GHIBLI 16/ GHIBLI 16FX User's Manual 16-CHANNEL MIXING CONSOLE/ WITH DIGITAL EFFECTS R LTO www.altoproaudio.com Version 1.
the recommended fuse type as indicated in this manual. Do not short-circuit the fuse holder. Before replacing the fuse, make sure that the product is OFF and disconnected from the AC outlet. SAFETY RELATED SYMBOLS CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN Protective Ground Before turning the product ON, make sure that it is connected to Ground. This is to prevent the risk of electric shock.
TABLE OF CONTENTS 1. INTRODUCTION...........................................................................................................................................3 2. FEATURES...................................................................................................................................................3 3. READY TO START.......................................................................................................................................3 4. CONTROL ELEMENTS.....
1. INTRODUCTION Thank you very much for expressing your confidence in LTO products by purchasing GHIBLI 16(FX) 16-Channel Mixing Console. You will get the smooth, accurate more natural and open sound from this apparatus, and it is really ideal for small gigs, recording and fixed PA installations.
4.
GHIBLI 16FX MIC 1 MIC 3 MIC 2 MIC 4 R LTO GHIBLI 16 FX 16-CHANNEL MIXING CONSOLE 2 1 2 1 2 1 2 1 3 3 3 3 MIC IN (BAL) MIC IN (BAL) MIC IN (BAL) MIC IN (BAL) CH6 RIGHT IN CH8 RIGHT IN LINE IN (UNBAL) LINE IN (UNBAL) LINE IN (UNBAL) CH9-10 IN (LEFT) CH13-14 IN (LEFT) AUX2 OUT INSERT INSERT INSERT INSERT CH12-11 IN (RIGHT) CH16-15 IN (RIGHT) PHONES LOW CUT HARD 100Hz LOW CUT HARD 100Hz OFF LOW CUT HARD 100Hz OFF SOFT SOFT SOFT BYPASS COMP DE-ES BYPASS COMP DE-ES
4.1 THE MIC/LINE INPUT 1 These are Channel 1 through Channel 4. You can connect balanced, low impedance microphones or a low level signal to the XLR socket. On the 1/4" Line jack you can connect either a microphone or a line level instrument . Note: You shall never connect an unbalanced microphone to the XLR socket if you do not want to damage both the microphone and the mixer.
6 4.6 CLIP LED/0dB LED The green LED illuminates when the signal overpasses the 0dB level, the red CLIP LED illuminates when the channel is going into overload. If the CLIP LED becomes permanently on, reduce the amount of gain. To have best signal-to-noise ratio set the gain so that the green 0dB LED becomes lighted. 7 4.7 INPUT LEVEL SETTING LOW CUT This control is provided with 2 different indication rings: one is for the MIC input and the other for the LINE input.
4.13 AUX1 pre 16 - 4.14 PAN 8 0dB 17 0dB AUX1 pre - +10 center 8 The AUX1 control allows to manage the signals coming from the stereo inputs and send them to AUX1 output in order to feed the monitors. The level of this signal is not affected by the channel LEVEL control. PAN AUX1 pre +10 center 16 PAN 17 This control allows to choose the position of a mono input signal into the stereo field.
25 4.19 OPERATING LED The operating LED, when is on, shows that the main power supply is present and the mixer is operating. 25 OPERATING BASS ENHANCER 26 28 0dB BYPASS This control sets the amount of signal sent to the PHONES output. - ON 26 +10 8 4.20 PHONES PHONES 27 4.21 VU METER LEFT -20 It is the output VU meter of the mixer, it shows both the left and right output signal level. -10 0 27 10 RIGHT 28 4.22 BASS ENHANCER This is the BASS ENHANCER processor switch.
5. INSTALLATION AND CONNECTION Ok, you have got to this point and you are now in the position to successfully operate your GHIBLI 16(FX). However, we advise you to read carefully the following section to be the real master of your own mixer. Not paying enough attention to the input signal level, to the routing of the signal and the assignment of the signal will result in unwanted distortion, a corrupted signal or no sound at all. So you should follow these procedures for every single channel: 1).
5.1 SOME FINAL TIPS ON WIRING CONFIGURATION You can connect unbalanced equipment to balanced inputs and outputs. Simply follow these schemes.
Ring=Return Signal (Connected together) To Channel Insert Sleeve=Ground/Screen Tip=Signal To Tape or FX Input Sleeve=Ground/Screen 'Tapped' Connection Direct Output Lead (Enables the Insert to be used as a Direct Output while maintaining the channel signal flow) To Processor Input Sleeve=Ground/Screen Tip=Send Signal Tip To Channel Insert Sleeve Ring=Return Signal Ring To Processor Output -Stereo lead for insert Connection (To be used when the processor does not employ a single jack connection
6. PRESET LIST FOR GHIBLI 16FX Position Name Eff.1 Variat (REVERB) Eff.2 Variat (FX) 1 Vibraflange Spring Rev. Waves 2 Funky Spring Rev. Funky style 3 Rockabilly Tape Rev. Slow & Soft Flanger 4 Bigstage Hall Rev. Solo Flanging 5 Vibrato4 Base Rev. Vibrato modul. Speed 4 6 Vibrato3 Base Rev. Vibrato modul. Speed 3 7 Vibrato2 Base Rev. Vibrato modul. Speed 2 8 Vibrato1 Base Rev. Vibrato modul. Speed 1 9 Flanger4 Base Rev. Flanger modul. Speed 3 + mod.
14 A B C D 2 3 1 1 CH11/CH15 (RIGHT) CH12/CH16 ( LEFT) CH10/CH14 (RIGHT) CH9/CH13 (LEFT) CH6/CH8(RIGHT) CH5/CH7(MONO) X2 X1 MIC GAIN: 0~50dB LINEGAIN: +30dB~-20dB LINE IN MIC IN PHANTOM POWER +18V 1a 2b 4d 3c 5e 1a 2b 4d 3c 5e 1a 2b 4d 3c 5e 1a 2b 4d 3c 5e MONO INPUT CHANNELS(1-4) 1 2 2 LOW CUT 100HZ LOW CUTSW LOW CUT SW LOW CUT 100HZ GAIN 4 5 LEVEL AUX1PRE 3 INSERT T R RN TN R BUS L BUS AUX1PRE PAN 5e S 3c 4d 2b 1a SOFTDE-ES COMP BYPASS R BUS L BUS MID
15 A B C D 2 3 1 1 CH11/CH15 (RIGHT) CH12/CH16 ( LEFT) CH10/CH14 (RIGHT) CH9/CH13 ( LEFT) CH6/CH8( RIGHT) CH5/CH7(MONO) X2 X1 MIC GAIN:0~50dB LINE GAIN:+30dB~-20dB LINE IN MIC IN PHANTOM POWER +18V 1a 2b 4d 3c 5e 1a 2b 4d 3c 5e 1a 2b 4d 3c 5e 1a 2b 4d 3c 5e MONO INPUT CHANNELS ( 1-4) 1 2 2 LOW CUT 100HZ LOW CUT SW LOW CUT SW LOW CUT 100HZ 4 5 GAIN LEVEL AUX1 PRE 3 INSERT T R RN TN R BUS L BUS R BUS L BUS AUX1 PRE PAN 5e S 3c 4d 2b 1a SOFT DE-ES COMP BYPA
8. TECHNICAL SPECIFICATION Mono input channels Microphone input electronically balanced Bandwidth Distortion (THD & N) 15Hz to 20kHz, +/3dB Gain range SNR (Signal to Noise Ratio) Line input Stereo input channels Bandwidth Distortion (THD & N) Line level range Max input level Line input Equalization unbalanced 15Hz to 60kHz, +/3dB 0.007% at +4dBu, 1kHz, Bandwidth 60KHz -20dBu to +30dBu +10dBu Bandwidth Distortion (THD & N) unbalanced 10Hz to 55kHz, +/3dB 0.
SEKAKU ELECTRON INDUSTRY (H.K.) CO. LTD. No.1, Lane 17, Sec. 2, Han Shi West Road, Taichung, 401 TAIWAN http://www.altoproaudio.com Tel:886-4-22313737 email: alto@altoproaudio.com Fax:886-4-22346757 All rights reserved to ALTO. All features and content might be changed without prior notice. Any photocopy, translation, or reproduction of part of this manual without written permission is forbidden. Copyright c 2004 Sekaku Electron NF01889-1.
