dB 0. 45 + kH 0. 7 50 H M 7. 5 3. 2 1k 5 F LM F dB + kH 0. 7 + 0. 45 dB 75 0 M ID S 17 5 H z 75 z 2 0 IN 5 10 0H 0H z z 10 1 8 kH kH z z 50 H 75 z 2 0 IN + z 1k 5 17 5 H M F 7. 5 3. 2 LM 75 0 F dB + kH 0. 7 + 0. 45 dB 10 1 8 kH kH z z LI SE RS F/ LF U A ID S H M 5 10 0H 0H z z dB IN EQ 75 z 2 0 IN + 17 5 F S dB + kH 0. 7 + 0. 45 dB 10 18 kH kH z z ID H M 7. 5 3.
Operation Manual Contents Contents HOW TO USE THIS MANUAL ..................................................................................... 4 UNPACKING ............................................................................................................... 5 IMPORTANT SAFETY INSTRUCTIONS ........................................................................ 5 THE STAND ...............................................................................................................
Operation Manual Contents CONSOLE FUNCTIONS ............................................................................................. 21 INPUT POD .............................................................................................................. 22 ROUTING AND AUXILIARIES .................................................................................... 23 EQUALISER ..............................................................................................................
Operation Manual Introduction Thank you for selecting an ASP8000 Series console for your application. We have designed this equipment to provide you with the best possible tool to deal with today’s demanding requirements. We have taken a great deal of pride and care in the manufacture of this equipment so that it will provide consistent and reliable performance. Please take a little time to study the contents of this manual so that you can be sure of getting the best performance from this equipment.
Operation Manual UNPACKING Your ASP8000 Series Console has been carefully and meticulously tested and inspected before despatch. Please check for any signs of transit damage. If any signs of mishandling are found please notify the carrier and your dealer immediately. Your ASP8000 Series Console packing should contain an ASP8700 PSU, power cord, PSU cable and a bag of stand hardware along with this manual.
Operation Manual Installation MECHANICAL INSTALLATION Care should be taken not to obstruct the power supply unit’s ventilation holes and adequate air flow must be provided within rack cases to prevent the unit from overheating. NEVER PLACE THE POWER SUPPLY ON THE FLOOR AS THIS OBSTRUCTS THE AIR FLOW. The front panel of the ASP8024 Console features a rugged under-surface printed polycarbonate overlay.
Operation Manual Installation CONNECTIONS Microphone Input Insert Return Type: Electronically balanced Type: Electronically balanced Connector: Female XLR Connector: 1 Input Impedance >1k5 Input Impedance >10k Maximum Input +20dBu Maximum Input Level +20dBu Line Input /4” TRS Jack Socket Insert Send Type: Electronically balanced Connector: 1 Input Impedance >10k Maximum Input +20dBu /4” TRS Jack Socket Type: Ground sensing Connector: 1 Output Impedance <75R Maximum Outpu
Operation Manual Using the ASP8024 RECORDING WITH THE ASP8024 IN-LINE ARCHITECTURE. ASP8024 has an In-line architecture. This means that the ‘channel path’ and the ‘monitor path’ are both included in the same physical strip. Because the two signal paths are integrated in this way, in-line consoles have sometimes been seen as confusing. However great care has been taken in the cosmetic and ergonomic design of the ASP8024 to make the two paths easily distinguishable from one another.
Operation Manual Using the ASP8024 © 8.
Operation Manual Using the ASP8024 Here a decision has to be made about which track the instrument will be recorded on and this of course should coincide with the track that you are recordreadying. With the tape recorder now in record (usually a red light indicates that a track is recording) the guitar will now be recorded. Subsequent instruments can be added in a similar fashion. The recorded guitar can now be played back through the console and added to AUXILIARY A and hence to the foldback output.
Operation Manual Using the ASP8024 INSERT POINTS Both the SF signal path and the LF signal path have insert points. An insert point allows the internal signal path of the console to be broken into and some form of additional signal processing to be inserted. The Mic/Line signal path insert point is located immediately after the Phase Reverse circuit and just before the Flip switch. The Tape signal path insert point is located immediately after the tape input and again just before the Flip switch.
Operation Manual Using the ASP8024 THE USE OF FOLDBACK Foldback is the means whereby a performer can hear previously recorded material and probably other current performers in order that he/she can play along in time both with them and the pre recorded material. Loudspeakers and headphones can be used for foldback although in most situations headphones are the usual choice.
Operation Manual Using the ASP8024 GROUPS AND SUB GROUPS It is the group outputs of the console that are connected to the multi-track recorder inputs. Consequently to record anything it has to be routed to a group output. through the console also means that the equalizers can be used to modify the signals. The mixed signal can of course be monitored through the stereo bus.
Operation Manual Using the ASP8024 OVERDUBBING Overdubbing is really a combination of the tracking and mixing modes. In fact most tracking that is done will be done as overdubs and the only pure tracking may in fact be the laying down of the guide track when there is nothing else on the tape. Both the LF path and the SF path of the console are used in overdub mode.
Operation Manual Using the ASP8024 PATH SWAPPING The simplified block diagram on this page shows the short and long fader paths. The FLIP switch is at the input of both paths and determines whether the MIC/LINE or the TAPE input is used for a particular path. Thus it is possible to have the entire equaliser in either the LF or SF path or one section of the equaliser in each path. This situation could be useful when both the LF and SF paths are used for mixdown.
Operation Manual Using the ASP8024 TRACK BOUNCING Track bouncing is used to mix a limited number of tracks together and rerecord them. This may be to free up some tracks on the tape recorder so that additional material may be recorded or it may be so that the final mix is simplified by having certain groups of instruments already premixed. This could also be done, during mixdown, by using the sub group facility. Signal coming off tape is normally sent through the LF path.
Operation Manual Using the ASP8024 METERING Metering is extremely important as it can determine whether or not a signal is too low in level, in which case it may be noisy, or too high in level in which case it may suffer distortion. The aim of the meters is to assist in setting the signal level between the two extremes of noise and distortion. A signal level that is too high clips meaning that the smooth waveform abruptly changes when the electronics runs out of headroom.
Operation Manual Using the ASP8024 MORE ON CONNECTORS JACK SOCKETS Jack sockets are a very common form of connector and are used extensively in the 8024 console. There is more to them, however, than merely connecting with the Tip, Ring and Sleeve of the mating jack plug. The switching contacts allow the jacks sockets to be used to pass a signal through while no mating plug is inserted but break this signal and accept the signal from the plug when it is inserted.
Operation Manual Using the ASP8024 GLOSSARY AFL This allows after fade (post fade) signals to be heard on the monitors and viewed on the main stereo meters. AUXILIARIES Sometimes known as auxiliary sends these are used as secondary mix buses. The mixes created on these buses are then used to feed effect units or are fed back to the performers as a Foldback feed.
Operation Manual Using the ASP8024 INSERT POINTS Insert points allow the signal path to be broken allowing the insertion of some signal processing device. The device inserted is then in series with the signal path. When not required the device can either be switched out using the INSERT switch or unplugged from the console. LF The Long fader is normally used to feed the mix. The lighter areas of the channel strips are areas used for the LF signal path.
Operation Manual Functions CONSOLE FUNCTIONS Now that an understanding of the use of the console has been gained by example it is time to list the functions on the modules. The modules have been sectioned in order to show them at a reasonable size and the controls identified by number. A brief functional description of the controls is given below the drawing while the side bar gives a broader overview of the functions.
Operation Manual Input Strip INPUT POD The input pod is the gateway to the remainder of the signal processing of the console. There are three inputs, a mutually exclusive microphone and line input, and a tape input. 1 2 3 4 6 5 7 8 9 10 11 1 20 Segment meter 2 3 Segment meter 3 INSERT IN places an insert point in the TAPE path 4 Tape Input TRIM control 5 MIC/LINE switch press down to select the line input.
Operation Manual Input Strip ROUTING and AUXILIARIES 1 3 2 4 6 5 7 Auxiliaries 3-4, 5-6 are omitted for clarity, but are the same as auxiliaries 1 and 2. 8 9 1 ROUTING SWITCHES select the group outputs that the SF signal is sent to. The first eight switches also route to the 8 subgroups 2 SHIFT gives access to group outputs 13 - 24. 3 PAN allows the signal to be panned across odd and even groups.
Operation Manual Input Strip EQUALISER 1 2 3 4 5 6 7 8 9 11 10 12 14 13 1 HF/LF Section. This places the HF/LF equaliser in circuit. 2 SF places the HF/LF equaliser in the SF signal path where it can be used to treat a signal before it is recorded. 3 10kHz/18kHz allows the frequency of the HF equaliser to be selected. 4 HF boost/cut control. 5 50Hz/100Hz allows the frequency of the LF equaliser to be selected. 6 LF boost/cut control. 7 MIDS Section.
Operation Manual Input Strip 1 2 3 4 5 6 7 1 2 3 © MIC/TAPE. These back lit indicators show whether the MIC/LINE or the TAPE input is selected to the SF path. Only one will be illuminated and it can be changed by using the FLIP switch. SOURCE selects the post fade LF signal as the input to the SF signal path, over-riding the MIC or TAPE selection from the Flip switch. By altering a link on the circuit board this signal can be made pre fade.
Operation Manual Input Strip 1 2 4 3 5 6 FLIP and PAN The FLIP switch allows the MIC/LINE input and the TAPE input to be reversed. Normally the TAPE input feeds the LF signal path with FLIP pressed it will feed the SF signal path. The MIC/LINE input normally feeds the SF signal path and with FLIP pressed it will feed the LF signal path. Illuminated indicators in each section show which input is selected to the LF and SF paths.
Operation Manual Input Strip LONG FADER (LF) 2 1 3 Located close to the operator this fader operates on the LF signal path and is therefore mainly used for creating the monitor mix and the final stereo mix for the title. The fader is expected to operate around the 0dB mark with 10dB of gain in hand allowing the signal to be increased or decreased in level.
Operation Manual Input Strip 8 The rear mounted connector panel is where the input, output and insert point connectors are located. 1 1 2 3 4 © CONNECTOR PANEL The microphone input uses an XLR connector while the line input, tape input and the insert sends and returns use Tip, Ring and Sleeve jacks. 5 2 6 3 7 4 MICROPHONE INPUT. Microphones or other low levels inputs can be connected to this input. LINE INPUT. This input can selected in place of the microphone input.
Operation Manual Master Section STUDIO SPEAKERS and FOLDBACK This section of the master module looks after the STUDIO LOUDSPEAKER and FOLDBACK outputs of the console. In every case the same sources are available - 1 TAPE 1 TAPE 2 CONTROL ROOM (C/RM) AUXILIARY A (AUX A) AUXILIARY B (AUX B) Tapes 1 and 2 are external inputs to the console and could be anything you care to plug in. Typically a stereo recorder output is connected here. 2 3 1 4 SOURCE SELECT.
Operation Manual Master Section CONTROL ROOM MONITORING The Control Room Monitoring system is one of the most used systems in a studio. Typically there are several sets of loudspeakers with a main pair and one or more alternate pairs. These are sometimes referred to as Near, Far and Mid field monitors depending on their proximity to the listening position. 1 2 The ASP8024 provides for 4 pairs of loudspeakers, a MAIN pair and ALTERNATE 1, 2 and 3.
Operation Manual Master Section OSCILLATOR 1 2 3 4 The 4 frequency oscillator can be assigned either to the group buses or to the stereo mix bus. The level is adjustable and when not in use the oscillator should be completely turned off. SOLO This is the master control area for the AFL/PFL and SOLO IN PLACE system. If SIP is not illuminated then the console will be in either AFL or PFL mode depending upon the PFL/ AFL switch.
Operation Manual Master Section COMPRESSOR 1 2 5 3 6 7 A 12 segment bargraph METER indicating the amount of gain reduction taking place. 2 THRESHOLD control for determining the level where compression starts. Threshold can be set between -20dBu and +20dBu. 3 ATTACK controls the speed with which the compressor reacts to the signal. Attack is adjustable in 6 steps from 0.1 to 30ms.
Operation Manual Master Section 1 ROUTING SWITCHES allowing the input signal to be sent to the multi-track recorder. 2 SHIFT button working with the routing switches to give access to tracks 13 - 24. 3 F/B A allows the input signal to be fed to Foldback A. 4 F/B B allows the input signal to be fed to Foldback B. 5 TRIM control to compensate for different input levels. This has a range of ±20dB. 6 Rotary FADER allowing the input signal to be faded up or down as required.
Operation Manual Master Section SUB GROUP OUTPUTS 1 2 3 4 1 The PAN knob pans the subgroup signal across the stereo bus. 2 MIX allows the sub group to be assigned to the stereo mix bus and hence the main console output. 3 SOLO allows the subgroup signal to be auditioned depending upon the selected pan mode. 4 CUT mutes subgroup output. the In addition to routing signal to the group outputs for recording on a multi-track recorder, the first eight groups are also fed to 8 sub group outputs.
Operation Manual Master Section TALKBACK Talkback is used to communicate with the STUDIO, the FOLDBACK system or the GROUP outputs of the console. Note that the talkback to the foldback system will work even when the foldback levels are turned down. 1 The talkback microphone may be phantom powered by connecting Link 1 on the PC10801 board. 2 1 The LEVEL control adjusts the talkback level. 2 Pressing SLATE allows talkback to the group outputs.
Operation Manual Master Section 1 3 The auxiliary masters control the overall level of the auxiliary outputs. A balance or mix can thus be created by using the controls on the channel strips and the overall level adjusted by using the auxiliary master control. The auxiliary outputs can be solo’d so that a balance can be created by listening to the output. A typical mixing situation may require that the LF and SF paths feed the same effect device.
Operation Manual Master Section BUS MASTER TRIM The BUS MASER TRIMS are the final stage of level control over the signals routed to the group outputs. Each group has a bus trim although for the purposes of this manual only a few are shown in the accompanying diagram. The trim range is ±10dB. 1 1 © BUS MASTER TRIM controls the overall level of a group output. 8.
Operation Manual Master Section MASTER FADER 1 2 The master fader is used to control the stereo output of the console. Unlike the channel faders it is calibrated with the 0dB mark at the top as the main purpose of this fader is to create a fade out at the end of a title. Under normal operating conditions the fader should always be set at maximum. If it has to be pulled back a significant distance it indicates that the levels to the mix bus are too high and should be reduced.
Operation Manual Master Section CONTROL ROOM CONNECTORS These are the connectors for the control room loudspeakers. There is a main output and 3 alternative outputs which can be selected from the control surface of the console. Each output is stereo, having a left and right connector. The console does not contain any power amplification and these outputs should be connected into a suitable power amplifier for the loudspeakers in use.
Operation Manual Master Section STUDIO AND FOLDBACK CONNECTORS These are the XLR connectors for the Studio Loudspeaker and the two foldback outputs. Each output is stereo, having a left and right connector. The console does not contain any power amplification and these outputs should be connected into a suitable power amplifier for the loudspeakers or headphones in use. The speakers may of course be self powered in which case connection should be made to the inputs on the loudspeakers.
Operation Manual Master Section AUXILIARIES CONNECTORS 1 1 AUXILIARY A and AUXILIARY B outputs. These auxiliaries are normally used as feeds to the foldback system by selecting them on the control surface of the console. They can also be used as additional effects sends. 2 AUXILIARY 1 and 2 outputs. The remaining auxiliary outputs are identical. © 8.21 2 Not all of the ouputs are shown for clarity. It carries XLR connectors for Auxiliary A, Auxiliary B and Auxiliaries 1 through to 12.
Operation Manual Master Section SUB GROUP INSERT CONNECTORS 1 2 1 INSERT SEND Jack for sub group 1 2 INSERT RETURN Jack for sub group 1 The 7 remaining subgroups have identical connectors. © 8.21 This panel carries the connectors for the sub group insert points. There are 8 sub groups and each insert point has a send output and a return input. Signal is always present on the send output.
Operation Manual Master Section STEREO INPUT CONNECTORS This panel carries the input TRS jacks for the stereo inputs located on the master section of the console. There are 4 returns each with a left and a right input. If a mono source is used then it should be plugged into the left input. This is normalled over to the right input causing the signal to travel through the left and right signal paths of the return. If a plug is inserted into the right input the normalled connection is broken.
Operation Manual Master Section PLAY INPUTS This panel carries the Play Inputs which are external inputs to the monitoring system. 1 2 1 Left Input for Play 1. 2 Right Input for Play 1. © 8.21 All three inputs are available as sources to the control room monitoring system while the first two can be used as sources for the studio monitoring system and the foldback system.
Operation Manual Master Section MAIN OUTPUTS 1 3 There are 3 sets of stereo output connectors enabling the connection of 3 stereo recording machines. The outputs can be used for many purposes of course and it is not essential that they feed a recorder. Associated with the outputs are the mix insert points. They allow a final mix processor to be inserted into the MIX path, and are located before the MIX compressor/limiter. 2 1 MIX INSERT SEND jacks.
Operation Manual Master Section MULTI-TRACK CONNECTORS 5 4 1 1 M U L T I - T R A C K CONNECTOR for tracks 1 through 8. 2 M U L T I - T R A C K CONNECTOR for tracks 9 through 16. 3 M U L T I - T R A C K CONNECTOR for tracks 17 through 24. 4 SUB-GROUP OUTPUT CONNECTOR. 5 POWER INPUT CONNECTOR. S IG N A L N U M B E R 3 This panel contains the connectors for the multitrack tape recorder.
Operation Manual Metering 4 6 3 THE MASTER METERS Metering has been addressed on the input modules although there are also meters associated with the master functions on the console. 5 2 1 Power Supply Status Indicators for the +18V, -18V and 48V power rails. 2 Left and Right Peak Reading Main Output Meters. 3 Over Indicators, when illuminated the signal is in danger of being clipped and the level should be reduced. A level of +20dBu will bring the OVER indicator on.
Operation Manual Metering THE SUB GROUPS 2 There 8 sub group outputs on the console (only 2 have been shown for clarity). The sub groups are accessed in parallel with the main group outputs and only the first 8 groups therefore have a corresponding sub group. 3 The sub groups are able to feed the stereo mix and also have their own outputs located on the rear panel of the console. 1 The sub group outputs can be directly used to feed an 8 track recorder. 1 Sub Group Meter.
Operation Manual Patchbay 1. TAPE RETURN PATH 2. CHANNEL PATH THE PATCHBAY CHANNEL PATH DEV OUT 1 Provision is made for interfacing to two 24track machines. Tape machine A playback is normalled from the relevant D-sub interface to the Tape inputs of channels 1-24. Tape machine B playback is normalled to channels 25 onwards up to 48 if this many channels are fitted. LINE IN SEND RET A rear panel jack socket is provided for interfacing external devices such as synthesizers.
Operation Manual Patchbay 7. STUDIO/FOLDBACK L OUT AMP R OUT STUDIO AMP L OUT AMP R OUT FOLDBACK A AMP L OUT AMP R OUT FOLDBACK B AMP The outputs to the foldback and studio speaker amplifiers are terminated on XLRs on the rear of the console and are normalled from the relevant console sends via the patchbay. 8. CONTROL ROOM Feeds to the control monitor speaker amplifiers are normalled via the patchbay to XLRs on the rear of the console. 9.
Operation Manual Patchbay 11. LEVEL CONVERTORS +4 -10 +4 -10 LEVEL CONVERTORS Two pairs of passive level convertors are provided. A low impedance output signal plugged into the +4dBu jack will be attenuated to -10dBV suitable for driving the inputs of semiprofessional equipment. 12. PARALLELS PARALLEL Two sets of 4 way parallels are provided. These are useful for paralleling a number of inputs. Do not use the parallels to join outputs as this will short the outputs together. © 8.
Operation Manual Patchbay 1. C H A N N CONNECTIONS E L Microphone input (XLR) and Line input (jack) connectors are located on the rear connectors panel behind each of the input strips as on the standard console (see page 28). The Tape input and insert send/return jacks are omitted. 3. M U L T I T R A C K RECORD/ SUB GROUP CONNECTIONS 2.
Operation Manual Power Supply ON RESET FUSE T 500mA -18V +18V 48V THE POWER SUPPLY The ASP8120 power supply is a 3U Rack Mounting, unit. There are no controls other than the ON/OFF switch, a reset switch for the +/- 18v rails and the voltage selector located on the rear panel. 3 LEDs are used to indicate the existence of the +18V, -18V and +48V power rails. There are also PSU status indicators located on the master meter section of the console.
Operation Manual Specifications SPECIFICATIONS FREQUENCY RESPONSE Mic input to Mix output <+0,-0.3dB 20Hz-20kHz @6-40dB gain. Line input to Mix output <+0,-0.3dB 20Hz-20kHz @0dB gain. THD AND NOISE AT +20dB OUTPUT Mic XLR input to any output <0.005% at 1kHz Line input to any output <0.005% at 1kHz Tape input to any output < 0.003% at 1kHz NOISE Mic EIN (20-20kHz, 150R source) <-127.
Operation Manual Specifications BLOCK DIAGRAMS 1.INPUT STRIP 2.PATCHBAY VERSION INPUT STRIP 3.MASTERS PART 1 4.PATCHBAY VERSION MASTERS PART 1 Stereo and Solo Buses 2 track returns Solo system Control room monitoring 5.MASTERS PART 2 6.PATCHBAY VERSION MASTER PART 2 Stereo inputs Aux Buses Multitrack Buses Foldback and Studio speakers Oscillator Talkback © 8.
TAPE RETURN LINE PUSH MIC MIC/LINE + 48v 0VU SIG 0 -28 -32 -36 -36 SF POST SF PRE LF POST LF PRE SF POST SF PRE LF POST SIG HI PASS PHASE REV LF PRE +15 -24 -32 dB -20 -28 -15 -16 -24 -12 0VU -12 -20 -8 -8 -16 0 -4 0 -4 LINE INPUTS AND METERING INSERT IN MTR INSERT IN 10 10 10 0 10 AUX B 0 AUX A 0 AUX 2 0 AUX 1 AUXILIARIES MIC TAPE FLIP HF/LF POST PRE IN 1-14 A B AUXILIARY BUSES SOURCE LINK AUX 1&2 SHOWN.
LINE PUSH MIC PLAY DEV OUT LINE IN + 48v PLAY 0VU SIG TA PE IN S F P OS T S F P RE L F P OS T LF PRE S F P OS T S F P RE L F P OS T LF PRE -32 -28 -28 -36 -24 -32 -20 -36 -16 -12 0VU -24 -12 -20 -8 -16 0 -4 0 -8 SIG HI PASS PHASE REV -4 LINE INPUTS AND METERING SEND RET INSERT IN MTR SEND RET INSERT IN 10 10 AUX 2 10 0 10 AUX B 0 AUX A 0 0 AUX 1 AUXILIARIES MIC TAPE FLIP HF/LF POST PRE IN 1-14 A B AUXILIARY BUSES SOURCE LINK AUX 1&2 SH
MIX LEVEL SOLO 2 -TRACKS FROM T/B CONTROL ROOM SPEAKERS
SEND RET SEND RET MIX LEVEL SOLO L MIX REC L MIX REC L MIX REC R MIX REC R MIX REC R MIX REC PLAY L MON PLAY L MON PLAY L MON 2 -TRACKS PLAY R MON PLAY R MON PLAY R MON FROM T/B R OUT AMP L OUT AMP R OUT AMP L OUT AMP R OUT AMP L OUT AMP R OUT AMP L OUT AMP RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT CONTROL ROOM SPEAKERS
AUX BUS B AUX BUS A AUX BUSES ? ? ? ? ? AUX 5 AUX 3 AUX 1 10 10 10 10 10 OSCILLATOR 0 0 0 LINK TO AUX 2 0 LINK TO AUX1 0 AUX BUSES TO MULTITRACK BUSES TO MIX BUSES TO SOLO BUSES TO SOLO BUSES TO SOLO BUSES TO SOLO BUSES TO SOLO BUSES BUSES ? ? 17-24 ? 9-16 1-8 MULTITRACK MULTITRACK BUSES STEREO INPUTS 0VU BUSES 17-24 BUSES 9-16 BUSES 1-8 SUB GROUPS 1-8 -36 -3 2 -28 -24 -2 0 -16 -1 2 -8 -4 0 13-24 MIX TO SOLO BUSES TO MIX BUSES PUSH T/B TO MULTIT
AUX BUS B AUX BUS A AUX BUSES ? ? ? ? ? AUX 5 AUX 3 AUX 1 OSCILLATOR LINK TO AUX 2 LINK TO AUX1 AUX BUSES OUT OUT OUT OUT OUT TO MULTITRACK BUSES TO MIX BUSES TO SOLO BUSES FX IN TO SOLO BUSES FX IN TO SOLO BUSES FX IN TO SOLO BUSES FX IN TO SOLO BUSES FX IN R IN L IN BUSES 17-24 9-16 1-8 MULTITRACK DEV DEV ? ? ? SEND RET MULTITRACK A REC 9-16 MULTITRACK A REC 1-8 DEV IN 0VU MULTITRACK A REC 17-24 GRP REC A OUT GRP REC A OUT GRP REC A OUT GRP OUT MULTITR
Operation Manual Warranty WARRANTY Your ASP8024 Console comes with a manufacturers warranty for one year from the date of despatch to the end user. The warranty covers faults due to defective materials used in manufacture and faulty workmanship only. During this warranty period Audient will repair or at its discretion replace the faulty unit provided it is returned carriage paid to an authorised Audient service centre.