C Y P O INSTRUCTION MANUAL E E The “Software Start Guide” is included at the end of this manual.
Introduction The EOS-1D X is the top-of-the-line EOS DIGITAL high-performance digital single-lens reflex camera featuring a full-frame (approx. 36 x 24 mm) CMOS sensor with approx. 18.1 effective megapixels, Dual DIGIC 5+, normal ISO speed range of ISO 100 - 51200, approx. 100% viewfinder coverage, high-precision and high-speed 61-point AF, approx. 12 fps high-speed continuous shooting, RGB metering sensor, 3.2-inch LCD monitor, Live View shooting, and Full High-Definition (Full HD) movie shooting.
Item Check List Before starting, check that all the following items have been included with your camera. If anything is missing, contact your dealer.
Conventions Used in this Manual Icons in this Manual <6> <5> <9> <0> 0, 9, 7, 8 : Indicates the Main Dial. : Indicates the Quick Control Dial. : Indicates the Multi-controller. : Indicates the Setting button. : Indicates that the corresponding function remains active for 4 sec., 6 sec., 10 sec., or 16 sec. respectively after you let go of the button.
Chapters Introduction 1 2 3 4 5 6 7 8 9 10 11 12 13 14 2 Getting Started 29 Setting the AF and Drive Modes 65 Image Settings 113 Exposure Control 163 Flash Photography 189 Y P O Shooting with the LCD Monitor (Live View Shooting) 199 Shooting Movies 219 C Image Playback 245 Post-Processing Images 285 Sensor Cleaning 293 Printing Images and Transferring Images to a Computer 299 Customizing the Camera 317 Reference 353 Software Start Guide 409 5
Contents Introduction 2 Item Check List................................................................................. 3 Conventions Used in this Manual ..................................................... 4 Chapters........................................................................................... 5 Index to Features ........................................................................... 12 Handling Precautions .....................................................................
Contents 2 Setting the AF and Drive Modes 65 2: Selecting the AF Mode............................................................ 66 S Selecting the AF Area............................................................... 69 AF Area Selection Modes ............................................................... 72 About the AF Sensor....................................................................... 75 Lenses and Usable AF Points.........................................................
Contents Creating and Selecting a Folder ................................................... 154 Changing the File Name............................................................... 156 File Numbering Methods .............................................................. 158 Setting Copyright Information....................................................... 160 Setting the Color Space ............................................................... 162 4 Exposure Control 163 d: Program AE.............
Contents Using AF to Focus ........................................................................ 209 Focusing Manually ........................................................................ 216 7 Shooting Movies 219 k Preparing to Shoot Movies ..................................................... 220 k Shooting Movies ..................................................................... 221 Autoexposure Shooting ..............................................................
Contents Viewing the Images on TV ........................................................... 269 J Protecting Images................................................................... 273 K Recording and Playing Voice Memos ..................................... 275 a Copying Images ...................................................................... 277 L Erasing Images........................................................................ 280 Changing Image Playback Settings ..........................
Contents Custom Function Settings............................................................. 320 C.Fn1: Exposure ........................................................................ 320 C.Fn2: Exposure ........................................................................ 323 C.Fn3: Drive ............................................................................... 326 C.Fn4: Disp./Operation .............................................................. 327 C.Fn5: Operation.......................
Index to Features Power Charging the battery Battery check Battery information check Power outlet Auto power off Î p.30 Î p.39 Î p.360 Î p.361 Î p.57 Card Format Î p.55 Select card Î p.114 Release shutter without card Î p.36 Lens Attaching/Detaching Viewfinder Dioptric adjustment Eyepiece shutter Grid display Electronic level Focusing Screen Î p.42 Î p.40 Î p.364 Î p.160 Î p.58 C Î p.45 Î p.179 Î p.61 Î p.61 Î p.327 LCD monitor Brightness adjustment Electronic level Feature guide Î p.282 Î p.
Index to Features Shooting Shooting mode Multiple exposures Mirror lockup Depth-of-field preview Remote Switch Quick Control Î p.24 Î p.180 Î p.187 Î p.170 Î p.179 Î p.51 Exposure Adjustment Exposure compensation AEB AE lock Safety shift Î p.175 Î p.176 Î p.177 Î p.322 Flash External flash External flash function settings External Speedlite Custom Functions Live View shooting Live View shooting Focusing Î p.193 Î p.198 Î p.199 Î p.
Handling Precautions Camera Care This camera is a precision instrument. Do not drop it or subject it to physical shock. The camera is not waterproof and cannot be used underwater. If you accidentally drop the camera into water, promptly consult your nearest Canon Service Center. Wipe off any water droplets with a dry cloth. If the camera has been exposed to salty air, wipe it with a well-wrung wet cloth. Never leave the camera near anything having a strong magnetic field such as a magnet or electric motor.
Handling Precautions LCD Panel and LCD Monitor Although the LCD monitor is manufactured with very high precision technology with over 99.99% effective pixels, there may be a few dead pixels among the remaining 0.01% or less pixels. Dead pixels displaying only black or red, etc., are not a malfunction. They do not affect the images recorded. If the LCD monitor is left on for a prolonged period, screen burn-in may occur where you see remnants of what was displayed.
Quick Start Guide 1 Insert the battery (p.34). 2 Insert a card (p.35). 3 Attach the lens (p.43). 4 5 16 To charge the battery, see page 30. Two cards can be inserted. Y P O Align it with the red dot. C Set the lens focus mode switch to (p.43). Set the power switch to <1> (p.38).
Quick Start Guide 6 Set the shooting mode to (p.164). 7 Focus the subject (p.46). 8 9 Press the button. Look at the top LCD panel and turn the <6/5> dial to select . Look through the viewfinder and aim the viewfinder center over the subject. Press the shutter button halfway, and the camera will focus the subject. Y P O Take the picture (p.46). C Press the shutter button completely to take the picture. Review the picture (p.57). The captured image will be displayed for 2 sec.
Nomenclature Lens mount index (p.43) Mirror (p.187, 297) Depth-of-field preview button (p.170) Movie microphone (p.236) Multi-function button 2 (p.335) Self-timer lamp (p.112) Lens lock pin Shutter button (p.46) Lens release button (p.43) Lens mount Grip C Y P O Vertical-grip on/off switch (p.49) Vertical-grip AF area selection mode/Multi-function/ Multi-spot metering button (p.49, 70/190/174) Tripod socket Contacts (p.15) Body number Vertical-grip Main Dial (p.
Nomenclature White balance selection button (p.137) Exposure compensation/ Aperture button (p.175/171) AF area selection mode/Multi-function/ Multi-spot metering button (p.70/190/174) LCD panel illumination button (p.50) Hot shoe ISO speed setting button (p.124) Flash-sync contacts <6> Main Dial (p.47) Eyecup (p.45) C Y P O Strap mount (p.29) <9> Multi-controller (p.49) <0> Setting button (p.53) <5> Quick Control Dial (p.48) LCD monitor (p.282) Quick Control button (p.
Nomenclature Top LCD panel (p.24, 25) Focal plane mark Metering mode selection/Flash exposure compensation button (p.173/190) Live View shooting/ Movie shooting button (p.200/220) AF start button (p.46, 67, 68, 202, 228) Shooting mode selection button (p.164, 201, 221, 222) AE lock button (p.177) AF mode selection/ Drive mode selection button (p.66/110) AF point selection button (p.70, 71) AEB setting button (p.
Nomenclature Menu button (p.53) Info button (p.203, 227, 246, 248, 358) Card slot 1 (p.35) Strap mount (p.29) Card slot 2 (p.35) Card slot cover (p.35) Terminal cover Network lamp (9 Separate booklet) Playback button (p.246) Card/ Image size selection button (p.116/117) Index/Magnify/ Reduce button (p.251/253) System extension terminal External microphone IN terminal (p.237) Remote control terminal (N3 type) (p.179) PC terminal (p.191) Card 1 eject button (p.
Nomenclature Viewfinder Information Spot metering circle (p.173) Area AF frame (p.70) Focusing screen (p.327) Single AF point Spot AF (single point) (p.72) Grid (p.61) Exposure level indicator Max. burst (p.122) Remaining number of exposures (p.182) Y P O AF status indicator (p.68) Battery check (p.39) C JPEG icon (p.121) <1> RAW icon (p.
Nomenclature ISO speed (p.124) Metering mode (p.173) Shooting mode AE lock (p.177) AEB in-progress (p.176) Multi-spot metering (p.174) Flash-ready (p.190) Improper FE lock warning C FE lock (p.190) FEB in-progress (p.197) High-speed sync (p.196) AF point selection ( [ -- -- ] AF, SEL [ ], SEL AF) AF point registration ( [ -- -- ] HP, SEL [ ], SEL HP) Card warning (Card 1/2/1.2) Y P O Focus confirmation light (p.164) AF status indicator (p.101) ISO speed (p.
Nomenclature Top LCD Panel Shutter speed Bulb (buLb) Bulb exposure time (min.:sec.) FE lock (FEL) Busy (buSY) Multi function lock warning (L) No card warning (Card) Error code (Err) Cleaning image sensor (CLn) Aperture AEB amount Dust Delete Data acquisition (- -) AF point selection ( [ -- -- ] AF, SEL [ ], SEL AF) AF point registration ( [ -- -- ] HP, SEL [ ], SEL HP) Card warning (Card 1/2/1.2) ISO speed (p.
Nomenclature Auto Lighting Optimizer (p.146) White balance correction (p.144) Metering mode (p.173) q Evaluative metering w Partial metering r Spot metering e Center-weighted average metering <0> Monochrome shooting (p.130) White balance (p.137) Q Auto W Daylight E Shade R Cloudy Y Tungsten light U White fluorescent light I Flash O Custom P Color temperature Drive mode (p.110) u Single shooting o High-speed continuous shooting p Low-speed continuous shooting k 10-sec. self-timer l 2-sec.
Nomenclature Rear LCD panel GPS device connection*1 Card 2 indicator (p.36) Movie-recording size (p.233) L : Full High-Definition recording quality K : High-Definition recording quality J : Standard-definition recording quality Card 2 selection icon (p.36) Card 1 indicator (p.36) Bluetooth connection*2 Wired LAN connection*3 Card 1 selection icon (p.36) Data transfer icon*4 C Image size (p.
Nomenclature Battery Pack LP-E4N Lock lever Contacts Battery release handle C Protective cover Y P O 27
Nomenclature Battery Charger LC-E4N Charger for Battery Pack LP-E4N (p.30). Charge level/Calibration (Discharge) status indicator/ Performance check lamp Charge lamp Calibration/Performance check button Battery pack slot Car battery cable socket Power cord socket Protective covers (2) C Y P O Power cord The charger can also recharge the Battery Pack LP-E4.
Getting Started Y P O This chapter explains preparatory steps before you start shooting and basic camera operations. C Attaching the Strap Pass the end of the strap through the camera’s strap mount eyelet from the bottom. Then pass it through the strap’s buckle as shown in the illustration. Pull the strap to take up any slack and make sure the strap will not loosen from the buckle.
Charging the Battery 1 Connect the charger to a power outlet. Connect the power plug to a power outlet, and connect the power cord to the charger. When no battery is attached, all the indicator lamps will be off. the protective covers. 2 Remove As shown in the illustration, detach the charger’s protective cover (provided) and the battery’s protective cover (provided). the battery. 3 Recharge Slide the battery into the charger’s Y P O slot as shown by the arrow, and make sure it is securely attached.
Charging the Battery Tips for Using the Battery and Charger Upon purchase, the battery is not fully charged. Recharge the battery before using. Recharge the battery on the day before or on the day it is to be used. Even during storage, a charged battery will gradually drain and lose its capacity. After recharging the battery, detach it and disconnect the charger from the power outlet. When not using the battery and charger, attach the protective covers provided.
Charging the Battery Use a Car’s Cigarette Lighter Socket to Recharge the Battery With Car Battery Cable CB-570 (sold separately), you can connect the charger’s car battery cable socket ( terminal) to your car’s cigarette lighter socket. When recharging the battery this way, be sure that the car’s engine is running. Disconnect the car battery cable from the cigarette lighter socket when the car engine is off.
Charging the Battery None of the Charger’s Status Lamps Light Up If the lamp lights up but none of the status lamps do, the battery’s internal temperature is outside the required 0°C 40°C / 32°F - 104°F temperature range. The battery will start recharging when the internal temperature is within 0°C - 40°C / 32°F - 104°F.
Installing and Removing the Battery Load a fully charged Battery Pack LP-E4N/LP-E4 into the camera. The camera’s viewfinder becomes bright when a battery is installed, and darkens when the battery is removed. Installing the Battery 1 Remove the battery compartment cap. the battery. 2 Insert Insert the battery firmly all the way, and turn the release handle as shown by the arrow. Removing the Battery Y P O Turn the battery release handle and take out the battery.
Installing and Removing the Card You can insert up to two cards. Images can be recorded when at least one card is installed in either slot in the camera. If you insert two cards, you can select which card to record images to or record images simultaneously on both cards (p.114, 116). Installing the Card 1 Card 1 Card 2 Open the cover. Flip out and turn the cover release handle, and open the cover as shown by the arrows. the card.
Installing and Removing the Card Possible shots Card selection icon Card 1 indicator Card 2 indicator the power switch to <1> 4 Set (p.38). X The number of possible shots will be displayed on the top LCD panel and in the viewfinder. X The rear LCD panel will indicate which card(s) has been inserted. The images will be recorded to the card with the < > icon next to the respective card’s indicator. C Y P O Hard disk-type cards cannot be used with this camera.
Installing and Removing the Card Removing the Card 1 Open the cover. Access lamp Set the power switch to <2>. Make sure the access lamp is off, then open the cover. If [Recording...] is displayed, close the cover. the card. 2 Remove Push the eject button to eject the card. Pull the card straight out, then close the cover. C Y P O When the access lamp is lit or blinking, it indicates that images are being written to or read by the card, being erased, or data is being transferred.
Turning on the Power If you turn on the power switch and the Date/Time/Zone setting screen appears, see page 40 to set the Date/Time/Zone. <1> : The camera turns on. : The camera turns on. The Multi-function lock will take effect (p.50). <2> : The camera is turned off and does not operate. Set to this position when not using the camera. About the Automatic Self-Cleaning Sensor Whenever you set the power switch to <1/R> or <2>, sensor cleaning will be executed automatically. (A small sound may be heard.
Turning on the Power z Checking the Battery Level When the power switch is set to <1>, the battery level will be indicated in one of six levels. Icon Level (%) z 100 - 70 Sufficient battery level x 69 - 50 Battery level exceeds 50% c 49 - 20 Battery level below 50% m 19 - 10 Battery level is low b n Battery Life Temperature Possible shots Indication 9-1 0 Battery will be exhausted soon Recharge the battery Y P O [Approx.
3 Setting the Date, Time, and Zone When you turn on the power for the first time or if the date/time has been reset, the Date/Time/Zone setting screen will appear. Follow steps 3 to 6 to set the current date, time, and time zone. Note that the date/time appended to recorded images will be based on this date/time setting. Be sure to set the correct date/time. You can also set the time zone of your current address.
3 Setting the Date, Time, and Zone the date and time. 4 SetTurn the <5> dial to select the number. Press <0> so is displayed. Turn the <5> dial to select the desired setting, then press <0> (Returns to ). saving time. 5 SetSettheit ifdaylight necessary. C6 Turn the <5> dial to select [Y]. Press <0> so is displayed. Turn the <5> dial to select [Z], then press <0>. When the daylight saving time is set to [Z], the time set in step 3 will advance by 1 hour.
3 Selecting the Interface Language 1 Display the menu screen. Press the button to display the menu screen. the [52] tab, select 2 Under [LanguageK]. Press the button and select the [5] tab. Turn the <6> dial to select the [52] tab. Turn the <5> dial to select [LanguageK] (the fourth item from the top), then press <0>. C Y P O the desired language. 3 SetTurn the <5> dial to select the language, then press <0>. X The interface language will change.
Attaching and Detaching a Lens The camera is compatible with all Canon EF lenses. The camera cannot be used with EF-S lenses. 1 Remove the caps. Remove the rear lens cap and the body cap by turning them as shown by the arrows. the lens. 2 Attach Align the red dots on the lens and camera and turn the lens as shown by the arrow until it clicks in place. Y P O the lens focus mode switch to 3 Set . C4 stands for Autofocus. If it is set to (manual focus), autofocus will not operate.
Attaching and Detaching a Lens Minimizing Dust When changing lenses, do it quickly in a place with minimal dust. When storing the camera without a lens attached, be sure to attach the body cap to the camera. Remove dust on the body cap before attaching it. Detaching the Lens While pressing the lens release button, turn the lens as shown by the arrow. Turn the lens until it stops, then detach it. Attach the rear lens cap to the detached lens.
Basic Operation Adjusting the Viewfinder Clarity 1 Remove the eyecup. While grasping both sides of the eyecup, slide it upward to remove. the adjustment. 2 Make Turn the knob left or right so that the AF points in the viewfinder look sharp. Attach the eyecup. Y P O If the camera’s dioptric adjustment still cannot provide a sharp viewfinder image, using Eg-series Dioptric Adjustment Lenses (sold separately) is recommended.
Basic Operation Shutter Button The shutter button has two steps. You can press the shutter button halfway. Then you can further press the shutter button completely. Pressing halfway This activates autofocusing and the automatic exposure system that sets the shutter speed and aperture. The exposure setting (shutter speed and aperture) is displayed in the viewfinder and on the top LCD panel (9). Pressing completely This releases the shutter and takes the picture.
Basic Operation 6 Main Dial (1) After pressing a button, turn the <6> dial. When you press a button such as , , , or , the respective function remains selected for 6 seconds (9). During this time, you can turn the <6> dial to set the desired setting. When the function selection timer ends, or if you press the shutter button halfway, the camera will be ready to shoot.
Basic Operation 5 Quick Control Dial (1) After pressing a button, turn the <5> dial. When you press a button such as , , , or , the respective function remains selected for 6 seconds (9). During this time, you can turn the <5> dial to set the desired setting. When the function selection timer ends or if you press the shutter button halfway, the camera will be ready to shoot.
Basic Operation After pressing the button, tap the <5> dial’s inner ring at the top, bottom, left, or right. 9 Multi-controller The <9> consists of an eight-direction key and a button at the center. C Use it to select the AF point, correct the white balance, move the AF point or magnifying frame during Live View shooting, scroll around magnified images during playback, operate the Quick Control screen, etc.
Basic Operation R: Multi function lock With [85: Multi function lock] set (p.329) and the power switch set to , you can prevent the current settings from changing due to accidental movement of the Main Dial, Quick Control Dial, or Multi-controller. If the power switch is set to and you try to use one of the locked camera controls, will be displayed in the viewfinder and on the top LCD panel. [LOCK] will also be displayed on the shooting functions’ setting screen.
Q Quick Control for Shooting Functions You can directly select and set the shooting functions displayed on the LCD monitor. This is called the Quick Control screen. 1 Press the button. X The Quick Control screen will appear (7). the desired function. 2 SetUse <9> to select a function. X The setting of the selected function is displayed at the bottom. X Turn the <5> or <6> dial to change the setting. the picture. 3 TakePress the shutter button completely to Y P O take the picture.
Q Quick Control for Shooting Functions Settable Functions on Quick Control Screen AE lock* (p.177) White balance (p.137) Aperture (p.169) Highlight tone priority* (p.150) Exposure compensation/ AEB setting (p.175, 176) Shutter speed (p.167) ISO speed (p.124) Shooting mode* (p.24) Auto Lighting Optimizer (p.146) Flash exposure compensation (p.190) AF mode (p.66) Y P O Custom Controls (p.333) Picture Style (p.129) Metering mode (p.173) C Drive mode (p.110) White balance correction (p.
3 Menu Operations You can set various settings with the menus such as the beeper, date/ time, etc. While looking at the LCD monitor, use the and buttons on the back of the camera and the <6> <5> dials.
3 Menu Operations Menu Setting Procedure 1 Display the menu screen. Press the button to display the menu screen. a tab. 2 Select Each time you press the button, the main tab will switch. Turn the <6> dial to select a secondary tab. For example, the [z4] tab refers to the screen displayed when the z (Shooting) tab’s fourth dot from the left is selected. Y P O the desired item. 3 Select Turn the <5> dial to select the item, then press <0>. C the setting.
Before You Start 3 Formatting the Card If the card is new or was previously formatted by another camera or computer, format the card with the camera. When the card is formatted, all images and data in the card will be erased. As even protected images will be erased, make sure there is nothing you need to keep. If necessary, transfer the images to a personal computer, etc., before formatting the card. 1 Select [Format card]. Under the [51] tab, select [Format card], then press <0>.
Before You Start Format the card in the following cases: The card is new. The card was formatted by a different camera or a computer. The card is full with images or data. A card-related error is displayed (p.388). C Y P O Cards with 128 GB or lower capacity will be formatted in FAT format. Cards with a capacity over 128 GB will be formatted in exFAT format.
Before You Start 3 Setting the Power-off Time/Auto Power Off To save battery power, the camera turns off automatically after a set time of idle operation elapses. If you do not want the camera to turn off automatically, set this to [Disable]. After the power turns off, you can turn on the camera again by pressing the shutter button or other buttons. 1 Select [Auto power off]. Under the [52] tab, select [Auto power off], then press <0>. the desired time. 2 SetSelect the desired setting, then press <0>.
Before You Start 3 Reverting the Camera to the Default Settings The camera’s shooting settings and menu settings can be reverted to their defaults. 1 Select [Clear all camera settings]. Under the [54] tab, select [Clear all camera settings], then press <0>. [OK]. 2 Select Select [OK], then press <0>.
Before You Start Image-recording Settings Image type/size 3 (Large) JPEG quality 8 Picture Style Standard Auto Lighting Optimizer Standard Peripheral illumination Enable/Correction correction data retained AF Settings Case 1 - 6* Case1/Parameter settings of all cases cleared AI Servo 1st image priority Equal priority AI Servo 2nd image priority Equal priority Chromatic aberration correction Enable/Correction data retained USM lens electronic MF Enable after One-Shot AF White balance Q (Aut
Before You Start Camera Settings Live View Shooting Settings Auto power off 1 min. LV z/k setting Stills Beep Enable AF mode Live mode Grid display Off Release shutter without card Enable Image review 2 sec. Silent LV shooting Mode 1 Highlight alert Disable Metering timer 16 sec. AF point display Disable Histogram display Brightness Playback grid Off Exposure simulation Enable Magnification (Approx.
Displaying the Grid and Electronic Level You can display a grid and electronic level in the viewfinder and on the LCD monitor to help correct camera tilt. Displaying the Grid in the Viewfinder 1 Select [VF grid display]. Under the [52] tab, select [VF grid display], then press <0>. [Enable]. 2 Select Turn the <5> dial to select [Enable], then press <0>. The grid will be displayed in the viewfinder.
Displaying the Grid and Electronic Level Displaying the Electronic Level on the LCD Monitor 1 Press the button. Each time you press the button, the screen display will change. Display the electronic level. If the electronic level does not appear, set [52: z button display options] so that the electronic level can be displayed (p.358). Y P O the camera’s tilt. 2 Check The horizontal and vertical tilt are displayed in 1° increments.
Feature Guide When [zHelp] is displayed at the bottom of the menu screen, the Feature guide, offering explanations of menu options, can be displayed. The Feature guide is displayed while you hold down the button. If it fills two or more screens, a scroll bar will appear on the right edge. To scroll, hold down the button and turn the <5> dial.
C Y P O
Setting the AF and Drive Modes Y P O The 61 AF points in the viewfinder make AF shooting suitable for a wide variety of subjects and scenes. C You can also select the AF mode and drive mode that best match the shooting conditions and subject. stands for autofocus. stands for manual focus.
2: Selecting the AF Mode You can select the AF mode to suit the shooting conditions or subject. 1 On the lens, set the focus mode switch to . 2 Press the button. (9) the AF mode. 3 Select While looking at the top LCD panel, Y P O turn the <6> dial. X : One-Shot AF Z : AI Servo AF C When the AF area selection mode is set to 61-point automatic selection AF (p.74) or Zone AF (p.73), AF is possible while using the subject’s color and face detection information (p.95).
2: Selecting the AF Mode One-Shot AF for Still Subjects Suited for still subjects. When you press the shutter button halfway, the camera will focus only once. AF point Focus confirmation light C When focus is achieved, the AF point that achieved focus will be displayed, and the focus confirmation light in the viewfinder will also light up. With evaluative metering, the exposure setting will be set at the same time focus is achieved.
2: Selecting the AF Mode AI Servo AF for Moving Subjects This AF mode is suited for moving subjects when the focusing distance keeps changing. While you hold down the shutter button halfway, the subject will be focused continuously. The exposure is set at the moment the picture is taken. AF is also possible by pressing the
button.
S Selecting the AF Area 61 AF points are provided for AF. You can select the AF point(s) suiting the scene or subject. Depending on the lens attached to the camera, the number of usable AF points and AF point patterns will differ. For details, see “Lenses and Usable AF Points” on page 76. AF Area Selection Mode You can select one of six AF area selection modes. See the next page for the selection procedure. Single-point Spot AF (Manual selection) For pinpoint focusing.
S Selecting the AF Area AF point expansion (Manual selection, surrounding points) The manually-selected AF point and the surrounding AF points are used to focus. Zone AF (Manual selection of zone) The 61 AF points are divided into nine zones for focusing. 61-point automatic selection AF Y P O All the AF points are used to focus. C Select the AF Area Selection Mode Select the AF area selection mode. Press the button. Look through the viewfinder and press the button.
S Selecting the AF Area Selecting the AF Point Manually You can manually select the AF point or zone. With 61-point automatic selection AF, you can set the starting AF point for AI Servo AF. 1 Press the button. X The AF points will be displayed in the viewfinder. In AF point expansion modes, effective adjacent AF points will also be displayed. In the Zone AF mode, the selected zone will be displayed. an AF point. 2 Select The AF point selection will change in the direction you tilt the <9>.
AF Area Selection Modes Single-point Spot AF (Manual selection) Although this is the same as Single-point AF, the selected AF point covers a smaller area to focus. Effective for pinpoint focusing of overlapping subjects such as an animal in a cage. Since Spot AF covers a very small area, focusing may be difficult during hand-held shooting or for a moving subject. Single-point AF (Manual selection) Select one AF point to be used for focusing.
AF Area Selection Modes AF point expansion (Manual selection, surrounding points) The manually-selected AF point and adjacent AF points are used to focus. The AF point expansion is larger than with AF point expansion (Manual selection ), so the focusing is executed over a wider area. Effective when it is difficult to track a moving subject with just one AF point. AI Servo AF and One-Shot AF work in the same way as with AF point expansion (Manual selection ) mode (p.72).
AF Area Selection Modes 61-point automatic selection AF All the AF points are used to focus. With One-Shot AF, pressing the shutter button halfway will display the AF point(s) that achieved focus. If multiple AF points are displayed, it means they all have achieved focus. This mode tends to focus the nearest subject. With AI Servo AF, the manually-selected (p.71) AF point is used first to achieve focus. The AF point(s) achieving focus is displayed as .
About the AF Sensor The camera’s AF sensor has 61 AF points. The illustration below shows the AF sensor pattern corresponding to each AF point. With f/2.8 or larger maximum aperture lenses, high-precision AF is possible at the viewfinder center. Depending on the lens attached to the camera, the number of usable AF points and AF pattern will differ. For details, see pages 76 to 81. Diagram Cross-type focusing: f/4 horizontal + f/5.6 vertical Cross-type focusing: f/5.6 vertical + f/5.6 horizontal f/5.
Lenses and Usable AF Points Although the camera has 61 AF points, the number of usable AF points and focusing patterns will differ depending on the lens. The lenses are thereby classified into eight groups from A to H. Check which group your lens belongs to. When using a lens from groups F to H, fewer AF points will be usable. When you press the button, the AF points indicated by the mark will blink. (The / / AF points will stay lit.) “Extender EF1.
Lenses and Usable AF Points EF400mm f/2.8L II USM EF400mm f/2.8L IS USM EF400mm f/2.8L IS II USM TS-E45mm f/2.8* TS-E90mm f/2.8* EF16-35mm f/2.8L USM EF16-35mm f/2.8L II USM EF17-35mm f/2.8L USM EF20-35mm f/2.8L EF24-70mm f/2.8L II USM EF28-70mm f/2.8L USM EF70-200mm f/2.8L USM EF70-200mm f/2.8L IS USM EF70-200mm f/2.8L IS II USM EF80-200mm f/2.8L * Manual focus without tilt/shift. Group B Autofocusing with 61 points is possible. All of the AF area selection modes are selectable.
Lenses and Usable AF Points EF50mm f/2.5 Compact Macro TS-E24mm f/3.5L* EF100mm f/2.8 Macro TS-E24mm f/3.5L II* EF100mm f/2.8L Macro IS USM EF300mm f/4L USM EF300mm f/4L IS USM EF400mm f/4 DO IS USM EF500mm f/4L IS USM EF500mm f/4L IS II USM EF600mm f/4L USM EF600mm f/4L IS USM EF600mm f/4L IS II USM TS-E17mm f/4L* EF200mm f/2.8L USM + Extender EF1.4x EF200mm f/2.8L II USM + Extender EF1.4x EF300mm f/2.8L USM + Extender EF1.4x EF300mm f/2.8L IS USM + Extender EF1.4x EF300mm f/2.
Lenses and Usable AF Points Group E Autofocusing with 61 points is possible. All of the AF area selection modes are selectable. : Cross-type AF point. Subject tracking is superior and highprecision focusing is achieved. : AF points sensitive to horizontal lines. EF50mm f/2.5 Compact Macro EF300mm f/2.8L IS II USM + LIFE SIZE Converter + Extender EF2x EF400mm f/2.8L USM EF100mm f/2.8 Macro USM + Extender EF2x EF400mm f/2.8L II USM EF400mm f/5.6L USM + Extender EF2x EF400mm f/2.8L IS USM EF500mm f/4.
Lenses and Usable AF Points EF70-200mm f/2.8L USM + Extender EF2x EF70-200mm f/2.8L IS USM + Extender EF2x EF70-200mm f/2.8L IS II USM + Extender EF2x EF70-200mm f/4L USM + Extender EF1.4x EF70-200mm f/4L IS USM + Extender EF1.4x EF70-210mm f/3.5-4.5 USM EF70-300mm f/4-5.6 IS USM EF70-300mm f/4-5.6L IS USM EF70-300mm f/4.5-5.6 DO IS USM EF80-200mm f/4.5-5.6 EF75-300mm f/4-5.6 EF90-300mm f/4.5-5.6 EF75-300mm f/4-5.6 USM EF90-300mm f/4.5-5.6 USM EF75-300mm f/4-5.6 II EF100-200mm f/4.
Lenses and Usable AF Points Group G Only 33 of the 61 AF points can be used for autofocusing. All of the AF area selection modes are selectable. During automatic AF point selection, the outer frame marking the AF area (Area AF frame) will be different from 61-point automatic selection AF. : Cross-type AF point. Subject tracking is superior and highprecision focusing is achieved. : AF points sensitive to horizontal lines. : Disabled AF points (not displayed). EF180mm f/3.5L Macro USM EF180mm f/3.
3 Selecting AI Servo AF Characteristics (For a Subject) You can easily fine-tune AI Servo AF to suit a particular subject or scene just by selecting a case from 1 to 6. This feature is called the “AF Configuration Tool”. 1 Select the [21] tab. a case. 2 Select Turn the <5> dial to select a case icon, then press <0>. X The selected case will be set. The selected case is indicated in blue.
3 Selecting AI Servo AF Characteristics (For a Subject) Case 1: Versatile multi purpose setting Default settings • Tracking sensitivity: [0] • Accel./decel. tracking: [0] • AF pt auto switching: [0] Standard setting suited for any moving subject. Works with many subjects and scenes.
3 Selecting AI Servo AF Characteristics (For a Subject) Case 3: Instantly focus on subjects suddenly entering AF points Default settings • Tracking sensitivity: [Responsive: +1] • Accel./decel. tracking: [+1] • AF pt auto switching: [0] Once an AF point starts tracking the subject, this setting enables the camera to focus consecutive subjects at different distances. If a new subject appears in front of the target subject, the camera will start focusing the new subject.
3 Selecting AI Servo AF Characteristics (For a Subject) Case 5: For erratic subjects moving quickly in any direction Default settings • Tracking sensitivity: [0] • Accel./decel. tracking: [0] • AF pt auto switching: [+1] Even if the target subject moves dramatically up, down, left, or right, the AF point will switch automatically to focus-track the subject. Effective for shooting subjects that move dramatically up, down, left, or right.
3 Selecting AI Servo AF Characteristics (For a Subject) Case 6: For subjects that change speed and move erratically Default settings • Tracking sensitivity: [0] • Accel./decel. tracking: [+1] • AF pt auto switching: [+1] Geared for tracking moving subjects whose speed can change dramatically and suddenly. Also, if the target subject moves dramatically up, down, left or right and it is difficult to focus, the AF point switches automatically to track the subject.
3 Selecting AI Servo AF Characteristics (For a Subject) About the Parameters Tracking sensitivity Sets the subject-tracking sensitivity during AI Servo AF when an obstacle enters the AF points or when the AF points stray from the subject. [0] Standard setting suited for most moving subjects. [Locked on: -2 / Locked on: -1] The camera will try to continue focusing the subject even if an obstacle enters the AF points or if the subject strays from the AF points.
3 Selecting AI Servo AF Characteristics (For a Subject) Acceleration/deceleration tracking This sets the tracking sensitivity for moving subjects whose speed can suddenly change dramatically by starting or stopping suddenly, etc. [0] Suited for subjects that move at a fixed speed. [+2 / +1] Effective for subjects having sudden movements, sudden acceleration/deceleration, or sudden stops. Even if the moving subject’s speed suddenly changes dramatically, the camera continues to focus the target subject.
3 Selecting AI Servo AF Characteristics (For a Subject) AF point auto switching This sets the switching sensitivity of the AF points as they track a subject that moves dramatically up, down, left, or right. This setting takes effect in the following AF area selection modes: AF point expansion (Manual selection ), AF point expansion (Manual selection, surrounding points), Zone AF (Manual selection), 61-point automatic selection AF. [0] Standard setting for gradual AF point switching.
3 Selecting AI Servo AF Characteristics (For a Subject) Changing Cases’ Parameter Settings You can adjust each case’s three parameters (1. Tracking sensitivity, 2. Accel./decel. tracking, and 3. AF pt auto switching) as desired. 1 Select a case. Turn the <5> dial to select the icon of the case you want to adjust. the button. 2 Press The selected parameter will have a purple frame. the desired item. 3 Select Turn the <5> dial to select a parameter, then press <0>.
3 Customizing AF Functions With the [22] to [25] menu tabs, you can set AF functions to suit your shooting style or subject. 22: AI Servo AI Servo 1st image priority You can set the AF operation characteristics and shutter-release timing for the first shot during continuous shooting with AI Servo AF. : Equal priority Equal priority is given to focusing and shutter release. Y P O : Release priority Pressing the shutter button takes the picture immediately even if focus has not been achieved.
3 Customizing AF Functions AI Servo 2nd image priority You can set the AF operation characteristics and shutter-release timing for subsequent shots during continuous shooting with AI Servo AF. : Equal priority Equal priority is given to focusing and continuous shooting speed. In low light or with low-contrast subjects, shooting speed may slow down. : Shooting speed priority Priority is given to the continuous shooting speed instead of achieving focus. The continuous shooting speed does not slow down.
3 Customizing AF Functions 23: One Shot USM lens electronic MF You can set whether and how to use the electronic focusing ring when using one of the electronic focusing ring-equipped lenses below. EF50mm f/1.0L USM EF85mm f/1.2L USM EF85mm f/1.2L II USM EF200mm f/1.8L USM EF300mm f/2.8L USM EF600mm f/4L USM EF400mm f/2.8L USM EF1200mm f/5.6L USM EF400mm f/2.8L II USM EF28-80mm f/2.8-4L USM EF500mm f/4.
3 Customizing AF Functions AF-assist beam firing Enables or disables the EOS-dedicated Speedlite’s AF-assist beam. ON: Enable The external Speedlite emits the AFassist beam when necessary. OFF: Disable The external Speedlite will not emit the AF-assist beam. This prevents the AFassist beam from disturbing others. IR: IR AF assist beam only Only external Speedlite models that have an infrared AF-assist beam will emit the AF-assist beam.
3 Customizing AF Functions 24 Auto AF point selection: EOS iTR AF When the AF area selection mode is set to 61-point automatic selection AF or Zone AF, AF is possible while using the subject’s color or face detection information. Using this function makes it easier to continue focusing a moving subject with AI Servo AF. Using this function also makes it easier to focus human subjects in One-Shot AF mode.
3 Customizing AF Functions Lens drive when AF impossible If focus cannot be achieved with autofocus, you can have the camera keep searching for the correct focus or have it stop searching. ON: Continue focus search If focus cannot be achieved with autofocus, the lens is driven to search for the correct focus. OFF: Stop focus search If autofocus starts and the focus is far off or if focus cannot be achieved, the lens drive stops.
3 Customizing AF Functions : 15 points Fifteen main AF points will be manually selectable. : 9 points Nine main AF points will be manually selectable. With a lens from groups F to H (p.80, 81), the number of manually selectable AF points will be fewer. Even with settings other than [61 points], AF point expansion (Manual selection ), AF point expansion (Manual selection, surrounding points), and Zone AF (manual selection of Zone) are still possible.
3 Customizing AF Functions : Manual select.:Zone AF The 61 AF points are divided into nine zones for focusing. : Auto selection: 61 pt AF All of the AF points are used for focusing. The mark cannot be deleted from [Manual selection:1 pt AF]. If the attached lens belongs to group H (p.81), you can only select [Manual select.:Spot AF] and [Manual selection:1 pt AF]. AF area selection method You can set the method for changing the AF area selection mode.
3 Customizing AF Functions : Select separate AF points The AF area selection mode and manually-selected AF point (or Zone) can be set separately for each camera orientation (1. Horizontal, 2. Vertical with the camera grip at the top, 3. Vertical with the camera grip at the bottom). Convenient when, for instance, you want to keep using the right AF point during all camera orientations.
3 Customizing AF Functions AF point display during focus You can set whether or not to display the AF point(s) in the following cases: 1. When selecting the AF point(s), 2. When the camera is ready to shoot (before AF operation), 3. During AF operation, and 4. When focus is achieved. : Selected (constant) The selected AF point(s) is always displayed. : All (constant) All 61 AF points are always displayed. : Selected (pre-AF, focused) Y P O The selected AF point(s) is displayed for 1, 2, and 4.
3 Customizing AF Functions VF display illumination The AF points and grid in the viewfinder can be illuminated in red when focus is achieved. AUTO: Auto The AF points and grid are automatically illuminated in red under low light. ON: Enable The AF points and grid are illuminated in red regardless of the ambient light level. OFF: Disable The AF points and grid are not illuminated in red. The setting here is not applied to the electronic level display (p.61) in the viewfinder.
3 Fine Adjustment of AF’s Point of Focus Fine adjustment of the AF’s point of focus is possible for viewfinder shooting and in Live View shooting’s [Quick mode]. This is called “AF Microadjustment”. Before making the adjustment, read “Notes for AF Microadjustment” on page 107. Normally, this adjustment is not required. Do this adjustment only if necessary. Note that performing AF Microadjustment may prevent correct focusing from being achieved.
3 Fine Adjustment of AF’s Point of Focus the adjustment. 4 Make Turn the <5> dial to make the adjustment. The adjustable range is ±20 steps. Setting it toward “–: ” will shift the point of focus in front of the standard point of focus. Setting it toward “+: ” will shift the point of focus to the rear of the standard point of focus. After making the adjustment, press <0>. Turn the <5> dial to select [All by same amount], then press <0>. The menu will reappear. Y P O the result of the 5 Check adjustment.
3 Fine Adjustment of AF’s Point of Focus Adjust by Lens You can perform AF Microadjustment for each lens and register the adjustment in the camera. You can register the adjustment for up to 40 lenses. When you autofocus with a lens whose adjustment has been registered, the point of focus will always be shifted by the adjustment amount. Set the adjustment manually by adjusting, shooting, and checking the result. Repeat this until the desired adjustment is made.
3 Fine Adjustment of AF’s Point of Focus Enter the serial number. Turn the <5> dial to select the digit, then press <0> to display . Turn the <5> dial to enter the number, then press <0>. After entering all the digits, turn the <5> dial to select [OK], then press <0>. About the Lens Serial Number In step 3, if “ * ” appears in front of the 10-digit lens serial number, you cannot register several copies of the same lens model. Even if you enter the serial number, “ * ” will remain displayed.
3 Fine Adjustment of AF’s Point of Focus Single focal length lens Zoom lens the adjustment. 4 Make For a zoom lens, turn the <5> dial and select the wide-angle (W) or telephoto (T) end. Press <0> to turn off the purple frame and make the adjustment. Turn the <5> dial to adjust as desired, then press <0>. The adjustable range is ±20 steps. Adjusting toward “–: ” will shift the point of focus in front of the standard point of focus.
3 Fine Adjustment of AF’s Point of Focus Clearing All AF Microadjustment data When [ Clear all] appears at the bottom of the screen, pressing the button will clear all the adjustment data set for [All by same amount] and [Adjust by lens]. Notes for AF Microadjustment C Y P O The AF’s point of focus will vary slightly depending on the subject conditions, brightness, zoom position, and other shooting conditions.
When Autofocus Fails Autofocus can fail to achieve focus (the viewfinder’s focus confirmation light blinks) with certain subjects such as the following: Subjects difficult to focus Very low-contrast subjects (Example: Blue sky, solid-color walls, etc.) Subjects in very low light Extremely backlit or reflective subjects (Example: Car with a highly reflective body, etc.) Near and far subjects covered by an AF point (Example: Animal in a cage, etc.
When Autofocus Fails MF: Manual Focusing the lens focus mode switch to 1 Set . the subject. 2 Focus Focus by turning the lens focusing ring until the subject looks sharp in the viewfinder. Focusing ring C Y P O If you press the shutter button halfway while focusing manually, the focus confirmation light will light up when focus is achieved. With 61-point automatic selection, when the center AF point achieves focus, the focus confirmation light will light up.
R: Selecting the Drive Mode Single and continuous shooting drive modes are provided. 1 Press the button. (9) the drive mode. 2 Select While looking at the top LCD panel, turn the <5> dial. u : Single shooting When you press the shutter button completely, only one shot will be taken. Y P O o : High-speed continuous shooting (Max. approx. 12 shots/sec.) p : Low-speed continuous shooting (Max. approx. 3 shots/sec.) While you hold down the shutter button completely, shots will be taken continuously.
R: Selecting the Drive Mode 6 : Single: Silent shooting The shooting sound for single shooting is quieter than . The internal mechanical operation is not executed until you return the shutter button to its halfway position. K: Super high speed continuous shooting (Max. approx.14 shots/sec.) If you append a checkmark to [V: 14fps super high speed] under [83: Restrict drive modes], you can use Super high speed continuous shooting (p.326).
j Using the Self-timer Use the self-timer when you want to be in the picture. 1 Press the button. (9) the self-timer. 2 Select While looking at the top LCD panel, turn the <5> dial to select the selftimer. k : 10-sec. self-timer l : 2-sec. self-timer picture. 3 TakeLookthethrough the viewfinder, focus Y P O the subject, then press the shutter button completely. X You can check the self-timer operation with the self-timer lamp and the countdown display (in seconds) on the top LCD panel.
Image Settings Y P O This chapter explains image-related function settings: Image-recording quality, ISO speed, Picture Style, white balance, Auto Lighting Optimizer, lens peripheral illumination correction, chromatic aberration correction, and other functions.
3 Selecting the Card for Recording and Playback If a card is inserted in either Card f or Card g, you can start shooting. When only one card is inserted, the procedures described on pages 114 to 116 are not necessary. If you insert two cards, you can select the recording method and select which card to use to record and play back images. Recording Method with Two Cards Inserted 1 Select [Record func+card/folder sel.]. Under the [51] tab, select [Record func+card/folder sel.], then press <0>.
3 Selecting the Card for Recording and Playback Standard Images will be recorded to the card selected with [Record/play]. Auto switch card Same as with the [Standard] setting, but if the card becomes full, the camera will automatically switch to the other card to record images. When the camera switches to the other card, a new folder will be created automatically. Rec. separately You can set the image size for each card (p.117).
3 Selecting the Card for Recording and Playback Selecting the Card for Recording and Playback with Two Cards Inserted If [Record func.] is set to [Standard] or [Auto switch card], select the card for recording and playing images. If [Record func.] is set to [Rec. separately] or [Rec. to multiple], select the card for playing images. If [Standard] or [Auto switch card] is set: Select [Record/play]. Turn the <5> dial to select [Record/ play], then press <0>.
Setting the Image-Recording Quality You can set the image size (number of recorded pixels for JPEG/RAW) and JPEG quality (compression rate). H Selecting the Image Size 3, H, 5, or 6 will record the image as a JPEG image. With 1, 41, or 61, use Digital Photo Professional (provided software, p.410) to process the image after shooting. 1 images can also be processed with the camera. You can set the image size in one of the two ways below.
Setting the Image-Recording Quality Using the Menu Screen to Set the Image Size [Img type/size]. 1 Select Under the [z2] tab, select [Img type/size], then press <0>. With [Standard / Auto switch card / Rec. to multiple] set: image size. 2 SetTotheselect a RAW image size, turn the <6> dial. To select a JPEG image size, turn the <5> dial. On the screen, the “***M (megapixels) **** x ****” number indicates the recorded pixel count, and [****] is the number of possible shots (displayed up to 9999).
Setting the Image-Recording Quality Image Size Setting Examples 3 only 1 only 1+3 61+5 C Y P O If [–] is set for both RAW and JPEG, 3 will be set. The number of possible shots will be displayed up to 1999 on the top LCD panel and in the viewfinder.
Setting the Image-Recording Quality Guide to Image Size Settings (Approx.) Image Size Pixels Recorded Printing (megapixels) Size File Size (MB) Possible Shots Maximum Burst 100 (180) 3 18M Around A2 6.0 1200 H 14M A3 or larger 4.8 1470 150 (310) 5 8.0M Around A3 3.3 2170 290 (1390) 6 4.5M Around A4 2.1 3290 1190 (6430) 1 18M Around A2 23.2 280 35 (38) 23.2+6.0 230 17 (17) 23.2+4.8 240 17 (17) 23.2+3.3 250 17 (17) 23.2+2.
Setting the Image-Recording Quality If you select both RAW and JPEG, the same image will be recorded simultaneously to the card in both RAW and JPEG at the imagerecording quality that was set. The two images will be recorded with the same file number (file extension .JPG for JPEG and .CR2 for RAW). In accordance with the selected image size, the
or <1> icon will be displayed on the right side in the viewfinder.
Setting the Image-Recording Quality One-touch Image Quality Setting Custom Controls let you assign image-recording quality to the button, Multi-function button 2, or depth-of-field preview button with [One-touch image quality setting], so that you can temporarily switch image quality settings at the touch of a button before shooting. For details, see Custom Controls (p.333). If [51: Record func+card/folder sel.] is set to [Rec. separately], you cannot switch to the One-touch image quality setting.
Setting the Image-Recording Quality 3 Setting the JPEG Quality (Compression Rate) For JPEG images, the recording quality (compression rate) can be set separately for each image size: 3, H, 5, and 6. 1 Select [JPEG quality]. Under the [z2] tab, select [JPEG quality], then press <0>. the desired image size. 2 Select Turn the <5> dial to select the Y P 3O C image size, then press <0>. Set the desired quality (compression rate). Turn the <5> dial to select the setting, then press <0>.
i: Setting the ISO Speed Set the ISO speed (image sensor’s sensitivity to light) to suit the ambient light level. Regarding the ISO speed during movie shooting, see pages 224 and 226. 1 Press the button. (9) the ISO speed. 2 SetWhile looking at the top LCD panel or in the viewfinder, turn the <6> or <5> dial. ISO speed can be set within ISO 100 - 51200 in 1/3-stop increments. “A” indicates ISO Auto. The ISO speed will be set automatically (p.125).
i: Setting the ISO Speed As H1 (equivalent to ISO 102400) and H2 (equivalent to ISO 204800) are expanded ISO speed settings, noise (such as dots of light and banding) and irregular colors will be more noticeable, and the resolution will be lower than usual. If you use a high ISO speed and flash to shoot a close subject, overexposure may result.
i: Setting the ISO Speed 3 Setting the ISO Speed Range You can set the manually-settable ISO speed range (minimum and maximum limits). You can set the minimum limit within L (ISO 50) to H1 (ISO 102400), and the maximum limit within ISO 100 to H2 (ISO 204800). 1 Select [ISO speed settings]. Under the [z2] tab, select [ISO speed settings], then press <0>. [ISO speed range]. 2 Select Select [ISO speed range], then press Y P O <0>. the minimum limit.
i: Setting the ISO Speed 3 Setting the ISO Speed Range for Auto ISO You can set the ISO speed range for Auto ISO within ISO 100 - 51200. You can set the minimum limit within ISO 100 - 25600, and the maximum limit within ISO 200 - 51200 in whole-stop increments. 1 Select [Auto ISO range]. Select [Auto ISO range], then press <0>. the minimum limit. 2 SetSelect the [Minimum] list box, then C Y P O press <0>. Turn the <5> dial to select the minimum ISO speed limit, then press <0>. the maximum limit.
i: Setting the ISO Speed 3 Setting the Minimum Shutter Speed for Auto ISO When Auto ISO is set, you can set the minimum shutter speed (1/250 sec. to 1 sec.) so that the automatically-set shutter speed is not too slow. This is convenient in the and modes when you use a wideangle lens to shoot a moving subject. You can minimize both camera shake and subject blur. 1 Select [Min. shutter spd.]. Select [Min. shutter spd.], then press <0>. Y P O the desired minimum shutter 2 Set speed.
3 Selecting a Picture Style By selecting a Picture Style, you can obtain image characteristics matching your photographic expression or the subject. 1 Select [Picture Style]. Under [z1], select [Picture Style], then press <0>. X The Picture Style selection screen will appear. a Picture Style. 2 Select Turn the <5> dial to select the desired Picture Style, then press <0>. X The Picture Style will be set and the menu will reappear.
3 Selecting a Picture Style R Landscape For vivid blues and greens, and very sharp and crisp images. Effective for impressive landscapes. S Neutral This Picture Style is for users who prefer to process images with their computer. For natural colors and subdued images. U Faithful This Picture Style is for users who prefer to process images with their computer. When the subject is captured under a daylight color temperature of 5200K, the color is adjusted colorimetrically to match the subject’s color.
3 Selecting a Picture Style About the Symbols The symbols of the Picture Style selection screen refer to parameters such as [Sharpness] and [Contrast]. The numerals indicate the parameter settings, such as [Sharpness] and [Contrast], for each Picture Style.
3 Customizing a Picture Style You can customize a Picture Style by adjusting individual parameters such as [Sharpness] and [Contrast]. To see the resulting effects, take test shots. To customize [Monochrome], see page 134. 1 Select [Picture Style]. Under [z1], select [Picture Style], then press <0>. X The Picture Style selection screen will appear. a Picture Style. 2 Select Turn the <5> dial to select the desired Picture Style, then press . 3 C 132 Y P O Select a parameter.
3 Customizing a Picture Style the parameter. 4 SetTurn the <5> dial to set the parameter as desired, then press <0>. Press the button to save the adjusted parameters. The Picture Style selection screen will reappear. X Any settings different from the default will be displayed in blue.
3 Customizing a Picture Style V Monochrome Adjustment For Monochrome, you can also set [Filter effect] and [Toning effect] in addition to [Sharpness] and [Contrast] explained on the preceding page. kFilter Effect With a filter effect applied to a monochrome image, you can make white clouds or green trees stand out more. Filter Sample Effects N : None Normal black-and-white image with no filter effects. Ye: Yellow The blue sky will look more natural, and the white clouds will look crisper.
3 Registering a Picture Style You can select a base Picture Style such as [Portrait] or [Landscape], adjust its parameters as desired and register it under [User Def. 1], [User Def. 2], or [User Def. 3]. You can create Picture Styles whose parameter settings such as sharpness and contrast are different. You can also adjust the parameters of a Picture Style that has been registered to the camera with EOS Utility (provided software, p.410). 1 Select [Picture Style].
3 Registering a Picture Style a parameter. 5 Select Turn the <5> dial to select a parameter such as [Sharpness], then press <0>. the parameter. 6 SetTurn the <5> dial to set the parameter as desired, then press <0>. For details, see “Customizing a Picture Style” on pages 132-134. Press the button to register the modified Picture Style. The Picture Style selection screen will then reappear. X The base Picture Style will be indicated on the right of [User Def. *].
B: Setting the White Balance White balance (WB) is for making the white areas look white. Normally, the (Auto) setting will obtain the correct white balance. If natural-looking colors cannot be obtained with , you can select the white balance that matches the light source or set it manually by shooting a white object. 1 Press the button. (9) the white balance. 2 Select While looking at the top LCD panel, turn the <5> dial.
O Custom White Balance Custom white balance enables you to manually set the white balance for a specific light source for better accuracy. Perform this procedure under the actual light source to be used. Up to five sets of Custom white balance data can be registered to the camera. You can also append a name (caption) to the registered Custom white balance data. 3 Registering Custom WB There are two ways to register Custom white balance data.
O Custom White Balance a solid-white object. 4 Photograph The plain, white object should fill the spot metering circle. Focus manually and set the standard exposure for the white object. Any white balance setting can be set. Spot metering circle X The Custom WB data will be registered. To use the Custom WB, see “Selecting and Shooting with the Custom WB Data” (p.141). C Y P O Custom WB data can also be registered as follows: 1. Press the button and turn the <5> dial to select (p.137). 2.
O Custom White Balance Select image on card First follow step 4 under “Record and register WB” (p.138) to take a picture of a plain, white object. This image saved in the card can then be registered for Custom WB. The procedure up to step 2 is the same as in “Record and register WB.” 1 Select [Set Custom WB]. the Custom WB number to 2 Select be registered. [Select image on card]. 3 Select Turn the <5> dial to select [Select image on card], then press <0>. X The images saved in the card will be displayed.
O Custom White Balance 3 Selecting and Shooting with the Custom WB Data Registered image 1 Select the Custom WB Number. On the Custom WB registration screen, select the number of the registered Custom WB. [Set as white balance]. 2 Select Turn the <5> dial to select [Set as white balance], then press <0>. X The WB will be set to the registered . Y P O the picture. 3 Take X The picture will be taken with the C setting.
O Custom White Balance [Edit WB name]. 2 Select Turn the <5> dial to select [Edit WB name], then press <0>. text. 3 Enter Press the button, and the text palette will be highlighted in a color frame. Text can be entered. Operate the <5/6> dial or <9> to move the and select the desired character. Then press <0> to enter it. You can enter up to 20 characters. To delete a character, press the button. C Y P O the setting. 4 ExitAfter entering the text, press the button.
P Setting the Color Temperature You can set the white balance’s color temperature numerically in Kelvins. This function is for advanced users. 1 Press the button. (9)
. 2 Select Look at the top LCD panel and turn the <5> dial to select
. Y P O the color temperature. 3 SetTurn the <6> dial to set the color C temperature. The color temperature can be set from 2500K to 10000K in 100K increments.
u White Balance Correction You can correct the white balance that has been set. This adjustment will have the same effect as using a commercially-available color temperature conversion filter or color compensating filter. Each color can be corrected to one of nine levels. This function is for advanced users who are familiar with using color temperature conversion or color compensating filters. White Balance Correction 1 Select [WB Shift/Bkt.]. Under the [z1] tab, select [WB Shift/Bkt.], then press <0>.
u White Balance Correction White Balance Auto Bracketing With just one shot, three images having a different color balance can be recorded simultaneously. Based on the color temperature of the current white balance setting, the image will be bracketed with a blue/amber bias or magenta/green bias. This is called white balance bracketing (WB-BKT). White balance bracketing is possible up to ±3 levels in single-level increments. Set the white balance bracketing amount.
3 Correcting the Brightness and Contrast Automatically If the image comes out dark or the contrast is low, the brightness and contrast can be corrected automatically. This function is called Auto Lighting Optimizer. The default setting is [Standard]. With JPEG images, the correction is applied when the image is captured. 1 Select [Auto Lighting Optimizer]. Under the [z2] tab, select [Auto Lighting Optimizer], then press <0>. the setting.
3 Noise Reduction Settings High ISO Speed Noise Reduction This function reduces the noise generated in the image. Although noise reduction is applied at all ISO speeds, it is particularly effective at high ISO speeds. At low ISO speeds, the noise in darker parts of the image is further reduced. 1 Select [High ISO speed NR]. Under the [z2] tab, select [High ISO speed NR], then press <0>. the desired setting. 2 SetTurn the <5> dial to select the C3 Y P O desired noise reduction setting, then press <0>.
3 Noise Reduction Settings Long Exposure Noise Reduction Noise reduction is possible with images exposed for 1 sec. or longer. 1 Select [Long exp. noise reduction]. Under the [z2] tab, select [Long exp. noise reduction], then press <0>. the desired setting. 2 SetTurn the <5> dial to select the desired setting, then press <0>. X The setting screen closes and the menu will reappear. Y P O [Auto] For 1 sec.
3 Noise Reduction Settings With [Auto] and [Enable], after the picture is taken, the noise reduction process may take the same amount of time as the exposure. During noise reduction, shooting is still possible as long as the maximum burst indicator in the viewfinder shows “1” or higher. Images taken at ISO 1600 or higher may look grainier with the [Enable] setting than with the [Disable] or [Auto] settings.
3 Highlight Tone Priority You can minimize overexposed highlight areas. 1 Select [Highlight tone priority]. Under the [z2] tab, select [Highlight tone priority], then press <0>. [Enable]. 2 Select Turn the <5> dial to select [Enable], then press <0>. Highlight details are improved. The dynamic range is expanded from the standard 18% gray to bright highlights. The gradation between the grays and highlights becomes smoother. C Y P O picture.
3 Lens Peripheral Illumination / Chromatic Aberration Correction Peripheral light fall-off occurs in lenses whose characteristics make the image corners look darker. Color fringing along subject outlines is another chromatic aberration. Both lens aberrations can be corrected. The default setting is [Enable] for both corrections. Peripheral Illumination Correction 1 Select [Lens aberration correction]. Under the [z1] tab, select [Lens aberration correction], then press <0>. the setting.
3 Lens Peripheral Illumination / Chromatic Aberration Correction Chromatic Aberration Correction 1 Select the setting. Check that [Correction data available] is displayed for the attached lens. Turn the <5> dial to select [Chromatic aberration], then press <0>. Select [Enable], then press <0>. If [Correction data not available] is displayed, see “About the Lens Correction Data” on the next page. picture. 2 TakeThetheimage will be recorded with the Y P O chromatic aberration corrected.
3 Lens Peripheral Illumination / Chromatic Aberration Correction About the Lens Correction Data The camera already contains lens peripheral illumination correction data and chromatic aberration correction data for approx. 25 lenses. If you select [Enable], the peripheral illumination correction and chromatic aberration correction will be applied automatically for any lens whose correction data is registered in the camera.
3 Creating and Selecting a Folder You can freely create and select the folder where the captured images are to be saved. This operation is optional since a folder will be created automatically for saving captured images. Creating a Folder 1 Select [Record func+card/folder sel.]. Under the [51] tab, select [Record func+card/folder sel.], then press <0>. [Folder]. 2 Select Turn the <5> dial to select [Folder], Y P O then press <0>. C [Create folder].
3 Creating and Selecting a Folder Selecting a Folder With the folder selection screen displayed, turn the <5> dial to select the desired folder, then press <0>. X The folder where the captured images will be saved is selected. Subsequent captured images will be recorded into the selected folder.
3 Changing the File Name The file name has four alphanumeric characters followed by a four-digit image number (p.158) and (Ex.) BE3B0001.JPG extension. The first four alphanumeric characters are set upon factory shipment and unique to the camera. However, you can change them. With “User setting1”, you can change and register the four characters as desired. With “User setting2”, if you register three characters, the fourth character from the left will be appended automatically to indicate the image size.
3 Changing the File Name the setting. 4 ExitEnter the required number of alphanumeric characters, then press the button. X The new file name will be registered and the screen in step 2 will reappear. the registered file name. 5 Select Turn the <5> dial to select [File name], then press <0>. Turn the <5> dial to select the registered file name, then press <0>. If User setting2 has been registered, select “*** (the 3 characters registered) + image size”.
3 File Numbering Methods The four-digit file number is like the frame number on a roll of film. The captured images (Ex.) BE3B0001.JPG are assigned a sequential file number from 0001 to 9999 and saved in one folder. You can change how the file number is assigned. 1 Select [File numbering]. Under the [51] tab, select [File numbering], then press <0>. the file numbering method. 2 Select Turn the <5> dial to select the desired setting, then press <0>.
3 File Numbering Methods Auto Reset The file numbering restarts from 0001 each time the card is replaced or a new folder is created. When you replace the card, create a folder, or switch the target card (such as f → g), the file numbering restarts from 0001 for the new images saved. This is convenient if you want to organize images according to cards or folders.
3 Setting Copyright Information When you set the copyright information, it will be recorded to the image as Exif information. 1 Select [Copyright information]. Under the [54] tab, select [Copyright information], then press <0>. the option to be set. 2 Select Turn the <5> dial, select either [Enter author’s name] or [Enter copyright details], then press <0>. Y P O text. 3 Enter Press the button, and the text C palette will be highlighted in a color frame. Text can be entered.
3 Setting Copyright Information Checking the Copyright Information When you select [Display copyright info.] in step 2 on the preceding page, you can check the [Author] and [Copyright] information that you entered. Deleting the Copyright Information When you select [Delete copyright information] in step 2, you can delete the [Author] and [Copyright] information. C Y P O You can also set or check the copyright information with EOS Utility (provided software, p.410).
3 Setting the Color Space The range of reproducible colors is called the color space. With this camera, the color space for captured images can be set to sRGB or Adobe RGB. For normal shooting, sRGB is recommended. 1 Select [Color space]. Under the [z1] tab, select [Color space], then press <0>. the desired color space. 2 SetSelect [sRGB] or [Adobe RGB], then press <0>. About Adobe RGB Y P O This color space is mainly used for commercial printing and other industrial uses.
Exposure Control Y P O Select the shooting mode to suit the subject or shooting objective. You can set the shutter speed and/or aperture to obtain the exposure you want. C After you press the shutter button halfway and let go, the exposure values will remain displayed in the viewfinder and on the top LCD panel for approx. 6 sec. (9). For the functions settable in each shooting mode, see page 354. Set the power switch to <1>.
d: Program AE The camera automatically sets the shutter speed and aperture to suit the subject’s brightness. This is called Program AE. * stands for Program. * AE stands for autoexposure. 1 Set the shooting mode to . Press the button and turn the <6> or <5> dial to select . Y P O the subject. 2 Focus Look through the viewfinder and aim the AF point over the subject. Then press the shutter button halfway.
d: Program AE the picture. 4 TakeCompose the shot and press the shutter button completely. C Y P O If the “30"” shutter speed and the maximum aperture blink, it indicates underexposure. Increase the ISO speed or use flash. If the “8000” shutter speed and the minimum aperture blink, it indicates overexposure. Lower the ISO speed or use an ND filter (sold separately) to reduce the amount of light entering the lens.
d: Program AE FAQ The focus confirmation light blinks and focus is not achieved. Aim the center of the Area AF frame over an area with good contrast, then press the shutter button halfway (p.46). If you are too close to the subject, move away and try again. Sometimes multiple AF points light up simultaneously. All those AF points have achieved focus. As long as the AF point covering the desired subject lights up, you can take the picture. The focus confirmation light does not light up.
s: Shutter-Priority AE In this mode, you set the shutter speed and the camera automatically sets the aperture to obtain the standard exposure suiting the brightness of the subject. This is called shutter-priority AE. A faster shutter speed can freeze the action or a moving subject. A slower shutter speed can create a blurred effect, giving the impression of motion. * stands for Time value. Blurred motion (Slow shutter speed: 1/30 sec.) 1 Frozen action (Fast shutter speed: 1/2000 sec.
s: Shutter-Priority AE If the maximum aperture blinks, it indicates underexposure. Turn the <6> dial to set a slower shutter speed until the aperture stops blinking or set a higher ISO speed. If the minimum aperture blinks, it indicates overexposure. Turn the <6> dial to set a faster shutter speed until the aperture stops blinking or set a lower ISO speed. Shutter Speed Display The shutter speeds from “8000” to “4” indicate the denominator of the fractional shutter speed.
f: Aperture-Priority AE In this mode, you set the desired aperture and the camera sets the shutter speed automatically to obtain the standard exposure suiting the subject brightness. This is called aperture-priority AE. A higher f/number (smaller aperture hole) will make more of the foreground and background fall within acceptable focus. On the other hand, a lower f/number (larger aperture hole) will make less of the foreground and background fall within acceptable focus.
f: Aperture-Priority AE If the “30"” shutter speed blinks, it indicates underexposure. Turn the <6> dial to set a larger aperture (lower f/number) until the shutter speed blinking stops or set a higher ISO speed. If the “8000” shutter speed blinks, it indicates overexposure. Turn the <6> dial to set a smaller aperture (higher aperture f/number) until the shutter speed blinking stops or set a lower ISO speed. Aperture Display The higher the f/number, the smaller the aperture opening will be.
a: Manual Exposure In this mode, you set both the shutter speed and aperture as desired. To determine the exposure, refer to the exposure level indicator in the viewfinder or use a commercially-available exposure meter. This method is called manual exposure. * stands for Manual. 1 Shutter speed Aperture Set the shooting mode to . Press the button and turn the <6> or <5> dial to select . the shutter speed and 2 Set aperture. C To set the shutter speed, turn the <6> dial.
a: Manual Exposure the exposure. 4 SetCheck the exposure level and set the desired shutter speed and aperture. If the difference with the standard exposure exceeds ±3 stops, the end of the exposure level indicator will display < > or < >. 5 Take the picture. C Y P O If ISO Auto is set, the ISO speed setting will change to obtain a standard exposure given the shutter speed and aperture set. Therefore, you may not obtain the desired exposure effect.
q Selecting the Metering Mode You can select one of four methods to measure the subject’s brightness. 1 Press the button. (9) the metering mode. 2 Select While looking at the top LCD panel, turn the <6> dial. q: Evaluative metering w: Partial metering r: Spot metering e: Center-weighted average metering q Evaluative metering This is a general-purpose metering mode suited even for backlit subjects. The camera sets the exposure automatically to suit the scene.
q Selecting the Metering Mode Multi-Spot Metering With multiple spot meter readings, you can see the relative exposure levels of multiple areas in the picture and set the exposure to obtain the desired result. Multi-spot metering is possible in d/s/f modes. 1 Set the metering mode to r spot metering. 2 Press the button. (8) Aim the spot metering circle over the area where you want a relative exposure reading, then press the button. Do this for all the multiple areas you want to meter.
O Setting Exposure Compensation Exposure compensation can brighten (increased exposure) or darken (decreased exposure) the standard exposure set by the camera. Exposure compensation can be set in the d/s/f shooting modes. Although you can set the exposure compensation up to ±5 stops in 1/3stop increments, the exposure compensation indicator in the viewfinder and on the top LCD panel can only display the setting up to ±3 stops.
h Auto Exposure Bracketing (AEB) By changing the shutter speed or aperture automatically, the camera brackets the exposure up to ±3 stops in 1/3-stop increments for three successive shots. This is called AEB. * AEB stands for Auto Exposure Bracketing. 1 Hold down the and buttons simultaneously. (9) X The icon and “0.0” will appear on the top LCD panel. the AEB range. 2 SetTurn the <6> or <5> dial to set the AEB range. “1.0” is the AEB increment, and is the AEB range. Y P O picture.
A AE Lock Use AE lock when the area of focus is to be different from the exposure metering area or when you want to take multiple shots at the same exposure setting. Press the button to lock the exposure, then recompose and take the shot. This is called AE lock. It is effective for backlit subjects. 1 Focus the subject. Press the shutter button halfway. X The exposure setting will be displayed. the button.
Bulb Exposures When bulb shooting is set, the shutter stays open as long as you hold down the shutter button completely, and closes when you let go of the shutter button. Use bulb exposures for night scenes, fireworks, the heavens, and other subjects requiring long exposures. 1 Set the shooting mode to . Press the button and turn the <6> or <5> dial to select . the desired aperture. 2 SetWhile looking at the top LCD panel, turn the <6> or <5> dial. (1) (2) (3) 3 Take the picture.
Bulb Exposures Using the Eyepiece Shutter If you use the self-timer or bulb and take a picture without looking through the viewfinder, stray light entering the eyepiece can throw off the exposure and result in a dark picture. To prevent this, slide the eyepiece shutter lever as shown by the arrow to shutter the eyepiece. You need not shutter the eyepiece during Live View shooting or movie shooting.
P Multiple Exposures You can shoot two to nine exposures to be merged into one image. If you shoot multiple-exposure images with Live View shooting (p.199), you can see how the single exposures merge while shooting. 1 Select [Multiple exposure]. Under [z1], select [Multiple exposure] then press <0>. X The multiple exposure setting screen will appear. [Multiple exposure]. 2 SetSelect [On:Func/Ctrl] or [On:ContShtng], then press <0>. To quit shooting multiple exposures, select [Disable].
P Multiple Exposures [Multi-expos ctrl]. 3 SetSelect the desired multiple-exposure control method, then press <0>. Additive The exposure of each single exposure is added cumulatively. Based on the [No. of exposures], set a negative exposure compensation. Refer to the basic guide below to set a negative exposure compensation. Exposure Compensation Setting Guide for Multiple Exposures Two exposures: -1 stop, three exposures: -1.
P Multiple Exposures to be saved. 5 SetTothesaveimages all the single exposures and the merged multiple-exposure image, select [All images], then press <0>. To save only the merged multipleexposure image, select [Result only], then press <0>. [Continue Mult-exp]. 6 Select Select either [1 shot only] or [Continuously], then press <0>. With [1 shot only], multiple-exposure shooting will be canceled automatically after the shooting ends.
P Multiple Exposures 8 Shoot subsequent exposures. X When [On:Func/Ctrl] is set, the merged multiple-exposure image will be displayed. With Live View shooting, the multiple-exposure images merged so far will be displayed. By pressing the button, you can display only the Live View image. After you shoot the set number of exposures, multiple-exposure shooting will be canceled.
P Multiple Exposures Merging Multiple Exposures with an Image Recorded in the Card You can select an image recorded in the card as the first single exposure. The original of the selected image will remain intact. You can only select 1 images. You cannot select 41/61 or JPEG images. 1 Select [Select image for multi. expo.]. Select [Select image for multi. expo.], then press <0>. X The images in the card will be displayed. an image.
P Multiple Exposures You can also select a 1 multiple-exposure image. If you select [Deselect img], the selected image will be canceled. Checking and Deleting Multiple Exposures During Shooting When [On:Func/Ctrl] is set and you have not finished shooting the set number of exposures, you can press the button to view the merged multiple-exposure image so far. You can check how it looks and the exposure. (Not possible when [On:ContShtng] is set.
P Multiple Exposures FAQ Are there any restrictions on the image-recording quality? All JPEG image-recording quality settings can be selected. If 41 or 61 is set, the merged multiple-exposure will be recorded as a 1 image. Image-Recording Quality Setting Merged MultipleExposure Single Exposures JPEG JPEG JPEG 1 1 1 41/61 41/61 1 1+JPEG 1+JPEG 1+JPEG 41/61+JPEG 41/61+JPEG 1+JPEG Y P O Can I merge images recorded in the card? With [Select image for multi. expo.
2 Mirror Lockup Although using the self-timer or Remote Switch can prevent camera shake, using mirror lockup to prevent camera vibrations (mirror shock) can also help when you use a super telephoto lens or shoot close ups (macro photography). 1 Set [Mirror lockup]. Under the [z3] tab, select [Mirror lockup], then press <0>. Select [Enable] or [Enable: Mirror down w/s], then press <0>. the subject, then press the 2 Focus shutter button completely.
2 Mirror Lockup In very bright light such as at the beach or a ski slope on a sunny day, take the picture promptly after mirror lockup. Do not point the camera toward the sun. The sun’s heat can scorch and damage the shutter curtains. If you use the self-timer and mirror lockup in combination with bulb exposure, keep pressing the shutter button completely (self-timer delay time + bulb exposure time).
Flash Photography Y P O This chapter explains how to shoot with an EOSdedicated, EX-series Speedlite (sold separately) or nonCanon flash unit and how to set flash functions on the camera’s menu screen.
D Flash Photography EOS-dedicated, EX-series Speedlites An EX-series Speedlite (sold separately) makes flash photography as easy as normal shooting. For detailed instructions, refer to the EX-series Speedlite’s instruction manual. This camera is a Type-A camera that can use all the features of EX-series Speedlites. To set the flash functions and flash Custom Functions with the camera’s menu, see pages 193-198.
D Flash Photography Using Non-EX-series Canon Speedlites With an EZ/E/EG/ML/TL-series Speedlite set to A-TTL or TTL autoflash mode, the flash can be fired at full output only. Set the camera’s shooting mode to (manual exposure) or (aperture-priority AE) and adjust the aperture setting before shooting. When using a Speedlite that has manual flash mode, shoot in the manual flash mode. Using Non-Canon Flash Units Sync Speed The camera can synchronize with non-Canon compact flash units at 1/250 sec.
D Flash Photography If the camera is used with a flash unit or flash accessory dedicated to another camera brand, the camera may not operate properly and malfunction may result. Do not connect to the camera’s PC terminal any flash unit requiring 250 V or more. Do not attach a high-voltage flash unit on the camera’s hot shoe. It may not fire. A flash unit attached to the camera’s hot shoe and a flash unit connected to the PC terminal can both be used at the same time.
3 Setting the Flash With an EX-series Speedlite having compatible flash function settings, you can use the camera’s menu screen to set the Speedlite’s functions and Custom Functions. Attach the Speedlite to the camera and turn on the Speedlite. For details on the Speedlite’s functions, refer to the Speedlite’s instruction manual. 1 Select [External Speedlite control]. Under the [z3] tab, select [External Speedlite control], then press <0>. X The external Speedlite control screen will appear.
3 Setting the Flash [Flash sync. speed in Av mode] You can set the flash-sync speed for flash photography in the aperture-priority AE (f) mode. : Auto The flash sync speed is set automatically within a range of 1/250 sec. to 30 sec. to suit the scene’s brightness. High-speed sync is also possible. : 1/250-1/60 sec. auto Prevents a slow shutter speed from being set in low-light conditions. It is effective for preventing subject blur and camera shake.
3 Setting the Flash [Flash function settings] The information and available functions displayed on the screen will differ depending on the Speedlite, current flash mode, flash Custom Function settings, etc. For details on your Speedlite’s flash functions, refer to the Speedlite’s instruction manual.
3 Setting the Flash Wireless functions Wireless (multiple) flash shooting is possible with radio or optical transmission. For details on wireless flash, refer to the Speedlite’s instruction manual. Flash zoom (Flash coverage) With Speedlites having a zooming flash head, you can set the flash coverage. Normally, set this to [AUTO] so that the camera will automatically set the flash coverage to match the lens focal length.
3 Setting the Flash Flash exposure compensation The same setting as “Flash exposure compensation” on page 190 can be set. For details, refer to the Speedlite’s instruction manual. Flash exposure bracketing While the flash output is changed automatically, three shots are taken. For details on FEB (Flash Exposure Bracketing), refer to the Speedlite’s instruction manual. C Y P O When using second-curtain synchronization, set the shutter speed to 1/25 sec. or slower. If the shutter speed is 1/30 sec.
3 Setting the Flash Flash Custom Function Settings For details on the Speedlite’s Custom Functions, refer to the Speedlite’s instruction manual. 1 Select [Flash C.Fn settings]. Select [Flash C.Fn settings], then press <0>. the functions. 2 SetTurn the <5> dial to select the number, then press <0>. Turn the <5> dial to select the menu option, then press <0>. C Y P O Clearing Flash Custom Function Settings Selecting [Clear all Speedlite C.
Shooting with the LCD Monitor (Live View Shooting) Y P O You can shoot while viewing the image on the camera’s LCD monitor. This is called “Live View shooting”. C Live View shooting is effective for photos of still subjects. If you handhold the camera and shoot while viewing the LCD monitor, camera shake can cause blurred images. Using a tripod is recommended. About Remote Live View Shooting With EOS Utility (provided software, p.
A Preparing for Live View Shooting During Live View shooting, you can take still photos. To shoot movies, see page 219. 1 Select [LV z/k set.]. Under the [z4] tab, select [LV z/ k set.], then press <0>. “LV” stands for Live View. [Stills]. 2 Select Turn the <5> dial to select [Stills], then press <0>. Y P O the Live View image. 3 Display Press the button. X The Live View image will appear on the LCD monitor.
A Shooting with the LCD Monitor 1 Select the shooting mode. Press the button and turn the <6> or <5> dial to select the shooting mode. the subject. 2 Focus When you press the shutter button halfway, the camera will focus with the current AF mode (p.209). Y P O the picture. 3 TakePress the shutter button completely. C X The picture will be taken and the captured image is displayed on the LCD monitor. X After the image review ends, the camera will return to Live View shooting automatically.
A Shooting with the LCD Monitor Battery Life with Live View Shooting [Approx. number of shots] Temperature At 23°C / 73°F At 0°C / 32°F Possible shots 290 250 The figures above are based on a fully-charged Battery Pack LP-E4N and CIPA (Camera & Imaging Products Association) testing standards. With a fully-charged Battery Pack LP-E4N, continuous Live View shooting is possible for approx. 2 hr. 30 min. at 23°C / 73°F. C Y P O During Live View shooting, do not point the lens toward the sun.
A Shooting with the LCD Monitor About the Information Display Each time you press the button, the information display will change.
A Shooting with the LCD Monitor Final Image Simulation The final image simulation reflects the effects of the Picture Style, white balance, etc., in the Live View image so you can see what the captured image will look like. During shooting, the Live View image will automatically reflect the function settings listed below. Final image simulation during Live View shooting Picture Style * All parameters such as sharpness, contrast, color saturation, and color tone are reflected.
Shooting Function Settings W / f / R / y / S / i / O / B Settings While the Live View image is displayed, if you press the , , , , , , or button, the setting screen will appear on the LCD monitor and you can turn the <6> or <5> dial to set the respective shooting function. When f is set, you can press the button to select the AF area selection mode and AF point. The procedure is the same as with viewfinder shooting. Note that the metering mode cannot be set.
3 Menu Function Settings Function settings particular to Live View shooting are explained here. The menu options under the [z4] tab are explained on pages 206-208. The functions settable on this menu screen only apply during Live View shooting. These functions do not take effect during viewfinder shooting. LV z/k setting You can set Live View shooting settings. For details, see page 200. AF mode You can select [Live mode] (p.209), [u Live mode] (p.210), or [Quick mode] (p.214).
3 Menu Function Settings Exposure simulation Exposure simulation displays and simulates how the brightness of the actual image (exposure) will look. • Enable (g) The displayed image brightness will be close to the actual brightness (exposure) of the resulting image. If you set exposure compensation, the image brightness will change accordingly. • During e Normally, the image is displayed at the standard brightness to make the Live View image easy to see.
3 Menu Function Settings Silent LV shooting • Mode 1 The shooting operation noise is quieter than with normal shooting. Continuous shooting is also possible. At , the maximum continuous shooting speed will be approx. 12 shots/sec. At , it will be approx. 14 shots/sec. • Mode 2 When the shutter button is pressed completely, only one shot will be taken. While you keep holding down the shutter button, the camera operation will be suspended.
Using AF to Focus Selecting the AF Mode The AF modes available are [Live mode], [u Live mode] (face detection, p.210), and [Quick mode] (p.214). If you want to achieve precise focus, set the lens focus mode switch to , magnify the image, and focus manually (p.216). Select the AF mode. Under the [z4] tab, select [AF mode]. While the Live View image is displayed, you can also press the button to select the AF mode on the setting screen displayed.
Using AF to Focus the subject. 3 Focus Aim the AF point over the subject and press the shutter button halfway. X When focus is achieved, the AF point will turn green and the beeper will sound. X If focus is not achieved, the AF point will turn orange. the picture. 4 TakeCheck the focus and exposure, then press the shutter button completely to take the picture (p.201). Y P O u (Face detection) Live Mode: c C With the same AF method as the Live mode, human faces are detected and focused.
Using AF to Focus the subject. 2 Focus Press the shutter button halfway and the camera will focus the face covered by the
frame. X When focus is achieved, the AF point will turn green and the beeper will sound. X If focus is not achieved, the AF point will turn orange. If a face cannot be detected, the AF point < > will be displayed and AF will be executed at the center. the picture. 3 TakeCheck the focus and exposure, then Y P O press the shutter button completely to take the picture (p.201).
Using AF to Focus Live Mode and u (Face Detection) Live Mode Notes AF operation Focusing will take slightly longer. Even when focus has been achieved, pressing the shutter button halfway will focus again. The image brightness may change during and after the AF operation. If the light source changes while the Live View image is displayed, the screen may flicker and focusing may be difficult. If this happens, exit Live View shooting and autofocus under the actual light source.
Using AF to Focus Shooting conditions that make focusing difficult Low-contrast subjects such as the blue sky and solid-color, flat surfaces. Subjects in low light. Stripes and other patterns where there is contrast only in the horizontal direction. Under a light source whose brightness, color, or pattern keeps changing. Night scenes or points of light. When the image flickers under fluorescent or LED light sources. Extremely small subjects. Subjects at the edge of the picture.
Using AF to Focus Quick Mode: f The dedicated AF sensor is used to focus in One-Shot AF mode (p.67), using the same AF method as with viewfinder shooting. Although you can focus the target area quickly, the Live View image will be interrupted momentarily during the AF operation. In AF area selection modes other than 61-point automatic selection AF, you can manually select the AF point or zone. Area AF frame Magnifying frame 1 Display the Live View image. Press the button.
Using AF to Focus the AF point. 3 Select Use the <9> to select an AF point. If you press <9> straight down, the center AF point (or center Zone) will be selected. You can also use the <6> and <5> dials to select the AF point. The <6> dial selects an AF point in the horizontal direction, and the <5> dial selects an AF point in the vertical direction. the subject. 4 Focus Aim the AF point over the subject and C Y P O press the shutter button halfway.
Focusing Manually You can magnify the image and focus precisely with manual focus. 1 Set the lens focus mode switch to . Turn the lens focusing ring to focus roughly. the magnifying frame. 2 Move Use <9> to move the magnifying Magnifying frame frame to the position where you want to focus. Pressing <9> straight down will return the magnifying frame to the image center. Y P O the image. 3 Magnify Press the button. X The area within the magnifying frame will be magnified.
Live View Shooting Cautions Image Quality When you shoot at high ISO speeds, noise (such as dots of light and banding) may become noticeable. Shooting in high temperatures may cause noise and irregular colors in the image. If Live View shooting is used continuously for a long period, the camera’s internal temperature may rise, degrading image quality. Stop Live View shooting when not shooting images.
Live View Shooting Cautions Live View Image Under low- or bright-light conditions, the Live View image may not reflect the brightness of the captured image. If the light source within the image changes, the screen may flicker. If this happens, exit Live View shooting and resume shooting under the actual light source to be used. If you point the camera in a different direction, it may throw off the Live View image’s correct brightness momentarily. Wait until the brightness level stabilizes before shooting.
Shooting Movies Y P O The live image displayed on the camera’s LCD monitor can be recorded as a movie to the card. The movie recording format will be MOV. C Cards that Can Record Movies When shooting movies, use a large-capacity card with a fast writing/reading speed as shown in the table. IPB 10 MB/sec. or faster Compression Method (p.233) ALL-I (I-only) 30 MB/sec. or faster If you use a slow-writing card when shooting movies, the movie may not be recorded properly.
k Preparing to Shoot Movies Set the camera so it can record the live image displayed on the LCD monitor as a movie. To shoot still photos, see page 199. 1 Select [LV z/k set.]. Under the [z4] tab, select [LV z/ k set.], then press <0>. “LV” stands for Live View. [Movies]. 2 Select Turn the <5> dial to select [Movies], then press <0>. Y P O rec. size]. 3 SetFor[Movie details on [Movie rec. size], see C page 233. the image. 4 Display Press the button. X The image will appear on the LCD monitor.
k Shooting Movies Autoexposure Shooting When the shooting mode is set to or , autoexposure control will take effect to suit the scene’s current brightness. Autoexposure control will be the same for and . 1 Set the shooting mode to . Press the button and turn the <6> or <5> dial to select or . the subject. 2 Focus Before shooting, focus with AF or C3 Y P O manual focus (p.209-216).
k Shooting Movies Shutter-priority AE When the shooting mode is , you can manually set the shutter speed for movie shooting. The ISO speed and aperture will be set automatically to suit the brightness and obtain a standard exposure. 1 Set the shooting mode to . Press the button and turn the <6> or <5> dial to select . the desired shutter speed. 2 SetWhile looking at the LCD monitor, Shutter speed Y P O turn the <6> dial. The settable shutter speeds depend on the frame rate <9>.
k Shooting Movies Aperture-priority AE When the shooting mode is , you can manually set the aperture for movie shooting. The ISO speed and shutter speed will be set automatically to suit the brightness and obtain a standard exposure. 1 Set the shooting mode to . Press the button and turn the <6> or <5> dial to select . the desired aperture. 2 SetWhile looking at the LCD monitor, Y P O turn the <6> dial. Aperture C3 Focus and shoot the movie.
k Shooting Movies ISO speed in the d, s, f, and BULB modes The ISO speed will be set automatically within ISO 100 - 25600. Under [z2: ISO speed settings], if [ISO speed range]’s [Maximum] setting (p.126) is set to [51200/H] in the d, s, and BULB modes, the automatic ISO speed setting range’s Maximum will be expanded to H (equivalent to ISO 51200). Note that even if you set [Maximum] to [51200], the maximum will remain at ISO 25600 and will not be expanded.
k Shooting Movies Manual Exposure Shooting You can manually set the shutter speed, aperture, and ISO speed for movie shooting. Using manual exposure to shoot movies is for advanced users. 1 Set the shooting mode to . Press the button and turn the <6> or <5> dial to select . the ISO speed. 2 SetPress the button. X The ISO speed setting screen will appear on the LCD monitor. Turn the <6> or <5> dial to set the ISO speed. For details on the ISO speed, see the next page.
k Shooting Movies ISO speed during manual-exposure shooting With [Auto] (A), the ISO speed will be set automatically within ISO 100 - 25600. You can set the ISO speed manually within ISO 100 - 25600 in 1/3stop increments. Under [z2: ISO speed settings], if [ISO speed range]’s [Maximum] is set to [51200/H], the manual ISO speed setting range’s Maximum will be expanded to H (equivalent to ISO 51200). Note that even if you set [Maximum] to [51200], the maximum will remain at ISO 25600 and not be expanded.
k Shooting Movies Information Display Each time you press the button, the information display will change.
k Shooting Movies Notes on Movie Shooting The camera cannot autofocus continuously like a camcorder. Autofocusing during movie shooting may momentarily throw the focus far off or change the exposure. When you autofocus during movie shooting under low-light conditions using a USM lens, horizontal stripes (noise) may be recorded. Note that with certain lenses equipped with the electronic focusing ring, similar noise may be recorded even with manual focusing (MF).
k Shooting Movies Notes on Movie Shooting Under [z5: Movie shoot. btn], if [V/o] is selected, you can press the shutter button completely to start or stop the movie shooting (p.242). Monaural sound is recorded by the camera’s built-in microphone (p.221). By connecting a stereo microphone (commercially available) equipped with a 3.5 mm mini plug to the camera’s external microphone IN terminal (p.21), stereo sound recording is possible.
k Shooting Movies Shooting Still Photos While shooting a movie, you can also take a still photo by pressing the shutter button completely. Taking still photos during movie shooting If you take a still photo during movie shooting, the movie will record a still moment lasting approx. 1 sec. The captured still photo will be recorded to the card, and the movie shooting will resume automatically when the Live View image is displayed. The movie and still photo will be recorded as separate files on the card.
k Shooting Movies AEB cannot be used. Even if an external Speedlite is used, it will not fire. Continuous still photo shooting is possible during movie shooting. However, the captured images will not be displayed on the screen. Depending on the still photo’s image-recording quality, number of shots during continuous shooting, card performance, etc., the movie shooting may stop automatically. If [z5: Movie shoot. btn] is set to [V/o], still photo shooting is not possible.
Shooting Function Settings W / f / R / S / i / O / B Settings If you press the , , , , , or button while the image is displayed on the LCD monitor, the setting screen will appear on the LCD monitor and you can turn the <6> or <5> dial to set the respective function. When f is set, you can press the button to select the AF area selection mode and AF point. The procedure is the same as with viewfinder shooting. During manual-exposure shooting (p.
3 Setting the Movie-Recording Size With [z4: Movie rec. size], you can set the movie’s image size, frame rate per second, and compression method. The frame rate switches automatically depending on the [53: Video system] setting. Image size A [1920x1080] : Full High-Definition (Full HD) recording quality. The aspect ratio will be 16:9. B [1280x720] : High-Definition (HD) recording quality. The aspect ratio will be 16:9. C [640x480] : Standard-definition recording quality. The aspect ratio will be 4:3.
3 Setting the Movie-Recording Size Total Movie Recording Time and File Size Per Minute Movie-Recording Size Total Recording Time (approx.) File Size (approx.) 4 GB Card 8 GB Card 16 GB Card 654 X 16 min. 32 min. 1 hr. 4 min. 235 MB/min. 654 W 5 min. 11 min. 22 min. 685 MB/min. 87 X 18 min. 37 min. 1 hr. 14 min. 205 MB/min. 87 W 6 min. 12 min. 25 min. 610 MB/min. C 65 X 48 min. 1 hr. 37 min. 3 hr. 14 min. 78 MB/min.
3 Setting the Movie-Recording Size An increase of the camera’s internal temperature may cause movie shooting to stop before the maximum recording time shown on the preceding page (p.243). Even if [Record func.] is set to [Auto switch card], the card cannot be switched automatically during movie shooting. C Y P O About Full HD 1080 Full HD 1080 indicates compatibility with High-Definition featuring 1080 vertical pixels (scanning lines).
3 Setting the Sound Recording You can shoot movies while recording sound with the built-in monaural microphone or with a commerciallyavailable stereo microphone. You can also freely adjust the sound-recording level. Set the sound recording with [z4: Sound recording]. Sound Recording/Sound-Recording Level [Auto] [Manual] : The sound-recording level is adjusted automatically. Auto level control will operate automatically in response to the sound level. : For advanced users.
3 Setting the Sound Recording Using the microphone The built-in microphone records monaural sound. Stereo sound recording is possible by connecting an external stereo microphone (commercially-available) equipped with a miniature stereo plug (3.5 mm) to the camera’s external microphone IN terminal (p.21). When an external microphone is connected, sound recording will switch automatically to the external microphone. C Y P O The sound volume balance between L (left) and R (right) cannot be adjusted.
3 Silent Control This function is convenient when you want to change the ISO speed, sound-recording level, etc., silently while shooting a movie. When [z5: Silent Control] is set to [Enable h], you can use the touch pad on the inner ring of the Quick Control Dial. You can operate the camera silently just by touching the top, bottom, left, or right of . During movie shooting, you can press to display the Quick Control screen and change the settings below with .
3 Setting the Time Code The time code is a time reference recorded automatically to synchronize the video and audio during movie shooting. It is recorded at all times in the following units: hours, minutes, seconds, and frames. It is mainly used during movie editing. Set the time code with [z5: Time code]. Count Up [Rec run] [Free run] : The time code counts up only while you are shooting a movie. : The time code counts up whether you are shooting or not.
3 Setting the Time Code Regardless of the [Movie rec count] setting, the time code will always be recorded to the movie file. Movie Playback Count You can select what to display on the movie playback screen. [Rec time] : Displays the recording time and playback time during movie playback. [Time code] : Displays the time code during movie playback.
3 Menu Function Settings [z4] Menu When you select [Movies] under [z4: LV z/k set.], the [z4] [z5] tabs for movie shooting will appear. The menu options are as follows. AF mode The AF modes will be the same as described on pages 209-215. You can select [Live mode], [u Live mode], or [Quick mode]. Note that continuous focusing of a moving subject is not possible. Even if the AF mode is set to [Quick mode], it will switch to [Live mode] during movie shooting.
3 Menu Function Settings Silent LV shooting This function applies to still photo shooting. For details, see page 208. Metering timer You can change how long the exposure settings are displayed (AE lock time). [z5] Menu Y P O Time code You can set the time code. For details, see pages 239 and 240. C Silent Control When [Enable h] is set, you can use the touch pad and Quick Control screen to change settings silently during movie shooting. For details, see page 238.
Movie Shooting Cautions White and Red Internal Temperature Warning Icons If the camera’s internal temperature increases due to prolonged movie shooting or a high ambient temperature, a white icon will appear. Even if you shoot a movie while this icon is displayed, the movie’s image quality will hardly be affected. However, if you shoot still photos, the image quality of the still photos may degrade. You should stop shooting still photos for a while and allow the camera to cool down.
Movie Shooting Cautions Recording and Image Quality If you use a card with a slow writing speed, a five-level indicator may appear on the right of the screen during movie shooting. It indicates how much data has not yet been written to the card (remaining capacity of the internal buffer memory). The slower the card, the faster the indicator will climb upward. If the indicator becomes full, movie shooting will stop automatically.
Image Playback Y P O This chapter explains how to play back and erase photos and movies, how to display them on a TV screen, and other playback-related functions. C About images taken with another camera The camera may not be able to properly display images captured with a different camera or edited with a computer or whose file name was changed.
x Image Playback Single-Image Display 1 Play back the image. Press the button. X The last captured image or last image viewed will appear. an image. 2 Select To play back images starting with the last image, turn the <5> dial counterclockwise. To play back images starting with the first captured image, turn the dial clockwise. Each time you press the button, the display format will change.
x Image Playback the image playback. 3 ExitPress the button to exit the image playback and return to shooting-ready state. 3 Grid Display With single-image display, you can overlay the grid on the image during playback. With [33: Playback grid], you can select [3x3 l], [6x4 m], or [3x3+diag n]. This function is convenient for checking the image’s tilt and composition. C Y P O The grid is not displayed during movie playback.
B: Shooting Information Display Sample Information for Still Photos AF Microadjustment Exposure compensation amount Flash exposure compensation amount Aperture Shutter speed Protect images Rating Voice memo Folder number - File number Card Histogram (Brightness/RGB) FE Microadjustment Metering mode Shooting mode AE Microadjustment ISO speed Image size Y P O Color temperature when
is set White balance correction Shooting date and time Playback number/ Total images recorded Highlight tone priority
B: Shooting Information Display Sample Information for Movies Shooting time, Playback time/Time code Playback Shutter speed Aperture Shooting mode Movie recording size Frame rate Movie file size Compression method Y P O About the Highlight Alert When [33: Highlight alert] is set to [Enable], overexposed highlight areas will blink. To obtain more image detail in the overexposed areas, set the exposure compensation to a negative amount and shoot again.
B: Shooting Information Display About the Histogram The brightness histogram shows the exposure level distribution and overall brightness. The RGB histogram is for checking the color saturation and gradation. The display can be switched with [33: Histogram]. [Brightness] Display Sample Histograms This histogram is a graph showing the distribution of the image’s brightness level.
x Searching for Images Quickly H Display Multiple Images on One Screen (Index Display) You can search for images quickly with the index display showing four or nine images on one screen. 1 Press the button. During image playback, press the button. X [6u] will be displayed on the lower right of the screen. to the index display. 2 Switch Turn the <6> dial counterclockwise. C Ä X The 4-image index display will appear. The currently-selected image will be highlighted in a blue frame.
x Searching for Images Quickly I Jump through Images (Jump Display) With the single-image display, you can turn the <6> dial to jump through the images forward or backward according to the jump method set. 1 Select [Image jump w/6]. Under the [32] tab, select [Image jump w/6], then press <0>. the jump method. 2 Select Turn the <5> dial to select the jump method, then press <0>.
u Magnified View You can magnify a captured image by approx. 1.5x to 10x on the LCD monitor. 1 Magnify the image. Magnified area position C2 The image can be magnified during image playback (single-image display), during image review after image capture, and from shootingready state. Press the button. X The magnified view will appear. The magnified area and [6u] will be displayed on the lower right of the screen. The image magnification increases as you turn the <6> dial clockwise.
u Magnified View 3 Magnification Settings Under the [33] tab, when you select [Magnificatn (apx)], you can set the starting magnification and initial position for the magnified view. 1x (no magnification) The image will not be magnified. The magnified view will start with the single-image display. 2x, 4x, 8x, 10x (magnify from center) The magnified view will start at the image center at the selected magnification.
b Rotating the Image You can rotate the displayed image to the desired orientation. 1 Select [Rotate image]. Under the [31] tab, select [Rotate image], then press <0>. an image. 2 Select Turn the <5> dial to select the image to be rotated. You can also select an image on the index display (p.251). the image. 3 Rotate Each time you press <0>, the C Y P O image will rotate clockwise as follows: 90° → 270° → 0°. To rotate another image, repeat steps 2 and 3. Press the button to return to the menu.
Setting Ratings You can rate images and movies with one of five rating marks: l/m/ n/o/p. This function is called rating. 3 Set Ratings with the Menu 1 Select [Rating]. Under the [32] tab, select [Rating], then press <0>. an image or movie. 2 Select Turn the <5> dial to select the image or movie to be rated. If you press the button and turn the <6> dial counterclockwise, you can select an image or movie from a three-image display. To return to the single-image display, turn the <6> dial clockwise.
Setting Ratings Using the Button Under [85:J/Kbutton function], if you set [Rating (J and K disabled)] (p.330), you can press the button to rate images/ movies during playback. 1 Set the button’s function. Set [85:J/Kbutton function] to [Rating (J and Kdisabled)]. the image. 2 Playback Turn the <5> dial to select the image or movie to be rated. or movie. 3 RateEachthetimeimage you press the button, C Y P O the rating mark will change: l/m/ n/o/p/None.
Q Quick Control During Playback During playback, you can press the button to set the following: [K: Protect images, b: Rotate image, 9: Rating, R: RAW image processing (RAW images only), S: Resize (JPEG image only), : Highlight alert, : AF point display, e: Image jump w/6]. For movies, only the functions in bold above can be set. 1 Press the button. During image playback, press the button. X The Quick Control screen will appear. a function and set it.
Q Quick Control During Playback To rotate an image, set [51: Auto rotate] to [OnzD]. If [51: Auto rotate] is set to [OnD] or [Off], the [b Rotate image] setting will be recorded to the image, but the camera will not rotate the image for display. Press the button during index display to switch to the single-image display and the Quick Control screen will appear. Pressing the button again will return to the index display.
k Enjoying Movies You can play back movies in the following three ways: Playback on a TV set (p.269, 272) Use the provided AV cable or an HDMI Cable HTC-100 (sold separately) to connect the camera to a TV set. Then you can play back captured movies and still photos on the TV. If you have a High-Definition TV set and connect your camera with an HDMI cable, you can watch Full High-Definition (Full HD: 1920x1080) and HighDefinition (HD: 1280x720) movies with higher image quality.
k Enjoying Movies Playback and Editing with a Personal Computer (p.410) The movie files recorded on the card can be transferred to a personal computer and played with ImageBrowser EX. To have the movie play back smoothly on a personal computer, use a high-performance personal computer. Regarding the computer hardware requirements for ImageBrowser EX, refer to the PDF file ImageBrowser EX User Guide.
k Playing Movies 1 Play back the image. Press the button to display images. a movie. 2 Select Turn the <5> dial to select the movie to be played. With the single-image display, the <1s> icon displayed on the upper left indicates a movie. In the index display, perforations at the left edge of a thumbnail indicate a movie. As movies cannot be played on the index display, press <0> to switch to the single-image display. C Y P O the single-image display, press 3 In<0>.
k Playing Movies Function Playback Description 2 Exit Returns to the single-image display. 7 Play Pressing <0> toggles between play and stop. 8 Slow motion Adjust the slow motion speed by turning the <5> dial. The slow-motion speed is indicated at the upper right of the screen. 5 First frame Displays the movie’s first frame. 3 Previous frame Each time you press <0>, the previous frame is displayed. If you hold down <0>, it will rewind the movie.
X Editing the Movie’s First and Last Scenes You can edit out the first and last scenes of a movie in 1-sec. increments. 1 On the movie playback screen, select [X]. X The movie editing panel will be displayed at the bottom of the screen. the part to be edited out. 2 Specify Select either [U] (Cut beginning) or [V] (Cut end), then press <0>. Tilt <9> to the left or right to see the previous or next frames. Holding it down will fast forward the frames. Turn the <5> dial for frame-byframe playback.
X Editing the Movie’s First and Last Scenes the movie. 4 Save Select [W], then press <0>. X The save screen will appear. To save it as a new movie, select [New file]. To save it and overwrite the original movie file, select [Overwrite]. Then press <0>. On the confirmation screen, select [OK], then press <0> to save the edited movie and return to the movie playback screen. C Y P O Since the editing is performed in 1-sec.
3 Slide Show (Auto Playback) You can play back the images on the card as an automatic slide show. 1 Number of images to be played Select [Slide show]. Under the [32] tab, select [Slide show], then press <0>. the images to be played. 2 Select Turn the <5> dial to select the desired option, then press <0>. [All images/Movies/Stills] Turn the <5> dial to select one of the following: [jAll images/ kMovies/zStills]. Then press <0>.
3 Slide Show (Auto Playback) Item Playback Description jAll images All the still photos and movies on the card will be played back. iDate Still photos and movies taken on the selected shooting date will be played back. nFolder Still photos and movies in the selected folder will be played back. kMovies Only the movies on the card will be played back. zStills Only the still photos on the card will be played back.
3 Slide Show (Auto Playback) show. 4 StartTurnthetheslide <5> dial to select [Start], then press <0>. X After [Loading image...] is displayed, the slide show will start. slide show. 5 QuitTo the quit the slide show and return to the setting screen, press the button. C Y P O To pause the slide show, press <0>. During pause, [G] will be displayed on the upper left of the image. Press <0> again to resume the slide show.
Viewing the Images on TV You can view the still photos and movies on a TV set. Adjust the movie’s sound volume with the TV set. The sound volume cannot be adjusted with the camera. Before connecting or disconnecting the cable between the camera and television, turn off the camera and TV set. Depending on the TV set, part of the image displayed may be cut off. Viewing on High-Definition (HD) TV Sets HDMI Cable HTC-100 (sold separately) is required. 1 Connect the HDMI cable to the camera.
Viewing the Images on TV the button. 5 Press X The image will appear on the TV screen. (Nothing will be displayed on the camera’s LCD monitor.) The images will automatically be displayed at the TV’s optimum resolution. By pressing the button, you can change the display format. To play back movies, see page 262. A movie cannot be output at the same time from both the and terminals. Y P O Do not connect any other device’s output to the camera’s terminal.
Viewing the Images on TV the camera to a TV set. 2 Connect Use an HDMI cable to connect the camera to the TV. X The TV’s input will switch automatically to the HDMI port connected to the camera. the camera’s button. 3 Press X An image will appear on the TV screen and you can use the TV’s remote control to play back images. an image or movie. 4 Select Point the remote control toward the TV set and press the / button to select an image.
Viewing the Images on TV Viewing on Non High-Definition (HD) TV Sets 1 Connect the provided AV cable to the camera. With the plug’s logo facing the back of the camera, insert it into the terminal. (Red) (White) (Yellow) the AV cable to the TV 2 Connect set. Connect the AV cable to the TV’s video IN terminal and audio IN terminal. on the TV and switch the 3 Turn TV’s video input to select the Y P O connected port. Set the camera’s power switch to <1>. 4 the button.
J Protecting Images Protecting an image prevents it from being erased accidentally. Protecting Images Individually with the Button 1 Image protect icon Select the image to be protected. Press the <3> button to play back images, then turn the <5> dial to select the image. the image. 2 Protect When you press the button, the C image will be protected and the icon will appear at the top of the screen. To cancel the image protection, press the button again. The icon will disappear.
J Protecting Images the image. 3 Protect Turn the <5> dial to select the image to be protected, then press <0>. X The image will be protected, and the icon will appear at the top of the screen. To cancel the image protection, press <0> again. The icon will disappear. To protect another image, repeat step 3. Press the button to return to the menu. 3 Protecting All Images in a Folder or Card Y P O You can protect all the images in a folder or on the card at one time.
K Recording and Playing Voice Memos You can append a voice memo to a captured image. The voice memo will be saved as a WAV sound file with the same file number as the image. It can be played back with the camera or provided software. Recording a Voice Memo 1 Select the image to which you want to append a voice memo. Press the button to play back images, then turn the <5> dial to select the image. a Voice Memo 2 Recording Hold down the for approx. 2 sec.
K Recording and Playing Voice Memos Playing a Voice Memo When [85: J/K button function] is set to [Play memo (Hold: Rec. memo)] (p.330), you can play back a voice memo appended to an image. 1 Set [85: J/K button function] to [Play memo (Hold: Rec. memo)]. Set this function while referring to page 330. the image whose voice 2 Select memo you want to playback. Press the button to play back images, then turn the <5> dial to select an image that has the [ ] icon displayed on the top.
a Copying Images The images recorded on one card can be copied to the other card. 3 Copying Individual Images 1 Select [Image copy]. Under the [31] tab, select [Image copy], then press <0>. [Sel.Image]. 2 Select Check the copy source and target card’s capacity. Turn the <5> dial to select [Sel.Image], then press <0>. Lowest file number Number of images in folder Y P O the folder. 3 Select Turn the <5> dial to select the folder C containing the image to be copied, then press <0>.
a Copying Images Total images selected the images to be copied. 4 Select Turn the <5> dial to select an image to be copied, then press <0>. X The icon will appear on the upper left of the screen. If you press the button and turn the <6> dial counterclockwise, you can select an image from a threeimage display. To return to the singleimage display, turn the <6> dial clockwise. To select other images to be copied, repeat step 4. Y P O the button.
a Copying Images [OK]. 8 Select Check the copy source and target card’s information. Turn the <5> dial to select [OK], then press <0>. X The copying will start and its progress will be displayed. When the copying is completed, the result will be displayed. Select [OK] to return to the screen in step 2. Y P O 3 Copying All Images in a Folder or Card You can copy all the images in a folder or on a card at one time. Under [x1: Image copy], when you select [Sel.
L Erasing Images You can either select and erase images one by one or erase them in one batch. Protected images (p.273) will not be erased. Once an image is erased, it cannot be recovered. Make sure you no longer need the image before erasing it. To prevent important images from being erased accidentally, protect them. Erasing a RAW+JPEG image will erase both the RAW and JPEG images. Erasing a Single Image 1 Play back the image to be erased. the button.
L Erasing Images [Select and erase images]. 2 Select Select [Select and erase images], then press <0>. X The images will be displayed. If you press the button and turn the <6> dial counterclockwise, you can select an image from a threeimage display. To return to the singleimage display, turn the <6> dial clockwise. the images to be erased. 3 Select Turn the <5> dial to select the C4 image to be erased, then press <0>. X A checkmark will be displayed at the upper left of the screen.
Changing Image Playback Settings 3 Adjusting the LCD Monitor Brightness You can adjust the brightness of the LCD monitor to make it easier to read. 1 Select [LCD brightness]. Under the [52] tab, select [LCD brightness], then press <0>. the brightness. 2 Adjust While referring to the gray chart, turn the <5> dial, then press <0>. C Y P O To check the image’s exposure, looking at the histogram is recommended (p.250).
Changing Image Playback Settings 3 Auto Rotation of Vertical Images Vertical images are rotated automatically so they are displayed vertically on the camera’s LCD monitor and on the personal computer instead of horizontally. You can change the setting for this feature. 1 Select [Auto rotate]. Under the [51] tab, select [Auto rotate], then press <0>. the auto rotation. 2 SetSelect the desired option, then press <0>.
C Y P O
Post-Processing Images Y P O You can process RAW images with the camera or resize (shrink) JPEG images. C The camera may not be able to process images taken with another camera. Post-processing images as described in this chapter is not possible if the camera is set for multiple exposures or while it is connected to a personal computer via the terminal.
R Processing RAW Images with the Camera You can process 1 images with the camera and save them as JPEG images. While the RAW image itself does not change, you can process the RAW image according to different conditions to create any number of JPEG images from it. Note that 41 and 61 images cannot be processed with the camera. Use Digital Photo Professional (provided software, p.410) to process those images. 1 Select [RAW image processing]. Under the [32] tab, select [RAW image processing], then press <0>.
R Processing RAW Images with the Camera Displaying the setting screen Press <0> to display the selected function’s setting screen. Turn the <5> or <6> dial to change the setting. To return to the screen in step 3, press <0>. the image. 4 Save Select [W] (Save), then press <0>. Select [OK] to save the image. Check the destination folder and image file number, then select [OK]. To process another image, repeat steps 2 to 4. Press the button to return to the menu.
R Processing RAW Images with the Camera RAW Image Processing Options Brightness adjustment You can adjust the image brightness up to ±1 stop in 1/3-stop increments. The displayed image will reflect the setting’s effect. White balance (p.137) You can select the white balance. If you select [P], turn the <6> dial to set the color temperature on the setting screen. The displayed image will reflect the setting’s effect. Picture Style (p.129) You can select the Picture Style.
R Processing RAW Images with the Camera Color space (p.162) You can select either sRGB or Adobe RGB. Since the camera’s LCD monitor is not compatible with Adobe RGB, the image will not look very different when either color space is set. Peripheral illumination correction (p.151) If [Enable] is set, the corrected image will be displayed. If the effect is difficult to discern, press the button to magnify the image and check the corners. (Press the button again to return to the normal view.
R Processing RAW Images with the Camera Chromatic aberration correction When [Enable] is set, the lens’ chromatic aberrations (color fringing along the subject’s outline) can be corrected. If [Enable] is set, the corrected image will be displayed. If the effect is difficult to discern, press the button to magnify the image. (Press the button again to return to the normal view.
S Resize You can resize an image to make the pixel count lower and save it as a new image. Resizing an image is possible only with JPEG 3/H/5 images. JPEG 6 and RAW images cannot be resized. 1 Select [Resize]. Under the [32] tab, select [Resize], then press <0>. X The images will be displayed. an image. 2 Select Turn the <5> dial to select the image you want to resize. If you press the button and turn the <6> dial counterclockwise, you can select an image from the index display.
S Resize Resize Options According to Original Image Size Available Resize Settings Original Image Size H 5 6 3 k k k k H C 292 k k 5 Y P O
Sensor Cleaning Y P O The camera has a Self Cleaning Sensor Unit attached to the image sensor’s front layer (low-pass filter) to shake off dust automatically. C The Dust Delete Data can also be appended to the image so that the dust spots remaining can be erased automatically by Digital Photo Professional (provided software, p.410).
f Automatic Sensor Cleaning Whenever you set the power switch to <1/R> or <2>, the Self Cleaning Sensor Unit operates to automatically shake off the dust on the front of the sensor. Normally, you need not pay attention to this operation. However, you can select to perform sensor cleaning at any time, or disable it. Cleaning the Sensor Now 1 Select [Sensor cleaning]. Under the [53] tab, select [Sensor cleaning], then press <0>. [Clean nowf]. 2 Select Select [Clean nowf], then press Y P O <0>.
3 Appending Dust Delete Data Normally, the Self Cleaning Sensor Unit will eliminate most of the dust that may be visible on captured images. However, in case visible dust still remains, you can append the Dust Delete Data to the image for erasing the dust spots later. The Dust Delete Data is used by Digital Photo Professional (provided software, p.410) to erase the dust spots automatically. Preparation Prepare a solid white object such as a sheet of paper. Set the lens focal length to 50 mm or longer.
3 Appending Dust Delete Data a solid-white object. 3 Photograph At a distance of 20 cm - 30 cm (0.7 ft. - 1.0 ft.), fill the viewfinder with a patternless, solid-white object and take a picture. X The picture will be taken in aperturepriority AE mode at an aperture of f/22. Since the image will not be saved, the data can be obtained even if there is no card in the camera. X When the picture is taken, the camera will start collecting the Dust Delete Data.
3 Manual Sensor Cleaning Dust that could not be removed by the automatic sensor cleaning can be removed manually with a blower, etc. Before cleaning the sensor, detach the lens from the camera. The surface of the image sensor is extremely delicate. If the sensor needs to be cleaned directly, having it done by a Canon Service Center is recommended. 1 Select [Sensor cleaning]. Under the [53] tab, select [Sensor cleaning], then press <0>. [Clean manually].
3 Manual Sensor Cleaning While cleaning the sensor, never do any of the following. Doing any of the following will cut off the power and close the shutter. The shutter curtains and image sensor may then get damaged. • Setting the power switch to <2>. • Removing or inserting the battery. The surface of the image sensor is extremely delicate. Clean the sensor with care. Use a plain blower without any brush attached. A brush can scratch the sensor.
Printing Images and Transferring Images to a Computer Y P O Printing (p.302) You can connect the camera directly to a printer and print out the images on the card. The camera is compatible with “wPictBridge” which is the standard for direct printing. C Digital Print Order Format (DPOF) (p.309) DPOF (Digital Print Order Format) enables you to print images recorded on the card according to your printing instructions such as the image selection, quantity to print, etc.
Preparing to Print The direct printing procedure can be performed entirely with the camera while you look at the LCD monitor. Connecting the Camera to a Printer 1 Set the camera’s power switch to <2>. the printer. 2 SetForupdetails, refer to the printer’s instruction manual. Y P O the camera to the 3 Connect printer. Use the interface cable provided with the camera. Connect the cable to the camera’s terminal with the cable plug’s icon facing the front of the camera.
Preparing to Print wPictBridge back the image. 6 PlayPress the button. X The image will appear, and the icon will appear on the upper left to indicate that the camera is connected to a printer. C Y P O Movies cannot be printed. The camera cannot be used with printers compatible only with CP Direct or Bubble Jet Direct. Do not use any interface cable other than the one provided. If there is a long beeping sound in step 5, it indicates a problem with the printer.
wPrinting The screen display and setting options will differ depending on the printer. Some settings may not be available. For details, refer to the printer’s instruction manual. Printer-connected icon 1 Select the image to be printed. Check that the icon is displayed on the upper left of the LCD monitor. Turn the <5> dial to select the image to be printed. <0>. 2 Press X The print setting screen will appear. Print setting screen Y P O Sets the printing effects (p.304).
wPrinting Q Setting the Paper Size Select the size of the paper loaded in the printer, then press <0>. X The paper type screen will appear. Y Setting the Paper Type Select the type of the paper loaded in the printer, then press <0>. X The page layout screen will appear. U Setting the Page Layout Y P O Select the page layout, then press <0>. X The print setting screen will reappear. C Bordered The print will have white borders along the edges. Borderless The print will have no borders.
wPrinting printing effects. 4 SetSettheif necessary. If you do not need to set any printing effects, go to step 5. What is displayed on the screen differs depending on the printer. Select the option, then press <0>. Select the desired printing effect, then press <0>. If the icon is highlighted next to , you can also adjust the printing effect (p.306). Printing Effect Description EOn The image will be printed using the printer’s standard colors.
wPrinting the date and file number 5 Set imprinting. Set if necessary. Select , then press <0>. Set as desired, then press <0>. number of copies. 6 SetSettheif necessary. Select , then press <0>. Set the number of copies, then press <0>. printing. 7 StartSelect [Print], then press <0>. C Y P O When imprinting the shooting information (p.303) of an image shot at ISO 51200, H1, or H2, the correct ISO speed may not be imprinted.
wPrinting e Adjustment of Printing Effects In step 4 on page 304, select the printing effect. When the icon is highlighted next to , you can press the button. You can then adjust the printing effects. What can be adjusted or what is displayed will depend on the selection made in step 4. Brightness The image brightness can be adjusted. Adjust levels When you select [Manual], you can change the histogram’s distribution and adjust the image’s brightness and contrast.
wPrinting Trimming the Image Tilt correction You can crop the image and print only the trimmed portion as if the image was recomposed. Set the trimming right before printing. If you set the trimming and then set the print settings, you may have to set the trimming again before printing. 1 On the print setting screen, select [Trimming]. 2 Set the trimming frame size, position, and aspect ratio. The image area within the trimming frame will be printed.
wPrinting Depending on the printer, the trimmed image area may not be printed as you specified. The smaller you set the trimming frame, the grainier the picture will look in the print. While trimming the image, look at the camera’s LCD monitor. If you look at the image on a TV screen, the trimming frame may not be displayed accurately. Handling Printer Errors If you resolve a printer error (no ink, no paper, etc.
W Digital Print Order Format (DPOF) You can set the print type, date imprinting, and file number imprinting. The print settings will be applied to all print-ordered images. (Settings cannot be set individually for each image.) Setting the Printing Options 1 Select [Print order]. Under the [31] tab, select [Print order], then press <0>. [Set up]. 2 Select Select [Set up], then press <0>. Y P 3O C Set the option as desired. Set the [Print type], [Date], and [File No.].
W Digital Print Order Format (DPOF) Print type Date File number K L K L Standard Prints one image on one sheet. Index Multiple thumbnail images are printed on one sheet. Both Prints both the standard and index prints. On Off On Off [On] imprints the recorded date on the print. [On] imprints the file number on the print. the setting. 4 ExitPress the button. X The print order screen will reappear. Next, select [Sel.Image], [Byn], or [All image] to order the images to be printed.
W Digital Print Order Format (DPOF) Print Ordering Sel.Image Select and order images one by one. If you press the button and turn the <6> dial counterclockwise, you can select an image from a three-image display. To return to the single-image display, turn the <6> dial clockwise. Press the button to save the print order to the card. [Standard] [Both] Press <0> and a print order for one copy of the displayed image will be placed. By turning the <5> dial, you can set the quantity up to 99.
W Direct Printing with DPOF With a PictBridge printer, you can easily print images with DPOF. 1 Prepare to print. See page 300. Follow the “Connecting the Camera to a Printer” procedure up to step 5. 2 Under the [31] tab, select [Print order]. 3 Select [Print]. Y P O [Print] will be displayed only if the camera is connected to a printer and printing is possible. 4 Set the [Paper settings] (p.302). C Set the printing effects (p.304) if necessary. 5 Select [OK].
d Transferring Images to a Personal Computer You can connect the camera to a personal computer and operate the camera to transfer images on the card to the personal computer. This is called direct image transfer. Direct image transfer is performed and controlled from the camera, with the interface displayed on the camera’s LCD monitor. The images transferred to the personal computer will be saved in the [Pictures] or [My Pictures] folder and organized in folders by shooting date.
d Transferring Images to a Personal Computer the camera’s power switch to 3 Set <1>. When the personal computer prompts you to select a program, select [EOS Utility]. X The EOS Utility screen will appear on the personal computer. After the EOS Utility screen appears, do not operate EOS Utility. If any screen other than EOS Utility’s top screen is displayed, [Direct transfer] in step 5 on page 316 will not be displayed. (The image transfer function will not be available.
d Transferring Images to a Personal Computer 3 Select the Images to be Transferred Sel.Image 1 Select [Image transfer]. Under the [32] tab, select [Image transfer], then press <0>. [Image sel./transfer]. 2 Select Select [Image sel./transfer], then press <0>. [Sel.Image]. 3 Select Select [Sel.Image], then press <0>. the images to be transferred. 4 Select Turn the <5> dial to select the image C Y P O to be transferred, then press <0>.
d Transferring Images to a Personal Computer the image. 5 Transfer On the computer screen, check that EOS Utility’s top screen is displayed. Select [Direct transfer], then press <0>. On the confirmation screen, select [OK] and the images will be transferred to the personal computer. Images selected with [Sel.n] and [All image] can also be transferred this way. Sel.n Select [Sel.n] and select [Folder images not transfer’d].
Customizing the Camera Y P O You can customize various camera features to suit your picture-taking preferences with Custom Functions. Also, you can register the current camera settings under shooting modes , , or , or save the camera settings to a card.
3 Custom Functions 81: Exposure A LV Shooting k Movie Shooting k k k In a Bracketing auto cancel k Bracketing sequence k (Still photo, with WB bracketing set) Exposure level increments p.320 ISO speed setting increments p.321 Number of bracketed shots Spot metering linked to AF point Safety shift 82: Exposure Restrict shooting modes C Metering used in manual exposure Set aperture range AE Microadjustment FE Microadjustment Y P O k k k k k k k k k p.
3 Custom Functions A LV Shooting 84: Display/Operation Focusing Screen k Movie Shooting p.327 Viewfinder info. during exposure LCD panel illumination during Bulb p.328 k k In a p.329 k In a k k Recording card, image size setting 85: Operation Dial direction during Tv/Av Av setting without lens Multi function lock Custom Controls J/K button function 86: Others Add cropping information Timer duration Y P O p.330 C p.
3 Custom Function Settings Under the [8] tab, you can customize various camera features to suit your picture-taking preferences. Any settings different from the default will be displayed in blue. C.Fn1: Exposure Exposure level increments 1/3: 1/3-stop, Exposure compensation 1/3-stop Sets 1/3-stop increments for the shutter speed, aperture, exposure compensation, and flash exposure compensation.
3 Custom Function Settings Bracketing sequence The AEB shooting sequence and white balance bracketing sequence can be changed.
3 Custom Function Settings Spot metering linked to AF point You can enable or disable AF point-linked spot metering in the metering mode. Center AF point only Regardless of the AF point currently selected, spot metering will always be linked to the viewfinder’s center AF point. Linked to active AF point Spot metering will be linked to the manually-selected AF point.
3 Custom Function Settings C.Fn2: Exposure Restrict shooting modes You can restrict the shooting modes selectable with the button. Select a shooting mode (a/s/f/d/BULB/w1/w2/w3) to be made selectable and press <0> to append a checkmark . The restricted shooting mode settings are not registered to C1, C2, or C3. At least one shooting mode must be checkmarked . Restrict metering modes You can restrict the metering modes selectable with the button.
3 Custom Function Settings Set shutter speed range You can set the shutter speed range. In the and modes, you can set the shutter speed manually within the range that you have set. In the and modes, the shutter speed will be set automatically within the range that you have set. Highest speed You can set it from 1/8000 sec. to 15 sec. Lowest speed You can set it from 30 sec. to 1/4000 sec. Set aperture range You can set the aperture range.
3 Custom Function Settings AE Microadjustment Normally, this adjustment is not required. Perform this adjustment only if necessary. Note that performing this adjustment may prevent the correct exposure from being achieved. You can fine-tune the standard for exposure metering. This adjustment can help if automatic exposure always makes the image look too dark or too bright even without any exposure compensation. OFF: Disable ON: Enable Select [Enable] and press the button.
3 Custom Function Settings C.Fn3: Drive Continuous shooting speed You can set the continuous shooting speed for high-speed continuous shooting and low-speed continuous shooting. High speed You can set it from 2 to 12 shots/sec. Low speed You can set it from 1 to 11 shots/sec. If you set 12 or 11 shots/sec. for or 11 shots/sec. for and use ISO 32000 or higher (when the camera’s internal temperature is low, ISO 20000 or higher), the maximum continuous shooting speed will be approx.
3 Custom Function Settings C.Fn4: Display/Operation Focusing Screen You can change the focusing screen to an Ec-series focusing screen more suited for your shooting. If you change the focusing screen, change this setting to match the focusing screen type to obtain the correct exposure. Std.: Ec-CV Standard focusing screen. : Ec-A, B, D, H, I, L For Laser-matte screens.
3 Custom Function Settings Viewfinder info. during exposure You can enable or disable the viewfinder information displayed during the exposure. OFF: Disable ON: Enable The viewfinder information will be displayed even during exposure. This is convenient when you want to check the exposure setting, number of possible shots, etc., during continuous shooting. When the shooting mode is set to “Bulb”, the viewfinder information will not be displayed even if [Enable] is set.
3 Custom Function Settings C.Fn5: Operation Dial direction during Tv/Av Normal Reverse direction You can reverse the dial’s turning direction when setting the shutter speed and aperture. In the shooting mode, the turning direction of the <6> and <5> dial will be reversed. In the other shooting modes, the turning direction of only the <6> dial will be reversed. The <5> dial’s turning direction will be the same for the mode and for setting the exposure compensation.
3 Custom Function Settings If you try to use one of the locked camera controls when the power switch is set to , <3> will be displayed in the viewfinder and on the top LCD panel, and will appear on the shooting settings display (p.50). By default, when the power switch is set to , the <5> dial will be locked. Even if the <5> dial has a checkmark appended and is locked, you can still use the touch pad .
3 Custom Function Settings C.Fn6: Others Add cropping information If you set cropping information, vertical lines for the aspect ratio you have set will appear on the Live View image. You can then compose the shot as if you were shooting with a medium- or large-format camera (6x6 cm, 4x5 inch, etc.). When you take a picture, the aspect ratio information for cropping the image with the provided software will be appended to the image. (The image is recorded to the card without being cropped.
3 Custom Function Settings Shutter release time lag Normally, the shutter release is controlled for a stable release time lag. By setting [Shortened], this stabilization control can be omitted to make the shutter-release time lag shorter. Standard Shortened The normal shutter-release time lag is approx. 0.055 sec. when the aperture is stopped down by no more than four stops (depending on the lens). When set to Shortened, the shutter-release time lag is approx. 0.036 sec.
85: Custom Controls You can assign frequently-used functions to camera buttons or dials according to your preferences. 1 Select [85: Custom Controls]. Under the [85] tab, select [Custom Controls], then press <0>. X The Custom Controls screen will appear. a camera button or dial. 2 Select Turn the <5> dial to select a button or dial, then press <0>. X The name of the camera control and the assignable functions will be displayed. Y P O a function.
85: Custom Controls Assignable Functions to Camera Controls Function Page Metering and AF start 338 k AF stop Switch to registered AF function AF k*1 k*1 k k k k 339 ONE SHOT z AI SERVO Switch to registered AF point AF point direct selection 340 Select AF point, + OzS ( during metering) Metering start AE lock Y P O 340 AE lock (while button pressed) AE lock (hold) Exposure FE lock Set ISO speed C Set ISO speed (hold button, turn Set ISO speed ( ) 341 during metering) Set ISO speed O
85: Custom Controls * k k k* k 2 k k* 3 k k* k k k 2 k* k 3 k k*4 k k k k k k k k k k k k C Y P O k k k k * The AF stop button ( k k k k ) is provided only on super telephoto IS lenses.
85: Custom Controls Function Page Image size selection One-touch image quality setting 342 One-touch image quality (hold) Image Record func+card/folder selection 14fps super high speed 343 Picture Style k k k*6 k*6 k k White balance selection Depth-of-field preview IS start VF electronic level Menu display 343 Operation Y P O 344 Register/recall shooting function C Start movie recording (when k set) Switch to Custom shooting mode Image replay Magnify/Reduce (press SET, turn No function
85: Custom Controls * k k*5 k*5 k k*5 k*5 k k k k k k k k k k k k Y P O k k k k C k k k k * The AF stop button ( k k k ) is provided only on super telephoto IS lenses.
85: Custom Controls : Metering and AF start When you press the button assigned to this function, metering and AF are executed. *1: If you assign the [Metering and AF start] function to the
and buttons and add the function to switch to the registered AF point, you can instantly switch to the registered AF point. To enable this function, press the button in step 3 on page 333. On the [AF start point] selection screen, select [Registered AF point]. Registering and using an AF point 1.
85: Custom Controls : AF stop The AF will stop while you hold down the button assigned to this function. Convenient when you want to lock the focus during AI Servo AF. : Switch to registered AF function After setting AF area selection mode (p.69), Tracking sensitivity (p.87), Acceleration/deceleration tracking (p.88), AF point auto switching (p.89), AI Servo 1st image priority (p.91), and AI Servo 2nd image priority (p.
85: Custom Controls : AF point direct selection During metering, you can select an AF point directly with the <5> dial or <9> without pressing the button. With the <5> dial, you can select a left or right AF point, or cycle through the zones if using Zone AF. *4: If you use <9> and press the button in step 3 on page 333, you can press <9> straight down to select [Switch to center AF point] or [Switch to registered AF point].
85: Custom Controls : FE lock During flash photography, pressing the button assigned to this function will fire a preflash and record the required flash output (FE lock). : Set ISO speed You can press <0> to change the ISO speed. Set while looking at the top LCD panel, viewfinder, or LCD monitor. : Set ISO speed (hold button, turn ) You can set the ISO speed by holding down <0> and turning the <6> dial. If Auto ISO is set, manual ISO speed setting will take effect. Auto ISO cannot be set.
85: Custom Controls : Shutter speed setting in M mode In manual exposure , you can set the shutter speed with the <6> or <5> dial. : Aperture setting in M mode In manual exposure , you can set the aperture with the <6> or <5> dial. : Image size selection While looking at the rear LCD panel, you can press <0> to switch to the other card or to change the image size. To switch to the other card, turn the <6> dial. To change the image size, turn the <5> dial.
85: Custom Controls : Record func+card/folder selection Press <0> to display the [Record func+card/folder sel.] screen (p.114) on the LCD monitor. : 14fps super high speed In the drive mode, while you hold down the or button and press the shutter button completely, you can switch to super high speed continuous shooting (max. approx. 14 fps). : Picture Style Press <0> to display the Picture Style selection setting screen (p.129) on the LCD monitor.
85: Custom Controls : VF electronic level When you press the button assigned to this function, the viewfinder will display a grid and an electronic level using the AF points. 1° Over 4° 1° Y P O Over 6° : Menu display C Pressing <0> will display the menu on the LCD monitor. : Register/recall shooting function You can manually set the main shooting functions such as the shooting mode, ISO speed, metering mode, and AF Area selection mode and register them to the camera.
85: Custom Controls : Start movie recording (when k set) With [LV z/k set.] set to [Movies], pressing the button assigned with this function will start the movie shooting immediately. To stop the movie shooting, press the button again. : Switch to Custom shooting mode When the shooting mode is not , , or , you can press the button to switch to the registered Custom shooting mode (p.350).
3 Registering My Menu Under the My Menu tab, you can register up to six menu options and Custom Functions whose settings you change frequently. 1 Select [My Menu settings]. Under the [9] tab, select [My Menu settings], then press <0>. [Register to My Menu]. 2 Select Select [Register to My Menu], then press <0>. the desired items. 3 Register Select an item to register, then press Y P O <0>. On the confirmation dialog, select [OK] and press <0> to register the item. You can register up to six items.
3 Saving and Loading Camera Settings The camera’s shooting modes, menus, Custom Functions, and other camera settings can be saved to the card as a camera settings file. When this file is loaded by the camera, the saved camera settings will be applied. Convenient when you want to load the camera settings from a different EOS-1D X body and set the camera in the same way. Or you can save and load different camera settings for different shooting situations.
3 Saving and Loading Camera Settings Saved Settings Shooting functions Shooting mode + exposure setting, ISO speed, AF mode, AF area selection mode, AF point, Metering mode, Drive mode, Exposure compensation amount, Flash exposure compensation amount Menu functions [z1] White balance, Set Custom WB, White balance Shift/ Bracketing, Color space, Picture Style, Lens aberration correction (Peripheral illumination correction, Chromatic aberration correction), Multiple exposure (settings) [z3] Image review, Bee
3 Saving and Loading Camera Settings [82] Restrict shooting modes, Restrict metering modes, Metering used in manual exposure, Set shutter speed range, Set aperture range [84] Viewfinder info.
w: Registering Custom Shooting Modes You can register your preferred shooting mode, menu settings, Custom Function settings, and other current camera settings to the / / Custom shooting modes. To use or , set them in [82: Restrict shooting modes] (p.323). 1 Select [Custom shooting mode (C1-C3)]. Under the [54] tab, select [Custom shooting mode (C1-C3)], then press <0>. [Register settings]. 2 Select Turn the <5> dial to select [Register settings], then press <0>.
w: Registering Custom Shooting Modes Settings Registered Shooting functions Shooting mode + exposure setting, ISO speed, AF mode, AF area selection mode, AF point, Metering mode, Drive mode, Exposure compensation amount, Flash exposure compensation amount Menu functions [z1] White balance, Set Custom WB, White balance Shift/ Bracketing, Color space, Picture Style, Lens aberration correction (Peripheral illumination correction, Chromatic aberration correction), Multiple exposure (settings) [z3] Image review
w: Registering Custom Shooting Modes My Menu settings will not be registered. When the shooting mode is , , or , you cannot select [54: Clear all camera settings] and [87: Clear all Custom Func. (C.Fn)]. Even in the , , or shooting mode, you can still change the shooting function settings and menu settings. displayed on the top LCD panel together with the shooting mode indicates that a registered Custom shooting mode is in use.
Reference Y P O This chapter provides reference information for camera features, system accessories, etc.
Function Availability Table According to Shooting Mode o: Set automatically k: User selectable Function All image quality settings selectable ISO speed z LV d s f a BULB Shooting k Movie Shooting (Still photo) k k k k k k Automatically set/Auto ISO k k k k k k k Manual k k k k k k In a Picture Style White balance : Not selectable/Disabled Viewfinder Shooting k k k k k k k Auto k k k k k k k Preset k k k k k k k Custom k k k k k k k Color temperature setting k k k k k
Function Availability Table According to Shooting Mode Viewfinder Shooting z LV d s f a BULB Shooting Function Auto k k k k k Manual k k k k k AF-assist beam k k k k k k Manual focusing (MF) k k k k k k AF Configuration Tool k k k k k AF Microadjustment k k k k k Evaluative metering k k k k k Partial metering k k k k k Spot metering k k k k k Center-weighted average metering k k k k k AF point selection AF Metering mode Program shift AE lock *3 Exposure Exposure compens
System Map ST-E2 ST-E3-RT 270EX II 430EX II 600EX-RT/ Macro Ring Lite Macro Twin Lite MR-14EX MT-24EX 600EX 320EX Bundled Accessories Dioptric Adjustment Lenses Eg Anti-Fog Eyepiece Eg Eyecup Eg Wide Strap L7 C Y P O Cable protector CR2025 lithium battery Angle Finder C Hand Strap E2 EOS DIGITAL Software Instruction Solution Disk Manual Focusing Screen Ec series Battery Pack LP-E4N AC Adapter Kit ACK-E4 Battery Charger LC-E4N * Battery Pack LP-E4 and Battery Charger LC-E4 are also compatible.
System Map GPS Receiver GP-E2 Timer Remote Controller TC-80N3 Remote Switch RS-80N3 Wireless Controller LC-5 EF lenses External microphone HDMI Cable HTC-100 (2.9 m/9.5 ft.) Stereo AV Cable AVC-DC400ST (1.3 m/4.3 ft.) Interface Cable IFC-200U (1.9 m/6.2 ft.) C Interface Cable IFC-500U (4.7 m/15.4 ft.
B Button Functions When you press the button while the camera is ready to shoot, you can display [Displays camera settings], [Electronic level] (p.61), and [Displays shooting functions] (p.359). Under the [52] tab, [z button display options] enables you to select the options displayed when the button is pressed. Select the desired display option and press <0> to append a checkmark . After making the selection, select [OK], then press <0>.
B Button Functions Shooting Settings White balance Aperture Picture Style AE lock Highlight tone priority Exposure level indicator ISO speed Shutter speed Exposure level indicator Shooting mode Auto Lighting Optimizer Flash exposure compensation AF mode Focus confirmation light Quick Control icon AF status indicator Battery check Mirror lockup Metering mode Y P O Multiple exposures C Drive mode Possible shots Custom Controls White balance correction Remaining number of exposures (multiple
3 Checking the Battery Information You can check the battery’s condition on the LCD monitor. Select [Battery info.]. Under the [53] tab, select [Battery info.], then press <0>. Battery model or household power source being used. The battery level icon (p.39) is displayed together with the remaining battery capacity shown in 1% increments. Shots taken with the current battery. The number is reset when the battery is recharged (p.30).
Using a Household Power Outlet With the AC Adapter Kit ACK-E4 (sold separately), you can connect the camera to a household power outlet and not worry about the remaining battery level. 1 Connect the DC Coupler’s plug. Connect the DC Coupler’s plug to the AC adapter’s DC terminal. the power cord. 2 Connect Connect the power cord as shown in the illustration. After using the camera, unplug the power plug from the power outlet. Y P O the DC Coupler.
Replacing the Date/Time Battery The date/time (backup) battery maintains the camera’s date and time. Its service life is approx. 5 years. If the date/time is reset when camera is turned on, follow the procedure below to replace the backup battery with a new CR2025 lithium battery. The date/time/zone setting will also be reset, so be sure to set the correct date/time/zone (p.40). 1 Set the power switch to <2>. the battery. 2 Remove The backup battery is on the ceiling of the battery compartment.
Menu Settings For Viewfinder Shooting and Live View Shooting z: Shooting 1 (Red) Page White balance Q / W / E / R / Y / U / D / O (1 - 5) / P (Approx.
Menu Settings z: Shooting 2 (Red) JPEG quality Image type/size ISO speed settings Auto Lighting Optimizer Page Compression rate for 3, H, 5, 6 1 / 41 / 61 3/H/5/6 ISO speed / ISO speed range / Auto ISO range / Minimum shutter speed Disable / Low / Standard / High Disable during manual exposure 123 118 124 to 128 146 Long exposure noise reduction Disable / Auto / Enable 148 High ISO speed noise reduction Standard / Low / High / Disable 147 Highlight tone priority Disable / Enable 150 C z: Sho
Menu Settings z: Shooting 4* (Red) Page LV z/k setting Disable / Stills / Movies 200 AF mode Live mode / u Live mode / Quick mode 209 Grid display Off / 3x3 l / 6x4 m / 3x3+diag n 206 Exposure simulation Enable / During e / Disable 207 Silent LV shooting Mode 1 / Mode 2 / Disable 208 Metering timer 4 sec. / 16 sec. / 30 sec. / 1 min. / 10 min. / 30 min.
Menu Settings 2: AF3 (Purple) Page Enable after One-Shot AF / Disable after OneUSM lens electronic MF Shot AF / Disable in AF mode 93 AF-assist beam firing Enable / Disable / IR AF assist beam only 94 One-Shot AF release priority Release priority / Focus priority 94 Auto AF point selection: EOS iTR AF Enable / Disable 95 Lens drive when AF impossible Continue focus search / Stop focus search 96 Selectable AF point 61 points / Only cross-type AF points / 15 points / 9 points 96 Select AF
Menu Settings 2: AF5 (Purple) Manual AF point selection pattern Page Stops at AF area edges / Continuous 99 Selected (constant) / All (constant) / Selected AF point display during (pre-AF, focused) / Selected (focused) / focus Disable display 100 VF display illumination Auto / Enable / Disable 101 AF status in viewfinder Show in field of view / Show outside view 101 AF Microadjustment Disable / All by same amount / Adjust by lens 102 Protect images Erase-protect images 273 Rotate image Rot
Menu Settings 3: Playback 3 (Blue) Page Highlight alert Disable / Enable 249 AF point display Disable / Enable 249 Playback grid Off / 3x3 l / 6x4 m / 3x3+diag n 247 Histogram Brightness / RGB 250 Movie play count* Rec time / Time code 240 1x (no magnification) / 2x (magnify from center) / 4x (magnify from center) / 8x (magnify Magnification (Approx.
Menu Settings 5: Set-up 2 (Yellow) Page Auto power off 1 min. / 2 min. / 4 min. / 8 min. / 15 min. / 30 min. / Disable 57 LCD brightness Adjustable to one of seven brightness levels 282 Date/Time/Zone Date (year, month, day) / Time (hour, min., sec.
Menu Settings 5: Set-up 4 (Yellow) Save/load camera settings on card Page Save/load camera settings to/from the card 347 Custom shooting mode Register current camera settings to the w1, (C1-C3) w2, w3 shooting mode.
Menu Settings For Movie Shooting z: Shooting 4 (Movie) (Red) Page LV z/k setting Disable / Stills / Movies 220 AF mode Live mode / u Live mode / Quick mode 241 Grid display Off / 3x3 l / 6x4 m / 3x3+diag n 241 Movie recording size 1920x1080 (6 / 5 / 4) (W / X) 1280x720 (8 / 7) (W / X) 640x480 (6 / 5) (X) 233 Sound recording Recording level Sound recording: Auto / Manual / Disable 236 Wind filter: Disable / Enable Y P O Silent LV shooting Mode 1 / Mode 2 / Disable 242 Metering timer 4
Troubleshooting Guide If a problem occurs with the camera, first refer to this Troubleshooting Guide. If this Troubleshooting Guide does not resolve the problem, contact your dealer or nearest Canon Service Center. Power-Related Problems The battery pack does not recharge. Do not recharge any battery pack other than a genuine Canon Battery Pack LP-E4N or LP-E4. The battery charger’s lamp blinks in red, no Charge level lamp is lit, or all three Charge level lamps are blinking.
Troubleshooting Guide The battery becomes exhausted quickly. Use a fully-charged battery pack (p.30). The battery performance may have degraded. See [53: Battery info.] to check the battery’s recharge performance level (p.360). If the battery performance is poor, replace the battery pack with a new one. The number of possible shots will decrease with any of the following operations: • Pressing the shutter button halfway for a prolonged period. • Often activating only the AF without taking a picture.
Troubleshooting Guide No images can be shot or recorded. Make sure the card is properly inserted (p.35). If the card is full, replace the card or delete unnecessary images to make room (p.35, 280). If you try to focus in the One-Shot AF mode while the focus confirmation light in the viewfinder blinks, a picture cannot be taken. Press the shutter button halfway again to refocus automatically, or focus manually (p.46, 109). The card cannot be used.
Troubleshooting Guide There are fewer AF points. Depending on the attached lens, the number of usable AF points and patterns will differ. The lenses are categorized into eight groups from A to H. Check which group your lens belongs to. Using a lens in Groups F to H will have fewer usable AF points (p.76). The AF points are blinking. When you press the button, the blinking AF points are those that are not cross-type AF points and are only horizontal line-sensitive.
Troubleshooting Guide The maximum burst during continuous shooting is lower. If you shoot something that has fine detail (such as a field of grass), the file size will be larger and the actual maximum burst may be lower than the number mentioned on page 120. ISO 100 cannot be set/ISO speed expansion cannot be selected. If [z2: Highlight tone priority] is set to [Enable], the settable ISO speed range will be ISO 200 - 51200 (ISO 200 - 25600 for movie shooting).
Troubleshooting Guide When I use the mode with flash, the shutter speed becomes slow. If you shoot at night when the background is dark, the shutter speed becomes slow automatically (slow-sync shooting) so that both the subject and background are properly exposed. To prevent a slow shutter speed, under [z3: External Speedlite control], set [Flash sync. speed in Av mode] to [1/250-1/60 sec. auto] or [1/250 sec. (fixed)] (p.194). The flash does not fire.
Troubleshooting Guide The shutter makes two shooting sounds during Live View shooting. If you use flash, the shutter will make two sounds each time you shoot (p.202). During Live View and movie shooting, a white icon is displayed. or red E It indicates that the camera’s internal temperature is high. If the white < > icon displayed, the still photo’s image quality may deteriorate. If the red icon is displayed, it indicates that the Live View or movie shooting will soon stop automatically (p.
Troubleshooting Guide The manually set ISO speed changes when switching to movie shooting. If you shoot a movie when [Maximum: 51200] is set with [ISO speed range] and ISO speed is set to ISO 32000/40000/51200, the ISO speed will switch to ISO 25600 (during movie shooting with manual exposure). Even if you switch back to still photo shooting, the ISO speed will not revert to the original setting.
Troubleshooting Guide When I shoot still photos during movie shooting, the movie shooting stops. To shoot still photos during movie shooting, using a CF card compatible with UDMA transfer rates is recommended. Setting a smaller image size for the still photos and shooting fewer continuous shots may resolve the problem. The time code is off. Shooting still photos during movie shooting will cause a discrepancy between the actual time and time code.
Troubleshooting Guide The fourth character in the file name changes. With [51: File name], select the camera’s unique file name or the file name registered under User setting 1 (p.156). The file numbering does not start from 0001. If the card already contains recorded images, the image number may not start from 0001 (p.158). The shooting date and time displayed is incorrect. Make sure the correct date and time has been set (p.40). Check the time zone and daylight savings time (p.41).
Troubleshooting Guide Playback Problems Part of the image blinks in black. [33: Highlight alert] is set to [Enable] (p.249). A red box is displayed on the image. [33: AF point disp.] is set to [Enable] (p.249). The image cannot be erased. If the image is protected, it cannot be erased (p.273). A voice memo cannot be played back. Y P O Set [85: J/K button function] to [Play memo (Hold: Record memo)] (p.330). The movie cannot be played back.
Troubleshooting Guide No image appears on the TV screen. Use the stereo AV cable that came with the camera (p.272). Make sure the stereo AV cable or HDMI cable’s plug is inserted all the way in (p.269, 272). Set the video OUT system (NTSC/PAL) to the same video system as the TV set (p.272). There are multiple movie files for a single movie shoot. If the movie file size reaches 4 GB, another movie file will be created automatically (p.234). My card reader does not recognize the card.
Troubleshooting Guide Sensor Cleaning Problems The shutter makes a noise during sensor cleaning. If you selected [Clean nowf], the shutter will make a noise, but no picture is taken (p.294). Automatic sensor cleaning does not work. If you repeatedly turn the power switch <1> and <2> at a short interval, the icon may not appear (p.38). Printing-Related Problems Y P O There are fewer printing effects than listed in the instruction manual.
3 System Status Display You can check the camera’s serial number, firmware version, and shutter release cycles on the screen. You can also check the status log for past Error and Caution messages. Use this function to check the camera’s condition. If necessary, take the camera to your nearest Canon Service Center for maintenance to minimize camera problems in the future. 1 Select [System status display]. Under the [54] tab, select [System status display], then press <0>. the system status.
3 System Status Display the system status. 4 Check Turn the <5> dial to select an Error or Caution, then press the button to view the message. Turn the <5> dial to check the message. Caution Messages The camera checks its important components to see if they are operating properly. If it detects an operation that is inaccurate but not serious enough to be an error, it will be recorded as a Caution message in the Camera status log.
3 System Status Display Erasing the Camera Status Log When you press the button in step 3, you can delete all the log entries displayed. C Y P O The Camera status log screen displays the latest five entries for Errors and Cautions. If there are more than five entries, the oldest entries will be deleted automatically. The shutter release cycles are displayed in units of 1000. If there have been 1,000,000 or more shutter release cycles, 1,000,000 will be displayed.
Error Codes Error number If there is a problem with the camera, an error message will appear. Follow the onscreen instructions. Countermeasures Number 01 02 Error Message and Solution Communications between the camera and lens is faulty. Clean the lens contacts. Î Clean the electrical contacts on the camera and lens or use a Canon lens (p.15, 18). Y P O Card * cannot be accessed. Reinsert/change card * or format card * with camera.
Specifications • Type Type: Recording media: Image sensor size: Compatible lenses: Lens mount: Digital, single-lens reflex, AF/AE camera Type I or II CF card, UDMA mode 7-compatible * Dual CF card slots Approx. 36 x 24 mm Canon EF lenses (except EF-S lenses) (35 mm-equivalent lens focal length will be as indicated on the lens) Canon EF mount • Image Sensor Type: Effective pixels: Aspect ratio: Dust delete feature: CMOS sensor Approx. 18.
Specifications Noise reduction: Applicable to long exposures and high ISO speed shots Automatic image brightness correction: Auto Lighting Optimizer Highlight tone priority: Provided Lens aberration correction: Peripheral illumination correction, Chromatic aberration correction • Viewfinder Type: Eye-level pentaprism Vertical/Horizontal approx. 100% (with Eye point approx. 20 mm) Coverage: Magnification: Approx. 0.76x (-1 m-1 with 50 mm lens at infinity) Eye point: Approx.
Specifications AI Servo characteristics: Tracking sensitivity, Acceleration/deceleration tracking, AF point auto switching AF Microadjustment (All lenses by same amount or Adjust by lens) AF fine adjustment: AF-assist beam: Emitted by the EOS-dedicated external Speedlite • Exposure Control Metering modes: Approx. 100,000-pixel RGB metering sensor and 252-zone TTL metering at max.
Specifications • Drive System Drive modes: Single, High-speed continuous, Low-speed continuous, 10-sec. self-timer, 2-sec. self-timer, Silent single shooting, Super high-speed continuous Continuous shooting speed: Super high-speed continuous shooting: Max. approx. 14 shots/sec. High-speed continuous shooting: Max. approx. 12 shots/sec. Low-speed continuous shooting: Max. approx. 3 shots/sec.
Specifications • Movie Shooting Movie recording compression: Audio recording format: Recording format: Recording size and frame rate: MPEG-4 AVC/H.264 Variable (average) bit rate Linear PCM MOV 1920x1080 (Full HD) : 30p/25p/24p 1280x720 (HD) : 60p/50p 640x480 (SD) : 30p/25p * 30p: 29.97 fps, 25p: 25.00 fps, 24p: 23.976 fps, 60p: 59.94 fps, 50p: 50.00 fps Compression method: ALL-I (I-only), IPB File size: 1920x1080 (30p/25p/24p) / IPB : Approx. 235 MB/min. 1920x1080 (30p/25p/24p) / ALL-I : Approx.
Specifications Sound recording: Grid display: Still photo shooting: Built-in monaural microphone, external stereo microphone terminal provided Sound recording level adjustable, wind filter provided Three types Possible • LCD Monitor Type: TFT color, liquid-crystal monitor Monitor size and dots: Wide, 8.1 cm (3.2-in.) (3:2) with approx. 1.
Specifications • Direct Printing Compatible printers: Printable images: Print ordering: PictBridge-compatible printers JPEG and RAW images DPOF Version 1.
Specifications • Power Battery: Battery information: Battery life: (Based on CIPA testing standards) Movie shooting time: Date/Time battery: Battery Pack LP-E4N/LP-E4 (Quantity 1) * AC power can be supplied via AC Adapter Kit ACK-E4 Remaining capacity, Shutter count, and Recharge performance displayed With viewfinder shooting: Approx. 1120 shots at 23°C/73°F, approx. 860 shots at 0°C/32°F With Live View shooting: Approx. 290 shots at 23°C/73°F, approx. 250 shots at 0°C/32°F Approx. 2 hr. 10 min.
Specifications All the data above is based on Canon’s testing standards and CIPA (Camera & Imaging Products Association) testing standards and guidelines. Dimensions, maximum diameter, length and weight listed above are based on CIPA Guidelines (except weight for camera body only). Product specifications and the exterior are subject to change without notice. If a problem occurs with a non-Canon lens attached to the camera, consult the respective lens maker.
Trademarks Adobe is a trademark of Adobe Systems Incorporated. Windows is a trademark or registered trademark of Microsoft Corporation in the United States and other countries. Macintosh and Mac OS are trademarks or registered trademarks of Apple Inc. in the United States and other countries. CompactFlash is a trademark of SanDisk Corporation. HDMI, HDMI logo, and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.
Use of genuine Canon accessories is recommended This product is designed to achieve excellent performance when used with genuine Canon accessories. Canon shall not be liable for any damage to this product and/or accidents such as fire, etc., caused by the malfunction of nongenuine Canon accessories (e.g., a leakage and/or explosion of a battery pack).
Safety Warnings Follow these safeguards and use the equipment properly to prevent injury, death, and material damage. Preventing Serious Injury or Death • To prevent fire, excessive heat, chemical leakage, and explosions, follow the safeguards below: - Do not use any batteries, power sources, and accessories not specified in this booklet. Do not use any home-made or modified batteries. - Do not short-circuit, disassemble, or modify the battery pack or back-up battery.
• If you drop the equipment and the casing breaks open to expose the internal parts, do not touch the internal parts due to the possibility of electrical shock. • Do not disassemble or modify the equipment. High-voltage internal parts can cause electrical shock. • Do not look at the sun or an extremely bright light source through the camera or lens. Doing so may damage your vision. • Keep the camera from the reach of small children. The neck strap can accidentally choke the child.
Digital Camera Model DS126301 Systems This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Note: This equipment has been tested and found to comply with the limits for class B digital devices, pursuant to Part 15 of the FCC Rules.
IMPORTANT SAFETY INSTRUCTIONS 1. SAVE THESE INSTRUCTIONS — This manual contains important safety and operating instructions for Battery Charger LC-E4N. 2. Before using the charger, read all instructions and cautionary remarks on (1) the charger, (2) the battery pack, and (3) the product using the battery pack. 3. CAUTION — To reduce risk of injury, charge only the Battery Pack LPE4N. Other types of batteries may burst, causing personal injury and other damage. 4. Do not expose the charger to rain or snow.
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Software Start Guide Y P O This chapter gives an overview of the software in the EOS DIGITAL Solution Disk (CD-ROM) provided with the camera and explains how to install the software on a personal computer. It also explains how to view the PDF files on the Software Instruction Manual CD-ROM.
Software Start Guide EOS DIGITAL Solution Disk This disk contains various software for EOS DIGITAL cameras. EOS Utility With the camera connected to a personal computer, EOS Utility enables you to transfer still photos and movies shot with the camera to the computer. You can also use the personal computer to set various camera settings and shoot remotely with the computer connected to the camera. Digital Photo Professional Y P O This software is recommended for users who mainly shoot RAW images.
Software Start Guide Installing the Software Do not connect the camera to your computer before you install the software. The software will not be installed correctly. Even if a previous version of the software is installed, install the software by following the steps below. (The newer version will overwrite the previous version.) 1 Insert EOS DIGITAL Solution Disk (CD-ROM). For Macintosh, double-click to open the CD-ROM icon displayed on the desktop, then double-click on [Canon EOS Digital Installer].
Software Start Guide Software Instruction Manual Contains the Software Instruction Manuals. Copying and Viewing the Instruction Manual PDFs 1 Insert the [Software INSTRUCTION MANUAL] CD-ROM into your computer. 2 Double-click the CD-ROM icon. For Windows, the icon is displayed in [(My) Computer]. For Macintosh, the icon is displayed on the desktop. 3 Copy the [English] folder to your computer. Y P O Instruction Manual PDFs with the names below are copied.
Index Numerics 10-sec. or 2-sec. delay..................112 1280x720 ......................................233 1920x1080 ....................................233 4- or 9-image index display...........251 61-point automatic selection AF .............................................70, 74 640x480 ........................................233 A AI SERVO (AI Servo AF)................ 68 Accel./decel. tracking ................. 88 AF pt auto switching................... 89 Tracking sensitivity....................
Index Camera Camera shake ..........................187 Clear camera settings ................58 Holding the camera ....................45 Save/load camera settings .......347 Settings display ........................358 System status...........................385 Camera shake ..........................45, 46 Caption (name) .............................141 Card ....................................15, 35, 55 Card reminder ............................36 Format ........................................
Index FE Microadjustment ..................... 325 H Feature guide................................. 63 HD ........................................ 233, 269 File name ..............................156, 158 HDMI .................................... 260, 269 File size.........................120, 234, 248 HDMI CEC.................................... 270 Filter effect ....................................134 High ISO speed NR...................... 147 Final image simulation ..........
Index Image dust prevention ................. 293 Image review ..................................57 Image-recording quality Image size ................................117 JPEG quality.............................123 Index display.................................251 INFO. button .........203, 227, 246, 358 IPB ................................................233 ISO speed.....................124, 224, 226 Automatic setting (Auto) ...........125 Automatic setting range............127 ISO expansion............
Index Metering mode ..............................173 M-RAW (Medium RAW) ....... 117, 121 Metering timer .......................208, 242 Multi-controller................................ 49 MF (Manual focusing) ...........109, 216 Multi-function ............................ 18, 19 M-Fn........................................70, 221 Multi function lock........................... 50 M-Fn 2.....................................18, 335 Multiple exposures ....................... 180 Microadjustment.....
Index Power Auto power off ............................57 Battery check..............................39 Battery info ...............................360 Household power .....................361 Possible shots ............39, 120, 202 Recharge....................................30 Recharge performance.............360 Pressing completely........................46 Pressing halfway.............................46 Printing..........................................299 Layout.......................................
Index Single-image display.....................246 V Single shooting .............................110 Vertical-grip ON/OFF switch........... 49 Single-point AF .........................69, 72 Video system................ 233, 272, 369 Single-point Spot AF .................69, 72 View on TV ........................... 260, 269 Slide show.....................................266 Viewfinder....................................... 22 Dioptric adjustment .................... 45 Electronic level..........
CANON INC. 30-2, Shimomaruko 3-chome, Ohta-ku, Tokyo 146-8501, Japan U.S.A. CANON U.S.A. INC. One Canon Plaza, Lake Success, NY 11042-1198, U.S.A. For all inquires concerning this product, call toll free in the U.S. 1-800-OK-CANON CANADA CANON CANADA INC. HEADQUARTERS 6390 Dixie Road, Mississauga, Ontario L5T 1P7, Canada CANON CANADA INC. MONTREAL BRANCH 5990, Côte-de-Liesse, Montréal Québec H4T 1V7, Canada CANON CANADA INC. CALGARY OFFICE 2828, 16th Street, N.E.
Quick Start Guide 1 Insert the battery. 2 C Y P O 3 This quick guide explains basic function settings and how to shoot and playback images. You can take this guide with you for shooting. For detailed instructions, refer to the EOS-1D X Instruction Manual. CPQ-E011-000 4 E English Edition © CANON INC. 2012 5 Insert a card. Two cards can be inserted. Y P O Attach the lens. Align it with the red dot. C Set the lens focus mode switch to . Set the power switch to <1>.
Shooting Operation Custom Functions AF Area Selection Mode Press the button, then turn the <6/5> dial. Turn the <6> or <5> dial to set the exposure, then shoot. Shooting Mode d (Program AE) s (Shutter-priority AE) f (Aperture-priority AE) a (Manual exposure) f: AF Mode 6 Dial Program shift Shutter speed setting Aperture setting Shutter speed setting C Y P O 5 Dial Exposure compensation Exposure compensation Exposure compensation Aperture setting Set the lens focus mode switch to .
Introduction RAW Image Processing, Viewing and Editing Software Contents at a Glance Digital Photo Professional Basic Operation Ver. 3.11 Instruction Manual O Content of this Instruction Manual Advanced Operation Advanced Image Editing and Printing Y P O O Switching Between Pages O DPP is used for Digital Photo Professional. O In this manual, the screens used in the basic O Click on arrows on the bottom right of the screen.
READ CAREFULLY BEFORE USING! CANON SOFTWARE LICENSE AGREEMENT IMPORTANT - READ THIS AGREEMENT BEFORE USING THE SOFTWARE ON THE CD-ROM IN THIS BOX. BY USING THE SOFTWARE, YOU AGREE TO BE BOUND BY THE TERMS OF THIS AGREEMENT. This is a license agreement (the [Agreement]) between you and Canon Inc. ([Canon]).
Introduction Introduction Digital Photo Professional (hereinafter, “DPP”) is a high-performance RAW image processing, viewing and editing software for EOS DIGITAL cameras. It is often thought that RAW images are difficult to handle compared with ordinary JPEG images, but using DPP, you can perform advanced edits and print RAW images with ease. RAW Images and Their Features What is a RAW Image? A RAW image is image data that has recorded output data of imaging sensor.
Main Features of DPP System Requirements Following are the main tasks you can perform with images you have downloaded to your computer. OS Windows 7*1, Windows Vista*2 Windows XP Professional/Home Edition*3 View and organize RAW images Computer PC with one of the above OS preinstalled * Upgraded machines not supported Real-time adjustment of a RAW image CPU 1.
Contents at a Glance Introduction Auto correct RAW images with the Auto Lighting Optimizer p.61 Downloading Images to Your Computer Download images by connecting your camera and computer p.7 Download images using a card reader p.9 Viewing and Checking RAW Images Quickly enlarge parts of an image p.11 Sort images (check marks, rating) p.18, p.19 Display an image shot simultaneously as a RAW image and JPEG image as a single image p.
1 Basic Operation Introduction The basic operational flow – from how to download to your computer images shot with a camera to checking, editing, saving and printing a downloaded RAW image – is explained here. Starting up DPP......................................................... 6 Main Window Display ................................................... 6 Downloading an Image to Your Computer ................ 7 Downloading Images Using Your Card Reader............ 9 Viewing an Image ....................
Starting up DPP Introduction Double-click the desktop icon. Main Window Display In the main window, you can use tabs to select either the [Folder] window or the [Collection] window. The [Folder] window displays the images in folders on your computer, while the [Collection] window (p.36) displays images selected randomly by the user from one or more folders and gathered together. Unless noted otherwise, the [Folder] window will be described as the main window from this point on.
Downloading an Image to Your Computer Connect the camera and computer with the cable provided and download the images saved on the memory card inserted in the camera. For downloading images, start up the camera software “EOS Utility” from DPP and use. Introduction EOS Utility Contents at a Glance 1 Select the save destination for the images. Select the save destination in the folder area on the left of the main window. When creating a folder, see p.50.
Introduction 4 Click the [Main Window] button. Advantages of using EOS Utility to download images Using EOS Utility to download images makes it easier to organize your images as they are downloaded, sorted and saved into folders by date. The main window for EOS Utility appears. 5 Download images. C Click You cannot start up EOS Utility in the [Collection] window (p.6, p.36). When EOS Utility has been started up from DPP, you cannot use the following functions. • Quick check window view (p.
Introduction Downloading Images Using Your Card Reader You can also download images to the computer using a third-party card reader. 3 Display the images downloaded to your computer. In the [DCIM] folder copied to your desktop, select the folder where the shot images are saved. 1 Load the memory card into the card reader. Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation Open [My Computer] [EOS_DIGITAL] and drag the 2 [DCIM] folder to the [Desktop].
Viewing an Image Images downloaded to your computer are displayed as a thumbnails list in the main window. You can double-click an image to open the edit window and display the image at large size. Introduction Changing the Size of Thumbnail Images You can change the size of the thumbnail images displayed in the main window and display them with shooting information attached. View Images as Thumbnails in the Main Window Main window Contents at a Glance Select the [View] menu desired item.
Introduction Enlarging and Viewing a Specific Area Enlarge and View an Image in the Edit Window Double-click the area you want to enlarge. Contents at a Glance Double-click Double-click The edit window appears. 1 2 3 4 5 Basic Operation Advanced Operation Edit window Tool palette Y P O The area you double-clicked is enlarged to 100% (actual pixel size). If you wait for a while, it changes to a clearer display. Double-click again to revert to the full view.
Adjusting an Image You can perform a variety of image adjustments, such as adjusting the brightness or changing the Picture Style of an image using the tool palette of the edit window. You can easily restore an image to its original settings with the [ ] button even if you have made the wrong adjustment. Try out the various adjustments. As an example, the procedure to adjust the brightness of an image is explained here.
Saving an Image If you perform the save operation described here, you can save all the adjustment contents (recipe) made with the tool palette to the RAW image. Select the [File] menu [Save]. Your adjustment contents (recipe) are saved to the image. Introduction Saving With DPP, you can perform the following types of saving according to your requirements. For detailed information on each saving method, see Chapter 2 onwards. Save (p.
Printing an Image Exiting DPP You can print images with a printer. As an example, the procedure to print one image on one sheet of paper is described here. 1 Introduction In the main window, select the [File] menu [Exit]. Contents at a Glance Select the [File] menu [Print]. 1 2 3 4 5 Basic Operation Advanced Operation The printer’s print settings dialog box appears. 2 Print.
2 Advanced Operation Introduction A more advanced operation – from efficiently checking images, to various ways of editing an image, printing a RAW image using a Canon printer and sorting images – is explained here. Efficiently Checking/Sorting Images......................... 16 Sorting Images........................................................... 18 Attaching Check Marks.......................................... 18 Setting Ratings ......................................................
Efficiently Checking/Sorting Images You can enlarge images displayed as thumbnails in the main window and efficiently check each image. You can attach check marks and sort images into five groups. Introduction 3 Double-click the area you want to enlarge. Contents at a Glance 1 Display the quick check window. Double-click Click the [Quick check] button. 1 2 3 4 5 Basic Operation Advanced Operation The area you double-clicked is enlarged to 50% view.
Introduction Convenient functions of the quick check window To check only selected images You can use the quick check window to check only selected images by selecting the desired images from those displayed in the main window and then performing step 1. Switch between images using the keyboard You can also switch between images by pressing the <> or <> key.
Introduction Setting Ratings Sorting Images Display the image you want to rate, and then click any one of the [ ]. You can sort images by attaching check marks or setting ratings (indicated with [ ] marks) for each subject or theme. Attaching Check Marks 1 2 3 4 5 Basic Operation Display the image you want to attach a check mark to, and then click any one of [ ] to [ ].
Introduction Setting Ratings in the Main Window Sorting Images in the Main Window You can also sort images in the main window by attaching check marks or setting ratings (indicated with [ ] marks) for each subject or theme. Select the images you want to rate, and then click any of the [ ] in the toolbar.
Introduction Arranging Images in the Main Window To select multiple images in the main window You can arrange images in the order of the types of check marks you have attached to images, or in the order of date and time at which the images were shot. You can also freely arrange images by moving them individually. Click on desired images while holding down the key. To select multiple consecutive images, click on the first image, and then click on the last image while holding down the key.
Introduction Sort item Arranging Freely Description Drag and drop the image to the desired location. Rating: ascending order Sorted in order of fewest [ ]. Rating: descending order Sorted in order of most [ File name Images are sorted by file name in alphanumeric order (0 to 9 A to Z). Shooting Date/Time Images are sorted by shooting date and time from the earliest. RAW priority Images are sorted in the following order: RAW images JPEG images TIFF images.
Introduction Displaying a RAW Image and JPEG Image as a Single Image You can display and handle a RAW image and JPEG image shot simultaneously as a single image. In particular, you can halve the number of images displayed in the main window and you can streamline the checking of a large number of images shot simultaneously. Select the [Tools] menu [Preferences]. 1 the [View settings] tab sheet and checkmark 2 Select [Display only CR2 images for CR2 and JPEG files of the same name].
Introduction Improving the Quality of an Image in the Main Window Create a new thumbnail image for the main window and save to each image. The quality of images in the main window improves and images redraw themselves more quickly. With all the images selected, select the [File] menu [Add thumbnail to image and save]. Checking Image Information the image for which you want to check the 1 Select image information. 2 Click the [Info] button.
3 Shooting information is displayed in the [Shooting Information] tab sheet, while IPTC* information appended to the image after shooting is displayed in the [Metadata] tab sheet. IPTC* information provides additional comments on images, such as captions, credits and the shooting location. The information is sorted into 5 different categories and can be viewed by selecting [Description], [IPTC Contact], [IPTC Image], [IPTC Content] or [IPTC Status] from the list box in the [Metadata] tab sheet.
Editing an Image This section explains how to adjust an image using the tool palette in the edit window. You can easily restore an image to its original condition with the [ ] button even if you have made the wrong adjustment. Try out the various adjustments. How to make adjustments using the [RAW] tool palette functions, and how to adjust automatically with the [RGB] tool palette are explained in this section.
Introduction Adjusting Brightness Changing a Picture Style The brightness of an image can be adjusted. Move the slider to the right to make the image brighter and to the left to make the image darker. Reverts the image to the original settings If the image you shot is different to what you visualized, you can change the Picture Style to get closer to what you envisaged. Even if you have saved the image (p.41) with [Monochrome] (p.
Introduction Picture Style Description Standard The image looks vivid. Ordinarily, this setting is suitable for most images. Auto The color tone will be adjusted to suit the scene. The colors will look vivid, especially for blue skies, greenery, and sunsets in nature, outdoor, and sunset scenes. Portrait Landscape Adjusting Color Tone by Changing White Balance If the color tone of the photographed image does not appear natural, change the white balance to make it appear natural.
The color of the image is adjusted with the point you selected as the standard for white. If you click on another point in the image, the white balance is adjusted again. To finish click white balance, right-click with the mouse or click the [ ] button again. Adjusting Color Tone Using Click White Balance You can adjust white balance using a selected part of an image as the standard for white to make the image appear natural.
Introduction Adjusting Contrast Changing Color Tone and Color Saturation Modulation and degree of contrast can be adjusted. Move the slider to the right to make contrast stronger and to the left to make contrast weaker. Skin tone and overall color saturation can be adjusted. If Picture Style (p.26) is set to [Monochrome], [Color tone] and [Color saturation] switch to [Filter effect] and [Toning effect] (p.30).
Filter effect: Creates an image where the white of clouds and the green of trees are emphasized in the same monochrome photograph. Adjusting Monochrome When the Picture Style (p.26) is set to [Monochrome], you can create monochrome photographs with effects similar to filtering and with the look of a single-color photograph. Filter 1 Select [Monochrome] in the [Picture Style] list box. 2 Reverts the image to the original settings Example of effect None Ordinary monochrome image without filter effect.
Introduction Adjusting Image Sharpness You can make the overall atmosphere of an image harder or softer. Adjustment can be made by selecting from two modes, [Sharpness] and [Unsharp mask]. Controls the sharpness of an image by adjusting the level of emphasis for the outline of the image. The further to the right the [Sharpness] slider is moved (the larger the setting), the more the edges are emphasized for a sharper image. [Unsharp mask]: Adjusts the image’s sharpness more finely.
Introduction Detailed Setting of Image Sharpness Select [Unsharp mask] from the list box and make the setting.
Introduction Automatically Adjusting Brightness and Color (Tone Curve Assist) In order to make the image a desirable standard image, automatically adjust the image tone curve (p.143). You can select the degree of automatic adjustment from “Standard” and “High”. Click on the [RGB] tab sheet and click the desired automatic adjustment button. Standard: Standard automatic adjustment. Suitable for most images. High: Use when the effect achieved in standard automatic adjustment is not strong enough.
Editing Efficiently Introduction Editing in the Edit Image Window The thumbnail display and the edit window are combined and images can be edited efficiently while quickly switching between images to be edited. Images to be edited are selected beforehand in the main window. 3 Edit the image. Change the size Edit image window 1 In the main window, select the images you want to edit. 2 Switch to the edit image window. Click The main window switches to the edit image window.
4 Introduction Double-click the area you want to enlarge. To display an image in an enlargement ratio other than 100% Click the [50% view] or [200% view] on the toolbar. Doubleclick The area you double-clicked is enlarged to 100% (actual pixel size). To change the display position, drag on the image or drag the enlargement display position (p.128) of the tool palette. Double-click again to revert to the full view ([Fit to window]).
Introduction Changing the Thumbnail Display Position to a Horizontal Position Select the [View] menu [Change thumbnail position]. Gathering and Editing Images in the Collection Window You can gather any randomly selected images together in the [Collection] window for viewing, comparison and editing. You can gather images from several folders as well as from only one folder, allowing you to work with them efficiently.
Introduction 2 Select the [Collection] tab sheet. To remove images from the [Collection] window The selected images are displayed in the [Collection] window. 3 Check displayed images in the [Collection] window. Removing randomly selected images Select the images to be removed in the [Collection] window and then select [Remove from collection] in the [File] menu.
Trimming and Adjusting the Angle of an Image You can trim only the part of an image you need, or change the composition of an image where an image shot horizontally becomes vertical. You can also adjust the angle of an image before trimming. If you select [Circle] for [Aspect ratio], the area outside the specified range is only masked in black and the image will not be cropped. 3 Trimming/angle adjustment window Largest possible trimming range 1 Select the image to be trimmed.
4 Introduction Select a ratio and drag the trimming range. Cancel Select a trimming ratio 5 Click the [OK] button to return to the main window. The trimming range frame is displayed in the trimmed image (p.126). When the trimmed image is displayed in an edit window or the edit image window, it is displayed in its trimmed form. 1 2 3 4 5 Basic Operation Drag the trimming range The trimming range can be moved by dragging.
* When shooting with EOS 5D Mark III and [Add cropping information] is set in Custom Functions, aspect ratio information is only set and the image is not actually trimmed, even for JPEG images. About trimmed images The trimmed range can be reverted to its original condition at any time A trimmed image is displayed or printed as a trimmed image.
Applying Adjustment Contents to Other Images Saving Editing Results You can copy the image adjustment contents (recipe) adjusted with the tool palette and apply it to other images. You can efficiently adjust multiple images by adjusting one image and applying the results of this to multiple images shot in similar shooting environment. the adjusted image and then select the [Edit] 1 Select menu [Copy recipe to clipboard].
Introduction Saving as a JPEG or TIFF Image To view, edit and print a RAW image with software other than DPP, convert to a more versatile JPEG or TIFF image and save. The image is saved as a separate image, so the RAW image remains unaffected. Contents at a Glance Select the save destination 1 2 Select the [File] menu [Convert and save]. Select the image to be converted.
Re-Editing an Image Printing an Image Only the image processing conditions are changed in images adjusted with the tool palette (p.25 to p.33), so the “original image data itself” remains unaffected. Also, the trimming range information of a trimmed image (p.38) is simply saved to the image. For this reason, you can undo any adjustments saved (p.41) to the image, trimming information, and revert to the condition when last saved, or when the image was shot.
1 Select the image to be printed. 2 Start up EPP EX. 3 In the EPP EX window, select the [File] menu [Preferences]. Introduction Contents at a Glance Select the [File] menu [Plug-in printing] [Print with EasyPhotoPrint EX]. 1 2 3 4 5 Basic Operation Advanced Operation The [Preferences] window appears.
Introduction 5 7 Select the [Advanced] tab, checkmark [Enable ICC profile], and then click the [OK] button. The [Preferences] window closes. Select the paper type, and then click the [Layout/ Print] button. Contents at a Glance the number of sheets to be printed, and then 6 Specify click [Select Paper].
Introduction Printing Photographs with Canon Inkjet Printers Compatible with Easy-PhotoPrint Additional information Print up to 1000 images at a time You can print up to 1000 images selected in DPP at a time. When printing more than 1000 images, divide the printing into several jobs. The printed image’s color is not what you expected In the EPP EX window, select [Preferences] in the [File] menu and then click the [Advanced] tab in the [Preferences] window to display the [Advanced] tab sheet.
3 Introduction In the EPP window, select the [File] menu [Preferences]. 5 Select the [Advanced] tab sheet and check that the EPP image compensation function is disabled. If not disabled, the operation of the EPP image compensation function may prevent images being printed with faithful color reproduction. The [Preferences] window appears. 4 If checked, click to remove the check mark In [Print Quality], select [Quality Priority].
Introduction 7 Check that the image compensation function is disabled, select the paper type and then click [Next]. If checked, click to remove the check marks Click Additional information Print up to 1000 images at a time You can print up to 1000 images selected in DPP at a time. When printing more than 1000 images, divide the printing into several jobs. The printed image’s color is not what you expected Change the [Rendering intents when using Easy-PhotoPrint] (p.93) to [Perceptual] (p.
Organizing Images Printing Photographs with a Printer other than Canon Inkjet Printers You can print one image on one sheet of paper. 1 2 Select the [File] menu [Print]. This section explains how to delete unwanted images, create folders for saving images, move or copy images, etc., and organize your images. Deleting an Unwanted Image Select the image to be printed. Be aware that you cannot recover deleted images. 1 2 Select the [File] menu [Delete]. Select an unwanted image in the main window.
Introduction Creating a Folder for Saving Images Moving Images You can create a folder for sorting images. You can move or copy images to a separate folder and sort by shooting date or themes. the folder area, select the location where the new 1 Infolder is to be created. 2 Select the [File] menu [Create new folder]. C Drag the image to be moved or copied. To move: Drag the image and release when the image is in the destination folder.
Introduction Moving Images in Folders Registering Frequent-Use Folders (Bookmark Registration) You can move or copy folders that contain images, and sort the images by folders. Drag the folder to be moved or copied. To move: Drag the folder and release when the folder is in the destination folder. To copy: Drag the folder while holding down the key and release when the folder is in the destination folder. You can register frequently used folders in bookmarks.
3 Advanced Image Editing and Printing Introduction Various preferences including advanced image adjustment, automatic dust erasure processing, various printing functions for printing out work, and color management are explained here, geared to the user who is competent in the handling of third-party image editing software. Using the Digital Lens Optimizer ............................. 69 Compatible Cameras.................................................. 69 Compatible Lenses.............................
Adjusting While Comparing with the Original Image You can display before and after versions of an adjusted image in the same window and adjust while checking the adjustment results. 1 Introduction Changing How the Window is Split You can change the display of the image to a single image split in two. In the edit window, select the [View] menu [Before/ after comparison]. In the edit window, select the [View] menu [Display mode] [Split single image].
Adjusting by Comparing Multiple Images You can synchronize the display position of multiple edit windows and adjust images while comparing them with each other. 5 1 2 Align the images. In the edit window, display the multiple images to be compared. Introduction Move the display position. If you move the enlargement display position in one of the edit windows, the enlargement display position will also change in the other edit windows.
Displaying an Area Beyond the Set Range as a Warning Indicator (Highlight/Shadow Warning) You can set up a warning indicator in both the highlighted part and the shaded part, which is effective for checking the light and dark areas and preventing excessive adjustment of an image. Where the area on the image has exceeded that set range, you can display the highlighted part in red and the shaded part in blue. 5 the [View] menu [Highlight]. Similarly, select 6 Select [Shadow].
Performing Advanced Editing This section explains how to use the advanced adjustment function on the tool palette in the edit window. Adjustments made using the high-level functions of the [RAW] and [RGB] tool palettes, as well as the functions of the [NR/ALO] and [LENS] tool palette are explained in this section. Adjusting White Balance with Color Temperature White balance can be adjusted by setting a numerical value for color temperature.
Introduction Adjusting Dynamic Range Adjusting Brightness of Shadows/Highlights Dynamic range (width of gradation expression) from dark points to bright points in an image can be adjusted. You can adjust the brightness of shadows and highlights in an image. By adjusting shadows and highlights in an image with a restricted brightness, you can reduce the effects of clipping in shadows and highlights.
Introduction 3 Tone Curve Adjustment You can adjust the brightness, contrast and color of a specific area by changing the tone curve (p.143). Make adjustments. Contents at a Glance 1 In the tool palette, select the [RGB] tab sheet. the tone curve mode and interpolation 2 Select method.
Introduction Example of a Tone Curve Operation Makes medium tones brighter Using a Picture Style File Makes medium tones darker A Picture Style file is an extended function file of a Picture Style. With DPP, you can apply to RAW images Picture Style files that you have downloaded from Canon’s web site effective for various scenes or Picture Style files created with “Picture Style Editor”. When using a Picture Style file, save it to your computer beforehand.
Introduction About the RGB Tool Palette You can adjust images with the tool palette by switching between the [RAW], [RGB], [NR/ALO] and [LENS] tab sheets according to your editing requirements. The [RGB] tool palette functions are the same as ordinary image editing software, such as tone curve adjustment that is explained here, with which you can adjust RAW images.
Using the Auto Lighting Optimizer If the shooting result is dark or the contrast is low, you can use the Auto Lighting Optimizer function to auto-correct the brightness and contrast, and obtain a more pleasant image. You can also change the settings of the image shot with the camera’s Auto Lighting Optimizer function.
Reducing Noise You can reduce noise that arises in RAW images shot at night or with a high ISO speed. NR is an abbreviation for “noise reduction”. the [NR/ALO] tab sheet from the tool palette in 1 Select the edit window or edit image window. 2 Click the [NR Preview] button. Introduction 4 Noise reduction is applied to the image and the image is redisplayed. The noise reduction function does not work Noise reduction cannot be applied when [Viewing and saving RAW images] (p.
Correcting Lens Aberration Introduction You can easily make corrections to drops in peripheral illumination, distortions in the subject, and color blur which occur by the physical characteristics of the lens or slightly remaining aberration. Please note that you can only correct RAW images which have been taken with the compatible cameras and lenses listed below. JPEG or TIFF images cannot be corrected.
Introduction Zoom lenses EF-S lenses EF 16-35mm f/2.8L II USM*3 EF 16-35mm f/2.8L USM EF-S 60mm f/2.8 Macro USM USM*3 EF-S 10-22mm f/3.5-4.5 USM EF 17-35mm f/2.8L USM EF 17-40mm f/4L USM EF-S 15-85mm f/3.5-5.6 IS EF 20-35mm f/3.5-4.5 USM EF 24-70mm f/2.8L USM EF-S 17-85mm f/4-5.6 IS USM EF-S 18-55mm f/3.5-5.6 EF 24-85mm f/3.5-4.5 USM EF-S 18-55mm f/3.5-5.6 II EF-S 18-55mm f/3.5-5.6 III*3 EF 28-70mm f/2.8L USM EF-S 18-55mm f/3.5-5.6 USM EF-S 18-55mm f/3.5-5.6 II USM EF 24-70mm f/2.
Introduction Making Corrections You can make corrections to any of the four aberrations as below, either one at a time or simultaneously. Peripheral illumination Chromatic aberration (color fringing which occurs in the periphery of an image) Color blur (blue or red color blur which sometimes occurs at the edge of the highlighted area of an image) Distortions 3 Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation 1 In the tool palette, select the [LENS] tab sheet.
For images shot with EF 8–15mm f/4L USM Fisheye, a fine-tune slider is also displayed when you select [Emphasize Linearity] from the [Effect] list box. Adjust the amount of correction for distortion aberration with the adjustment slider, and then adjust with the fine-tune slider if more adjustment is required. When the list box for selecting an extender is displayed, select the extender attached at the time of shooting from the list box.
Emphasize Distance This converts the image to an “equidistant projection" style image. This projection method preserves distance relationships. Equidistant projection displays the same distances from the center to the periphery as the same distances. In particular, when shooting a celestial body such as the celestial sphere, any height above the horizon (declination) is captured at an equal interval.
Introduction About Shooting Distance Information Slider Correcting Multiple Images at a Time When correcting RAW images shot with the cameras in the table below, if shooting distance information has been saved to the image, the slider is set automatically according to this shooting distance information. However, if no shooting distance information is saved to the image, the slider is set automatically to the right end at infinity position and a [] appears above the slider.
Using the Digital Lens Optimizer This function enables the resolution of images to be increased by removing any remaining aberration related to image-forming capability or any deterioration of resolution resulting from diffraction phenomena that are unavoidable as long as light must pass through the lens. These optical phenomena cannot be corrected under [Lens aberration correction] (p.63). Correction is achieved using the designed value of each lens.
Introduction 2 Click the [Update] button. Using the Digital Lens Optimizer 1 Contents at a Glance In the tool palette, select the [LENS] tab sheet, and check the status of [Lens data] for [Digital Lens Optimizer]. 1 2 3 4 5 Basic Operation The [Add or Remove lens data] window appears. [Not Available] is displayed for an image shot with a noncompatible camera or lens, or for a non-compatible image such as a JPEG, TIFF, S-RAW, or M-RAW image. The function cannot be used for these images.
Introduction the checkbox for the lens used to shoot 3 Checkmark the image, and click the [Start] button. 4 Click the [Tune] button. Contents at a Glance 1 2 3 4 5 Basic Operation The [Digital Lens Optimizer] window appears. Advanced Operation C The lens data is downloaded to your computer. When the downloading of the lens data ends, the indication for [Lens data] changes to [Yes]. You can download the data for several lenses at the same time.
5 Checkmark the [Setting] checkbox and adjust the image. Use the slider to adjust the Digital Lens Optimizer effect. When [MAX] is displayed for the Digital Lens Optimizer level, the effect will remain the same even if you move the slider further to the right. You can change the display position of the check window by dragging the enlargement display position in the navigator window.
Performing Automatic Dust Erasure Processing The Dust Delete Data that is appended to images shot with the camera that can attach this data, can be used to automatically erase dust spots. 3 Introduction When the image has redrawn itself, click the [Apply Dust Delete Data] button.
Introduction Additional information Useful functions of the copy stamp window The dust-erased image can be reverted to its original condition at any time A dust-erased image is displayed or printed as a dust-erased image. However, since the dust on the image is not actually erased, you can always revert to the original image by clicking the [Undo] button in the copy stamp window or performing the “Re-Editing an Image” procedure (p.43).
Manually Erasing Dust (Repair Function) You can erase dust spots in an image by selecting them one by one. 4 the main window, select the image you want to 1 Inerase dust spots. 2 Click the [Stamp] button. 5 Introduction Click the button that matches the dust spot to be erased. If the dust spot is dark in color, click the [ ] button, and if the dust spot is light in color, click the [ ] button. When you move the cursor over the image, the dust erasure range appears as [ ].
Introduction Additional information Useful functions of the copy stamp window Click several times when dust spots are not erased completely Where unwanted dust spots are not erased even after performing step 5 once, they may be erased completely when you click several times. Mainly spots of dust can be erased with the repair function Spots of dust can be erased with the repair function. You may be unable to erase lines of dust. In this case, use the copy stamp function (p.77).
Transferring a RAW Image to Photoshop Erasing Unwanted Parts of an Image (Copy Stamp Function) You can correct an image by pasting a section copied from another part of the image to an unwanted part of the image. 1 2 Specify the section to be copied. Follow steps 1 to 3 in “Manually Erasing Dust (Repair Function)” (p.75). Click on the section that is to be the copy source while holding down the key. To change the section that is to be the copy source, perform the operation above again.
Compositing Images You can combine two images into a single image. You can further combine images by adding another image to the composited image. Since the composited image is saved as a separate image, the original images remain as they are. 2 Select the [Tools] menu [Start Compositing tool]. Contents at a Glance This function can be used with all image types (p.3) supported by DPP. However, images with more than 6666 × 4444 pixels are not supported.
Introduction 3 Select the image to combine. Select the image to combine from the [Foreground Image] list box. 4 Select a compositing method Select a compositing method from the [Composite Method] list box. Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation The selected image is displayed in the [Foreground Image] thumbnail display. A preview of the combined background image and foreground image is displayed in the composite preview. The following images can be combined.
Introduction 5 Position the images. Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation Y P O Shift large amount (50 pixels) Shift small amount (1 pixel) Align image centers C You can also directly enter the position coordinates of the [Foreground Image] to align it. Processing Large Numbers of Images Editing JPEG/TIFF Images Reference By default, the background image and the [Foreground Image] are displayed with their centers aligned.
Creating HDR (High Dynamic Range) Images You can create images with a wide dynamic range where clipping in highlights and shadows has been reduced, and images that appear like paintings. This is suited for scenes such as still-lifes and landscapes. This function is most effective when using three images with different exposures of the same scene (negative exposure, standard exposure, positive exposure) to create an HDR image. However, you can also create an HDR image from two images, or even only one.
2 Select the [Tools] menu [Start HDR tool]. Introduction 3 Specify the required settings, then click the [Start HDR tool] button. Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation The [Select Images] window appears. You can also display the [Select Images] window from the edit window and edit image window.
Introduction 4 Make required selections to adjust the image. [Detail Enhancement] [Strength]: Adjusts the overall contrast and contrast of details together. Move the slider to the right for a stronger effect. [Smoothness]:Adjusts the overall smoothness of the image. Move the slider to the right for a smooth and natural impression. [Fineness]: Adjusts the clearness of details. Move the slider to the right for a sharper outline.
Starting Up Map Utility 5 Click the [Save As] button. Map Utility is a software that allows you to view images shot on a GPS function-compatible Canon camera, including the shooting location and route travelled. After installing Map Utility to your computer, you can start it up from DPP. Introduction Contents at a Glance Select the [Tools] menu [Start Map Utility]. Map Utility starts up. For information about Map Utility, refer to the Map Utility instructions, or to the Help for Map Utility.
Printing with Shooting Information You can freely lay out one image on one sheet of paper and print together with titles and shooting information, etc. To maintain the settings 1 2 Select the [File] menu [Print with detailed setting]. the required settings for printing, and then 3 Specify click the [Print] button. Select one image to be printed. Introduction The settings of each tab sheet in step 3 are memorized when the [Apply] button is clicked (excluding the contents of the [Text] tab sheet).
Printing a Thumbnail List (Contact Sheet Printing) You can print rows of multiple images on one sheet of paper. 1 Select images to be printed in a thumbnail list. 2 Select the [File] menu [Contact Sheet Prints]. the required settings for printing, and then 3 Specify click the [Print] button. Introduction To maintain the settings The settings of each tab sheet in step 3 are memorized when the [Apply] button is clicked (excluding the contents of the [Text] tab sheet).
Printing RAW Images on a High-End Canon Printer Printing with a High-End Canon Inkjet Printer Introduction Additional information For high-end Canon inkjet printers that are compatible with the printing software Easy-PhotoPrint Pro, you can print with DPP by a simple operation that has the following features: Simple printing of RAW images Printing in faithful colors High quality printing using a wide color space of Adobe RGB, etc.
Introduction Printing with a Large-Format Canon Printer Advantages of printing with imagePROGRAF Print Plug-In You can use DPP to print with the DPP-compatible Canon large-format imagePROGRAF printer. To print with DPP, first install imagePROGRAF Print Plug-In for Digital Photo Professional on your computer. Select the [File] menu [Plug-in printing] Plug-In 1 for the printer you use. The Plug-In starts up. 2 Specify the required settings for photograph printing, and then print.
Specifying Preferences You can change the various functions of DPP in the [Preferences] window. Check the contents of each window and set. Also, depending on the item, a detailed explanation may be available, so refer to each window. Introduction General Settings You can specify the folder that opens when DPP is started up, image quality of displayed and saved RAW images, etc. 1 Select the [Tools] menu [Preferences]. the tab sheet, specify the settings, and then 2 Select click the [OK] button.
Introduction Viewing and saving RAW images JPEG image quality You can select from two types of image quality for displaying/saving RAW images: high image quality with false color reduction processing and noise reduction function (p.62) used, or high speed without false color processing and noise reduction function used. [High quality] False color reduction processing is automatically applied, and the image can be displayed/saved as a false color reduced-high quality image.
Introduction View Settings You can specify settings relating to the display. Sort order in main window You can set the order of images which have been rearranged in the main window to be maintained or not maintained (p.21). If you checkmark the checkbox, the order of the rearranged images is maintained even if you exit DPP or select another folder in the folder area.
Introduction Tool Palette You can specify settings for the tool palette. Modified Picture Style settings You can select whether the [Color tone], [Color saturation], [Contrast], [Unsharp mask] and [Sharpness] settings will be changed or retained, when you change the Picture Style. If you checkmark the checkbox, the [Color tone], [Color saturation], [Contrast] and [Sharpness] settings will be changed to match the camera’s preset settings, when you change the Picture Style.
Introduction Default settings of Work color space Color Management You can specify settings relating to color management, such as settings for work color space, conditions for color matching, etc. You can select from five types of color space (p.144) that is applied as a default setting in RAW images. Color space that has been set is applied as the color space when a RAW image is converted and saved (p.42, p.99) or printed (p.43, p.46, p.49, p.85 to p.88).
Introduction Setting of printing profile (color setting of the printer) Setting of CMYK simulation profile Where a profile (p.143) is attached to the printer you are using to print images, you can print an image and simulate the colors displayed on screen by setting the profile. The profile that has been set is applied to all printing (p.49, p.85, p.86) except for printing using a Canon inkjet printer (p.43, p.46) or linked printing (p.87, p.88).
4 Useful Functions for Processing Large Numbers of RAW Images Introduction For users shooting a large amount of RAW images, the convenient function of batch processing large amounts of RAW images is explained here. Utilizing Adjustment Contents (Recipe) ................... 96 Saving Recipes as a File ............................................ 97 Loading and Pasting Recipes..................................... 97 Copying a Recipe and Applying to Another Image.....
Utilizing Adjustment Contents (Recipe) All the adjustment contents (recipe) made using the tool palette can be saved as an individual recipe file (extension “.vrd”) and loaded and applied to another image. You can edit images efficiently by selecting and adjusting one image from images shot with the same shooting environment and batch applying the adjustment results to a large number of images.
Introduction Saving Recipes as a File Copying a Recipe and Applying to Another Image You can copy a recipe of an edited image and then apply it to another image. an edited image, and then select the [Edit] 1 Select menu [Save recipe in file]. The [Save recipe in file] dialog box appears. 2 the image from which a recipe is to be copied 1 Select and then select the [Edit] menu [Copy recipe to Select the destination folder, enter a file name, and then click the [Save] button. clipboard].
Batch Apply White Balance to Images (Personal White Balance) The white balance adjustments made to a RAW image shot in a specific shooting environment can be registered as personal white balance. You can then perform efficient white balance adjustment by applying this personal white balance to a large number of RAW images shot in the same shooting environment.
Batch Save as JPEG or TIFF Images (Batch Processing) You can batch convert and save edited RAW images to highly versatile JPEG or TIFF images. The images are saved as separate images, so the RAW images remain unaffected. the main window, select multiple images to be 1 Inconverted. 2 Click the [Batch process] button on the toolbar the required settings, and then click the 3 Specify [Execute] button.
Batch Transfer Images to Image Editing Software You can transfer multiple images to image editing software. Unlike [Transferring a RAW Image to Photoshop] (p.77), you transfer images that have first been converted and saved as a seperate image, so the transferred image will not disappear after exiting the destination software. The software used here as an example is Adobe Photoshop CS. 1 2 Click the [Batch process] button on the toolbar settings required for transferring (e.g. file 3 Perform format).
Batch Change the File Name of Images window, select multiple images of which 1 Inthethefilemain names are to be changed. 2 Select the [Tools] menu [Start Rename tool]. the required settings and click the 3 Specify [Execute] button. The rename window appears. (p.142) Changing the File Name of Images in the Order in the Main Window When you change the order of the images in the main window, you can change in one operation the names of the files for the images, in the order they were rearranged.
5 Editing JPEG and TIFF Images Introduction DPP is software mainly aimed for advanced RAW image editing, but it also has JPEG and TIFF image editing functions. Here, the editing and saving of JPEG and TIFF images are explained. Editing JPEG and TIFF Images............................. 103 About the RGB Tool Palette ..................................... 103 Automatically Adjusting Brightness and Color (Tone Curve Assist) ............................................................
Editing JPEG and TIFF Images With DPP, you can adjust JPEG and TIFF images in the same way as RAW images using the [RGB] and [NR/ALO] tool palettes. Because adjustment made with the tool palette (recipe) only changes the image processing conditions, the “original image data itself” remains unaffected. Therefore, there are no problems with image deterioration that arise with editing and you can readjust your images any number of times.
Introduction Automatically Adjusting Brightness and Color (Tone Curve Assist) Images not suitable for automatic adjustment (tone curve assist) In order to make the image a desirable standard image, automatically adjust the image tone curve (p.143). You can select the degree of automatic adjustment from “Standard” and “High”.
Brightness: Move the slider to the right to make an image brighter and to the left to make an image darker. Contrast: Used to adjust modulation and degree of contrast of color. Move the slider to the right to make contrast of an image stronger and to the left to make contrast weaker. Adjusting Brightness and Contrast The brightness and contrast of an image can be adjusted.
Introduction Adjusting Color Tone Using Click White Balance You can adjust white balance using a selected part of an image as the standard for white to make the image appear natural. Using click white balance is effective when using it in parts of an image where white color tone has changed under the influence of a light source. 1 Click the [ 2 Click on a point that is to be the standard for white. Contents at a Glance 1 2 3 4 5 Basic Operation ] button.
Move the slider to the right to make color tones more yellow, and to the left to make color tones redder. Saturation: Move the slider to the right to make the color deeper, and to the left to make the color weaker. Sharpness: Move the slider to the right to make an image harder, and to the left to make an image softer. Hue: Adjusting Hue, Saturation and Sharpness You can adjust hue (tone) and saturation and make the overall atmosphere of an image harder or softer.
Introduction Tone Curve Adjustment You can adjust the brightness, contrast and color of a specific area by changing the tone curve (p.143). 2 Make adjustments. Contents at a Glance the tone curve mode and interpolation 1 Select method.
Introduction Adjusting Dynamic Range Dynamic range (width of gradation expression) from dark points to bright points in an image can be adjusted.
Reducing Noise Introduction You can reduce noise that arises in JPEG and TIFF images that have been shot at night or with a high ISO speed. 4 1 2 Click the [NR Preview] button. Select the [NR/ALO] tab sheet from the tool palette in the edit window or edit image window. Click the [Apply] button. Noise reduction is applied to the image and the image is redisplayed. Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation The [NR Preview] window appears. 3 Adjust an image.
Trimming and Adjusting the Angle of an Image You can trim only the part of an image you need, or change the composition of an image where an image shot horizontally becomes vertical. You can also adjust the angle of an image before trimming. If you select [Circle] for [Aspect ratio], the area outside the specified range will only be masked in black and the image will not be trimmed. 3 Trimming/angle adjustment window Largest possible trimming range 1 Select the image to be trimmed.
4 Introduction Select a ratio and drag the trimming range. Cancel Select a trimming ratio 5 Click the [OK] button to return to the main window. The trimming range frame is displayed in the trimmed image (p.126). When the trimmed image is displayed in an edit window or the edit image window, it is displayed in its trimmed form. 1 2 3 4 5 Basic Operation Drag the trimming range The trimming range can be moved by dragging.
* For JPEG images shot with EOS 5D Mark III and [Add cropping information] set in Custom Functions, aspect ratio information is only set and the image is not actually trimmed. About trimmed images The trimmed range can be reverted to its original condition at any time A trimmed image is displayed or printed as a trimmed image.
Performing Automatic Dust Erasure Processing The Dust Delete Data that is appended to images shot with the camera that can attach this data, can be used to automatically erase dust spots. 3 Introduction When the image has redrawn itself, click the [Apply Dust Delete Data] button.
Introduction Additional Information Useful functions of the copy stamp window The dust-erased image can be reverted to its original condition at any time A dust-erased image is displayed or printed as a dust-erased image. However, since the dust on the image is not actually erased, you can always revert to the original image by clicking the [Undo] button in the copy stamp window or performing the “Re-Editing an Image” procedure (p.120).
Manually Erasing Dust (Repair Function) You can erase dust spots in an image by selecting them one by one. 4 the main window, select the image you want to 1 Inerase dust spots. 2 Click the [Stamp] button. 5 Introduction Click the button that matches the dust spots to be erased. If the dust spot is dark in color, click the [ ] button, and if the dust spot is light in color, click the [ ] button. When you move the cursor over the image, the dust erasure range appears as [ ].
Introduction Additional information Useful functions of the copy stamp window Click several times when dust spots are not erased completely Where unwanted dust spots are not erased even after performing step 5 once, they may be erased completely when you click several times. Mainly spots of dust can be erased with the repair function Spots of dust can be erased with the repair function. You may be unable to erase lines of dust. In this case, use the copy stamp function (p.118).
Compositing and High Dynamic Range Erasing Unwanted Parts of an Image (Copy Stamp Function) You can correct an image by pasting a section copied from another part of the image to an unwanted part of the image. steps 1 to 3 in “Manually Erasing Dust (Repair 1 Follow Function)” . 2 Specify the section to be copied. (p.116) Click on the section that is to be the copy source while holding down the key. To change the section that is to be the copy source, perform the operation above again.
Saving Editing Results Introduction Saving Editing Content to an Image Saving as a Separate Image All the contents (recipe) adjusted with the tool palette (p.103 to p.110) as well as the trimmed range (p.111) and dust-erasure (p.114 to p.118) information can be saved to a JPEG or TIFF image, or to a separate JPEG or TIFF image. Select the [File] menu desired item. If a JPEG or TIFF image is adjusted with the tool palette (p.103 to p.
Re-Editing an Image Introduction Only the image processing conditions are changed in images adjusted with the tool palette (p.103 to p.110), so the “original image data itself” remains unaffected. Also, the trimming range or dust-erasure information of a trimmed image (p.111) or dust-erased image (p.114 to p.118) is simply saved to the image. For this reason, you can undo any adjustments saved (p.
Reference Introduction This reference section has been provided to enhance your experience using DPP. It contains various troubleshooting solutions, how to delete DPP from your computer, explanations of the various windows and a glossary. An Index is provided at the end of the chapter for you to easily find information you are looking for. C Troubleshooting..................................................... 122 Deleting the Software (Uninstalling) ......................
Troubleshooting Introduction If DPP is not operating correctly, refer to the items below. An image could not be adjusted Installation could not be completed correctly Select an administrator-level privilege ([Computer administrator], [Administrator], etc.) as a user setting. You cannot install the software if a user setting other than an administrator-level privilege is selected. For detailed information on selecting an administrator-level privilege, refer to your computer User’s Manual.
Deleting the Software (Uninstalling) The colors of the image displayed on screen and the colors of the printed image do not match If the color of the monitor that displays an image is not adjusted correctly, or if a profile for a printer that is to print images, has not been set up, the color of the image displayed on screen and the color of the printed photograph may differ greatly. If the color of the monitor that displays images is corrected (p.93) and a profile for a printer is set up correctly (p.
List of Main Window (Folder Window) Functions Shows/hides the tool palette (p.128) Image information (p.23) Selects all images Shows/hides the folder area Switches to the edit image window (p.133) Folder path (p.10) Cancels selection of all images Displays the quick check window (p.132) Displays the copy stamp window (p.140) Toolbar*1 [Collection] tab sheet*5 [Folder] tab sheet*5 Displays the trimming/ angle adjustment window (p.
List of Main Window (Collection Window) Functions Image information Selects all images Shows/hides the tool palette Switches to the edit image window Cancels selection of all images Introduction Displays the quick check window Displays the copy stamp window Toolbar [Collection] tab (p.
Image Frame Information in the Main Window and Edit Image Window (p.10, p.34) Introduction Information displayed when [Large thumbnail] (p.10) is selected Contents at a Glance Digital Lens Optimizer mark (p.69 to p.72) Check mark (p.18, p.19) Rating mark (p.18, p.19) Brightness adjustment value*1 (p.26) C File name White balance icon*1 (p.27) Image type*2 Y P O Unsaved editing content mark Copy stamp mark (p.73 to p.77, p.114 to p.118) Lens aberration correction mark (p.65) Trimming range*4 (p.
List of Edit Window Functions (p.11, p.25) Introduction Tool palette*1 (p.128, p.129, p.130) Path and file name of image Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation C Y P O Advanced Image Editing and Printing Processing Large Numbers of Images Editing JPEG/TIFF Images Reference Index Information display*2 Display mode*4 Image color space*3 and work CMYK simulation display (p.93) color space (p.77, p.
List of Tool Palette Functions Introduction RAW Tool Palette (p.25) RGB Tool Palette (p.60) Automatic adjustment (tone curve assist) (p.33, p.104) Brightness adjustment (p.26) Click white balance (p.106) White balance adjustment (p.27, p.28, p.56) Tone curve adjustment (p.58, p.108) Picture Style settings (p.26, p.59) Dynamic range adjustment (p.109) Dynamic range adjustment (p.57) Contrast adjustment (p.29) Shadow/highlight adjustment (p.57) Linear setting (p.
Introduction NR/ALO Tool Palette NR/ALO Tool Palette (When a RAW image is selected) (When a JPEG or TIFF image is selected) Contents at a Glance Auto Lighting Optimizer (p.61) 1 2 3 4 5 Basic Operation Apply noise reduction button (p.62) Displays the [NR Preview] window (p.62, p.131) Luminance noise reduction for RAW images (p.62) Chrominance noise reduction for RAW images (p.62) C Apply noise reduction button (p.110) Displays the [NR Preview] window (p.110, p.
Introduction LENS Tool Palette Contents at a Glance Digital Lens Optimizer adjustment button (p.71) Amount of Digital Lens Optimizer (p.70) Lens data status (p.70) Lens data Update button (p.70) Lens aberration correction adjustment button (p.65) Lens aberration correction (p.
List of NR Preview Window Functions (p.62, p.
List of Quick Check Window Functions (p.16, p.18) view*1 Path and file name of image Introduction 50% view/100% view (moiré reduction off)/full Displays the image in full screen*2 Contents at a Glance Check mark display Removes check marks (p.18) Check marks (p.18) Rating mark display C Y P O Rating (Reject) (p.18) Rating (p.18) Switches between displayed images Displays the AF poins (p.16) Displays the image information window (p.
List of Edit Image Window Functions Shows/hides tool palette Shows/hides thumbnail display area Switches to main window (p.124) Shows/hides grid*4 Image information (p.23) (p.34, p.36) Enlargement ratio of displayed image Displays the copy stamp window (p.73 to p.77, p.114 to p.118, p.140) Displays the trimming/ angle adjustment window (p.38, p.111, p.135) Image path and file name Batch conversion/ saving (p.99, p.100, p.
List of Convert/Save One Image Window Functions (p.42) Introduction Contents at a Glance Types of image Type of image Extension Exif-JPEG .JPG Exif-TIFF 8bit .TIF TIFF 16bit .TIF Exif-Tiff 8bit+Exif-JPEG .TIF/.JPG TIFF 16bit+Exif-JPEG .TIF/.JPG Embeds of ICC profiles*2 (p.
List of Trimming/Angle Adjustment Window Functions (p.38, p.
List of Lens Aberration Correction Window Functions When the list box for selecting an extender is displayed in the [Lens aberration correction] window, select the extender attached at the time of shooting from the list box. (p.65) To correct distortion aberration of images shot with a fisheye lens, four effects can be selected from the [Effect] list box in addition to [Shot settings] normally used for distortion correction.
List of Digital Lens Optimizer Adjustment Window Functions (p.69) Introduction Contents at a Glance Enlargement display position (Navigator display) 1 2 3 4 5 Basic Operation Advanced Operation Shooting distance slider (p.72) Y P O Digital Lens Optimizer adjustment (p.
List of Compositing Tool Window Functions (p.78) Introduction 100% display (p.79) Contents at a Glance Select foreground image (p.79) 1 2 3 4 5 Basic Operation Thumbnail display for foreground image (p.79) Advanced Operation C Y P O Select composite method (p.79) Use RAW compositing (p.80) Weighting slider (p.79) Alignment controls (p.80) Continue compositing (p.
List of HDR Window (Adjust Image) Functions (p.81) Introduction Select an effect (p.83) Contents at a Glance 1 2 3 4 5 Basic Operation Adjust tone/color (p.83) Advanced Operation C Y P O Advanced Image Editing and Printing Adjust detail emphasis (p.
List of Copy Stamp Window Functions (p.73 to p.77, p.114 to p.118) Full screen display/returns to normal screen Applies Dust Delete Data (p.73, p.114) Types of dust to be erased (p.75, p.116) Specifies the copy source (p.77, p.118) Fixes the copy source position (p.77, p.118) Types of stamps (p.77, p.118) Sets the size of the dust erasure range (p.75, p.116) or copy range (p.77, p.
List of Convert/Save Multiple Images Window (Batch Processing) Functions File names of images to be batch saved (p.99) Save destination Types of image Type of image Extension Exif-JPEG .JPG Exif-TIFF 8bit .TIF TIFF 16bit .TIF Exif-Tiff 8bit+Exif-JPEG .TIF/.JPG TIFF 16bit+Exif-JPEG .TIF/.JPG Embeds ICC profiles*2 (p.143) Resolution*1 Size changing*4 C Y P O JPEG compression rate*3 *1 The setting range is 1 to 60,000 dpi. *2 Color space (p.77, p.
List of Rename Window Functions (p.
Glossary Introduction RAW image bit number EOS DIGITAL camera RAW images are recorded in an uncompressed 14bit or 12bit format. Because RAW images are special images in an undeveloped status, you need software with development processing functions such as DPP in order to view them. The advantage of the undeveloped RAW images is that you can make a variety of adjustments to RAW images with almost no deterioration of the image. * “RAW” meaning “in a natural condition” or “not processed or refined”.
Introduction Color space CMYK simulation profiles A color space is the reproducible color range (color gamut characteristics). DPP supports the following five kinds of color space. sRGB : Standard color space for Windows. Widely used for the standard color space of monitors, digital cameras, and scanners. Adobe RGB : A wider color space than sRGB. Mainly used for printing for business purposes. Apple RGB : Standard color space for Macintosh. A slightly wider color space than sRGB.
Index A Adjust JPEG Images......................................................................... 103 Adjust RAW Images............................................................................ 25 Adjust TIFF Images........................................................................... 103 Adjusting (JPEG or TIFF Image) Automatic Adjustment (Tone Curve Assist)................................ 104 Brightness ..................................................................................
Collection Window .................................................................. 6, 36, 125 Color Blur Correction .......................................................................... 65 Color Chart........................................................................................ 144 Color Management (Color Matching)................................................ 143 Color Setting of the Monitor (Profiles) .......................................... 93 Color Setting of the Printer (Profiles).
Enlarged Display (Edit Window) ................................................. 11, 127 Enlarged Display (Quick Check Window) ......................................... 132 EOS Utility............................................................................................. 7 Exiting DPP......................................................................................... 14 Linear...................................................................................................
General Settings........................................................................... 89 Tool Palette .................................................................................. 92 View Settings................................................................................ 91 Printing Printing a Thumbnail List (Contact Sheet Printing) ...................... 86 Printing One Sheet of Paper .................................................. 14, 49 Printing Using Easy-PhotoPrint ..................
Change the Display ...................................................................... 10 Thumbnail Display and Enlarged Display (Edit Image Window)......... 34 Thumbnail Display of Images (Main Window)..................................... 10 Change the Display ...................................................................... 10 TIFF Image ....................................................................................... 143 Tone Curve ...........................................................
Introduction RAW Image Processing, Viewing and Editing Software Contents at a Glance Digital Photo Professional Basic Operation Ver. 3.11 Instruction Manual O Content of this Instruction Manual Advanced Operation Advanced Image Editing and Printing Y P O O Switching Between Pages O DPP is used for Digital Photo Professional. O Click on arrows on the bottom right of the screen. O ` indicates the selection procedure of the menu.
READ CAREFULLY BEFORE USING! CANON SOFTWARE LICENSE AGREEMENT IMPORTANT - READ THIS AGREEMENT BEFORE USING THE SOFTWARE ON THE CD-ROM IN THIS BOX. BY USING THE SOFTWARE, YOU AGREE TO BE BOUND BY THE TERMS OF THIS AGREEMENT. This is a license agreement (the [Agreement]) between you and Canon Inc. ([Canon]).
Introduction Introduction Digital Photo Professional (hereinafter, “DPP”) is a high-performance RAW image processing, viewing and editing software for EOS DIGITAL cameras. It is often thought that RAW images are difficult to handle compared with ordinary JPEG images, but using DPP, you can perform advanced edits and print RAW images with ease. RAW Images and Their Features What is a RAW Image? A RAW image is image data that has recorded output data of imaging sensor.
Main Features of DPP System Requirements Following are the main tasks you can perform with images you have downloaded to your computer.
Contents at a Glance Introduction Auto correct RAW images with the Auto Lighting Optimizer p.61 Downloading Images to Your Computer Download images by connecting your camera and computer p.7 Download images using a card reader p.9 Viewing and Checking RAW Images Quickly enlarge parts of an image p.11 Sort images (check marks, rating) p.18, p.19 Display an image shot simultaneously as a RAW image and JPEG image as a single image p.
1 Basic Operation Introduction The basic operational flow – from how to download to your computer images shot with a camera to checking, editing, saving and printing a downloaded RAW image – is explained here. Starting up DPP......................................................... 6 Main Window Display ................................................... 6 Downloading an Image to Your Computer ................ 7 Downloading Images Using Your Card Reader............ 9 Viewing an Image ....................
Starting up DPP Introduction Click the Dock icon. Main Window Display In the main window, you can use tabs to select either the [Folder] window or the [Collection] window. The [Folder] window displays the images in folders on your computer, while the [Collection] window (p.36) displays images selected randomly by the user from one or more folders and gathered together. Unless noted otherwise, the [Folder] window will be described as the main window from this point on.
Downloading an Image to Your Computer Connect the camera and computer with the cable provided and download the images saved on the memory card inserted in the camera. For downloading images, start up the camera software “EOS Utility” from DPP and use. 2 Introduction Start up EOS Utility. Select the [Tools] menu [Start EOS Utility]. Contents at a Glance 1 Select the save destination for the images. Select the save destination in the folder area on the left of the main window.
Introduction 3 4 Connect your camera and computer and turn the camera on. Advantages of using EOS Utility to download images Connect the camera and your computer with the interface cable provided with the camera and turn the camera on. For detailed instructions on connecting your camera and computer, refer to the “EOS Utility Instruction Manual” (PDF electronic manual).
Introduction Downloading Images Using Your Card Reader You can also download images to the computer using a third-party card reader. 3 Display the images downloaded to your computer. In the [DCIM] folder copied to your desktop, select the folder where the shot images are saved. 1 Load the memory card into the card reader. Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation Y P O Images in the folder are displayed in the main window of DPP.
Viewing an Image Images downloaded to your computer are displayed as a thumbnails list in the main window. You can double-click an image to open the edit window and display the image at large size. Introduction Changing the Size of Thumbnail Images You can change the size of the thumbnail images displayed in the main window and display them with shooting information attached. View Images as Thumbnails in the Main Window Main window Contents at a Glance Select the [View] menu desired item.
Introduction Enlarging and Viewing a Specific Area Enlarge and View an Image in the Edit Window Double-click the area you want to enlarge. Contents at a Glance Double-click Double-click The edit window appears. 1 2 3 4 5 Basic Operation Advanced Operation Edit window Tool palette The area you double-clicked is enlarged to 100% (actual pixel size). If you wait for a while, it changes to a clearer display. Double-click again to revert to the full view.
Adjusting an Image You can perform a variety of image adjustments, such as adjusting the brightness or changing the Picture Style of an image using the tool palette of the edit window. You can easily restore an image to its original settings with the [ ] button even if you have made the wrong adjustment. Try out the various adjustments. As an example, the procedure to adjust the brightness of an image is explained here.
Saving an Image If you perform the save operation described here, you can save all the adjustment contents (recipe) made with the tool palette to the RAW image. Select the [File] menu [Save]. Your adjustment contents (recipe) are saved to the image. Introduction Saving With DPP, you can perform the following types of saving according to your requirements. For detailed information on each saving method, see Chapter 2 onwards. Save (p.
Printing an Image Quitting DPP You can print images with a printer. As an example, the procedure to print one image on one sheet of paper is described here. 1 In the main window, select the [Digital Photo Professional] menu [Quit Digital Photo Professional]. Select the [File] menu [Print]. Introduction Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation Y P O DPP quits. The [Print] dialog box appears. 2 Print.
2 Advanced Operation Introduction A more advanced operation – from efficiently checking images, to various ways of editing an image, printing a RAW image using a Canon printer and sorting images – is explained here. Efficiently Checking/Sorting Images......................... 16 Sorting Images........................................................... 18 Attaching Check Marks.......................................... 18 Setting Ratings ......................................................
Efficiently Checking/Sorting Images You can enlarge images displayed as thumbnails in the main window and efficiently check each image. You can attach check marks and sort images into five groups. Introduction 3 Double-click the area you want to enlarge. Double-click 1 Display the quick check window. Click the [Quick check] button. Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation The area you double-clicked is enlarged to 50% view.
Introduction Convenient functions of the quick check window To check only selected images You can use the quick check window to check only selected images by selecting the desired images from those displayed in the main window and then performing step 1. Switch between images using the keyboard You can also switch between images by pressing the < > + <> or < > + <> keys.
Introduction Setting Ratings Sorting Images Display the image you want to rate, and then click any one of the [ ]. You can sort images by attaching check marks or setting ratings (indicated with [ ] marks) for each subject or theme. Attaching Check Marks 1 2 3 4 5 Basic Operation Display the image you want to attach a check mark to, and then click any one of [ ] to [ ].
Introduction Setting Ratings in the Main Window Sorting Images in the Main Window You can also sort images in the main window by attaching check marks or setting ratings (indicated with [ ] marks) for each subject or theme. Select the images you want to rate, and then click any of the [ ] in the toolbar. Attaching Check Marks in the Main Window Select the images you want to attach a check mark to, and then click any of [ ] to [ ] in the toolbar.
Introduction Arranging Images in the Main Window To select multiple images in the main window You can arrange images in the order of the types of check marks you have attached to images, or in the order of date and time at which the images were shot. You can also freely arrange images by moving them individually. Click on desired images while holding down the < > key. To select multiple consecutive images, click on the first image, and then click on the last image while holding down the key.
Introduction Sort item Arranging Freely Description Drag and drop the image to the desired location. Rating: ascending order Sorted in order of fewest [ ]. Rating: descending order Sorted in order of most [ File name Images are sorted by file name in alphanumeric order (0 to 9 A to Z). Shooting Date/Time Images are sorted by shooting date and time from the earliest. RAW priority Images are sorted in the following order: RAW images JPEG images TIFF images.
Introduction Displaying a RAW Image and JPEG Image as a Single Image You can display and handle a RAW image and JPEG image shot simultaneously as a single image. In particular, you can halve the number of images displayed in the main window and you can streamline the checking of a large number of images shot simultaneously. Select the [Digital Photo Professional] menu [Preferences]. 1 the [View settings] tab sheet and checkmark 2 Select [Display only CR2 images for CR2 and JPEG files of the same name].
Introduction Improving the Quality of an Image in the Main Window Create a new thumbnail image for the main window and save to each image. The quality of images in the main window improves and images redraw themselves more quickly. With all the images selected, select the [File] menu [Add thumbnail to image and save]. Checking Image Information the image for which you want to check the 1 Select image information. 2 Click the [Info] button.
3 Shooting information is displayed in the [Shooting Information] tab sheet, while IPTC* information appended to the image after shooting is displayed in the [Metadata] tab sheet. IPTC* information provides additional comments on images, such as captions, credits and the shooting location. The information is sorted into 5 different categories and can be viewed by selecting [Description], [IPTC Contact], [IPTC Image], [IPTC Content] or [IPTC Status] from the list box in the [Metadata] tab sheet.
Editing an Image This section explains how to adjust an image using the tool palette in the edit window. You can easily restore an image to its original condition with the [ ] button even if you have made the wrong adjustment. Try out the various adjustments. How to make adjustments using the [RAW] tool palette functions, and how to adjust automatically with the [RGB] tool palette are explained in this section.
Introduction Adjusting Brightness Changing a Picture Style The brightness of an image can be adjusted. Move the slider to the right to make the image brighter and to the left to make the image darker. Reverts the image to the original settings If the image you shot is different to what you visualized, you can change the Picture Style to get closer to what you envisaged. Even if you have saved the image (p.41) with [Monochrome] (p.
Introduction Picture Style Description Standard The image looks vivid. Ordinarily, this setting is suitable for most images. Auto The color tone will be adjusted to suit the scene. The colors will look vivid, especially for blue skies, greenery, and sunsets in nature, outdoor, and sunset scenes. Portrait Landscape Adjusting Color Tone by Changing White Balance If the color tone of the photographed image does not appear natural, change the white balance to make it appear natural.
The color of the image is adjusted with the point you selected as the standard for white. If you click on another point in the image, the white balance is adjusted again. To finish click white balance, click the [ ] button again. Adjusting Color Tone Using Click White Balance You can adjust white balance using a selected part of an image as the standard for white to make the image appear natural.
Introduction Adjusting Contrast Changing Color Tone and Color Saturation Modulation and degree of contrast can be adjusted. Move the slider to the right to make contrast stronger and to the left to make contrast weaker. Skin tone and overall color saturation can be adjusted. If Picture Style (p.26) is set to [Monochrome], [Color tone] and [Color saturation] switch to [Filter effect] and [Toning effect] (p.30).
Adjusting Monochrome When the Picture Style (p.26) is set to [Monochrome], you can create monochrome photographs with effects similar to filtering and with the look of a single-color photograph. Filter effect: Creates an image where the white of clouds and the green of trees are emphasized in the same monochrome photograph. Filter 1 Select [Monochrome] in the [Picture Style] list box. 2 Reverts the image to the original settings None Ordinary monochrome image without filter effect.
Introduction Adjusting Image Sharpness You can make the overall atmosphere of an image harder or softer. Adjustment can be made by selecting from two modes, [Sharpness] and [Unsharp mask]. Controls the sharpness of an image by adjusting the level of emphasis for the outline of the image. The further to the right the [Sharpness] slider is moved (the larger the setting), the more the edges are emphasized for a sharper image. [Unsharp mask]: Adjusts the image’s sharpness more finely.
Introduction Detailed Setting of Image Sharpness Select [Unsharp mask] from the list box and make the setting.
Introduction Automatically Adjusting Brightness and Color (Tone Curve Assist) In order to make the image a desirable standard image, automatically adjust the image tone curve (p.143). You can select the degree of automatic adjustment from “Standard” and “High”. Click on the [RGB] tab sheet and click the desired automatic adjustment button. Standard: Standard automatic adjustment. Suitable for most images. High: Use when the effect achieved in standard automatic adjustment is not strong enough.
Editing Efficiently Introduction Editing in the Edit Image Window The thumbnail display and the edit window are combined and images can be edited efficiently while quickly switching between images to be edited. Images to be edited are selected beforehand in the main window. 3 Edit the image. Change the size Edit image window 1 In the main window, select the images you want to edit. 2 Switch to the edit image window. Click The main window switches to the edit image window.
4 Introduction Double-click the area you want to enlarge. To display an image in an enlargement ratio other than 100% Click the [50% view] or [200% view] on the toolbar. Doubleclick The area you double-clicked is enlarged to 100% (actual pixel size). To change the display position, drag on the image or drag the enlargement display position (p.128) of the tool palette. Double-click again to revert to the full view ([Fit to window]).
Introduction Changing the Thumbnail Display Position to a Horizontal Position Select the [View] menu [Change thumbnail position]. Gathering and Editing Images in the Collection Window You can gather any randomly selected images together in the [Collection] window for viewing, comparison and editing. You can gather images from several folders as well as from only one folder, allowing you to work with them efficiently.
Introduction 2 Select the [Collection] tab sheet. To remove images from the [Collection] window The selected images are displayed in the [Collection] window. 3 Check displayed images in the [Collection] window. Removing randomly selected images Select the images to be removed in the [Collection] window and then select [Remove from collection] in the [File] menu.
Trimming and Adjusting the Angle of an Image You can trim only the part of an image you need, or change the composition of an image where an image shot horizontally becomes vertical. You can also adjust the angle of an image before trimming. If you select [Circle] for [Aspect ratio], the area outside the specified range is only masked in black and the image will not be cropped. 3 Trimming/angle adjustment window Largest possible trimming range 1 Select the image to be trimmed.
4 Introduction Select a ratio and drag the trimming range. 5 Cancel Select a trimming ratio Click the [OK] button to return to the main window. The trimming range frame is displayed in the trimmed image (p.126). When the trimmed image is displayed in an edit window or the edit image window, it is displayed in its trimmed form. 1 2 3 4 5 Basic Operation Drag the trimming range The trimming range can be moved by dragging.
* When shooting with EOS 5D Mark III and [Add cropping information] is set in Custom Functions, aspect ratio information is only set and the image is not actually trimmed, even for JPEG images. About trimmed images The trimmed range can be reverted to its original condition at any time A trimmed image is displayed or printed as a trimmed image.
Applying Adjustment Contents to Other Images Saving Editing Results You can copy the image adjustment contents (recipe) adjusted with the tool palette and apply it to other images. You can efficiently adjust multiple images by adjusting one image and applying the results of this to multiple images shot in similar shooting environment. the adjusted image and then select the [Edit] 1 Select menu [Copy recipe to clipboard].
Introduction Saving as a JPEG or TIFF Image Enter a file name Select the save destination Select an image type To view, edit and print a RAW image with software other than DPP, convert to a more versatile JPEG or TIFF image and save. The image is saved as a separate image, so the RAW image remains unaffected. 1 2 3 4 5 Basic Operation 1 2 Select the [File] menu [Convert and save]. Select the image to be converted.
Re-Editing an Image Printing an Image Only the image processing conditions are changed in images adjusted with the tool palette (p.25 to p.33), so the “original image data itself” remains unaffected. Also, the trimming range information of a trimmed image (p.38) is simply saved to the image. For this reason, you can undo any adjustments saved (p.41) to the image, trimming information, and revert to the condition when last saved, or when the image was shot.
1 Select the image to be printed. 2 Start up EPP EX. 3 In the EPP EX window, select the [File] menu [Preferences]. Introduction Contents at a Glance Select the [File] menu [Plug-in printing] [Print with EasyPhotoPrint EX]. 1 2 3 4 5 Basic Operation Advanced Operation The [Preferences] window appears.
Introduction 5 7 Select the [Advanced] tab, checkmark [Enable ICC profile], and then click the [OK] button. The [Preferences] window closes. Select the paper type, and then click the [Layout/ Print] button. Contents at a Glance the number of sheets to be printed, and then 6 Specify click [Select Paper].
Introduction Printing Photographs with Canon Inkjet Printers Compatible with Easy-PhotoPrint Additional information Print up to 1000 images at a time You can print up to 1000 images selected in DPP at a time. When printing more than 1000 images, divide the printing into several jobs. The printed image’s color is not what you expected In the EPP EX window, select [Preferences] in the [File] menu and then click the [Advanced] tab in the [Preferences] window to display the [Advanced] tab sheet.
Introduction 3 In the EPP window, select the [Easy-PhotoPrint] menu [Preferences]. 5 Select the [Advanced] tab sheet and check that the EPP image compensation function is disabled. If not disabled, the operation of the EPP image compensation function may prevent images being printed with faithful color reproduction. If checked, click to remove the check mark The [Preferences] window appears. 4 In [Print Quality], select [Quality Priority].
Introduction 7 Check that the image compensation function is disabled, select the paper type and then click [Next]. If checked, click to remove the check marks Click Additional information Print up to 1000 images at a time You can print up to 1000 images selected in DPP at a time. When printing more than 1000 images, divide the printing into several jobs. The printed image’s color is not what you expected Change the [Rendering intents when using Easy-PhotoPrint] (p.93) to [Perceptual] (p.
Organizing Images Printing Photographs with a Printer other than Canon Inkjet Printers You can print one image on one sheet of paper. 1 2 Select the [File] menu [Print]. This section explains how to delete unwanted images, create folders for saving images, move or copy images, etc., and organize your images. Deleting an Unwanted Image Select the image to be printed. Be aware that you cannot recover deleted images. 1 2 Select the [File] menu [Delete]. Select an unwanted image in the main window.
Introduction Creating a Folder for Saving Images Moving Images You can create a folder for sorting images. You can move or copy images to a separate folder and sort by shooting date or themes. the folder area, select the location where the new 1 Infolder is to be created. 2 Select the [File] menu [Create new folder]. C Drag the image to be moved or copied. To move: Drag the image and release when the image is in the destination folder.
Introduction Moving Images in Folders Registering Frequent-Use Folders (Bookmark Registration) You can move or copy folders that contain images, and sort the images by folders. Drag the folder to be moved or copied. To move: Drag the folder and release when the folder is in the destination folder. To copy: Drag the folder while holding down the
3 Advanced Image Editing and Printing Introduction Various preferences including advanced image adjustment, automatic dust erasure processing, various printing functions for printing out work, and color management are explained here, geared to the user who is competent in the handling of third-party image editing software. Using the Digital Lens Optimizer ............................. 69 Compatible Cameras.................................................. 69 Compatible Lenses.............................
Adjusting While Comparing with the Original Image You can display before and after versions of an adjusted image in the same window and adjust while checking the adjustment results. 1 Introduction Changing How the Window is Split In the edit window, select the [View] menu [Before/ after comparison]. You can change the display of the image to a single image split in two. In the edit window, select the [View] menu [Display mode] [Split single image].
Adjusting by Comparing Multiple Images You can synchronize the display position of multiple edit windows and adjust images while comparing them with each other. 5 1 2 Align the images. 3 Select the [Window] menu [Synchronize]. 4 Enlarge the image. In the edit window, display the multiple images to be compared. Introduction Move the display position. If you move the enlargement display position in one of the edit windows, the enlargement display position will also change in the other edit windows.
Displaying an Area Beyond the Set Range as a Warning Indicator (Highlight/Shadow Warning) You can set up a warning indicator in both the highlighted part and the shaded part, which is effective for checking the light and dark areas and preventing excessive adjustment of an image. Where the area on the image has exceeded that set range, you can display the highlighted part in red and the shaded part in blue. 5 the [View] menu [Highlight]. Similarly, select 6 Select [Shadow].
Performing Advanced Editing This section explains how to use the advanced adjustment function on the tool palette in the edit window. Adjustments made using the high-level functions of the [RAW] and [RGB] tool palettes, as well as the functions of the [NR/ALO] and [LENS] tool palette are explained in this section. Adjusting White Balance with Color Temperature White balance can be adjusted by setting a numerical value for color temperature.
Introduction Adjusting Dynamic Range Adjusting Brightness of Shadows/Highlights Dynamic range (width of gradation expression) from dark points to bright points in an image can be adjusted. You can adjust the brightness of shadows and highlights in an image. By adjusting shadows and highlights in an image with a restricted brightness, you can reduce the effects of clipping in shadows and highlights.
Introduction Tone Curve Adjustment You can adjust the brightness, contrast and color of a specific area by changing the tone curve (p.143). 3 Make adjustments. Batch adjusts RGB Adjusts each channel Contents at a Glance 1 In the tool palette, select the [RGB] tab sheet. the tone curve mode and interpolation 2 Select method.
Introduction Example of a Tone Curve Operation Makes medium tones brighter Makes medium tones darker Using a Picture Style File A Picture Style file is an extended function file of a Picture Style. With DPP, you can apply to RAW images Picture Style files that you have downloaded from Canon’s web site effective for various scenes or Picture Style files created with “Picture Style Editor”. When using a Picture Style file, save it to your computer beforehand.
Introduction About the RGB Tool Palette You can adjust images with the tool palette by switching between the [RAW], [RGB], [NR/ALO] and [LENS] tab sheets according to your editing requirements. The [RGB] tool palette functions are the same as ordinary image editing software, such as tone curve adjustment that is explained here, with which you can adjust RAW images.
Using the Auto Lighting Optimizer If the shooting result is dark or the contrast is low, you can use the Auto Lighting Optimizer function to auto-correct the brightness and contrast, and obtain a more pleasant image. You can also change the settings of the image shot with the camera’s Auto Lighting Optimizer function.
Reducing Noise You can reduce noise that arises in RAW images shot at night or with a high ISO speed. NR is an abbreviation for “noise reduction”. the [NR/ALO] tab sheet from the tool palette in 1 Select the edit window or edit image window. 2 Click the [NR Preview] button. Introduction 4 Click the [Apply] button. Noise reduction is applied to the image and the image is redisplayed. The noise reduction function does not work Noise reduction cannot be applied when [Viewing and saving RAW images] (p.
Correcting Lens Aberration Introduction You can easily make corrections to drops in peripheral illumination, distortions in the subject, and color blur which occur by the physical characteristics of the lens or slightly remaining aberration. Please note that you can only correct RAW images which have been taken with the compatible cameras and lenses listed below. JPEG or TIFF images cannot be corrected. Compatible Lenses Fisheye, ultra wide, and wide angle lenses Compatible Cameras EF 14mm f/2.
Introduction Zoom lenses EF-S lenses EF 16-35mm f/2.8L USM EF 16-35mm f/2.8L II USM*3 EF-S 60mm f/2.8 Macro USM EF 17-35mm f/2.8L USM EF 17-40mm f/4L USM EF-S 15-85mm f/3.5-5.6 IS USM*3 EF-S 17-55mm f/2.8 IS USM EF 20-35mm f/3.5-4.5 USM EF 24-70mm f/2.8L USM EF-S 17-85mm f/4-5.6 IS USM EF-S 18-55mm f/3.5-5.6 EF 24-70mm f/2.8L II USM*3 EF 24-85mm f/3.5-4.5 USM EF-S 18-55mm f/3.5-5.6 II EF-S 18-55mm f/3.5-5.6 III*3 EF 24-105mm f/4L IS USM EF 28-70mm f/2.8L USM EF-S 18-55mm f/3.5-5.
Introduction Making Corrections You can make corrections to any of the four aberrations as below, either one at a time or simultaneously. Peripheral illumination Chromatic aberration (color fringing which occurs in the periphery of an image) Color blur (blue or red color blur which sometimes occurs at the edge of the highlighted area of an image) Distortions 3 1 In the tool palette, select the [LENS] tab sheet. 2 Click the [Tune] button. C The [Lens aberration correction] window appears.
For images shot with EF 8–15mm f/4L USM Fisheye, a fine-tune slider is also displayed when you select [Emphasize Linearity] from the [Effect] list box. Adjust the amount of correction for distortion aberration with the adjustment slider, and then adjust with the fine-tune slider if more adjustment is required. When the list box for selecting an extender is displayed, select the extender attached at the time of shooting from the list box.
Emphasize Distance This converts the image to an “equidistant projection" style image. This projection method preserves distance relationships. Equidistant projection displays the same distances from the center to the periphery as the same distances. In particular, when shooting a celestial body such as the celestial sphere, any height above the horizon (declination) is captured at an equal interval.
Introduction About Shooting Distance Information Slider Correcting Multiple Images at a Time When correcting RAW images shot with the cameras in the table below, if shooting distance information has been saved to the image, the slider is set automatically according to this shooting distance information. However, if no shooting distance information is saved to the image, the slider is set automatically to the right end at infinity position and a [] appears above the slider.
Using the Digital Lens Optimizer Introduction This function enables the resolution of images to be increased by removing any remaining aberration related to image-forming capability or any deterioration of resolution resulting from diffraction phenomena that are unavoidable as long as light must pass through the lens. These optical phenomena cannot be corrected under [Lens aberration correction] (p.63). Correction is achieved using the designed value of each lens.
Introduction 2 Click the [Update] button. Using the Digital Lens Optimizer 1 Contents at a Glance In the tool palette, select the [LENS] tab sheet, and check the status of [Lens data] for [Digital Lens Optimizer]. 1 2 3 4 5 Basic Operation The [Add or Remove lens data] window appears. [Not Available] is displayed for an image shot with a noncompatible camera or lens, or for a non-compatible image such as a JPEG, TIFF, S-RAW, or M-RAW image. The function cannot be used for these images.
Introduction the checkbox for the lens used to shoot 3 Checkmark the image, and click the [Start] button. 4 Click the [Tune] button. Contents at a Glance 1 2 3 4 5 Basic Operation The [Digital Lens Optimizer] window appears. Advanced Operation The lens data is downloaded to your computer. When the downloading of the lens data ends, the indication for [Lens data] changes to [Yes]. You can download the data for several lenses at the same time.
5 Use the slider to adjust the Digital Lens Optimizer effect. When [MAX] is displayed for the Digital Lens Optimizer level, the effect will remain the same even if you move the slider further to the right. You can change the display position of the check window by dragging the enlargement display position in the navigator window. Even if you set shooting distance for a lens in this window, the value indicated for shooting distance in the [Lens aberration correction] window will not change.
Performing Automatic Dust Erasure Processing The Dust Delete Data that is appended to images shot with the camera that can attach this data, can be used to automatically erase dust spots. 3 Introduction When the image has redrawn itself, click the [Apply Dust Delete Data] button.
Introduction Additional information Useful functions of the copy stamp window The dust-erased image can be reverted to its original condition at any time A dust-erased image is displayed or printed as a dust-erased image. However, since the dust on the image is not actually erased, you can always revert to the original image by clicking the [Undo] button in the copy stamp window or performing the “Re-Editing an Image” procedure (p.43).
Manually Erasing Dust (Repair Function) You can erase dust spots in an image by selecting them one by one. 4 the main window, select the image you want to 1 Inerase dust spots. 2 Click the [Stamp] button. 5 Introduction Click the button that matches the dust spot to be erased. If the dust spot is dark in color, click the [ ] button, and if the dust spot is light in color, click the [ ] button. When you move the cursor over the image, the dust erasure range appears as [ ].
Introduction Additional information Useful functions of the copy stamp window Click several times when dust spots are not erased completely Where unwanted dust spots are not erased even after performing step 5 once, they may be erased completely when you click several times. Mainly spots of dust can be erased with the repair function Spots of dust can be erased with the repair function. You may be unable to erase lines of dust. In this case, use the copy stamp function (p.77).
Transferring a RAW Image to Photoshop Erasing Unwanted Parts of an Image (Copy Stamp Function) A RAW image can be converted to a TIFF image (16bit) and transferred to Photoshop. You can correct an image by pasting a section copied from another part of the image to an unwanted part of the image. steps 1 to 3 in “Manually Erasing Dust (Repair 1 Follow Function)” . 2 Specify the section to be copied. (p.75) Select the [Tools] menu [Transfer to Photoshop].
Compositing Images You can combine two images into a single image. You can further combine images by adding another image to the composited image. Since the composited image is saved as a separate image, the original images remain as they are. 2 Select the [Tools] menu [Start Compositing Tool]. Contents at a Glance This function can be used with all image types (p.3) supported by DPP. However, images with more than 6666 × 4444 pixels are not supported.
Introduction 3 Select the image to combine. Select the image to combine from the [Foreground Image] list box. 4 Select a compositing method. Select a compositing method from the [Composite Method] list box. Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation The selected image is displayed in the [Foreground Image] thumbnail display. A preview of the combined background image and foreground image is displayed in the composite preview. The following images can be combined.
Introduction 5 Position the images. Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation C Y P O Shift large amount (50 pixels) Shift small amount (1 pixel) Align image centers You can also directly enter the position coordinates of the [Foreground Image] to align it. Processing Large Numbers of Images Editing JPEG/TIFF Images Reference By default, the background image and the [Foreground Image] are displayed with their centers aligned.
Creating HDR (High Dynamic Range) Images You can create images with a wide dynamic range where clipping in highlights and shadows has been reduced, and images that appear like paintings. This is suited for scenes such as still-lifes and landscapes. This function is most effective when using three images with different exposures of the same scene (negative exposure, standard exposure, positive exposure) to create an HDR image. However, you can also create an HDR image from two images, or even only one.
2 Select the [Tools] menu [Start HDR Tool]. Introduction 3 Specify the required settings, then click the [Start HDR] button. Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation The [Select Images] window appears. You can also display the [Select Images] window from the edit window and edit image window.
Introduction 4 Make required selections to adjust the image. [Detail Enhancement] [Strength]: Adjusts the overall contrast and contrast of details together. Move the slider to the right for a stronger effect. [Smoothness]:Adjusts the overall smoothness of the image. Move the slider to the right for a smooth and natural impression. [Fineness]: Adjusts the clearness of details. Move the slider to the right for a sharper outline.
Starting Up Map Utility 5 Click the [Save As] button. Map Utility is a software that allows you to view images shot on a GPS function-compatible Canon camera, including the shooting location and route travelled. After installing Map Utility to your computer, you can start it up from DPP. Introduction Contents at a Glance Select the [Tools] menu [Start Map Utility]. Map Utility starts up. For information about Map Utility, refer to the Map Utility instructions, or to the Help for Map Utility.
Printing with Shooting Information Introduction You can freely lay out one image on one sheet of paper and print together with titles and shooting information, etc. To maintain the settings 1 2 Select the [File] menu [Print with detailed setting]. the required settings for printing, and then 3 Specify click the [Print] button. Select one image to be printed. The settings of each tab sheet in step 3 are memorized when the [Apply] button is clicked (excluding the contents of the [Text] tab sheet).
Printing a Thumbnail List (Contact Sheet Printing) You can print rows of multiple images on one sheet of paper. 1 Select images to be printed in a thumbnail list. 2 Select the [File] menu [Contact Sheet Prints]. the required settings for printing, and then 3 Specify click the [Print] button. Introduction To maintain the settings The settings of each tab sheet in step 3 are memorized when the [Apply] button is clicked (excluding the contents of the [Text] tab sheet).
Printing RAW Images on a High-End Canon Printer Printing with a High-End Canon Inkjet Printer Introduction Additional information For high-end Canon inkjet printers that are compatible with the printing software Easy-PhotoPrint Pro, you can print with DPP by a simple operation that has the following features: Simple printing of RAW images Printing in faithful colors High quality printing using a wide color space of Adobe RGB, etc.
Introduction Printing with a Large-Format Canon Printer Advantages of printing with imagePROGRAF Print Plug-In You can use DPP to print with the DPP-compatible Canon large-format imagePROGRAF printer. To print with DPP, first install imagePROGRAF Print Plug-In for Digital Photo Professional on your computer. Select the [File] menu [Plug-in printing] Plug-In 1 for the printer you use. The Plug-In starts up. 2 Specify the required settings for photograph printing, and then print.
Specifying Preferences You can change the various functions of DPP in the [Preferences] window. Check the contents of each window and set. Also, depending on the item, a detailed explanation may be available, so refer to each window. Introduction General Settings You can specify the folder that opens when DPP is started up, image quality of displayed and saved RAW images, etc. Contents at a Glance the [Digital Photo Professional] menu 1 Select [Preferences].
Introduction Viewing and saving RAW images JPEG image quality You can select from two types of image quality for displaying/saving RAW images: high image quality with false color reduction processing and noise reduction function (p.62) used, or high speed without false color processing and noise reduction function used. [Remove block noise and mosquito noise] You can improve the quality of a JPEG image by reducing the noise particular to JPEG images.
Introduction View Settings You can specify settings relating to the display. Sort order in main window You can set the order of images which have been rearranged in the main window to be maintained or not maintained (p.21). If you checkmark the checkbox, the order of the rearranged images is maintained even if you quit DPP or select another folder in the folder area.
Introduction Tool Palette You can specify settings for the tool palette. Modified Picture Style settings You can select whether the [Color tone], [Color saturation], [Contrast], [Unsharp mask] and [Sharpness] settings will be changed or retained, when you change the Picture Style. If you checkmark the checkbox, the [Color tone], [Color saturation], [Contrast] and [Sharpness] settings will be changed to match the camera’s preset settings, when you change the Picture Style.
Introduction Default settings of Work color space Color Management You can specify settings relating to color management, such as settings for work color space, conditions for color matching, etc. You can select from five types of color space (p.144) that is applied as a default setting in RAW images. Color space that has been set is applied as the color space when a RAW image is converted and saved (p.42, p.99) or printed (p.43, p.46, p.49, p.85 to p.88).
Introduction Setting of printing profile (color setting of the printer) Setting of CMYK simulation profile Where a profile (p.143) is attached to the printer you are using to print images, you can print an image and simulate the colors displayed on screen by setting the profile. The profile that has been set is applied to all printing (p.49, p.85, p.86) except for printing using a Canon inkjet printer (p.43, p.46) or linked printing (p.87, p.88).
4 Useful Functions for Processing Large Numbers of RAW Images Introduction For users shooting a large amount of RAW images, the convenient function of batch processing large amounts of RAW images is explained here. Utilizing Adjustment Contents (Recipe) ................... 96 Saving Recipes as a File ............................................ 97 Loading and Pasting Recipes..................................... 97 Copying a Recipe and Applying to Another Image.....
Utilizing Adjustment Contents (Recipe) All the adjustment contents (recipe) made using the tool palette can be saved as an individual recipe file (extension “.vrd”) and loaded and applied to another image. You can edit images efficiently by selecting and adjusting one image from images shot with the same shooting environment and batch applying the adjustment results to a large number of images.
Introduction Saving Recipes as a File Copying a Recipe and Applying to Another Image You can copy a recipe of an edited image and then apply it to another image. an edited image, and then select the [Edit] 1 Select menu [Save recipe in file]. The [Save] dialog box appears. 2 the image from which a recipe is to be copied 1 Select and then select the [Edit] menu [Copy recipe to Select the destination folder, enter a file name, and then click the [Save] button. clipboard]. The recipe is copied.
Batch Apply White Balance to Images (Personal White Balance) The white balance adjustments made to a RAW image shot in a specific shooting environment can be registered as personal white balance. You can then perform efficient white balance adjustment by applying this personal white balance to a large number of RAW images shot in the same shooting environment. Applying Personal White Balance the main window, select the image to which white 1 Inbalance is to be applied.
Batch Save as JPEG or TIFF Images (Batch Processing) You can batch convert and save edited RAW images to highly versatile JPEG or TIFF images. The images are saved as separate images, so the RAW images remain unaffected. the main window, select multiple images to be 1 Inconverted. [Batch process] button on the toolbar 2 Click the . Saving images with recipe is not possible In the [Batch settings] window, you cannot perform [Save] or [Save As] (p.41, p.119) to edited RAW images.
Batch Transfer Images to Image Editing Software You can transfer multiple images to image editing software. Unlike [Transferring a RAW Image to Photoshop] (p.77), you transfer images that have first been converted and saved as a seperate image, so the transferred image will not disappear after quitting the destination software. The software used here as an example is Adobe Photoshop CS. 5 In the [Open] dialog box, select a Photoshop CS file or an alias and click the [Open] button.
Batch Change the File Name of Images window, select multiple images of which 1 Inthethefilemain names are to be changed. 2 Select the [Tools] menu [Start Rename tool]. the required settings and click the 3 Specify [Execute] button. The rename window appears. (p.
5 Editing JPEG and TIFF Images Introduction DPP is software mainly aimed for advanced RAW image editing, but it also has JPEG and TIFF image editing functions. Here, the editing and saving of JPEG and TIFF images are explained. Editing JPEG and TIFF Images............................. 103 About the RGB Tool Palette ..................................... 103 Automatically Adjusting Brightness and Color (Tone Curve Assist) ............................................................
Editing JPEG and TIFF Images With DPP, you can adjust JPEG and TIFF images in the same way as RAW images using the [RGB] and [NR/ALO] tool palettes. Because adjustment made with the tool palette (recipe) only changes the image processing conditions, the “original image data itself” remains unaffected. Therefore, there are no problems with image deterioration that arise with editing and you can readjust your images any number of times.
Introduction Automatically Adjusting Brightness and Color (Tone Curve Assist) Images not suitable for automatic adjustment (tone curve assist) In order to make the image a desirable standard image, automatically adjust the image tone curve (p.143). You can select the degree of automatic adjustment from “Standard” and “High”.
Brightness: Move the slider to the right to make an image brighter and to the left to make an image darker. Contrast: Used to adjust modulation and degree of contrast of color. Move the slider to the right to make contrast of an image stronger and to the left to make contrast weaker. Adjusting Brightness and Contrast The brightness and contrast of an image can be adjusted.
Introduction Adjusting Color Tone Using Click White Balance You can adjust white balance using a selected part of an image as the standard for white to make the image appear natural. Using click white balance is effective when using it in parts of an image where white color tone has changed under the influence of a light source. 1 Click the [ 2 Click on a point that is to be the standard for white. Contents at a Glance 1 2 3 4 5 Basic Operation ] button.
Move the slider to the right to make color tones more yellow, and to the left to make color tones redder. Saturation: Move the slider to the right to make the color deeper, and to the left to make the color weaker. Sharpness: Move the slider to the right to make an image harder, and to the left to make an image softer. Hue: Adjusting Hue, Saturation and Sharpness You can adjust hue (tone) and saturation and make the overall atmosphere of an image harder or softer.
Introduction Tone Curve Adjustment You can adjust the brightness, contrast and color of a specific area by changing the tone curve (p.143). 2 Make adjustments. Batch adjusts RGB Adjusts each channel Contents at a Glance the tone curve mode and interpolation 1 Select method.
Introduction Adjusting Dynamic Range Dynamic range (width of gradation expression) from dark points to bright points in an image can be adjusted.
Reducing Noise Introduction You can reduce noise that arises in JPEG and TIFF images that have been shot at night or with a high ISO speed. 4 1 2 Click the [NR Preview] button. Select the [NR/ALO] tab sheet from the tool palette in the edit window or edit image window. Click the [Apply] button. Noise reduction is applied to the image and the image is redisplayed. 1 2 3 4 5 Basic Operation Advanced Operation The [NR Preview] window appears. 3 Adjust an image.
Trimming and Adjusting the Angle of an Image You can trim only the part of an image you need, or change the composition of an image where an image shot horizontally becomes vertical. You can also adjust the angle of an image before trimming. If you select [Circle] for [Aspect ratio], the area outside the specified range will only be masked in black and the image will not be trimmed. 3 Trimming/angle adjustment window Largest possible trimming range 1 Select the image to be trimmed.
4 Introduction Select a ratio and drag the trimming range. 5 Cancel Select a trimming ratio Click the [OK] button to return to the main window. The trimming range frame is displayed in the trimmed image (p.126). When the trimmed image is displayed in an edit window or the edit image window, it is displayed in its trimmed form. 1 2 3 4 5 Basic Operation Drag the trimming range The trimming range can be moved by dragging.
* For JPEG images shot with EOS 5D Mark III and [Add cropping information] set in Custom Functions, aspect ratio information is only set and the image is not actually trimmed. About trimmed images The trimmed range can be reverted to its original condition at any time A trimmed image is displayed or printed as a trimmed image.
Performing Automatic Dust Erasure Processing The Dust Delete Data that is appended to images shot with the camera that can attach this data, can be used to automatically erase dust spots. 3 Introduction When the image has redrawn itself, click the [Apply Dust Delete Data] button.
Introduction Additional Information Useful functions of the copy stamp window The dust-erased image can be reverted to its original condition at any time A dust-erased image is displayed or printed as a dust-erased image. However, since the dust on the image is not actually erased, you can always revert to the original image by clicking the [Undo] button in the copy stamp window or performing the “Re-Editing an Image” procedure (p.120).
Manually Erasing Dust (Repair Function) You can erase dust spots in an image by selecting them one by one. 4 the main window, select the image you want to 1 Inerase dust spots. 2 Click the [Stamp] button. 5 Introduction Click the button that matches the dust spots to be erased. If the dust spot is dark in color, click the [ ] button, and if the dust spot is light in color, click the [ ] button. When you move the cursor over the image, the dust erasure range appears as [ ].
Introduction Additional information Useful functions of the copy stamp window Click several times when dust spots are not erased completely Where unwanted dust spots are not erased even after performing step 5 once, they may be erased completely when you click several times. Mainly spots of dust can be erased with the repair function Spots of dust can be erased with the repair function. You may be unable to erase lines of dust. In this case, use the copy stamp function (p.118).
Compositing and High Dynamic Range Erasing Unwanted Parts of an Image (Copy Stamp Function) You can correct an image by pasting a section copied from another part of the image to an unwanted part of the image. steps 1 to 3 in “Manually Erasing Dust (Repair 1 Follow Function)” . 2 Specify the section to be copied. (p.116) Click on the section that is to be the copy source while holding down the
Saving Editing Results Introduction Saving Editing Content to an Image Saving as a Separate Image All the contents (recipe) adjusted with the tool palette (p.103 to p.110) as well as the trimmed range (p.111) and dust-erasure (p.114 to p.118) information can be saved to a JPEG or TIFF image, or to a separate JPEG or TIFF image. Select the [File] menu desired item. If a JPEG or TIFF image is adjusted with the tool palette (p.103 to p.
Re-Editing an Image Introduction Only the image processing conditions are changed in images adjusted with the tool palette (p.103 to p.110), so the “original image data itself” remains unaffected. Also, the trimming range or dust-erasure information of a trimmed image (p.111) or dust-erased image (p.114 to p.118) is simply saved to the image. For this reason, you can undo any adjustments saved (p.
Reference Introduction This reference section has been provided to enhance your experience using DPP. It contains various troubleshooting solutions, how to delete DPP from your computer, explanations of the various windows and a glossary. An Index is provided at the end of the chapter for you to easily find information you are looking for. C Troubleshooting..................................................... 122 Deleting the Software (Uninstalling) ......................
Troubleshooting Introduction If DPP is not operating correctly, refer to the items below. An image could not be adjusted Installation could not be completed correctly You cannot install software unless you are logged into an account with Administrator privileges. Log in again into an account with Administrator privileges. For how to log in and how to specify Administrator settings, refer to the User’s Manual for the Macintosh computer you are using or for OS.
Deleting the Software (Uninstalling) The colors of the image displayed on screen and the colors of the printed image do not match If the color of the monitor that displays an image is not adjusted correctly, or if a profile for a printer that is to print images, has not been set up, the color of the image displayed on screen and the color of the printed photograph may differ greatly. If the color of the monitor that displays images is corrected (p.93) and a profile for a printer is set up correctly (p.
List of Main Window (Folder Window) Functions Shows/hides the tool palette (p.128) Image information (p.23) Shows/hides the folder area Selects all images Switches to the edit image window (p.133) (p.10) Cancels selection of all images Displays the quick check window (p.132) Displays the copy stamp window (p.140) Introduction Displays the trimming/ angle adjustment window (p.135) Contents at a Glance Folder path Toolbar*1 [Collection] tab sheet*5 [Folder] tab sheet*5 Batch conversion/ saving (p.
List of Main Window (Collection Window) Functions Image information Shows/hides the tool palette Selects all images Switches to the edit image window Cancels selection of all images (p.
Image Frame Information in the Main Window and Edit Image Window (p.10, p.34) Introduction Information displayed when [Large thumbnail] (p.10) is selected Contents at a Glance Digital Lens Optimizer mark (p.69 to p.72) Check mark (p.18, p.19) Copy stamp mark (p.73 to p.77, p.114 to p.118) Rating mark (p.18, p.19) Brightness adjustment value*1 (p.26) C White balance icon*1 (p.27) Y P O Lens aberration correction mark (p.65) Trimming range*4 (p.38, p.
List of Edit Window Functions (p.11, p.25) Introduction Tool palette*1 (p.128, p.129, p.130) Path and file name of image Contents at a Glance 1 2 3 4 5 Basic Operation Advanced Operation C Y P O Advanced Image Editing and Printing Processing Large Numbers of Images Editing JPEG/TIFF Images Reference Index Information display*2 Display mode*4 CMYK simulation display (p.93) Image color space*3 and work color space (p.77, p.
List of Tool Palette Functions Introduction RAW Tool Palette (p.25) RGB Tool Palette (p.60) Automatic adjustment (tone curve assist) (p.33, p.104) Brightness adjustment (p.26) Click white balance (p.106) White balance adjustment (p.27, p.28, p.56) Tone curve adjustment (p.58, p.108) Picture Style settings (p.26, p.59) Dynamic range adjustment (p.109) Dynamic range adjustment (p.57) Contrast adjustment (p.29) Shadow/highlight adjustment (p.57) Linear setting (p.
Introduction NR/ALO Tool Palette NR/ALO Tool Palette (When a RAW image is selected) (When a JPEG or TIFF image is selected) Contents at a Glance Auto Lighting Optimizer (p.61) Apply noise reduction button (p.62) Displays the [NR Preview] window (p.62, p.131) Luminance noise reduction for RAW images (p.62) Chrominance noise reduction for RAW images (p.62) C Apply noise reduction button (p.110) Displays the [NR Preview] window (p.110, p.
Introduction LENS Tool Palette Contents at a Glance Digital Lens Optimizer adjustment button (p.71) Amount of Digital Lens Optimizer (p.70) Lens data status (p.70) Lens data Update button (p.70) Lens aberration correction adjustment button (p.65) Lens aberration correction (p.
List of NR Preview Window Functions (p.62, p.
List of Quick Check Window Functions (p.16, p.18) view*1 Introduction 50% view/100% view (moiré reduction off)/full File name of image Check marks (p.18) Displays the image in full screen*2 Removes check marks (p.18) Check mark display Rating mark display Rating (Reject) (p.18) C Y P O Rating (p.18) Switches between displayed images Displays the AF points (p.16) Displays the image information window (p.
List of Edit Image Window Functions Shows/hides tool palette Image information (p.23) Shows/hides thumbnail display area Shows/hides grid*4 Switches to main window (p.124) (p.34, p.36) Enlargement ratio of displayed image Displays the copy stamp window (p.73 to p.77, p.114 to p.118, p.140) C Displays the trimming/ angle adjustment window (p.38, p.111, p.135) Image path and file name Batch conversion/ saving (p.99, p.100, p.
List of Convert/Save One Image Window Functions (p.42) File name Types of image Save destination Type of image Extension Exif-JPEG .JPG Exif-TIFF 8bit .TIF TIFF 16bit .TIF Exif-Tiff 8bit+Exif-JPEG .TIF/.JPG TIFF 16bit+Exif-JPEG .TIF/.JPG JPEG compression rate*3 Resolution*1 Size changing*4 C Y P O Embeds of ICC profiles*2 (p.
List of Trimming/Angle Adjustment Window Functions (p.38, p.
List of Lens Aberration Correction Window Functions When the list box for selecting an extender is displayed in the [Lens aberration correction] window, select the extender attached at the time of shooting from the list box. (p.65) To correct distortion aberration of images shot with a fisheye lens, four effects can be selected from the [Effect] list box in addition to [Shot settings] normally used for distortion correction.
List of Digital Lens Optimizer Adjustment Window Functions (p.69) Introduction Contents at a Glance Enlargement display position (Navigator display) Shooting distance slider (p.72) Y P O Digital Lens Optimizer adjustment (p.
List of Compositing Tool Window Functions (p.78) Introduction Contents at a Glance 100% display (p.79) Select foreground image (p.79) Thumbnail display for foreground image (p.79) C Y P O Select composite method (p.79) Use RAW compositing (p.80) Weighting slider (p.79) Alignment controls (p.80) 1 2 3 4 5 Basic Operation Advanced Operation Advanced Image Editing and Printing Processing Large Numbers of Images Editing JPEG/TIFF Images Reference Continue compositing (p.
List of HDR Window (Adjust Image) Functions (p.81) Introduction Contents at a Glance Select an effect (p.83) 1 2 3 4 5 Basic Operation Advanced Operation C Y P O Adjust tone/color (p.83) Advanced Image Editing and Printing Processing Large Numbers of Images Adjust detail emphasis (p.
List of Copy Stamp Window Functions (p.73 to p.77, p.114 to p.118) Full screen display/returns to normal screen Applies Dust Delete Data (p.73, p.114) Types of dust to be erased (p.75, p.116) Specifies the copy source (p.77, p.118) Fixes the copy source position (p.77, p.118) Types of stamps (p.77, p.118) Sets the size of the dust erasure range (p.75, p.116) or copy range (p.77, p.
List of Convert/Save Multiple Images Window (Batch Processing) Functions (p.99) Save destination JPEG compression rate*3 File names of images to be batch saved Resolution*1 Embeds ICC profiles*2 (p.143) Size changing*4 Types of image Type of image Extension Exif-JPEG .JPG Exif-TIFF 8bit .TIF TIFF 16bit .TIF Exif-Tiff 8bit+Exif-JPEG .TIF/.JPG TIFF 16bit+Exif-JPEG .TIF/.JPG C *1 The setting range is 1 to 60,000 dpi. *2 Color space (p.77, p.
List of Rename Window Functions (p.
Glossary Introduction RAW image bit number EOS DIGITAL camera RAW images are recorded in an uncompressed 14bit or 12bit format. Because RAW images are special images in an undeveloped status, you need software with development processing functions such as DPP in order to view them. The advantage of the undeveloped RAW images is that you can make a variety of adjustments to RAW images with almost no deterioration of the image. * “RAW” meaning “in a natural condition” or “not processed or refined”.
Introduction Color space CMYK simulation profiles A color space is the reproducible color range (color gamut characteristics). DPP supports the following five kinds of color space. sRGB : Standard color space for Windows. Widely used for the standard color space of monitors, digital cameras, and scanners. Adobe RGB : A wider color space than sRGB. Mainly used for printing for business purposes. Apple RGB : Standard color space for Macintosh. A slightly wider color space than sRGB.
Index A Adjust JPEG Images......................................................................... 103 Adjust RAW Images............................................................................ 25 Adjust TIFF Images........................................................................... 103 Adjusting (JPEG or TIFF Image) Automatic Adjustment (Tone Curve Assist)................................ 104 Brightness ..................................................................................
Collection Window .................................................................. 6, 36, 125 Color Blur Correction .......................................................................... 65 Color Chart........................................................................................ 144 Color Management (Color Matching)................................................ 143 Color Setting of the Monitor (Profiles) .......................................... 93 Color Setting of the Printer (Profiles).
Enlarged Display (Edit Window) ................................................. 11, 127 Enlarged Display (Quick Check Window) ......................................... 132 EOS Utility............................................................................................. 7 F False Color Reduction .................................................................. 89, 90 Filter Effect.......................................................................................... 30 Folder Window ...........
Printing Printing a Thumbnail List (Contact Sheet Printing) ...................... 86 Printing One Sheet of Paper .................................................. 14, 49 Printing Using Easy-PhotoPrint .................................................... 46 Printing Using Easy-PhotoPrint EX .............................................. 43 Printing with a High-End Canon Printer........................................ 87 Printing with a Large-Format Canon Printer .................................
Thumbnail Display and Enlarged Display (Edit Image Window)......... 34 Thumbnail Display of Images (Main Window)..................................... 10 Change the Display ...................................................................... 10 TIFF Image ....................................................................................... 143 Tone Curve ....................................................................................... 143 Tone Curve Adjustment ......................................
