Best Practices Guide A 25 Step Guide for Preparing The EOS C300 Mark II for Shooting V 5.4 © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
Table of Contents Camera Buttons and Controls Camera Left Side Buttons and Controls Camera Rear View Buttons and Controls Camera Right Side Buttons and Controls Camera Front View Camera Bottom and Top View Page 3 4 5 6 7 Camera Setup 1. Download the Manual 2. Powering the Camera 3. Checking Battery Power 4. Check the Firmware 5. Reset the Camera 6. Set the Date, Time, and Language 7. Check the Status Screens 8. Assignable Buttons 9. Check the Sensor/Perform Black Balance 10. Prepare Recording Media 11.
Camera Left Side Buttons and Controls 3 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
Camera Rear View Buttons and Controls NOTE: This LCD panel display on the back of the camera body is the only place you can visually monitor all four tracks of audio the camera is acquiring. 4 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
Camera Right Side Buttons and Controls 5 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
Camera Front View 6 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
Camera Bottom & Top View 7 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
25 STEPS FOR PREPARING THE EOS C300 MARK II FOR SHOOTING Download the EOS C300 Mark II Manual 1 Every procedure outlined in this guide comes from the EOS C300 Mark II Instruction Manual. To download it, click the link below, copy and paste the link in your browser, or visit the Canon, USA web site at usa.canon.com for more details. For the complete EOS C300 Mark II instruction manual go to: EOS C300 Mark II Manual https://www.usa.canon.
2 Power the Camera Power the camera using the supplied 14.4 V DC BP-A30 Battery Pack, which comes with the camera, or the optional BP-A60 Battery Pack. Charging Times: • • BP-A30: Approximately 2 hours and 50 minutes BP-A60: Approximately 5 hours BP-A30 BP-A60 • The camera body does not have a built-in battery recharging function. • Use the CG-A10 Battery Charger to charge battery packs. • You can charge two battery packs simultaneously with the CG-A10. Connecting the CA-A10 AC Adapter -- 16.
Check the Battery Power 3 Check the Battery: a). Press the button on the back of the battery and LEDs on the battery will indicate its approximate state of charge: b). Approximate percentage of charge and remaining battery run time can be displayed in the camera’s viewfinder, and on its LCD monitor (please note that these are not precise numbers, and depending on conditions may not be entirely accurate).
Check the Firmware 4 Charge the battery and power the camera (see Powering the Camera Step #2). Check the firmware version against the Canon, USA website to see that the camera has the latest firmware installed: https://www.usa.canon.com/internet/portal/us/home/support/ Click ‘Drivers and Downloads’: • Enter the model Information, then follow the instructions on the website to download, install and update the firmware, if necessary.
Reset the Camera 5 When setting up for a new shoot, performing a full reset of All Settings on the camera is advisable. This clears any previous settings, and returns the camera to a known, factory-default state. This is especially important if you’re not certain of all settings from its most recent use.
Using the optional GP-E1 GPS Receiver, you can have the camera adjust settings automatically according to the UTC date/time information received from the GPS signal: [System Setup] > [GPS] > [Auto Time Setting] > [On] Canon GPS-E1 7 Check the Status Screens • Status screens give you a quick check of all camera settings. You can also output the status screens to an external monitor.
Step 3 • • Press the assignable button to open the status screens: o The status screen most recently displayed will appear unless you turned off the camera or changed the operating mode. o In that case, the [Gamma/Color Space/Color Matrix] status screen appears in CAMERA mode and the [Assignable Buttons 1/3] status screen appears in MEDIA mode.
Available Status Screens include: • [Gamma/Color Space/Color Matrix] screen, [CP Data] screens • [Assignable Buttons] screens • [Audio] screens • [Media] screen • [Video] screen • [Metadata] screen • [Battery/Hour Meter] screen • [GPS Information Display] screen • If optional GPS Receiver GP-E1 is attached and active [Network Settings] If optional WFT-E6A Wireless File Transmitter is attached and active Canon GPS Receiver GP-E1 Canon Wireless File Transmitter WFT-E6A 15 Best Practices G
Assign External Buttons 8 The camera offers 22 buttons to which you can assign various functions. Assign often-used functions to the buttons you find most convenient to personalize the camera to your needs and preferences. You Can Assign: • • • 11 buttons on the camera body 10 buttons on the monitor unit 1 button on the grip unit Changing the Assigned Function: 1. Press the MENU button, while holding it pressed down, press the assignable button whose function you wish to change.
Changing the Assigned Function (cont’d): 2. Select the desired function and press SET. • The selected function will be assigned to the selected button. • If you selected one of the preset functions, the rest of this procedure is not necessary. If you selected [User Setting], the menu’s title bar will turn blue to indicate you are selecting a menu setting to register. 3. To register a menu item, navigate to the menu setting you want to register and then press SET.
Using an Assignable Button: After you assign a function to one of the buttons, press the button to activate the function. For some functions an options menu may appear. In such case press the desired option and press SET. Assignable Functions: Functions can be set separately in CAMERA mode and MEDIA mode. Refer to the following table for assignable functions and available modes.
Function Name Assignable Button Descriptions Camera ✔ Media ✔ [Add ✓ Mark] Adds an ✓mark to the clip [Time Code] Displays the [Time Code] submenu ✔ [Time Code Hold]* Puts the time code information on hold and resumes it ✔ ✔ [Headphones +] Increases the headphone volume ✔ ✔ [Headphones -] Decreases the headphone volume ✔ ✔ [Monitor Channels] Switches the audio output channel ✔ ✔ [Audio Level] Turns the audio level meter on/off ✔ ✔ [Photo]* Records a photo ✔ ✔ [Review Recordin
Check the Sensor/Perform Black Balance 9 NOTE: The camera’s 8.85 megapixel CMOS sensor is a delicate piece of precision engineering. Direct exposure of the sensor to ion rays or other types of cosmic radiation may affect it and may rarely appear as bright colored dots on the screen. This is the nature of CMOS image sensors and does not represent a malfunction. Adjusting the black balance may solve the problem.
Perform a Black Balance (cont’d): Adjusting the Black Balance is also necessary in the following cases: • • • • When using the camera for the very first time or after a long period of not using it. After sudden or extreme changes in ambient temperature. After changing the ISO speed/gain settings After resetting all the camera settings NOTE: The automatic black balance procedure takes about 40 seconds when the frame rate is set to 23.98P. 21 Best Practices Guide © 2015 Canon U.S.A., Inc.
10 Prepare Recording Media The C300 Mark II records 4K clips on CFast 2.0™ compliant cards, and 2K or Full HD clips (proxy files) and photos on SD Class 6 and Class 10 cards. CFast (CompactFast) 2.0™ cards are the next-generation mass-storage media employed by the EOS C300 Mark II for in-camera 4K video recording. The EOS C300 Mark II Digital Cinema Camera features two CFast 2.0™ card slots, each of which is protected by a convenient hinged cover.
Set the Clip Name 11 23 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
The Basic Clip Name File Structure is as Follows: 1. Camera Index: One character A to Z that identifies the camera used. 2. Reel Number: 3 characters 001 to 999 that identify the recording media used. 3. Clip Number: 4 characters C001 to D999. The clip number advances automatically with each clip recorded, switching to D001 to C999) but you can set the initial clip number. 4. Recording Date: Set automatically by the camera 5.
Set the Video Configuration System Frequency, Frame Rate, Resolution, Bit Rate 12 RAW Recording*: While the C300 Mark II is recording either 4K or UHD on-board via the XF-AVC codec, it simultaneously delivers an uncompressed 10-bit Log encoded RAW version of that selected format (4K DCI or UHD) via the 3G -SDI output terminal labeled REC OUT. It is also capable of delivering the same signal on the MON. 3G-SDI output terminal.
1. Select the System Frequency: • [Recording/Media Setup] > [System Frequency] > [59.94Hz] or [50.00Hz] or [24.00Hz] The camera will reset and restart in the selected mode. 2. Select the Frame Rate: • [Recording/Media Setup] > [Frame Rate] > ex. [29.97P] The selected frame rate will appear on the top of the screen and on the rear panel. 3. Select the Resolution and Color Sampling Settings: • [Recording/Media Setup] > [Resolution/Color Sampling] > ex.
4. Select the Bit Rate: NOTE: The bit rate can only be changed when the resolution is set to [2048x1080 YCC422 10 bit] or [1920x1080 YCC422 10 bit]. All other bit rates are variable rates depending on which [Resolution/Color Sampling] you choose. The highest bit rate available is 410 Mbps using XFAVC Intra-frame, 50 Mbps using XF-AVC Log GOP, and 24 Mbps for XF-AVC Proxy options.
Available Video Configurations PAL: System Frequency/Frame Rate Bit Rate and Compression Resolution and Color Sampling 4096x2160 3840x2160 2048x1080 1920x1080 YCbCr 4:2:2 10-bit 410 Mbps, Intra-Frame RGB 4:4:4 12-bit 225 Mbps, Intra-Frame RGB 4:4:4 10-bit 210 Mbps, Intra-Frame YCbCr 4:2:2 10-bit 50.00 Hz 50.00P 50.00i 25.00P 24.
XF-AVC Long-GOP CODEC Details and Recording Durations Format Color Coding XF-AVC Long GOP Broadcast 4:2:2 Bit Depth 10 Bit Rate (Mbps) 50 Frame Rates (fps) Media Cfast (GB) 32 64 59.94P / 50P 80 min 160 min 29.97P/25P 24.00P/23.98P 59.94i / 50i 80 min 160 min 13 Setup Simultaneous Recording of Proxy Clips: In addition to the primary clip recorded on a CFast 2.0™ card, you can simultaneously record a 2K/HD YCbCr 4:2:0 proxy clip on an SD card.
Steps to setup proxy clip recording: 1. Open the proxy recording [Activate] submenu: • [Recording/Media Setup] > [XF-AVC Proxy Recording] > [Activate] 2. Select [On] and press SET. 3. To apply a LUT to proxy clips, open the proxy recording [Apply LUT] submenu: • [Recording/Media Setup] > [XF-AVC Proxy Recording] > [Apply LUT] 4. Select the desired LUT and then press SET. Press the START/STOP button to start and stop recording.
Setup Slow & Fast Motion Recording (if necessary): 14 The C300 Mark II can be set to shoot and capture at a wide range of frame rates. It can be set in 1 fps increments from 1 to 30 fps, in 2fps increments from 32 to 60 fps, and in 4 fps increments from 60 to 120 fps.
To Configure the Camera for Slow & Fast Motion Shooting: • Open [Recording/Media Setup] > [Recording Mode] • Select [Slow & Fast Motion] or [Slow & Fast Motion (crop)] o With the [Slow & Fast Motion (crop)], you can select frame rates up to 120fps (by pressing S&F Frame Rate button #7 on the left side of the camera body and moving the joystick up or down), but the resolution is lowered, a 2X crop is applied, and the color sampling is changed to YCbCr4:2:2 10bit.
• To change the shooting frame rate, press the S&F FRAME RATE button and the shooting frame will be highlighted in orange. • Push the joystick up/down or turn the SELECT dial to select the desired rate. Set the Main Camera Functions: Shutter Speed, ISO Speed/Gain, White Balance: 15 Set the Shutter Speed Mode and Value: 1. Navigate to [Camera Setup] > [Shutter] > [Mode] 2. Select operating mode: [Speed], [Angle], [Clear Scan], [Slow], or [Off].
Available Shutter Speeds: Shutter Speed Mode System Frequency/Frame Rate 59.94P/59.94i 59.94 Hz 29.97P 1/3 Stop [Speed]* 1/4 Stop 23.98P 24.00 Hz 24.00P 50.00 Hz 50.00P/50.00i 25.00P 1/1, 1/1.26, 1/2, to 1/2000 1/1, 1/1.19, 1/1.41, 1/1.68, 1/2 to 1/24, 1/30, 1/34, 1/40, 1/48, 1/60 to 1/2000 1/1, 1/1.19, 1/1.41, 1/1.68, 1/2 to 1/25, 1/33, 1/40, 1/50, 1/60 to 1/2000 360.00°, 240.00°, 180.00°, 120.00°, 90.00°, 60.00°, 45.00°, 30.00°, 22.50°, 15.00°, 11.25° [Angle]*, ** 23.98 Hz to 250.38 Hz 24.
To Change the ISO Speed or Gain Value: 1. Navigate to [Camera Setup] > [ISO/Gain] > [Select] 2. Select [ISO] or [Gain] and then press SET. 3. Open the [ISO Increment] or [Gain Increment] submenu to select the increment (1 Stop or 1/3 Stop) to use when adjusting ISO or Gain: [Camera Setup] > [ISO/Gain] > [ISO Increment] or [Gain Increment] 4. After closing the menu, press the ISO/Gain button to enter the direct setting mode with the ISO speed or gain value highlighted.
Using the Control Dial to change the ISO Speed or Gain Value: • You can adjust the ISO speed or gain value by using the control dial on the camera or the grip unit. You will need to set it up in advance by assigning the function to each control independently. 1. Open the [Camera Control Dial] or [Grip Control Dial] submenu: [System Setup] > [Custom Function] > [Camera Control Dial] or [Grip Control Dial]. 2. Select [ISO/Gain] and press SET.
Adjust the White Balance: The EOS C300 Mark II uses an electronic white balance process to calibrate the picture and produce accurate colors under different lighting conditions. To adjust the white balance either press the WB button or press the FUNC. button and joystick to enter the direct setting mode. There are 4 different methods to adjust the white balance: 1.
16 Select the Custom Picture Settings Custom Picture Files The Camera lets you edit many of the settings that control various aspects of the image produced. As a set, all of these settings are treated as a single “custom picture file”. You can save up to 20 custom picture files – either internally or to an SD card – and use them later to apply the exact same settings. You can also save the custom picture file as part of the metadata. Embedded in the clips recorded on the CFast card.
Select the Custom Picture Settings (cont’d): Preset and Main Picture Settings: [Preset] The camera offers a number of preset picture settings (combinations of color space, gamma curve, and color matrix). [CP Custom Picture] > [Preset] When [Preset] setting is selected, the settings are established in the combinations that are listed in the table below: Preset Canon Log 2: Cinema Gamut Canon Log 2: Cinema Gamut Canon Log 2: Cinema Gamut Canon Log 2: BT. 709 Canon Log BT. 2020 BT.
Select the Gamma Curve (if a [Preset] setting was not selected): [Main Settings] > [Gamma]: The gamma curve changes the overall look of the image. (Default: [Wide DR]). [Canon Log 2]: Logarithmic gamma curve that obtains an even wider dynamic range than with the [Canon Log] option. Requires image processing in post-production. (18% Gray = 39.
Select the Color Space (if a [Preset] setting was not selected): [Main Settings] > [Color Space] Determines the color space of the image. (Default: [BT.709 Gamut]). [Cinema Gamut]: Color Space developed by Canon based on the specific characteristics of the camera’s imaging sensor. It covers a wider color gamut than that of BT.2020. Use this setting with workflows that require ACES color space. [BT.2020]: Color space that meets ITU-R BT.2020 standards, which defines parameters for UHD 4K and 8K television.
Select the Color Matrix (if a [Preset] setting was not selected): [Main Settings] > [Color Matrix] The color matrix affects the overall color tonality of the image and can be useful when matching with other cameras from Canon or even different manufacturers. [Neutral]: Reproduces colors faithful to the colors of the subject.
17 Apply a LUT to Screens/Video Outputs: While recording to [Canon Log 2], [Canon Log], or [WIDE DR] gammas, you can apply LUTs to the video output from the REC OUT terminal, MON. terminal or HDMI terminal and to the image displayed on the LCD viewfinder. To check the image with the LUT applied on an external monitor, you will need one that is compatible with the selected color space. Available LUTs by gamma curve and color space [Gamma] [Color Space] Available LUTs [BT.709] [BT.
3. Select [MON. & HDMI (2K)], [REC OUT (2K)] or [LCD & VF] and then press SET. • • • • Repeat as necessary to select the LUT applied to other output terminals/displays. For the LCD screen and viewfinder, only the [BT.709] LUT is available. If a LUT is not needed, select [Off]. If you change the [CP Custom Picture] > [Preset] or [CP Custom Picture] > [Main Settings] > [Gamma] or [Color Space] settings, the LUT will be deactivated and all the terminals’ output settings will be rest to [Off].
Configure Onscreen Displays: 18 Customizing Onscreen Displays: Use the custom display function to turn off individual onscreen displays if they are not required, or simply to remove items to suit your shooting style. This is a representation of the Monitor Unit display screen fully loaded. See the charts below for explanations of the individual components by screen position (left, right, top, bottom).
Configure Onscreen Displays (cont’d) To Customize the Arrangement of the OLED Displays on the Monitor Unit: • Repeatedly press the DISP. button on the monitor unit, or assign a button set to [Display] to switch the onscreen display options in the following sequence: 1. Show all onscreen displays: This layout is almost exactly like the display on screen display appearance of previous Canon Cinema EOS cameras like the C100, C300, and the C500. 2. Surrounding icons: AKA “perimeter displays.
Configure Onscreen Displays (cont’d) Onscreen Display Explanations: The menu item that controls each display is given in the tables that follow on the next few pages. The number “1:” Indicates a menu item under [Custom Display 1] and “2:” indicates a menu item under [Custom Display 2]. Refer to the manual (where indicated) for more information. Onscreen Displays - Left Side of LCD Screen: 47 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved.
Onscreen Displays - Top of LCD Screen: 48 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
Onscreen Displays - Right Side of LCD Screen: 49 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
Onscreen Displays – Bottom-Center of LCD Screen: 50 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
19 Superimpose Onscreen Displays on Video Outputs To Output Onscreen Displays to External Monitors: • Open the [OSD Output (2K)] submenu. o [Picture/Terminals Setup] > [MON. Terminal] > [ mode) or [REC OUT/MON. Terminal] ( mode) > [OSD Output (2K)] o Select [ON] and then press SET. NOTE: In CAMERA mode, when [Recording/Media Setup] > [REC OUT 4K RAW mode] is set to [4K RAW] and [Picture/Terminals Setup] > [MON. Terminal] > [Output] is set to [4K RAW Priority], onscreen displays will not be output.
Handle Unit and Mounting Bracket: 52 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
Configure the Viewfinder: 21 Install the rubber Eye Cup: Adjust the Diopter: Check the Eye Sensor: The camera’s viewfinder features an OLED screen that turns on automatically when you look through it, and turns off shortly after you stop using it. You can turn on the viewfinder for constant operation by setting: [Picture/Terminals Setup] > [Viewfinder Setup] > [Eye Sensor] > [Off] WARNING! Never point the viewfinder at the sun or a strong light source as this may damage internal components.
Configure the Viewfinder/LCD Screen: 22 Adjusting the Viewfinder/LCD Screen: You can adjust brightness, contrast, color, sharpness, and luminance of the viewfinder and LCD screen independently of each other: [Picture/Terminals Setup] > [LCD Setup] or [Viewfinder Setup] • Select the desired adjustment. • Also, you can choose to have either or both display a black and white image. 54 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved.
Configure the Grip Unit: 23 The Grip Unit: The Grip Unit comes attached to the camera body, but you can replace it with a thumb rest for a minimal configuration. The Grip Unit can be attached in any of 24 positions. Be sure to firmly seat the cable when attaching the Grip Unit as it contains an internal data connection. Seat the plug until the white line around the terminal is no longer visible. Failure to seat it completely will prevent the camera from operating properly.
Configure the Outputs: 24 NOTES: The video signal output from the REC OUT and MON. terminals depends on the clips video configuration and on other menu settings. • The data signal output from the REC OUT terminal and MON. terminal includes the video signal, 4-channel audio*, time code, metadata and file name information. *During 4K RAW recording, 2-channel 16-bit audio will be output instead. You can enable output from the REC OUT and MON. terminals independently.
To use the MON. OUT terminal in CAMERA mode: 1. [Picture/Terminals Setup] > [Select Monitoring Devices] 2. Select [MON.+HDMI+LCD(VF)] Or, [MON.+HDMI+VF] and then press SET. 3. Open the MON. terminal’s [OUTPUT] submenu • [Picture/Terminals Setup] > [MON. Terminal] > [Output] 4. Select the desired output and press SET NOTE: To use the MON. terminal for 4K RAW output, you must set it in advance to 4K RAW output using the previous procedure.
Terminal Options REC OUT terminal: • [4K RAW]: Outputs 4K RAW video. This setting is only available when [CP Custom Picture] > [Main Settings] > [Gamma] has been set to [Canon Log 2] or [CP Custom Picture] > [Preset] has been set to one of the [Canon Log 2] options. • [2K]: Outputs 2K video. MON. terminal: • [4K RAW Priority]: When the REC OUT terminal’s output is set to 4K RAW output, outputs 4K RAW video.
RC-V100 Remote Support LANC Compatible The EOS C300 Mark II Digital Cinema Camera supports the Canon RC-V100 multi-functional remote controller for enabling image quality adjustments and camera operations to be set from a distance. The EOS C300 Mark II Digital Cinema Camera is also LANC compatible and supports a variety of LANC accessories from third-party manufacturers.
Configure the Dual Pixel CMOS Autofocus 25 The C300 Mark II offers several ways to assist you in acquiring sharp and accurate focus – whether manually or in AF mode – incorporating an advanced Dual Pixel CMOS Autofocus system: Dual Pixel Focus Guide/Peaking/Magnification: In order to focus more reliably, you can use the Dual Pixel Focus Guide – an onscreen graphic guide that illustrates the focusing action and gives you confirmation when the subject is in focus using color and basic animation.
To Activate One-Shot AF: With the lens’ focus switch set to AF, you will be able to focus manually, but still have the option to press the ONE-SHOT AF button to let the camera acquire focus on the subject you place inside the AF frame. The camera is set to [One Shot] by default.
Continuous AF: The camera continuously focuses on the subject inside the AF frame. You can use the Focus Lock function to change the composition of the image while keeping focus on the selected spot. This works over approximately 80% of the image area. 1. Set the focus mode on the lens to AF 2. Open the [AF Mode] submenu 3. Select [Continuous] and then press SET • • A white AF frame will appear on the screen. If necessary, change the size and position of the AF frame.
Activating AF Lock: While using Continuous AF or AF-Boosted MF, you can lock focus and then move the camera to change the composition. • • • • To use AF Lock you must set an assignable button in advance to [AF Lock]. While the autofocus is active, press the assignable AF Lock button. The AF frame will turn gray. While you are using Face AF, the face detection frame will turn gray. Press the button again to cancel AF Lock and return to continuous autofocus.
4. Select the desired option and then press SET 5. Point the camera at the subject • A face detection frame will appear around all detected faces. The person identified as the main subject will have a face detection frame with small arrows (< >) on the sides. If necessary, push the joystick left/right or turn the SELECT dial to change the main subject when there is more than one person on camera. • • • Will appear in white when a face is detected and gray when one is not detected.
Face AF operation by AF mode (cont’d): NOTES: About Face AF: • In certain cases faces may not be detected correctly. • Face detection cannot be used in the following cases: o When the shutter speed used is slower than 1/30 (59.94Hz) or 1/24 (24Hz) recordings. o When using Slow & Fast motion recording. o The camera may mistakenly detect non-human faces. In this case turn face detection off.
In [Face Priority] push the joystick in and direct it to the center of the desired subject and then press SET. If the tracking failed, the will turn red momentarily. If that happens, select the subject again. 6. The face detection frame or mark changes to a tracking frame and the camera will start tracking the subject. • During Continuous AF, the camera will continue tracking the selected subject.
Menu Items: The following tables from the C300 Mark II User Manual represent the Menu options and their location within the Menu of the C300 Mark II. The column to the far right is where you can locate the description of the options in the C300 Mark II User Manual. [Camera Setup] Menu: 67 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
[Custom Picture] Menu: [Audio Setup] Menu: 68 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
[Recording/Media Setup] Menu: 69 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
[Recording/Media Setup] Menu (cont’d): 70 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
[Picture/Terminals Setup] Menu: 71 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
[Picture/Terminals Setup] Menu (cont’d): 72 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
[Assistance Functions] Menu: 73 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
[Assistance Functions] Menu (cont’d): [System Setup] Menu: 74 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
[System Setup] Menu (cont’d): 75 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
[System Setup] Menu (cont’d): [My Menu] Menu: 76 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
Notes: 77 Best Practices Guide © 2015 Canon U.S.A., Inc. All Rights Reserved. Reproduction in whole or part without permission is prohibited.
