○: Available for customization Function Direct AF point selection ○ ○ Select AF area ○ ○ ○ Change shutter speed ○ Change aperture value ○ Exposure compensation ○ ○ ○ Set ISO speed ● ○ ○ Change shutter speed (while holding metering button) ○ Change aperture value (while holding metering button) ○ Exposure compensation (while holding metering button) ● ISO speed (while holding metering button) ○ Flash exposure comp.
Clear customized settings 1. Select [ 2. Select [OK]. : Clear customized settings]. [Customize buttons] and [Customize dials] are restored to defaults.
C.Fn4 Add cropping information Adding cropping information displays vertical lines for the aspect ratio specified in shooting, so that you can compose shots as if shooting with a medium- or large-format camera (6×6 cm, 4×5 inch, and so on). When you shoot, instead of cropping images recorded to the card, the camera adds aspect ratio information to images for cropping in the Digital Photo Professional (EOS software).
Audio compression Sets audio compression for movie recording. [Disable] allows higher audio quality than when audio is compressed, but file sizes are larger. ON: Enable OFF: Disable Caution Editing movie files recorded with [Disable] and then saving them with compression will also compress the audio. Audio is compressed even if [Disable] is selected when [Movie rec. size] is set to (NTSC) or (PAL).
Retract lens on power off You can set whether to retract gear-type STM lenses (such as RF35mm F1.8 Macro IS STM) automatically when the camera's power switch is set to < >. ON: Enable OFF: Disable Caution With auto power off, the lens will not retract regardless of the setting. Before detaching the lens, make sure that it is retracted. Note When [Enable] is set, this function takes effect regardless of the lens's focus mode switch setting (AF or MF).
C.Fn5 Clear all Custom Func. (C.Fn) Selecting [ : Clear all Custom Func. (C.Fn)] clears all Custom Function settings except [Customize buttons] and [Customize dials]. Note To clear settings configured with [ : Customize buttons] and [ dials], select [ : Clear customized settings].
Tab Menus: My Menu (1) Add My Menu tab (2) Delete all My Menu tabs (3) Delete all items (4) Menu display 983
Registering My Menu Creating and Adding My Menu Tabs Registering Menu Items on My Menu Tabs My Menu Tab Settings Deleting All My Menu Tabs/Deleting All Items Menu Display Settings On the My Menu tab, you can register menu items and Custom Functions you often adjust.
Creating and Adding My Menu Tabs 1. Select [Add My Menu tab]. 2. Select [OK]. You can create up to five My Menu tabs by repeating steps 1 and 2.
Registering Menu Items on My Menu Tabs 1. Select [MY MENU*: Configure]. 2. Select [Select items to register]. 3. Register the desired items. Select an item, then press the < > button. Select [OK] on the confirmation screen. You can register up to six items. To return to the screen in step 2, press the < 986 > button.
My Menu Tab Settings You can sort and delete items on the menu tab, and rename or delete the menu tab itself. Sort registered items You can change the order of the registered items in My Menu. Select [Sort registered items], select an item to rearrange, then press the < > button. With [ ] displayed, > dial to rearrange the item, then press the < > button. turn the < Delete selected items/Delete all items on tab You can delete any of the registered items.
Rename tab You can rename the My Menu tab from [MY MENU*]. 1. Select [Rename tab]. 2. Enter text. Use the < > or < > dial or < > button to enter it. press the < By selecting [ ], you can change the input mode. To delete single characters, select [ 3. > to select a character, then ] or press the < Confirm input. Press the < > button, then select [OK]. 988 > button.
Deleting All My Menu Tabs/Deleting All Items You can delete all the created My Menu tabs or My Menu items registered on them. Delete all My Menu tabs You can delete all My Menu tabs you created. When you select [Delete all My Menu tabs], all the tabs from [MY MENU1] to [MY MENU5] will be deleted and the [ ] tab will revert to its default. Delete all items You can delete all the items registered under the [MY MENU1] to [MY MENU5] tabs. The tabs themselves will remain.
Menu Display Settings You can select [Menu display] to set the menu screen that is to appear first when you press the < > button. Normal display Displays the last displayed menu screen. Display from My Menu tab Displays with the [ ] tab selected. Display only My Menu tab Restricts display to the [ ] tab ([ ]/[ ]/[ 990 ]/[ ]/[ ]/[ ] tabs are not displayed).
Reference This chapter provides reference information on camera features.
Importing Images to a Computer Connecting to a Computer with an Interface Cable Using a Card Reader Connecting to a Computer via Wi-Fi You can use EOS software to import images from the camera to a computer. Connecting to a Computer with an Interface Cable 1. 2. 3. Install EOS Utility ( ). In [ : Choose USB connection app], select [Photo Import/Remote Control] ( ). Connect the camera to the computer. Use an interface cable. Insert the other end of the cable into the computer's USB terminal (Type-C).
Caution With a Wi-Fi connection established, the camera cannot communicate with the computer even if they are connected with an interface cable.
Using a Card Reader You can use a card reader to import images to a computer. 1. Install Digital Photo Professional ( 2. Insert the card into the card reader. 3. Use Digital Photo Professional to import the images. ). Refer to the Digital Photo Professional Instruction Manual. Note When downloading images from the camera to a computer with a card reader without using EOS software, copy the DCIM folder on the card to the computer.
Connecting to a Computer via Wi-Fi You can connect the camera to the computer via Wi-Fi and import images to the computer ( ).
Importing Images to a Smartphone Preparation Using Camera Connect Using Smartphone Features You can import images captured with the camera to a smartphone by connecting the smartphone to the camera with Multi-Function Shoe Adapter for Smartphone Link AD-P1 (sold separately, for Android smartphones only) or a USB cable. Preparation 1. Select an option in [ : Choose USB connection app] ( ). Select [Photo Import/Remote Control] when connecting an Android smartphone.
Using Camera Connect 1. Install Camera Connect on the smartphone and start it. For details on installing Camera Connect, see Installing Camera Connect on a Smartphone. 2. Turn the camera on. 3. Tap [Images on camera]. Select images displayed to import them to the smartphone.
Using Smartphone Features 1. Turn the camera on. 2. Use the smartphone to import images. Android smartphones: In the [File] menu, select [Canon Digital Camera ***], then import images in the DCIM folder. iPhones: Start the Photos app, then import images from the card.
Using a USB Power Adapter to Charge/Power the Camera Using USB Power Adapter PD-E1 (sold separately), you can charge Battery Pack LP-E6NH or LP-E6N without removing it from the camera. The camera can also be powered. Battery Pack LP-E6 cannot be charged. Charging 1. Connect the USB power adapter. With the camera power switch set to < adapter plug fully into the digital terminal.
2. Connect the power cord. Connect the power cord to the USB power adapter and plug the other end into a power outlet. Charging begins, and the access lamp (1) is lit in green. When charging is finished, the access lamp turns off. Supplying power To power the camera without charging batteries, set the camera power switch to < However, batteries are charged during auto power off. The battery level indicator is gray when power is supplied.
Caution The camera cannot be powered unless a battery pack is in it. When batteries are depleted, the adapter charges them. In this case, power is not supplied to the camera. To protect the battery pack and keep it in optimal condition, do not charge it continuously for more than 24 hours. If the charging lamp fails to light up or a problem occurs during charging (shown by the access lamp blinking in green), unplug the power cord, reinsert the battery, and wait a few minutes before plugging it in again.
Using a Battery Grip Attaching Batteries Using a Household Power Outlet Button and Dial Operations Using a USB Power Adapter to Charge/Power the Camera Equipped with buttons and dials for vertical shooting, Battery Grip BG-R10 is an optional camera accessory that can power the camera with two batteries. 1. Remove the contact covers. Remove contact covers (1) and (2) on the battery grip. Attach the battery grip contact cover (1) to (2) to store them.
2. Remove the battery compartment cover. Turn off the camera before removing the battery. Remove the battery compartment cover from the camera. Attach the cover to the battery grip. To remove the cover, slide the lever to release it, following the attachment procedure in reverse.
3. Attach and lock the battery grip. Insert the battery in the camera and turn the release dial to lock the battery grip in place.
4. Remove the battery magazine.
Caution When reattaching the battery compartment cover to the camera, attach it opened to at least 90°. Do not touch the camera or battery grip contacts. Attaching Batteries 1. Attach the batteries. Insert the batteries as shown. When only one battery is used, it can be inserted in either position. To secure the batteries, push in the direction of the arrows until they click into place. To remove the batteries, press the battery magazine lever in the direction of the arrow.
2. Attach the battery magazine. Insert the battery magazine all the way in to secure it. Caution When attaching batteries, make sure the electrical contacts are clean. Wipe off any dirt on the contacts with a soft cloth. Attach batteries after attaching the battery grip to the camera. If the battery grip is attached to the camera with batteries already attached, it may prevent correct display of battery check results. Before removing the battery grip, turn the camera off and remove the batteries.
Using a Household Power Outlet 1. Attach the DC coupler. Attach DC Coupler DR-E6 (sold separately) the same way as the batteries. Pass the DC coupler cord through the battery magazine cord groove. Insert the battery magazine all the way in to secure it. 2. Attach the battery magazine. Guide the end of the cord out of the cord hole.
3. Connect the DC coupler to the AC adapter. Securely connect the DC coupler's plug to the socket of AC Adapter AC-E6N (sold separately). 4. Connect the power cord. Connect the power cord to the AC power adapter and insert the power plug into a power outlet. Caution While the camera is on, do not connect or disconnect the power cord or socket, and do not remove the battery magazine. Avoid getting the DC coupler cord caught between the battery grip and battery magazine.
Button and Dial Operations To use the buttons and dials, turn the vertical-grip on/off switch (3) to ON. The buttons and dials are used the same way as corresponding buttons and dials on the camera.
Using a USB Power Adapter to Charge/Power the Camera Using USB Power Adapter PD-E1, you can charge Battery Pack LP-E6NH or LP-E6N without removing it from the battery grip. Caution LP-E6NH and LP-E6N can be charged together. LP-E6NH and LP-E6N batteries can be charged individually or two at a time. LP-E6 cannot be charged this way. No battery will be charged if LP-E6NH or LP-E6N is attached at the same time as LP-E6.
2. Charge the battery. Connect the power cord to the USB power adapter and plug the other end into a power outlet. Charging begins, and the charge lamp lights up. When charging is finished, the charge lamp turns off. Supplying power To power the camera without charging batteries, set the camera power switch to < However, batteries are charged during auto power off. [ ] is displayed on the screen while the camera is powered this way.
Caution The camera cannot be powered unless a battery pack is in it. To protect the battery pack and keep it in optimal condition, do not charge it continuously for more than 24 hours. If the charging lamp fails to light up or a problem occurs during charging (shown by the charge lamp blinking), unplug the power cord, reinsert the battery, and wait a few minutes before plugging it in again. If the problem persists, take the camera to the nearest Canon Service Center.
Troubleshooting Guide Power-related problems Shooting-related problems Communication problems Operation problems Display problems Playback problems Sensor cleaning problems Computer connection problems Problems with the multi-function shoe If a problem occurs with the camera, first refer to this Troubleshooting Guide. If this Troubleshooting Guide does not resolve the problem, take the camera to the nearest Canon Service Center. Power-related problems Batteries cannot be charged with the battery charger.
The charger's lamp does not blink. For safety, hot or cold batteries inserted in the charger are not charged, and the lamp remains off. In this case, let the battery adjust to the ambient temperature before attempting to charge it again. During charging, if the battery's temperature becomes high for any reason, charging will stop automatically (lamp blinks). When the battery temperature goes down, charging will resume automatically. Batteries cannot be charged with the USB power adapter (sold separately).
The access lamp still lights or blinks even when the power switch is set >. to < If the power is turned off while an image is being recorded to the card, the access lamp will remain on or continue to blink for a few seconds. When the image recording is complete, the power will turn off automatically. [Battery communication error. Does this battery/do these batteries display the Canon logo?] is displayed. Do not use any battery packs other than a genuine Canon Battery Pack LP-E6NH/ LP-E6N/LP-E6.
Shooting-related problems The lens cannot be attached. To attach EF or EF-S lenses, you will need a mount adapter. The camera cannot be used with EF-M lenses ( ). No images can be shot or recorded. Make sure the card is properly inserted ( ). Slide the card's write-protect switch to the Write/Erase setting ( ). If the card is full, replace the card or delete unnecessary images to make space ( , ). Shooting is not possible if the AF point turns orange when you attempt to focus.
The continuous shooting speed is slow. High-speed continuous shooting may be slower depending on the battery level, ambient temperature, flicker reduction, shutter speed, aperture value, subject conditions, brightness, AF operation, type of lens, use of flash, shooting settings, and other conditions. For details, see Selecting the Drive Mode, or see File size/number of shots available and Maximum burst in the Still photo recording specifications. The maximum burst during continuous shooting is lower.
Expanded ISO speeds cannot be selected for still photo shooting. Check the [ISO speed range] setting under [ : ISO speed settings]. Expanded ISO speeds are not available when [ : Highlight tone priority] is set to [Enable] or [Enhanced]. Expanded ISO speeds are not available when [ : HDR shooting ] is set to [Enable]. Even if I set a decreased exposure compensation, the image comes out bright. Set [ : Auto Lighting Optimizer] to [Disable] ( ).
The flash always fires at full output. Flash units other than EL/EX series Speedlites used in autoflash mode always fire at full output ( ). The flash always fires at full output when [Flash metering mode] in external flash Custom Function settings is set to [1:TTL] (autoflash) ( ). Flash exposure compensation cannot be set. If flash exposure compensation is already set with the Speedlite, flash exposure compensation cannot be set with the camera.
The ISO speed cannot be set for movie recording. ISO speed is set automatically in [ ] or [ ] recording mode. In [ ] mode, you can manually set the ISO speed ( ). The minimum speed in the ISO speed range is ISO 200 when [ : Highlight tone priority] is set to [Enable] or [Enhanced]. Expanded ISO speeds cannot be selected for movie recording. Check the [ISO speed range] setting under [ : ISO speed settings].
A time code is not added. Time codes are not added when you record High Frame Rate movies with [Count up] in [ : Time code] set to [Free run] ( ). Additionally, no time code is added to HDMI video output ( ). Time codes advance faster than the actual time. Time codes in High Frame Rate movie recording advance as follows per second ( • Set to 119.88/100.00 fps: 4 sec. ). • Set to 179.82/150.00 fps: 6 sec. I cannot take still photos during movie recording.
Communication problems Cannot pair with a smartphone. Use a smartphone compliant with Bluetooth Specification Version 4.1 or later. Turn on Bluetooth from the smartphone settings screen. Pairing with the camera is not possible from the smartphone's Bluetooth settings screen. Install the dedicated app Camera Connect (free of charge) on the smartphone ( ). Pairing with a previously paired smartphone is not possible if pairing information registered for another camera remains on the smartphone.
Operation problems Settings change when I switch from still photo shooting to movie recording or vice versa. Separate settings are retained for use when shooting still photos and recording movies. I cannot adjust settings with < >, < Set the power/multi-function lock switch to < ( ). Check the [ : Multi function lock] setting ( >, < >, < >, < >, or < >. > to release the multi-function lock ). Touch operation is not possible. Make sure [ : Touch control] is set to [Standard] or [Sensitive] ( ).
Display problems The menu screen shows fewer tabs and items. Tabs and items on the menu screen vary for still photos and movies. The display starts with [ ] My Menu, or the [ ] tab alone is displayed. [Menu display] on the [ ] tab is set to [Display from My Menu tab] or [Display only My Menu tab]. Set [Normal display] ( ). The file name's first character is an underscore (“_”). Set [ : Color space] to [sRGB]. If [Adobe RGB] is set, the first character will be an underscore ( ).
The screen does not display a clear image. If the screen is dirty, use a soft cloth to clean it. The screen display may seem slightly slow in low temperatures or may look black in high temperatures. It will return to normal at room temperature.
Playback problems Part of the image blinks in black. [ : Highlight alert] is set to [Enable] ( ). A red box is displayed on the image. [ : AF point disp.] is set to [Enable] ( ). During image playback, the AF points are not displayed. AF points are not displayed when the following types of images are played back: • Images taken with Multi Shot Noise Reduction applied. • Cropped images. • Images from HDR shooting with [Auto Image Align] set to [Enable]. The image cannot be erased.
Movie playback stops by itself. Extended movie playback or movie playback under high ambient temperature may cause the camera's internal temperature to rise, and movie playback may stop automatically. If this happens, playback is disabled until the camera's internal temperature decreases, so turn off the power and let the camera cool down a while. The movie appears to freeze momentarily.
Images cannot be resized or cropped. This camera cannot resize JPEG images, RAW images, or frame-grab images from 4K movies saved as still photos ( ). This camera cannot crop RAW images or frame-grab images from 4K movies saved as still photos ( ). Dots of light appear on the image. White, red, or blue dots of light may appear in captured images if the sensor is affected by cosmic rays or similar factors. Their appearance may be reduced by performing [Clean now ] under [ : Sensor cleaning] ( ).
Sensor cleaning problems The shutter makes a sound during sensor cleaning. Although there is a mechanical sound from the shutter during cleaning after [Clean now ] is selected, no image is recorded to the card ( ). Automatic sensor cleaning does not work. Repeatedly turning the power switch < > and < prevent the [ ] icon from being displayed ( ).
Computer connection problems I cannot import images to a computer. Install EOS Utility (EOS software) on the computer ( ). Make sure the main EOS Utility window is displayed. If the camera is already connected via Wi-Fi, it cannot communicate with any computer connected with an interface cable. Check the version of the application. Communication between the connected camera and computer does not work. When using EOS Utility (EOS software), set [ 1031 : Time-lapse movie] to [Disable] ( ).
Problems with the multi-function shoe A message was displayed on the screen when I attached an accessory. If [Communication error Reattach accessory] is displayed, reattach the accessory. In case this message is displayed again after reattachment, make sure the terminals of the multi-function shoe and accessory are clean and dry. If you cannot remove the dirt or moisture, contact a Canon Service Center.
Error Codes (1) Error number (2) Cause and countermeasures If there is a problem with the camera, an error message will appear. Follow the on-screen instructions. If the problem persists, write down the error code (Err xx) and request service.
ISO Speed in Movie Recording In [ ] mode ISO speed is set automatically in a range of ISO 100–25600. In [ ], [ ], and [ ] mode ISO speed is set automatically in a range of ISO 100–25600. Setting [Max for Auto] in [ : ISO speed settings] to [H (204800)] ( ) expands the maximum speed in the automatic setting range to H (equivalent to ISO 204800). The minimum speed in the automatic setting range is ISO 200 when [ : Highlight tone priority] is set to [Enable] or [Enhanced] ( ).
Information Display Still Photo Shooting Screen Movie Recording Screen Scene Icons Playback Screen Still Photo Shooting Screen Each time you press the < > button, the information display will change. The display will show only the settings currently applied.
(1) Maximum burst (2) Number of available shots/Sec. until self-timer shoots (3) Focus bracketing/HDR/Multiple exposures/Multi Shot Noise Reduction/Bulb timer/Interval timer (4) Shooting mode (5) AF area (6) AF operation (7) Image quality (8) Card (9) Drive mode (10) Metering mode (11) Accessory attached indicator (12) Electronic level (13) No.
(27) AF point (1-point AF) (28) View Assist (29) HDR PQ (30) Flash ready/FE lock/High-speed sync (31) Electronic shutter (32) Touch Shutter/Create folder (33) AE lock (34) Shutter speed (35) Aperture value (36) Exposure level indicator (37) Overheating warning (38) Set AF point to center (39) Still photo image quality warning (40) AEB/FEB (41) Wi-Fi function (42) Focal length (43) Bluetooth function (44) Wi-Fi signal strength/Airplane mode (45) ISO speed (46) Highlight
Note You can specify the information displayed in response to pressing the < > button ( ). The electronic level is not displayed when the camera is connected via HDMI to a television. Other icons may be displayed temporarily after setting adjustments.
Movie Recording Screen Each time you press the < > button, the information display will change. The display will show only the settings currently applied.
(1) Battery level (2) Movie recording time available/Elapsed recording time (3) Shooting mode (4) AF area (5) Card for recording/playback (6) Movie recording size (7) Audio recording level (manual input) (8) Headphone volume (9) Movie Servo AF (10) Accessory attached indicator (11) Audio recording level indicator (12) HDR PQ (13) Image Stabilizer (IS mode) (14) Histogram (Brightness/RGB) (15) Quick Control button (16) [ ] Movie shooting button (17) White balance/White balanc
(25) AF point (1-point AF) (26) Canon Log (27) HDR movie recording (28) Overheat control (29) Movie self-timer (30) AE lock (31) Shutter speed (32) Aperture value (33) Exposure level indicator (metering levels) (34) Set AF point to center (35) Wi-Fi function (36) Focal length (37) Bluetooth function (38) Wi-Fi signal strength (39) ISO speed (40) Highlight tone priority (41) Exposure compensation 1041
Caution You can specify the information displayed in response to pressing the < button ( ). The electronic level is not displayed in these situations. • When the camera is connected via HDMI to a television > • When [ : Pre-recording set.] is set to [On] The electronic level, grid lines, and histogram cannot be displayed during movie recording (and if they are currently displayed, recording a movie will clear the display).
Scene Icons In < > shooting mode, the camera detects the type of scene and sets all settings accordingly. The detected scene type is indicated in the upper left of the screen. People Subject In Background Subjects Other Than People Motion*1 Nature/ Outdoor Scene Background Color In Motion*1 Close*2 Bright Gray Backlit Blue Sky Included Light blue Backlit *3 *3 Sunset Orange Spotlight Dark With Tripod*1 Dark blue *4 *5 *3 *3 * 1: Not displayed during movie recording.
Playback Screen Basic information display for still photos (1) HDR output status/View Assist (2) Bluetooth function (3) Wi-Fi signal strength (4) Wi-Fi function (5) Battery level (6) Current image no./Total images/No. of images found (7) Shutter speed (8) Aperture value (9) Exposure compensation amount (10) Already sent to a computer/smartphone (11) Rating (12) Image protection (13) Card no. (14) Folder no.-File no.
Caution If the image was taken by another camera, certain shooting information may not be displayed. It may not be possible to play back images taken with this camera on other cameras.
Detailed information display for still photos (1) Aperture value (2) Picture Style/Settings (3) Shutter speed (4) White balance correction/Bracketing (5) Shooting mode/Multiple exposure/Frame Grab (6) White balance (7) Auto Lighting Optimizer (8) First image of scene (9) Image quality/Edited image/Cropping (10) Exposure compensation amount (11) Shooting date and time (12) Histogram (Brightness/RGB) (13) Scroll bar (14) ISO speed (15) Highlight tone priority (16) Metering mode
*[ ] indicates images processed with Multi Shot Noise Reduction. *[ ] indicates test shots for time-lapse movies. *[ ] indicates images created and saved by performing RAW image processing, resizing, cropping, HEIF to JPEG conversion, or frame-grabbing. *[ ] indicates images cropped and then saved. * HEIF images that have been converted to JPEGs are labeled [ 1047 ].
Detailed information display for movies (1) Movie playback (2) Movie recording mode/High Frame Rate mode (3) Movie recording size (4) Frame rate (5) Compression method (6) Movie orientation information (7) Recording time/Time code (8) Movie recording format * For simplicity, explanations are omitted for items that are also included in Basic information display for still photos and Detailed information display for still photos, which are not shown here.
Specifications Type Type: Digital single-lens non-reflex AF/AE camera Lens mount: Canon RF mount Compatible lenses: Canon RF lens group (including RF-S lenses) * Canon EF or EF-S lenses (excluding EF-M lenses) also compatible, using mount adapter EF-EOS R Lens focal length: When using RF/EF lenses: Same as focal length indicated on the lens When using RF-S/EF-S lenses: Approx. 1.6 times the indicated focal length Image sensor Type: Full-frame CMOS sensor Effective pixels*1*2 Max. approx. 24.
Recording media Recording media SD/SDHC/SDXC memory cards UHS-II Supported UHS-I Supported UHS speed class Supported SD speed class Supported Card slot: Equipped with dual card slots * Both card slots are UHS-II compatible Still photo recording Still photo pixel count Resolution (Pixels) Image size Aspect ratio JPEG/ HEIF RAW / 3:2 1.6× (crop)*1 1:1 4:3 16:9 24.0 megapixels (6000×4000) Approx. 9.3 megapixels (3744×2496) 16.0 megapixels (4000×4000) Approx. 21.
File size/number of shots available Image quality JPEG*2 HEIF*3 File size [Approx. MB] Available shots [Approx.]*1 8.2 3700 4.4 6820 4.6 6630 2.6 11450 3.1 9820 1.9 12840 1.8 16290 8.3 3600 6.3 4690 5.0 5830 3.9 7400 3.5 8390 2.8 10270 1.8 14250 26.1 1170 13.2 2350 RAW*2 + 26.1 + 8.2 890 13.2 + 8.2 1430 RAW+JPEG*2 + + 28.6 + 8.3 820 15.8 + 8.3 1260 RAW+HEIF*3 + * 1: Number of shots using a 32 GB card that conforms to Canon testing standards.
Maximum burst [Approx.] Number of shots available when set to [ ], without slower continuous shooting Mechanical shutter / Electronic 1stcurtain (Approx. 12 shots/sec.)*1 Image quality Electronic shutter (Approx. 40 shots/sec.
Movie recording Movie recording format: MP4 Estimated recording time, movie bit rate, and file size Canon Log: OFF, HDR PQ: OFF 128 GB 512 GB Movie bit rate (Approx. Mbps) Total recording time (approx.) Movie recording size 32 GB 59.94 fps 50.00 fps 4K UHD 4K UHD cropped 4K UHD Time-lapse movies 29.97 fps 25.00 fps 23.98 fps 29.97 fps 25.00 fps 179.82 fps 150.00 fps Full HD High Frame Rate movies 119.88 fps 100.00 fps 59.94 fps 50.00 fps Full HD Full HD cropped Full HD Time-lapse movies 29.
Canon Log: ON, or HDR PQ: ON 32 GB 128 GB 512 GB Movie bit rate (Approx. Mbps) 12 min. 50 min. 3 hr. 20 min. 340 2434 IPB (Light) 25 min. 1 hr. 40 min. 6 hr. 40 min. 170 1218 IPB (Standard) 25 min. 1 hr. 40 min. 6 hr. 40 min. 170 1218 IPB (Light) 50 min. 3 hr. 20 min. 13 hr. 20 min. 85 610 ALL-I 9 min. 36 min. 2 hr. 25 min. 470 3362 IPB (Standard) 15 min. 1 hr. 3 min. 4 hr. 12 min. 270 1931 IPB (Light) 28 min. 1 hr. 53 min. 7 hr. 35 min.
Card performance requirements (movie recording) [write/read speed] Movie recording size 59.94 fps 50.00 fps 4K UHD 4K UHD cropped 4K UHD Time-lapse movies Full HD High Frame Rate movies 29.97 fps 25.00 fps 23.98 fps 29.97 fps 25.00 fps 179.82 fps 150.00 fps 119.88 fps 100.00 fps 59.94 fps 50.00 fps Full HD Full HD cropped 29.97 fps 25.00 fps 23.98 fps Full HD Time-lapse movies 29.97 fps 25.
Built-in and external microphones Built-in microphone: Stereo microphones External microphone (External microphone IN terminal): 3.5 mm diameter stereo mini jack External microphone (Multi-function shoe): Compatible with Directional Stereo Microphone DM-E1D Autofocus Focusing method: Dual Pixel CMOS AF Focusing brightness range (Still photo shooting): EV –6.5 to 21 (with an f/1.
Number of AF area available for automatic selection Horizontal: Approx. 100%, Vertical: Approx. 100% Focusing area Still photos Max. 1053 zones (39×27) Movies Max. 1053 zones (39×27) Number of AF zones * May vary depending on settings. Selectable positions for AF point Horizontal: Approx. 90%, Vertical: Approx. 100% Focusing area Still photos Max. 4897 positions (83×59) Movies Max. 4067 positions (83×49) Numbers of positions * When set to [1-point AF] and selected using the Multi-controller.
Viewfinder Type: OLED color electronic viewfinder Screen size: Approx. 1.3 cm (0.5 inch) Dot count: Approx. 3,690,000 dots Magnification / Angle of view: Approx. 0.76× / Approx. 35.2° (with 50 mm lens at infinity, −1 m−1) Coverage: Approx. 100% (at JPEG Large image quality (3:2) and approx. 23 mm eyepoint) Eyepoint: Approx. 23 mm (at –1 m–1 from eyepiece lens end) Dioptric adjustment: Approx. –4.0 to 2.0 m–1 (dpt) Screen Type: TFT color, liquid-crystal monitor Screen size: Approx. 7.5 cm (3.
Exposure control Metering functions under various shooting conditions Item Still photo shooting Movie recording 384-zone (24×16) metering using image sensor output signals*1 Metering sensor Evaluative metering Yes Yes * When faces are detected Yes Partial metering * Approx. 5.9% in the center of the screen*3 Spot metering*2 * Approx. 3.
ISO Auto details for still photos Shooting mode Using flash No flash Variable control of maximum ISO Auto limit for E-TTL / / / Creative Zone / Compatible lens ISO 100*1*2– 102400*2 ISO / Basic Zone 400*3 ISO 100–25600 ISO 100*1*2–6400*2 ISO ISO 100*1*2–1600*2 400*3 ISO 100–6400 Varies by shooting mode Varies by shooting mode * 1: ISO 200 when set to [Highlight tone priority: Enable/Enhanced]. * 2: Varies depending on the [Maximum] and [Minimum] settings for [Auto range].
ISO speed (recommended exposure index) in movie recording Manual ISO speed setting for movies (in M mode) Canon Log 3 Normal ISO speed Expanded ISO speed ISO speed Off ISO 100–25600 (in 1/3 or 1-stop increments) On ISO 800–25600 (in 1/3 or 1-stop increments) Off H (equivalent to ISO 32000, 40000, 51200, 64000, 80000, 102400, or 204800) On L (equivalent to ISO 100, 125, 160, 200, 250, 320, 400, 500, or 640) H (equivalent to ISO 32000, 40000, 51200, 64000, 80000, 102400, or 204800) * Maximum ISO sp
Maximum ISO Auto setting for movies ISO speed Max for Auto ISO 6400–25600 or H (equivalent to ISO 51200, 102400, or 204800), in 1-stop increments Maximum ISO Auto setting for time-lapse movies ISO speed Max for Auto ISO 400, 800, 1600, 3200, 6400, 12800 or 25600, in 1-stop increments 1062
Shutter Still photo shooting Type: Electronically controlled focal-plane shutter Rolling shutter, using the image sensor Shutter mode Mechanical shutter Electronic 1st curtain Electronic shutter Shutter speed / X-sync speed Shutter mode Setting range Setting increments Mechanical shutter X-sync 1/200 sec. 1/8000–30 sec., Bulb Electronic 1st curtain Electronic shutter*1*2 1/3 stop, 1/2 stop 1/250 sec. 1/16000*3, 1/8000–30 sec., Bulb * 1: 1/16000 sec.
Image stabilization (IS mode): Provided Drive Drive mode and continuous shooting speed [Max. approx.] Drive mode Mechanical shutter AF operation Single shooting Yes Electronic 1st curtain Yes Electronic shutter Yes High-speed continuous shooting + One-Shot AF Servo AF 12 shots/sec. 12 shots/sec. 40 shots/sec. High-speed continuous shooting One-Shot AF Servo AF 5.5 shots/sec. 7.0 shots/sec. 20 shots/sec. Low-speed continuous shooting One-Shot AF Servo AF 3.0 shots/sec. 3.0 shots/sec. 5.
External flash Accessory shoe contacts: 21 pins for accessories compatible with the multi-function shoe, 5 pins for X-sync and communication Flash exposure compensation: ±3 stops (in 1/3- or 1/2-stop increments) Playback Item Still photos Movies AF point display Yes Playback grid Off / 3×3 / 6×4 / 3×3+diag Magnified view 1.
Frame grab from 4K movies Individual frames of 4K movies recorded with the camera can be saved as approx. 8.3megapixel (3840×2160) still photos (JPEG or HEIF). * From normal movies, still photos are saved as JPEGs, and from HDR PQ movies, as HEIF images. * Images can be extracted from 4K or cropped 4K movies. * Extraction is not possible from Canon Log 3 movies. * In-camera resizing or cropping and editing Creative filter/Creative assist are not supported for extracted still photos.
Power source Battery Compatible battery packs LP-E6NH / LP-E6N / LP-E6 Quantity used 1 USB battery charging/Camera power supply: Using USB Power Adapter PD-E1 AC power source AC adapter AC-E6N DC coupler DR-E6 Number of shots available Available shots (approx.) Shooting method Temperature Power saving*1 Viewfinder Smooth*2 450 320 760 580 23°C / 73°F Screen * 1: Based on CIPA standards. * 2: According to Canon measurement conditions, which are based on CIPA standards.
Available operating time Conditions of use Temperature Time available for bulb exposure Time available for Live View shooting * Using the screen • IPB (Standard) Time available for movie recording * Movie Servo AF: Disable * Movie cropping: Disable Time available for continuous movie playback (normal playback) 4K • 59.94 fps / 50.00 fps • IPB (Standard) Full HD • 29.97 fps / 25.00 fps Available operating time 23°C / 73°F Approx. 5 hr. 0 min. 23°C / 73°F Approx. 5 hr. 0 min.
Dimensions and weight Dimensions (W) × (H) × (D) Approx. 138.4×98.4×88.4 mm / Approx. 5.45×3.87×3.48 in. * Based on CIPA guidelines. Weight Body (including battery and card 1) * Based on CIPA guidelines. Body only Approx. 670 g / Approx. 23.63 oz. Approx. 588 g / Approx. 20.74 oz. * Not including body cap or shoe cover.
Wi-Fi (Wireless LAN) communication Supported standards (equivalent to IEEE 802.11b/g/n/a/ac standards) Wi-Fi standards IEEE 802.11b Transmission method DSSS modulation IEEE 802.11g Maximum link speed 11 Mbps 54 Mbps IEEE 802.11n 72.2 Mbps OFDM modulation IEEE 802.11a 54 Mbps IEEE 802.11ac 86.7 / 200 / 433.3 Mbps * Not compatible with MIMO (Multiple-input and multiple-output). Transmission frequency (Center frequency) 2.
Bluetooth Standards compliance: Bluetooth Specification Version 5.0 compliant (Bluetooth Low Energy technology) Transmission method: GFSK modulation All data above is based on Canon testing standards and CIPA (Camera & Imaging Products Association) testing standards and guidelines. Dimensions and weight listed above are based on CIPA Guidelines (except weight for camera body only). Product specifications and appearance are subject to change without notice.
Trademarks and Licensing Trademarks About MPEG-4 Licensing Accessories Trademarks Adobe is a trademark of Adobe Systems Incorporated. Microsoft and Windows are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. App Store and macOS are trademarks of Apple Inc., registered in the U.S. and other countries. Google Play and Android are trademarks of Google LLC. IOS is a trademark or registered trademark of Cisco in the U.S.
About MPEG-4 Licensing “This product is licensed under AT&T patents for the MPEG-4 standard and may be used for encoding MPEG-4 compliant video and/or decoding MPEG-4 compliant video that was encoded only (1) for a personal and non-commercial purpose or (2) by a video provider licensed under the AT&T patents to provide MPEG-4 compliant video. No license is granted or implied for any other use for MPEG-4 standard.
Accessories Use of genuine Canon accessories is recommended This product is designed to achieve optimum performance when used with genuine Canon accessories. Therefore, using this product with genuine accessories is highly recommended. Canon shall not be liable for any damage to this product and/or accidents such as malfunction, fire, etc. caused by the failure of non-genuine Canon accessories (e.g., a leakage and/or explosion of a battery).
